NEUROURBANISM
DE BEATA URBIS,
urban places for thinking.
Marco Frascari
Azrieli School of Architecture and Urbanism
October 15,2008
An urban body can
be built, explained
and inhabited only
through the
vagueness
storytelling.
Saul Steinberg Archite1o
Bauplan bauhouse
Cunningly speaking, these measures should be
oJen sold as emergency acKons to tackle global
warming or other official worrisome problems.
Changing the way we conceive and
use public space can change the
way we move, the way we treat
other people and
ulKmately the way we feel.
A neologism Neuro‐urbanism
• With the amazing breakthroughs taking place in the
neurological and cogniKve sciences, we are on verge of
a vital revoluKon in a number of related fields, such as
urbanism, architecture, linguisKcs, educaKonal theory,
medicine, philosophy, and the arts.
• A very large body of neurological invesKgaKon over the
last forty years has clearly delineated a unified
biological theory of mind and body.
• The neurologist Semir Zeki has called for the creaKon
of a neuroaestheKcs and John Onians, who has
recently published a book enKtled Neuroarthistory.
The applicaKon of the rules
of modern urbanism has
generated an incredible
number of places for urban
existence. There places for
buying, selling, banking,
cooking, eaKng, sleeping,
washings, playing, working,
pracKcing sports, learning,
and so on. However, only a
few of these places have
“thinking” as the dominant
dedicaKon.
In many urban bodies,
the devising and
nurturing of urban
happiness has been
prevented by the fusion
of fashionable elaKons
with financial
graKficaKon. This fusion
has changed the thought
process of many
architects and urbanists:
they do not think
anymore within the
body of the city, but
merely think about the
body of the city.
What are hints and clues of the neural paZerns of cogniKve
percepKon and thoughts detectable in architectural drawings
and theoreKcal wriKng and the corresponding manifestaKon
in architectural and urban elements?
the art of urban joy
• We are learning a
new way of sharing
the city.
• Look at what
happens on a
crowded sidewalk;
everyone must be
aware or we smash
into each other. We
must choreograph
our movements.
The result is a kind
of dance.
Within the overwhelming amnesia generated by the project of modernity, too
many urbanists and architects have forgot that ciKes can become engines not
just of economic growth, but also of happiness.
Then the quesKon is:
could we figure out a
way to enhance the
power of
one's well‐being and
consciousness by
conceiving a proper
architecture for an
urban environment?
Francesco Patrizi (in Italian) and Frane Petrić (in CroaKan)
signed his name as Francesco PatriKo.
La Ci1a' felice.
Venice : Griffio, 1553.
Ferrara Palazzo di Schifanoia
The name "Schifanoia" is thought to originate from
"schifar la noia" meaning literally to ”scorn boredom"
Register of Bologna Drapers's
Guild, Bologna, follower of
Niccolo da Bologna, c.1411 :
MY URBAN HOPE
• I hopes to challenge the
theoreKcal scenes of
architecture and urbanism
that during the last forty years
have disregarded
consciousness embodiment
and econiches embedment
with a consequent
unforgivable loss of the
merging of the art of living
well, building well and
thinking well. In the
overwhelming amnesia
generated by the project of
modernity, too many
urbanists and architects have
forgot that ciKes can become
engines not just of economic
growth, but also of happiness.
The Sensorium and the urban form