Clemente, Aria Daniella H.

Interior Design; 2013; 1ID-4 "#$PTIA% A&T

Prof. IDr. Marilou T. Tan ul! 1, 2013

An'ient "g!(t )as an an'ient 'i*ili+ation. It )as lo'ate, at %ort-eastern Afri'a along t-e %ile &i*er. "g!(tian 'i*ili+ation starte, aroun, 31.0 /C a''or,ing to 'on*entional "g!(tian '-ronolog!. T-e! )ere unite, un,er t-e (oliti'al rule of t-e first (-arao-, 0'or(ion I. An'ient "g!(tian art refers to t-e 'anoni'al 2n, an, 3r, D!nast! art ,e*elo(e, in "g!(t from 3000 /C an, use, until t-e 3r, 'entur!. Most elements of "g!(tian art remaine, remar1a2l! sta2le o*er t-at 3,000 !ear (erio, )it- relati*el! little outsi,e influen'e. T-e 3ualit! of o2ser*ation an, e4e'ution starte, at a -ig- le*el an, remaine, near t-at le*el t-roug-out t-e (erio,. Portraiture in An'ient "g!(t, a2o*e all of ro!alt!, )as -ig-l! ,e*elo(e,, an, re(resente, a 'om(li'ate, mi4ture of realisti' ,e(i'tion of in,i*i,uals an, st!li+ation.

T-e an'ient "g!(t

ar'-ite'ture of is one of t-e

most influential t-roug-out -istor!. T-e ,i*erse stru'tures an, great ar'-ite'tural monuments -el(e, "g!(t to (ut its name on t-e ma(. 5ne of t-e most famous ar'-ite'tural )or1s in "g!(t is t-e #reat P!rami, of #i+a 6also 1no)n as t-e (!rami, of 7-ufu8 an, t-e #reat 0(-in4 of #i+a. T-ere are ,ifferent 1in,s of (!rami,s; t-e ste( (!rami,, t-e 2ent (!rami, an, t-e true (!rami,.

T-e

"g!(tian Hierogl!(-i's )ere t-eir )riting s!stem. It9s a 'om2ination of logogra(-i' an, al(-a2eti' elements. Hierogl!(-s 'onsist of t-ree 1in,s of gl!(-s: (-oneti' gl!(-s, in'lu,ing single-'onsonant '-ara'ters t-at fun'tion li1e an al(-a2et. A sar'o(-agus is a 2o4-li1e funeral re'e(ta'le for a 'or(se. It )as also a form of art in a )a!. It is 'ommonl! 'ar*e, in stone, ,is(la!e, a2o*e groun,, an, 'an also 2e 2urie,. It 'ame from a #ree1 )or, ;sar49, meaning ;fles-9, an, ;(-agein9 meaning ;to eat9. In An'ient "g!(t, a sar'o(-agus forme, t-e outer la!er of (rote'tion for a ro!al mumm!, )it- se*eral la!ers of 'offins neste, )it-in, an, )as often 'ar*e, out of ala2aster. All )ere usuall! ,e'orate, )it- (ainte, or 'ar*e, re(resentations of t-e ,e'ease,. #&"CIA% A&T

< r i

# e' an

art -as (ro*e, itself to 2e one of t-e most ins(iring an, influential 1in, of art all o*er t-e )orl,. "*en in -ig- s'-ool -istor!, it -as al)a!s 2een a fa't t-at t-e &omans trie, *er! -ar, to 2e li1e t-e #ree1s. < A lot of t-eir )or1s are ins(ire, 2! t-eir religion. < #ree1 m!t-olog! is one of t-e most )ell 1no)n m!t-ologies = literatures out t-ere. < T-e ar'-ai' (erio, )as ins(ire, 2! t-e art of An'ient "g!(t. < T-e #ree1s t-us ,e'i,e, *er! earl! on t-at t-e -uman form )as t-e most im(ortant su2>e't for artisti' en,ea*or. 0eeing t-eir go,s as -a*ing -uman form, t-ere )as no ,istin'tion 2et)een t-e sa're, an, t-e se'ular in art ? t-e -uman 2o,! )as 2ot- se'ular an, sa're,.

< T-e 'lassi'al (erio, is intro,u'tion of Classi'al (erio, sa) '-anges in t-e st!le an, fun'tion of s'ul(ture. < %aturalisti' (oses )ere in tren,.

usuall! asso'iate, to t-e ,emo'ra'!. T-e

< 0ome of t-e greatest )or1s of t-e Classi'al (erio, )ere t-e 0tatue of @eus at 5l!m(ia an, t-e 0tatue of At-ena Part-enos .

< During

t-e

Hellenisti'

age, #re'ian art s(rea, as far as In,ia. < Common (eo(le, )omen, '-il,ren, animals an, ,omesti' s'enes 2e'ame a''e(ta2le su2>e'ts for s'ul(ture, )-i'- )as 'ommissione, 2! )ealt-! families for t-e a,ornment of t-eir -omes an, gar,ens. < &ealisti' (ortraits of men an, )omen of all ages )ere (ro,u'e,, an, s'ul(tors no longer felt o2lige, to ,e(i't (eo(le as i,eals of 2eaut! or (-!si'al (erfe'tion. 05A&C"0:

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