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Missa Fransis

The document contains musical notation and lyrics for the 'Kyrie' and 'Gloria' sections of a choral composition by Joshua Mugabi titled 'Missa Francis'. It includes parts for Soprano, Alto, Tenor, and Bass, with specific instructions for performance. The text features repeated phrases in Latin, emphasizing themes of praise and supplication.

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johnlakes kigozi
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0% found this document useful (0 votes)
15 views9 pages

Missa Fransis

The document contains musical notation and lyrics for the 'Kyrie' and 'Gloria' sections of a choral composition by Joshua Mugabi titled 'Missa Francis'. It includes parts for Soprano, Alto, Tenor, and Bass, with specific instructions for performance. The text features repeated phrases in Latin, emphasizing themes of praise and supplication.

Uploaded by

johnlakes kigozi
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Missa Francis

Kyrie
Joshua Mugabi

  Larghetto
  
Soprano  
       
   
con dolcezza

Ky ri e Ky ri e e le i son

       
Alto         

   
Ky ri e Ky ri e e le i son


                    
  
Tenor

         
Ky rie e le i son Ky ri e Ky ri e e le i son

Bass
  
  
           
Ky ri e Ky ri e e le i son

6      
S.                      
        

          
Chri ste e le i son Chri ste Chri ste e le i son Ky rie e le i son

         
A.               

  
Chri ste Chri ste e le i son Ky rie e le i son

                   
  
T.

    
    
Chri ste Chri ste e le i son Ky rie e le i son

       
  
B.
   
Chri ste Chri ste e le i son Ky rie e le i son
13     
                 
2

S.          
Ky ri e e le i son e le i son
Ky ri e Ky ri e e le i son Ky ri e Ky ri e e le i son


A.           
Ky ri e Ky ri e e le i son Ky ri e Ky ri e e le i son

        


T.   
Ky ri e Ky ri e e le i son Ky ri e Ky ri e e le i son

     
  
    
B.

Ky ri e Ky ri e e le i son Ky ri e Ky ri e e le i son

Gloria
   
Soprano            
Adagio

Glo ri a in ex cel sis De o in ex cel sis

        
   
Alto
 
Glo ri a in ex cel sis De o Glo ri a in ex cel sis

                    
        
 
Tenor

Glo ri a in ex cle sis De o in ex cel sis De o Glo ri a in ex cel sis

          
            
Bass
  
in ex cel sis De o in ex cel sis
5            
3

S.                

1. 2. Verse 1

   
  
                      
De o in ex cel sis De o in ex cel sis De o Glo ri a De o Et in te rra

A.

   
                    
De o in ex cel sis De o Glo ri a in ex cel sis De o Glo ri a De o Et in te rra

T.

    

    
            
De o Glo ri a
in ex cel sis De o in ex cel sis De o De o

B.

De o Glo ri a in ex cel sis De o Glo ri a in ex cel sis De o De o

11   
S. 
              
   
     
   
A.            
pax ho mi ni bus bo nae vo lu nta tis

 pax ho mi
                
T. 
        
ni bus bo nae vo lu nta tis


                    
   
Lau da muste, be ne di ci muste, a do ra mus te,

B.
   

17     
S.  
Verse 2

     

      
A.

T.                    
           
  
           
 
   
  
        

glo ri fi ca mus te. Gra tia s a gi mus ti bi pro pter ma gnam glo riam

B.
       
22              3 
4

S.                  
         
Verse

             
A.                            
Do mi ne De us Rex ce le stis De us pa ter o mni po tens Do mi ne Fi li

    
     
T.    
         
tu am.

B.

28   
S. 
            
  
     ste    
A.           
u ni ge ni te Ie su Chri


                   
T. 
      
       
         
   
Do mi ne De s A gnus De i Fi lius Pa tris

B.
        

 4     
35  Verse
S.                 
      
           bis  
A.                   
 
Qui to lis pe cca ta mu di mi se re re no

  
              
T. 
     
               
    
Qui to lis pe cca ta mu ndi su sci

B.
 
41 
5

S. 
    
Verse 5

     
A. 
                     
        

T.

                    
    
         
pe de pre ca ti o nem no stram Qui se des ad dex teram Pa tis mi se re re no

B.
  

46           
S.                      
   

  
               
A.                         
Quo niam Tu so lus sa nctus,Tu so lus Do mi nus, Tu so lus al ti ssi mus Ie su Chri ste

 
    
T.    
        
bis

B.

51           
S.             
         
       ri a     
A. 
                  
Cu m Sa ncto Spi ri tu in glo in glo ri a De i Pa tris


        
T.                
Cu m Sa ncto Spi ri tu in glo ri a in glo ri a De i Pa tris

     
        
                
Cu m Sa ncto Spi ri tu in glo ri a in glo ri a De i Pa tris

B.
     
Cu m Sa ncto Spi ri tu in glo ri a in glo ri a De i Pa tris
55           
6

S.        
 me    a  
A n a me n men a men

     
A.               
A me n a me n a men a men

     
           
T.
  
A me n a me n a men a men

    
          
B.
 
A me n a me n a men a men

Sanctus
  Adagio   
Soprano    
                       

Sa nctus sa nctus sa nctus sa nctus Do mi nus De us

   
Alto                         
Sa nctus sa nctus sa nctus sa nctus

                             
     
 
Tenor

Sa nctus sa nctus sa nctus sa nctus Do mi nus De us

        
               
Bass
 
Sa nctus sa nctus sa nctus sa nctus
7       
     
7

S.        
rit.  a tempo


De us sa ba oth Ho sa nna

      
A.       
Ho sa nna

             
                  
T.
  

  
        
De us sa ba oth Ple ni sunt cae li et te ra glo ri a tu a Ho sa nna

           
B.
      
Ple ni sunt cae li et te ra glo ri a tu a Ho sa nna

13             
S.                                
Fine rit. D.S. al Fine

 

      
Ho sa nna Ho sa nna in excel sis Be ne di ctus Qui ve nit in no mi ne Do mi ni

    
  
                         

A.


Ho sa nna Ho sa nna in excel sis Be ne di ctus Qui ve nit in no mi ne Do mi ni

                    
 
T.


Ho sa nna Ho sa nna in excel sis

                 
B.
     
Ho sa nna Ho sa nna in excel sis

Agnus Dei
  
8

         
Soprano          

                 
A gnus De i qui to llis pe cca ta mu ndi mi se re re no bis

Alto

                    
   
A gnus De i qui to llis pe cca ta mu ndi mi se re re no bis

Tenor

       
         
A gnus De i qui to llis pe cca ta mu ndi mi se re re no bis

Bass

A gnus De i De i qui to llis pe cca ta mu ndi mi se re re no bis

7      
S. 
          
  

                   
mi se re re no bis A gnus De i qui to llis pe cca ta mu ndi mi se re re

A.

         
                  
mi se re re no bis A gnus De i qui to llis pe cca ta mu ndi mi se re re

T.

                 
  
mi se re re no bis A gnus De i qui to llis pe cca ta mu ndi mi se re re

B.

mi se re re no bis A gnus De i qui to llis pe cca ta mu ndi mi se re re

14                   
S.    

 
                      
no bis mi se re re no bis A gnus De i qui to llis pe cca ta mu ndi

A.

        
                
no bis mi se re re no bis A gnus De i qui to llis pe cca ta mu ndi

T.

         
           

no bis mi se re re no bis A gnus De i qui to llis pe cca ta mu ndi

B.

no bis mi se re re no bis A gnus De i qui to llis pe cca ta mu ndi
21  
9

S.          
do na do na no bis pa cem


       
A.
       
do na no bis pa cem do na no bis pa cem

        
T.       
do na no bis pa cem do na no bis pa cem

  
B.
          
do na no bis pa cem no bis pa cem

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