BRENT MAIL presents...
PHOTO
BOOTCAMP
MAGAZINE
ISSUE 57 | NOVEMBER 2023
IN THIS ISSUE:
JUXTAPOSITION
Photographer: STEVE DARNELL
Country: USA
f/ 2.8 1/ 60sec ISO100 | 66mm
Another example of life finding a way, a theme several
others have used for this challenge.
IN THIS
ISSUE
JUXTAPOSITION 04
Members' Images 10
Featured Artist - Sig Rannem 22
Members' Images 28
Acknowledgments 39
Calling All BootCamp Recruits 40
DRILL INSTRUCTOR'S MEMO
WELCOME TO ISSUE 57 OF
PHOTO BOOTCAMP MAGAZINE!
Challenging our expectations with Juxtaposition.
Juxtaposition in photography involves placing
contrasting elements side by side within a composition
to create visual or conceptual contrasts. It utilizes
differences in size, shape, color, texture, or subject
matter to create striking images that evoke curiosity,
surprise, or irony. Juxtaposition can convey narratives,
convey messages, and encourage viewers to make
connections and interpretations.
By challenging expectations and offering fresh
perspectives, it adds depth and visual interest to
photographs, engaging viewers and provoking
thoughtful responses.
Next, we'll jump in and see what our Boot Camp
members have been creating. It's truly inspiring to see
Brent Mail some of the unique and creative images our members
have been capturing by using juxtaposition in their
photography.
j uxt a po s it io n
JUXTA POSITION
"Photography's magic lies in its
ability to capture the
juxtaposition of fleeting
moments, freezing the dance of
light and shadow in a single
frame."
~ Ansel Adams
JUXTA POSITION
What is juxtaposition in photography?
Juxtaposition in photography is a powerful technique that allows photographers to create visually compelling
images that engage viewers and provoke thought by presenting contrasting elements in a single composition.
It involves placing contrasting elements side by side within a composition to create visual or conceptual contrasts.
It utilizes differences in size, shape, color, texture, or subject matter to create striking images that evoke curiosity,
surprise, or irony. Juxtaposition can convey narratives, convey messages, and encourage viewers to make
connections and interpretations. By challenging expectations and offering fresh perspectives, it adds depth and
visual interest to photographs, engaging viewers and provoking thoughtful responses.
Why is learning juxtaposition in photography important?
Learning juxtaposition in photography is important for several reasons. Firstly, it allows photographers to create
visually compelling and captivating images that stand out and grab the viewer's attention. By juxtaposing
contrasting elements, photographers can create compositions that are visually striking, thought- provoking, and
memorable.
JUXTA POSITION
Secondly, juxtaposition helps photographers convey meaning and tell stories through their images. By placing
contrasting subjects or objects together, they can create a narrative or highlight specific themes or concepts.
Juxtaposition adds depth and layers to the photograph, allowing viewers to engage with the image on multiple
levels and interpret its meaning in different ways.
Furthermore, learning juxtaposition enhances a photographer's creative thinking and compositional skills. It
encourages them to look beyond the obvious and seek out unique combinations and relationships between
elements. It challenges photographers to think critically about the visual impact and message they want to convey,
fostering their ability to see and capture interesting moments or scenes.
Finally, understanding juxtaposition can contribute to the overall growth and development of a photographer's
artistic style. It expands their creative toolbox and opens up new possibilities for self- expression. By mastering
juxtaposition, photographers can develop a distinctive visual language and signature style that sets their work
apart from others.
In summary, learning juxtaposition in photography is important because it allows photographers to create visually
compelling images, convey meaning and stories, develop compositional skills, and cultivate their unique artistic
style. It is a fundamental technique that enriches the photographic experience and helps photographers create
impactful and meaningful photographs.
JUXTA POSITION
Write a step by step guide on how to do it well
Here's a step- by- step guide on how to effectively use juxtaposition in your photography:
- Understand the Concept: Familiarize yourself with the concept of juxtaposition in photography. Study
examples from renowned photographers to grasp how contrasting elements can create visual impact and
convey meaning.
- Identify Contrasting Elements: Begin by identifying the elements or subjects you want to juxtapose. Look for
contrasting characteristics such as size, shape, color, texture, pattern, or subject matter. The greater the
contrast, the stronger the impact.
- Plan Your Composition: Consider the composition and framing of your shot. Decide how you want to position
the contrasting elements within the frame to create the desired effect. Experiment with different angles,
perspectives, and distances to find the most compelling arrangement.
- Seek Uncommon Combinations: Look for unexpected or unusual combinations of elements. Avoid clichés and
strive to create unique and thought- provoking pairings. Look for moments that challenge expectations and
offer fresh perspectives.
- Emphasize Contrast: Pay attention to the contrast between the juxtaposed elements. Utilize techniques such
as depth of field, lighting, or color to enhance the visual contrast and draw attention to the differences. This
will help create a clear distinction between the subjects
JUXTA POSITION
- Tell a Story: Consider the narrative or message you want to convey through your juxtaposition. Think about
the story you want to tell or the emotions you want to evoke. The contrasting elements should work together
to communicate a cohesive and compelling story or concept.
- Experiment and Iterate: Don't be afraid to experiment and try different combinations of elements. Explore
various settings, subjects, and scenarios to find the most impactful juxtapositions. Review your shots, make
adjustments, and refine your composition as needed.
- Reflect on the Results: Take the time to analyze and reflect on your juxtaposed photographs. Consider how
effectively they convey the intended message or evoke the desired response. Learn from your successes and
challenges, and use this knowledge to refine your skills further.
- Study and Learn: Continuously study the work of other photographers who excel in using juxtaposition.
Analyze their techniques, composition, and storytelling abilities. Seek inspiration from different genres of
photography and apply those insights to your own work.
- Practice and Experiment: Juxtaposition is a skill that improves with practice. Keep exploring new subjects,
experimenting with compositions, and refining your technique. The more you practice, the better you'll
become at identifying opportunities for juxtaposition and creating visually compelling images.
Remember, mastering juxtaposition in photography requires time, practice, and a keen eye for detail. Stay open to
new ideas, embrace experimentation, and develop your own unique style along the way.
MEMBERS'
IMAGES
Photographer: ROMY VILLANUEVA
Country: PHILIPPINES Feedback: PETER BRODY
f/ 2.5 1/ 200sec ISO100 | 24mm Country: USA
Golden hour in a stormy afternoon. Took this Romy, that is one wicked- looking
photo just before the workers harvested the sky! I hope no one was hurt
sugarcane in front of my house. harvesting the sugarcanes.
Photographer: KERI DOWN
Country: AUSTRALA
I have chosen this particular photo because the
story is beautiful. Wrong settings but here goes.
Grandad (my partner) is a mechanic and is just
recovering from carpel tunnel surgery on both
hands. The little fella (grandson 11 years old)
decided to come and help him for a couple of
days in his shop during the school holidays. This
was taken at the end of the first day and the
little fella was as dirty as Grandad but I hope
this fits the brief showing young and old. There
is 50 years between them.
Feedback: RICHARD HUTSON
Country: USA
Keri, this is an excellent fine- art photograph, and
the juxtaposition of the young and old hands joined
in the bond of doing the same work is a moving
story ? there is nothing wrong with the settings.
Photographer: ANDREW ROBINSON Feedback: RON DU BOIS
Country: AUSTRALIA Country: GREAT BRITAIN
f/ 6.3 1/ 200sec ISO320 | 100mm Like this one better Andrew. The more
This is a tough one this month, I think this distant view draws my eye to the centre.
qualifies, Large and Small, Old and New. The old/ new building comparison makes
me think of Gulliver landing in Lilliput.
Photographer: NICK ELLIS
Country: AUSTRALIA
f/ 1.9 1/ 33sec ISO125 | 4.3mm
I haven't had much of a chance to play with a
camera recently so a re- examination of a few
photos I took for BootCamp a while ago.
Samsung 'phone.
Feedback: JAMES HERRICK
Country: CANADA
Great shot Nick! I've done something similar
with fewer peppers, but this is much more
striking and draws the eye instantly.
Photographer: LAURA GRIFFITHS Feedback: DENIS O'BYRNE
Country: SOUTH AFRICA Country: IRELAND
f/ 11 1/ 1250sec ISO640 | 46mm Hi Laura. Great shot from a difficult
platform. Great contrast of the
One of the Skeleton Coast, Namibia. Desert, staggeringly hot, opposing surfaces and the people and
dry, yellowish. Ocean, freezing cold current all along that coast jeeps give added interest. Well done.
(Benguela current coming up from Antarctica), wet of course,
and the deep blues of the sea. The vehicles on the beach
reveal the scale of those dunes. One of the most inhospitable
but beautiful places I have ever visited.
Photographer: LYNTON STACEY
Country: AUSTRALIA
Sony A6600
f/ 2.8 1/ 16sec ISO100 | 55mm
I was pruning the mandarin tree and noticed this nest. What an opportunity to create the inverse of Brent's first
posting. This challenge can provide such fun! I just hope that there are no new little bird ornaments arriving! As per
Brent's advice, I have sharpened this image. I initially used Topaz Photo AI, and while in the app it looked sharp, but that
didn't translate back in Lightroom. So after 3 attempts I went to Topaz Sharpen and the result was better. I have seen
the occasional comment online that sometimes you have to try the basic Topaz app rather than Photo AI.
Feedback: SIG RANNEM
Country: SINGAPORE
Lynton, great thinking behind this
image and well executed!
Feedback: STEVE DARNELL
Country: USA
James, I think this is a great image. I can
imagine Tex thinking, "Why don't you just
chill out"? But, then, I am guessing it
wasn't too long before he joined in on the
play. The grass is a great background,
allowing the color of the dogs to really
pop. Good job.
Photographer: JAMES HERRICK
Country: AUSTRALIA
iPhone Pro 13
f/ 1.5 1/ 1000sec ISO50 | 42mm
This was taken a couple of weeks ago when our son and family stayed with us. Our dog (white), Tex, and his dog,
Shipley are best pals. When we visit their house and don't bring Tex with us, Shipley will stand at the door after we're all
unpacked, expecting me to bring Tex in from the truck. When they do get together they spend a lot of time playing and
play- fighting. I just happened to pop outside while the dogs were out in the backyard with our son and grandson and
caught them in action. The shot itself has many juxtapositions for me. First, it's the colours of the dogs, then it's the
standing vs on the ground, snarling vs calm, active vs stationary, submissive (Shipley) vs dominance.
Photographer: JOHN SULLIVAN
Country: AUSTRALIA
f/ 8 1/ 1000sec ISO800
Sea- Stone and Water- Falling. Taken with
an incoming tide beside the ocean near
home. I love the ocean and the contrast it
has with the other elements of nature. I
didn't really know a lot about Juxtaposition
so hopefully, this shot is going down the
correct path.
Feedback: BRENT MAIL
Country: AUSTRALIA
Like the hard vs. soft in your image John. The
hard rock and mussels against that soft water
flowed off the rock back into the ocean.
Something I would try here is a long exposure
(very slow shutter speed with your camera on a
tripod) to get the water milky smooth and even
softer against those hard rocks. I'll show you
next time we're out shooting.
Photographer: DAVE KOH
Country: SINGAPORE
f/ 2.8 1/ 60sec ISO100 | 66mm
I am using an old shot from an earlier boot camp
challenge for my submission. I have retained the
green apple and converted the background by
reducing the color saturation and the apple still
looks fresh.
Feedback: JAMES HERRICK
Country: AUSTRALIA
Excellent composition Dave! It's the green colour
that makes the shot stand out for me. I don't think
it would work as well with a redder apple.
Photographer: PETER BRODY
Country: USA
f/ 2.8 1/ 650sec ISO100 | 300mm
This photo was taken on a side street in Moscow.
What caught my eye was the illusion of the woman in
the mural feeding the pigeons. I was amazed at how
the birds flocked to this Pied Piper and lined up for the
food that miraculously appeared on the ground. Even
the mural implied she was a bird whisperer.
Feedback: ROMY VILLANUEVA
Country: PHILIPPINES
Hi Peter. It does look like the woman in the mural was
feeding the pigeons. Interesting shot, surreal.
Thanks for sharing, I like it!
Photographer: RON DU BOIS
Country: GREAT BRITAIN
f/ 10 1/ 30sec ISO200 | 18mm
This is a picture taken in Birmingham, which
was a waterway hub for the whole of England in
the 18th and 19th centuries. Narrowboats
would haul coal, iron, and other heavy cargo
through narrow canals leading to broader water
thoroughfares. These canals still exist and are
being restored but are no longer used for
industrial purposes. This image shows an
original flight of locks, now dwarfed by modern
builds, which have replaced homes that
belonged to the canal administrators and
workers. I felt that B&W conveyed the sense of
history and overbearing new build better than
colour. Edited in Lr and Ps with Denoise and
tweaks to highlight the B&W; handheld with a
bridge parapet for support.
Feedback: BRENT MAIL
Country: AUSTRALIA
Classic image Ron and love the story behind it.
I've heard about these canals but never seen
them surrounded by new buildings - like the old
vs. new theme and I think B/ W is the right way
to process this image to give us that older
feeling. Love the deep blacks making the water
look cold and well done getting the buildings
vertical on your 18mm lens which is not easy
too. Thanks for sharing.
FEATURED
ARTIST
F E A T UR E D SI GM U N D R A N N E M
I M A G E CA N A D A
Photographer: SIG RANNEM
Country: CANADA
f/ 1.8 1/ 200sec ISO1600 | 85mm
Fighting like cat and dog? No, not this pair! In
fact, they sometimes groom each other and this
time it was the dog's turn to get the spa
treatment.
GETTING TO KNOW
OUR FEA TURED A RTIST:
SIGM UND RANNEM | CANADA
Brent: What sparked your original interest in photography? How did
you get started?
Sig: For many years I was more focused on video, so my serious
interest in still photography is more recent. Thinking back on it, my
real inspiration came from my mother-in-law, who was a very good
amateur film photographer in her day. She received several State of
Wisconsin photography awards and even a few nationally in the U.S.
But it was her images themselves that inspired me, not primarily the
awards. Her photos were shot on slides-film with no
post-production - amazing!
Brent: Who is your favorite photographer and why?
Sig: I generally don?t have strong likes and dislikes, so most often I
don't have definitive favourites. There are of course photographers
outside of Bootcamp that I admire and follow. Three that come to
mind are Mads Peter Iversen (Denmark) and Nigel Danson (UK), who
are predominantly landscape photographers, as well as Darlene
Hildebrandt. These three are all very knowledgeable and have great
insights and ideas and it is inspiring to view their videos on
YouTube.
Brent: How do you educate yourself to improve your photography
skills?
Sig: Over the past several years, my main source of photography
education has undoubtedly been Bootcamp. In addition, I have
purchased a number of online courses. I have never taken any
in-person courses.
F E A T UR E D SI GM U N D R A N N E M
A R T I S T CA N A D A
Sig' s favorite inspirational quote:
"Success is not final, failure is
not fatal: it is the courage to
continue that count." -
Winston S. Churchill
F E A T UR E D SI GM U N D R A N N E M
A R T I S T CA N A D A
Brent: What is in your camera bag - in other words, what gear to you own?
Sig: Sony A7r iii camera, 16-35 mm f/4 lens, 24-70 mm f/2.8 lens, 24-240 mm f/3.5-6.3 lens, 50 mm f/1.8 lens
85 mm f/1.8 lens, 70--200 mm f/2.8 lens, 200-600 mm f/4.5-6.3 lens, 2x telephoto adapter,10+16 mm extension tube
2 tripods, Macro focusing rail
Brent: Tell me about your favorite lens...what is it and what do you love about it?
Sig: As mentioned above, I generally don't have definitive favourites. At the moment I use the 70-200 mm lens the most as
I try to photograph my two young grandsons. I find this lens to be the most suitable for that purpose. It has long enough
reach that I don?t need to be right in someone?s face when shooting photos of people. At the same time, the maximum
aperture allows me to blur out the background if so desired.
Brent: Tell us about your post-processing workflow and what software or tools you use.
Sig: The software tools I use include Lightroom Classic, Photoshop, Topaz software (Denoise, Sharpen, Gigapixel, Photo AI),
and Luminar Neo. I catalogue my photos in Lightroom Classic with which I also do initial editing. From there I move on to
the other software applications as needed. I generally return to Lightroom Classic and export images from there.
Brent: What is the most challenging photo you?ve ever taken and how did you overcome those challenges?
Sig: It?s hard to say which one has been the most challenging, but the featured image may be the one. As the grooming
sessions depicted in the image don?t occur regularly, it was a question of having my camera available at all times and
being persistent. More often than not, the lighting conditions were not ideal, which made capturing a good image extra
challenging.
F E A T UR E D SI GM U N D R A N N E M
A R T I S T CA N A D A
Brent: The sky?s the limit, no constraints...What are your grand photography dreams?
Sig: I had to think about this one for a while. In actuality, I really don't have any grand photography dreams other than
continuing to develop my skills to be the best amateur possible. Having said that, I would like to join photography tours
led by professional photographers, such as Brent. Example destinations of special interest would be the Faroe Islands,
Iceland, and the Lofoten Islands in Norway. More southern climes would also be of interest.
Brent: Tell us about the featured image: What was the inspiration behind it? What was your process to get it? How did you
do the post-processing?
Sig: The "critters" in this photo are part of our family - Atticus the cat and Tesla the dog. Atticus is the oldest. When Tesla
came to us as an 8-week-old puppy, she grew up with Atticus as her older brother. The two of them don't interact all the
time, but when they do, they groom each other, which we find really cute. From the first time I observed this interaction, I
knew I had to capture it in a photo. However, achieving a good result was quite challenging. The process to get this image
is described in 6. above following my standard workflow. The original image out of the camera suffered from an annoying
bright spot to the left of the cat?s face, which was very distracting. Fortunately, I managed to remove it in Photoshop.
Brent: What advice would you give to someone just starting on their photography adventure?
Sig: The main point that comes to mind is "patience", both in the learning process and in execution. Photography is a
complex and multifaceted art and craft that takes time to master. This does not mean deliberately holding back from
learning quickly. It does mean that you need to have realistic expectations and goals. Solidifying your knowledge and skills
takes time and yes, patience. This does not mean that you cannot enjoy photography early on in the learning process. Once
you master a few basics you are off and running. Just as with so many other skills in life, it is often the journey of learning,
exploring, and gradually mastering a skill that is the really fun part.
MEMBERS'
IMAGES
Photographer: GREG SKEHAN
Country: SINGAPORE
Canon 5D Mark II
f/ 9 1/ 400sec | 105mm
I visited Cappadocia in Turkey a few years ago, and it was
recommended that I go to Pigeon Valley early in the morning.
The landscape all around the area is quite surreal and we
actually spent a night sleeping in one of the "homes" carved
into the natural structures. The morning light and shadows
highlight the bizarre formations. The lone pigeon flying into the
scene originally annoyed me but I am glad I took the shot as it
provides a contrast and reminds me of the name of the area.
Feedback: LYNTON STACEY
Country: AUSTRALIA
Greg, the pigeon is a contrast, but so are the light
and dark areas of that magical landscape. To fly
over this area in a balloon at dawn is truly
amazing.
Photographer: EUGENE BRANNAN Feedback: DAVE KOH
Country: USA Country: SINGAPORE
Sony A7R4 Something very different where we
f/ 6.3 1/ 800sec ISO100 | 185mm do not get to see very often. Though
Captured near Key West, FL last weekend. It's unfortunate, but it is unfortunate, but you did get
this is a scene that is repeated in many locations up and down this juxtaposition shot for sure.
the Florida Keys. Boats underwater because of being Well done, Eugene.
swamped in storm surges and high winds. The juxtaposition of
this image is that there are boats and sailboats anchored just
a few feet away that are still afloat. Not an overly dramatic
shot, but a juxtaposition for sure! Post editing in Lightroom.
Photographer: SARA O'BRIEN
Country: USA
f/ 9.5 1/ 350sec | 58mm
I like the contrast of colors in this one and the
different sizes of the leaves. The hydrangea and
barberry complement each other nicely. I wish I
could say this was in my garden, but it is not. I
took it at the beginning of the challenge on a
walk. Also cannot find which SD card I used, so I
am unable to find the ISO.
Feedback: DENIS O'BYRNE
Country: IRELAND
Hi Sara. I like the contrast and tones in
the different colours. Well done!
Photographer: ROHN SHEARER Feedback: LAURA GRIFFITHS
Country: USA Country: SOUTH AFRICA
f/ 16 1/ 160sec ISO100 | 250mm Hi Rohn, I'm interested to know how you
shot this. Were you in the foreground plane?
I was at one of the largest airshows in the world a It's such a good angle with that jet coming in
couple weeks ago, & found many examples of from above. I like your sky, nothing wrong
juxtaposition, with a mix of old & new airplanes. A with a sky replacement in general - don't
difficult part of shooting was that with the haze from know if Brent has a rule about this. I think
wildfires in Canada, the sky was much in most of the they can be quite fun at times. And in the
pictures. I'm sure a polarizing filter might have helped, circumstances under which you were
but I don't have a large enough one for my long zoom. operating, I'm sure you saved the image by
How does everyone feel about sky replacement? I tried adding a good sky. Well done!
it, & like it better. I'd be happy to post the original if
replacement isn't allowed here.
Photographer: KERRIE CLARKE
Country: AUSTRALIA
f/ 6.3 1/ 1000sec ISO1600 | 160mm
I'm normally a nature photographer, but I have
really enjoyed going out the last couple of days,
viewing the world with different eyes. I took this
image today, was drawn by the reflection in the
window. Reflection and shadow.
Feedback: VALERIE WORTHEN
Country: USA
This is definitely a unique and interesting
shot. Composed just right to focus the
attention and the tones fit well. Even
with your explanation, I am still
struggling to figure it out which makes it
even more of a conversation and
memorable photo! !
Photographer: PAUL FULLER
Country: AUSTRALIA
f/ 7.1 1/ 800sec ISO500 | 500mm
Life and Death, everyone needs to eat. I live next
door to a Church and the Gardens attract lots of
Birds. This Australian Hobby is a Regular visitor and
sits on our TV Aerial and watches the gardens at the
church for Prey. [Prey, House sparrow]
Feedback: DENIS O'BYRNE
Country: IRELAND
Hi Paul. Nice shot. Sharp and clear. There is a
white spot to the right and just below the Hobby.
you may wish to investigate. Well done.
Photographer: RODNEY CHARLTON
Country: AUSTRALIA
f/ 16 1/ 60sec ISO250 | 12mm
The old and the new, with the remains of the
old providing a great place to fish from.
Feedback: KERI DOWN
Country: AUSTRALIA
Love the old and the fact it is still there.
Great comparison.
Photographer: BRUCE PATTERSON
Country: USA
f/ 5 1/ 200sec ISO100
Here is one from the local boat ramp. I had
to maneuver around quite a bit to cut out
the actual ramp and trailers from this photo
of life jackets. They look a bit out of place
against the green background of
mangroves.
Feedback: VALERIE WORTHEN
Country: USA
No water in sight makes you wonder what
the jackets are for. At first glance, they
appear to be on a road sign which adds to
the contrast. Well composed.
Photographer: DONALD ADAMS
Country: USA
f/ 13 | 83mm
Zurich- market
Feedback: DAVE KOH
Country: SINGAPORE
Nice contrasting colors of these veggies. Well done,
Donald.
Photographer: LEILA GONZALEX SULLIVAN
Country: USA
Squirrel in an arboretum? Here is my first try at the
juxtaposition, placing a photo of a squirrel I saw near
my deck into an empty tree trunk in the San Diego
arboretum. Both images were taken on different
dates with my old iPhone 6X. Seemed like a rather
whimsical idea.
Feedback: DENIS O'BYRNE
Country: IRELAND
Hi Leila. Yes, a nice piece of work. Well done.
Ac k no w l edg ment s
SPECIAL THANKS TO OUR TEAM
Creator.............................................Brent Mail Art Director................Hazel Rivera
Writer & Editor in Chief...............Julie Powell
About this publication:
Photo BootCamp Magazine was created to showcase the art, skills, and camaraderie of the recruits from the Academy. Each
month, Brent leads members in a new drill, teaching them what they need to know to get out in the field and create images
using their new skills.
About Photo BootCamp Academy:
Photo BootCamp Academy is a community of like- minded photography students who come together to learn in the fastest,
most fun way - how to harness the magic of photography, improve their craft, gain confidence, and sometimes even win
awards!
Join BootCamp here: https:/ / shareinspirecreate.com/ join- bootcamp
Copyright:
Share Inspire Create ©2023. All Right Reserved.
Artists in this magazine are responsible for their own works and any rights appertaining.
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BRENT MAIL presents...
PHOTO
BOOTCAMP
MAGAZINE
ISSUE 57
NOVEMBER 2023
IN THIS ISSUE:
BLACK & WHITE
WITH A TWIST 41
