The poem 'Kubla Khan' describes the magnificent pleasure-dome built by Kubla Khan in Xanadu, surrounded by lush landscapes and a powerful river. The speaker reflects on a vision of an Abyssinian maid who played music, expressing a desire to recreate the pleasure-dome through her enchanting melody. The poem intertwines themes of beauty, nature, and the mystical, culminating in a sense of awe and reverence for the divine experience of art and inspiration.
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Kubla Khan
The poem 'Kubla Khan' describes the magnificent pleasure-dome built by Kubla Khan in Xanadu, surrounded by lush landscapes and a powerful river. The speaker reflects on a vision of an Abyssinian maid who played music, expressing a desire to recreate the pleasure-dome through her enchanting melody. The poem intertwines themes of beauty, nature, and the mystical, culminating in a sense of awe and reverence for the divine experience of art and inspiration.
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Summary of the poem Kubla khan
The speaker describes the “stately
pleasure-dome” built in Xanadu according
to the decree of Kubla Khan, in the place
where Alph, the sacred river, ran “through
caverns measureless to man / Down toa
sunless sea.” Walls and towers were
raised around “twice five miles of fertile
ground,’ filled with beautiful gardens and
forests. A “deep romantic chasm” slanted
down a green hill, occasionally spewing
forth a violent and powerful burst of water,
so great that it flung boulders up with it
“like rebounding hail.” The river ran five
miles through the woods, finally sinking
“in tumult to a lifeless ocean.” Amid that
tumult, in the place “as holy and
enchanted / As e’er beneath a waning
moon was haunted / By woman wailing to
her demon-lover,” Kubla heard “ancestral
voices” bringing prophesies of war. The
pleasure-dome’'s shadow floated on thewaves, where the mingled sounds of the
fountain and the caves could be heard. “It
was a miracle of rare device,” the speaker
says, “A sunny pleasure-dome with caves
of ice!”
The speaker says that he once saw a
“damsel with a dulcimer,’ an Abyssinian
maid who played her dulcimer and sang
“of Mount Abora.” He says that if he could
revive “her symphony and song” within
him, he would rebuild the pleasure-dome
out of music, and all who heard him would
cry “Beware!” of “His flashing eyes, his
floating hair!” The hearers would circle
him thrice and close their eyes with “holy
dread,’ knowing that he had tasted
honeydew, “and drunk the milk of Paradise