Chishti Sufis of Delhi
Chishti Sufis of Delhi
There is a Sufi tradition of visiting the tombs of saints called ziyarah (Arabic, “visit”) or haazri
(Urdu, “attendance”) to give thanks and respect, to offer prayers and seek guidance, to open
oneself to the blessing stream and seek deeper connection with the great Soul.
In the Chishti lineage through Hazrat Pir-o-Murshid Inayat Khan, there are nine Pirs who are
buried in Delhi, and many more whose lives were entwined with Delhi. I have compiled short
biographies on these Pirs, and a few others, so that we may have a glimpse into their lives, as a
doorway into “meeting” them in the eternal realm of the heart, insha’allah.
With permission from the authors, to whom I am deeply grateful to for their work on this subject,
I compiled this information primarily from three books:
Pir Zia Inayat Khan, The “Silsila-i Sufian”: From Khwaja Mu’in al-Din Chishti to Sayyid Abu
Hashim Madani, published in A Pearl in Wine
Sadia Dehlvi, Sufism, The Heart of Islam, and The Sufi Courtyard, Dargahs of Delhi
For those interested in further study, I highly recommend their books – I have taken only small
excerpts from their material for use in this document.
From The Sufi Courtyard, Dargahs of Delhi, I scanned the following photographs: Dargah of Mai
Sahiba, Dargah of Hazrat Maulana Fakhruddin, and Dargah of Hazrat Shah Kalimullah
Jahanabadi. From A Pearl in Wine I scanned two photographs: Tomb of Hazrat Ghulam
Qutbuddin, and Tomb of Hazrat Nasiruddin Mahmud Kale Miyan. Other photos came from
internet research or from my personal library.
I included the Silsila of Sufi Ruhaniat International and highlighted the Pirs whose biographies
are in this document. I changed the spelling of names from the source documents to match with
the names as they are spelled in the Ruhaniat Silsila.
I created regional maps that pinpoint the towns and geographic areas referred to in the
biographies, and local maps that show the locations of the dargahs.
May a living connection to our spiritual ancestors further awaken in our hearts, and may our
actions in this life be of benefit – now, and to future generations.
Basira Beardsworth
August 2013
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Hazrat Khwaja Moineddin Chishti Ajmeri Gharib Nawaz
Hazrat Khwaja Moineddin Chishti Ajmeri Gharib Nawaz is the 17th Pir in the Chishti lineage of Hazrat
Pir-o-Murshid Inayat Khan; he was the successor of Hazrat Khwaja ‘Usman Haruni. He was born in 1141
in Central Asia and died in Ajmer, India in 1236 at 95 years of age. His dargah is in Ajmer, India.
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Sadia Dehlvi Emperor Akbar remained an ardent devotee of Khwaja Moineddin, considering himself
blessed by the Master. The Akbarnama records Akbar making the pilgrimage to Ajmer 14 times, several
of them on foot…He presented the khanqah with a huge cauldron, which is still used for cooking during
the Urs celebrations. Emperor Jehangir presented another smaller cauldron in 1614, in which food was
cooked and distributed to 5,000 people. The two cauldrons are probably the largest and oldest cooking
utensils in the world that have been in constant use for centuries.
Editor’s Note There is a rich Chishti Sufi tradition
called langar, which is to give food to those in need
from the dargah of a Sufi master. Food is cooked and
served out of a massive pot called a degh and is
usually vegetarian. To donate to the Langar Fund
of Hazrat Inayat Khan’s dargah, contact the
Ruhaniat Secretariat by email: ruhaniat@mail.com
Above, Badi Degh, a gift from Emperor Akbar, holds 4,800 kgs
(10,580 lbs) of food; right, Choti Degh, a gift from Emperor
Jehangir, holds 2,400 kgs (5,300 lbs) of food
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Hazrat Khwaja Qutbuddin Bakhtiyar Kaki
Hazrat Khwaja Qutbuddin Bakhtiyar Kaki is the 18th Pir in the Chishti lineage of Hazrat Pir-o-
Murshid Inayat Khan; he was the successor of Hazrat Khwaja Moineddin Chishti Ajmeri Gharib
Nawaz. He was born in 1173 in present day Kyrgyzstan, and died in 1235 or 1236 at the age of
62. His dargah is in Mehrauli, New Delhi, India.
Excerpt from Sufism, The
Heart of Islam by Sadia
Dehlvi
There are different legends on
how Khwaja Qutub got the
title of Bakhtiar Kaki. The
most accepted one narrates
that his wife used to take
provisions on credit from a
nearby grocer to feed her
starving family. One day, the
grocer taunted her saying
that the family would starve
to death had it not been for his
kindness. Khwaja Qutub
learnt of the remark and
forbade the taking of
provisions on credit. Pointing
to a niche in the wall, he told his wife to recite “Bismillah” and take bread from it. The kak, bread,
continued appearing miraculously till his wife revealed the secret to others. Above, tomb of Hazrat
Khwaja Qutbuddin Bakhtiyar Kaki
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In the end, Khwaja Qutbuddin died as he lived – lost in ecstasy. It happened this way. The Khwaja
was present at a mystical soiree (mahfil-i sama) at the khanqah of Shaykh ‘Ali Sikzi. At a decisive
moment, the qawwal (ritual singer) sang a verse from the Divan of Shaykh Ahmad-i Jam: “All
those by the knife of submission killed; each moment from God with new life are filled.” Hearing
these words, Khwaja Qutbuddin was transported. Rapture so overwhelmed him that others had
to carry him home, escorted by the musicians, who continuously recited the verse at his bidding.
For four days and four nights he remained in a state of intoxication, and on the fifth night – 14
Rabi I 633/1235 – he “embarked on his journey”. He was buried in a meadow outside of Delhi
(now long since urbanized) where he had once paused and remarked, “This earth has the
fragrance of hearts.”
Excerpt from The Sufi Courtyard, Dargahs of Delhi, on Mehrauli by Sadia Dehlvi
Mehrauli is truly one of God’s chosen places on earth. Khwaja Qutub’s lovers will tell you the
tale of the Prophet King Solomon and Khwaja Qutub’s resting place. When Solomon’s takth,
throne, was flying over Mehrauli, he noticed showers of Divine Light descending into a specific
area. On enquiry, the angels revealed to Solomon that this piece of land was being readied for
Allah’s special friend, who would come from the community of Prophet Muhammad. It is said
that kings may come and go, but Delhi
will survive as long as the dargah of
Khwaja Qutub exists. Such is the
divinity attributed to Mehrauli and
Khwaja Qutub, its honored resident.
…Occasionally, you will hear a qawwali
in the outer compound. Music is not
allowed in the inner compound, for
Khwaja’s soul left his body while
listening to mystic verse. This distance
from Khwaja Qutub is maintained lest
his soul be seized with ecstasy.
Women are not allowed inside (the
inner compound) and line up by the marble trellised boundary wall separating the inner
compound from the outer complex (photo above).
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Bibi Hambal Daiji
Bibi Hambal Daiji is believed to be Khwaja Qutub’s dai, wet nurse. Khwaja called Bibi Hambal
from Osh and put her in charge of running the khanqah at Mehrauli. Daiji’s dargah is opposite
the old mosque and only women are allowed inside the inner chamber. Adjacent to Daiji’s tomb
is a grave believed to be that of Khwaja Qutub’s wife.
Bibi Sara
Bibi Sara was a revered disciple of Khwaja Qutub. The grave of this pious woman lies in a small
gated cell-like enclosure to the west of Khwaja Qutub’s mosque. It is no more than six or seven
feet high. Only women are allowed inside the enclosure.
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Hazrat Khwaja Baba Fariduddin Mas’ud Ganj-i-Shakar
Hazrat Khwaja Baba Fariduddin Mas’ud Ganj-i-Shakar is the 19th Pir in the Chishti lineage of
Hazrat Pir-o-Murshid Inayat Khan; he was the successor of Hazrat Khwaja Qutbuddin Bakhtiyar
Kaki. He was born in 1172 in Kahtwal, Multan, in present-day Pakistan, and died in 1265 at the
age of 93 years; his dargah is in Pakpattan, Pakistan.
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After completing his training and receiving the honor of khilafat, Khwaja Fariduddin asked his
master’s permission to withdraw to the cantonment town of Hansi, where he hoped to maintain
a low profile. With tears in his eyes, Khwaja Qutbuddin said, “Maulana Fariduddin, I know you
will go. Go. It is destined that you will not be present at the time of my death.” Bidding those
in attendance to recite Sura Fatiha and Sura Ikhlas, he conferred on him his prayer carpet and
staff, and uttered his final testament, “My place is yours”.
In Hansi one night Khwaja Fariduddin saw his master in a dream, beckoning him. In the
morning he left for Delhi. On the road he learned that Khwaja Qutbuddin had passed away that
very night. On his arrival in Delhi Qazi Hamiduddin Nagauri presented him with the remaining
mystical insignia (tabarrukat) of Khwaja Qutbuddin – a robe, turban, and pair of wooden sandals
– and Khwaja Fariduddin took his seat in his master’s house.
Before long Khwaja Fariduddin again grew tired of the fast-paced life of the imperial capital
and resolved to return to Hansi. His disciples and admirers protested that Khwaja Qutbuddin
had entrusted Delhi to him – why should he go elsewhere? Khwaja Fariduddin simply replied,
“My pir’s blessings will remain with me in equal measure whether I am in the city or in the
desert”. After some time in Hansi, Khwaja Fariduddin moved on to Kahtwal, and then finally
settled in the lonely town of Ajodhan (now Pakpattan, in the Pakistani Punjab).
In Ajodhan Khwaja Fariduddin lived with his family – two or three wives and five children – in
a thatched hut near the village mosque. There was no khanqah to speak of, but a jama at-khana,
or communal hall, was erected to house the dervishes who attended him. In accordance with
the principle of tawakkul (reliance on God) Khwaja Fariduddin’s family and disciples refused all
offers of fixed income. Often they went hungry. At other times they received large donations in
the way of futuh (serendipity), which they promptly disposed of.
Hindu yogis were known to visit the jama at-khana. Khwaja Fariduddin himself practiced and
taught a Hindavi zikr. He also wrote poetry in the regional dialect, some of which survives in
the Sikh scripture Guru Granth Sahib. In these slokas (couplets) the Khwaja evokes imagery that
is quintessentially Indian; koils, crows, cranes, and swans replace the moths and nightingales
of the Persian poetic imagination. Faithful to indigenous conventions, he assumes the voice of
a woman pining for her beloved husband.
…Khwaja Fariduddin would often lie in prayerful prostration (sijda) for hours on end, reciting,
“I die for You; I live for You”. Having reached his ninety-third year, on the evening of 5
Muharram 664/1265, the Shaykh breathed his last. As he expired he uttered, “Ya Hayy, Ya
Qayyum” (O Living, O Eternal).
Khwaja Fariduddin’s tomb in Pakpattan, originally built with unbaked bricks pried from his
hut, is today a major pilgrimage center, attracting tens of thousands of devotees each year.
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Fawaid ul Faa’d, the books containing the discourses of Hazrat Nizamuddin Auliya that were
written during his lifetime.
…Baba Farid accompanied Khwaja Qutub to Delhi, who assigned a hujra, meditation cell, to the
disciple at his khanqah in Mehrauli. Once while Khwaja Moineddin visited Delhi and saw the
young mystic, he remarked, “Farid is a falcon who will not make his nest anywhere except on a
tree in heaven. He is a lamp that will illuminate the order of the Sufis”. Khwaja Moineddin asked
his disciple to bless the young mystic but Khwaja Qutub did not think it proper to do so in front
of the Master. Khwaja Moineddin then blessed Baba Farid, making him the sole Chishti Master
to have been blessed by both his Master and the Master of his Master.
…Baba Farid encouraged a sound education and showed a keen interest in poetry and music.
He disseminated Sufi teachings through popular songs, influencing the population, particularly
women who took to singing mystic verses while doing their daily work. Baba Farid wrote
poetry in Persian, Arabic, and the local Hindawi dialect. The Granth Sahib, the holy scriptures
of the Sikh faith, contains 135 hymns written by him.
Baba Farid’s assemblies attracted scholars, merchants, government servants, artisans and
mystics from all sections of society. Some stayed forever, some for a short while, and others
simply came to seek his blessings. A broad range of discussions were held and visitors included
countless yogis who shared their philosophies and breathing techniques with the khanqah
inmates.
…Baba Farid taught that knowledge of the religious laws should bring humility and one should
act upon it rather than harass people with it. He preached that a true mystic aroused love and
affection in people’s hearts. From among his numerous disciples, Baba Farid appointed seven
khalifas, the most outstanding one being Hazrat Nizamuddin Auliya of Delhi.
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Well and Chillahgaah of Baba Farid
Excerpt from A Sufi Courtyard, Dargahs of Delhi by Sadia Dehlvi
The road behind Adham
Khan’s tomb leads to the
Eidgaah of Iltutmish (an
open-air mosque built by
Sultan Iltutmish) which
continues through the
forest to Aashiq Allah’s
dargah. On the left, just
before the entrance to
Aashiq Allah’s dargah is
the well where Baba Farid
is said to have performed
the Chillah-e Maakoos.
This difficult meditation
involves hanging upside-
down in a well for forty
days, the feet tied with a
rope to a sturdy tree. His
disciple Khwaja Minai of
Hansi pulled him up from
the well at prayer times.
East of Aashiq Allah’s
dargah is the Chillahgaah
of Baba Farid, the cell
where he meditated for
forty days.
Above left, Adham Khan’s Tomb, Adham Khan was a general of Emperor Akbar; above right, Dargah of Shaykh Shihabuddin
Aashiq Allah. Shaykh Shihabuddin Aashiq Allah was the son and khalifah of Shaykh Imamduddin Abdal
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Auliya Masjid
Excerpt from A Sufi Courtyard, Dargahs of
Delhi by Sadia Dehlvi
Sultan Iltutmish is believed to have built the
Auliya Masjid near Khwaja Qutub’s dargah.
However, the present building is not more than
four hundred years old. Nothing of the original
mosque remains except some stone slabs. There
is a well in the courtyard with steps that would,
in the past, have led to the Hauz e Shamsi
reservoir. Left, Auliya Masjid by Arman Ali Reza Dehlvi
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Bibi Fatima Sam
Excerpt from Sufism, The Heart of Islam by Sadia Dehlvi:
Bibi Fatima Sam, a disciple of Baba Farid, lived in Delhi. The Sufi Master treated her like a sister.
Hazrat Nizamuddin often visited her tomb for prayers and meditation. He remembered Bibi
Fatima saying, “The saints will cast away both worldly and religious blessings to give a piece of bread or
drink of water to someone in need. This state is something one cannot obtain by one hundred thousand fasts
and prayers.”
Once the virtues of Bibi Fatima were being discussed in the khanqah of Nasiruddin Chiragh Dilli.
Khwaja Nasiruddin said: After her death, Bibi Fatima Sam appeared in a friend’s dream and said, “One
day by appointment I went to the revered Lord. I passed by the round of angels, and suddenly an angel said
‘Who are you? Why should you be proceeding so carelessly?’ I replied, ‘I have sworn an oath; I am just
sitting here until the Most High Lord of Power summons me; I will go no further.’ After an hour went by
Bibi Khadija and Bibi Fatima Zahra, the wife and the daughter of Prophet Muhammad came and I fell
at their feet. They said to me, ‘Fatima Sam, who is there like you today? For God Most High has sent us
in search of you.’ I said, ‘I am your slave; what honor could be higher than for you to come in search of me?
But I have sworn an oath.’ Then the decree came from God: ‘Fatima Sam speaks rightly. You both must
depart from here and leave her alone.’ Then I heard God call, ‘Come to Me, to Me.’ I moved from that
place. To God I said, ‘Lord, in your presence there are such mannerless ones that Your visitors will not
recognize You.’” She spoke those words, sighing from the midst of her tomb.
On December 27, 1246, weakened after forty days of continuous fasting, Bibi Fatima’s soul left
her body during the ritual prayer as her forehead touched the group in prostration. She is called
the Rabia of Delhi, after the famed Rabia of Basra. Her dargah, located in Kaka Nagar next to the
NDMC Barat Ghar (New Delhi Municipal Council community center), is not far from the dargah
of Hazrat Khwaja Nizamuddin Auliya.
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Bibi Zulekha
Excerpt from The Sufi Courtyard, Dargahs of Delhi by Sadia Dehlvi:
Bibi Zulekha, affectionately called Mai Sahiba, is the
mother of Hazrat Nizamuddin Auliya. During the
Mongol invasions of Bukhara, Khwaja Ali and Khwaja
Arab, grandparents of Hazrat Nizamuddin Auliya,
migrated to India (Badaun).
Bibi Zulekha’s husband, Khwaja Syed Ahmad, died
when her son was just a few years old. Tradition
records Mai Sahiba’s dream, which forced her to make
a choice between the life of her husband and son. In
this night vision, she chose her son. Mai Sahiba felt
distressed but sought solace in the fact that she had
no control over the dream and that life and death were
a matter of Allah’s will. Soon, Khwaja Syed Ahmad
fell ill and died, leaving behind two small children.
Mai Sahiba encountered great hardships while
bringing up her son and daughter, earning a living by
weaving cloth. Devoted to her son’s education, she
ensured he studied under the best teachers of Badaun.
When he turned sixteen, they migrated to Delhi. The
city had a reputation as a center for Islamic studies and she wanted her son to study further.
… Often she would look at her son’s feet and remark, “Nizam, I see signs of a bright future for
you. You will be a man of destiny someday.” When the young son questioned his mother as to
when all this would take place, she would say, “When I am gone”. Continuous fasting took a toll
on Mai Sahiba’s health, and unfortunately, she did not live to see her son’s glory. Hazrat
Nizamuddin Auliya said that when his mother prayed, she appeared to be in direct
communication with God. Above, tomb of Mai Sahiba by Omar Adam Khan
Every month upon sighting the new moon he sought the blessings of Mai Sahiba, placing his
head on her feet. One such evening, Mai Sahiba said, “Nizam, at whose feet shall you put your
head next month?” Her tearful son asked,
“In whose care will you entrust me?” “I
will let you know tomorrow” Mai Sahiba
replied, directing him to go and sleep in
the neighbouring house of Shaykh
Najeebuddin Mutawakkil. In the early
hours of the morning, the female attendant
rushed to call him back to the house. Mai
Sahiba held her son’s right hand and before
breathing her last whispered, “O Allah, I
entrust him to Thee.”
Mai Sahiba died in 1250 and lies buried in
Adchini (South Delhi) in the house where
she lived. Her daughter Bibi Jannat is
buried next to her. Close to the tombs is a
small cell-like enclosure that used to be
Mai Sahiba’s prayer room. Immediately to the south of these two graves is the grave of Bibi
Zainab, the daughter of Bibi Jannat. Above, dargah of Mai Sahiba
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Hazrat Khwaja Nizamuddin Auliya Mahbub-i Ilahi
Hazrat Khwaja Nizamuddin Auliya Mahbub-i Ilahi is the 20th Pir in the Chishti lineage of Hazrat
Pir-o-Murshid Inayat Khan; successor of Hazrat Khwaja Baba Fariduddin Mas’ud Ganj-i Shakar.
The lineage through Khwaja Nizamuddin is known as the Chishti Nizami branch. He was born
in 1243 in Badaun, India and died in 1325 at the age of 82 years. His dargah is in Nizamuddin,
New Delhi, India.
Nizamuddin Complex from Left: Hazrat Amir Khusrau’s Dargah, Princess Jahanara’s Tomb, Jamaat Khanna Masjid
(Mosque), Hazrat Khwaja Nizamuddin Auliya’s Dargah
Words of Ziyauddin Barani, a historian living during the time of Hazrat Nizamuddin:
Shaykh Nizamuddin admitted all sorts of people as his disciple, nobles and plebeians, rich and poor,
learned and illiterate, citizens and villagers, soldiers and warriors, free men and slaves. These people
refrained from many improper activities and the general public showed an inclination to religion and
prayer. Out of respect for the Shaykh’s discipleship, all talk of sinful acts had disappeared from the people.
There was no quarter in the city in which gatherings of the pious was not held every month with mystic
songs that moved them to tears. Out of regard for one another, Muslims refrained from open usury and
hoarding while the shopkeepers gave up lies and using false weights and deceiving the ignorant.
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Sultan al-Masha’ikh God sanctify his precious secret said, “Mahabbat (affection) is the first stage of ‘ishq
(ardent love) and ‘ishq is the last stage of mahabbat. The word ‘ishq derives from ‘ashiqa, which is the
kind of vine that grows in gardens. First it secures its roots in the earth beneath a tree, then climbs up its
branches and twists itself around the tree. It does this until it completely enfolded the tree, choking it until
no sap remains in its veins. Whatever sources of air or water reach the tree it plunders, until the tree
withers. “Beauty plundered my life’s sovereign sphere. The heart once mine is no more.” And he said,
“When ‘ishq twists itself around a person, he cannot extricate himself unless he transcends his human
nature. Just as the ‘ashiqa twists itself around a tree, causing it to wither, ‘ishq does the same to a person.
As one of the saints said; “Love, forbearance, and death; what a triumph over gratification and long life!”
Under the direction of Shaykh Nizamuddin, the Chishti Order sent tendrils into the provinces of
Hariyana, Malwa, Gujarat, Deccan and Bengal, inextricably entwining Islamicate South Asia
with its message of divine love. Muhammad Ghawsi Shattari speaks – suggestively if highly
plausible – of seven hundred khalifas spread out across the Subcontinent.
In his eighty-second year, as his health deteriorated, Shaykh Nizamuddin dreamed that the
Prophet was eagerly awaiting him. On April 3, 1325 he “attained union” and was buried in a
favorite garden near his khanqah. A dome was later constructed by Sultan Muhammad bin
Tughluq, and successive centuries have seen the shrine’s continuous embellishment. In death as
in life the saint is a source of solace for the disposed, who flock to the village that has sprung up
around the shrine – now a bustling neighborhood within the urban sprawl of New Delhi.
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Excerpt from A Sufi Courtyard, Dargahs of Delhi by Sadia Dehlvi
The Chishti Sufi order reached its glorious peak during the life of Hazrat Nizamuddin Auliya. He
remains one of the greatest mystic personalities in the history of South Asian Sufism. Hazrat
Nizamuddin’s spiritual mentor Baba Fariduddin Mas’ud Ganj-i Shakar, had prayed that his
successor “become the tree which gives shelter and peace to humanity”. The Shaykh’s dargah
continues to offer food, solace and shelter to thousands of devotees. Delhi’s patron Sufi lived in
the capital city for over half a century.
…Hazrat Nizamuddin’s approach to religion emanated from his concept of God as an all-
embracing Reality present in the ethical, intellectual and aesthetic experience. He believed that
if one lived for the Lord alone, love, peace and amity would prevail in the world. The Shaykh
maintained that although many paths lead to God, none was more effective than bringing
happiness to the human heart. He emphasized that looking after the destitute had greater value
than formal religious practices.
During the rule of Ghiyasuddin
Tughlaq, Hazrat Nizamuddin had a
baoli (step-well) constructed adjacent
to his khanqah. The vindictive sultan,
who was in Bengal at the time, issued
orders banning state workers from
helping in its construction. Many
laborers were devotees and continued
working in the darkness of the night.
On learning of this defiance, the
sultan banned the sale of oil to ensure
that lamps were not lit. When work
came to a halt, the Shaykh asked his
disciples to collect water from the
step-well. He then ordered Hazrat
Nasiruddin, his disciple, to light the
lamps with water instead of oil.
Without questioning his Master,
Hazrat Nasiruddin did as instructed.
The lamps glowed, enabling the
construction to be completed.
Following this miracle, Hazrat
Nizamuddin awarded Hazrat
Nasiruddin the title “Roshan Chiragh
Dilli”, Bright Lamp of Delhi. The
step-well is believed to have been
completed in a record seven days. It
remains a part of the dargah complex,
reminding us of the Shaykh’s exalted
spiritual rank.
Above, drawing of the baoli; below, baoli during 2009 conservation work
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Hazrat Syed Allaudin Ali Ahmed Sabir Kaliyari
Hazrat Syed Allaudin Ali Ahmed Sabir Kaliyari was a khalifa of Khwaja Baba Fariduddin Mas’ud
Ganj-i Shakar, and also his nephew. The Chishti Sabri lineage began with him and was spread by
Shamsuddin Turk of Panipat, the sole khalifa of Shaykh Allaudin Sabir. He was born in Kahtwal,
Multan, in present-day Pakistan, in 1196 and died in 1291 at Kaliyar, at the age of 95 years. His
dargah is in Kaliyar, India, 4 miles northeast of Roorkee near Haridwar.
Barring some legends and anecdotes, little is recorded of the life of Shaykh Allaudin, a prominent
Chishti mystic. Baba Farid sent him to Kaliyar in the year 1253 where he spent all his time in
meditation, gaining a reputation for piety and asceticism. Large numbers of devotees began to
seek his prayers and feeling threatened, the local clerics began to indulge in conspiracies against
him.
One Friday, Shaykh Allaudin went to offer prayers at the mosque but conspirators ensured that
he did not get a place inside. It is believed that the Shaykh’s wrath led to the destruction of the
mosque, which collapsed, wiping out everything around it except a guler, (berry tree).
Subsequently, a plague gripped Kaliyar, taking a heavy toll of life, and the city became deserted.
On learning of the devastation, the Sultan of Delhi, Naseeruddin Mahmud Shah, pleaded with
Baba Farid for protection. Shaykh Allaudin’s Master advised the emperor to stay miles away
from Kaliyar.
Shaykh Sabir meditated in standing position under the guler tree for 12 years (some accounts
have it as 22 days). No one had the courage to approach him. Baba Farid was worried about his
disciple, and enquired if anyone could induce the Shaykh to sit down. Shamsuddin Turk, a mystic
from Panipat, volunteered for the service and proceeded to Kaliyar. Fearing the Shaykh’s wrath,
Shamsuddin Turk stood at a distance and began to recite the Quran. Moved by the recital,
Allaudin signaled him to sit down, but Shamsuddin replied, “How can I sit while an esteemed
Shaykh stands?” Shaykh Allaudin let go of the tree’s bough and finally sat down. The tree still
stands at the spot, with devotees lighting candles around it and eating the fruit to invoke the
Sufi’s blessings.
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The Chishti Sabri Lineage
Pir Sufi Barkat Ali, Hazrat Pir-o-Murshid Samuel Lewis & Pandit Pran Nath
One line of succession in the Chishti Sabri lineage leads to Pir Sufi Barkat Ali (b.1911, d.1997
Faisalabad, Pakistan). In The Lotus and the Universe, Murshid Samuel Lewis (Sufi Ahmed Murad
Chisti, the 38th Pir in the Chishti lineage of Hazrat Pir-o-Murshid Inayat Khan, b.1896, d.1971,
California) describes his Sufi teacher in Pakistan: "Sufi Barkat Ali
combines the tasawwuf of the Chisti, Kadiri, and Sabri Schools. The
Chisti use music, mainly...the Kadiri teaching takes into consideration the
use of repetition of spiritual phrases, mostly from Holy Qur’an and all in
Arabic. The Sabri School has a moral training, not too different from
that offered in the Indian Bhagavad Gita, so that one can practice a sort
of ‘indifference’ under all circumstances, feeling the presence of Allah,
whomsoever, howsoever, wheresoever. Thus, to Sufis, God is both Being
and the-Being...At the beginning of 1962 I felt entirely satisfied, and yet
in a strange position, with a spiritual teacher in each of the great faiths of
Asia. Sufi Barkat Ali seemed to
dominate everything in my ‘occult’ life.
The practice of tassawuri, which is to
keep in tune with the Murshid in
thought, in breath, in vision, manifested itself in some delightful episodes.”
Sufi Barkat Ali (photo above) ordained Samuel Lewis as a Murshid in
Pakistan in 1962. Murshid Sam wrote, “At the tomb of Amir Khusrau
within the compound of Nizamuddin Auliya, I saw myself invested with
a robe which was described to the sons of Hasan Nizami and upon my
return to Pakistan I found Sufi Barkat Ali and my brethren ready with
that very robe at a public gathering. Henceforth, Chisti was added to my
name, and I became known as 'Sufi Ahmed Murad Chisti.'" Right, Hazrat
Sufi Ahmed Murad Chisti in the robe given to him from Pir Sufi Barkat Ali
27
Pran Nath’s teacher, Ustad Abdul Wahid Khan Chishti Sabri (b.1871
Kirana, d.1949 Saharanpur), was the acknowledged master of the
Kirana style in the 20th century, and through his performances on All
India Radio, was chiefly responsible for making it the most influential
and popular classical style of its time. Beginning in the late 1930’s
Pran Nath too was hired to perform on All India Radio and quickly
gained fame as the new young master of the style. After a long career
in India, in 1970 Pran Nath met the American composers Terry Riley
and La Monte Young, and visual artist Marian Zazeela, all of whom
became his disciples. Mainly through their devotion and efforts Pran
Nath was able to begin a new career in the West as a teacher and
performer. (In 1972, he became a US resident, living in New York
and California, and established music schools in both cities,
while also teaching at Mills College in Oakland and privately
with many students.) Right, Ustad Abdul Wahid Khan Chishti Sabri
Throughout his life Pandit Pran Nath resisted every opportunity to advance his career commercially by
acceding to the popular appetite for technical display, very common among audiences at concerts of India
classical music. His work always involved a search for purity of expression, finding the exact nuance of
pitch and tonal quality, in his words, “in between the notes,” to fit perfectly the mood and nature of the raga
being performed.”
Editor’s Note
Pir Shabda Kahn, Allaudin Mathieu, and later, many other people including myself, became
Guruji’s disciples. He had a deep inner connection to Hazrat Allaudin Sabir and asked that the
inscription on his grave read “Ghulam of Chishti Sabri” (slave of Chishti Sabri).
28
Hazrat Amir Khusrau
Hazrat Amir Khusrau was a disciple of Khwaja Hazrat Nizamuddin Auliya Mahbub-i Ilahi. He
was born in Patiyali, Uttar Pradesh in 1253, and died in 1325 in Delhi.
29
Excerpt from A Sufi Courtyard, Dargahs of Delhi by Sadia Dehlvi
Through his playful riddles, songs, melodies and poems, Hazrat Abul Hasan Amir Khusrau, the
poet disciple of Hazrat Nizamuddin Auliya, remains a household name throughout the
subcontinent. He is remembered as one of the founders of the Hindustani culture that is a
synthesis of Hindu and Muslim traditions. Awarded the title “T‘oti e Hind” Nightingale of
Hindustan, Amir Khusrau was a prolific writer of ghazals, qasidas, mathnawis, rubais and prose
in Arabic, Persian and Hindi. The skilled mystic played a pivotal role in the evolution of Indian
classical vocal and instrumental music, fusing local styles with Arab, Persian and Indian
compositions.
The poet’s knowledge of philosophy, music and literature earned him the patronage of seven
successive sultans of Delhi. Together with Saadi, Nizami and Firdausi, Amir Khusrau is
acknowledged to be one of the four great pillars of fourteenth-century Persian literature. Amir
Khusrau’s friend and historian Ziauddin Barani records in his Tarikh e Firoz Shah; “The
incomparable Amir Khusrau stands unequalled for volumes of his writings and the originality of
his ideas. In addition to his wit, talent and learning, he is an advanced mystic”.
The creation of the sitar and tabla are attributed to Khusrau. Several Indian melodies as well as
the development of qawwali are attributed to him. His music compositions include khayals,
taranas, naqshs and other ragas that celebrate the fusion of Indian and Persian melodies…
Khusrau’s father had introduced him to Hazrat Nizamuddin. On his maiden visit, the eight –year-
old Khusrau stood outside the khanqah, refusing to enter the premises. He composed a quatrain
and sent it to the Shaykh:
Thou art such a king that when a pigeon perches up
On top of thy palace it becomes a falcon
A poor and distressed person stands on thy threshold
Is he permitted to go in or should he return?
Hazrat Nizamuddin composed a verse and dispatched the response on a slip of paper to the young
Khusrau:
The seeker of truth should enter
To share our secrets for a while
But if he is ignorant and a fool
He should return
The young Khusrau stepped inside to meet Hazrat Nizamuddin, and remained devoted to the
Sufi throughout his life. Khusrau would often present his verses to Hazrat Nizamuddin for
correction, acknowledging him as his Master both in spirituality and literature. All his poet’s
books begin with sincere tributes to Hazrat Nizamuddin, of who he wrote:
Wherever his breath has reached
Thousands of the mountains of grief have melted away
When Khusrau finished writing a book, he brought the maiden copy to Hazrat Nizamuddin, who
would offer prayers for its popularity. Khusrau asked the Shaykh to pray that God grant
sweetness to his lyrics and melodies. The Sufi would tell the poet to bring some sugar and place
it under his cot, and the next morning he would sprinkle some crystals of the sugar over the
poet’s head – giving the remaining to Khusrau to eat.
The Master loved his disciple and addressed him as “My Turk”. The Shaykh is known to have
said, “Khusrau is the keeper of my secrets. I shall not set foot in paradise without him”. On
another occasion he commented, “If permissible by Islamic law, I would have willed Khusrau be
buried in the same grave as me”.
30
Hazrat Nizamuddin bid farewell to the world on April 3, 1325. The Shaykh would say to Khusrau,
“Pray for my life, for you will not be able to survive me long”. Khusrau happened to be in Bengal
with the armies of Sultan Muhammad bin Tughlaq when sorrow filled his heart. He took
permission from the Sultan to return to Delhi. On arrival, Khusrau learnt that his beloved Master
had passed away. Khusrau let out a shriek at Hazrat Nizamuddin’s tomb and cried aloud, “The
sun has gone underground and Khusrau is yet alive”. The lover blackened his face, tore his
garments, and lay his face upon the tomb of his beloved, reciting his last verse:
The fair one lies on the couch with her black tresses scattered over her face
O Khusrau, go home now, for night has fallen over the world
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Princess Jahanara Begum Sahib
Excerpt from A Sufi Courtyard, Dargahs of Delhi by Sadia Dehlvi
Princess Jehanara remains one of the most attractive
personalities in Indian history. Born on March 23, 1614, she
was the eldest of fourteen children born to Shahjehan and
Arjamand Begum, better known as Mumtaz Mahal. When
her mother passed away, Jehanara was 17 years of age; she
took over the role as first lady of the royal Mughal
household….Jehanara remained Shahjehan’s favourite
child…the popular princess was erudite, beautiful, elegant
and generous.
Jehanara’s brother Dara Shikoh shared her interest in
poetry, philosophy and mysticism. In a quest for spiritual
guidance, emperor Shahjehan invited Mullah Shah, the
leading disciple of the Sufi Mian Mir, to the palace in 1640.
Initially the mystic refused, insisting that the kings of this
world would not benefit from his teachings. However,
Mullah Shah changed his mind and agreed to instruct the
emperor in Sufi doctrines….Later in the same year,
impressed by the sincerity of devotion displayed by both
Prince Dara and Princess Jehanara, Mullah Shah formally
initiated them as his disciples in the Qadri Sufi order.
Throughout her life, Jehanara remained staunchly devoted to her father. Historians write that
the princess remained so watchful over the emperor’s safety that no dish could appear on the
royal table unless it had been prepared under her watch. When Aurangzeb imprisoned Shahjehan
at Agra Fort in 1658, Jehanara spent all her time tending to her father, till his death in 1666.
Although a disciple of Mullah Shah of the Qadri order, Jehanara remained devoted to the Chishti
Sufis. Jehanara regarded Khwaja Moineddin Chishti as the spiritual Master who guided her on
the Sufi path four centuries after his union with God. Her Munis al Arwah, though compiled from
existing works on Sufis, is highly regarded for its literary value. The book describes Jehanara’s
pilgrimage to Khwaja Moineddin Chishti’s dargah at Ajmer Sharif in 1643, detailing her personal
engagement with Sufi practices. The princess uses the word faqira – the feminine form of faqir –
to signify her own spiritual vocation as a Sufi woman.
…According to her wish, Jehanara is buried opposite the tomb of Hazrat Nizamuddin Auliya.
She lies under the open skies in a simple enclosure made of marble screens with slender pinnacles.
The epitaph on Jehanara’s tombstone is a verse composed by the Sufi princess herself:
He is the living, the sustaining.
Let no one cover my grave except with greenery,
For this very grass suffices as a tomb cover for the poor.
The annihilated faqir Lady Jehanara,
Disciple of the Lords of Chisht,
Daughter of Shahjehan the Warrior
May God illuminate his proof.
32
Hazrat Khwaja Nasiruddin Chiragh Delhi
Hazrat Khwaja Nasiruddin Chiragh Delhi is the 21st Pir in the Chishti lineage of Hazrat Pir-o-
Murshid Inayat Khan; he was the successor of Hazrat Khwaja Nizamuddin Auliya. He was born
in 1274 in Ayodhya, India and died in Delhi in 1356 at the age of 82 years. His dargah is located
in Chiragh Dilli, in Delhi, India.
33
At the age of forty-three, already a seasoned theologian and ascetic, Nasiruddin joined the
discipline of Khwaja Nizamuddin. Khwaja Nizamuddin had only to put the final touches on his
personality. When he requested permission to retire in solitude, the Khwaja replied, “You must
live in society and bear its blows, offering kindness and generosity in return”. Admonitions of
this kind served to redirect Nasiruddin’s energies from self-mortification to the service of
humanity.
As Khwaja Nizamuddin’s life approached its term he authorized Nasiruddin and a number of
other senior disciples as khalifas. A few months later, on this deathbed, Khwaja Nizamuddin
called Khwaja Nasiruddin to his side and bequeathed to him the sacred insignia of the lineage –
patchwork robe, rod, prayer-carpet, rosary and beggar’s bowl – thereby confirming him as his
principle successor.
Commenting on the death of Khwaja Nizamuddin, the historian ‘Isami writes, “as soon as that
holy man of virtue departed from Delhi to the other world, the country in general and the city in
particular fell into turmoil and were subjected to ruin and destruction”. ‘Islami’s dim view of the
reign of Muhammad bin Tughluq was clearly shared by Khwaja Nasiruddin, who regarded as a
divinely decreed ordeal the harassment he suffered for rebuffing the ambitious Sultan’s efforts to
conscribe him in the service of the state. The relief that Khwaja Nasiruddin must have felt when
Muhammad bin Tughluq succumbed to an illness while campaigning in 1349 is evinced by his
uncharacteristic participation in the coronation of Firoz Shah Tughluq.
In an era when Ibn Taymiyya’s call for religious reform was finding echoes, Khwaja Nasiruddin
sought to defend Sufism by regulating it. He discontinued the practice of prostration before the
spiritual master despite the fact that his predecessors had explicitly allowed it. While firmly
rejecting the arguments of the ‘ulama against the legality of sama, he forbade the use of musical
instruments in his gatherings (a stricture his successors in Gujarat applied only to public sama
sessions – privately, instruments of every kind and even the voices of female singers were
enjoyed).
Khwaja Nasiruddin’s reputation for legalism is no doubt deserved. But an ecstatic streak was also
known to exist in him. Sayyid Muhammad Gisu Daraz, Khwaja Nasiruddin’s khalifa, narrates an
episode in which considerations of pious propriety fail to stifle the Shaykh’s mystical emotion.
On a certain day, in the khanqah, Khwaja Nasiruddin was deeply moved on hearing the verse:
You promised not to oppress your lovers, but you did.
You promised not to scratch out the names of your hopeless adorers, but you did.
Maulana Mughis, who had been in attendance, drafted a tract repudiating as blasphemous the
suggestion that God is capable of oppression. Presented with the tract, Khwaja Nasiruddin
summoned the Maulana and honored him with a turban. The following day, the Shaykh danced
wildly on hearing the couplets:
How fearlessly we beat the Magian drum last night
And hoisted his proud flag heavenward.
For the sake of a single drunken Mage-boy
We threw down a hundred times the skullcap of repentance.
Afterward, sitting on the roof, Khwaja Nasiruddin called Maulana Mughis and said “Yes
Maulana, write about the actions you have seen here!”
On the morning of 18 Ramazan 757/1356, at the age of eighty-two, Khwaja Nasiruddin expired.
In Medina, the funeral prayer of the ‘Lamp of Delhi’ was offered in absentia by the Shaykh of
Medina himself, ‘Abd Allah Mutri. Khwaja Nasiruddin was buried in his own house. Eighteen
years later Firoz Shah Tughluq constructed a suitable dome. In accordance with the Shaykh’s
directions, the sacred insignia of the lineage were interred with him. Thus ended – or so later
34
Chishti authorities maintain – the cycle of the twenty-two Khwajas. The cycle of Shaykh al-
Masha’ikhs was now to begin.
Delhi has been traditionally known as Baees Khwaja ki chaukhat, the threshold of the 22 Sufi
Masters. While people identify different dargahs as the 22 important ones, there exists another
anecdote explaining the title. There is a belief that Prophet Muhammad gifted some of his
personal possessions, including a cloak and prayer carpet, to the elders of the Chishti order. The
Chishti Sufis draw their spiritual lineage from Hasan of Basra, who was initiated by the Prophet’s
son-in-law Imam Ali (Hazrat ‘Ali Wali Allah). These sacred relics came to the subcontinent with
Khwaja Gharib Nawaz of Ajmer (Khwaja Moineddin Chishti). Entrusted to his successor Khwaja
Qutbuddin Bakhtiar Kaki, these were passed on to Baba Farid, and arrived in Delhi with Baba
Farid’s disciple Hazrat Nizamuddin Auliya. He handed them to Hazrat Nasiruddin who willed
that the relics be entombed with him. The silsilah, spiritual chain, from Hazrat Nasiruddin to
Prophet Muhammad remains an unbroken Sufi order of 22 Khwajas, and Delhi became their
chaukhat, threshold.
…The tombs of Baba Farid’s granddaughter, the Shaykh’s nephew and khalifah Shaykh
Makhdoom Zainuddin and Khwaja Kamaluddin ‘Allama form part of the dargah. Under one of
the domed pavilions are the graves of the two brothers Khwaja Sharuddin Ali Ahmad and Khwaja
Fakhruddin Ali Ahmad, both deputies of Hazrat Nasiruddin. Many other Sufis and nobles of the
city are buried in the graveyard of the dargah complex.
36
Hazrat Shaykh al-Masha’ikh Kamaluddin ‘Allama
Hazrat Shaykh al-Masha’ikh Kamaluddin ‘Allama is the 22nd Pir in the Chishti lineage of Hazrat
Pir-o-Murshid Inayat Khan; he was the successor of Hazrat Khwaja Nasiruddin Chiragh Delhi.
His date of birth is unknown, and he died in 1355. His tomb is beside the shrine of Hazrat
Nasiruddin in Chiragh Dilli, Delhi, India.
37
Hazrat Shaykh Salim Chishti
Shaykh Salim Chishti, 1478-1571, was a descendant of Hazrat Khwaja Moineddin Chishti.
Murshid Samuel Lewis visited the dargah of Salim Chishti, located in Fatehpur Sikri, and it was
here that he received the inspiration for the Dances of Universal Peace.
The Dargah of Selim Chisti by Murshid Samuel Lewis
With head bowed low and ego laid in the dust,
I walked around the grave: Ya Allah! Ya Allah! Ya Allah!
With naught of self like Majnoun before Leila
I kissed the stones: Ya Allah! Ya Allah! Ya Allah!
The pilgrim from the West to the Grand Wali of the East
Pouring my love in tears: Ya Allah! Ya Allah! Ya Allah!
How long had I waited to complete my prospective mission,
Waiting forty years: Ya Allah! Ya Allah! Ya Allah!
Not a meeting of hearts but a merging of hearts,
Not a meeting of strangers but a drowning in union,
The devotee becomes a saint, the saint a devotee,
Ya Allah! Ya Allah! Ya Allah!
38
Shaykh Salim died on 29 Ramadan 979 Hijri/1571, soon
after the order to build a new city at Sikri had been
proclaimed. Under his supervision, the mosque and
khanqah were built into the complex. The Shaykh lies
buried in the beautiful tomb erected on the site of his cell
near the grand Jama Mosque.
Even though Sikri became an abandoned city, the
Mughal emperors continued to visit the dargah of
Shaykh Salim. It is the sole Sufi dargah in India to be
located in the heart of an imperial citadel. Each day the
dargah at Fatehpur Sikri attracts hundreds of visitors
who marvel at the exquisite architecture and seek
spiritual solace. Right, depiction of Hazrat Salim Chishti
Fatehpur Sikri
Excerpt from www.fatehpursikri.org
The name Fatehpur Sikri evokes a nostalgia of history amongst Indian minds. The richest period
of history can be attributed to the Mughal period, Akbar being one of the emperors who shone
the brightest for his deeds. And Fatehpur Sikri stands for all the architectural wonder that this
emperor time could conjure up. Below, wide angle view of Fatehpur Sikri
This is officially a city and a district but in reality, this historical façade is a mere ghost town of
the past though it has a present day population of 28,804. The façade of Fatehpur Sikri remains
a historical monument – deserted – though it was built to support a sprawling ancient city.
So how did this ancient city come about? It is told that Akbar initially had a son and twins, but
the twins did not survive. Akbar was in search of another heir and came to visit the Sufi saint
Salim Chishti who lived in a cavern near the Sikri area. The saint foretold that Akbar would soon
have a son and it happened as predicted. To celebrate the birth of his son, Akbar named his son
Salim after the saint, and Prince Salim grew up to become the renowned emperor Jehangir. When
Prince Salim was two years old, Akbar went back to Sikri and started to build the architectural
wonder of a town known as Fatehabad, later to be called Fatehpur Sikri.
However, his dream was short-lived. Fifteen years after it was built the lake which was the
natural source of water for this city, fell short for providing water to the growing population in
this region and the city was abandoned.
This phantom city is immaculately preserved wherein one can witness various monuments which
are architectural wonders from the Mughal times…. Fatehpur Sikri is one of the historic
monuments which is timeless and has rightly earned the status of a world heritage site.
39
Emperor Akbar
Excerpt from Wikipedia
Akbar, 1542-1605, known as Akbar the Great, was Mughal
Emperor from 1556 until his death. He was the third and greatest
ruler of the Mughal Dynasty in India. Akbar succeeded his father,
Humayun. A strong personality and a successful general, Akbar
gradually enlarged the Mughal Empire to include nearly all of the
Indian Subcontinent north of the Godavari river. His power and
influence, however, extended over the entire country because of the
Mughal military, political, cultural, and economic dominance.
To preserve peace and order in a religiously and culturally diverse
empire, he adopted policies that won him the support of his non-
Muslim subjects. Eschewing tribal bonds and Islamic state identity,
Akbar strived to unite far-flung lands of his realm through loyalty
to himself as an emperor who had near-divine status. Right, depiction of
Emperor Akbar
Mughal India developed a strong and stable economy, leading to commercial expansion and
greater patronage of culture. Akbar was a great patron of art
and culture, was fond of literature, and created a library of
over 24,000 volumes written in Sanskrit, Hindustani, Persian,
Greek, Latin, Arabic and Kashmiri, staffed by scholars,
translators, artists, calligraphers, scribes, bookbinders and
readers. Akbar’s courts at Delhi, Agra and Fatehpur Sikri
became centers of the arts, letters, and learning. Persian-
Islamic culture began to merge and blend with indigenous
Indian elements, and a distinct Indo-Persian culture emerged
characterized by Mughal style arts, painting and architecture.
Disillusioned with orthodox Islam and perhaps hoping to
bring about religious unity within his empire, Akbar
promulgated Din-i-Ilahi (divine faith), a syncretic creed
derived from Islam, Hinduism, Zoroastrianism, and
Christianity.
In Fatehpur Sikri he built a temple where he frequently hosted
scholars from other religions. He allowed the Jesuits to
construct a church at Agra, and discouraged the slaughter of
cattle out of respect for Hindu custom. In 1579 a declaration
was issued that granted Akbar the authority to interpret
religious law, superseding the authority of the mullahs. This
became known as the “Infallibility Decree” and it furthered Akbar’s ability to create an
interreligious and multicultural state. Above left, Jesuits visit Akbar at the temple, Ibadat Khana
41
In Medina, Shaykh Yahya accepted Shah Kalimullah as a disciple and a deep inner connection
soon developed between them. Before long Shaykh Yahya granted Shah Kalimullah a robe of
succession and sent him back to the Mughal capital to do the work of the Chishti Order.
On returning to Delhi, Shah Kalimullah leased the haveli he had inherited from his family and
occupied a more modest house in Bazar-i Khanum, the busiest marketplace in Shahjahanabad,
situated directly between the Lal Qil’a, the city’s “head” and the Jami Masjid, its “heart”. This
house became his home, khanqah, and madrasa (Islamic seminary) in one, and people of all kinds
streamed through its doors seeking spiritual upliftment and theological instruction.
Shah Kalimullah initiated numerous disciples; women as well as men. In the spirit of “universal
peace”… Hindus were not excluded from the fold, as was the case in most other orders. Disciples
who proved especially capable and committed were deputized as khalifas and entrusted with a
region of mystical jurisdiction (vilayat). Shah Kalimullah sent his foremost khalifa, Shah
Nizamuddin, to the Deccan, where Aurangzeb was leading the Mughal army in an interminable
campaign. Since the majority of officers were of Turani (Turkic) descent, Shah Kalimullah urged
Shah Nizamuddin to make special use of the transmission of the Central Asian Naqshbandi silsila,
which he had received from Mir Muhtarim of Lahore and in turn passed on to his khalifas.
Many of Shah Kalimullah’s letters to his khalifas survive in a collection that has been
lithographed under the title Maktubat-i Kalimi. The Shah’s other writings include treatises on
astronomy and medicine…and several works on the theory and practice of Sufism…Among
these, Kashkul and Muraqqa’ have earned unparalleled distinction in the literary canon of the
Chishtiyya, to such an extent that manuscript copies are often treated as equivalent to robes of
succession. Muraqqa’ (The Patchwork Robe) is a manual of supererogatory acts of worship. Its
companion volume, Kashkul (The Alms Bowl) is a manual of esoteric discipline, detailing various
methods of zikr, fikr (contemplation), and muraqaba (meditation).
In his old age Shah Kalimullah suffered from gout. He…..was buried in the precincts of his
khanqah, which remained a flourishing Sufi center until it was demolished during the Revolt of
1857.
42
advocated habs e nafs, breath control, acknowledging that Sufis had borrowed the breathing
techniques from the yogis. The Shaykh recommended many meditative yogic postures to his
disciples. Always cheerful, Shaykh Kalimullah was extremely fond of spiritual music assemblies.
Shaykh Kalimullah Jehanabadi died in Delhi….and was buried in the house he lived in. Shaykh
Nizamuddin of Aurangabad inherited his spiritual mantle and his son Maulana Fakhruddin
succeeded him as the head of the Chishti order in Delhi.
Location of Dargah
Excerpt from A Sufi Courtyard, Dargahs of Delhi by Sadia Dehlvi
Opposite the Red Fort, on the road that continues from Daryaganj to Chandni Chowk, is the
dargah of Shaykh Kalimullah…Then known as Khanam Bazaar, the locality is now called
“kabootar market” where caged birds are sold. The dargah is just off the main road and houses a
mosque and a small graveyard where many of Delhi’s well-known citizens lie buried.
43
Hazrat Shaykh al-Masha'ikh Maulana Fakhruddin Delhi
Hazrat Shaykh al-Masha'ikh Maulana Fakhruddin Delhi is the 32nd Pir in the Chishti lineage of
Hazrat Pir-o-Murshid Hazrat Inayat Khan; he was the successor and second son of Hazrat
Shaykh al-Masha’ikh Nizamuddin Aurangabadi. He was born in 1717 in Aurangabad, India and
died in 1785 at the age of 68 years.
44
In 1752 the Maulana left Aurangabad for Delhi where he assumed the leadership of the khanqah
of Shah Kalimullah, taking up residence first at Katra Phulel and later at a madrasa….near the
Ajmeri Gate. The mood in Delhi in the years following Nadir Shah’s invasion (1739) was bleak,
as the satires of Sauda grimly attest. As rival polities struggled for power the central institutions
of the Mughal Empire decayed and the demoralized citizens of its capital fell prey to relentless
waves of depredation and invasion.
Maulana Fakhruddin won the devotion of Shah Alam and many of his courtiers….the Shi’i Amir
al-Umara Mirza Najaf Khan being a notable exception - but remained aloof from the effete luxury
of his courtiers. He is reported to have appealed to the emperor to assert his prerogatives for the
sake of social order: “If the incumbent Sultan does not bother to take the trouble to personally
concern himself with the control and management of the kingdom, matters will never be put
right.”
An avid traditionalist, Maulana Fakhruddin assembled a voluminous library and authored three
learned works…(one of which) is a refutation of Shah Wali Allah’s argument against the
historicity of Hasan al-Basri’s initiation from Ali ibn Abi Talib (Hazrat ‘Ali Wali Allah), implying
discontinuity in the silsila of the Chishtiyya….
Maulana Fakhruddin trained dozens of khalifas and dispatched them “throughout the seven
climates.”…The success of Maulana Fakhruddin’s organizational work was such that Khwaja
Hasan Nizami, a spiritual heir of Shah Nur Muhammad, described him as the mujaddid or
“reviver” of the Nizami silsila (Nizami silsila is a branch of the Chishti silsila).
The death of Maulana Fakhruddin “the Beloved of the Prophet” (muhibb al-nabi) as he was known,
occurred on the night of 27 Jumada II 1199/1785. He was buried opposite the inner gate to the
tomb of Khwaja Qutbuddin Bakhtiyar Kaki in Mehrauli.
Location of Dargah
His dargah is located in Mehrauli, Delhi, opposite the inner gate to the tomb of Hazrat Khwaja
Qutbuddin Bakhtiyar Kaki. It is in a raised, marbled semi-enclosure, opposite the marble trellis.
Open on two sides, the dargah is in the corner where one turns right for the main entrance to
the inner compound of Khwaja Qutub.
45
Hazrat Shaykh al-Masha'ikh Ghulam Qutbuddin
Hazrat Shaykh al-Masha'ikh Ghulam Qutbuddin is the 33rd Pir in the Chishti lineage of Hazrat
Pir-o-Murshid Inayat Khan; he was the successor and son of Hazrat Shaykh al-Masha’ikh
Maulana Fakhruddin Delhi. He was born in unknown year, and died in either 1797 or 1817.
Maulana Ghulam Qutbuddin’s saintly career is overshadowed by the fame of his “pir-brothers”
(fellow khalifas) Khwaja Nur Muhammad Muharavi and Shah Niyaz Ahmad. The Maulana is
reported to have spent time in Muhar and received khilafat there from Khwaja Nur Muhammad.
Like so much of his biography, Maulana Ghulam Qutbuddin’s death-date is open to question. Sir
Sayyid Ahmad has 18 Muharram 1212/1797. Another source has 18 Muharram 1233/1817. His
grave lies under a neem tree on the raised platform opposite Maulana Fakhruddin’s tomb in the
outer compound of the Khwaja Qutub complex in Mehrauli, India.
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Hazrat Shaykh al-Masha'ikh Nasiruddin Mahmud Kale Miyan
Hazrat Shaykh al-Masha'ikh Nasiruddin Mahmud Kale Miyan (silent “n” in Miyan) is the 34st Pir
in the Chishti lineage of Hazrat Pir-o-Murshid Hazrat Inayat Khan; he was the son and successor
of Hazrat Shaykh al-Masha’ikh Ghulam Qutbuddin. He was born in Delhi in the early 1800’s and
the date of his death is unclear.
Excerpt from A Pearl in Wine by Pir Zia Inayat Khan: Sir Sayyid Ahmad Khan’s (founder
of Aligarh Muslim University) words about the Shaykh:
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seriously considered reinventing itself as a charismatic Chishti hierocracy, an experiment cut
short by Bahadur Shah’s banishment to Rangoon (in present day Burma) in 1858.
It was Kale Miyan who introduced Mirza Asad Allah Khan Ghalib – today the most frequently
recited Urdu poets – to the court….Ghalib was then living in a wing of Kale Miyan’s house, the
Pir having taken him in after his release from prison on gambling charges. He once joked, “Who
has been released from prison? Then I was in the prison of the gore (white) and now I am in the
prison of the kale (black).” But there is no doubt about his respect for Kale Miyan. In his unfinished
history of the Mughal dynasty, Mihr-i nimruz, Ghalib writes:
The melody of Mansur has no admittance to his Truth-hearing ears, and what business could Bayazid’s
murmuring have with his Truth-telling lips? Others may drink wine, but this Khwaja drinks the tavern
dry. Other people’s casks are his cups. He lives in the midst of the world, but he is far above it. As long as I
am his neighbor the celestial spheres are in my shadow, and as long as I sit in the dust of his door the angel
envy my station.
The date of Kale Miyan’s “union” is given as…February 12, 1846, but this cannot be correct. A
grim possibility presents itself. Referring to the devastation of the 1857 Revolt, Ghalib wrote to
a correspondent in 1862: “Mir Nasiruddin descended on his father’s side from a line of Pirs and
on his mother’s from a line of nobles, was unjustly put to death.” The editor of Ghalib’s collected
letters has identified this “Mir Nasiruddin” as Kale Miyan, as have Ghalib’s English biographers.
…His family dispersed after the Revolt; Ghalib observes of the devastation they suffered, “The
cow ate all this up, and the butcher killed the cow, and the butcher died on the road.” But the
archway over his haveli in Qaim Jan, in the heart of Old Delhi, still bears a plaque reading: Ahata
Kale Sahib (Premises of Kale Sahib).
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Hazrat Pir-o-Murshid Inayat Khan
Excerpt Sufi Ruhaniat International website www.ruhaniat.org
Hazrat Pir-o-Murshid Inayat Khan was born in
Baroda, India in 1882, into a family of musicians.
“Music and mysticism,” he says, “were my heritage from
both my paternal and maternal grandparents.” Moula
Bakhsh, the founder of Gayanshala, which is now
the music faculty of the University of Baroda, was
his grandfather, and it was in his house that Inayat
Khan was brought up. The prominent position of
Moula Bakhsh Khan brought its members in close
contact with Muslims, but also with leading
Brahmin and Parsi families, so that Inayat Khan
grew up in an interreligious atmosphere. Even as a
child he had a great love for music and poetry.
Before he was 20 years old, he became a full
professor at the Gayanshala. He played the vina and
had a beautiful singing voice, and soon his fame
spread everywhere in the country. He sang at the
courts of Nawabs and Princes, and the Nizam of
Hyderabad, Mir Mahebub Ali Khan (whom Inayat
Khan describes as a mystic ruler), called him his
Tansen. Left, Hazrat Pir-o-Murshid Inayat Khan
He is remembered most today as a mystic and murshid. Even as a child his interest in spirituality
was as profound as his love for music, and he would often absent himself from meals to seek out
dervishes, fakirs, sadhus and mystics. He later studied comparative religion with an open mind.
“I read the lives of the founders, the prophets, the seers, with as much reverence as their most devout
adherents. This brought me the bliss of realization of the One truth which all religions contain as different
vessels may yet hold the same wine. The different messengers most wondrously, by their very diversity of
civilization, nationality and age, revealed the One source of inspiration. A human being, not generally
understanding this and owing to blind dogmatic faith, has always clung to the originator of his or her own
faith and ignored the new prophet. Not recognizing the manifold aspects of truth, thus all the racial and
religious prejudices!”
Interest in Sufism took him to Ajmer, to the shrine of Khwaja Moineddin Chishti. The calm and
peace pervading the shrine made him feel, even among the throng of pilgrims, that he was the
only one present. He became friends with a group of dervishes, loving the sweetness of their
nature and the innate perfume of their manner of using music as food for the soul. Once in a
dream he saw a large number of saints and sages, all clad in Sufi raiment, rejoicing in the Sama,
the musical gathering of the dervishes. He began having visions of a luminous, spiritual face,
radiant with light. A friend told him that this symbolized initiation into the Chishti Sufi Order.
He visited several murshids, but they always told him “I am not the one you seek”.
His dream came true. In 1904, while visiting at a friend’s house in Hyderabad, he met Muhammed
Abu Hashim Madani, a great Sufi murshid, immediately recognizing him as the saint in his dream;
the Murshid likewise recognized Inayat, and initiated him into the Chishti Order, the Sufi school
which finds its greatest inspiration in music. Inayat Khan remained with his Murshid for four
years; he called this the most beautiful time of his life. He was surprised that six months passed
before his Murshid said a word on the subject of Sufism; when he did, and Inayat took out his
notebook, the master at once changed the subject. Later Inayat Khan wrote, “I understood that it
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meant that the teaching of the heart should be assimilated in the heart;” and that “There is nothing in the
world more precious than the presence of the Holy One; his atmosphere is a living teaching.” The Sufi
Message which Inayat Khan came to offer the world, exemplifies his murshid’s spiritual
transmission.
Before passing away, Abu Hashim Madani placed his hands upon Inayat’s head in blessing and
said, “Fare forth into the world, my child, and harmonize the East and West with the harmony of thy
music. Spread the wisdom of Sufism abroad, for to this end art thou gifted by God.”
After the death of his beloved teacher, the opportunity came for Inayat Khan to carry out his
instructions, and on September 13, 1910 he sailed for America, accompanied by his brother
Maheboob Khan and his cousin Ali Khan. His youngest brother, Musheraff Khan, followed a year
later. At first, Inayat Khan was bewildered by the fast pace of the West, but, being a Sufi, he soon
adjusted. He wanted to teach through music, but this was early in the century and the West had
not yet developed the interest in Indian music it has today. However, in due time the way opened.
Later he went to England and other countries in Europe; everywhere he found people profoundly
moved by his spiritual teachings, many of whom asked for initiation. He made it quite clear that
he was not propagating a new religion, but was bringing the eternal Message of the essential
divinity of humanity, a Message of spiritual liberty, free of separatism or dogma.
Eventually, he married Ora Ray Baker, an American woman from New Mexico, and they had
two daughters and two sons. The family settled in Suresnes, near Paris. There he held an annual
summer school where mureeds from around the world gathered to hear his lectures and to receive
blessings and guidance. During the rest of the year he traveled and lectured widely. These
lectures were later published in twelve volumes entitled The Sufi Message of Hazrat Inayat Khan
which are now studied worldwide. The subject range is vast, including the inner life, music, the
mysticism of sound, education, character-building, the art of personality, health, psychology, the
path of initiation and discipleship, and so on. The teachings of the Sufi Message are characterized
by freshness of outlook, simplicity of language, depth of wisdom, and prophetic vision.
“The Sufi,” says Inayat Khan, “sees the truth in every religion. If invited to offer prayers in a Christian
church, the Sufi is ready to do so. The Sufi will go the synagogue and pray as the Jews do; will offer Salat
with Muslims; and in the Hindu temple worships the same God. Yet the Sufi’s true temple, the true mosque,
is the human heart, in which the divine Beloved lives. Sufism is a religion if one wants to learn religion
from it; it is a philosophy if one wants to learn wisdom from it; it is mysticism if one wants to be guided by
it in the unfoldment of the soul; and yet it is beyond all these things. It is the light of life which is the
sustenance of every soul. It is the Message of Love, Harmony, and Beauty”.
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Hazrat Pir Vilayat Inayat Khan
Pir Vilayat Inayat Khan was born June 19, 1916 in London, England and died June 17, 2004,
two days before he would have turned 88 years of age. He was the second of four children born
to Hazrat Inayat Khan and Ora Ray Baker (Pirani Ameena Begum).
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Regional Map of the Middle East, Central Asia & South Asia
Mumtaz Mahal
Editor’s Note
Arjamand Banu (b.1593, d.1631) widely known as Mumtaz Mahal,
“Jewel of the Palace”, was a Mughal Empress and the chief consort
of Emperor Shahjehan. Her beauty was legendary, as was the love
they shared for each other. They married when she was 14 years
old and had fourteen children, including Aurangzeb, Jehanara and
Dara Shikoh. Jehanara and Dara Shikoh became Sufi initiates of
Mullah Shah of the Qadri Sufi order.
As an advisor and confidante to her husband, Mumtaz Mahal was
a politically astute woman and had immense power, being
responsible for the imperial seal which allowed her to review
official documents in their final draft.
She died shortly after the birth of their 14th child, at the age of 38
years. In tribute to her, Shahjehan had the glorious Taj Mahal
built for her final resting place.
Left, Mughal painting of Mumtaz Mahal from the 17th-18th century
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North Eastern Pakistan & North India
AREA ENLARGED FROM REGIONAL MAP
Emperor Shahjehan
Editor’s Note
Shahjehan (b.1592, d.1666) was the emperor of the Mughal Empire from 1628 to 1658. He was the fifth Mughal
emperor after Babur, Humayun, Akbar and Jehangir. While young, he was the favorite of his legendary
grandfather, Emperor Akbar. His reign has been called the Golden Age of the Mughals and one of the most
prosperous ages of Indian civilization. Above, Mughal painting of Shahjehan from the 17 century
th
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States of India
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Physical Map of India
India is the seventh largest country in the world, with a total area of 1,222,559 square
miles (3,166,414 sq. km). It measures 1,997 miles (3,214 km) north to south and 1,822
miles (2,933 km) from east to west. (The 48 contiguous United States measure about
1,650 miles north to south and 3,000 miles east to west.)
The Ganges is the longest river originating in India. The Ganges-Brahmaputra
system occupies most of northern, central, and eastern India, while the Deccan
Plateau occupies most of southern India. (The Brahmaputra River originates in Tibet,
flows into Bangladesh where it merges with the Ganges Delta and empties into the
Bay of Bengal).
Kangchenjunga (Tibetan meaning “the Five Treasure Houses of Snow”), on the
border between Nepal and the Indian state of Sikkim, is the highest point in India at
28,209 ft. (8,598 m) and is the world’s 3rd highest peak.
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MapsofDe
lhi
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Ya Rashid, Ya Murshid