Mandala the Magnificent

A look at the 100 + Books and Research Papers of the author Dr. Uday Dokras

-The Most Hon’ble Bhante Kodomoppoi

子供っぽい (the childlike monk )

The Magnificent Writings of the Author Dr. Uday Dokras

Mandala art is all about symmetry, balance, and creating harmony within a design. Artists
who specialize in mandala artwork focus on geometric patterns, vibrant colors, and an artistic
approach to meditative visualization. The symmetry and balance in mandalas can have a
calming effect on your emotions. The process of drawing helps you connect with your inner

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 self and can contribute to a sense of emotional stability and balance. Drawing mandalas can
be a form of mindfulness and meditation. A mandala is a symbol of the universe in its ideal
form, and its creation signifies the transformation of a universe of suffering into one of joy. It
can also be used as an aid to meditation, helping the meditator to envision how to achieve the
perfect self. Mandala art's speciality lies in its intricate, circular geometric designs that
symbolize the universe, promoting spiritual growth, meditation, and stress relief. Originating
in Hindu and Buddhist traditions, these patterns serve as spiritual maps, meditation tools for
achieving focus and inner peace, and a practice for self-expression and emotional well-
being. The repetitive, symmetrical nature of mandalas has therapeutic benefits, aiding in
mindfulness and cognitive development, and they are increasingly used in modern contexts
for their calming and beautifying qualities.

A review of a book titled "Mandala" varies significantly depending on the specific book. For
instance, some reviews focus on Pearl S. Buck's novel "Mandala", a historical fiction about a
prince seeking his son's spirit that explores the clash of Eastern and Western cultures. Others
review Jamyang Norbu's "The Mandala of Sherlock Holmes", an adventure novel blending
mystery, fantasy, and a Himalayan setting. Alternatively, reviews might concern books that
are guides to mandala art, providing detailed information and illustrations, or they could be
coloring books, which are praised for their calming effect and ability to foster creativity and
mindfulness.
 For Pearl S. Buck's Mandala
The novel is a classic tale of cultural interaction, focusing on a grieving prince whose
journey to bring back his son's spirit leads to an exploration of Eastern traditions and
Western influence. It is described as a historical fiction that delves into themes of fate and
destiny through the lens of a "fatal attraction" between two different worlds.

For Jamyang Norbu's The Mandala of Sherlock Holmes

This book offers a captivating adventure where Sherlock Holmes, accompanied by a native
guide, travels to Tibet. It's noted for its blend of fantasy and adventure, with characters
grappling with evil in exotic locales, reminiscent of classic tales of lost civilizations. While
praised for its depth and cultural nuance, some find its use of fantasy to be a weak point.

For Mandala Art & Coloring Books:

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 Reviews for these books often highlight their benefit as a stress reliever and a way to
explore creativity. They are described as detailed and well-illustrated, offering guidance for
artists and a relaxing experience for beginners. The act of making mandalas is said to
promote mindfulness, self-discovery, and a sense of balance in life. Initially, I just thought
they would be books with pretty pictures. Yes; many do have gorgeously breathtaking
pictures, but they are much more than just a coffeetable books. They go through the many
ideals and philosophies behind the mandala as an art form and covers the religions that have
used mandalas; how the mandala is a symbolic representation of you, others, and the
Universe; the shapes that are used in mandalas and what they represent. Many of the books
goes through chapters; from an introduction to mandalas, to understanding the concept of
mandalas; to teaching readers about the symbolism surrounding different shapes- from
different types of circles, to the dyad, to the triangle, and square, and pentagon, and
hexagon... It then wraps up with patterns that can be found in nature. Finally, there's an
afterword, and the book ends with drawings of examples of mandala patterns.

I'm also really glad that they are all available Gratis on the Net for all to read- many more
times in the future. With a whole 10,297 pages of knowledge and pictures, I'm sure you'll find
value within these books. They are wonderful to buy even in Hard Copies, if you'd like to
learn more about mandalas; if you're a zentangle artist that is looking for inspiration; if you're
a spiritual artist or someone who uses a lot of symbolism within your work; and even if
you're not an artist, the images and ideas within this book are worth a read for free and buy a
hard copy to adorn your mantle and mind.

Let me take inspiration from the Buddha

The Buddha teaches to look at reality objectively, without prejudice or pre-conceived notions,
to truly see things as they are and avoid creating fiction or finding what one already
believes. For monks, there's a practical guideline to control their gaze and look downward,
especially in public, to maintain proper decorum and avoid distraction. Additionally, the
concept of the Buddha's "divine eye" refers to his enlightened, all-seeing wisdom that
perceives past, present, and future, a metaphorical quality of complete awakening.

 See without opinion:

The Buddha advises looking at things directly, without personal views, philosophies, or
dogmas, which can distort one's perception of reality.

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 Be factual:
The goal is to observe what is actually present, rather than projecting one's own beliefs or
fears onto the situation.
 The danger of prejudice:
When we approach something with a pre-existing belief, our mind can create a fictional
version of it that aligns with our prejudice, making true observation impossible.
Controlling the Gaze (for Monks)

 Maintain decorum:
Monastic rules require monks to direct their eyes downward, particularly when outside the
monastery or in public assemblies, to conduct themselves with proper behavior.
 Visual discipline:
This practice is a form of internal discipline, linking external visual imagery with internal
self-control.
The Divine Eye of the Buddha

 Enlightened vision:
The "divine eye" is not a physical eye but a metaphorical representation of the Buddha's
complete awakening and profound wisdom.
 Seeing beyond the physical:
This all-seeing wisdom allows the Buddha to perceive the karmic destinies of beings and
see across all directions and time.
 Sensational Buddhism: Marks of Perfection

The "divine eye" in Buddhism, or Divyacakshus, is a supernatural power of heightened

perception and spiritual insight that allows one to see beyond the ordinary, understand the
true nature of reality, and perceive the cycle of life, death, and rebirth based on deeds. It is a
form of clairvoyance and spiritual wisdom that transcends material sight, enabling the
practitioner to see beings as they pass from one existence to another, according to their
karma.

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 It means…

 Supernatural Perception:
It's a type of abhijna (supernormal knowledge) that allows one to perceive distant objects
and thoughts.
 Understanding Karma:
With this eye, the Buddha could see beings' destinies and understand how their actions
(karma) led to their reappearance in different states of existence, whether in a happy or
unhappy state.
 Wisdom and Enlightenment:
The divine eye is a symbol of the deep wisdom and spiritual insight that helps to overcome
ignorance and delusion, leading to enlightenment.
How it's attained

 The divine eye is not a physical organ but an advanced state of perception developed through
spiritual cultivation.
 It is developed through a purified mind and the ability to direct it toward understanding
unseen realities.
 The practice of meditation is key to achieving this elevated state of awareness.
Symbolic significance

 All-Seeing Vision:
It represents the Buddha's ability to see the entirety of existence and the interconnectedness
of all things, beyond the limitations of human perception.
 The Light of Wisdom:
It brings the "light of wisdom" to a world shrouded in the darkness of greed, ignorance, and
hatred, illuminating the path to liberation.

What is that Magnificent Mandla

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 A mandala is a symbolic diagram, often circular, that represents the universe and the
interconnectedness of all things.
 The word "mandala" in Sanskrit translates to "circle" or "center".
 Mandalas are used in spiritual and meditation practices, serving as a receptacle for deities or
as a tool for spiritual transformation.

"Mandala the magnificent" refers to the concept of a mandala as a grand, elaborate, and
beautiful work of art, often featuring intricate, geometric patterns and symbolizing the
universe, balance, and spiritual journeys. The term is used to describe various items,
including coloring books filled with intricate designs, handcrafted wall hangings, and even
decorative lanterns and coasters, all emphasizing the majestic nature and deep symbolism of
mandalas. While both mandalas and human building are ancient, mandalas are a much later
development within spiritual and architectural contexts, not as old as the fundamental activity
of building itself.
"Magnificent" in this Context
 The term "magnificent" highlights the intricate beauty and profound complexity of mandala
designs.
 It can refer to the artistic quality of the mandala, whether created through traditional drawing,
digital tools, or other mixed media.
 It also describes the powerful symbolism and the awe-inspiring feeling evoked by these
complex patterns.

Since ancient times, mandalas have served as blueprints and spiritual frameworks for divine
structures, particularly in ancient Indian traditions like Hinduism and Buddhism, where the
geometric patterns of a mandala were used in the design of temples and as diagrams to
represent the universe, sacred realms, and even human consciousness. Derived from the
Sanskrit word for "circle," the mandala symbolizes wholeness and the cosmos, influencing
the architecture of sacred spaces and serving as a tool for meditation and spiritual connection.
"mandalas architecture is as old as human building activity" is an inaccurate statement; while
mandalas are ancient geometric symbols, the earliest evidence of mandalas is from around
100 BCE, whereas human building activity, including architecture, began much earlier, with
the Neolithic period around 10,000 years ago and the Harappan Civilization dating back to
approximately 3300 BCE. Mandalas emerged within religious traditions in South Asia and

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 were incorporated into architecture later, not as a founding element of all human
construction.
Origins of Mandalas
 Ancient Roots:
The concept of the mandala as a geometric, circular design symbolizing the universe
originated in South Asia, with earliest evidence appearing around 100 BCE.
 Spiritual Tool:
Mandalas serve as a spiritual tool for focusing attention, meditation, and establishing a
sacred space, particularly within Buddhist and Hindu traditions. Mandalas were
incorporated into Hindu and Buddhist architecture, representing sacred spaces and cosmic
order.
Origins of Human Building Activity
 Neolithic Period:
 Architecture, or the design and construction of buildings, began during the Neolithic
period, roughly 10,000 years ago, when humans transitioned from living in caves to
designing shelters. Further evidence of early architecture comes from the Harappan
Civilization (c. 3300 BCE) in India, known for its well-planned cities, drainage systems,
and multi-story homes. Prehistoric Roots:
Some scholars believe that the earliest examples of sacred geometry, which forms the basis
of yantras, can be found in the Upper Paleolithic period, around 25,000–20,000 BCE, with
finds like the Baghor stone. Yantra-like symbols, including the swastika, have been found
on seals from Indus Valley cities like Mohenjadaro and Harappa, suggesting a connection
to their Tantric-based culture. Later, around 2000 BCE, yantra-like diagrams were
constructed on Vedic altars.
Mandalas as Sacred Blueprints:
 Cosmic Representation:
Mandalas are complex spiritual diagrams that depict the universe, the divine, and the
interconnectedness of all things, according to Coral Slub and MAP Academy.
In ancient India, these sacred geometric patterns were used as conceptual blueprints for
temples, creating structures that embodied spiritual principles and cosmic order.
In Hinduism, mandalas are often used as yantras, which are mystical diagrams that serve as
tools for contemplation, meditation, and spiritual rituals like yagna (fire rituals). The history
of Yantras dates back to the prehistoric era, with possible antecedents in the Indus Valley
Civilization and even the Upper Paleolithic period, evident in yantra-like symbols on seals

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 and ritualistic stones. Their use expanded within Vedic and Tantric traditions in ancient India,
where they served as sacred geometric tools for meditation, rituals, and connecting with
divine energies to promote harmony and spiritual development. The word 'yantra' itself
means "instrument" or "support" in Sanskrit, reflecting their function as a guide or device for
inner journeys to the Supreme Self.

Development in Tantric Traditions

Yantras became an integral part of Tantric practices around 700–1200 CE. The word
'yantra' means "instrument, support, machine, or device," highlighting its role as a tool for
spiritual practice.Yantras are seen as representations of the divine, with their geometric
shapes (like triangles, squares, and circles) representing the basic forms of the universe.
 Guidance to the Divine:
A yantra acts as a map, guiding the practitioner through the material world (represented by
the outer square) to the center (the point or bindu), symbolizing the Supreme
Consciousness.
Yantras are used in meditation and worship to invoke divine energy and promote focus on
specific spiritual truths. They are understood on both a micro and macrocosmic level,
providing a symbolic path for the user to connect with the divine and achieve inner
harmony.
The powerful, specific interpretations of yantras and their ritual use are often considered a
secret, passed down orally from guru to student within Tantric traditions

Symbolism and Spiritual Significance

 Wholeness and Unity:
The word "mandala" from Sanskrit means "circle" or "essence," symbolizing wholeness,
unity, and the infinite nature of the universe.
 Spiritual Tools:
They are used by devotees in Hinduism and Buddhism as tools for spiritual awakening,
meditation, and divine connection, helping to elevate the mind from the mundane to the
sublime, notes Neha Creation and Humanities LibreTexts.
 Talismanic Power:
When placed in sacred spaces like temples or monasteries, mandalas are believed to have
talismanic power, reinforcing the spiritual protection of the site.
Historical Roots

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 Vedic Period:
The earliest known use of mandala patterns is traced to the Vedic period in India (c. 1500-
500 BCE), where they first appeared in the Rig Veda as spiritual diagrams.
 Buddhist and Hindu Traditions:
Mandalas have a deep connection to both Hindu and Buddhist traditions, forming an
important part of the spiritual practices and symbolism of both faiths

Presence of Mandalas
 Artworks:
Designs that are elaborate and carefully crafted, sometimes featuring themes of unity,
balance, and infinite nature.
 Coloring Books:
Books containing dozens of detailed mandala designs for adults to color, offering a relaxing
and creative experience.
 Home Decor:
Handcrafted items like wall hangings, lanterns, and coasters that bring the essence of
mandala designs into living spaces.
Vastu:

Just as a mandala can reveal your inner story through shapes, colors, and patterns. By
creating mandalas, you connect with your thoughts and contemplated actions, reading about
them. To read about 100 mandalas, you can read 100 of the author’s books or explore the
Rigveda, which is structured into 100 books called maṇḍalas. For a relaxing activity,
Physicality of Sri Yantra is a good start :

Physicality of the Sri Yantra

Then Shiva Mahadev spoke to Parvati,

“O Devi, Because it restrains suffering due to desires, anger and karma, it is called Yantra.
The Goddess who is worshipped within it, offers Grace to the Tantric”
Kularnava Tantra

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Note: The effectiveness of Vastu yantras is based on belief and traditional practices, and there
is no scientific evidence to support their claims. The Yantra (from sanskrit “support” or “
instrument”) is a sacred physical instrument with psychosomatic effect. Its main objective is
to "tune" the “conscious mind” of the observer (composed by archetypal patterns) with a
certain Divine entity 3-D, such as the Divine Mother Durga manifested in some Darshan
(from sanskrit “see the Divine”).Thus, according to the Divine Entity (and the specific
Darshan), we could have different kinds of Yantras for different purposes on Earth. In fact,
this important Indian sacred symbol is connected with the spiritual archetype (the Indian
deities) within us, and is related with mantras and rituals in order to help the individual to
return to original wholeness. One of the earliest known pictures is the Sri Yantra that is found
in the religious institution named by “Shrungeri Matha”(from sanskrit “shrunga” highest,
peak and “geri” hill); it was established by the philosopher Shânkara.

Vaastu Shastra-This system focuses on creating spaces that are in balance with the
surrounding environment, promoting positive energy and well-being. It considers factors
like the placement of buildings, rooms, and objects, as well as the influence of the five
elements (earth, water, fire, air, and space).

Vastu Shastra and yantras are related practices in traditional Indian wisdom. Vastu Shastra
is an ancient system of architecture and design that aims to harmonize the built environment
with natural energies, while yantras are sacred geometric designs believed to channel and
amplify positive energies.

Yantras are geometric diagrams that are used in Vastu Shastra to enhance the flow of
positive energy and address any imbalances in a space. Different yantras are used for
specific purposes, such as attracting wealth, promoting peace, or improving relationships.

Relationship:
Yantras can be used as a tool within Vastu Shastra to enhance the positive aspects of a
space and mitigate negative energies. For example, a Vastu Shanti Yantra can be used to
bring peace and harmony to a home, while a Sampoorna Vastu Yantra can be used to
address various Vastu doshas (imbalances).
Shapes, such as dot, lines, triangles, squares, circles and lotus that draw a 2-D fractal pattern
of great beauty. For example, the dot (named by bindu) represents the initial sacred Word –

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the OM –which is the matter in “potentia”. The triangle (named by trokona) could point
down (which is a symbol of Shakti) and represents the feminine aspect of Creation, while
the triangle pointing up (which is a symbol of Shiva) represents the masculine aspect of
Creation. Then, the six-pointed star (named by shatkona) represents the union of
feminine/matter and masculine/spirit that leads to the manifestation of all forms of creation.

This Theory of Art and Aesthetics highlights the role of the observer's consciousness in the
experience of a work of art. Nowadays, Rasa findings are seen in other fields of knowledge,
such as, science. The art which has evolved out of tantra reveals an abundant variety of
forms, varied inflections of tone and colors, graphic patterns, powerful symbols with
personal and universal significance. It is especially intended to convey a knowledge evoking
a higher level of perception, and tapping dormant sources of our awareness. This form of
expression is not pursued like detached speculation to achieve mere aesthetic delight, but
has a deeper meaning. Apart from aesthetic value, its real significance lies in its content, the
meaning it conveys, and the philosophy of life it unravels. In this sense tantra art is visual
metaphysics.

In Tantric thought the human body is visualized as a microcosm of the universe. It is believed
that the complete drama of the universe is repeated in this very body. The whole body with its
biological and psychological processes becomes an instrument through which the cosmic
power reveals itself. According to tantric principles, all that exists in the universe must also
exist in the individual body. If we can analyze one human being, we shall be able to analyze
the entire universe. The purpose is to search for the whole truth within, so that one may
realize one 's inner self, unfolding the basic reality of the universe. A Tantra text says: "He
who realizes the truth of the body can then come to know the truth of the universe'. The two
most important concepts associated with the human body are the chakras and Kundalini. In
addition to helping realize the abstract conceptions of Tantra in visual terms, they reveal to
the spiritual seeker the deepest truths of Tantric philosophy through metaphors and symbols.

Iconographic Images
In tantric art, an image created must correspond to the original canonical text; any omission,
error or oversight is attributed to imperfect absorption or considered a sign of slackening of
attention. In such an event, the image is discarded and the process of composing is deferred.

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The process of image-making is an yoga discipline in itself. It is also believed to lead to
spiritual deliverance. This belief shifts the objective of art from being an end in itself to being
the means of an end. The intention of the artist is to express fundamental truths which are
constant for all, and not just his own 'personal' truth. His path thus is one of selfless action,
where there is a total annihilation of the ego. In such an art, it comes as no surprise therefore,
that the artist has always remained anonymous.

Kalasarpa Dosha Nivaraka Yantra (Yantra Prevents from Snake Biting/ Super Large
Shiva Linga

But it is not that the creative impulse of the artist is stifled. The artist while undertaking
creative activity intuitively realizes that his own self-expression is part of a universal and
collective expression as a whole. This underlying unity acts as an awesome catalyst,
convincing him of the sacred nature of his activity, and prompts him to adopt universal
symbols in his creations. The Shiva-linga for example, is a balancing of the masculine and
feminine ways of the world. This archetypal symbol has been in existence even before the
idea of history itself. The enduring popularity of its essential iconography is a pointer to its
acceptance in the universal psychology.
Because of the vital nature of the task, ancient texts dwell at length on the qualities an artist
must possess before he can embark on this spiritual journey. A tantric text for example,
enumerates the following six essentials that a stone-carver must master:

 The knowledge of stones.

 The compositional diagram.
 The carving and dressing of stone.
 The arrangement of the various elements of a sculpture.

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  The representation of the essential mood-character of a piece.
 The final integration of all its component parts.

The making of an iconographic image in Tantra art is considered the equivalent of the highest
form of worship. This activity is seen as capable of opening up spiritual avenues for those
who seek them. Accordingly, the canonical texts set the highest standards for those who wish
to traverse this path.

Paulo Nuno Martins. In his paper “The Usefulness of the Yantras: Some Historical and
Cultural Perspectives”, International Journal of History and Cultural Studies (IJHCS).( vol
7, no. 1, 2021, pp. 16-19. highlight some historical and cultural perspectives of the essence
of the “sacred instrument” designated by Yantra that is achieved not only by scientific and
technological progression, but also through the change of paradigm in the values of human
being in order to manifest some Divine qualities on Earth, such as love, abundance,
happiness and well-being with others.

According to him, this Indian Art has had several cultural and religious influences with
different philosophical perspectives through the ages. In this regard, the concept Rasa (from
the sanskrit "essence" or "feeling of an aesthetic experience") proposed by the Indian sage
Bharata Muni is described as a mental, emotional and physical state experienced by the
subject or observer in the perception of a work of art, such as painting or poetry. This sage
proposed eight states of perception, with ever greater refinement, namely Raudram (from
sanskrit "fury"), Bhayānakam (from sanskrit "horror"), Bibhatsam (from sanskrit "aversion,
repulsion"), Sringara (from sanskrit "love, attraction"), Viram (from sanskrit "courage"),
Kārunyam (from sanskrit"compassion"), Hāsyam (from sanskrit "laughter, joy"), Adbhutam
(from sanskrit "wonder"). Subsequently, the philosopher Abhinavagupta complemented this
term with other Rasas, namely Vātsalya (from the sanskrit "love of the parents"), Sāntam
(from the sanskrit "peace") and Bhakti (from sanskrit "devotion to God").

Sri Yanta

The Sri Yantra shows how energy flows universally. It guides spiritual growth clearly. Also,
it's a strong symbol for wealth, bringing abundance in many ways. Additionally, it serves as

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a visual guide for the spiritual journey.

The Sri Yantra, Shri Yantra, or Shri Chakra (Sanskrit: श्री यन्त्र, IAST: śrī yantra)
is a form of mystical diagram (yantra) used in the Shri Vidya school of Hinduism.
Comprising nine interlocking triangles, it embodies complex symbolism. Four upward
triangles signify Shiva, while five downward triangles represent Shakti, encompassing the
cosmic and human realms around a central point called the bindu. This configuration is
sometimes termed the "Navayoni Chakra".

The Sri Yantra holds great significance in the Shri Vidya school, central to its worship. It
symbolizes the union of masculine and feminine divine energies. The triangles, varying in
size, form 43 smaller triangles in concentric levels, mirroring the cosmos. The power point
(bindu) stands as the cosmic center, encompassed by concentric circles with lotus petal
patterns denoting creation and life force. These elements, set within an earth square, depict a
temple with doors to different regions of the universe.

In the Shri Vidya tradition, the Sri Yantra represents the core of devotion. Each triangle and
level is associated with specific aspects of divinity, culminating in a structure known as the
nava chakra. Its projection into three dimensions results in the Mount Meru, symbolizing the
philosophy of Kashmir Shaivism.

Appearance

In the 2009 issue of Brahmavidya (the journal of the Adyar Library), Subhash Kak argues
that the description of Shri Yantra is identical to the yantra described in the Śrī Sūkta in
the Rigveda.

The Sri Yantra's nine constituent triangles vary in size and shape and intersect to form 43
smaller triangles, organized in five concentric levels. Together they represent the totality of
the cosmos and express Advaita or non-duality. In the middle, the power point (bindu)
represents the cosmic center. The triangles are circumscribed by two concentric circles
composed of 8 and 16 petals, representing the lotus of creation and reproductive vital force.
The entire configuration is framed by the broken lines of an earth square, representing a
temple with four doors open onto the regions of the universe

Shri Yantra in various forms

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A Sri Yantra with Tamil Om symbol in center//The Lalita Sahasranama in diagrammatic
form, showing how its nine interlocking triangles form a total of 43 smaller triangles./Shri
Yantra engraved in metal/ Sri Yantra Golden Stone-Photo Source: Courtesy of Lila Sravani
(Fine Art America)

The Shri Yantra shown in the three-dimensional projection called Mahāmeru

Symbolism
The Sri Yantra in diagrammatic form, showing how its nine interlocking triangles form a
total of 43 smaller triangles.

In the Shri Vidya school of Hindu tantra, the Sri Yantra ("sacred instrument"), also Sri
Chakra is a diagram formed by nine interlocking triangles that surround and radiate out from
the central (bindu) point. The Sri Yantra is the object of devotion in Sri Vidya.

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The worship of the Sri Yantra is central to the Shri Vidya system of Hindu worship. The four
upward-pointing isosceles triangles represent the Goddess's masculine embodiment Shiva,
while the five downward-pointing triangles symbolize the female embodiment Shakti. Thus,
the Sri Yantra also represents the union of Masculine and Feminine Divine. Because it is
composed of nine triangles, it is known as the Navayoni Chakra.[

These nine triangles are of various sizes and intersect with one another. In the middle is the
power point (bindu), visualizing the highest, the invisible, elusive centre from which the
entire figure and the cosmos expand. The triangles are enclosed by two rows of (8 and 16)
petals, representing the lotus of creation and reproductive vital force. The broken lines of the
outer frame denote the figure to be a sanctuary with four openings to the regions of the
universe.

Together the nine triangles are interlaced in such a way as to form 43 smaller triangles in a
web symbolic of the entire cosmos or a womb symbolic of creation. The 12 and 15 sides of
the four upward and five downward triangles also correspondingly symbolise, on the physical
plane, the 12 sidereal zodiac signs of the Sun and 15 'nityas' phase-signs of the Moon. [7] This
is surrounded by a lotus of eight petals, a lotus of sixteen petals, and an earth square
resembling a temple with four doors.[1]

The Sri Yantra is also known as the nava chakra because it can also be seen as having nine
levels. "Nine" comes from" Nava" of Sanskrit. Each level corresponds to a mudra, a yogini,
and a specific form of the Deity Tripura Sundari along with her mantra. These levels starting
from the outside or bottom layer are:

1. Trailokya Mohana or Bhupara, the outermost square with four gates. It represents the
Earth plane and acts as a protective boundary for the inner levels.
2. Sarva Aasa Paripuraka consists of a sixteen-petal lotus. It signifies fulfillment of all
desires and aspirations.
3. Sarva Sankshobahana features an eight-petal lotus. It represents the stirring or
agitation of the mind, symbolizing the initial stages of spiritual awakening.
4. Sarva Saubhagyadayaka, composed of fourteen small triangles, this level is
associated with bestowing auspiciousness and good fortune.
5. Sara Arthasadhaka, composed of ten small triangles, it pertains to fulfilling worldly
desires and material goals.

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 6. Sarva Rakshakara, composed of ten small triangles, represents protection and safety
from harm.
7. Sarva Rogahara, composed of eight small triangles, it signifies healing and
protection from ailments, both physical and spiritual.
8. Sarva Siddhiprada, composed of 1 small triangle, representing accomplishment,
spiritual attainment, and realization of one's true self.
9. Sarva Anandamaya, a point or bindu at the center of the yantra. It symbolizes pure
consciousness, infinite bliss, and the ultimate unity of all existence.

The two-dimensional Sri Chakra, when it is projected into three dimensions is called a Maha
Meru (Mount Meru). The Sri Yantra is the symbol of Hindu tantra, which is based on
the Hindu philosophy of Kashmir Shaivism. The Sri Yantra is the object of devotion in Shri
Vidya.

In a recent issue of Brahmavidya, the journal of the Adyar Library, Subhash Kak argues that
the description of Sri Yantra is identical to the yantra described in the Śvetāśvatara Upanisad.

Shri Vidya

The Sri Yantra is at the heart of Shri Vidya practice, representing the geometric manifestation
of the formless Tripurasundari. Both the Lalita Sahasranama and Tripura Rahasyaemphasize
that while Tripurasundari is formless in her divine essence, she is worshipped through the Sri
Yantra, which symbolizes her cosmic energy, and the Panchadashakshari Mantra (the 15-
syllabled mantra), which invokes her presence. Together, the Yantra and Mantra serve as the
central tools for connecting with and realizing the supreme goddess in Shri Vidya.

Sri (chakra)Yantra could contribute to activate the Sahasrara chakra related to

connection of the soul with the personality (thoughts, feelings, words) of human beings.
However, some philosophical and religious perspectives have emphasized that the riches of
this world are incompatible with spiritual “treasures”. This dualistic conception, between
these two ways of life (to life exclusively in the profane world or to be in a total seclusion
in a monastery) could be transcended through the help of Yantra. In fact, finding a
simultaneous well-being between these two realities is something that has been proposed
for more than 5000 years by Ayurveda – traditional Indian medicine – which argues that
the health of an individual is achieved by the balance between his mind, body and
environment .The key to achieving this goal is accomplished through the awakening of

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 Divine power within us (the Shakti) that is dormant in the Muladhara chakra, as described
by the spiritual and philosophical principles of Tantra(from sanskrit “tan” to spread and
“tra” instrument) . So, one main purpose of Yantrais to transcend the dualism of the
physical world described in art, by the Rasa, and in science, by the Principle of
Complementarity, in order to manifest our soul´s mission on Earth.

This is the most important Yantra and is composed of geometrical (named by bhupura)
represents the physical manifestation of the “conscious mind” on Earth. The lotus (named
by padma) represents the real Self or soul.

Furthermore, the Yantra has several other applications in other areas of human life, such as

helping to harmonize the home or workplace, through appropriate architectural alignment

that might benefit the habitant or worker, as proposed by the VastuYantra. A "vasu yantra"
refers to various types of yantras used in Vastu Shastra and related practices, primarily for
balancing and harmonizing energies within a space. These yantras are designed to rectify
Vastu doshas (defects) and promote positive energy flow, ultimately benefiting the well-
being and prosperity of occupants.
Types of Vastu Yantras:

 Shri Navgrah Shakti Yantra:

This yantra is used to balance the energies of the nine planets (Navagrahas) in
Vedic astrology, mitigating negative influences and enhancing positive ones.

 Vastu Dosh Nivaran Yantra:

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 This yantra is specifically designed to remove Vastu defects, such as those caused
by inauspicious directions or other structural issues.

 Vastu Yantra (General):

Some yantras are designed to create a protective shield around the home, repelling
negative energies and promoting a positive atmosphere.
 Specific Yantras for Prosperity:
Some yantras are focused on attracting wealth, such as the Kuber Yantra or
Vaibhav Lakshmi Yantra.
 Ultimate Vedic Vastu Pyramid:
This three-dimensional representation of the Vastu Direction Yantra is considered a
highly effective tool for improving spatial energies.
 Navgreh Ashtdhatu Chowki:
This yantra is made of nine gemstones, each associated with a specific planet, to
further harmonize planetary influences.

Benefits of Using Vastu Yantras:

 Harmonizing Energies:
Vastu yantras are believed to balance and harmonize the energies within a space,
creating a more peaceful and prosperous environment.
 Rectifying Vastu Defects:
They are used to correct Vastu doshas, which can negatively impact the health,
well-being, and prosperity of the occupants.
 Protecting Against Negativity:
Some yantras are designed to protect against negative influences and evil spirits.
 Attracting Prosperity:
Specific yantras, such as the Kuber Yantra, are believed to attract wealth and
prosperity.
 Promoting Well-being:
The use of Vastu yantras is associated with positive impacts on overall well-being,
including good health, peace of mind, and success.
Placement and Activation:

 Placement:

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 Vastu yantras are typically placed in specific locations within a home or office,
often aligned with the directions of the Vastu Purusha Mandala.

 Activation:
Many yantras are activated through specific rituals, such as chanting mantras or
offering prayers, to further enhance their effectiveness.
 Maintenance:
Yantras are often cleaned and maintained with sacred substances like sandalwood
paste or saffron to ensure they remain effective.

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Some of the Books and Research Papers written by the Author Dr Uday Dokras on Mandala

1. https://www.academia.edu/77591619/
HOW_THE_LAND_of_ANGKOR_was_linked_to_the_FORTUNES_OF_AN_EMPI
RE_Dr_Uday_Dokras
2. https://www.academia.edu/92465283/
Dr_UDAY_DOKRAS_on_MANDALA_COMPARISONS
3. https://www.academia.edu/45015333/MANDALA_and_ARCHITECTURE
4. https://www.scribd.com/document/779589691/Mandala-Diagrams-of-Dr-Uday-
Dokras
5. chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://
tibetanbuddhistencyclopedia.com/en/images/f/f9/
Borobudur_as_Buddhist_Mandala.pdf
6. https://www.researchgate.net/publication/
365771035_mandala_Buddhist_Tantric_Diagrams_Dr_Uday_Dokras
7. https://www.researchgate.net/publication/
365444224_The_Tetradic_mandala_of_PAGODA_Dr_Uday_Dokras
8. https://pdfcoffee.com/mandala-of-the-tantra-pdf-free.html
9. https://jyotishbooks.wordpress.com/2021/01/05/mandala-book-iii-nakshatra-in-vedic-
astrology-by-uday-vasant-dokras/
10. Rajmandala
11. The Mandala of Angkor Wat
12. Srivijay The Great mandala

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13. Mandala of Jaipur
14. Complexities of the mandala of LOTUS
15. Khmer Mandala by Matrimony
16. Unravelling the Complex SEWU Mandala
17. Mandala of the Tantric Buddha
18. Holy Mandala of Kashi
19. Architecture of the Rakai Pinkaton Buildings
20. Learning about the Mandalas
21. Holy Mandala and Mandalafications
22. https://www.scribd.com/document/675209374/Cosmology-at-the-GUPTA-Times
23. The Square Mandala
24. https://www.scribd.com/document/847809564/The-Mandala-of-Majapahit-BOOK
25. https://www.academia.edu/44260764/Unravelling_the_MAZE_of_the_MANDALA_I
26. Intersecting Mandalas
27. https://www.academia.edu/93310728/In_Search_of_the_Square_Mandala
28. https://www.scribd.com/document/522473222/Gauri-Lata-Mandala
29. Mandala Comparisons of Temples in Cambodia
30. Mysterious Mandala
31. Mandala of the YONI
32. https://www.scribd.com/document/770114554/Angkor-Landcape-as-Mount-Meru
33. Physics of Shiva- https://www.scribd.com/document/642002820/Untitled
34. Bindu and Mandala-Manifestations
35. Mandalas and Yantras of the Thilli Chidambaran
36. Maze of the Mandala Part II
37. https://www.academia.edu/54005697/The_Mandala_of_the_JAMBUDWEEP
38. https://www.academia.edu/98846974/Mandala_of_Prambanan
39. https://www.scribd.com/document/750394342/Shri-Yantra-2-Book
40. https://www.scribd.com/document/476618457/The-Geometry-of-Hindu-Temple-1
41. Understanding Yantras
42. Mandala of Sunyata
43. What is Mandala
44. Mandala Book I
45. Mandala Book II
46. Mandala Book III
47. Mandala Book IV
48. Mandala Book V
49. Mandala Book VI
50. Mandala Book VII
51. Mandala Book VIII

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Google the Name followed by that of the author to get a download

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