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Customer Satisfaction
Canon is committed to total C.S. (Customer Satisfaction).
In order to optimize C.S., our aim is to support users by development of new lens technologies, high quality
assurance systems, and other sales support.
The ISO-9001/ISO-14001 Certification and Emmy Award are just two examples of our C.S. Activities.
ISO-9001/ISO-14001
The Canon Broadcast Equipment Group acquired ISO-9001 Certification from Lloyd's of
Britain in 1997. It is proof that our design and production system have a high quality
assurance system that meets the international standard ISO-9001.
Canon placed priority on obtaining ISO-14001 certification for manufacturing bases, since
these facilities have greater environmental impact.
The Canon Broadcast Equipment Group manufacturing bases obtained ISO-14001
certification in 1997.
CANONS WORLDWIDE SUPPORT NETWORK
ISO-9001
Emmy Award
The National Academy of Television Arts and Sciences awarded Canon an Emmy for Implementation in
Lens Technology to Achieve Compatibility with CCD Sensors in 1996.
It is proof of our commitment to standardization, realization of high optical quality by IF and Fluorite/Hi-UD
glasses as well as other various activities.
Well trained sales people and/or service technicians are
ready to support you at these locations.
ISO-14001
2
High Quality
of Picture
Ease of
Operation
High
Specification
Environmental
Concerns
What are Canons objectives
Canon has always developed new technologies while remaining consistent with three main points; High Quality
of Picture, Ease of Operation and High Specifications.
Now, Canon adds a new important fourth point: Minimize Environmental Impact products. It is Canons policy
to not pollute the earth and through research we are quickly reaching this goal.
These principles are upheld whenever we introduce our TV Lenses. As an example, we will not say a product is
in development nor will we accept the production of a high specification and high quality lens if it dose not offer
ease of operation, especially in terms of its size and weight. On the other hand, it would be impossible to keep
our great ease of operation and quality of picture while offering our present zoom ratio and wide angle without
new technologies. Canon has always developed the worlds most advanced technologies, and now keeping in
mind our four Objectives. Additionally, Canons philosophy of technology leadership would be meaningless
without also optimizing Customer Satisfaction.
The next pages demonstrate Canons history of lens development and our adherence to the objectives.
Special Optical
Elements and
The Best Optical
Layout
Internal
Focusing
System
Ergonomic
Lens Design
Ecological
Lens Design
Longer, Wider,
More Sensitive
Lens Series
Crossover
Technology
Optical
Image
Stabilizer
Digital
Technology
The Latest
HDTV lens
Series
e-IFxs
e-HDxs
Technology
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Recently, Canon introduced a new broadcast lens technology, , by launching the J22ex7.6B. Canon is pleased to offer
complete series of and lenses.
The / technology consists of two meanings that start with the letter e. One is the ecological design, a design
harmless to the environment. The other is the enhanced digital technology, which improves the performance of the digital drive
unit. Of course, the new technology inherits all of the advantages of their predecessors, the IFxs and HDxs lenses.
Enhanced Digital Drive
The and series are equipped with an informational display and
a digital function selector, an X-Y axis switch, so that the user can customize
the enhanced digital functions much more easily and precisely. The new design
enables the user to fully bring out the digital functions.
G User settings are both simple and easy to operate. User settings included:
speed preset, framing presets (now 2 memory positions), shuttle shot, zoom
track, new focus preset with IASD/IASE lens.
G Follow signal display for iris, zoom and focus (IASD/IASE only) for virtual
reality, robotic control and other uses.
G User settings for zoom and focus curve mode for precise control based upon
the users requirement.
G AUX 1 and AUX 2 switches can be assigned for basic functions giving
enhanced memory capability.
G A precise movement mode can be memorized for the zoom seesaw control,
zoom demand control and preset control.
G The drive unit can memorize 9 patterns of user-customized settings and also
transmit the data between different drive units.
G The self diagnostic mode provides error message, if necessary.
Rotary Encoder
Canon offers a series of / lenses, which are equipped with an
enhanced digital drive unit. Conventional potentiometers are analog positional
sensors capable of only 8-10 bit equivalent resolution. Thus virtual ENG studio
systems called for an optional Encoder Unit to be put on the zoom and focus ring
of the lens. With the introduction of 16 bit resolution Rotary Encoder Devices built
into the new enhanced digital drive unit, the lens can simply be integrated into a
virtual digital studio system without any additions. The encoders also enable
superior precise control. The zoom servo provides a dynamic range of 0.5 sec. to
over a 5 min. super slow zoom. Repeatability in focus and iris control are also
much more precise. Canons unique technology has made the Encoder Device
surprisingly small to be installed in the existing drive unit without changes in size
or weight.
Ecological Design
It is Canons policy to not pollute the earth and through research, we are quickly
reaching the goal.
The / series have avoided using any materials or substances that
could pollute the environment.
The optical parts, featuring lead free glass, are designed to be completely non-
polluting and the mechanical parts are virtually free of all harmful products to the
earth, such as cadmium, PBBS*, PBDPE*or mercury.
*PBBS:Poly Bromo Bi Phenyls
*PBDPE:Poly Bromo Di Phenyl Ethers
e-IFxs and e-HDxs Technology
/
Informational Display
Lead Free Glass
Lens with Encoder
Device included in the
drive unit
Lens with the Optional
Encoder Unit
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Canon has always made an effort to research special elements since our beginnings
in this industry with the goal of minimizing chromatic aberration. These efforts have
included an artificial element, Fluorite, with extraordinary dispersion
characteristics and the newly developed Hi-UD (high index ultra low dispersion)
glass. Canon has succeeded in the practical use of special elements along with
advanced design techniques like separate achromatism. Canon TV zoom lenses
carry a Green Ring on the focus barrel, a symbol of our high quality.
Canon has developed a break through in optical design technology known as the
Power Optical System whose heart is the X-Element. By using the X-Element
to its maximum power in the specially designed optical layout, higher specifications
and quality can be achieved in smaller and lighter lenses. The lenses designed using
the Power Optical System are known as the XS-series.
Hi-UD Glass
Green Ring
Canon previously released several lenses in succession, the J13x9BII in the
early 80s, which became the worlds standard ENG/EFP lens, the J18x9B in
1984 and in 1985, the J8x6B. These lenses became the first example of what is
today the standard series of ENG/EFP lenses composed of a Telephoto,
Standard and Wide zoom lens. This SDTV standard series has been repeated
several times as new lenses were developed and today it consists of the
J22ex7.6B, the J17ex7.7B and the J11ex4.5B. With the current SDTV series as
well as with the HDTV series, Canon has developed longer, wider and more
sensitive lenses that are approximately the same size and weight as the very
first series with vastly improved specifications.
In Studio/Field category lenses, Canon developed the first 40x high zoom ratio
lens in 1982 and since then has cleared hurdle after hurdle, breaking new
ground by introducing the world's first 50x and world's first 70x lenses.
Then, we introduced our highest achievement to date, the DIGISUPER 86 xs
and DIGISUPER 86 TELE xs, the world's first lens in the 80x range. Typical
of Canon, this lens has solved the problem of image shake that would have
limited the 86x zoom ratio with our unique built-in Optical Image Stabilizer .
Amazingly, the 86x exhibits improved specifications and employs the "Optical
Image Stabilizer" in a package the same size and weight as previous lenses.
Recently, Canon proudly introduced the worlds first triple digit zoom lens, the
DIGISUPER 100 xs, with "Optical Image Stabilizer" and a 100 times zoom
ratio.
Our goal at Canon is to pursue our Philosophy with unique ideas and the most
advanced technologies thus allowing us to contribute to the expansion of our
ever-changing industry.
In 1995, Canon released the DIGISUPER 70 for Studio/Field applications and
at the same time introduced digital technology for broadcast zoom lens control
to the television industry thus opening up new possibilities for the future.
Digital control technology offered improvements by more precise control of
lens groups, personalized lens control and the ability to interface with other
digital devices. Since then, digital technology has experienced a big evolution
and today, Canon offers the most advanced second generation DIGISUPER
lens series and the newly developed zoom/focus demands.
Canon's newest advancement in digital technology,
enhanced e-IFxs/e-HDxs, features have been applied to the e-IFxs/e-HDxs
series of ENG/EFP Zoom Lenses , while Digital Drive continues to be used
on other models. With e-IFxs/e-HDxs and Digital Drive, the lens servo unit
is now digital and offers such unique new Useful features as: Shuttle Shot,
Speed Preset and Framing Preset.
DIGISUPER 100 xs
Launched in 2002
DIGISUPER 70
(The first lens in the 70x range was
launched in 1995.)
PV40x13.5B
Launched in 1982
SUPER 55
(The first lens in the 50x range was
launched in 1987.)
The XS-series lenses are shown with either of these legends on
page 12-14 and 21-24.
The Studio/Field lenses with the DIGISUPER system
are shown with this legend on page 12, 13 and 14. Also
the unique features are explained on page 15 and 16.
The broadcast ENG/EFP lenses with the Digital System are shown
with this legend on page 21, 22, 23 and 24. Also the unique features
are explained on page 26 and 27.
Special Optical Elements and The Best Optical Layout
(X-Element and The Power Optical System)
Digital Technology
Deployment of
Longer, Wider, More Sensitive Lens Series
/
/ /
Canon was the first manufacturer to apply IF (Internal Focus) technology for use in
high quality broadcast ENG/EFP zoom lenses, first with the J8x6B wide-angle zoom
lens and then with the world's bestseller, the J14x8.5B standard lens. The advantages
include lower distortion, minimized chromatic aberration and strong protection from
dust and condensation in a compact and lightweight package. At the same time, we
created ease of operation with the introduction of a Fixed Front Element, Square
Hood and an Ergonomic grip angled at 12.5. Since those first IF lenses, Canon has
developed a complete series of IF zoom lenses. The original IF technology evolved
into the IF+ (plus) series and then into the IFxs series. Simultaneously, the High
Definition lens series, HDxs, and the Pro-video lens series, IFpro were developed.
Now we introduce the new e-IFxs/e-HDxs series.
The lenses with the Internal Focusing System are shown with one of these legends on
page 12-14, 21-24 and 35, 36 and 38, 39.
Internal Focusing System/Ergonomic Lens Design
/ /
In response to requests from markets around the world, Canon offers the YH16x7
KTS-AF lens equipped with our exclusive Self Contained Auto Focus System.
Needless to be concerned about camera compatibility, the system enables the lens to
focus on an object automatically by analyzing the video signal from the camera
wholly within the lens unit, independent of the camera. Canon has developed the
advanced auto focusing system by exploiting Canons original Auto Focus
Algorithm, which made the auto focus function the most suitable for the diverse
applications of the lens. The Auto Focusing System also contains various functions,
which makes the operation easy to use and accurate.
Lens with the "Auto Focusing System" is shown on page 39.
Auto Focusing System Technology
8
Switchable CCD Cameras that can switch between the two aspect ratios have become increasingly popular, since
they allow the user to maintain both formats during transition. However, when the switch is made from 16:9 to 4:3,
both sides of the image projected on the CCD are cut off, thereby shortening the diagonal of the picture from the
conventional 4:3 norm of 11mm to 9mm as the diagram below illustrates. To compensate for this loss, Canon has
developed Crossover Technology and incorporated it into a line of ENG and Studio/Field lenses that restore the
4:3 image of a switchable camera to that of a conventional 4:3 format camera. Crossover Technology utilized a
built-in Shrinker which is a lens group to be inserted into the relay section of the master lens in order to shrink
the image circle diameter by a factor of 0.8x.
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IWith ENG/EFP Lenses
1 x
0.8x Shrinker
Mode Change
Signal for 4:3
from the camera.
Extender Turret turns
to 0.8x Shrinker position
automatically.
1.5x (option)
2.0x Extender
2 x
4 Position Extender Turret
1.0x
How the Shrinker is adapted to lenses;
IWith Studio/Field Lenses
VRSE/VASE WRSE/WASE
Employment of Vari-angle Prism Image Stabilizer (VAP-IS)
Canon introduces the Vari-angle Prism image stabilizer (VAP-IS), our patented breakthrough
technology, the worlds first, Optical Image Stabilization solution provided for broadcast
ENG/EFP lenses. For the details on how VAP-IS works, please refer to page 25. The VAP-IS
covers a wide bandwidth of frequencies including high frequencies that are often encountered
with moving vehicles, helicopters etc. The VAP-IS has been improving the video quality in such
environments.
Another Epoch-making Technology; Optical Shift Image Stabilizer (Shift-IS)
The history of field lenses is a history of zoom ratio/focal length extension. It came to a point
where the industry thought it would be impossible to push the envelope any further. The
telephoto focal lengths of the lens got so long that even the slightest amount of wind or operator
movement would cause image shake and viewing the picture became intolerable, this was before
Canon announced the incredible magnification DIGISUPER 86 xs zoom lens. Canon, renowned
for its optical image stabilization technologies, developed another new stabilization solution for
the broadcast field lens, a built-in Optical Shift Image Stabilizer (Shift-IS) to overcome image
shaking at telephoto focal length. Now the Shift-IS is employed in the DIGISUPER 100 xs,
DIGISUPER 862TELE xs, DIGISUPER 862 xs, DIGISUPER 75 xs, HJ40x10B IASD-V and
HJ40x14B IASD-V.
When the lens moves, the light rays from the subject are bent relative to the optical axis,
resulting in an unsteady image because the light rays are deflected. By shifting the IS lens
group on a plane perpendicular to the optical axis to counter the degree of image shake, the
light rays reaching the image plane can be steadied. Since image shake occurs in both
horizontal and vertical directions, two shake-detecting sensors for yaw and pitch, detect the
angl e and speed of movement and send thi s i nformati on to a hi gh-speed 32-bi t
microcomputer, which converts the information into drive signals for the IS lens group. Then
the actuator moves the IS lens group horizontally and vertically thus counteracting the image
shake and maintaining the stable picture. The Shift-IS component is located within the lens
group and is most effective for lower frequency movements caused by platform vibration or
wind effect without increasing the overall size and weight of the master lens.
1.Lens when still.
Image plane
To Subject
2.Lens when jerked downward.
Camera
shake
3.Counteraction by IS lens group.
Corrected light rays
Position of IS lens group after shifting
Extender Position
(Element Factor)
Relative Magnifications
16:9 Mode
4:3 Mode
Normal
(1x)
1x
Shrinker
(0.8x)
1x
Extender
(2x)
2x
2.4x
The diagram shows how Canons exclusive
Crossover Technology uses a 0.8x
Shrinker to restore the loss of diagonal
and return the 4:3 image of a Switchable
Camera to the same as a Standard
Camera.
Two types of Crossover ENG/EFP lenses are available.
The WRSE/WASE versions incorporate a 0.8x Shrinker in addition
to 2x extender. The VRSE/VASE versions have a 0.8x Shrinker
instead of 2x extender.
16:9/4:3
Selector Switch
Controls Mode.
The Lever Controls
16:9/4:3 mode.
IE Lever
Controls
Extender
Positions.
How the Optical Shift Image Stabilizer (Shift-IS) Works
The optional application of the Crossover Technology to
each lens is indicated on specification pages of each product category.
The products with the Optical Image Stabilizer technologies are
shown with this legend on page 12, 21, and 25.
DIGISUPER 100 xs
HJ40x10B IASD-V
HJ40x14B IASD-V
DIGISUPER 25 xs
IS-20B2
P25
P12
P21
Optical Image Stabilizer Crossover Technology
DIGISUPER 86 2xs
DIGISUPER 86 2TELE xs
P12
P12
DIGISUPER 75 xs
10
Canon began developing lenses for the HDTV System more than 20 years ago. Canon was the first manufacturer to
complete a standard series consisting of five basic models of practical 2/3 HDTV lenses by launching the HJ15x8B (in
1997) in addition to four existing lenses, Standard, Tele, Wide portable as well as Studio/Field. Canon continues to lead
the broadcast industry in the 21st century DTV era with the next generation family of the following 19 HDTV models.
Overall Comparison between the SDTV and
the HDTV System
Whereas one frame of the conventional SDTV (ie NTSC) system
consists of 480 scanning lines, the number of scanning lines is more
than 1.5 times that for the HDTV system. Furthermore the density of
the scanning lines are even higher because the HDTV system has
an aspect ratio of 16:9, which is wider and shorter in height than
that of the normal SDTV (4:3 aspect ratio) system. The spatial
frequency required for the HDTV system is about twice that required
for the NTSC system.
Overall, the resolution of the HDTV system is about twice that of the
NTSC system and therefore, the l ens requi res much hi gher
performance than the conventional lenses.
Depth of Field for HDTV System
As the HDTV system has high resolution, even a small out-of-focus
area can be detected. Since the radius of the permissible circle of
confusion is about half that of the conventional system, the depth of
field becomes proportionately smaller. Therefore, the focusing has
to be done with great care.
Sensitivity of the HDTV System
Two factors have to be considered to
compare the sensitivity of the HDTV
system with that of the conventional
system. The first factor is that the HD
camera has an aspect ratio of 16:9.
This makes the sensitive area smaller
and causes a 10% di fference i n
sensitivity. The second factor is related
to the HDTV system's depth of field,
which is half of the conventional system. Therefore, on HD cameras,
the lenses must be stopped down until their F-number becomes
double in order to get the same depth of field as that in the
conventional system. This reduces the sensitivity to one fourth (1/4).
Aberration Correction for HDTV Lenses
The pixel size is about half in the HDTV system, and therefore the
spread of a point image caused by a
spherical aberration, coma, etc. should
be diminished to about half. Even if the
image is slightly out of focus, MTF is
greatly influenced.
The graph shows how MTF vari es
when the focus changes. Canon HDxs
series lenses employ the HD version of
the Power Optical System, which incorporates the X-Element. HDxs
greatly contributes to correcting and minimizing these aberrations in
a compact lightweight lens body.
HDTV
16:9
NTSC/PAL
4:3
6
.6
5
.4
8.8
9.6
11
0
10
20
30
40
50
60
70
80
90
100
0
.0
2
0
.0
1 0
0
.0
1
0
.0
2
NTSC 400TVL(30lp/mm)
F1.6 HDTV 600TVL(55lp/mm)
Defocus(mm)
M
T
F
(%
)
The lenses designed for HDTV system are shown
with this legend on page 12, 13, 14, 21 and 22.
These lenses also perform excellently with SDTV
cameras.
Adding to the e-HDxs/HDxs series, Canon has HD lenses for Digital
Electronic Cinematography, ideal for film style shooting with HD-EC
format cameras such as 1080/24P and 720P. The lenses are shown with
this legend on page 32 and 33.
The Latest HDTV Lens Series
DIGISUPER 862 xs
DIGISUPER 862 TELE xs
DIGISUPER 23 xs
HJ21ex7.5B HJ22ex7.6B
HJ17ex7.7B
HJ17ex7.6B
HJ21x7.5B-3 KLL-SC
P12
DIGISUPER 100 xs
P12 P12 P13
P13
P14 P21 P22
P22 P23 P32
HJ11ex4.7B
DIGISUPER 75 xs DIGISUPER 60 xs DIGISUPER 72 xs
DIGISUPER 22 xs
P32
HJ11x4.7B-3 KLL-SC HJ8x5.5B KLL-SC
P32
P13
DIGISUPER 25 xs
HJ40x10B
HJ40x14B
P21
EFP
ENG
P13
Please refer to page 10 regarding the difference between HDTV
and SDTV lenses. Please note that the HDTV lenses perform
excellently when they are used on SDTV cameras.
The DIGISUPER series lenses are controlled by Canons ground
breaking Digital Servo System (refer to page 15 & 16).
The DIGISUPER 22 xs is a studio lens based on a new concept to
be used with portable cameras. Please refer to page 14 for the
specification.
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DIGISUPER Series
for HDTV / SDTV
System
DIGISUPER 22 xs
for Portable Camera
Studio/
Field Lenses
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Studio/Field Lenses
Note : In the United States the XJ72x9.3B IE-D is available by special order only. Please contact a Canon USA sales office for further details.
DIGISUPER 100 xs DIGISUPER 862TELE xs DIGISUPER 862xs DIGISUPER 75 xs DIGISUPER 72 xs

DIGISUPER 60 xs DIGISUPER 25 xs DIGISUPER 23 xs

Model Number XJ100x9.3B IE-D XJ86x13.5B IE@-D XJ86x9.3B IE@-D XJ75x9.3B IE-D XJ72x9.3B IE-D XJ60x9B IE-D XJ25x6.8B IE-D XJ23x7B IE-D
Zoom Ratio 100x 86x 86x 75x 72x 60x 25x 23x
Built-in Extender 2.0x 2.0x 2.0x 2.0x 2.0x 2.0x 2.0x 2.0x
Range of Focal Length 9.3~930mm 13.5~1161mm 9.3~800mm 9.3~700mm 9.3~675mm 9~540mm 6.8~170mm 7~161mm
(with Extender) 18.6~1860mm (2.0x) 27~2322mm (2.0x) 18.6~1600mm (2.0x) 18.6~1400mm (2.0x) 18.6~1350mm (2.0x) 18~1080mm (2.0x) 13.6~340mm (2.0x) 14~322mm (2.0x)
1:1.7 at 9.3~296mm 1:2.4 at 13.5~480mm 1:1.7 at 9.3~340mm 1:1.7 at 9.3~331mm 1:1.7 at 9.3~333mm 1:1.7 at 9~306mm 1:1.5 at 6.8~122mm 1:1.6 at 7~132mm
Maximum Relative Aperture 1:4.7 at 930mm 1:5.8 at 1161mm 1:4.0 at 800mm 1:3.6 at 700mm 1:3.45 at 675mm 1:3.0 at 540mm 1:2.1 at 170mm 1:1.95 at 161mm
(with Extender) 1:3.4 at 18.6~592mm
(2.0x)
1:4.8 at 27~960mm 1:3.4 at 18.6~680mm 1:3.4 at 18.6~662mm 1:3.4 at 18.6~666mm 1:3.4 at 18~612mm 1:3.0 at 13.6~244mm 1:3.2 at 14~223mm
1:9.4 at 1860mm 1:11.6 at 2322mm
(2.0x)
1:8.0 at 1600mm
(2.0x)
1:7.2 at 1400mm
(2.0x)
1:6.9 at 1350mm
(2.0x)
1:6.0 at 1080mm
(2.0x)
1:4.2 at 340mm
(2.0x)
1:3.9 at 322mm
(2.0x)
50.6x39.1 at 9.3mm 36.1x27.5 at 13.5mm 50.6x39.1 at 9.3mm 50.6x39.1 at 9.3mm 50.6x39.1 at 9.3mm 52.1x40.3 at 9mm 65.8x51.8 at 6.8mm 64.3x50.5 at 7mm
4:3 Aspect Ratio 0.54x0.41 at 930mm 0.43x0.33 at 1161mm 0.63x0.47 at 800mm 0.72x0.54 at 700mm 0.75x0.56 at 675mm 0.93x0.70 at 540mm 3.0x2.2 at 170mm 3.1x2.3 at 161mm
(8.8x6.6mm) 26.6x20.1 at 18.6mm
(2.0x)
18.5x13.9 at 27mm
(2.0x)
26.6x20.1 at 18.6mm
(2.0x)
26.6x20.1 at 18.6mm
(2.0x)
26.6x20.1 at 18.6mm 27.5x20.8 at 18mm 35.9x27.3 at 13.6mm 34.9x26.5 at 14mm
Angular Field 0.27x0.20 at 1860mm 0.22x0.16 at 2322mm 0.32x0.24 at 1600mm 0.36x0.27 at 1400mm 0.37x0.28 at 1350mm
(2.0x)
0.47x0.35 at 1080mm
(2.0x)
1.5x1.1 at 340mm
(2.0x)
1.6x1.2 at 322mm
(2.0x)
of View
54.6x32.4 at 9.3mm 39.1x22.6 at 13.5mm 54.6x32.4 at 9.3mm 54.6x32.4 at 9.3mm 54.6x32.4 at 9.3mm 56.1x33.4 at 9mm 70.4x43.3 at 6.8mm 68.8x42.1 at 7mm
(with Extender)
16:9 Aspect Ratio 0.59x0.33 at 930mm 0.47x0.27 at 1161mm 0.69x0.39 at 800mm 0.79x0.44 at 700mm 0.81x0.46 at 675mm 1.02x0.57 at 540mm 3.2x1.8 at 170mm 3.4x1.9 at 161mm
28.9x16.5 at 18.6mm
(2.0x)
20.2x11.4 at 27mm
(2.0x)
28.9x16.5 at 18.6mm
(2.0x)
28.9x16.5 at 18.6mm 28.9x16.5 at 18.6mm 29.9x17.1 at 18mm 38.9x22.5 at 13.6mm 37.8x21.8 at 14mm (9.6x5.4mm)
0.30x0.17 at 1860mm 0.24x0.13 at 2322mm 0.34x0.19 at 1600mm 0.39x0.22 at 1400mm
(2.0x)
0.41x0.23 at 1350mm
(2.0x)
0.51x0.29 at 1080mm
(2.0x)
1.6x0.91 at 340mm
(2.0x)
1.7x1.0 at 322mm
(2.0x)
M.O.D. from Lens Front 3.0m 3.0m 3.0m 2.8m 2.8m 2.8m 0.6m 0.6m
253.9x190.4cm at 9.3mm 181.7x136.3cm at 13.5mm 253.9x190.4cm at 9.3mm 234.3x175.7cm at 9.3mm 234.3x175.7cm at 9.3mm 243.8x182.9cm at 9mm 93.3x70.0cm at 6.8mm 90.6x68.0cm at 7mm
4:3 Aspect Ratio 2.54x1.90cm at 930mm 2.1x1.6cm at 1161mm 2.96x2.22cm at 800mm 3.2x2.4cm at 700mm 3.3x2.5cm at 675mm 4.1x3.1cm at 540mm 3.6x2.7cm at 170mm 3.8x2.9cm at 161mm
(8.8x6.6mm) 127.0x95.2cm at 18.6mm
(2.0x)
90.9x68.2cm at 27mm 127.0x95.2cm at 18.6mm 117.2x87.9cm at 18.6mm 117.2x87.9cm at 18.6mm 121.9x91.5cm at 18mm 46.1x34.6cm at 13.6mm 45.3x34.0cm at 14mm
Object Dimensions at 1.27x0.95cm at 1860mm 1.1x0.8cm at 2322mm
(2.0x)
1.48x1.11cm at 1600mm
(2.0x)
1.6x1.2cm at 1400mm
(2.0x)
1.7x1.3cm at 1350mm
(2.0x)
2.1 x 1.6cm at 1080mm
(2.0x)
1.8x1.4cm at 340mm
(2.0x)
1.9x1.5cm at 322mm
(2.0x)
M.O.D.
276.4x155.5cm at 9.3mm 198.2x111.5cm at 13.5mm 276.4x155.5cm at 9.3mm 255.6x143.8cm at 9.3mm 255.6x143.8cm at 9.3mm 265.1x149.1cm at 9mm 102.2x57.5cm at 6.8mm 99.0x55.7cm at 7mm
(with Extender)
16:9 Aspect Ratio 2.76x1.56cm at 930mm 2.3x1.3cm at 1161mm 3.22x1.81cm at 800mm 3.4x1.9cm at 700mm 3.6x2.0cm at 675mm 4.5x2.5cm at 540mm 3.9x2.2cm at 170mm 4.2x2.4cm at 161mm
138.2x77.8cm at 18.6mm 99.1x55.7cm at 27mm 138.2x77.8cm at 18.6mm 127.9x71.9cm at 18.6mm 127.9x71.9cm at 18.6mm 132.6x74.6cm at 18mm 50.4x28.4cm at 13.6mm 49.5x27.9cm at 14mm (9.6x5.4mm)
1.38x0.78cm at 1860mm
(2.0x)
1.2x0.7cm at 2322mm
(2.0x)
1.61x0.91cm at 1600mm
(2.0x)
1.8x1.0cm at 1400mm
(2.0x)
1.8x1.0cm at 1350mm
(2.0x)
2.3x1.3cm at 1080mm
(2.0x)
2.1x1.2cm at 340mm
(2.0x)
2.1x1.2cm at 322mm
(2.0x)
Approx.Size (WxHxL) 250.6x255.5x591.5mm 250.6x255.5x618.4mm 250.6x255.5x591.5mm 250.6x255.5x591.5mm 250.6x255.5x591.5mm 250.6x255.5x547.8mm 250.6x255.5x557.8mm 250.6x255.5x525mm
Approx.Mass 23.5kg (51.8lbs) 24.3kg (53.6lbs) 23.5kg (51.8lbs) 22.0kg (48.5lbs) 21.8kg (48.1lbs) 19.9kg(43.8lbs) 21.5kg (47.4lbs) 19.5kg (42.5lbs)
Macro Option Option
Protection Filter Standard Standard Standard Option Option Option Option Option
Built-in Optical Image Stabilizer Yes Yes Yes Yes
Crossover Type Option Option Option Option Option Option Option Option
Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras as explained on page 8. Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras as explained on page 8.
Angular Field 4:3 mode of 42.3x32.4 at 9.3mm 29.9x22.6 at 13.5mm 42.3x32.4 at 9.3mm 42.3x32.4 at 9.3mm 42.3x32.4 at 9.3mm 43.6x33.4 at 9mm 55.8x43.3 at 6.8mm 54.3x42.1 at 7mm
of View
Most Switchable
0.44x0.33 at 930mm 0.36x0.27at 1161mm 0.52x0.39at 800mm 0.59x0.44 at 700mm 0.61x0.46 at 675mm 0.76x0.57 at 540mm 2.4x1.8 at 170mm 2.5x1.9 at 161mm
Cameras
21.9x16.5 at 18.6mm
(2.0x)
15.2x11.4at 27mm
(2.0x)
21.9x16.5at 18.6mm 21.9x16.5 at 18.6mm
(2.0x)
21.9x16.5 at 18.6mm 22.6x17.1 at 18mm 29.7x22.5 at 13.6mm 27.9x21.1 at 14mm
(with Extender) (7.2x5.4mm) 0.22x0.27 at 1860mm 0.18x0.13at 2322mm 0.26x0.19at 1600mm
(2.0x)
0.29x0.22 at 1400mm 0.31x0.23 at 1350mm
(2.0x)
0.38x0.29 at 1080mm
(2.0x)
1.2x0.91 at 340mm
(2.0x)
1.3x1.0 at 322mm
(2.0x)
Refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras.
M.O.D. = Minimum Object Distance
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Reference: The following is the lens angle (without Shrinker) in the 4:3
mode of switchable cameras as explained on page 8.
Angular Field of
View
(with Extender)
Object Dimensions
at M.O.D.
(with Extender)
15
1. Unique Features of the latest DIGISUPER Series Lens and the ZDJ-D02,
Digital Servo Zoom Demand
a) Shuttle Shot and Framing Preset
Unlike Digital Drive in the portable lenses, two preset memories are available in any combination of Shuttle Shot and Framing
Preset.
Shuttle Shot
At the touch of a button, this feature allows the operator to zoom back and forth instantly between any two positions at the
maximum speed or at any desired speed memorized in the speed preset function in either direction. It can be used for zooming to
either the tele-side or wider focal length from any starting point to check the picture, then return instantly to the original focal
length. You can shuttle between any two zoom positions as you like.
Framing Preset
A movement to a preset position can, again, be repeated multiple times. The preset memory is not automatically cleared and the
agreed-on framings from rehearsal can be duplicated over and over in an actual production at the maximum speed or at any
desired speed memorized in the speed preset function.
b) Speed Preset
A zoom speed agreed on during rehearsal can be reproduced accurately. The preset memory is not automatically cleared and can
be repeated as many times as needed.
Features; DIGISUPER Studio/Field Lenses
The latest version of the DIGISUPER series Studio/Field lenses are developed with the most advanced technologies,
keeping in mind possible future production style. In the DIGISUPER series, the Focus and the Zoom Servo Systems
are digital using a 32-bit CPU as opposed to the conventional analog system. The second generation of Digital Servo
offers functions that were not possible before and the ability to upgrade the CPU for new features and unlimited
possibilities in the future. The main features are as follows.
(Digital Servo System is available for DIGISUPER 100 xs, DIGISUPER 86II TELE xs, DIGISUPER 86II xs,
DIGISUPER 75 xs, DIGISUPER 72 xs, DIGISUPER 62 TELE, DIGISUPER 62, DIGISUPER 60 xs, DIGISUPER
25 xs and DIGISUPER 23 xs .)
52.5x40.6 at 7.3mm 29.9x22.6 at 13.5mm 43.6x33.4 at 9mm
2.6x1.9 at 161mm 0.49x0.37 at 840mm 0.74x0.55 at 560mm
27.7x21.0 at 14.6mm 15.2x11.4 at 27mm 22.6x17.1 at 18mm
1.3x1.0 at 322mm
(2.0x)
0.25x0.18 at 1680mm
(2.0x)
0.37x0.28 at 1120mm
(2.0x)
Angular Field
of View
(with Extender)
4:3 mode of
Most Switchable
Cameras
(7.2x5.4mm)
Refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras.
M.O.D. = Minimum Object Distance
Please refer to page 18 for the compatible control accesories.
The SUP-400 supporter is included as a standard component with the lens.
DIGISUPER 22 xs DIGISUPER 62 TELE DIGISUPER 62
Model Number XJ22x7.3B IE-D PJ62x13.5B IE-D PJ62x9B IE-D
Zoom Ratio 22x 62x 62x
Built-in Extender 2.0x 2.0x 2.0x
Range of Focal Length 7.3~161mm 13.5~840mm 9~560mm
(with Extender) 14.6~322mm (2.0x) 27~1680mm (2.0x) 18~1120mm (2.0x)
1:1.8 at 7.3~111.5mm 1:2.2 at 13.5~411mm 1:1.5 at 9~271mm
Maximum Relative Aperture 1:2.6 at 161mm 1:4.5 at 840mm 1:3.1 at 560mm
(with Extender) 1:3.6 at 14.6~223mm 1:4.4 at 27~822mm 1:3 at 18~542mm
1:5.2 at 322mm
(2.0x)
1:9 at 1680mm
(2.0x)
1:6.2 at 1120mm
(2.0x)
62.2x48.7 at 7.3mm 36.1x27.5 at 13.5mm 52.1x40.3 at 9mm
4:3 Aspect Ratio 3.1x2.3 at 161mm 0.60x0.45 at 840mm 0.90x0.68 at 560mm
(8.8x6.6mm) 33.5x25.5 at 14.6mm 18.5x13.9 at 27mm 27.5x20.8 at 18mm
1.6x1.2 at 322mm
(2.0x)
0.30x0.23 at 1680mm
(2.0x)
0.45x0.34 at 1120mm
(2.0x)
66.7x40.6 at 7.3mm 39.1x22.6 at 13.5mm 56.1x33.4 at 9mm
16:9 Aspect Ratio 3.4x1.9 at 161mm 0.65x0.37 at 840mm 0.98x0.55 at 560mm
(9.6x5.4mm) 36.4x21.0 at 14.6mm 20.2x11.4 at 27mm 29.9x17.1 at 18mm
1.7x1.0 at 322mm
(2.0x)
0.33x0.18 at 1680mm
(2.0x)
0.49x0.28 at 1120mm
(2.0x)
M.O.D. from Lens Front 0.8m (10mm with Macro) 2.4m 2.4m
107.8x80.9cm at 7.3mm 144.0x108.0cm at 13.5mm 204.3x153.2cm at 9mm
4:3 Aspect Ratio 4.8 x 3.6cm at 161mm 2.3x1.7cm at 840mm 3.3x2.5cm at 560mm
(8.8x6.6mm) 53.9 x 40.5cm at 14.6mm 72.0x54.0cm at 27mm 102.2x76.6cm at 18mm
2.4 x 1.8cm at 322mm
(2.0x)
1.2x0.9cm at 1680mm
(2.0x)
1.7x1.3 at 1120mm
(2.0x)
118.1x66.4cm at 7.3mm 157.0x88.3cm at 13.5mm 222.3x125.0cm at 9mm
16:9 Aspect Ratio 5.2 x 2.9cm at 161mm 2.5x1.4cm at 840mm 3.6x2.0cm at 560mm
(9.6x5.4mm) 59.1 x 33.2cm at 14.6mm 78.5x44.2cm at 27mm 111.2x62.5cm at 18mm
2.6 x 1.5cm at 322mm
(2.0x)
1.3x0.7cm at 1680mm
(2.0x)
1.8x1.0cm at 1120mm
(2.0x)
Approx.Size(WxHxL) 165x175x336mm 250.6x255.5x574.7mm 250.6x255.5x547.8mm
Approx.Mass 6.1kg (13.42lbs) 21.3kg(46.9lbs) 20.7kg(45.6lbs)
Macro Standard
Protection Filter Option Option
Built-in Optical Image Stabilizer
Crossover Type Option Option Option
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c) Zoom Track
The zoom control range can be restricted. In a conventional analog system, the same function can be set within a limited range.
(Both the Tele and Wide ends are within a limited area). With the latest DIGISUPER series and the ZDJ-D02 system, the range can
be virtually set at any position used in a production. If desired, this function can be used to memorize an additional preset zoom
position to be used during a production.
d) Zoom Servo Characteristics Selection
Zoom servo characteristics can be selected from several groups of provided curvatures by setting the mode from the ZDJ-D02 operation
panel. Within each group, one of three specific curvatures can be easily chosen by a toggle switch located near the zoom handle.
e) AUX Switch Function Assignment
One of following functions can be assigned to the AUX switch on the ZDJ-D02.
1) Image Stabilizer (for DIGISUPER 75 xs / 86II xs / 86II TELE xs / 100 xs): To active/stop the built-in Shift-IS function. (Ref: page 9)
2) F. Hold: To limit the zoom range to a consistent F-number and to stop at the point of F-drop (Ramping).
3) Video Return Off: If desired, the "AUX" switch can be assigned the function of disabling the video return switch on the demand.
2. Unique Features of the ZDJ-P01 Digital Servo Zoom Demand For The Latest
DIGISUPER Series Zoom Lenses.
In addition to Canon's ZDJ-D02, there is an introduction of a new
zoom demand, the ZDJ-P01. In comparison, the ZDJ-P01 is
smaller in size and designed to enhance usability and heighten ease
of operation. When used with the latest DIGISUPER series zoom
lens, it allows for creative use of the digital zoom functions, such
as the Frame Preset Function and Zoom Track Function, to name a
few. As well as these great features, the ZDJ-P01 is a more
affordable option and allows for a cost effective control system.
3. CAFS
Constant Angle Focusing System
The zooming effect of focus is the phenomenon where the picture size (angle of view)
changes when focusing. However, a 32-bit CPU calculates and controls the zoom when
focusing in order to counteract this phenomenon. Thus the DIGISUPER series has ZERO
zooming effect of focus.
4. Other Features
a) Interface to other digital technology
The Digital Servo System is capable of providing high-speed interactive communication with a virtual studio computer or robotics
without D/A or A/D conversion to allow accurate control.
b) PC Connection
By using the digital communication interface on the lens and optional software, a personal computer system can be connected to
the lens and used for lens condition.
c) CPU Upgrade
When new additional features are available through updated software, the lens will be updated to the latest version simply by
overwriting the software in the 32bit CPU.
d) High speed (zoom:0.6sec, focus:0.7sec in case of the DIGISUPER 25 xs), and high repeatability.
Zoom Focus
Digital
Sensor Digital
Sensor
32Bit
CPU
Motor
Motor
CPU
CPU
Digital Servo System
IS SWITCH WITH LED EXTENDER SWITCH
TALK BACK SWITCH
FRAME PRESET
SWITCH
ZOOM TRACK
SWITCH ZOOM SPEED
A
S
B
A
S
B
A
S
B
A
S
B Z
o
o
m
S
p
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Thumb Ring Rotation Angle
Z
o
o
m
S
p
e
e
d
A
S
B
Z
o
o
m
S
p
e
e
d
Thumb Ring Rotation Angle
A
S
B
A
S
B
Z
o
o
m
S
p
e
e
d
Thumb Ring Rotation Angle
Standard Curvature Group
Control Accessories for Studio/Field Lenses
*Please refer to page 18 for the DIGISUPER 22 xs accessories.
*1 Switch Box is optionally available. The equivalent switches are integrated into Zoom Demands. It is recommended to have the Switch Box with Full Manual System.
*2 Lens Supporter is necessary for portable camera mounting. Some cameras need separate power supply for zoom and focus servo operation.
*3 Endless Digital Focus Demand FDJ-E02 is optionally available.
*4 Endless Digital Focus Demand FDJ-E12 is optionally available.
*5 Flexible Cable 33 is optionally available.
*6 The Servo Module SMJ-E01 can only be used with DIGISUPER 62 TELE, DIGISUPER 62, DIGISUPER 60 xs and DIGISUPER 23 xs.
For detail information, please contact a Canon Sales Office.
Applicable Lenses
DIGISUPER Series
Semi-Servo System Full Manual System
1. Flexible Zoom Controller FZP-T61
2. Flexible Focus Controller FFP-T61
3. Flexible Module FMJ-702 (2pcs)
4. Flexible Cable 36" (2pcs)
1822A005
1822A007
0028T275
*5
DIGISUPER 100 xs / DIGISUPER 862TELE xs
DIGISUPER 862xs / DIGISUPER 75 xs
DIGISUPER 72 xs / DIGISUPER 62 TELE
DIGISUPER 62 / DIGISUPER 60 xs
DIGISUPER 25 xs / DIGISUPER 23 xs
1
3
3
4
4
2
*1
*2
1-A
1-B
3
4
5
2-A, B
*1
*2
1-A. Zoom Demand ZDJ-D02(Digital Servo)
1-B. Zoom Demand ZDJ-P01(Digital Servo)
2-A. Focus Demand FDJ-D02(Digital Servo)
2-B. Focus Demand FDJ-D12(Digital Servo)
2-C. Focus Demand FDJ-P01(Digital Servo)
3-A. Servo Module SMJ-D02(2pcs)
3-B. Servo Module SMJ-E01(2pcs)*6
1822A066
1822A065
0024T320
1822A070
Full Servo System
1-B
1-A
3-A,B
*1
*2
*4
*3
2-B
2-A
2-C
Full Servo System(Zoom Demand w/Pre-set Box)
1. Zoom Demand ZPJ-D02(Digital Servo)
2-A. Focus Demand FDJ-D02(Digital Servo)
2-B. Focus Demand FDJ-D12(Digital Servo)
2-C. Focus Demand FDJ-P01(Digital Servo)
3-A. Servo Module SMJ-D02(2pcs)
3-B. Servo Module SMJ-E01(2pcs)*6
1822A065
0024T320
1822A070
1
2-B
3-A,B 2-A
*4
2-C
*1
*2
Full Servo System(Focus Demand w/Pre-set Box)
1-A. Zoom Demand ZDJ-D02(Digital Servo)
1-B. Zoom Demand ZDJ-P01(Digital Servo)
2. Focus Demand FPJ-D12(Digital Servo)
3-A. Servo Module SMJ-D02(2pcs)
3-B. Servo Module SMJ-E01(2pcs)*6
1822A066
1822A070
1-A. Zoom Demand ZDJ-D02(Digital Servo)
1-B. Zoom Demand ZPJ-D02(Digital Servo)
2-A. Servo Module SMJ-D02
2-B. Servo Module SMJ-E01
3. Flexible Focus Controller FFP-T61
4. Flexible Module FMJ-702
5. Flexible Cable 36"
1822A066
1822A070
1822A007
0028T275
*5
*6
5
6
1
1-B
1-A
3-A,B
2
*1
*2
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Studio/Field Lenses Mount Compatibility
*Power Module
AC220V-DC12V
*Power Module
AC117V-DC12V
External DC12V
(BAJ-K04)
Power Module
a.DIGISUPER/SUPER Series
Lens with
Canon Standard Mount
Most
2/3" ENG/EFP Cameras
SUP-NC2L
*Power Module
AC117V-DC12V
*Power Module
AC220V-DC12V
External DC12V (BAJ-K04)
b.SUPER-E Series
Lens with
Canon Standard Mount
* The Supporter is integrated into the lens.
Most
2/3" ENG/EFP Cameras
*Power Module
AC117V-DC12V
*Power Module
AC220V-DC12V
External DC12V (BAJ-K04)
Standard HD Mount
Studio Camera
Systems from
Various
Manufacturers
2/3" Portable
Companion Cameras
with Standard HD Mount System
Standard HD Mount (BTA)
SUP-NP2L
*Power Module
AC117V
-DC12V
*Power Module
AC220V
-DC12V
External DC12V
(BAJ-K04)
Canons Standard Mount is specially designed to fit most 2/3 ENG/EFP cameras via the Canon Universal Supporter SUP-NC2L without mechanical interference.
Lenses using the Canon Standard Mount cannot be used with Studio/Field cameras.
Lens with
Ikegami Original
Mount
Ikegami 2/3" Studio Camera
Ikegami System
Companion
Portable Camera
Ikegami
SUP-NI2
PA-388
Power Module
(Prompter Adaptor)
Lens with
Panasonic
Original Mount
Panasonic 2/3" Studio Camera
Panasonic System
Companion
Portable Camera
Panasonic
SUP-NP2L
Lens with
LDK Original
Mount
LDK 2/3" Studio Camera
LDK4482
Large Lens Adaptor
Lens with
Thomson
Original Mount
Thomson 2/3" Studio Camera
Thomson System
Companion
Portable Camera
Thomson
SPORTS-CAM
Studio/Field lenses are made with unique mounts corresponding to each manufacturers Studio/Field cameras. To make the lenses compatible with Portable Studio/Field
Companion cameras, the correct lens Support System must be chosen from the following.
Hitachi
LDK System Companion
Portable Camera
Lens with
Sony Original
Mount
Sony 2/3" Studio Camera
Sony System
Companion
Portable Camera
Sony
SUP-NS3L
*Power Module
AC220V-DC12V
*Power Module
AC117V-DC12V
External DC12V
(BAJ-K04)
Power Module
Lens with
Hitachi Original
Mount
Hitachi 2/3" Studio Camera
Hitachi System
Companion
Portable Camera
Hitachi
Studio Adaptor
*Please contact a Canon Sales office for the model name of the power module.
1. To Use Camera Manufacturer's Original Mount Lens
2. To Use Canon Standard Mount Lens
SUPER/SUPER-E Series
Applicable Lenses
TELE SUPER 55
SUPER 55
SUPER E47
SUPER 21
SUPER 20/SUPER E20
DIGISUPER 22 xs
*1 Switch Box is optionally available. The equivalent switches are integrated into Zoom Demands. It is recommended to have the Switch Box with Full Manual System.
*2 Lens Supporter is necessary for portable camera mounting. Some cameras need separate power supply for zoom and focus servo operation.
*3 Flexible Cable 33 is optionally available.
For detail information, please contact a Canon Sales Office.
* The SUP-400 SUPPORTER is included as a standard component with the lens.
Full Servo System
1. Zoom Demand ZDJ-A01(Analog Servo)
2-A. Focus Demand FDJ-I01(Analog Servo)
2-B. Focus Demand FDJ-H01 (Analog Servo)
3. Servo Module SMJ-N02 (2pcs)
1822A053
1822A010
1822A012
1822A038
1
2-B
3 2-A
*1
*2
Full Servo System(Zoom Demand w/Pre-set Box)
Full Servo System(Focus Demand w/Pre-set Box) Semi-Servo System Full Manual System
1. Zoom Demand ZPJ-A01 (Analog Servo)
2-A. Focus Demand FDJ-I01 (Analog Servo)
2-B. Focus Demand FDJ-H01 (Analog Servo)
3. Servo Module SMJ-N02 (2pcs)
1. Zoom Demand ZDJ-A01(Analog Servo)
2. Focus Demand FPJ-K01 (Analog Servo)
3. Servo Module SMJ-N02 (2pcs)
1822A053
1822A022
1822A038
1822A005
1822A007
0028T275
1. Flexible Zoom Controller FZP-T61
2. Flexible Focus Controller FFP-T61
3. Flexible Module FMJ-702(2pcs)
4. Flexible Cable 36"(2pcs)*3
1822A053
1822A057
1822A038
1822A007
0028T275
1-A. Zoom Demand ZDJ-A01(Analog Servo)
1-B. Zoom Demand ZPJ-A01(Analog Servo)
2. Servo Module SMJ-N02
3. Flexible Focus Controller FFP-T61
4. Flexible Module FMJ-702
5. Flexible Cable 36"*3
1822A057
1822A010
1822A012
1822A038
1
2-B
3
2-A
*1
*2
5
6
1
1 3
2
*1
*2
1-A
2
3
4
5*3
1-B
*1
*2
1
3
3
4*3
4*3
2
*1
*2
With Current ENG Demand (Standard)
No.
1
2
DESCRIPTION
Kit Detail
Digital Zoom Demand
Digital Focus Demand
ZSD-300D
FPD-400D
1
2
20P
20P
7.3-161mm 1:1.8
DISPLAY
With New Digital Demand
No.
1
2
3
DESCRIPTION
Kit Detail
Digital Zoom Demand
Digital Focus Demand
Conversion Cable
ZDJ-P01
FDJ-P01
BDC-20
1 12P
20P
12P
20P
2
3
7.3-161mm 1:1.8
DISPLAY
With Current Field/Studio Demand
No. DESCRIPTION
Kit Detail
Digital Zoom Demand
Digital Zoom Demand W Pre-set Box
Digital Focus Demand
Digital Focus Demand Propeller Type
Digital Focus Demand W Pre-set Box
Conversion Cable
ZDJ-D02
ZPJ-D02
FDJ-D02
FDJ-D12
FPJ-D12
BDC-10
2-a
3
18P
18P
20P
20P
2-b
2-c
1-a
1-b
1-a
1-b
2-a
2-b
2-c
3
7.3-161mm 1:1.8
DISPLAY
5
6
1
The DIGISUPER 22 xs can be used with our current Studio/Field lens controllers as well as
those for our ENG lenses. At the same time, the lens also offers compatibility with our new
digital demands by use of a conversion cable.
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Canon offers a variety of Broadcast ENG/EFP
lenses, including both HDTV and SDTV versions.
Please refer to page 10 regarding the difference
between HDTV and SDTV lenses. Please note that
the HDTV lenses perform excellently when they
are used on SDTV cameras.
Please refer to page 5,6 & 7 regarding
e-IFxs, e-HDxs, HDxs, and IFxs series lenses.
All Broadcast ENG/EFP lens are equipped with
Canons xs technology as well as our enhanced
Digital Drive which is explained on page 26 &
27. Canon offers a series of new control
accessories designed to operate the unique digital
functions. The new series as well as the standard
series of control accessories have full compatibility
with each other except for the digital functions.
(A conversion cable may be required.)
Canons Vari-angle Prism Image Stabilizer Adaptor
is also shown in the following section.
Canons Electronic Cinematography lenses, which
satisfy the special requirements of film camera
operators, are shown in the following section.
I
I
I
I
ENG/EFP Lenses
HJ40x14B IASD-V HJ40x10B IASD-V HJ21ex7.5B IRSE/IASE
Zoom Ratio 40x 40x 21x
Built-in Extender 2.0x 2.0x 2.0x
Range of Focal Length 14~560mm 10~400mm 7.5~158mm
(with Extender) 28~1120mm (2.0x) 20~800mm (2.0x) 15~316mm (2.0x)
1:2.8 at 14~307mm 1:2.0 at 10~220mm 1:1.9 at 7.5~116mm
Maximum Relative Aperture 1:5.1 at 560mm 1:3.65 at 400mm 1:2.6 at 158mm
(with Extender) 1:5.6 at 28~614mm 1:4.0 at 20~440mm 1:3.8 at 15~232mm
1:10.2 at 1120mm
(2.0x)
1:7.3 at 800mm
(2.0x)
1:5.2 at 316mm
(2.0x)
34.9x26.5 at 14mm 47.5x36.5 at 10mm 60.8x47.5 at 7.5mm
4:3 Aspect Ratio 0.9x0.7 at 560mm 1.3x0.9 at 400mm 3.2x2.4 at 158mm
(8.8x6.6mm) 17.9x13.4 at 28mm 24.8x18.7 at 20mm 32.7x24.8 at 15mm
0.5x0.3 at 1120mm
(2.0x)
0.6x0.5 at 800mm
(2.0x)
1.6x1.2 at 316mm
(2.0x)
37.8x21.8 at 14mm 51.3x30.2 at 10mm 65.2x39.6 at 7.5mm
16:9 Aspect Ratio 1.0x0.6 at 560mm 1.4x0.8 at 400mm 3.5x2.0 at 158mm
(9.6x5.4mm) 19.4x11.0 at 28mm 27.0x15.4 at 20mm 35.5x20.4 at 15mm
0.5x0.3 at 1120mm
(2.0x)
0.7x0.4 at 800mm
(2.0x)
1.7x1.0 at 316mm
(2.0x)
M.O.D. from Lens Front 2.8m (10mm with Macro) 2.8m (10mm with Macro) 0.85m (10mm with Macro)
M.O.D. from Image Plane 3.20m 3.18m 1.16m
162.3x121.7cm at 14mm 227.7x170.8cm at 10mm 110.1x82.6cm at 7.5mm
4:3 Aspect Ratio 4.1x3.1cm at 560mm 5.7x4.3cm at 400mm 5.1x3.8cm at 158mm
(8.8x6.6mm) 81.2x60.9cm at 28mm 113.9x85.4cm at 20mm 55.1x41.3cm at 15mm
2.1x1.6cm at 1120mm
(2.0x)
2.9x2.2cm at 800mm
(2.0x)
2.6x1.9cm at 316mm
(2.0x)
177.1x99.5cm at 14mm 248.4x139.7cm at 10mm 120.4x67.7cm at 7.5mm
16:9 Aspect Ratio 4.5x2.5cm at 560mm 6.2x3.5cm at 400mm 5.6x3.2cm at 158mm
(9.6x5.4mm) 88.6x49.8cm at 28mm 124.2x69.9cm at 20mm 60.2x33.9cm at 15mm
2.3x1.3cm at 1120mm
(2.0x)
3.1x1.8cm at 800mm
(2.0x)
2.8x1.6cm at 316mm
(2.0x)
Approx.Size (WxHxL) 174.1x133x355.5mm 174.1x133x335.4mm 179.9x122.3x260.1mm
Approx.Mass (IRSE/IASE) 5.45kg (12.02lbs) 5.40kg (11.90lbs) 2.63kg (5.81lbs)/2.73kg (6.03lbs)
Crossover Type WRSE/WASE, VRSE/VASE
Clutchless Type Option
Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras as explained on page 8.
Angular Field 4:3 mode of 28.8x21.8 at 14mm 39.6x30.2 at 10mm 51.3x39.6 at 7.5mm
of View
Most Switchable
0.7x0.6at 560mm 1.0x0.8at 400mm 2.6x2.0at 158mm
Cameras
14.7x11.0 at 28mm 20.4x15.4 at 20mm 27.0x20.4 at 15mm
(with Extender) (7.2x5.4mm) 0.4x0.3 at 1120mm
(2.0x)
0.5x0.4 at 800mm
(2.0x)
1.3x1.0 at 316mm
(2.0x)
Refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras.
Please refer to page 28 for explanation about IRSE/IASE (IASD).
M.O.D. = Minimum Object Distance
IRSE, VRSE and WRSE Digital Drive Units come equipped with Zoom and Iris Encoders only. A Focus Encoder is available as an option in these units.
IASE,VASE and WASE Digital Drive Units come equipped with Zoom, Iris and Focus Encoders.
Angular Field of
View
(with Extender)
Object Dimensions
at M.O.D.
(with Extender)
EFP
Broadcast
ENG/EFP
Lenses
For HDTV / SDTV System
For SDTV System
Vari-angle Prism Image Stabilizer Product
For Electronic Cinematography
Compact Studio Lens
DIGISUPER 22 xs
Meet Canons epoch-making DIGISUPER 22 xs.
A newly designed Studio Lens for Portable HD/SD Cameras.
The DIGISUPER 22 xs is a studio lens based on a completely
new concept. It is a box type lens developed to be used with a
portable camera. The lens provides higher optical performance
compared with the HD portable lenses and at the same time,
owing to the compact size, it offers higher versatility when
used with a portable camera as opposed to the large box type
lenses.
Also, the lens is equipped with an informational display that
will enable you to fully use Canons unique digital functions.
Please refer to page 14 for the
specification.
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ENG/EFP Lenses
Angular Field of
View
(with Extender)
Object Dimensions
at M.O.D.
(with Extender)
Regarding a detailed application of the CROSSOVER option on HDTV ENG/EFP lenses,
please contact a Canon Sales Office. For detail about CROSSOVER Technology,
please refer to page 8.
HJ22ex7.6B IRSE/IASE HJ17ex7.7B IRSE/IASE HJ17ex7.6B IRSE/IASE
Zoom Ratio 22x 17x 17x
Built-in Extender 2.0x 2.0x 2.0x
Range of Focal Length 7.6~168mm 7.7~131mm 7.6~130mm
(with Extender) 15.2~336mm (2.0x) 15.4~262mm (2.0x) 15.2~260mm (2.0x)
1:1.8 at 7.6~114.1mm 1:1.8 at 7.7~100.3mm 1:1.8 at 7.6~97.5mm
Maximum Relative Aperture 1: 2.65 at 168mm 1:2.3 at 131mm 1:2.4 at 130mm
(with Extender) 1:3.6 at 15.2~228.2mm 1:3.6 at 15.4~200.6mm 1:3.6 at 15.2~195mm
1:5.3 at 336mm
(2.0x)
1:4.7 at 262mm
(2.0x)
1:4.8 at 260mm
(2.0x)
60.1x46.9 at 7.6mm 59.5x46.4 at 7.7mm 60.1x46.9 at 7.6mm
4:3 Aspect Ratio 3.0x2.25 at 168mm 3.85x2.9 at 131mm 3.9x2.9 at 130mm
(8.8x6.6mm) 32.3x24.5 at 15.2mm 31.9x24.2 at 15.4mm 32.3x24.5 at 15.2mm
1.5x1.13 at 336mm
(2.0x)
1.9x1.4 at 262mm
(2.0x)
1.9x1.5 at 260mm
(2.0x)
64.6x39.1 at 7.6mm 63.9x38.7 at 7.7mm 64.6x39.1 at 7.6mm
16:9 Aspect Ratio 3.27x1.84 at 168mm 4.20x2.4 at 131mm 4.2x2.4 at 130mm
(9.6x5.4mm) 35.1x20.1 at 15.2mm 34.6x19.9 at 15.4mm 35.1x20.1 at 15.2mm
1.64x0.92 at 336mm
(2.0x)
2.1x1.2 at 262mm
(2.0x)
2.1x1.2 at 260mm
(2.0x)
M.O.D. from Lens Front 0.85m (10mm with Macro) 0.75m (10mm with Macro) 0.56m (10mm with Macro)
M.O.D. from Image Plane 1.11m 0.94m 0.81m
92.5x69.4cm at 7.6mm 80.4x60.3cm at 7.7mm 59.9x44.9cm at 7.6mm
4:3 Aspect Ratio 4.25x3.19cm at 168mm 4.8x3.6cm at 131mm 3.7x2.8cm at 130mm
(8.8x6.6mm) 46.3x34.7cm at 15.26mm 40.2x30.2cm at 15.4mm 30.0x22.5cm at 15.2mm
2.13x1.6cm at 336mm
(2.0x)
2.4x1.8cm at 262mm
(2.0x)
1.9x1.4cm at 260mm
(2.0x)
100.6x56.6cm at 7.6mm 87.4x49.2cm at 7.7mm 65.4x36.8cm at 7.6mm
16:9 Aspect Ratio 4.60x2.60cm at 168mm 5.3x3.0cm at 131mm 4.0x2.3cm at 130mm
(9.6x5.4mm) 50.3x28.4cm at 15.2mm 43.7x24.6cm at 15.4mm 32.7x18.4cm at 15.2mm
2.30x1.30cm at 336mm
(2.0x)
2.7x1.5cm at 262mm
(2.0x)
2.0x1.2cm at 260mm
(2.0x)
Approx.Size (WxHxL) 169.4x111.9x221.4mm 169.4x111.9x211.0mm 164x106.5x206.4mm
Approx.Mass (IRSE/IASE) 1.83kg(4.04lbs)/1.93kg(4.27lbs) 1.74kg (3.83lbs)/1.84kg (4.05lbs) 1.62kg (3.56lbs)/1.72kg (3.78lbs)
Crossover Type WRSE/WASE, VRSE/VASE WRSE/WASE, VRSE/VASE WRSE/WASE, VRSE/VASE
Clutchless Type Option Option Option
Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras as explained on page 8.
Angular Field 4:3 mode of 50.7x39.1 at 7.6mm 50.1x38.6 at 7.7mm 50.7x39.1 at 7.6mm
of View
Most Switchable
2.46x1.84at 168mm 3.15x2.36 at 131mm 3.2x2.4 at 130mm
Cameras
26.6x20.1 at 15.2mm 26.3x19.9 at 15.4mm 26.6x20.1 at 15.2mm
(with Extender) (7.2x5.4mm) 1.22x0.92 at 336mm
(2.0x)
1.57x1.18 at 262mm
(2.0x)
1.6x1.2 at 260mm
(2.0x)
Refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras.
Please refer to page 28 for explanation about IRSE/IASE.
M.O.D. = Minimum Object Distance
IRSE, VRSE and WRSE Digital Drive Units come equipped with Zoom and Iris Encoders only. A Focus Encoder is available as an option in these units.
IASE,VASE and WASE Digital Drive Units come equipped with Zoom, Iris and Focus Encoders.
HJ11ex4.7B IRSE/IASE J35ex15B IASD J35ex11B IASD J22ex7.6B IRSE/IASE
11x 35x 35x 22x
2.0x 2.0x 2.0x 2.0x
4.7~52mm 15~525mm 11~385mm 7.6~168mm
9.4~104mm (2.0x) 30~1050mm (2.0x) 22~770mm (2.0x) 15.2~336mm
1:1.9 at 4.7~40.3mm 1:2.7 at 15~301.5mm 1:2.0 at 11~226.5mm 1:1.8 at 7.6~118.6mm
1:2.45 at 52mm 1:4.7 at 525mm 1:3.4 at 385mm 1:2.55 at 168mm
1:3.8 at 9.4~80.6mm 1:5.4 at 30~602mm 1:4.0 at 22~453mm 1:3.6 at 15.2~237.2mm
1:4.9 at 104mm
(2.0x)
1:9.4 at 1050mm
(2.0x)
1:6.8 at 770mm
(2.0x)
1:5.1 at 336mm
(2.0x)
86.2x70.1 at 4.7mm 32.7x24.8 at 15mm 43.6x33.4 at 11mm 60.1x46.9 at 7.6mm
9.7x7.3 at 52mm 0.96x0.72 at 525mm 1.31x0.98 at 385mm 3.0x2.3 at 168mm
50.2x38.7 at 9.4mm 16.7x12.6 at 30mm 22.6x17.1 at 22mm 32.3x24.5 at 15.2mm
4.8x3.6 at 104mm
(2.0x)
0.48x0.36 at 1050mm
(2.0x)
0.65x0.49 at 770mm
(2.0x)
1.5x1.1 at 336mm
(2.0x)
91.2x59.8 at 4.7mm 35.5x20.4 at 15mm 47.1x27.6 at 11mm 64.6x39.1 at 7.6mm
10.5x5.9 at 52mm 1.05x0.59 at 525mm 1.43x0.80 at 385mm 3.3x1.8 at 168mm
54.1x32.1 at 9.4mm 18.2x10.3 at 30mm 24.6x14.0 at 22mm 35.1x20.1 at 15.2mm
5.3x3.0 at 104mm
(2.0x)
0.52x0.29 at 1050mm
(2.0x)
0.71x0.40 at 770mm
(2.0x)
1.6x0.9 at 336mm
(2.0x)
0.3m(10mm with Macro) 2.2m(50mm with Macro) 2.2m(50mm with Macro) 0.8m (10mm with Macro)
0.59m 2.57m 2.56m 1.06m
65.3x49.0cm at 4.7mm 118.3x88.7cm at 15mm 161.9x121.4cm at 11mm 87.4x65.6cm at 7.6mm
5.7x4.3cm at 52mm 3.5x2.6cm at 525mm 4.7x3.5cm at 385mm 4.0x3.0cm at 168mm
32.7x24.5cm at 9.4mm 59.2x44.4cm at 30mm 81.0x61.0cm at 22mm 43.7x32.8cm at 15.2mm
2.9x2.2cm at 104mm
(2.0x)
1.8x1.4cm at 1050mm
(2.0x)
2.4x1.8cm at 770mm
(2.0x)
2.0x1.5cm at 336mm
(2.0x)
71.4x40.2cm at 4.7mm 129.2x72.7cm at 15mm 176.8x99.5cm at 11mm 95.0x53.4cm at 7.6mm
6.2x3.5cm at 52mm 3.8x2.1cm at 525mm 5.1x2.9cm at 385mm 4.4x2.5cm at 168mm
35.7x20.1cm at 9.4mm 64.6x36.4cm at 30mm 88.4x49.8cm at 22mm 47.5x26.7cm at 15.2mm
3.1x1.8cm at 104mm
(2.0x)
1.9x1.1cm at 1050mm
(2.0x)
2.6x1.5cm at 770mm
(2.0x)
2.2x1.2cm at 336mm
(2.0x)
168.2x110.6x241.0mm 169.5x143x330mm 169.5X143X316mm 169.4x111.9x218.6mm
1.94kg (4.29lbs)/2.04kg (4.51lbs) / 4.5kg (9.94lbs) / 4.5kg (9.83lbs) 1.79kg (3.95lbs)/1.89kg (4.17lbs)
WRSE/WASE, VRSE/VASE WRSE/WASE, VRSE/VASE
Option Option
Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras as explained on page 8.
74.9x59.8 at 4.7mm 27.0x20.4 at 15mm 36.3x27.6 at 11mm 50.7x39.1 at 7.6mm
7.9x5.9 at 52mm 0.79x0.59 at 525mm 1.07x0.80 at 385mm 2.5x1.8 at 168mm
41.9x32.1 at 9.4mm 13.7x10.3 at 30mm 18.6x14.0 at 22mm 26.6x20.1 at 15.2mm
4.0x3.0 at 104mm
(2.0x)
0.39x0.29 at 1050mm
(2.0x)
0.53x0.40 at 770mm
(2.0x)
1.2x0.9 at 336mm
(2.0x)
ENG EFP ENG
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ENG/EFP Lenses
J17ex7.7B IRSE/IASE J11ex4.5B IRSE/IASE
Zoom Ratio 17x 11x
Built-in Extender 2.0x 2.0x
Range of Focal Length 7.7~131mm 4.5~50mm
(with Extender) 15.4~262mm 9~100mm (2.0x)
1:1.8 at 7.7~102.5mm 1:1.8 at 4.5~36mm
Maximum Relative Aperture 1:2.3 at 131mm 1:2.35 at 50mm
(with Extender) 1:3.6 at 15.4~205mm 1:3.6 at 9~72mm
1:4.6 at 262mm
(2.0x)
1:4.7 at 100mm
(2.0x)
59.5x46.4 at 7.7mm 88.7x72.5 at 4.5mm
4:3 Aspect Ratio 3.85x2.89 at 131mm 10.1x7.6 at 50mm
(8.8x6.6mm) 31.9x24.2 at 15.4mm 52.1x40.3 at 9mm
Angular Field
1.92x1.44 at 262mm
(2.0x)
5.0x3.8 at 100mm
(2.0x)
of View
63.9x38.6 at 7.7mm 93.7x61.9 at 4.5mm (with Extender)
16:9 Aspect Ratio 4.20x2.36 at 131mm 11.0x6.2 at 50mm
(9.6x5.4mm) 34.6x19.9 at 15.4mm 56.1x33.4 at 9mm
2.10x1.18 at 262mm
(2.0x)
5.5x3.1 at 100mm
(2.0x)
M.O.D. from Lens Front 0.6m(10mm with Macro) 0.3m(10mm with Macro)
M.O.D. from Image Plane 0.84m 0.58m
63.1x47.3cm at 7.7mm 67.9x50.9cm at 4.5mm
4:3 Aspect Ratio 3.8x2.9cm at 131mm 5.9x4.4cm at 50mm
(8.8x6.6mm) 31.6x23.7cm at 15.4mm 34.0x25.5cm at 9mm
Object Dimensions at 1.9x1.5cm at 262mm
(2.0x)
3.0x2.2cm at 100mm
(2.0x)
M.O.D.
68.5x38.5cm at 7.7mm 74.4x41.7cm at 4.5mm (with Extender)
16:9 Aspect Ratio 4.2x2.4cm at 131mm 6.4x3.6cm at 50mm
(9.6x5.4mm) 34.3x19.3cm at 15.4mm 37.0x20.8cm at 9mm
2.1x1.2cm at 262mm
(2.0x)
3.2x1.8cm at 100mm
(2.0x)
Approx.Size (WxHxL) 163.9x106.3x197.4mm 168.2x110.6x237.7mm
Approx.Mass(IRSD/IASD) 1.47kg (3.24lbs)/1.57kg (3.46lbs) 1.83kg (4.03lbs)/1.93kg (4.25lbs)
Crossover Type WRSE/WASE,VRSE/VASE WRSE/WASE,VRSE/VASE
Clutchless Type Option Option
Angular Field 4:3 mode of 50.1x38.6 at 7.7mm 77.3x61.9 at 4.5mm
of View Most Switchable 3.15x2.36 at 131mm 8.24x6.18 at 50mm
Cameras 26.3x19.9 at 15.4mm 43.6x33.4 at 9mm
(with Extender) (7.2x5.4mm) 1.57x1.18 at 262mm
(2.0x)
4.12x3.09 at 100mm
(2.0x)
Refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform
excellently when they are adopted to SDTV cameras.
Please refer to page 28 for explanation about IRSE/IASE.
M.O.D. = Minimum Object Distance
IRSE, VRSE and WRSE Digital Drive Units come equipped with Zoom and Iris Encoders only. A Focus Encoder is available as
an option in these units. IASE, VASE and WASE Digital Drive Units come equipped with Zoom, Iris and Focus Encoders.
For detail about "CROSSOVER"
option, please refer to page 8.
Reference: The following is the lens angle (without
Shrinker) in the 4:3 mode of switchable cameras as
explained on page 8.
Vari-angle Prism Optical Image Stabilizer
Canon introduces the Vari-angle Prism image stabilizer (VAP-IS), our patented breakthrough technology, the worlds first
Optical Image Stabilization solution provided for broadcast ENG/EFP lenses. Normally light rays from a subject pass through
the lens to the image plane. However, a vibration given to the camera causes image shaking, resulting in an unsteady image.
The VAP-IS component is composed of two pieces of flat glass joined by a flexible bellows that can expand and contract as
required. The space between the glass planes is filled with a special liquid, which exhibits a high
refractive index. When the VAP-IS component is placed between the subject and the optical system,
the angle of the component can be changed according to the vibration angle related to the axis of
light in the lens. This controls the angle of refraction of the light ray so that it reaches the image
plane, free of shake. The VAP-IS covers a wide bandwidth of frequencies, which include high
frequencies that are often encountered with moving vehicles, helicopters as well as other unsteady
platforms and will dramatically improve the video quality in such environments. The VAP-IS
technology is available in the IS-20BII Adaptor which is capable of operating on many Canon
lenses.
I System Configuration
Vari-angle Prism
Static Condition
Under Stabilization
Lens
Image Plane
Incident Ray
J15ax J20ax J21ax
J16ax
J17ax(1)
J17ex(1)
Parts for IS-20B
APPLICATION
System
Style Description
image stabilizer unit
ENG USE
EFP USE
DIGITAL
DRIVE USE
Mini-supporter
Adaptor Ring
Supporter
conv.cable(20pM-12pF)
IS-20B
SUP-15B
SUP-16B
SUP-20B
SUP-21B
SUP-22B
ADR-85
SUP-200
CC-2012
Applicable Lenses
Model name
(2)
(3) (3)
J22ex
(3)
SPECIFICATIONS
J22ex,J21ax,J20ax,J17ex,J17ax,J16ax,
J15ax
External DC12V/3Ah minimum with a
4 pin XLR connector.
The power supply is not included.
178.5x150.5x68.5mm
1.6kg (3.53lbs)
Applicable
Lens
Power
Size
Mass
*
The IS-20BII Image Stabilizer Adaptor is designed to
be front mounted on Canons range of J22ex7.6B,
J21ax7.8B, J20ax8B, J17ex7.7B, J17ax7.7B,
J16ax8B, J15ax8B and their 1/2 counterpart ENG
lenses. The full specifications of the lens including
the 2x extender can be used with the IS-20BII and
the adaptor does not cause any light loss. An
additional 12V power supply is necessary to power
the IS-20BII (not included).
IS-20B2
IS-20B2
(1)The picture corners are slightly eclipsed at wide angle.
(2)ADR-85B is required for the J16ax, J17ax and the J17ex.
(3)Please contact a Canon office for information.
Optional items
IS-20B2 Adaptor Ring Mini-Supporter Lens
J21ax/J22ex
SUP-21B/22B
SUP-16B
SUP-15B
ADR-85B
CC-2012
(3)
to external
power supply
ADR-85
SUP-200
J15ax
J17ax
(1)
/J16ax/J17ex
(1)
Note
Pin assignment of the battery cable is as follows :
Type of connector : XLR-4-12C
Pin assignment : No.1 0V(Ground)
No.2 No connection
No.3 No connection
No.4 +12V DC
1
2 3
4
The 1/2" counterpart ENG lenses are also applicable.
*
1. Three Preset Functions
e-HDxs, e-IFxs and Digital Drive provide the following three preset functions that have become possible with digital
technology.
Shuttle Shot
By memorizing any two focal lengths, the Digital Drive can automatically shuttle between the two
points, moving in either direction.
Framing Preset
An angle of view can be preset in either of two memories (DD: one memory) and the lens will
zoom to that position by pushing a simple button. During a performance, framing preset will
reproduce the zoom position decided upon at the rehearsal. Its easy to repeat the same zoom as
often as you like at the highest speed or in a preset zoom speed.
Speed Preset
A specific zoom speed can be preset in memory and it is possible to repeat the zoom speed as
often as you like by pushing a simple button.
2. Zoom Mode Select
One of several operational curves can be
chosen which will allow different zoom
movement characteristics when operating
the seesaw switch. This is accomplished
as a linear adjustment as opposed to an
adjustment done in steps.
3. User-Customized Setting
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Features: / and Digital Drive ENG/EFP Lenses
With the introduction of e-IFxs and the e-HDxs series that has enhanced our well known Digital Drive, all of our
broadcast SDTV and HDTV lenses offer many features.
The concept of enhanced Digital Drive is based on Ease of Operation for our customers.
4. Zoom Track
Zoom Track allows the camera
operator to adjust the electronic focal
length to their desired range by
memorizing zoom positions at both the
tele and the wide side of the zoom.
5. Ergonomic Drive Unit
The e-IFxs/e-HDxs Ergonomic Drive Unit is tilted at an ideal
angle of 12.5 to realize good balance and comfort.
A new informational display has been added which now allows
the user to customize the enhanced digital functions easily,
precisely and fully.
The enhanced digital functions are easily accessed and set via the
Digital Function Selector, an X-Y axis switch located next to the
display.
6. Improved Maximum Zoom and Focus Servo Speed
Zoom: 0.5 sec., Focus: 1.5 sec.
7. Demand Series to Support Digital Function
Canon offers a series of servo controllers for Digital Drive
lenses. The ZSD-300D (zoom demand), FPD-400D (focus
demand) and FPM-420D (focus servo module) to support the
Digital Drivers unique functions. These demands are connected
to the Digital Drive via a 20pin one-touch type connector,
which makes the connecting and disconnecting easier and
quicker. Also with the FPD-400D, focus servo operational curve
can be selected unlike the conventional focus demand. The
digital series of demands and the conventional demands have
complete compatibility with each other, except for the unique
digital functions. (A conversion cable may be required. Please
refer to page 29 and 31.)
8. PC Connection
PC connection for remote control or lens condition can be
accomplished via a communication interface on the lens and
personal computer with optional software.
9. Compatibility with Virtual Studio System
Canon has a series of / lenses, which are
equipped with an enhanced digital drive unit. Conventional
potentiometers are analog positional sensors capable of only
8-10 bit equivalent resolution. Thus virtual ENG studio systems
called for an optional Encoder Unit to be put on the zoom and
focus ring of the lens. With the introduction of 16 bit resolution
Rotary Encoder Devices built into the enhanced digital drive
unit, the lens can be simply integrated into a virtual digital studio
system without any additions. The encoders also enable superior
precise control. The zoom servo provides a dynamic range of 0.5
sec. quick zooms to over a 5 min. super slow zoom.
Repeatability in focus and iris control are also much more
precise. Canons unique technology has made the Encoder
Device surprisingly small to be installed in the existing drive unit
without changes in size or weight.
Wide Angle Telephoto
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Zoom Rocker Switch
a. Adjusted by the Zoom Mode Adjustment Trimmer
Zoom Speed Volume
Video Return
Thumb Ring
Zoom Speed Volume
Video Return
Framing Preset
Switch
Thumb Ring
Direction Switch
VTR Start - Stop
Switch
LENS
LENS
Direction Switch
Memory
Switch
VTR Start - Stop Switch
Shuttle Shot
Switch
ZSD-300A/M (for Analog Drive Lens) ZSD-300D (for Digital Drive Lens)
Lens with Encoder Device
included in the drive unit
Lens with Optional
Encoder Units
The drive unit can memorize 9 patterns
of user-customized settings and also
transmit the data between different
drive units.
28
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FFM-300
FFM-400 -
1824A016
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29
Recommended Kit Configuration
IASE (IASD) TYPE IRSE TYPE
The Difference between IRSE and IASE (IASD) type lenses (Also for Crossover Models)
The IRSE lenses are the standard type of Portable lens with a Servo Zoom Digital Drive Unit. For Servo Focus operation, IRSE
lenses require both a Servo Focus Module and a Servo Focus Demand. The IASE (IASD) lenses are a special type of Portable
lens equipped with a Digital Drive Unit offering both Servo Zoom and Focus. For Servo Focus operation, IASE (IASD) lenses only
require a Servo Focus Demand. The IASE (IASD) lenses can be used in both the Studio and the Field.
ZR-1D
for all listed
IRSE/IASD/IASE lenses
for all listed
IRSE lenses
for all listed IRSE lenses
MS-210D
SS-41-D SS-41-IASD
FPD-400D
ZOOM SERVO ONLY
FULL SERVO KIT
SEMI-SERVO KIT
FULL SERVO KIT
FPM-420D
ZSD-300D
ZSD-300D ZSD-300D
ZSD-300D
for all listed IASD/IASE lenses
FPD-400D
FFM-100
FFC-200
FC-40
1x
2x
30
60
15
8
C
0.6
0.7
0.8
1.0
1.3
1.7
2.5
4
4.5
1 2
2
2.5
3
6
ZOOM SPEED VOLUME
CONNECTOR FOR
REMOTE ZOOM CONTROL(8PIN)
ZOOM OPERATION
CHANGE-OVER KNOB
CONNECTOR FOR ZOOM DEMAND
& FOCUS SERVO MODULE(20PIN)
CONNECTOR FOR ZOOM DEMAND
& FOCUS SERVO MODULE(20PIN)
CONNECTOR COMPATIBLE WITH
VIRTUAL INTERFACE
1x
2x
30
60
15
8
C
0.6
0.7
0.8
1.0
1.3
1.7
2.5
4
4.5
1 2
2
2.5
6
ZOOM SPEED VOLUME
CONNECTOR FOR
REMOTE ZOOM CONTROL(8PIN)
ZOOM OPERATION
CHANGE-OVER KNOB
CONNECTOR FOR ZOOM DEMAND
& FOCUS DEMAND(20PIN)
CONNECTOR FOR ZOOM DEMAND
& FOCUS DEMAND(20PIN)
CONNECTOR COMPATIBLE WITH
VIRTUAL INTERFACE
FOCUS OPERATION
CHANGE-OVER KNOB
The telephoto lenses (HJ40x, J35ex) are not compatible with virtual interfaces.
Control Accessories of Digital Drive ENG/EFP Lenses
J11ex4.5B/J17ex7.7B/J22ex7.6B/J35ex11D/J35ex15B/HJ11ex4.7B/HJ17ex7.7B/HJ17ex7.6B/HJ21ex7.5B/
HJ22ex7.6B/HJ40x10B/HJ40x14B
Applicable Component Detail
Applicable Kit Detail
30
Recommended Kit Configuration
Control Accessories of Analog Drive ENG/EFP Lenses
J9ax5.2B/J15ax8B/J16ax8B/J20ax8B/J21ax7.8B/HJ9x5.5B(1)/HJ15x8B/HJ18x7.8B(1)
*A or M types, depends on applicable camera
The Difference between IRS and IAS type lenses (Also for Crossover Models)
The IRS lenses are the standard type of portable lens with a Servo Zoom Drive Unit. For Servo Focus operation, IRS lenses
require both a Servo Focus Module and a Servo Focus Demand. The IAS lenses are a special type of portable lens equipped with
a Drive Unit offering both Servo Zoom and Focus. For Servo Focus operation, IAS lenses only require a Servo Focus Demand.
The IAS lenses can be used in both the Studio and the Field.
ZOOM SERVO ONLY SEMI-SERVO KIT
FULL SERVO KIT FULL SERVO KIT
FULL SERVO KIT FULL SERVO KIT
SS-41-20
for for J16ax8B IRS
J20ax8B IRS
HJ18x7.8B IRS(!)
J21ax7.8B IRS
SS-410
J9ax5.2B IRS
HJ9x5.5B IRS(!)
J15ax8B IRS
HJ15x8B IRS
SS-41-IAS SS-42-IAS
FPD-400
FPM-420
FPD-400
FPM-500
ZSG-200A/M*
ZSD-300A/M* ZSD-300A/M*
ZSD-300A/M* FPD-400
FPD-400
EC-80
CR-10
MS-210 ZR-1
FFM-100
FFC-200
FC-40
ZSD-300A/M*
ZSD-300A/M*
for all listed IRS lenses for all listed IRS/IAS lenses
for all listed IAS lenses for all listed IAS lenses
ANALOG ANALOG
ANALOG ANALOG
ANALOG
ANALOG
IAS TYPE
4.5
3
6
1.3
1
1.7
8
1.5
INTERNAL FOCUS
CONNECTOR FOR
FOCUS DEMAND (6PIN)
ZOOM OPERATION
CHANGE-OVER KNOB
ZOOM SPEED VOLUME
FOCUS OPERATION
CHANGE-OVER KNOB
CONNECTOR FOR
ZOOM DEMAND (8PIN)
CONNECTOR FOR
PRESET BOX (12PIN)
IRS TYPE
4.5
3
6
1.3
1
1.7
8
1.5
INTERNAL FOCUS
ZOOM OPERATION
CHANGE-OVER KNOB
ZOOM SPEED VOLUME
CONNECTOR FOR
ZOOM DEMAND (8PIN)
CONNECTOR FOR
FOCUS SERVO MODULE(12PIN)
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FFM-400
FFM-300
-
1824A016
Applicable Component Detail
Applicable Kit Detail
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HD-EC Zoom Lens HJ21x7.5B-3 KLL-SC HJ11x4.7B-3 KLL-SC
Model Number HJ21x7.5B-3 KLL-SC HJ11x4.7B-3 KLL-SC H J8x5.5B KLL-SC
Zoom Ratio 21x 11x 8x
Range of Focal Length 7.5~158mm 4.7~52mm 5.5~44mm
T-Stop T/2.1 T/2.1 T / 2.1
Angular Field of View 65.2x 39.6 at 7.5mm 91.2x 59.8 at 4.7mm 82.2x 53.1at 5.5mm
16:9 Aspect Ratio (9.6x5.4mm) 3.5x 2.0 at 158mm 10.5x 5.9 at 52mm 12.5x 7.0 at 44mm
M.O.D. from image plane 1.16m 0.59m 0.59m
Object Dimensions at M.O.D. 120.4 x 67.7cm at 7.5mm 71.4 x 40.2cm at 4.7mm 59.7 x 33.6cm at 5.5mm
16:9 Aspect Ratio 9.6x5.4mm 5.6 x 3.2cm at 158mm 6.2 x 3.5cm at 52mm 7.4 x 4.2cm at 44mm
Size (WxHxL) 130 x 130 x 260mm 95 x 95 x 242mm 95 x 95 x 245.2mm
Weight (Approx) 2.7kg (5.94lbs) 2.0kg (4.4lbs) 2.0kg (4.4lbs)
Macro Standard Standard Standard
Focus Rotation Angle 270 270 270
M.O.D. = Minimum Object Distance
Lenses for Digital Electronic Cinematography
Canon proudly offers our EC line of zoom and prime lenses, "essential tools" that combine outstanding performance and greater function for
our customers. All of the EC lenses utilize Hi-UD (Hi-Index, Ultra Low Dispersion) glass and Fluorite to achieve lower aberrations, while
exhibiting very high MTF.
HD-EC Zoom Lens Series
The HD-EC zoom lenses have been refined using Canons exclusive Power Optical System featuring the X-Element, a unique
system that combines exceptional performance with enhanced specifications. Our latest wide-angle HD-EC zoom lens offers both high
specifications and affordability, the HJ8x5.5B KLL-SC.
HJ8x5.5B KLL-SC
FJs9 FJs14 FJs5 HD-EC Prime Lens
HD-EC Prime Lens Series
Recently, Canon keeps a line of HD-EC Prime Lenses by improving the predecessors in both optical and mechanical performance and at
the same time, having added the FJs55. The HD-EC Prime Lenses exhibit high MTF, high resolution and high contrast from the center
of the image to its extreme edges, an important benefit of Canons proprietary design techniques. All lenses have traditional film style
feel and operation. This includes dual large luminous scales for the focus and iris and industry compatible gear rings.
Focal Length 5mm 9mm 14mm
T-Stop T/1.7 T/1.5 T/1.5
Image Format Covered 9.6 x 5.4mm (16:9)
Angular Field of View (16:9) 87.7x 56.7 56.1x 33.4 37.8x 21.8
Angular Field of View (4:3) 82.7x 66.8 52.1x 40.3 34.9x 26.5
M.O.D. from image plane 0.5m 0.45m 0.4m
Object Dimensions at M.O.D. (16:9) 59.8cm x 33.6cm 32.5cm x 18.3cm 18.9cm x 10.6cm
Object Dimensions at M.O.D. (4:3) 54.8cm x 41.1cm 29.8cm x 22.4cm 17.3cm x 13.0cm
Size (WxHxL) 95.0x95.0x177.0 mm 95.0x95.0x134.5 mm 95.0x95.0x134.5 mm
Weight(approx) 1.5kg (3.3lbs) 1.1kg (2.42lbs) 1.1kg (2.42lbs)
Focus Rotation Angle 280 280 280
M.O.D. = Minimum Object Distance
FJs35 FJs55 FJs24 HD-EC Prime Lens
Focal Length 24mm 35mm 55mm
T-Stop T/1.5 T/1.5 T/1.6
Image Format Covered 9.6 x 5.4mm (16:9)
Angular Field of View (16:9) 22.6x 12.8 15.6x 8.8 10.0x 5.6
Angular Field of View (4:3) 20.8x 15.7 14.3x 10.8 9.1x 6.9
M.O.D. from image plane 0.45m 0.5m 0.5m
Object Dimensions at M.O.D. (16:9) 13.6cm x 7.7cm 10.8cm x 6.1cm 6.8cm x 3.8cm
Object Dimensions at M.O.D. (4:3) 12.5cm x 9.4cm 9.9cm x 7.4cm 6.2cm x 4.7cm
Size (WxHxL) 95.0 x 95.0 x 134.5mm 95.0 x 95.0 x 134.5mm 95.0 x 95.0 x 134.5mm
Approx. Mass 1.1kg (2.42lbs) 1.1kg (2.42lbs) 1.1kg (2.42lbs)
Focus Rotation Angle 280 280 280
M.O.D. = Minimum Object Distance
Features of the New FJs Prime Lens Series
G Design
Responding to requests from the market, Canon has standardized the diameter of the front lens of all six FJs prime lenses at 95mm, which
enables the same matte box or filters to be used with all of the lenses.
G Accurate Operation
One of the most remarkable features of the FJs series is the dramatically increased range of the Focus Rotation Angle. In order to provide the
highest focusing accuracy possible, the rotation angle of the focus ring has been increased to 280. Another important feature of the FJs series is
the adjustable back focus (F.B.). The back focus of the lenses can be adjusted in a range of +/-0.3mm, allowing for increased focus accuracy in
all circumstances.
G High Optical Performance
By making the best use of the latest computer simulating system, the FJs prime lens series has reduced distortions and brought chromatic flare
to a zero level, at the same time maintaining color balance throughout the complete series to avoid picture inconsistency.
Revolutionary Anamorphic Converter, ACV-235
The ACV-235 is the worlds first Anamorphic
Converter developed for the 2/3" image size
HDTV format. An Anamorphic Converter is a
tool that optically compress a CinemaScope
size image (2.35:1 aspect ratio) to the HD-EC
16:9 aspect ratio (1.78:1). This allows for a
CinemaScope (2.35:1) size image to be
recorded by an HD Electronic
Cinematography camera.
*CinemaScope is copyrighted
by TWENTIETH CENTURY FOX FILM CORPORATION
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2/3 Pro-video ENG Lenses 1/2 Pro-video ENG Lenses
Remote Control Lens
for Pro-video use
Canon offers a variety of Pro-video ENG lenses including the
YJ20x8.5B(2/3), YH19x6.7(1/2), YJ13x6B(2/3) and the
YH12x4.8(1/2) that incorporate Canons original IFpro,
internal focusing system (refer to page 6). The affordable yet
high quality YH16x7 KRS Pro-video lens for 1/2 cameras is
also available.
The Canon Remote Control Series offers a wide variety of
lenses and accessories that have been designed for various
applications such as broadcasting, teleconference, distance
learning and other remote control purposes. The lenses provide
quiet and fast servo control of Zoom, Focus and Iris.
The YH16x7 KTS-AF is Canon's first remote control lens
adopting the "Self Contained Auto Focus System", an
exclusive system that will broadly expand the lens
applications.
Now, all IFpro ENG lenses are equipped with Canons
exclusive shuttle shot function and have become even more
useful.
I
I
I
I
Remote Control Auto Focus Lens
2/3 Pro-video ENG Lenses
Crossover Solutions for 2/3 Pro-video YJ20x8.5B/YJ19x9B
(Please refer to page 8 for details about Switchable cameras and Crossover technology.)
Canon has developed two affordable optical solutions to accommodate the increasing number of 16:9/4:3
switchable 2/3 Pro-video cameras.
The first solution is the W80Y-85 Crossover Adaptor, a
specially designed compact front mounted wide converter for
the YJ20x8.5B/YJ19x9B, which makes the master lens wider
by a factor of 0.8x. When you use the W80Y-85 on the
YJ20x8.5B/YJ19x9B in the 4:3 mode of a switchable camera,
it performs the Crossover function restoring the tele-side
shifted image to a normal field of view as would be found on
a conventional 4:3 camera. There is no light loss when using
the W80Y-85. (The M.O.D becomes 0.58m)
The second solution is the YJ19x9B VRS which has a built-in
Shrinker. When the Shrinker is in place, the tele-side
shifted image is restored to the normal field of view as would
be found on a conventional 4:3 camera. The VRS Shrinker
performs no function in the 16:9 mode while the W80Y-85 is
usable in both the switchable 4:3 mode and the16:9 mode.
W80Y-85 YJ19x9B VRS
YJ20x8.5B KRS YJ19x9B KRS YJ19x9B IRS YJ13x6B KRS YJ13x6B IRS
Zoom Ratio 20x 19x 19x 13x 13x
Built-in Extender 2.0x 2.0x
Range of Focal Length 8.5~170mm 9~171mm 9~171mm 6~78mm 6~78mm
(with Extender) 18~342mm (2.0x) 12~156mm (2.0x)
1:1.8 at 8.5~113.3mm 1:1.8 at 9~114mm 1:1.8 at 9~114mm 1:2.0 at 6~58mm 1:2.0 at 6~58mm
Maximum Relative Aperture 1:2.7 at 170mm 1:2.7 at 171mm 1:2.7 at 171mm 1:2.7 at 78mm 1:2.7 at 78mm
(with Extender) 1:3.6 at 18~228mm 1:4.0 at 12~116mm
1:5.4 at 342mm
(2.0x)
1:5.4 at 156mm
(2.0x)
Angular Field 4:3 Aspect Ratio
54.7x42.4 at 8.5mm 52.1x40.3 at 9mm 52.1x40.3 at 9mm 72.5x57.6 at 6mm 72.5x57.6at 6mm
of View (8.8x6.6mm)
3.0x2.2 at 170mm 2.97x2.22 at 171mm 2.97x2.22 at 171mm 6.5x4.8 at 78mm 6.5x4.8at 78mm
(with Extender)
27.5x20.8 at 18mm 40.3x30.8 at 12mm
1.47x1.11 at 342mm
(2.0x)
3.2x2.4 at 156mm
(2.0x)
M.O.D from Lens Front 0.9m(10mm with Macro) 0.9m(50mm with Macro) 0.9m(50mm with Macro) 0.4m(10mm with Macro) 0.4m(10mm with Macro)
Object Dimensions 4:3 Aspect Ratio
85.2x63.9cm at 8.5mm 78.9x59.2cm at 9mm 78.9x59.2cm at 9mm 68.1x51.1cm at 6mm 68.1x51.1cm at 6mm
at M.O.D (8.8x6.6mm)
4.4x3.3cm at 170mm 4.3x3.2cm at 171mm 4.3x3.2cm at 171mm 5.0x3.8cm at 78mm 5.0x3.8cm at 78mm
(with Extender)
39.5x29.6cm at 18mm 34.1x25.6cm at 12mm
2.2x1.6cm at 342mm
(2.0x)
2.5x1.9cm at 156mm
(2.0x)
Approx.Size(WxHxL) 163.3x103x170.4mm 139.8x99.5x175.5mm 139.8x99.5x198.8mm 165.4x105.1x211.7mm 165.4x105.1x234.8mm
Approx.Mass 1.17kg (2.58lbs) 1.33kg (2.93lbs) 1.53kg (3.37lbs) 1.54kg (3.39lbs) 1.74kg (3.83lbs)
Macro Yes Yes Yes Yes Yes
Yes Yes Yes Yes Yes
Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras as explained on page 8.
Angular Field 4:3 mode of 45.9x35.2 at 8.5mm 43.6x 33.4 at 9mm 43.6x33.4 at 9mm 61.9x48.5 at 6mm 61.9x48.5 at 6mm
of View Most Switchable 2.43x1.82 at 170mm 2.41x 1.81 at 171mm 2.41x1.81 at 171mm 5.29x3.97 at 78mm 5.29x3.97 at 78mm
Cameras
22.6x17.1 at 18mm 33.4x25.4 at 12mm
(with Extender) (7.2x5.4mm)
1.21x0.90 at 342mm
(2.0x)
2.64x1.98 at 156mm
(2.0x)
Remote Control Lens
for Broadcast Use
Pro-video
Lenses
&
Remote Control
Lenses
36
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1/2 Pro-video ENG Lenses
YH19x6.7 KRS YH19x6.7 IRS
YH12x4.8 KRS-A YH12x4.8 IRS-A YH16x7 KRS
Zoom Ratio 19x 19x
Built-in Extender 2.0x
Range of Focal Length 6.7~127mm 6.7~127mm
(with Extender) 13.4~254mm (2.0x)
1:1.4 at 6.7~89mm 1:1.4 at 6.7~89mm
Maximum Relative Aperture 1:2.0 at 127mm 1:2.0 at 127mm
(with Extender) 1:2.8 at 13.4~178mm
1:4.0 at 254mm
(2.0x)
4:3 Aspect Ratio
51.1x39.4 at 6.7mm 51.1x39.4 at 6.7mm
(6.4x4.8mm)
2.89x2.17 at 127mm 2.89x2.17 at 127mm
26.9x20.3 at 13.4mm
1.44x1.08 at 254mm
(2.0x)
M.O.D. from Lens Front 0.9m(50mm with Macro) 0.9m(50mm with Macro)
4:3 Aspect Ratio
77.2x57.9cm at 6.7mm 77.2x57.9cm at 6.7mm
(6.4x4.8mm)
4.2x3.2cm at 127mm 4.2x3.2cm at 127mm
38.6x29.0cm at 13.4mm
2.1x1.6cm at 254mm
(2.0x)
Approx. Size(WxHxL) 139.8x99.5x181.6mm 139.8x99.5x199.5mm
Approx. Mass 1.33kg (2.93lbs) 1.53kg (3.37lbs)
Macro Yes Yes
Yes Yes
Zoom Ratio 12x 12x 16x
Built-in Extender 2.0x
Range of Focal Length 4.8~58mm 4.8~58mm 7~112mm
(with Extender) 9.6~116mm (2.0x)
1:1.5 at 4.8~44.6mm 1:1.5 at 4.8~44.6mm 1:1.9 at 7~106.4mm
Maximum Relative Aperture 1:1.95 at 58mm 1:1.95 at 58mm 1:2.0 at 112mm
(with Extender) 1:3.0 at 9.6~89.2mm
1:3.9 at 116mm
(2.0x)
Angular Field
4:3 Aspect Ratio
67.4x53.1 at 4.8mm 67.4x53.1 at 4.8mm 49.1x37.8 at 7mm
of View (6.4x4.8mm)
6.3x4.7 at 58mm 6.3x4.7 at 58mm 3.3x2.5 at 112mm
(with Extender)
36.9x28.1 at 9.6mm
3.2x2.4 at 116mm
(2.0x)
M.O.D. from Lens Front 0.4m(50mm with Macro) 0.4m(50mm with Macro) 1.0m(10mm with Macro)
Object Dimensions
4:3 Aspect Ratio
62.3x46.7cm at 4.8mm 62.3x46.7cm at 4.8mm 83.3x62.5cm at 7mm
at M.O.D. (6.4x4.8mm)
5.0x3.8cm at 58mm 5.0x3.8cm at 58mm 5.3x4.0cm at 112mm
(with Extender)
31.2x23.4cm at 9.6mm
2.5x1.9cm at 116mm
(2.0x)
Approx. Size(WxHxL) 162.2x101x215.6mm 162.2x101x233.5mm 148.9x95.4x151.9mm
Approx. Mass 1.73kg (3.81lbs) 1.90kg (4.19lbs) 0.9kg (1.98lbs)
Macro Yes Yes Yes
Yes Yes
M.O.D. = Minimum Object Distance
Angular Field
of View
(with Extender)
Object Dimensions
at M.O.D.
(with Extender)
Control Accessories for Pro-video ENG Lenses
# Unit Description CODE
1 FM-12 Flex Focus Module 1824A012
5 FM-70 Flex Dual Module 0002T071
8 FC-40 Flex Cable 1824A010
9 FFC-15 Flex Focus Controller 1824A024
10 FFC-200 Flex Focus Controller 1824A014
11 FZC-100 Flex Zoom Controller 1824A021
15 FPM-77 Focus Positional Servo Module 1824A020
16 FPD-400 Focus Positional Demand 1824A018
18 ZSD-15A2/M2 Zoom Demand A 1824A070
(A or M types, depends on applicable camera) M 1824A071
19 ZSD-300A/M Zoom Demand A 1824A066
(A or M types, depends on applicable camera) M 1824A067
21 ZSG-200A/M Zoom Servo Grip A 1824A068
(A or M types, depends on applicable camera) M 1824A069
22 CR-10 Clamper 1824A007
23 GA-70 Grip Adapter 0018T531
28 EC-80 Zoom Extension Cable (8P) 1824A009
* 5 16 & 23 are not applicable to YH14x7.3 and YH16x7.
**In USA, 18 & 9 are available only as MS-15 kit
configuration and not as individual product.
Recommended Kit Configuration
for the Pro-video ENG lenses.
Zoom Focus
Kit Name System Component System Component
for KRS/IRS/VRS Type of Pro-video ENG Lenses
Zoom Servo -- ZSD-15 18 ** -- --
Only -- ZR-1 19 -- --
-- ZR-2(A) 21 22 28 -- --
-- ZR-2(B) 21 23 * -- --
Semi-Servo MS-15 ZSD-15 18 ** FRC-15 1 8 9 **
MS-21 ZR-1 19 FR-2 1 8 10
MS-22 ZR-2(A) 21 22 28 FR-2 1 8 10
Full Servo -- ZR-1 19 FPS-4 15 16 *
-- ZR-2(A) 21 22 28 FPS-4 15 16 *
Full Manual FZC-1 FZC-1 5 8 11 FR-2(w/o 1 ) 8 10
*A or M types, depends on applicable camera.
MS-22
FC-40
FM-12
ZSG-200A
ZSG-200M
*
*
FFC-200
CR-10
EC-80
SEMI-SERVO KIT
for all Pro-video ENG lenses
MS-15
ZSD-15AII
ZSD-15MII
*
*
FC-40
FM-12
FFC-15
SEMI-SERVO KIT
for all Pro-video ENG lenses
MS-21
ZSD-300A
ZSD-300M
*
*
FM-12
FFC-200
FC-40
SEMI-SERVO KIT
for all Pro-video ENG lenses
8p
8p
8p
8p
8p
Lens
@ 3
! 9
@ 1
t
! 6
! 0
@ 2
@ 8
@ 1
! 8
! 5
q
o
! 1
i
i
6p
Recommended Kit Configuration
Applicable Component Detail
Applicable Kit Detail
39 38
Zoom Ratio
Built-in Extender
Range of Focal Length
(with Extender)
HJ22ex7.6B ITS HJ17ex7.7B ITS HJ11ex4.7B ITS
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Remote Control Lens Series
The Canon Remote Control Series offers a wide variety of lenses and accessories that have been designed for various
applications such as broadcasting, teleconference, distance learning and other remote control purposes. The lenses
provide quiet and fast servo control of Zoom, Focus and Iris.
Broadcast Applications :
HOOD Close-up Lens
TO CAMERA
TCC-
005M
010M
020M
050M
100M
TCR-101F
TCR-301F
TCR-201F
Controller
<System Configuration>
Close-up Lens
(not available for HJ11ex/J11ex)
Four types (82CL-UP800H / 82CL-UP1300H / 105CL-
UP900H / 105CL-UP800HD) are available.
*Please refer to P.42 for the applications
Remote Controller
Three types (TCR-101F, TCR-201F, TCR-301F) are
available.
*The controllers are also applicable to remote control
pro-video lenses.
Connecting Cable
5m, 10m, 20m, 50m and 100m cables are available.
Maximum cable length is 150m by connection of these
cables.
Controller
TCR-101F
Speed Servo Controller
TCR-201F
Positional Servo Controller
TCR-301F
8 Position Preset Controller
22x 17x 11x
2.0x 2.0x 2.0x
7.6~168mm 7.7~131mm 4.7~52mm
15.2~336mm (2.0x) 15.4~262mm (2.0x) 9.4~104mm (2.0x)
Remote Control Lens Series
Pro-video Applications :
Zoom Ratio
Range of Focal Length
Maximum Relative Aperture
Angular Field of View
4:3 Aspect Ratio (8.8x6.6mm)
M.O.D. from Lens Front
Object Dimensionsat M.O.D.
4:3 Aspect Ratio (8.8x6.6mm)
Size(WxHxL)
Approx.Mass
*For extender remote control interface, please inquire to Canon Sales office.
Auto Focus Remote Control Lens
The YH16x7 KTS-AF lens is equipped with our exclusive Self Contained Auto Focus System.
Needless to be concerned about camera compatibility, the system will enable the lens to focus on an object automatically
by analyzing the video signal from the camera wholly within the lens unit, independent of the camera. Canon has
developed the advanced auto focusing system by exploiting Canons original Auto Focus Algorithm,which made the
auto focus function the most suitable for the diverse applications of the lens. The Auto Focusing System also contains
various functions,which makes the operation easy to use and accurate.
1/2 Auto Focus Lens
16x
7~112mm
1:1.9 at 7~106.4mm
1:2.0 at 112mm
49.1x37.8 at 7mm
3.3x2.5 at 112mm
1.0m
83.3x62.5cm at 7mm
5.3x4.0cm at 112mm
148.8x95.0x131.5mm
0.9kg (1.98lbs)
YH16x7 KTS-AF
GFollow Focus Function
Although the lens will focus on an object automatically, you will be able
to choose an object to be focused on by changing the position of the focus.
GHigh Speed Focus, Low Noise
The lens features a focusing of 1.5sec.(when controlled by remote manual )
while at the same time, decreasing the noise of the lens.
GAuto-Adjustment of Back Focus
By simply pressing the switch located at the front side of the lens drive unit,
you will be able to adjust the position of the F.B.automatically and accurately.
Zoom Ratio
Built-in Extender
Range of Focal Length
(with Extender)
YJ19x9B ITS YJ19x9B KTS YJ12x6.5B KTS
19x 19x 12x
2.0x
9~171mm 9~171mm 6.5~78mm
18~342mm (2.0x)
2/3 Series
GExternal Extender
(For 2/3" Lens Only)
A 2X extender is available
for telephoto shooting.
GClose up Lens
Two types (82CL-UP800H/
82CL-UP1300H) are
available.
Thread size is 82mm PO.75.
Zoom Ratio
Range of Focal Length
YH19x6.7 KTS YH12x4.8 KTS YH16x7 KTS
19x 12x 16x
6.7~127mm 4.8~58mm 7~112mm
1/2 Series
TCC-
005M
010M
020M
050M
100M
TCR-101F
TCR-301F
Existing
Controller
TCR-201F
Hood
YH167KTS-AF
IRJS CABLE
TO CAMERA
VIDEO CABLE
CONTROL
CABLE
Close-up Lens
82CL-UP800H
82CL-UP1300H
FC-AF1
camera
TCR-AF1
<System Configuration>
Zoom Ratio
Built-in Extender
Range of Focal Length
(with Extender)
J22ex7.6B ITS J17ex7.7B ITS J11ex4.5B ITS
22x 17x 11x
2.0x 2.0x 2.0x
7.6~168mm 7.7~131mm 4.5~50mm
15.2~336mm (2.0x) 15.4~262mm (2.0x) 9~100mm (2.0x)
Please refer to page 22-24 for more detailed specifications.
HJ17ex7.6B is also available for the Remote Control Lens. The model is HJ17ex7.6B ITS.
41 40
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Optical Accessories for SDTV and HDTV ENG/EFP Lenses
J22ex7.6B
J17ex7.7B
YJ20x8.5B
J22ex7.6B
J17ex7.7B
YJ20x8.5B
J22ex7.6B
J17ex7.7B
YJ20x8.5B
J22ex7.6B
J17ex7.7B
YJ20x8.5B
M.O.D
1.75m
1.35m
2.00m
Master Lens
7.6-168mm
7.7-131mm
8.5-170mm
With Wide Con.
6.1-134mm
6.2-104.8mm
6.8-136mm
Eclipse Point
f:70mm
f:60mm
f:80mm
Master Lens
7.6-168mm
7.7-131mm
8.5-170mm
With Wide Attach.
5.7mm
5.8mm
6.4mm
Master Lens
7.6-168mm
7.7-131mm
8.5-170mm
With Fish-Eye
4.6mm
4.6mm
5.1mm
*1: Most Canon Converters and Attachments use a separate
adapter ring as shown in the table on page 41, which
allow compatibility between several lens models. The
W80Y-85 is special Wide Converter and is exclusive to
certain lens models as shown in the table on Page 41.
*2: Some lens models allow for the filter to be attached to
the threaded lens barrel, in other models, the filter is
attached to the threaded hood unit. For lens model filter
size compatibility, please refer to Page 43.
W80Y-85 1823A009
Exclusively designed for YJ18x9B/YJ19x9B/YJ20x8.5B/YH18x6.7/
YH19x6.7.The adaptor parts are integrated into the main body.
(Also known as the Crossover Adaptor, see page 35)
*1 W80Y-85
Wide
Converter
When purchasing, please specify model name of both Body and Adaptor.
It is possible to use Body and Adaptor in different combinations. But it is impossible to use in combinations not shown in above table.
Focus servo operation is possible with IF lenses only.
[Applications of SDTV and HDTV Adaptor Type Converters / Attachments]
[Applications of Exclusive Wide Converter]
85mm 98mm Front Lens Diameter
APPLICABLE LENS
CONVERTER/
ATTACHMENT
TYPE
Tele-side
Converter
Wide
Converter
Fish-Eye
Attachment
Wide
Attachment
1823A005
0025T799
J22ex7.6B
J21ax7.8B
H21ax5.8
HJ22ex7.6B
HJ21ex7.8B
HJ21x7.8B
HJ17ex7.7B
HJ15x8B
CODE
MODEL
NAME
1824A002
1824A004
1823A006
1823A094
1823A095
1824A002
1824A004
1823A008
1824A002
1824A004
1823A011
1824A002
1824A004
T15-
Adaptor98
Adaptor85
Adaptor98
Adaptor85
WA75-
Adaptor98
Adaptor85
Adaptor98
Adaptor85
W80- B
T15HD
WA75HD
W80HD
HJ16x8B
HJ17ex7.6B
FEA- B
J17ex7.7B
J17ax7.7B
J16ax8B
J15ax8B
YJ20x8.5B
YJ19x9B
YJ18x9B
YH19x6.7
YH18x6.7
42
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43
YJ20x8.5B
HJ18x7.8B
HJ15x8B
HJ9x5.5B
J18x8.5B
J9ax5.2B
YJ13x6B
YJ12x6.5B
YH12x4.8
HJ17ex7.6B
HJ16x8B
J17ex7.7B
J17ax7.7B
J16ax8B
YJ20x8.5B
YJ19x9B
YJ18x9B
YH19x6.7
YH18x6.7
8.5-170mm 17-340mm
Imaging range for J17ex7.7B, and YJ20x8.5B with close-up lenses
YJ20x8.5B
Tele end : 170mm Tele end : 170mm Wide end : 8.5mm Wide end : 8.5mm
816x609
J17ex7.7B, J17ax7.7B, J16ax8B, J15ax8B,YJ20x8.5B,YJ19x9B,YJ18x9B,YH19x6.7,YH18x6.7 82CL-UP800H
105CL-UP900H
82CL-UP1300H
J22ex7.6B, J21ax7.8B, J20ax8B, J18x8.5B, H21ax5.8, H20ax6, PH18x6.2B
HJ22ex7.6B,HJ21ex7.8B, HJ21x7.8B, HJ17ex7.7B, HJ15x8B
J17ex7.7B, J17ax7.7B, J16ax8B, J15ax8B, H15ax6,YJ20x8.5B,YJ19x9B,YJ18x9B,YH19x6.7,YH18x6.7
390x293 26x20 494x371 1341x1006
105CL-UP800HD
1823A041
1823A042
1823A043
1823A096
PUB.0053W646 0805SZ5 PRINTED IN JAPAN