1 - Section - 2
1 - Section - 2
keyboard shortcuts
The Tool Menu can be found in the top center of the workspace.
By default you are able to select one tool as the left click tool and another as the ⌘ + left click tool
In the settings under General → Editing → Right Mouse Button you can set
Now you will see 3 Tool Menus in the top center of the workspace!
For each of these 2 or 3 Tool Menus in the workspace you have the same selection of tools.
This differs for different types of editor windows (Notation, Audio File, Piano Roll, Pattern…)
The left click tool setting can be accessed more quickly with “T”.
The Tool Bar can be opened with the command ⌃⌥⌘ T and features a lot of functions as clickable
buttons that are usually used with keyboard shortcuts!
This is great for people who don’t like to remember the respective shortcuts!
The snap pop-up menu can be found right next to the tool drop-down menu and lets you
define the nearest grid position regions will snap to when moving them.
The drag pop-up menu can be found right next to the snap pop-up menu and lets you
define how regions behave when dragging them to overlapping positions.
Here is an overview over the 5 options offered in the drag pop-up menu:
1. 2. 3. 4. 5.
When adding a new track (⌥⌘ N) there are 4 track types you can add:
MIDI (Musical Instrument Digital Interface) regions can be placed on MIDI tracks, pattern tracks and
drummer tracks!
4. Start the playback, play in MIDI data, stop the playback, then hit “⇧R” to capture as recording
To edit the content of a MIDI Region you will have to open up the Editor with “E”.
Select Muted ⇧M
Editing Note End (length)
Select Highest Notes ⇧↑
Double Note Length ⌃⌥⌘ .
Select Lowest Notes ⇧↓
Halve Note Length ⌃⌥⌘ ,
Select All Notes Of A Left-click on
Speci c Pitch the Piano or Note Start To Playhead ⌘Ö
⇧E
Note End To Playhead ⌘Ä
Select All Notes Inside ⇧L
Locators Force Legato ⇧Ü
fi
MIDI Regions and Tracks
Section 2
Now let’s get into the more advanced functions in the piano roll editor!
Quantization
moves every Note to the nearest position on a defined grid.
To define the grid, open top the local inspector (⌥⇧ I) and select a grid for either..
1. time quantization
(You can also apply swing here)
Or….
2. scale quantization
To apply the quantization, first select all notes you want to quantise and then simply click the Q button
or use the shortcut “Q”
Time Handles
allow you to freely create timing adjustments by stretching or compressing selected notes in the region.
Pattern regions can be added on MIDI tracks, Pattern tracks and Drummer tracks.
To edit the content of a Pattern Region you will have to open up the Editor (Step Sequencer).
In the Step Sequencer you have rows (spread vertically) and steps (spread horizontally).
The settings for each Step, Row or the whole Pattern can be found in the local inspector (⇧⌥ I)
Apart from turning a Step on or off there are also other parameters that you can specifically set
for each individual step.
Pattern regions have a maximum length of 64 steps (unlike MIDI Regions that are basically unlimited).
Drummer Regions and Tracks
Section 2
Drummer regions can be added on MIDI tracks, Pattern tracks and Drummer tracks!
To edit the content of a Drummer Region you will have to open up the Editor (Drummer).
The Drummer editor offers you abstract controls for playful procedural MIDI data generation
specifically designed for drums!
Since Logic Version 11.1 the Drummer has become one of 3 “Session Player” Instruments!
5. Hit “R” when having an audio track selected to record an Audio File inside of Logic
Here is an overview over different audio file types sorted by compatibility with logic:
Waveform Audio File Format (.wav) Free Lossless Audio Codec (. ac)
OPUS (.opus)
When editing Audio regions with Flex (next page) we leave the original file untouched!
To edit an Audio Region you will have to open up the Editor (Track).
In here you can edit your audio region with Flex (⌘ F to Show / Hide Flex).
These Modes allow you to independently transpose and stretch audio files
In the Flex Pitch Editor we have 6 Parameters for each detected Note to edit separately:
The Flex pitch data can be converted into a MIDI File by clicking on the “Edit” drop-down menu
in the top left corner of the audio editor (Track) and then selecting:
Audio Regions and Tracks
Section 2
To edit an Audio file you will have to open up the Editor (File).
This destructively edits the actual file on your computer!
Left click and drag over the Ruler to scrub through the Audio file like a DJ.
Left click and drag over the waveform to select a part of the audio file
In the top left corner of the file Editor (File) you will find 4 drop down menus:
The Audio File drop-down menu gives you options for backups,
transient detection, file Info management and more.
Further down you get options for audio file navigation (Go to)
and automated selection options. (Set)
Snap Edits to zero crossing will move every start or end of a selection
to the nearest zero crossing in the audio file.
Audio Regions and Tracks
Section 2
The Functions drop-down menu offers many well known audio file
editing functions like normalisation, gain change, reverse, invert…
Any function selected here will be applied to the selected part of the
audio file!
The Time and Pitch Machine is a window where you can precisely
set the desired Transposition and Tempo change.
The View drop-down menu offers you options for what you see in the audio file editor:
You can Enter Transient Editing Mode which you can also do
by hitting the button right next to the view drop-down menu.
With this mode you can fine tune the detected transients for
your audio file.
Audio Regions and Tracks
Section 2
The available tools in the audio file editor are not the same as the tools in the workspace!
Even though some of the tools also exist in the workspace tool menu, they have different functions
in the audio file editor!
Make a selection of samples in your audio file (⇧ left-click to extend the selection)
Move the selection of samples in your audio file (quick access: ⌥ left-click)
To play back and loop specific parts of your audio file in the file editor there are buttons right next
to the tool menu:
Cycle Selection (⌃ C)
Region Conversion
Section 2
only if:
- max. 4 Bars
- simple data
⌃⌥⌘M
only if:
- max. 4 Bars
- simple data
In addition to that you can convert the Flex Pitch data from the analysis of dry monophonic
material to MIDI by selecting “Create MIDI Track from Flex Pitch Data” in the “Edit” drop-
down menu in the audio region region editor!
The 4 Methods of Tempo Analysis
Section 2
To analyse the tempo of a recording there are 4 methods you can choose from in Logic Pro!
Smart Tempo
The Smart Tempo editor is always the third Pane in the Audio or MIDI Region editor
Audio regions are automatically analysed, MIDI has to be analysed first to work with Smart Tempo
When MIDI has been analysed, Smart Tempo sets up an independent grid with
downbeats and divisions that you can tweak manually in 5 ways:
This way you can create tempo information manually which is directly associated with the region.
To show the tempo information select “Show Tempo Curve Overlay” from the
“View” drop-down menu.
The 4 Methods of Tempo Analysis
Section 2
The second option goes hand in hand with Smart Tempo, because it it using the same algorithm
and is called:
With the Free Tempo Recording button you can record and immediately after stopping
the recording select one of the following options for what should happen to the automatically analysed
tempo information of the recording!
If you don’t see the button make sure to right click on the display at the top to
“Customize Control Bar and Display”
The 4 Methods of Tempo Analysis
Section 2
The third option can be accessed through the global tracks (G) and is called:
Beat Mapping
You can enable beat mapping by pressing ⌥ G to configure the global tracks and selecting it from
the menu there. The quick access command is: ⇧⌘ B
After that, drag the subdivisions from the ruler of the beat mapping..
The shortcut to create a track stack when having the desired tracks selected is
⇧⌘ D
Folder Stacks offer Mute, Solo and Summing Stacks offer the same
Volume control over the Stack. channel strip options as a Bus
You can not process the sound in channel strip. In fact Logic
the track stack at all! automatically sets up a Bus input
assignment for the summing stack
This type of stack is only for track and respective output
visually tidying up the project! assignments for any tracks within
the summing stack.
Take Folders are closely related to Track Alternatives! Even so much so that you can
convert one thing into the other.
To “Pack a Take Folder” select all regions you want to pack into it and hit “⌃⌥⌘ F”
Alternatively: select all your regions, right click and go to “Folder → “Pack Take Folder”
In the top left corner of the Take Folder there are two buttons
The one on the left opens up the take folder. You can now (by clicking on it) select which
take you want to use as the actual region on the track!
The one on the right opens the Take Folder pop-up menu which contains functions to
work further with the content of the take folder
1.
2. 3.
Tick the box for “Varispeed” inside of the right click menu of the LCD
Varispeed lets you speed up or slow down your project by a defined percentage:
This is typically used to slow down the project while recording so that afterwards you
can speed the project playback back up. This makes it sound like you can play faster
than you actually can!
Track groups allow you to treat multiple tracks like they are the same track.
To assign tracks to groups open the mixer (X) and left click on the Group Slot
Here you can switch your assigned groups on or off, hide them or
rename them.
Even the Track Zoom and the Track Color can be choosen here!
MIDI FX
Section 2
They convert a MIDI input into a MIDI output, just like an Audio FX plugin converts an
audio input into an audio output.
Lets you create an Lets you create a Lets you reassign MIDI
arpeggiated MIDI output polyphonic MIDI output events from one MIDI CC to
on the basis of a legato (Chords) an the basis of a a different MIDI CC. It also
MIDI input monophonic MIDI input lets you add to the input
(Notes) value and scale the input
value.
Lets you add an LFO or an Lets you create 0 - 99 Lets you map, offset, and
Envelope Modulator to a repeats of the input MIDI randomise a specific MIDI
specific MIDI Parameter. notes, offset by a defined Parameter input to a
time value, transposed mutilated output.
from the copy before by a
defined transposition value
and played at different
ascending or descending
velocity values.
Lets you write a custom Lets you transpose and Lets you work with velocity
Java script to create your scale quantise the notes on like a compressor works
own MIDI FX plug-in! the MIDI input. with audio.
If you want to code your own MIDI FX plug-in, but you don’t know how to code in
Java, thats no problem!
So you don’t need to learn Java to work with the Scripter plug-in!
With automation you can change any MIDI parameter over time.
Touch - overwrite existing automation, let go to snap back to existing automation points
Latch - overwrite existing automation, parameter value replaces existing until playback stops
Write - overwrites all parameter values without touching them! (Warning message)
R-Touch - Touch mode for relative automation (only for Volume and Pan)
T-Touch - Touch mode for adding secondary motion data to a preexisting automation
R-Latch - Latch mode for relative automation (only for Volume and Pan)
T-Latch - Latch mode for adding secondary motion data to a preexisting automation
R-Write - Write mode for relative automation (only for Volume and Pan)
keyboard shortcut: A
In Logic Pro there are 2 types of automation data that you can work with!
1. Region automation
2. Track automation
Region automation takes priority over track automation and will always be moved and stretched
together with the associated region!
Automation Settings ⌥A