Medieval History
Medieval History
T
ake a look at Maps 1 and 2. Map 1 was made in
1154  CE.  by  the  Arab  geographer  al-Idrisi.  The
section  reproduced  here  is  a  detail  of  the  Indian
subcontinent from his larger map of the world. Map 2
was made in the 1720s by a French cartographer cartographer cartographer cartographer cartographer. The
two maps are quite different even though they are of
the same area. In al-Idrisis map, south India is where
we would expect to find north India and Sri Lanka is
the island at the top. Place-names are marked in Arabic,
Cartographer Cartographer Cartographer Cartographer Cartographer
A person who
makes maps.
1
TRACING  CHANGES  THROUGH
A  THOUSAND  YEARS
Map 1 Map 1 Map 1 Map 1 Map 1
A section of the world
map drawn by the
geographer al-Idrisi  in
the twelfth century
showing  the Indian
subcontinent.
TRACING CHANGES...
2 OUR PASTS  II
and there are some well-known names like Kanauj in
Uttar Pradesh (spelt in the map as Qanauj). Map 2 was
made nearly 600 years after the first, during which time
information  about  the  subcontinent  had  changed
considerably. This map seems more familiar to us and
the coastal areas in particular are surprisingly detailed.
This map was used by European sailors and merchants
on their voyages (see Chapter 6). But look at the areas
inland.
Are they as detailed as those on the coast? Follow the
course of the River Ganga and see how it is shown. Why
do you think there is a difference in the level of detail
and accuracy between the coastal and inland areas in
this map?
Map 2 Map 2 Map 2 Map 2 Map 2
The subcontinent, from
the early-eighteenth
century Atlas Nouveau
of Guillaume de lIsle.
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3
Equally  important  is  the  fact  that  the  science  of
cartography differed in the two periods. When historians
read documents, maps and texts from the past they
have  to  be  sensitive  to  the  different  historical
backgrounds    the  contexts    in  which  information
about the past was produced.
New and old terminologies
If  the  context  in  which  information  is  produced
changes  with  time,  what  about  language  and
meanings?  Historical  records  exist  in  a  variety  of
languages which have changed considerably over the
years. Medieval Persian, for example, is different from
modern Persian. The difference is not just with regard
to grammar and vocabulary; the meanings of words
also change over time.
Take the term Hindustan, for example. Today we
understand it as India, the modern nation state. When
the term was used in the thirteenth century by Minhaj-i
Siraj, a chronicler who wrote in Persian, he meant the
areas of Punjab, Haryana and the lands between the
Ganga and Yamuna. He used the term in a political
sense for lands that were a part of the dominions of the
Delhi Sultan. The areas included in this term shifted
with  the  extent  of  the  Sultanate  but  the  term  never
included south India within it. By contrast, in the early
sixteenth century Babur used Hindustan to describe
the  geography,  the  fauna  and  the  culture  of  the
inhabitants of the subcontinent. As we will see later in
the chapter, this was somewhat similar to the way the
fourteenth-century poet Amir Khusrau used the word
Hind. While the idea of a geographical and cultural
entity like India did exist, the term Hindustan did
not carry the political and national meanings which we
associate with it today.
Historians have to be careful about the terms they
use because they meant different things in the past.
Take, for example, a simple term like foreigner. It is
used today to mean someone who is not an Indian. In
Can you think of
any other words
whose meanings
change in different
contexts?
?
TRACING CHANGES...
4 OUR PASTS  II
the medieval period a foreigner was any stranger who
appeared say in a given village, someone who was not
a  part  of  that  society  or  culture.  (In  Hindi  the  term
pardesi might be used to describe such a person and
in Persian, ajnabi.) A city-dweller, therefore, might have
regarded  a  forest-dweller  as  a  foreigner,  but  two
peasants living in the same village were not foreigners
to each other, even though they may have had different
religious or caste backgrounds.
Historians and their sources
Historians use different types of sources to learn about
the past depending upon the period of their study and
the nature of their investigation. Last year, for example,
you  read  about  rulers  of  the  Gupta  dynasty  and
Harshavardhana. In this book we will read about the
following thousand years, from roughly 700 to 1750 CE.
You will notice some continuity in the sources used
by historians for the study of this period. They still rely
upon coins, inscriptions, architecture and textual records
for  information.  But  there  is  also  considerable
discontinuity. The number and variety of textual records
increased dramatically during this period. They slowly
displaced other types of available information. Through
this period paper gradually became cheaper and more
The value of paper
Compare the following
(1) In the middle of the thirteenth century a scholar
wanted to copy a book. He did not have enough paper.
So he washed the writing off a manuscript he did not
want, dried the paper and used it.
(2) A century later, if you bought some food in the
market you could be lucky and have the shopkeeper
wrap it for you in some paper.
When was paper more expensive and easily available
 in the thirteenth or the fourteenth century?
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5
widely  available.  People  used  it  to  write  holy  texts,
chronicles  of  rulers,  letters  and  teachings  of  saints,
petitions  and  judicial  records,  and  for  registers  of
accounts  and  taxes.  Manuscripts  were  collected  by
wealthy people, rulers, monasteries and temples. They
were placed in libraries and archives archives archives archives archives. These manuscripts
and documents provide a lot of detailed information to
historians but they are also difficult to use.
There was no printing press in those days so scribes
copied manuscripts by hand. If you have ever copied a
friends homework you would know that this is not a
simple  exercise.  Sometimes  you  cannot  read  your
friends handwriting and are forced to guess what is
written.  As  a  result  there  are  small  but  significant
differences  in  your  copy  of  your  friends  work.
Manuscript copying is somewhat similar. As scribes
copied manuscripts, they also introduced small changes
 a word here, a sentence there. These small differences
grew over centuries of copying until manuscripts of the
Archive Archive Archive Archive Archive
A place where
documents and
manuscripts are
stored. Today all
national and state
governments have
archives where
they keep all their
old official records
and transactions.
Fig. 1
A painting of a scribe
making a copy of a
manuscript. This
painting is only
10.5 cm by 7.1 cm in
size. Because of its
size it is called a
miniature. Miniature
paintings were
sometimes used to
illustrate the texts of
manuscripts. They
were so beautiful that
later collectors often
took the manuscripts
apart and sold just the
miniatures.
TRACING CHANGES...
6 OUR PASTS  II
same  text  became  substantially  different  from  one
another. This is a serious problem because we rarely
find the original manuscript of the author today. We
are totally dependent upon the copies made by later
scribes. As a result historians have to read different
manuscript versions of the same text to guess what the
author had originally written.
On  occasion  authors  revised  their  chronicles  at
different  times.  The  fourteenth-century  chronicler
Ziyauddin Barani wrote his chronicle first in 1356 and
another version two years later. The two differ from each
other but historians did not know about the existence
of the first version until 1971. It remained lost in large
library collections.
New social and political groups
The study of the thousand years between 700 and 1750
is a huge challenge to historians largely because of the
scale and variety of developments that occurred over
the  period.  At  different  moments  in  this  period  new
technologies made their appearance  like the Persian
Fig. 2
Different kinds of
handwriting could
make the reading of
Persian and Arabic
difficult. The nastaliq
style (on the left) is
cursive and easy to
read, the shikaste (on
the right) is denser and
more difficult.
7
wheel in irrigation, the spinning wheel in weaving, and
firearms in combat. New foods and beverages arrived
in the subcontinent: potatoes, corn, chillies, tea and
coffee.  Remember  that  all  these  innovations  new
technologies and crops    came along with people, who
brought other ideas with them as well. As a result, this
was a period of economic, political, social and cultural
changes. You will learn about some of these changes
in Chapters 5, 6 and 7.
This was also a period of great mobility. Groups of
people travelled long distances in search of opportunity.
The  subcontinent  held  immense  wealth  and  the
possibilities for people to carve a fortune. One group of
people who became important in this period were the
Rajputs, a name derived from Rajaputra, the son of a
ruler. Between the eighth and fourteenth centuries the
term was applied more generally to a body of warriors
who claimed Kshatriya caste status. The term included Fig. 3
The Persian wheel.
TRACING CHANGES...
8 OUR PASTS  II
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not  just  rulers  and  chieftains  but  also  soldiers  and
commanders  who  served  in  the  armies  of  different
monarchs all over the subcontinent. A chivalric code of
conduct  extreme valour and a great sense of loyalty 
were the qualities attributed to Rajputs by their poets
and  bards.  Other  groups  of  people  such  as  the
Marathas, Sikhs, Jats, Ahoms and Kayasthas (a caste
of scribes and secretaries) also used the opportunities
of the age to become politically important.
Throughout this period there was a gradual clearing
of forests and the extension of agriculture, a change
faster and more complete in some areas than in others.
Changes in their habitat habitat habitat habitat habitat forced many forest-dwellers
to migrate. Others started tilling the land and became
peasants. These new peasant groups gradually began
to be influenced by regional markets, chieftains, priests,
monasteries and temples. They became part of large
complex societies, and were required to pay taxes and
offer  goods  and  services  to  local  lords.  As  a  result,
significant  economic  and  social  differences  emerged
amongst peasants. Some possessed more productive
land,  others  also  kept  cattle,  and  some  combined
artisanal work with agricultural activity during the lean
season. As society became more differentiated, people
were grouped into jatis or sub-castes and ranked on
the basis of their backgrounds and their occupations.
Ranks were not fixed permanently, and varied according
to  the  power,  influence  and  resources  controlled  by
members of the jati. The status of the same jati could
vary from area to area.
Jatis  framed  their  own  rules  and  regulations  to
manage the conduct of their members. These regulations
were enforced by an assembly of elders, described in
some areas as the jati panchayat. But jatis were also
required  to  follow  the  rules  of  their  villages.  Several
villages were governed by a chieftain. Together they were
only one small unit of a state.
Of the
technological,
economic, social
and cultural
changes
described in this
section, which do
you think were
most significant in
the town or village
in which you live?
Habitat Habitat Habitat Habitat Habitat
Refers to the
environment of a
region and the
social and
economic lifestyle
of its residents.
9
Region and empire
Large  states  like  those  of  the  Cholas  (Chapter  2),
Tughluqs  (Chapter  3)  or  Mughals  (Chapter  4)
encompassed many regions. A Sanskrit prashasti (see
Chapter 2 for an example of a prashasti) praising the
Delhi Sultan Ghiyasuddin Balban (1266-87) explained
that he was the ruler of a vast empire that stretched
from Bengal (Gauda) in the east to Ghazni (Gajjana) in
Afghanistan in the west and included all of south India
(Dravida). People of different regions  Gauda, Andhra,
Kerala, Karnataka, Maharashtra and Gujarat  apparently
fled  before  his  armies.  Historians  regard  these  as
Map 3 Map 3 Map 3 Map 3 Map 3
Provinces of the Delhi
Sultanate during
Muhammad Tughluqs
reign according to the
Egyptian source
Masalik al-Absar fi
Mamalik al-Amsar of
Shihabuddin Umari.
TRACING CHANGES...
10 OUR PASTS  II
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exaggerated claims of conquests. At the same time, they
try  to  understand  why  rulers  kept  claiming  to  have
control over different parts of the subcontinent.
Language and region
In 1318 the poet Amir Khusrau noted that there was
a  different  language  in  every  region  of  this  land:  Sindhi,
Lahori,  Kashmiri,  Dvarsamudri  (in  southern  Karnataka),
Telangani (in Andhra Pradesh), Gujari (in Gujarat), Mabari
(in Tamil Nadu), Gauri, (in Bengal)  Awadhi (in eastern
Uttar Pradesh) and Hindawi (in the area around Delhi).
Amir Khusrau went on to explain that in contrast to these
languages there was Sanskrit which did not belong to
any region. It was an old language and common people
do not know it, only the Brahmanas do.
Make a list of the languages mentioned by Amir Khusrau.
Prepare another list of the names of languages spoken
today in the regions he mentioned: underline names that
are similar and circle those that are different.
Did you notice that the names by which languages
are known have changed over time?
By  700  many  regions  already  possessed  distinct
geographical dimensions and their own language and
cultural characteristics. You will learn more about these
in Chapter 9. They were also associated with specific
ruling  dynasties.  There  was  considerable  conflict
between these states.  Occasionally dynasties like the
Cholas, Khaljis, Tughluqs and Mughals were able to
build  an  empire  that  was  pan-regional    spanning
diverse  regions.  Not  all  these  empires  were  equally
stable or successful. Compare, for example, Tables 1
in Chapters 3 and 4. What was the duration of rule of
the Khalji and Mughal dynasties?
?
Why do you think
rulers made such
claims?
11
?
?
When the Mughal Empire declined in the eighteenth
century, it led to the re-emergence of regional states
(Chapter 10). But years of imperial, pan-regional rule
had altered the character of the regions. Across most
of the subcontinent the regions were left with the legacies
of the big and small states that ruled over them. This
was apparent in the emergence of many distinct and
shared  traditions:  in  the  realms  of  governance,  the
management  of  the  economy,  elite  cultures,  and
language. Through the thousand years between 700
and 1750 the character of the different regions did not
grow  in  isolation.  They  felt  the  impact  of  larger
pan-regional forces of integration without ever quite
losing their distinctiveness.
Old and new religions
The thousand years of history that we are exploring
witnessed major developments in religious traditions.
Peoples  belief  in  the  divine  was  sometimes  deeply
personal, but more usually it was collective. Collective
belief in a supernatural agency  religion  was often
closely  connected  with  the  social  and  economic
organisation of local communities.  As the social worlds
of these groups altered so too did their beliefs.
It  was  during  this  period  that  important  changes
occurred  in  what  we  call  Hinduism  today.  These
included the worship of new deities, the construction
of temples by royalty and the growing importance of
Brahmanas, the priests, as dominant groups in society.
Their  knowledge  of  Sanskrit  texts  earned  the
Brahmanas a lot of respect in society. Their dominant
position  was  consolidated  by  the  support  of  their
patrons patrons patrons patrons patrons  new rulers searching for prestige.
One of the major developments was the emergence
of the idea of bhakti  of a loving, personal deity that
devotees  could  reach  without  the  aid  of  priests  or
elaborate rituals. You will be learning about this, and
other traditions, in Chapter 8.
Find out whether
and for how long
your state was
part of these pan-
regional empires.
Do you remember
what Amir Khusrau
had to say
regarding Sanskrit,
knowledge and
Brahmanas ?
Patron Patron Patron Patron Patron
An influential,
wealthy individual
who supports
another person 
an artiste,
a craftsperson,
a learned man, or
a noble.
TRACING CHANGES...
12 OUR PASTS  II
This  was  also  the  period  when  new  religions
appeared in the subcontinent. Merchants and migrants
first brought the teachings of the holy Quran to India
in the seventh century. Muslims regard the Quran as
their holy book and accept the sovereignty of the one
God, Allah, whose love, mercy and beauty embrace all
those  who  believe  in  Him,  without  regard  to  social
background.
Many rulers were patrons of Islam and the ulama 
learned theologians and jurists. And like Hinduism,
Islam  was  interpreted  in  a  variety  of  ways  by  its
followers. There were the Shia Muslims who believed
that the Prophets son-in-law, Ali, was the legitimate
leader of the Muslim community and the Sunni Muslims
who accepted the authority of the early leaders (khalifas)
of the community, and the succeeding Khalifas. There
were other important differences between the various
schools of law (Hanafi and Shafii mainly in India), and
in theology and mystic traditions.
Thinking about time and historical
periods
Historians do not see time just as a passing of hours,
days  or  years    as  a  clock  or  a  calendar.  Time  also
reflects changes in social and economic organisation,
in  the  persistence  and  transformation  of  ideas  and
beliefs. The study of time is made somewhat easier by
dividing the past into large segments  periods  that
possess shared characteristics.
In  the  middle  of  the  nineteenth  century  British
historians divided the history of India into three periods:
Hindu,  Muslim  and  British.    This  division  was
based on the idea that the religion of rulers was the
only important historical change, and that there were
no other significant developments  in the economy,
society or culture. Such a division also ignored the rich
diversity of the subcontinent.
13
Few historians follow this periodisation today. Most
look to economic and social factors to characterise the
major elements of different moments of the past. The
histories you read last year included a wide range of
early societies  hunter-gatherers, early farmers, people
living  in  towns  and  villages,  and  early  empires  and
kingdoms.  The histories you will be studying this year
are often described as medieval. You will find out more
about the spread of peasant societies, the rise of regional
and imperial state formations  sometimes at the cost
of  pastoral  and  forest  people    the  development  of
Hinduism and Islam as major religions and the arrival
of European trading companies.
 These thousand years of Indian history witnessed
considerable  change.  After  all,  the  sixteenth  and
eighteenth centuries were quite different from the eighth
or the eleventh.  Therefore, describing the entire period
as  one  historical  unit  is  not  without  its  problems.
Moreover, the medieval period is often contrasted with
the modern period.  Modernity carries with it a sense
of material progress and intellectual advancement. This
seems to suggest that the medieval period was lacking
in any change whatsoever. But of course we know this
was not the case.
 During these thousand years the societies of the
subcontinent were transformed often and economies
in  several  regions  reached  a  level  of  prosperity  that
attracted the interest of European trading companies.
As you read this book, look out for signs of change and
the historical processes at work. Also, whenever you
can, try and compare what you read in this book with
what  you  read  last  year.  Look  out  for  changes  and
continuities wherever you can, and look at the world
around you to see what else has changed or remained
the same.
TRACING CHANGES...
14 OUR PASTS  II
Imagine Imagine Imagine Imagine Imagine
You are a historian. Choose one of the
themes  mentioned  in  this  chapter,
such as economic, social or political
history, and discuss why you think it
would  be  interesting  to  find  out  the
history of that theme.
Lets  recall Lets  recall Lets  recall Lets  recall Lets  recall
1. Who was considered a foreigner in the past?
2. State whether true or false
(a) We do not find inscriptions for the period after
700.
(b) The Marathas asserted their political importance
during this period.
(c) Forest-dwellers were sometimes pushed out of
their lands with the spread of agricultural
settlements.
(d) Sultan Ghiyasuddin Balban controlled Assam,
Manipur and Kashmir.
3. Fill in the blanks
(a) Archives are places where  are
kept.
(b) was a fourteenth-century chronicler.
(c)  , , ,  and  were
some of the new crops introduced into the
subcontinent during this period.
4. List some of the technological changes associated with
this period.
KEYWORDS
manuscript
jati
region
 periodisation
15
5. What were some of the major religious developments
during this period?
Lets  understand Lets  understand Lets  understand Lets  understand Lets  understand
6. In what ways has the meaning of the term Hindustan
changed over the centuries?
7. How were the affairs of jatis regulated?
8. What does the term pan-regional empire mean?
Lets  discuss Lets  discuss Lets  discuss Lets  discuss Lets  discuss
9. What  are  the  difficulties  historians  face  in  using
manuscripts?
10. How do historians divide the past into periods? Do
they face any problems in doing so?
Lets  do Lets  do Lets  do Lets  do Lets  do
11. Compare either Map 1 or Map 2 with the present-day
map of the subcontinent, listing as many similarities
and differences you can find.
12. Find  out  where  records  are  kept  in  your  village  or
city. Who writes these records? Is there an archive?
Who manages it? What kinds of documents are stored
there? Who are the people who use it?
TRACING CHANGES...
16 OUR PASTS  II
M
any  new  dynasties  emerged  after  the
 seventh century. Map 1 shows the major ruling
dynasties in different parts of the subcontinent between
the seventh and twelfth centuries.
2
NEW KINGS AND KINGDOMS
Map 1 Map 1 Map 1 Map 1 Map 1
Major kingdoms,
seventh-twelfth
centuries
Locate the
Gurjara-Pratiharas,
Rashtrakutas,
Palas, Cholas
and Chahamanas
(Chauhans).
Can you identify
the present-day
states over which
they exercised
control?
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17
?
The emergence of new dynasties
By  the  seventh  century  there  were  big  landlords  or
warrior chiefs in different regions of the subcontinent.
Existing  kings  often  acknowledged  them  as  their
subordinates or samantas. They were
expected to bring gifts for their kings
or overlords, be present at their courts
and  provide  them  with  military
support.  As  samantas  gained  power
and wealth, they declared themselves
to  be  maha-samanta,  maha-
mandaleshvara  (the  great  lord  of  a
circle or region) and so on. Sometimes
they asserted their independence from
their overlords.
One such instance was that of the
Rashtrakutas in the Deccan. Initially
they were subordinate to the Chalukyas
of Karnataka. In the mid-eighth century,
Dantidurga,  a  Rashtrakuta  chief,
overthrew his Chalukya overlord and performed a ritual
called hiranya-garbha (literally, the golden womb). When
this ritual was performed with the help of Brahmanas,
it was thought to lead to the rebirth of the sacrificer as
a Kshatriya, even if he was not one by birth.
In other cases, men from enterprising families used
their military skills to carve out kingdoms. For instance,
the  Kadamba  Mayurasharman  and  the  Gurjara-
Pratihara Harichandra were Brahmanas who gave up
their  traditional  professions  and  took  to  arms,
successfully establishing kingdoms in Karnataka and
Rajasthan respectively.
Administration in the kingdoms
Many of these new kings adopted high-sounding titles
such  as  maharaja-adhiraja  (great  king,  overlord  of
kings),  tribhuvana-chakravartin  (lord  of  the  three
worlds) and so on. However, in spite of such claims,
NEW KINGS AND
KINGDOMS
Do you think
being born as a
Kshatriya was
important in order
to become a ruler
during this period?
Fig. 1
Wall relief from Cave
15, Ellora, showing
Vishnu as Narasimha,
the man-lion.
It is a work of the
Rashtrakuta period.
18 OUR PASTS  II
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they often shared power with their samantas as well as
with associations of peasants, traders and Brahmanas.
In each of these states, resources were obtained from
the  producers,  that  is,  peasants,  cattle-keepers,
artisans, who were often persuaded or compelled to
surrender  part  of  what  they  produced.  Sometimes
these were claimed as rent due to a lord who asserted
that he owned the land. Revenue was also collected
from traders.
Four hundred taxes!
The inscriptions of the Cholas who ruled in Tamil Nadu
refer to more than 400 terms for different kinds of taxes.
The most frequently mentioned tax is vetti, taken not in
cash but in the form of forced labour, and kadamai, or
land revenue. There were also taxes on thatching the
house, the use of a ladder to climb palm trees, a cess on
succession to family property, etc.
Are any such taxes collected today?
These  resources  were  used  to  finance  the  kings
establishment, as well as for the construction of temples
and forts. They were also used to fight wars, which were
in turn expected to lead to the acquisition of wealth in the
form of plunder, and access to land as well as trade routes.
The  functionaries  for  collecting  revenue  were
generally  recruited  from  influential  families,  and
positions were often hereditary. This was true about
the army as well. In many cases, close relatives of the
king held these positions.
Prashastis and land grants
Prashastis contain details that may not be literally true.
But they tell us how rulers wanted to depict themselves
 as valiant, victorious warriors, for example. These were
composed  by  learned  Brahmanas,  who  occasionally
helped in the administration.
?
In what ways was
this form of
administration
different from the
present-day
system?
19
The achievements of Nagabhata
Many rulers described their achievements in prashastis
(you  read  about  the  prashasti  of  the  Gupta  ruler
Samudragupta last year).
One  prashasti,  written  in  Sanskrit  and  found  in
Gwalior,  Madhya  Pradesh,  describes  the  exploits  of
Nagabhata,  a Pratihara king, as follows:
The  kings  of  Andhra,  Saindhava  (Sind),  Vidarbha  (part  of
Maharashtra) and Kalinga (part of Orissa) fell before him even
as he was a prince 
He won a victory over Chakrayudha (the ruler of Kanauj) 
He defeated the king of Vanga (part of Bengal), Anarta (part
of Gujarat), Malava (part of Madhya Pradesh), Kirata (forest
peoples), Turushka (Turks), Vatsa, Matsya (both kingdoms in
north India) 
Kings often rewarded Brahmanas by grants of land.
These were recorded on copper plates, which were given
to those who received the land.
Fig. 2
This is a set of copper
plates recording a
grant of land made by
a ruler in the ninth
century, written partly
in Sanskrit and partly
in Tamil. The ring
holding the plates
together is secured
with the royal seal, to
indicate that this is an
authentic document.
See if you can find
some of the areas
mentioned in the
inscription on
Map 1. Other rulers
made similar
claims as well.
Why do you think
they made these
claims?
?
NEW KINGS AND
KINGDOMS
20 OUR PASTS  II
?
What was given with the land
This is part of the Tamil section of a land grant given by
the Cholas:
We have demarcated the boundaries of the land by making
earthen embankments, as well as by planting thorny bushes.
This is what the land contains: fruit-bearing trees, water,
land, gardens and orchards, trees, wells, open spaces, pasture-
land, a village, anthills, platforms, canals, ditches, rivers,
silt-laden land, tanks, granaries, fish ponds, bee hives, and
deep lakes.
He  who  receives  the  land  can  collect  taxes  from  it.  He  can
collect the taxes imposed by judicial officers as fines, the tax
on betel-leaves, that on woven cloth, as well as on vehicles.
He can build large rooms, with upper stories made of baked
bricks,  he  can  get  large  and  small  wells  dug,  he  can  plant
trees  and  thorny  bushes,  if  necessary,  he  can  get  canals
constructed for irrigation. He should ensure that water is not
wasted, and that embankments are built.
List all the possible sources of irrigation mentioned
in the inscription, and discuss how these might have
been used.
Unusual for the twelfth century was a long Sanskrit
poem containing the history of kings who ruled over
Kashmir.  It  was  composed  by  an  author  named
Kalhana.  He  used  a  variety  of  sources,  including
inscriptions,  documents,  eyewitness  accounts  and
earlier histories, to write his account. Unlike the writers
of prashastis, he was often critical about rulers and
their policies.
Warfare for wealth
You  may  have  noticed  that  each  of  these  ruling
dynasties was based in a specific region. At the same
time, they tried to control other areas. One particularly
prized area was the city of Kanauj in the Ganga valley.
21
?
For centuries, rulers belonging to the Gurjara-Pratihara,
Rashtrakuta and Pala dynasties fought for control over
Kanauj. Because there were three parties in this long-
drawn  conflict,  historians  often  describe  it  as  the
tripartite struggle.
As  we  will  see  (pp.  62-66),  rulers  also  tried  to
demonstrate their power and resources by building
large temples. So, when they attacked one anothers
kingdoms, they often chose to target temples, which
were sometimes extremely rich. You will read more
about this in Chapter 5.
One  of  the  best  known  of  such  rulers  is  Sultan Sultan Sultan Sultan Sultan
Mahmud of Ghazni, Afghanistan. He ruled from 997 to
1030, and extended control over parts of Central Asia,
Iran and the north-western part of the subcontinent.
He  raided  the  subcontinent  almost  every  year    his
targets  were  wealthy  temples,  including  that  of
Somnath, Gujarat.
Much of the wealth Mahmud carried away was used
to  create  a  splendid  capital  city  at  Ghazni.  He  was
interested  in  finding  out  more  about  the  people  he
conquered, and entrusted a scholar named al-Biruni
to write an account of the subcontinent. This Arabic
work, known as the Kitab-al Hind, remains an important
source for historians. He consulted Sanskrit scholars
to prepare this account.
Other  kings  who  engaged  in  warfare  include  the
Chahamanas, later known as the Chauhans, who ruled
over  the  region  around  Delhi  and  Ajmer.  They
attempted to expand their control to the west and the
east, where they were opposed by the Chalukyas of
Gujarat  and  the  Gahadavalas  of  western  Uttar
Pradesh.  The  best-known  Chahamana  ruler  was
Prithviraja III (1168-1192), who defeated an Afghan
ruler named Sultan Muhammad Ghori in 1191, but
lost to him the very next year, in 1192.
Sultan Sultan Sultan Sultan Sultan  is  an
Arabic term
meaning ruler.
Look at Map 1
again and discuss
why the
Chahamanas may
have wanted to
expand their
territories.
?
Look at Map 1 and
suggest reasons
why these rulers
wanted to control
Kanauj and the
Ganga valley.
NEW KINGS AND
KINGDOMS
22 OUR PASTS  II
A closer lookThe Cholas
From  Uraiyur  to  Thanjavur From  Uraiyur  to  Thanjavur From  Uraiyur  to  Thanjavur From  Uraiyur  to  Thanjavur From  Uraiyur  to  Thanjavur
How did the Cholas rise to power? A minor chiefly family
known  as  the  Muttaraiyar  held  power  in  the  Kaveri
delta. They were subordinate to the Pallava kings of
Kanchipuram. Vijayalaya, who belonged to the ancient
chiefly family of the Cholas from Uraiyur, captured the
delta from the Muttaraiyar in the middle of the ninth
century. He built the town of Thanjavur and a temple
for goddess Nishumbhasudini there.
The  successors  of  Vijayalaya  conquered
neighbouring regions and the kingdom grew in size and
power. The Pandyan and the Pallava territories to the
south  and  north  were  made  part  of  this  kingdom.
Map 2 Map 2 Map 2 Map 2 Map 2
The Chola kingdom
and its neighbours
23
Rajaraja I, considered the most powerful Chola ruler,
became king in 985 and expanded control over most
of these areas. He also reorganised the administration
of the empire. Rajarajas son Rajendra I continued his
policies and even raided the Ganga valley, Sri Lanka
and countries of Southeast Asia, developing a navy for
these expeditions.
Splendid  temples  and  bronze  sculpture Splendid  temples  and  bronze  sculpture Splendid  temples  and  bronze  sculpture Splendid  temples  and  bronze  sculpture Splendid  temples  and  bronze  sculpture
The  big  temples  of  Thanjavur  and  Gangaikonda-
cholapuram,  built  by  Rajaraja  and  Rajendra,  are
architectural and sculptural marvels.
Chola temples often became the nuclei of settlements
which grew around them. These were centres of craft
production. Temples were also endowed with land by
rulers as well as by others. The produce of this land
Fig. 3
The temple at
Gangaikondacholapuram.
Notice the way in
which the roof tapers.
Also look at the
elaborate stone
sculptures used to
decorate the outer
walls.
NEW KINGS AND
KINGDOMS
24 OUR PASTS  II
went to maintain all the specialists who worked at
the temple and very often lived near it  priests,
garland  makers,  cooks,  sweepers,  musicians,
dancers, etc. In other words, temples were not
only  places  of  worship;  they  were  the  hub  of
economic, social and cultural life as well.
Amongst the crafts associated with temples,
the making of bronze images was the most
distinctive.  Chola  bronze  images  are
considered amongst the finest in the world.
While most images were of deities,
sometimes images were made of
devotees as well.
Agriculture  and  irrigation Agriculture  and  irrigation Agriculture  and  irrigation Agriculture  and  irrigation Agriculture  and  irrigation
Many of the achievements of the
Cholas were made possible through
new developments in agriculture. Look
at Map 2 again.  Notice that the river Kaveri
branches off into several small channels before
emptying  into  the  Bay  of  Bengal.  These
channels  overflow  frequently,  depositing
fertile  soil  on  their  banks.  Water  from  the
channels  also  provides  the  necessary
moisture  for  agriculture,  particularly  the
cultivation of rice.
Although  agriculture  had  developed
earlier in other parts of Tamil Nadu, it was
only from the fifth or sixth century that this
area  was  opened  up  for  large-scale
cultivation.  Forests  had  to  be  cleared  in
some  regions;  land  had  to  be  levelled  in
other  areas.  In  the  delta  region
embankments  had  to  be  built  to  prevent
Fig. 4
A Chola Bronze Sculpture.
Notice how carefully it is decorated.
To find out how these images were made, see Chapter 6.
25
flooding  and  canals  had  to  be  constructed  to  carry
water to the fields. In many areas two crops were grown
in a year.
In  many  cases  it  was  necessary  to  water  crops
artificially. A variety of methods were used for irrigation.
In  some  areas  wells  were  dug.  In  other  places  huge
tanks were constructed to collect rainwater. Remember
that  irrigation  works  require  planning    organising
labour and resources, maintaining these works and
deciding on how water is to be shared. Most of the new
rulers, as well as people living in villages, took an active
interest in these activities.
The  administration  of  the  empire The  administration  of  the  empire The  administration  of  the  empire The  administration  of  the  empire The  administration  of  the  empire
How was the administration organised? Settlements
of  peasants,  known  as  ur,  became  prosperous
with  the  spread  of  irrigation  agriculture.  Groups
of such villages formed larger units called  nadu.
The  village  council  and  the  nadu  had  several
administrative  functions  including  dispensing
justice and collecting taxes.
Rich  peasants  of  the  Vellala  caste  exercised
considerable control over the affairs of the nadu under
the supervision of the central Chola government. The
Chola  kings  gave  some  rich  landowners  titles  like
muvendavelan (a velan or peasant serving three kings),
araiyar (chief), etc. as markers of respect, and entrusted
them with important offices of the state at the centre.
Fig. 5
A ninth century sluice-
gate in Tamil Nadu.
It regulated the outflow
of water from a tank
into the channels that
irrigated the fields.
NEW KINGS AND
KINGDOMS
26 OUR PASTS  II
Types of land
Chola inscriptions mention several categories of land.
vellanvagai
land of non-Brahmana peasant proprietors
brahmadeya
land gifted to Brahmanas
shalabhoga
land for the maintenance of a school
devadana, tirunamattukkani
land gifted to temples
pallichchhandam
land donated to Jaina institutions
We have seen that Brahmanas often received land
grants or brahmadeya. As a result, a large number of
Brahmana settlements emerged in the Kaveri valley as
in other parts of south India.
Each brahmadeya was looked after by an assembly
or sabha of prominent Brahmana landholders. These
assemblies worked very efficiently. Their decisions were
recorded in detail in inscriptions, often on the stone
walls  of  temples.  Associations  of  traders  known  as
nagarams also occasionally performed administrative
functions in towns.
Inscriptions  from  Uttaramerur  in  Chingleput
district,  Tamil  Nadu,  provide  details  of  the  way  in
which  the  sabha  was  organised.  The  sabha  had
separate  committees  to  look  after  irrigation  works,
gardens, temples, etc. Names of those eligible to be
members of these committees were written on small
tickets of palm leaf and kept in an earthenware pot,
from which a young boy was asked to pick the tickets,
one by one for each committee.
27
Do you think
women
participated in
these assemblies?
In your view are
lotteries useful in
choosing members
of committees?
Were there any
Brahmanas in this
hamlet?
Describe all the
activities that were
taking place
in the village?
Why do you
think temple
inscriptions ignore
these activities?
 Inscriptions and texts
The working of a sabha according to the Uttaramerur
inscription:
All those who wish to become members of the sabha should be
owners of land from which land revenue is collected.
They should have their own homes.
They should be between 35 and 70 years of age.
They should have knowledge of the Vedas.
They  should  be  well-versed  in  administrative  matters
and honest.
If  anyone  has  been  a  member  of  any  committee  in  the  last
three years, he cannot become a member of another committee.
Anyone who has not submitted his accounts, as well as those
of his relatives, cannot contest the elections.
While inscriptions tell us about kings and powerful men,
here is an excerpt from the Periyapuranam, a twelfth-
century Tamil work, which informs us about  the lives of
ordinary men and women.
On the outskirts of Adanur was a small hamlet of Pulaiyas
(a  name  used  for  a  social  group  considered  outcastes  by
Brahmanas and Vellalas), studded with small huts under old
thatches  and  inhabited  by  agrarian  labourers  engaged  in
menial occupations. In the thresholds of the huts covered with
strips of leather, little chickens moved about in groups; dark
children  who  wore  bracelets  of  black  iron  were  prancing
about, carrying little puppies  In the shade of the marudu
(arjuna) trees, a female labourer put her baby to sleep on a
sheet of leather; there were mango trees from whose branches
drums were hanging; and under the coconut palms, in little
hollows on the ground, tiny-headed bitches lay after whelping.
The red-crested cocks crowed before dawn calling the brawny
Pulaiyar (plural) to their days work; and by day, under the
shade of the kanji tree spread the voice of the wavy-haired
Pulaiya women singing as they were husking paddy 
?
?
NEW KINGS AND
KINGDOMS
28 OUR PASTS  II
Imagine Imagine Imagine Imagine Imagine
You are present in an election for a sabha.
Describe what you see and hear.
Lets  recall Lets  recall Lets  recall Lets  recall Lets  recall
1. Match the following
Gurjara-Pratiharas Western Deccan
Rashtrakutas Bengal
Palas Gujarat and Rajasthan
Cholas Tamil Nadu
2. Who  were  the  parties  involved  in  the  tripartite
struggle?
3. What  were  the  qualifications  necessary  to  become
a  member  of  a  committee  of  the  sabha  in  the
Chola Empire?
In China, an empire was established under the Tang dynasty, which
remained in power for about 300 years (from the seventh to the
tenth centuries). Its capital, Xian, was one of the largest cities in
the world, visited by Turks, Iranians, Indians, Japanese and Koreans.
The Tang empire was administered by a bureaucracy recruited
through  an  examination,  which  was  open  to  all  who  wished  to
appear for it. This system of selecting officials remained in place,
with some changes, till 1911.
In what ways was this system different from those prevalent in
the Indian subcontinent?
China  under  the  Tang  dynasty
29
4. What were the two major cities under the control of
the Chahamanas?
Lets  understand Lets  understand Lets  understand Lets  understand Lets  understand
5. How did the Rashtrakutas become powerful?
6. What did the new dynasties do to gain acceptance?
7. What kind of irrigation works were developed in the
Tamil region?
8. What were the activities associated with Chola temples?
Lets  discuss Lets  discuss Lets  discuss Lets  discuss Lets  discuss
9. Look at Map 1 once more and find out whether there
were any kingdoms in the state in which you live.
10. Contrast the elections in Uttaramerur with present-
day panchayat elections.
Lets  do Lets  do Lets  do Lets  do Lets  do
11. Compare the temple shown in this chapter with any
present-day  temple  in  your  neighbourhood,
highlighting  any  similarities  and  differences  that
you notice.
12. Find out more about taxes that are collected at present.
Are these in cash, kind, or labour services?
KEYWORDS
samanta
temple
nadu
sabha
iqta
tarikh
garrison
Mongols
gender
kharaj
45
R
uling as large a territory as the Indian subcontinent
 with such a diversity of people and cultures was
an extremely difficult task for any ruler to accomplish
in  the  Middle  Ages.  Quite  in  contrast  to  their
predecessors,  the  Mughals  created  an  empire  and
accomplished what had hitherto seemed possible for
only short periods of time. From the latter half of the
sixteenth century they expanded their kingdom from
Agra and Delhi until in the seventeenth century they
controlled nearly all of the subcontinent. They imposed
structures of administration and ideas of governance
that outlasted their rule, leaving a political legacy that
succeeding rulers of the subcontinent could not ignore.
Today the Prime Minister of India addresses the nation
from the ramparts of the Red Fort in Delhi, the residence
of the Mughal emperors, on Independence Day.
4
THE CREATION OF AN EMPIRE:
The  Mughal  Dynasty
THE MUGHAL DYNASTY
Fig. 1
The Red Fort.
46 OUR PASTS  II
Who were the Mughals?
The Mughals were descendants of two great lineages of
rulers. From their mothers side they were descendants
of Genghis Khan (died 1227), ruler of the Mongol tribes,
China and Central Asia. From their fathers side they
were the successors of Timur (died 1404), the ruler of
Iran,  Iraq  and  modern-day  Turkey.  However,  the
Mughals did not like to be called Mughal or Mongol.
This  was  because  Genghis  Khans  memory  was
associated with the massacre of innumerable people.
It  was  also  linked  with  the  Uzbegs,  their  Mongol
competitors.  On  the  other  hand,  the  Mughals  were
Fig. 2
A miniature painting (dated 1702-1712) of Timur, his descendants
and the Mughal emperors. Timur is in the centre and on his right is
his son Miran Shah (the first Mughal emperor Baburs great-great-
grandfather) and then Abu Said (Baburs grandfather). To the left of
Timur are Sultan Muhammad Mirza (Baburs great-grandfather) and
Umar Shaikh (Baburs father). The Mughal emperors Babur, Akbar
and Shah Jahan are the third, fourth and fifth individuals on
Timurs right and on his left, in the same order, are Humayun,
Jahangir and Aurangzeb.
Do you think this
painting suggests
that the Mughals
claimed kingship
as a birthright?
?
47
proud of their Timurid ancestry, not least of all because
their great ancestor had captured Delhi in 1398.
They celebrated their genealogy pictorially, each ruler
getting a picture made of Timur and himself.  Take a
look  at  Figure  1,  which  is  somewhat  like  a  group
photograph.
Mughal military
campaigns
Babur, the first Mughal emperor (1526-
1530),  succeeded  to  the  throne  of
Ferghana in 1494 when he was only
12  years  old.  He  was  forced  to  leave
his ancestral throne due to the invasion
of another Mongol group, the Uzbegs.
After  years  of  wandering  he  seized
Kabul in 1504. In 1526 he defeated the
Sultan  of  Delhi,  Ibrahim  Lodi,  at
Panipat and captured Delhi and Agra.
Table  1  charts  some  of  the  major
campaigns of the Mughals. Study it carefully and see if
you can notice any long-term patterns. You will notice,
for  example,  that  the
Afghans  were  an
immediate  threat  to
Mughal authority.  Note
the relationship between
the  Mughals  and  the
Ahoms (see also Chapter
7),  the  Sikhs    (see  also
Chapters 8 and 10), and
Mewar and Marwar (see
also  Chapter  9).    How
was  Humayun s
relationship with Safavid
Iran  different  from
Akbar s?    Did  the
annexation  of  Golconda
and  Bijapur  in
Aurangzebs  reign  end
hostilities in the Deccan?
Fig. 3
Mughal army on
campaign.
Fig. 4
Cannons were an
important addition in
sixteenth century
warfare. Babur used
them effectively at the
first battle of Panipat.
THE MUGHAL DYNASTY
48 OUR PASTS  II
Table  1 Table  1 Table  1 Table  1 Table  1
mughal  emperors
Major campaigns and events
1526    defeated  Ibrahim  Lodi  and  his  Afghan  supporters  at
Panipat.
1527    defeated  Rana  Sanga,  Rajput  rulers  and  allies  at
Khanua.
1528    defeated  the  Rajputs  at  Chanderi.
Established  control  over  Agra  and  Delhi  before  his  death.
BABUR BABUR BABUR BABUR BABUR  1526-1530 1526-1530 1526-1530 1526-1530 1526-1530
  AKBAR AKBAR AKBAR AKBAR AKBAR
1556-1605 1556-1605 1556-1605 1556-1605 1556-1605
Akbar  was  13  years  old  when  he  became  emperor.  His
reign  can  be  divided  into  three  periods.
(1)  1556-1570    Akbar  became  independent  of  the  regent
Bairam  Khan  and  other  members  of  his  domestic  staff.
Military  campaigns  were  launched  against  the  Suris  and
other  Afghans,  against  the  neighbouring  kingdoms  of
Malwa  and  Gondwana,  and  to  suppress  the  revolt  of  his
half-brother  Mirza  Hakim  and  the  Uzbegs.  In  1568  the
Sisodiya  capital  of  Chittor  was  seized  and  in  1569
Ranthambhor.
(2)  1570-1585    military  campaigns  in  Gujarat  were
followed  by  campaigns  in  the  east  in  Bihar,  Bengal  and
Orissa.  These  campaigns  were  complicated  by  the
1579-1580  revolt  in  support  of  Mirza  Hakim.
(3)  1585-1605    expansion  of  Akbars  empire.  Campaigns  in
the  north-west.  Qandahar  was  seized  from  the  Safavids,
Kashmir  was  annexed,  as  also  Kabul,  after  the  death  of
Mirza  Hakim.  Campaigns  in  the  Deccan  started  and  Berar,
Khandesh  and  parts  of  Ahmadnagar  were  annexed.
In  the  last  years  of  his  reign  Akbar  was  distracted  by  the
rebellion  of  Prince  Salim,  the  future  Emperor  Jahangir.
HUMAYUN HUMAYUN HUMAYUN HUMAYUN HUMAYUN  1530-1540,  1555-1556 1530-1540,  1555-1556 1530-1540,  1555-1556 1530-1540,  1555-1556 1530-1540,  1555-1556
(1)  Humayun  divided  his  inheritance  according  to  the  will
of  his  father.  His  brothers  were  each  given  a  province.
The  ambitions  of  his  brother  Mirza  Kamran  weakened
Humayuns  cause  against  Afghan  competitors.  Sher  Khan
defeated  Humayun  at  Chausa  (1539)  and  Kanauj  (1540),
forcing  him  to  flee  to  Iran.
(2)  In  Iran  Humayun  received  help  from  the  Safavid  Shah.
He  recaptured  Delhi  in  1555  but  died  in  an  accident  the
following  year.
49
Jahangir  1605-1627 Jahangir  1605-1627 Jahangir  1605-1627 Jahangir  1605-1627 Jahangir  1605-1627
Military  campaigns  started  by  Akbar  continued.
The  Sisodiya  ruler  of  Mewar,  Amar  Singh,  accepted
Mughal  service.  Less  successful  campaigns  against
the  Sikhs,  the  Ahoms  and  Ahmadnagar  followed.
Prince  Khurram,  the  future  Emperor  Shah  Jahan,
rebelled  in  the  last  years  of  his  reign.  The  efforts  of
Nur  Jahan,  Jahangirs  wife,  to  marginalise  him  were
unsuccessful.
Shah  Jahan  1627-1658 Shah  Jahan  1627-1658 Shah  Jahan  1627-1658 Shah  Jahan  1627-1658 Shah  Jahan  1627-1658
Mughal  campaigns  continued  in  the  Deccan  under
Shah  Jahan.  The  Afghan  noble  Khan  Jahan  Lodi
rebelled  and  was  defeated.  Campaigns  were  launched
against  Ahmadnagar;  the  Bundelas  were  defeated  and
Orchha  seized.  In  the  north-west,  the  campaign  to  seize
Balkh  from  the  Uzbegs  was  unsuccessful  and
Qandahar  was  lost  to  the  Safavids.  In  1632
Ahmadnagar  was  finally  annexed  and  the  Bijapur
forces  sued  for  peace.  In  1657-1658,  there  was  conflict
over  succession  amongst  Shah  Jahans  sons.
Aurangzeb  was  victorious  and  his  three  brothers,
including  Dara  Shukoh,  were  killed.  Shah  Jahan  was
imprisoned  for  the  rest  of  his  life  in  Agra.
Aurangzeb  1658-1707 Aurangzeb  1658-1707 Aurangzeb  1658-1707 Aurangzeb  1658-1707 Aurangzeb  1658-1707
(1)  In  the  north-east,  the  Ahoms  were  defeated  in  1663,  but  rebelled  again  in
the  1680s.  Campaigns  in  the  north-west  against  the  Yusufzai  and  the  Sikhs
were  temporarily  successful.  Mughal  intervention  in  the
succession  and  internal  politics  of  the  Rathor  Rajputs  of
Marwar  led  to  their  rebellion.  Campaigns  against  the
Maratha  chieftain  Shivaji  were  initially  successful.  But
Aurangzeb  insulted  Shivaji  who  escaped  from  Agra,
declared  himself  an  independent  king  and  resumed  his
campaigns  against  the  Mughals.  Prince  Akbar  rebelled
against  Aurangzeb  and  received  support  from  the
Marathas  and  Deccan  Sultanate.  He  finally  fled  to
Safavid  Iran.
(2)  After  Akbars  rebellion  Aurangzeb  sent  armies  against
the  Deccan  Sultanates.  Bijapur  was  annexed  in  1685  and
Golcunda  in  1687.  From  1698  Aurangzeb  personally
managed  campaigns  in  the  Deccan  against  the  Marathas
who  started  guerrilla  warfare.  Aurangzeb  also  had  to  face  the
rebellion  in  north  India  of  the  Sikhs,  Jats  and  Satnamis,  in  the  north-east
of  the  Ahoms  and  in  the  Deccan  of  the  Marathas.  His  death    was  followed
by  a  succession  conflict  amongst  his  sons.
THE MUGHAL DYNASTY
50 OUR PASTS  II
Mughal traditions of succession
The Mughals did not believe in the rule of primogeniture,
where the eldest son inherited his fathers estate. Instead
they  followed  the  Mughal  and  Timurid  custom  of
coparcenary inheritance, or a division of the inheritance
amongst all the sons. Follow the highlighted passages
in  Table  1,  and  note  the  evidence  for  rebellions
by  Mughal  princes.  Which  do  you  think  is  a  fairer
division of inheritance: primogeniture or coparcenary ?
Mughal relations with other rulers
Take a look at Table 1 once again. You will notice that
the  Mughal  rulers  campaigned  constantly  against
rulers who refused to accept their authority. But as
the Mughals became powerful many other rulers also
joined  them  voluntarily.  The  Rajputs  are  a  good
example of this. Many of them married their daughters
into Mughal families and received high positions. But
many resisted as well.
Mughal marriages
with the Rajputs
The  mother  of
Jahangir  was
a  Kachhwaha
princess,  daughter
of  the  Rajput  ruler
of  Amber  (modern
day  Jaipur).  The
mother  of  Shah
Jahan was a Rathor
princess,  daughter
of  the  Rajput  ruler
of Marwar (Jodhpur).
Map 1 Map 1 Map 1 Map 1 Map 1
Akbars reign 1605
51
Zat ranking
Nobles  with  a  zat
of  5,000  were
ranked higher than
those  of  1,000.
In  Akbars  reign
there  were  29
mansabdars with a
rank of 5,000 zat;
by  Aurangzebs
reign  the  number
of  mansabdars
had  increased    to
79.  Would  this
have  meant  more
expenditure  for
the state?
The  Sisodiya  Rajputs  refused  to  accept  Mughal
authority for a long time. Once defeated, however, they
were honourably treated by the Mughals, given their
lands (watan) back as assignments (watan jagir). The
careful balance between defeating but not humiliating
their opponents enabled the Mughals to extend their
influence over many kings and chieftains. But it was
difficult to keep this balance all the time. Look at Table
1 again  note that Aurangzeb insulted Shivaji when he
came  to  accept  Mughal  authority.  What  was  the
consequence of this insult?
Mansabdars  and  jagirdars
As the empire expanded to encompass different regions
the Mughals recruited diverse bodies of people. From
a  small  nucleus  of  Turkish  nobles  (Turanis)  they
expanded  to  include  Iranians,  Indian  Muslims,
Afghans, Rajputs, Marathas and other groups. Those
who  joined  Mughal  service  were  enrolled  as
mansabdars.
The  term  mansabdar  refers  to  an  individual  who
holds a mansab, meaning a position or rank. It was a
grading system used by the Mughals to fix (1) rank,
(2) salary and (3) military responsibilities. Rank and
salary were determined by a numerical value called zat.
The higher the zat, the more prestigious was the nobles
position in court and the larger his salary.
The mansabdars military responsibilities required
him  to  maintain  a  specified  number  of  sawar  or
cavalrymen. The mansabdar brought his cavalrymen
for review, got them registered, their horses branded
and then received money to pay them as salary.
Mansabdars  received  their  salaries  as  revenue
assignments called jagirs which were somewhat like
iqtas.  But  unlike  muqtis,  most  mansabdars  did  not
actually reside in or administer their jagirs. They only
had rights to the revenue of their assignments which
was  collected  for  them  by  their  servants  while  the
THE MUGHAL DYNASTY
52 OUR PASTS  II
mansabdars  themselves
served in some other part of
the country.
In  Akbars  reign  these
jagirs  were  carefully
assessed  so  that  their
revenues  were  roughly
equal  to  the  salary  of  the
mansadar.  By  Aurangzebs
reign this was no longer the
case and the actual revenue
collected was often less than the granted sum. There
was also a huge increase in the number of mansabdars
which meant a long wait before they received a jagir.
These  and  other  factors  created  a  shortage  in  the
number  of  jagirs.  As  a  result,  many  jagirdars  tried
to extract as much revenue as possible while they had
a  jagir.  Aurangzeb  was  unable  to  control  these
developments  in  the  last  years  of  his  reign  and  the
peasantry therefore suffered tremendously.
Zabt and zamindars
The main source of income available to Mughal rulers
was tax on the produce of the peasantry. In most places,
peasants paid taxes through the rural elites, that is,
the headman or the local chieftain. The Mughals
used  one  term    zamindars    to  describe  all
intermediaries, whether they were local headmen
of villages or powerful chieftains.
Akbars revenue minister, Todar Mal, carried
out  a  careful  survey  of  crop  yields,  prices
and  areas  cultivated  for  a  ten-year  period,
1570-1580. On the basis of this data, tax was
fixed  on  each  crop  in  cash.  Each  province
was divided into revenue circles with its own
schedule  of  revenue  rates  for  individual
crops. This revenue system was known as
zabt. It was prevalent in those areas where
Mughal administrators could survey the land
Fig. 5
A mansabdar on
march with his
sawars.
Fig. 6
Details from a
miniature from Shah
Jahans reign depicting
corruption in his
fathers administration.
(1) A corrupt officer
recieves a bribe and
(2) a tax-collector
punishes poor
peasants.
53
and keep very careful accounts. This was not possible
in provinces such as Gujarat and Bengal.
In some areas the zamindars exercised a great deal
of power. The exploitation by Mughal administrators
could drive them to rebellion. Sometimes zamindars
and peasants of the same caste allied in rebelling against
Mughal authority. These peasant revolts challenged the
stability  of  the  Mughal  Empire  from  the  end  of  the
seventeenth century.
 Akbar Nama and Ain- i Akbari
Akbar ordered one of his close friends and
courtiers, Abul Fazl, to write a history of his
reign. Abul Fazl wrote a three volume history
of Akbars reign titled, Akbar Nama. The first
volume dealt with Akbars ancestors and the
second  volume  recorded  the  events  of
Akbars reign. The third volume is the Ain-i
Akbari. It deals with Akbars administration,
household, army, the revenues and geography
of  his  empire.  It  also  provides  rich  details
about the traditions and culture of the people
living in India. The most interesting aspect
about the Ain-i Akbari is its rich statistical
details  about  things  as  diverse  as  crops,
yields, prices, wages and revenues.
A closer lookAkbars policies
The broad features of administration were laid down
by Akbar and were elaborately discussed by Abul Fazl
in his book the Akbar Nama, in particular in its last
volume, the Ain-i Akbari.
Abul Fazl explained that the empire was divided into
provinces  called  subas,  governed  by  a  subadar  who
carried out both political and military functions. Each
province also had a financial officer or diwan. For the
maintenance of peace and order in his province, the
subadar was supported by other officers such as the
Fig. 7
Akbar recieving the Akbar Nama
from Abul Fazl.
THE MUGHAL DYNASTY
54 OUR PASTS  II
military paymaster (bakhshi), the minister in charge of
religious  and  charitable  patronage  (sadr),  military
commanders (faujdars) and the town police commander
(kotwal).
Nur Jahans influence in Jahangirs court
Mehrunnisa, married the Emperor Jahangir
in 1611 and received the title Nur Jahan.
She  remai ned  extremel y  l oyal   and
supportive to the monarch. As a mark of
honour, Jahangir struck silver coins bearing
his own titles on one side and on the other
the inscription struck in the name of the
Queen Begum, Nur Jahan.
The  adjoining  document  is  an  order
(farman) of Nur Jahan. The square seal states,
Command  of  her  most  Subl i me  and
Elevated Majesty Nur Jahan Padshah Begum.
The round seal states, by the sun of Shah
Jahangir she became as brilliant as the moon; may
Nur Jahan Padshah be the lady of the age.
Akbars nobles commanded large armies and had
access to large amounts of revenue. While they were
loyal the empire functioned efficiently but by the end of
the  seventeenth  century  many  nobles  had  built
independent networks of their own. Their loyalties to
the empire were weakened by their own self-interest.
While Akbar was at Fatehpur Sikri during the 1570s
he  started  discussions  on  religion  with  the  ulama,
Brahmanas, Jesuit priests who were Roman Catholics,
and Zoroastrians. These discussions took place in the
ibadat khana.  He was interested in the religion and
social customs of different people. It made him realise
that  religious  scholars  who  emphasised  ritual  and
dogma dogma dogma dogma dogma  were  often  bigots bigots bigots bigots bigots.  Their  teachings  created
divisions and disharmony amongst his subjects. This
eventually  led  Akbar  to  the  idea  of  sulh-i  kul  or
Dogma Dogma Dogma Dogma Dogma
A statement or an
interpretation
declared as
authoritative with
the expectation
that it would be
followed without
question
Bigot Bigot Bigot Bigot Bigot
An individual who
is intolerant of
another persons
religious beliefs or
culture
Fig. 8
Nur Jahans  farman.
55
?
universal  peace.  This  idea  of  tolerance  did  not
discriminate between people of different religions in
his realm. Instead it focused on a system of ethics 
honesty,  justice,  peace    that  was  universally
applicable. Abul Fazl helped Akbar in framing a vision
of  governance  around  this  idea  of  sulh-i  kul.  This
principle of governance was followed by Jahangir and
Shah Jahan as well.
sulh- i kul
Jahangir, Akbars son, described his fathers policy of
sulh-i kul in the following words:
As in the wide expanse of the divine compassion there is room
for  all  classes  and  the  followers  of  all  creeds,  so    in  his
Imperial dominions, which on all sides were limited only  the
sea, there was room for the professors of opposite religions,
and for beliefs, good and bad, and the road to intolerance was
closed. Sunnis and Shias met in one mosque and Christians
and Jews in one church to pray. He consistently followed the
principle of universal peace (sulh-i kul).
Fig. 9
Akbar holding
discussions with
learned individuals of
different faiths in the
ibadat khana.
Can you identify
the Jesuit priests
in this picture?
THE MUGHAL DYNASTY
56 OUR PASTS  II
The mughal empire in the
seventeenth century and after
The administrative and military efficiency of the Mughal
Empire  led  to  great  economic  and  commercial
prosperity. International travellers described it as the
fabled land of wealth. But these same visitors were also
appalled  at  the  state  of  poverty  that  existed  side  by
side with the greatest opulence. The inequalities were
glaring. Documents from the twentieth year of Shah
Jahans  reign  inform  us  that  the  highest  ranking
mansabdars were only 445 in number out of a total of
8,000. This small number  a mere 5.6 per cent of the
total number of mansabdars  received 61.5 per cent
of the total estimated revenue of the empire as salaries
for themselves and their troopers.
The Mughal emperors and their mansabdars spent
a  great  deal  of  their  income  on  salaries  and  goods.
This expenditure benefited the artisans and peasantry
who supplied them with goods and produce. But the
scale of revenue collection left very little for investment
in the hands of the primary producers  the peasant
and  the  artisan.  The  poorest  amongst  them  lived
from hand to mouth and they could hardly consider
investing in additional resources  tools and supplies
 to increase productivity. The wealthier peasantry and
artisanal groups, the merchants and bankers profited
in this economic world.
The  enormous  wealth  and  resources  commanded
by the Mughal elite made them an extremely powerful
group of people in the late seventeenth century. As the
authority of the Mughal emperor slowly declined, his
servants emerged as powerful centres of power in the
regions.  They  constituted  new  dynasties  and  held
command  of  provinces  like  Hyderabad  and  Awadh.
Although  they  continued  to  recognise  the  Mughal
emperor in Delhi as their master, by the eighteenth
century the provinces of the empire had consolidated
their independent political identities. We will read more
about them in Chapter 10.
57
Imagine Imagine Imagine Imagine Imagine
Babur and Akbar were about your age when
they  became  rulers.  Imagine  you  have
inherited a kingdom. How would you make
your kingdom stable and prosperous?
Queens  and  kings
There  were  several  great  monarchs    all  near  contemporaries    in
different parts of the world in the sixteenth century.
These included Queen Elizabeth I (1558-1603) of England. Elizabeth
was the last ruler of a dynasty known as the Tudors. Elizabeths rule
was  marked  by  several  conflicts    foremost  amongst  these  were
conflicts  between  the  Roman  Catholic  Church  and  the  Protestants,
who were attempting to reform the Church. Elizabeth sided with the
latter, and tried to establish the independence of the Church of England
from  Roman  control,  even  as  she  adopted  several  practices  of  the
Roman  Church.  She  came  into  conflict  with  Philip  II,  the  powerful
ruler of Spain, and defeated a Spanish effort to attack England. Under
her patronage English sailors harassed the Spanish fleet and made it
difficult  for  them  to  control  the  wealth  of  the  Americas.  She  was  a
great patron of the arts and supported the famous English playwright
William  Shakespeare.  A  poet  named  Edmund  Spenser  wrote  a  long
epic poem called The Faerie Queene in her praise.
Find  out  more  about  Akbars  other  contemporaries    the  ruler  of
Ottoman Turkey, Sultan Suleyman, also known as  al-Qanuni  or  the
lawgiver  (1520-1566);  the  Safavid  ruler  of  Iran,  Shah  Abbas  (1588-
1629);  and  the  more  controversial  Russian  ruler,  Czar  Ivan  IV
Vasilyevich,  also  called  Ivan  the  terrible  (1530-1584).
Lets  recall Lets  recall Lets  recall Lets  recall Lets  recall
1. Match the following
mansab Marwar
Mongol governor
Sisodiya Rajput Uzbeg
Rathor Rajput Mewar
Nur Jahan Babur
subadar rank
THE MUGHAL DYNASTY
58 OUR PASTS  II
2. Fill in the blanks
(a) The capital of Mirza Hakim, Akbars half-brother,
was____________.
(b) The five Deccan Sultanates were Berar, Khandesh,
Ahmadnagar,  _____________  and
_________________.
(c) If zat determined a mansabdars rank and salary,
sawar indicated his ____________ .
(d) Abul Fazl, Akbars friend and counsellor, helped
him  frame  the  idea  of  ____________________
so  that  he  could  govern  a  society  composed  of
many religions, cultures and castes.
3. What were the central provinces under the control of
the Mughals?
4. What  was  the  relationship  between  the  mansabdar
and the jagir?
Lets  understand Lets  understand Lets  understand Lets  understand Lets  understand
5. What  was  the  role  of  the  zamindar  in  Mughal
administration?
6. How were the debates with religious scholars important
in the formation of Akbars ideas on governance?
7. Why  did  the  Mughals  emphasise  their  Timurid  and
not their Mughal descent?
KEYWORDS
Mughal
mansab
jagir
zat
sawar
sulh-i kul
primogeniture
coparcenary
zabt
zamindar
59
Lets  discuss Lets  discuss Lets  discuss Lets  discuss Lets  discuss
8. How important was the income from land revenue to
the stability of the Mughal Empire?
9. Why  was  it  important  for  the  Mughals  to  recruit
mansabdars from diverse backgrounds and not just
Turanis and Iranis?
10. Like the Mughal Empire, India today is also made up
of  many  social  and  cultural  units.  Does  this  pose  a
challenge to national integration?
11. Peasants  were  vital  for  the  economy  of  the  Mughal
Empire. Do you think that they are as important today?
Has the gap in the income between the rich and the
poor in India changed a great deal from the period of
the Mughals?
Lets  do Lets  do Lets  do Lets  do Lets  do
12. The  Mughal  Empire  left  its  impact  on  the  different
regions of the subcontinent in a variety of ways. Find
out if it had any impact in the city/village/region in
which you live.
THE MUGHAL DYNASTY
59
Lets  discuss Lets  discuss Lets  discuss Lets  discuss Lets  discuss
8. How important was the income from land revenue to
the stability of the Mughal Empire?
9. Why  was  it  important  for  the  Mughals  to  recruit
mansabdars from diverse backgrounds and not just
Turanis and Iranis?
10. Like the Mughal Empire, India today is also made up
of  many  social  and  cultural  units.  Does  this  pose  a
challenge to national integration?
11. Peasants  were  vital  for  the  economy  of  the  Mughal
Empire. Do you think that they are as important today?
Has the gap in the income between the rich and the
poor in India changed a great deal from the period of
the Mughals?
Lets  do Lets  do Lets  do Lets  do Lets  do
12. The  Mughal  Empire  left  its  impact  on  the  different
regions of the subcontinent in a variety of ways. Find
out if it had any impact in the city/village/region in
which you live.
THE MUGHAL DYNASTY
60
F
igure 1 shows the first balcony of the Qutb Minar.
Qutbuddin  Aybak  had  this  constructed  around
1199.  Notice  the  pattern  created  under  the  balcony
by the small arches and geometrical designs. Can you
find  two  bands  of  inscriptions  under  the  balcony?
These are in Arabic. Notice that the surface of the minar
is curved and angular. Placing an inscription on such
a  surface  required  great  precision.  Only  the  most
skilled  craftsperson  could  perform  this  task.
Remember that very few buildings were made of stone
or  brick  800  years  ago.  What  would  have  been  the
impact of a building like the Qutb Minar on observers
in the thirteenth century?
Between  the  eighth  and  the  eighteenth  centuries
kings and their officers built two kinds of structures:
5
RULERS AND BUILDINGS
inar is five
. The band
ns you
er its
y.
or was
by
Aybak and
tutmish
9. Over the
damaged
and
s and
Alauddin
ammad
uz Shah
d
i.
61
the first were forts, palaces and tombs  safe, protected
and grandiose places of rest in this world and the next;
the second were structures meant for public activity
including  temples,  mosques,  tanks,  wells,  caravan
serais and bazaars. Kings were expected to care for their
subjects, and by making structures for their use and
comfort, rulers hoped to win their praise. Construction
activity  was  also  carried  out  by  others,  including
merchants.  They  built  temples,  mosques  and  wells.
However,  domestic  architecture    large  mansions
(havelis)  of  merchants    has  survived  only  from  the
eighteenth century.
Engineering Skills and Construction
Monuments provide an insight into the technologies
used for construction. Take something like a roof for
example. We can make this by placing wooden beams
or  a  slab  of  stone  across  four  walls.  But  the  task
becomes difficult if we want to make a large room with
an  elaborate  superstructure superstructure superstructure superstructure superstructure.  This  requires  more
sophisticated skills.
Between the seventh and tenth centuries architects
started  adding  more  rooms,  doors  and  windows  to
buildings. Roofs, doors and windows were still made
by  placing  a  horizontal  beam  across  two  vertical
columns,  a  style  of  architecture  called  trabeate  or
corbelled. Between the eighth and thirteenth centuries
the  trabeate  style  was  used  in  the  construction  of
temples, mosques, tombs and in buildings attached to
large stepped-wells (baolis).
Labour for the
Agra Fort
Built by Akbar, the
Agra Fort required
2,000 stone-cutters,
2,000 cement and
lime-makers  and
8,000 labourers.
Fig. 2a
Screen in the Quwwat
al-Islam mosque, Delhi
(late twelfth century).
Fig. 2b
Corbelled technique
used in the
construction of an arch.
Superstructure Superstructure Superstructure Superstructure Superstructure
The part of a
building above the
ground floor.
RULERS AND BUILDINGS
Fig. 2a Fig. 2b
62
rences
tice
he
of the
es? Can
out that
ra of the
vara
twice as
at of the
?
Fig. 4
The Rajarajeshvara temple at Thanjavur had the tallest shikhara
amongst temples of its time. Constructing it was not easy
because there were no cranes in those days and
the 90 tonne stone for the top of the shikhara
was too heavy to lift manually. So the architects
built an inclined path to the top of the temple,
placed the boulder on rollers and rolled it all
the way to the top. The path started more
than four kilometres away so that it
would not be too steep. This was
dismantled after the temple was
constructed. But the residents
of the area remembered the
experience of the
construction of the
temple for a long time.
Even now a village near
the temple is called
Charupallam, the
Village of the Incline.
Temple  Construction  in  the  Early  Eleventh  Century Temple  Construction  in  the  Early  Eleventh  Century Temple  Construction  in  the  Early  Eleventh  Century Temple  Construction  in  the  Early  Eleventh  Century Temple  Construction  in  the  Early  Eleventh  Century
Fig. 3a
The Kandariya Mahadeva temple
dedicated to Shiva was
constructed in 999 by King
Dhangadeva
of the Chandela dynasty.
Fig. 3b is the plan of the
temple. An ornamented
gateway led to an
entrance, and the main
hall (mahamandapa)
where dances were
performed. The image
of the chief deity
was kept in the
main shrine
(garbhagriha). This was
the place for ritual
worship where only the
king, his immediate
family and priests
gathered. The
Khajuraho complex
contained royal temples where commoners were not allowed entry.
The temples were decorated with elaborately carved sculptures.
63
?
Two technological and
stylistic developments are
noticeable from the twelfth
century. (1) The weight of
the superstructure above
the  doors  and  windows
was sometimes carried by
arches. This architectural
form was called arcuate.
Compare Figures 2a and
2b with 5a and 5b.
(2)  Limestone  cement
was  increasingly  used  in
construction. This was very
high  quality  cement,
which,  when  mixed  with
stone    chips  hardened
into  concrete.  This  made
construction  of  large
structures  easier  and
faster.  Take  a  look  at  the
construction site in Figure 6.
Describe what the
labourers are doing, the
tools shown, and the
means of carrying stones.
Building Temples, Mosques and
Tanks
Temples and mosques were beautifully constructed
because they were places of worship. They were also
meant  to  demonstrate  the  power,  wealth  and
devotion  of  the  patron.    Take  the  example  of  the
Rajarajeshvara temple. An inscription mentions that
it was built by King Rajarajadeva for the worship of
Fig. 5b
True arch; detail from
the Alai Darwaza
(early fourteenth
century). Quwwat al-
Islam mosque, Delhi.
Fig. 6
A painting from the
Akbar Nama (dated
1590-1595), showing
the construction
of the water-gate
at the Agra Fort.
RULERS AND BUILDINGS
KEYSTONE
Fig. 5a
A true arch. The keystone at
the centre of the arch transferred
the weight of the superstructure
to the base of the arch.
64
his god, Rajarajeshvaram. Notice how the name of
the ruler and the god are very similar. The king took
the gods name because it was auspicious and he
wanted to appear like a god. Through the rituals of
worship  in  the  temple  one  god  (Rajarajadeva)
honoured another (Rajarajeshvaram).
The largest temples were all constructed by kings.
The other, lesser deities in the temple were gods and
goddesses of the allies and subordinates of the ruler.
The temple was a miniature model of the world ruled
by the king and his allies. As they worshipped their
deities together in the royal temples, it seemed as if
they brought the just rule of the gods on earth.
Muslim Sultans and Padshahs did not claim to be
incarnations  of  god  but  Persian  court  chronicles
described  the  Sultan  as  the  Shadow  of  God.  An
inscription  in  the  Delhi  mosque  explained  that  God
chose Alauddin as a king because he had the qualities
of  Moses  and  Solomon,  the  great  law-givers  of  the
past.  The  greatest  law-giver  and  architect  was  God
Himself.  He  created  the  world  out  of  chaos  and
ct
l emperor
ns chro-
ared that
was  the
t  of  the
of empire
on.
mi masjid
h Jahan in
tal at
bad,
Qi bl a
(Direction  towards  Mecca)
W
65
introduced order and symmetry.
As each new dynasty came to power, kings wanted
to emphasise their moral right to be rulers. Constructing
places of worship provided rulers with the chance to
proclaim their close relationship with God, especially
important in an age of rapid political change. Rulers
also offered patronage to the learned and pious, and
tried to transform their capitals and cities into great
cultural centres that brought fame to their rule and
their realm.
It  was  widely  believed  that
the rule of a just king would be
an  age  of  plenty  when  the
heavens  would  not  withhold
rain.  At the same time, making
precious  water  available  by
constructing  tanks  and
reservoirs was highly praised.
Sultan Iltutmish won universal
respect  for  constructing  a
large  reservoir  just  outside
Dehli-i kuhna. It was called the
hauz-i  Sultani  or  the  Kings
Reservoir. Can you find it on
Map  1  in  Chapter  3?  Rulers
often  constructed  tanks  and
reservoirs  big and small  for use by ordinary people.
Sometimes these tanks and reservoirs were part of a
temple, mosque (note the small tank in the jami masjid
in  Fig.  7)  or  a  gurudwara  (a  place  of  worship  and
congregation for Sikhs, Fig. 8).
Why were Temples Destroyed?
Because  kings  built  temples  to  demonstrate  their
devotion to God and their power and wealth, it is not
surprising  that  when  they  attacked  one  anothers
kingdoms, they often targeted these buildings. In the
early ninth century when the Pandyan king Shrimara
Shrivallabha  invaded  Sri  Lanka  and  defeated  the
Importance  of
water
The  Persian  terms
abad,  populated,
prosperous,  and
abadi,  flourishing,
are  both  derived
from the word ab,
meaning water.
Fig. 8
Golden Temple with
the holy sarovar (tank)
in Amritsar.
RULERS AND BUILDINGS
66
?
king,  Sena  I  (831-851),  the  Buddhist  monk  and
chronicler  Dhammakitti  noted:  he  removed  all  the
valuables  ...  The statue of the Buddha made entirely
of gold in the Jewel Palace ...  and the golden images in
the various monasteries  all these he seized. The blow
to the pride of the Sinhalese ruler had to be avenged
and  the  next  Sinhalese  ruler,  Sena  II,  ordered  his
general to invade Madurai, the capital of the Pandyas.
The  Buddhist  chronicler  noted  that  the  expedition
made a special effort to find and restore the gold statue
of the Buddha.
Similarly  in  the  early  eleventh  century,  when  the
Chola king Rajendra I built a Shiva temple in his capital
he  filled  it  with  prized  statues  seized  from  defeated
rulers. An incomplete list included: a Sun-pedestal from
the Chalukyas, a Ganesha statue and several statues
of Durga; a Nandi statue from the eastern Chalukyas;
an image of Bhairava (a form of Shiva) and Bhairavi
from the Kalingas of Orissa; and a Kali statue from the
Palas of Bengal.
Sultan Mahmud of Ghazni was a contemporary of
Rajendra I. During his campaigns in the subcontinent
he  also  attacked  the  temples  of  defeated  kings  and
looted their wealth and idols. Sultan Mahmud was not
a very important ruler at that time. But by destroying
temples  especially the one at Somnath  he tried to
win  credit  as  a  great  hero  of  Islam.  In  the  political
culture of the Middle Ages most rulers displayed their
political might and military success by attacking and
looting the places of worship of defeated rulers.
In what ways do you think the policies of Rajendra I and
Mahmud of Ghazni were a product of their times? How
were the actions of the two rulers different?
Gardens, Tombs and Forts
Under the Mughals, architecture became more complex.
Babur,  Humayun,  Akbar,  Jahangir,  and  especially
ar bagh
a
arden at
ari, 1637.
har bagh
ns tomb,
1571.
chahar
limar
hmir,
634.
har  baghs
67
Shah  Jahan  were  personally
interested  in  literature,  art  and
architecture.  In  his
autobiography, Babur described
his interest in planning and laying
out formal gardens, placed within
rectangular  walled  enclosures
and  divided  into  four  quarters
by artificial channels.
These  gardens  were  called
chahar  bagh,  four  gardens,
because  of  their  symmetrical
division into quarters. Beginning
with  Akbar,  some  of  the  most
beautiful  chahar  baghs  were
constructed  by  Jahangir  and
Shah  Jahan    in  Kashmir,  Agra
and  Delhi (see Fig. 9).
There were several important
architectural innovations during
Akbars  reign.  For  inspiration,
Akbars architects turned to the
tombs  of  his  Central  Asian
ancestor, Timur. The central towering dome and the
tall  gateway  (pishtaq)  became  important  aspects  of
Mughal architecture, first visible in Humayuns tomb.
It was placed in the centre of a huge formal chahar
Fig. 10
A 1590 painting of
Babur laying out a
chahar bagh in
Kabul. Note how the
intersecting channels
on the path create the
characteristic chahar
bagh design.
Fig.11
Tomb of Humayun,
constructed between
1562 and 1571.
Can you see the water
channels?
RULERS AND BUILDINGS
68
bagh  and  built  in  the  tradition  known  as  eight
paradises or hasht bihisht  a central hall surrounded
by eight rooms. The building was constructed with red
sandstone, edged with white marble.
 It was during Shah Jahans reign that the different
elements of Mughal architecture were fused together in
a grand harmonious synthesis. His reign witnessed a
huge amount of construction activity especially in Agra
and Delhi. The ceremonial halls of public and private
audience (diwan-i khas or am) were carefully planned.
These courts were also described as chihil sutun or
forty-pillared halls, placed within a large courtyard.
Shah  Jahans  audience  halls  were  specially
constructed  to  resemble  a  mosque.  The  pedestal  on
which his throne was placed was frequently described
as the qibla, the direction faced by Muslims at prayer,
since everybody faced that direction when court was in
session. The idea of the king as a representative of God
on earth was suggested by these architectural features.
  The  connection  between  royal  justice  and  the
imperial court was emphasised by Shah Jahan in his
newly constructed court in the Red Fort at Delhi.  Behind
balcony
-i am in
eted
ura ra ura ra ra
hard
aced in
ns
o marble
one
eautiful,
tterns.
69
the emperors throne were a series of pietra dura pietra dura pietra dura pietra dura pietra dura inlays
that depicted the legendary Greek god Orpheus playing
the lute. It was believed that Orpheuss music could
calm  ferocious  beasts  until  they  resided  together
peaceably. The construction of Shah Jahans audience
hall aimed to communicate that the kings justice would
treat the high and the low as equals where all could
live together in harmony.
In the early years of his reign, Shah Jahans capital
was at Agra, a city where the nobility had constructed
their homes on the banks of the river Yamuna. These
were set in the midst of formal gardens constructed in
the chahar bagh format. The chahar bagh garden also
had a variation that historians describe as the river-
front garden. In this the dwelling was not located in
the middle of the chahar bagh but at its edge, close to
the bank of the river.
Shah Jahan adapted the river-front garden in the
layout of the Taj Mahal, the grandest architectural
accomplishment of his reign. Here the white marble
mausoleum was placed on a terrace by the edge of
the river and the garden was to its south. Shah Jahan
Fig. 13
The Taj Mahal at Agra,
completed in 1643.
RULERS AND BUILDINGS
70
ction from a map of the river-front garden city of Agra. Note how the garden palaces of
re placed on both banks of the Yamuna. The Taj Mahal is on the left.
e layout of Agra with Shahjahanabad in Delhi in Figure15.
f Shahjahanabad. Where is the emperors residence?
ears to be very crowded, but did you notice the many large gardens as well?
d the main street and the jami masjid?
Yamuna  River
Yam
una  R
iver
e
ahal
71
developed  this  architectural  form  as  a  means  to
control the access that nobles had to the river. In the
new city of Shahjahanabad that he constructed in
Delhi, the imperial palace commanded the river-front.
Only specially favoured nobles  like his eldest son
Dara  Shukoh    were  given  access  to  the  river.  All
others had to construct their homes in the city away
from the River Yamuna.
Region and Empire
As construction activity increased between the eighth
and eighteenth centuries there was also a considerable
sharing of ideas across regions: the traditions of one
region were adopted by another.  In Vijayanagara, for
example,  the  elephant  stables  of  the  rulers  were
strongly influenced by the style of architecture found
in the adjoining Sultanates of Bijapur and Golcunda
(see Chapter 6). In Vrindavan, near Mathura, temples
were constructed in architectural styles that were very
similar to the Mughal palaces in Fatehpur Sikri.
The creation of large empires that brought different
regions  under  their  rule  helped  in  this  cross-
fertilisation of artistic forms and architectural styles.
Fig. 16
Interior of temple of
Govind Deva in
Vrindavan, 1590.
The temple was
constructed out of red
sandstone. Notice the
two (out of four)
intersecting arches
that made the high-
ceiling roof. This style
of architecture is from
north-west Iran
(Khurasan) and was
used in Fatehpur
Sikri.
RULERS AND BUILDINGS
72
Mughal  rulers  were  particularly  skilled  in
adapting  regional  architectural  styles  in  the
construction of their own buildings. In Bengal,
for example, the local rulers had developed a
roof that was designed to resemble a thatched
hut. The Mughals liked this Bangla dome (see
Fig. ... in Chapter 9) so much that they used it
in  their  architecture.  The  impact  of  other
regions was also evident. In Akbars capital at
Fatehpur Sikri many of the buildings bear the
impact of the architectural styles of Gujarat and
Malwa.
Even  though  the  authority  of  the  Mughal
rulers  waned  in  the  eighteenth  century,  the
architectural  styles  developed  under  their
patronage were constantly used and adapted
by other rulers whenever they tried to establish
their own kingdoms.
Fig. 17
Decorated pillars and struts holding the extension of
the roof in Jodh Bai palace in Fatehpur Sikri.
These follow architectural traditions of the Gujarat region.
Churches  that  touched  the  skies
From the twelfth century onwards, attempts
began in France to build churches that were
taller and lighter than earlier buildings. This
architectural  style,  known  as  Gothic,  was
distinguished  by  high  pointed  arches,  the
use  of  stained  glass,  often  painted  with
scenes  drawn  from  the  Bible,  and  flying
buttresses. Tall spires and bell towers which
were visible from a distance were added to
the church.
One  of  the  best-known  examples  of  this
architectural  style  is  the  church  of  Notre
Dame  in  Paris,  which  was  constructed
through several decades in the twelfth and
thirteenth centuries.
Look at the illustration and try and identify
the  bell towers.
73
KEYWORDS
Go through the
chapter and make
your own list of
six keywords.
For each of these,
write a sentence
indicating
why you chose
the word.
temple towns
urbanisation
Vishwakarma
emporium
Black Town
varna
 jati
 tanda
garh
  chaurasi
  barhot
bhuiyans
 paik
 khel
buranji
census
103
7. How did tribal societies change after being organised
into a state?
Lets discuss
8. Were the Banjaras important for the economy?
9. In what ways was the history of the Gonds different
from that of the Ahoms? Were there any similarities?
Lets do
10. Plot the location of the tribes mentioned in this chapter
on a map. For any two, discuss whether their mode
of  livelihood  was  suited  to  the  geography  and  the
environment of the area where they lived.
11. Find  out  about  present-day  government  policies
towards tribal populations and organise a discussion
about these.
12. Find out more about present-day nomadic pastoral
groups  in  the  subcontinent.  What  animals  do  they
keep?  Which  are  the  areas  frequented  by  these
groups?
TRIBES, NOMADS AND
SETTLED COMMUNITIES
104 OUR PASTS  II
Y
ou  may  have  seen  people  perform  rituals  of
worship, or singing bhajans, kirtans or qawwalis,
or  even  repeating  the  name  of  God  in  silence,  and
noticed that some of them are moved to tears. Such
intense devotion or love of God is the legacy of various
kinds of bhakti and Sufi movements that have evolved
since the eighth century.
The Idea of a Supreme God The Idea of a Supreme God The Idea of a Supreme God The Idea of a Supreme God The Idea of a Supreme God
Before  large  kingdoms  emerged,  different  groups
of people worshipped their own gods and goddesses.
As people were brought together through the growth
of  towns,  trade  and  empires,  new  ideas  began  to
develop. The idea that all living things pass through
countless cycles of birth and rebirth performing good
deeds and bad came to be widely accepted. Similarly,
the idea that all human beings are not equal even at
birth gained ground during this period. The belief that
social privileges came from birth in a noble family or
a high caste was the subject of many learned texts.
Many  people  were  uneasy  with  such  ideas  and
turned to the teachings of the Buddha or the Jainas
according to which it was possible to overcome social
differences  and  break  the  cycle  of  rebirth  through
personal effort. Others felt attracted to the idea of a
Supreme God who could deliver humans from such
bondage if approached with devotion (or bhakti). This
idea, advocated in the Bhagavadgita, grew in popularity
in  the  early  centuries  of  the  Common  Era.
8
DEVOTIONAL PATHS DEVOTIONAL PATHS DEVOTIONAL PATHS DEVOTIONAL PATHS DEVOTIONAL PATHS
TO THE DIVINE TO THE DIVINE TO THE DIVINE TO THE DIVINE TO THE DIVINE
105
Shiva, Vishnu and
Durga as supreme
deities  came  to
be  worshipped
through elaborate
rituals.  At  the
same  time,  gods
and  goddesses
worshipped  in
different  areas
came  to  be
identified  with
Shiva,  Vishnu  or
Durga.  In  the
process, local myths and legends became a part of the
Puranic stories, and methods of worship recommended
in the Puranas were introduced into the local cults.
Eventually  the  Puranas  also  laid  down  that  it  was
possible  for  devotees  to  receive  the  grace  of  God
regardless  of  their  caste  status.  The  idea  of  bhakti
became so popular that even Buddhists and Jainas
adopted these beliefs.
A New Kind of Bhakti in South India  A New Kind of Bhakti in South India  A New Kind of Bhakti in South India  A New Kind of Bhakti in South India  A New Kind of Bhakti in South India 
Nayanars and Alvars Nayanars and Alvars Nayanars and Alvars Nayanars and Alvars Nayanars and Alvars
The seventh to ninth centuries saw the emergence of
new religious movements, led by the Nayanars (saints
devoted to Shiva) and Alvars (saints devoted to Vishnu)
who came from all castes including those considered
untouchable like the Pulaiyar and the Panars. They
were sharply critical of the Buddhists and Jainas and
preached ardent love of Shiva or Vishnu as the path
to  salvation.  They  drew  upon  the  ideals  of  love  and
heroism as found in the Sangam literature (the earliest
example of Tamil literature, composed during the early
centuries of the Common Era) and blended them with
the values of bhakti. The Nayanars and Alvars went
from  place  to  place  composing  exquisite  poems  in
praise  of  the  deities  enshrined  in  the  villages  they
visited, and set them to music.
You can observe
this process of
local myths and
legends receiving
wider acceptance
even today. Can
you find some
examples
around you?
DEVOTIONAL PATHS
TO THE DIVINE
Fig. 1
A page from a south
Indian  manuscript  of
the Bhagavadgita.
?
106 OUR PASTS  II
Nayanars and Alvars Nayanars and Alvars Nayanars and Alvars Nayanars and Alvars Nayanars and Alvars
There were 63 Nayanars, who belonged to different
caste backgrounds such as potters, untouchable
workers, peasants, hunters, soldiers, Brahmanas and
chiefs. The best known among them were Appar,
Sambandar, Sundarar and Manikkavasagar. There are
two sets of compilations of their songs  Tevaram and
Tiruvacakam.
There were 12 Alvars, who came from equally
divergent backgrounds, the best known being
Periyalvar, his daughter Andal, Tondaradippodi Alvar
and Nammalvar. Their songs were compiled in the Divya
Prabandham.
Between the tenth and twelfth centuries the Chola
and Pandya kings built elaborate temples around many
of the shrines visited by the saint-poets, strengthening
the  links  between  the  bhakti  tradition  and  temple
worship. This was also the time when their poems were
compiled.  Besides,  hagiographies  or  religious
biographies  of  the  Alvars  and  Nayanars  were  also
composed.  Today  we  use  these  texts  as  sources  for
writing histories of the bhakti tradition.
The devotee and the Lord The devotee and the Lord The devotee and the Lord The devotee and the Lord The devotee and the Lord
This is a composition of Manikkavasagar:
Into my vile body of flesh
You came, as though it were a temple of gold,
And soothed me wholly and saved me,
O Lord of Grace, O Gem most Pure,
Sorrow and birth and death and illusion
You took from me, and set me free.
O Bliss! O Light! I have taken refuge in You,
And never can I be parted from You.
How does the poet describe his relationship
with the deity?
Hagiography
Writing of saints
lives.
?
Fig. 2
A bronze image of
Manikkavasagar.
107
?
Philosophy and Bhakti Philosophy and Bhakti Philosophy and Bhakti Philosophy and Bhakti Philosophy and Bhakti
Shankara, one of the most influential philosophers
of India, was born in Kerala in the eighth century.
He was an advocate of Advaita or the doctrine of the
oneness of the individual soul and the Supreme God
which  is  the  Ultimate  Reality.  He  taught  that
Brahman, the only or Ultimate Reality, was formless
and without any attributes. He considered the world
around us to be an illusion or maya, and preached
renunciation of the world and adoption of the path
of  knowledge  to  understand  the  true  nature  of
Brahman and attain salvation.
Ramanuja,  born  in  Tamil  Nadu  in  the  eleventh
century,  was  deeply  influenced  by  the  Alvars.
According  to  him  the  best  means  of  attaining
salvation was through intense devotion to Vishnu.
Vishnu in His grace helps the devotee to attain the
bliss of union with Him. He propounded the doctrine
of Vishishtadvaita or qualified oneness in that the
soul  even  when  united  with  the  Supreme  God
remained  distinct.  Ramanujas  doctrine  greatly
inspired the new strand of bhakti which developed
in north India subsequently.
Basavannas Virashaivism Basavannas Virashaivism Basavannas Virashaivism Basavannas Virashaivism Basavannas Virashaivism
We noted earlier the connection between the Tamil
bhakti movement and temple worship. This in turn
led  to  a  reaction  that  is  best  represented  in  the
Virashaiva  movement  initiated  by  Basavanna  and
hi s  compani ons  l i ke  Al l ama  Prabhu  and
Akkamahadevi. This movement began in Karnataka
in the mid-twelfth century. The Virashaivas argued
strongly  for  the  equality  of  all  human  beings  and
against  Brahmanical  ideas  about  caste  and  the
treatment of women. They were also against all forms
of ritual and idol worship.
Try and find out
more about the
ideas of Shankara
or Ramanuja.
DEVOTIONAL PATHS
TO THE DIVINE
108 OUR PASTS  II
?
Virashaiva  Virashaiva  Virashaiva  Virashaiva  Virashaiva vachanas vachanas vachanas vachanas vachanas
These are vachanas or sayings attributed to Basavanna:
The rich,
Will make temples for Shiva.
What  shall  I,
A poor man,
Do?
My legs are pillars,
The body the shrine,
The head a cupola
Of gold.
Listen, O Lord of the meeting rivers,
Things standing shall fall,
But the moving ever shall stay.
What is the temple that Basavanna is offering to God?
The Saints of Maharashtra The Saints of Maharashtra The Saints of Maharashtra The Saints of Maharashtra The Saints of Maharashtra
From  the  thirteenth  to  the  seventeenth  centuries
Maharashtra saw a great number of saint-poets, whose
songs  in  simple  Marathi  continue  to  inspire  people.
The  most  important  among  them  were  Janeshwar,
Namdev, Eknath and Tukaram as well as women like
Sakkubai and the family of Chokhamela, who belonged
to  the  untouchable  Mahar  caste.  This  regional
tradition of bhakti focused on the Vitthala (a form of
Vishnu) temple in Pandharpur, as well as on the notion
of a personal god residing in the hearts of all people.
These  saint-poets  rejected  all  forms  of  ritualism,
outward display of piety and social differences based
on  birth.  In  fact  they  even  rejected  the  idea  of
renunciation and preferred to live with their families,
earning their livelihood like any other person, while
humbly serving fellow human beings in need. A new
humanist idea emerged as they insisted that bhakti
109
lay  in  sharing  others  pain.  As  the  famous  Gujarati
saint  Narsi  Mehta  said,  They  are  Vaishnavas  who
understand the pain of others.
Questioning the social order Questioning the social order Questioning the social order Questioning the social order Questioning the social order
This is an abhang (Marathi devotional hymn) of Sant
Tukaram:
He who identifies
with the battered and the beaten
Mark him as a saint
For God is with him
He holds
Every forsaken man
Close to his heart
He treats
A slave
As his own son
Says Tuka
I wont be tired
to repeat again
Such a man
Is God
In person.
 Here is an abhang composed by Chokhamelas son:
You made us low caste,
Why dont you face that fact, Great Lord?
Our whole life  left-over food to eat.
You should be ashamed of this.
You have eaten in our home.
How can you deny it?
Chokhas (son) Karmamela asks
Why did you give me life?
Discuss the ideas about the social order expressed
in these compositions. ?
DEVOTIONAL PATHS
TO THE DIVINE
110 OUR PASTS  II
Nathpanthis, Siddhas and Yogis Nathpanthis, Siddhas and Yogis Nathpanthis, Siddhas and Yogis Nathpanthis, Siddhas and Yogis Nathpanthis, Siddhas and Yogis
A  number  of  religious  groups  that
emerged during this period criticised
the  ritual  and  other  aspects
of  conventional  religion  and  the
social  order,  using  simple,  logical
arguments.  Among  them  were  the
Nathpanthis,  Siddhacharas  and
Yogis. They advocated renunciation
of  the  world.  To  them  the  path  to
salvation  lay  in  meditation  on  the
formless  Ultimate  Reality  and  the
realisation  of  oneness  with  it.  To
achieve this they advocated intense
training  of  the  mind  and  body
through  practices  like  yogasanas,
breathing exercises and meditation.
These  groups  became  particularly
popular  among  low  castes.  Their
criticism  of  conventional  religion
created  the  ground  for  devotional
religion  to  become  a  popular  force
in northern India.
Islam and Sufism Islam and Sufism Islam and Sufism Islam and Sufism Islam and Sufism
The  sants  had  much  in  common  with  the  Sufis,  so
much  so  that  it  is  believed  that  they  adopted  many
ideas of each other. Sufis were Muslim mystics. They
rejected outward religiosity and emphasised love and
devotion  to  God  and  compassion  towards  all  fellow
human beings.
Islam propagated strict monotheism or submission
to  one  God.  It  also  rejected  idol  worship  and
considerably  simplified  rituals  of  worship  into
collective prayers. At the same time Muslim scholars
developed a holy law called Shariat. The Sufis often
rejected the elaborate rituals and codes of behaviour
demanded by Muslim religious scholars. They sought
union  with  God  much  as  a  lover  seeks  his  beloved
Fig. 3
A fireside gathering of
ascetics.
111
with a disregard for the world. Like the saint-poets,
the  Sufis  too  composed  poems  expressing  their
feelings,  and  a  rich  literature  in  prose,  including
anecdotes and fables, developed around them. Among
the great Sufis of Central Asia were Ghazzali, Rumi
and Sadi. Like the Nathpanthis, Siddhas and Yogis,
the Sufis too believed that the heart can be trained to
look at the world in a different way. They developed
elaborate methods of training using zikr (chanting of
a  name  or  sacred  formula),  contemplation,  sama
(singing),  raqs  (dancing),  discussion  of  parables,
breath control, etc. under the guidance of a master
or pir. Thus emerged the silsilas, a genealogy of Sufi
teachers, each following a slightly different method
(tariqa) of instruction and ritual practice.
Fig. 4
Mystics in ecstasy.
DEVOTIONAL PATHS
TO THE DIVINE
112 OUR PASTS  II
A  large  number  of  Sufis
from  Central  Asia  settled  in
Hindustan  from  the  eleventh
century  onwards.  This  process
was  strengthened  with  the
establishment  of  the  Delhi
Sultanate  (Chapter  3),  when
several  major  Sufi  centres
developed  all  over  the
subcontinent.  The  Chishti
silsila  was  among  the  most
influential  orders.  It  had  a
long  line  of  teachers  like  Khwaja  Muinuddin
Chishti  of  Ajmer,  Qutbuddin  Bakhtiar  Kaki  of  Delhi,
Baba  Farid  of  Punjab,  Khwaja  Nizamuddin  Auliya
of  Delhi and Bandanawaz Gisudaraz of Gulbarga.
 The Sufi masters held their
assemblies in their khanqahs or
hospi ces.   Devotees  of   al l
descriptions including members
of the royalty and nobility, and
ordinary people flocked to these
khanqahs.   They  di scussed
spiritual  matters,  sought  the
blessings of the saints in solving
thei r  worl dl y  probl ems,   or
simply attended the music and
dance sessions.
Often  people  attributed  Sufi
masters  wi th  mi racul ous
powers that could relieve others
of their illnesses and troubles.
The  tomb  or  dargah  of  a  Sufi
sai nt  became  a  pl ace  of
pilgrimage to which thousands
of people of all faiths thronged.
Hospice
House of rest
for  travellers,
especially one
kept by a religious
order.
Fig. 6
Devotees of all backgrounds visit
Sufi  shrines.
Fig. 5
A page from a
manuscript  of  the
Quran,  Deccan,  late
fifteenth  century.
113
 Finding the Lord Finding the Lord Finding the Lord Finding the Lord Finding the Lord
Jalaluddin Rumi was a great thirteenth-century Sufi poet
from Iran who wrote in Persian. Here is an excerpt from
his work:
He was not on the Cross of the Christians. I went to the
Hindu temples. In none of them was there any sign. He was
not on the heights or in the lowlands  I went to the Kaaba
of Mecca. He was not there. I asked about him from Avicenna
the philosopher. He was beyond the range of Avicenna  I
looked into my heart. In that, his place, I saw him. He was
in no other place.
New Religious Developments in  North New Religious Developments in  North New Religious Developments in  North New Religious Developments in  North New Religious Developments in  North
India India India India India
The period after the thirteenth century saw a new wave
of the bhakti movement in north India. This was an
age  when  Islam,  Brahmanical  Hinduism,  Sufism,
various  strands  of  bhakti,  and  the  Nathpanths,
Siddhas and Yogis influenced one another. We saw that
new towns (Chapter 6) and kingdoms (Chapters 2, 3
and 4) were emerging, and people were taking up new
professions and finding new roles for themselves. Such
people, especially craftspersons, peasants, traders and
labourers, thronged to listen to these
new saints and spread their ideas.
Some of them like Kabir and Baba
Guru  Nanak  rejected  all  orthodox
religions.  Others  like  Tulsidas  and
Surdas  accepted  existing  beliefs
and  practices  but  wanted  to  make
these  accessible  to  all.  Tulsidas
conceived  of  God  in  the  form  of
Rama.  Tulsidass  composition,  the
Ramcharitmanas, written in Awadhi
(a  language  used  in  eastern  Uttar
Pradesh),  is  important  both  as  an
Fig. 7
Chaitanyadeva, a
sixteenth-century
bhakti  saint  from
Bengal, preached
selfless devotion to
Krishna-Radha.  In
the picture you see a
group of his followers
engaged in ecstatic
dancing and singing.
DEVOTIONAL PATHS
TO THE DIVINE
114 OUR PASTS  II
expression  of  his  devotion  and  as  a  literary  work.
Surdas  was  an  ardent  devotee  of  Krishna.  His
compositions, compiled in the Sursagara, Surasaravali
and  Sahitya  Lahari,  express  his  devotion.  Also
contemporary  was  Shankaradeva  of  Assam  (late
fifteenth century) who emphasised devotion to Vishnu,
and composed poems and plays in Assamese. He began
the  practice  of  setting  up  namghars  or  houses  of
recitation and prayer, a practice that continues to date.
This tradition also included saints like Dadu Dayal,
Ravidas and Mirabai. Mirabai was a Rajput princess
married into the royal family of Mewar in the sixteenth
century. Mirabai became a disciple of Ravidas, a saint
from  a  caste  considered  untouchable.  She  was
Map 1
Major  bhakti  saints
and the regions
associated with them.
115
devoted  to  Krishna  and  composed  innumerable
bhajans  expressing  her  intense  devotion.  Her  songs
also openly challenged the norms of the upper castes
and  became  popular  with  the  masses  in  Rajasthan
and Gujarat.
A unique feature of most of the saints is that their
works were composed in regional languages and could
be sung. They became immensely popular and were
handed  down  orally  from  generation  to  generation.
Usually the poorest, most deprived communities and
women transmitted these songs, often adding their
own  experiences.  Thus  the  songs  as  we  have  them
today  are  as  much  a  creation  of  the  saints  as  of
generations  of  people  who  sang  them.  They  have
become a part of our living popular culture.
DEVOTIONAL PATHS
TO THE DIVINE
Fig. 8
Mirabai.
Beyond the Ranas palace Beyond the Ranas palace Beyond the Ranas palace Beyond the Ranas palace Beyond the Ranas palace
This is a song composed by Mirabai:
Ranaji, I have left your norms of shame,
and false decorum of the princely life.
I have left your town.
And yet Rana why have you kept up
enmity against me?
Rana you gave me a cup of poison.
I drank it laughing.
Rana I will not be destroyed by you.
And yet Rana why have you kept up
enmity against me?
Why do you think Mirabai left the
Ranas palace?
?
116 OUR PASTS  II
A Closer Look: Kabir A Closer Look: Kabir A Closer Look: Kabir A Closer Look: Kabir A Closer Look: Kabir
Kabir,  who  probably  lived  in  the  fifteenth-sixteenth
centuries, was one of the most influential saints. He
was  brought  up  in  a  family  of  Muslim  julahas  or
weavers settled in or near the city of Benares (Varanasi).
We have little reliable information about his life. We
get to know of his ideas from a vast collection of verses
called sakhis and pads said to have been composed
by him and sung by wandering bhajan singers. Some
of these were later collected and preserved in the Guru
Granth Sahib, Panch Vani  and Bijak.
In search of the True Lord In search of the True Lord In search of the True Lord In search of the True Lord In search of the True Lord
Here is a composition of Kabir:
O Allah-Ram present in all living beings
Have mercy on your servants, O Lord!
Why bump your head on the ground,
Why bathe your body in water?
You kill and you call yourself humble
But your vices you conceal.
Twenty-four times the Brahmana keeps
the ekadasi fast
While the Qazi observes the Ramzan
Tell me why does he set aside the eleven
months
To seek spiritual fruit in the twelfth?
Hari dwells in the East, they say
And Allah resides in the West,
Search for him in your heart, in the heart
of your heart;
There he dwells, Rahim-Ram.
In what ways are the ideas in this poem similar to or
different from those of Basavanna and Jalaluddin Rumi?
Fig. 9
Kabir working on
a  loom.
?
117
Kabirs teachings were based on a complete, indeed
vehement, rejection of the major religious traditions.
His teachings openly ridiculed all forms of external
worship of both Brahmanical Hinduism and Islam,
the pre-eminence of the priestly classes and the caste
system.  The  language  of  his  poetry  was  a  form  of
spoken Hindi widely understood by ordinary people.
He also sometimes used cryptic language, which is
difficult to follow.
Kabir  believed  in  a  formless  Supreme  God  and
preached that the only path to salvation was through
bhakti  or  devotion.  Kabir  drew  his  followers  from
among both Hindus and Muslims.
A Closer Look: Baba Guru Nanak A Closer Look: Baba Guru Nanak A Closer Look: Baba Guru Nanak A Closer Look: Baba Guru Nanak A Closer Look: Baba Guru Nanak
We  know  more  about  Guru  Nanak  (1469-1539)  than
about  Kabir.  Born  at  Talwandi  (Nankana  Sahib  in
Pakistan), he travelled widely before establishing a centre
at  Kartarpur  (Dera  Baba  Nanak  on  the  river  Ravi).  A
regular worship that consisted of the singing of his own
hymns  was  established  there
for his followers. Irrespective of
their  former  creed,  caste  or
gender,  his  followers  ate
together in the common kitchen
(langar). The sacred space thus
created  by  Guru  Nanak  was
known as dharmsal. It is now
known as Gurdwara.
Before  his  death  in  1539,
Guru Nanak appointed one of
his followers as his successor.
His  name  was  Lehna  but  he
came  to  be  known  as  Guru
Angad, signifying that he was
a part of Guru Nanak himself.
Guru  Angad  compiled  the
compositions of Guru Nanak,
to which he added his own in
DEVOTIONAL PATHS
TO THE DIVINE
Fig. 10
Baba Guru Nanak
as a young man, in
discussion  with
holy  men.
118 OUR PASTS  II
a new script known as Gurmukhi. The
three  successors  of  Guru  Angad  also
wrote under the name of Nanak and
all of their compositions were compiled
by  Guru  Arjan  in  1604.  To  this
compilation were added the writings of
other  figures  like  Shaikh  Farid,  Sant
Kabir, Bhagat Namdev and Guru Tegh
Bahadur. In 1706 this compilation was
authenticated by his son and successor,
Guru Gobind Singh. It is now known as
Guru Granth Sahib, the holy scripture
of the Sikhs.
The  number  of   Guru  Nanak s
followers increased through the sixteenth century
under his successors. They belonged to a number
of castes but traders, agriculturists, artisans and
craftsmen predominated. This may have something
to  do  with  Guru  Nanak s  insistence  that  his
followers must be householders and should adopt
productive and useful occupations. They were also
expected to contribute to the general funds of the
community of followers.
By the beginning of the seventeenth century the town
of  Ramdaspur  (Amritsar)  had  developed  around  the
central  Gurdwara  called  Harmandar  Sahib  (Golden
Temple).  It  was  virtually  self-governing  and  modern
historians refer to the early seventeenth century Sikh
community as a state within the state. The Mughal
emperor  Jahangir  looked  upon  them  as  a  potential
threat and he ordered the execution of Guru Arjan in
1606.  The Sikh movement began to get politicized in
the  seventeenth  century,  a  development  which
culminated in the institution of the Khalsa by Guru
Gobind Singh in 1699. The community of the Sikhs,
called the Khalsa Panth, became a political entity.
The  changing  historical  situation  during  the
sixteenth  and  seventeenth  centuries  influenced  the
development of the Sikh movement. The ideas of Guru
Fig. 11
An  early  manuscript
of the Guru Granth
Sahib.
119
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S
E
W
H
E
R
E
E
L
S
E
W
H
E
R
E
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L
S
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W
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W
H
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R
E
Nanak had a huge impact on this development from
the very beginning. He emphasized the importance of
the worship of one God. He insisted that caste, creed
or gender was irrelevant for attaining liberation. His
idea of liberation was not that of a state of inert bliss
but rather the pursuit of active life with a strong sense
of social commitment. He himself used the terms nam,
dan and isnan for the essence of his teaching, which
actually  meant  right  worship,  welfare  of  others  and
purity of conduct. His teachings are now remembered
as  nam-japna,  kirt-karna  and  vand-chhakna,  which
also  underline  the  importance  of  right  belief  and
worship, honest living, and helping others. Thus, Guru
Nanaks  idea  of  equality  had  social  and  political
implications. This might partly explain the difference
between  the  history  of  the  followers  of  Guru  Nanak
and the history of the followers of the other religious
figures of the medieval centuries, like Kabir, Ravidas
and Dadu whose ideas were very similar to those of
Guru Nanak.
DEVOTIONAL PATHS
TO THE DIVINE
Martin Luther and the Reformation
The sixteenth century was a time of religious ferment in Europe
as well. One of the most important leaders of the changes that
took place within Christianity was Martin Luther (1483-1546).
Luther felt that several practices in the Roman Catholic Church
went against the teachings of the
Bible. He encouraged the use of
the language of ordinary people
rather than Latin, and translated
the Bible into German. Luther was
strongly opposed to the practice
of  indulgences or  making
donations to the Church so as to
gain forgiveness from sins. His
writings were widely disseminated
with the growing use of the
printing press. Many Protestant
Christian sects trace their origins
to the teachings of Luther.
Fig. 12
Title  page  of  the  German  Bible  translated  by  Martin  Luther.
120 OUR PASTS  II
Lets recall
1. Match the following:
The Buddha namghar
Shankaradeva worship of Vishnu
Nizamuddin Auliya questioned social
differences
Nayanars Sufi saint
Alvars worship of Shiva
2. Fill in the blanks:
(a) Shankara was an advocate of -.
(b) Ramanuja was influenced by the .
(c) ,  and  were
advocates of Virashaivism.
(d)  was an important centre of
the Bhakti tradition in Maharashtra.
3. Describe the beliefs and practices of the Nathpanthis,
Siddhas and Yogis.
4. What were the major ideas expressed by Kabir? How
did he express these?
KEYWORDS
Virashaivism
bhakti
Sufi
khanqah
Imagine
You are attending a meeting where a
saint is discussing the caste system.
Relate the conversation.
121
Lets understand
5. What were the major beliefs and practices of the Sufis?
6. Why do you think many teachers rejected prevalent
religious beliefs and practices?
7. What were the major teachings of Baba Guru Nanak?
Lets discuss
8. For  either  the  Virashaivas  or  the  sants  of
Maharashtra, discuss their attitude towards caste.
9. Why  do  you  think  ordinary  people  preserved  the
memory of Mirabai?
Lets do
10. Find out whether in your neighbourhood there are
any  dargahs,  gurudwaras  or  temples  associated
wi th  sai nts  of   the  bhakti   tradi ti on  i n  your
neighbourhood. Visit any one of these and describe
what you see and hear.
11. For any of the saint-poets whose compositions have
been included in this chapter, find out more about
their  works,  noting  down  other  poems.  Find  out
whether these are sung, how they are sung, and what
the poets wrote about.
12. There  are  several  saint-poets  whose  names  have
been  mentioned  but  their  works  have  not  been
included in the chapter. Find out more about the
language  in  which  they  composed,  whether  their
composi ti ons  were  sung,   and  what  thei r
compositions were about.
DEVOTIONAL PATHS
TO THE DIVINE
122 OUR PASTS  II
?
9
Find out how
many states have
been created in
the last 10 years.
Is each of these
states a region?
THE MAKING OF THE MAKING OF THE MAKING OF THE MAKING OF THE MAKING OF
REGIONAL CULTURES REGIONAL CULTURES REGIONAL CULTURES REGIONAL CULTURES REGIONAL CULTURES
O
ne  of  the  commonest  ways  of  describing  people
is in terms of the language they speak. When we
refer to a person as a Tamil or an Oriya, this usually
means that he or she speaks Tamil or Oriya and lives
in  Tamil  Nadu  or  Orissa.  We  also  tend  to  associate
each  region  with  distinctive  kinds  of  food,  clothes,
poetry, dance, music and painting. Sometimes we take
these identities for granted and assume that they have
existed from time immemorial. However, the frontiers
separating regions have evolved over time (and in fact
are  still  changing).  Also,  what  we  understand  as
regional cultures today are often the product of complex
processes of intermixing of local traditions with ideas
from other parts of the subcontinent. As we will see,
some traditions appear specific to some regions, others
seem to be similar across regions, and yet others derive
from older practices in a particular area, but take a
new form in other regions.
The Cheras and the Development The Cheras and the Development The Cheras and the Development The Cheras and the Development The Cheras and the Development
of Malayalam of Malayalam of Malayalam of Malayalam of Malayalam
Let  us  begin  by  looking  at  an  example  of  the
connection between language and region. The Chera
kingdom of Mahodayapuram was established in the
ninth  century  in  the  south-western  part  of  the
peninsula, part of present-day Kerala. It is likely that
Malayalam  was  spoken  in  this  area.  The  rulers
introduced the Malayalam language and script in their
inscriptions.  In  fact,  this  is  one  of  the  earliest
examples of the use of a regional language in official
records in the subcontinent.
123
THE MAKING OF
REGIONAL CULTURES
?
Find out when the
language(s) you
speak at home
were first used
for writing.
Fig. 1
An early Kerala
inscription,  composed
in Malayalam.
At  the  same  time,  the  Cheras  also  drew  upon
Sanskritic  traditions.  The  temple  theatre  of  Kerala,
which is traced to this period, borrowed stories from
the  Sanskrit  epics.  The  first  literary  works  in
Malayalam,  dated  to  about  the  twelfth  century,  are
directly indebted to Sanskrit.  Interestingly enough, a
fourteenth-century text, the Lilatilakam, dealing with
grammar and poetics, was composed in Manipravalam
 literally, diamonds and corals referring to the two
languages, Sanskrit and the regional language.
Rulers and Religious Traditions: Rulers and Religious Traditions: Rulers and Religious Traditions: Rulers and Religious Traditions: Rulers and Religious Traditions:
The Jagannatha Cult The Jagannatha Cult The Jagannatha Cult The Jagannatha Cult The Jagannatha Cult
In  other  regions,  regional  cultures  grew  around
religious traditions. The best example of this process
is the cult of Jagannatha (literally, lord of the world,
a name for Vishnu) at Puri, Orissa. To
date, the local tribal people make the
wooden  image  of  the  deity,  which
suggests that the deity was originally
a  local  god,  who  was  later  identified
with Vishnu.
In  the  twelfth  century,  one  of  the
most  important  rulers  of  the  Ganga
dynasty,  Anantavarman,  decided  to
erect  a  temple  for  Purushottama
Jagannatha at Puri. Subsequently, in
1230, king Anangabhima III dedicated
his kingdom to the deity and proclaimed
himself as the deputy of the god.
Fig. 2
The icons of
Balabhadra,
Subhadra and
Jagannatha,  palm-
leaf  manuscript,
Orissa.
124 OUR PASTS  II
As the temple gained in importance
as a centre of pilgrimage, its authority
in  social  and  political  matters  also
increased. All those who conquered
Orissa,  such  as  the  Mughals,  the
Marathas and the English East India
Company, attempted to gain control
over  the  temple.  They  felt  that  this
would make their rule acceptable to
the local people.
The Rajputs and The Rajputs and The Rajputs and The Rajputs and The Rajputs and
Traditions of Heroism Traditions of Heroism Traditions of Heroism Traditions of Heroism Traditions of Heroism
In  the  nineteenth  century,  the
region  that  constitutes  most  of
present-day Rajasthan, was called
Rajputana by the British. While this
may suggest that this was an area that was inhabited
only  or  mainly  by  Rajputs,  this  is  only  partly  true.
There  were  (and  are)  several  groups  who  identify
themselves as Rajputs in many areas of northern and
central India. And of course, there are several peoples
other than Rajputs who live in Rajasthan. However,
the Rajputs are often recognised as contributing to
the distinctive culture of Rajasthan.
These cultural traditions
were  closely  linked  with
the  ideals  and  aspirations
of  rulers.  From  about  the
eighth  century,  most  of
the  present-day  state  of
Rajasthan  was  ruled  by
various  Rajput  families.
Prithviraj  (Chapter  2)  was
one such ruler. These rulers
cherished  the  ideal  of  the
hero who fought valiantly,
often choosing death on the
battlefield rather than face
Fig. 3
Jagannatha  temple,
Puri.
Fig. 4
Prince  Raj  Singh  of
Bikaner.
125
defeat. Stories about Rajput heroes were recorded in
poems  and  songs,  which  were  recited  by  specially
trained  minstrels.  These  preserved  the  memories  of
heroes  and  were  expected  to  inspire  others  to  follow
their example. Ordinary people were also attracted by
these stories  which often depicted dramatic situations,
and  a  range  of  strong  emotions    loyalty,  friendship,
love, valour, anger, etc.
Did  women  find  a  place  within  these  stories?
Sometimes, they figure as the cause for conflicts, as
men fought with one another to either win or protect
women.  Women  are  also  depicted  as  following  their
heroic  husbands  in  both  life  and  death    there  are
stories about the practice of sati or the immolation of
widows on the funeral pyre of their husbands. So those
Map 1
Regions discussed in
this  chapter.
THE MAKING OF
REGIONAL CULTURES
126 OUR PASTS  II
who followed the heroic ideal often had to pay for it
with their lives.
Beyond Regional Frontiers: Beyond Regional Frontiers: Beyond Regional Frontiers: Beyond Regional Frontiers: Beyond Regional Frontiers:
The Story of  The Story of  The Story of  The Story of  The Story of Kathak Kathak Kathak Kathak Kathak
If heroic traditions can be found in different regions in
different forms, the same is true of dance. Let us look
at  the  history  of  one  dance  form,  Kathak,  now
associated with several parts of north India. The term
kathak is derived from katha, a word used in Sanskrit
and  other  languages  for  story.  The  kathaks  were
originally a caste of story-tellers in temples of north
India,  who  embellished  their  performances  with
gestures  and  songs.  Kathak  began  evolving  into  a
distinct mode of dance in the fifteenth and sixteenth
centuries with the spread of the bhakti movement. The
legends of Radha-Krishna were enacted in folk plays
called rasa lila, which combined folk dance with the
basic gestures of the kathak story-tellers.
Under the Mughal emperors and their nobles, Kathak
was performed in the court, where it acquired its present
features  and  developed  into  a  form  of  dance  with  a
distinctive  style.  Subsequently,  it  developed  in  two
traditions or gharanas: one in the courts of Rajasthan
(Jaipur) and the other in Lucknow. Under the patronage
of  Wajid  Ali  Shah,  the  last  Nawab  of  Awadh,
it  grew  into  a  major  art  form.  By  the  third  quarter
of  the  nineteenth
century  it  was  firmly
entrenched as a dance
form not only in these
two  regions,  but  in
the  adjoining  areas
of present-day Punjab,
Haryana,  Jammu
and  Kashmir,  Bihar
and Madhya Pradesh.
Emphasis  was  laid
on  intricate  and
?
Find out whether
there are
traditions of
heroes/heroines
in your town or
village. What are
the qualities
associated with
them? In what
ways are these
similar to or
different from the
heroic ideals of
the Rajputs?
Fig. 5
Dance class,
Lakshmana  temple,
Khajuraho.
127
rapid footwork, elaborate costumes, as well as on the
enactment of stories.
Kathak,  like  several  other  cultural  practices,  was
viewed with disfavour by most British administrators
in the nineteenth and twentieth centuries. However, it
survived and continued to be performed by courtesans,
and was recognised as one of six classical forms of
dance in the country after independence.
Classical dances Classical dances Classical dances Classical dances Classical dances
The question of defining any art form as classical is
often quite complicated. Do we define something as
classical if it deals with a religious theme? Or do
we consider it classical because it appears to
require a great deal of skill acquired
through long years of training? Or is it
classical because it is performed
according to rules that are laid down,
and variations are not encouraged?
These are questions we need
to think about. It is worth
remembering that many dance
forms that are classified as folk
also  share  several  of  the
characteristics considered typical
of classical forms. So, while the
use of the term classical may
suggest that these forms are
superior, this need not always be
literally true.
Other dance forms that are
recognised  as classical at present are:
Bharatanatyam (Tamil Nadu)
Kathakali (Kerala)
Odissi (Orissa)
Kuchipudi (Andhra Pradesh)
Manipuri (Manipur)
?
THE MAKING OF
REGIONAL CULTURES
Find out more about any one of these dance forms.
Fig. 6
Kathak  dancers,  a  court  painting.
128 OUR PASTS  II
Painting for Patrons: The Tradition Painting for Patrons: The Tradition Painting for Patrons: The Tradition Painting for Patrons: The Tradition Painting for Patrons: The Tradition
of Miniatures of Miniatures of Miniatures of Miniatures of Miniatures
Another tradition that developed in different ways was
that of miniature painting. Miniatures (as their very
name  suggests)  are  small-sized  paintings,  generally
done in water colour on cloth or paper. The earliest
miniatures were on palm leaves or wood. Some of the
most beautiful of these, found in western India, were
used to illustrate Jaina texts. The Mughal emperors
Akbar,  Jahangir  and  Shah  Jahan  patronised  highly
skilled painters who primarily illustrated manuscripts
containing historical accounts and poetry. These were
generally  painted  in  brilliant  colours  and  portrayed
court  scenes,  scenes  of  battle  or
hunting, and other aspects of social
life. They were often exchanged as
gifts  and  were  viewed  only  by  an
exclusive few  the emperor and his
close associates.
With  the  decline  of  the  Mughal
Empire,  many  painters  moved  out
to the courts of the emerging regional
states  (see  also  Chapter  10).  As  a
result  Mughal  artistic  tastes
influenced the regional courts of the
Deccan  and  the  Rajput  courts  of
Rajasthan.  At  the  same  time,  they
retained  and  developed  their
distinctive characteristics. Portraits
of rulers and court scenes came to
be  painted,  following  the  Mughal
example.  Besides,  themes  from
mythology and poetry were depicted
at centres such as Mewar, Jodhpur,
Bundi, Kota and Kishangarh.
Another  region  that  attracted
mi ni ature  pai nti ngs  was  the
Himalayan  foothills  around  the
modern-day  state  of  Himachal
Fig. 7
Akbar  resting
during  a  hunt,
Mughal  miniature.
129
Pradesh. By the late seventeenth century this region
had developed a bold and intense style of miniature
painting called Basohli. The most popular text to be
painted here was Bhanudattas Rasamanjari. Nadir
Shahs invasion and the conquest of Delhi in 1739
resulted  in  the  migration  of  Mughal  artists  to  the
hills to escape the uncertainties of the plains. Here
Fig. 8
Maharana Ram
Singh  II  playing  holi.
Rajput  miniature,
Kota.
Fig. 9
Krishna, Radha and
her  companion,
Pahari  miniature,
Kangra.
THE MAKING OF
REGIONAL CULTURES
130 OUR PASTS  II
they found ready patrons which led to the founding
of  the  Kangra  school  of  painting.  By  the  mid-
eighteenth  century  the  Kangra  artists  developed  a
style  which  breathed  a  new  spirit  into  miniature
painting.  The  source  of  inspiration  was  the
Vaishnavite  traditions.  Soft  colours  including  cool
blues and greens, and a lyrical treatment of themes
distinguished Kangra painting.
Remember that ordinary women and men painted
as well  on pots, walls, floors, cloth  works of art that
have  occasionally  survived,  unlike  the  miniatures
that were carefully preserved in palaces for centuries.
A Closer Look:  Bengal A Closer Look:  Bengal A Closer Look:  Bengal A Closer Look:  Bengal A Closer Look:  Bengal
The Growth of a Regional Language
As  we  saw  at  the  outset,  we  often  tend  to  identify
regions  in  terms  of  the  language  spoken  by  the
people. So, we assume that people in Bengal always
spoke Bengali. However, what is interesting is that
while  Bengali  is  now  recognised  as  a  language
derived from Sanskrit, early Sanskrit texts (mid-first
millennium  BCE)  suggest  that  the  people  of  Bengal
did not speak Sanskritic languages. How, then, did
the new language emerge?
From the fourth-third centuries BCE, commercial
ties began to develop between Bengal and Magadha
(south  Bihar),  which  may  have  led  to  the  growing
Fig. 10
A page from a
palm-leaf  manuscript
of the earliest Bengali
Ramayana.
131
influence of Sanskrit. During the fourth century the
Gupta rulers established political control over north
Bengal and began to settle Brahmanas in this area.
Thus, the linguistic and cultural influence from the
mid-Ganga  valley  became  stronger. In  the  seventh
century the Chinese traveller Xuan Zang observed
that  languages  related  to  Sanskrit  were  in  use  all
over Bengal.
From  the  eighth  century,  Bengal  became  the
centre  of  a  regional  kingdom  under  the  Palas
(Chapter 2). Between the fourteenth and sixteenth
centuries,  Bengal  was  ruled  by  Sultans  who  were
independent  of  the  rulers  in  Delhi  (Chapter  3).  In
1586, when Akbar conquered Bengal, it formed the
nucleus of the Bengal suba. While Persian was the
language of administration, Bengali developed as a
regional language.
In fact by the fifteenth century the Bengali group
of dialects came to be united by a common literary
language  based  on  the  spoken  language  of  the
western  part  of  the  region,  now  known  as  West
Bengal.  Thus,  although  Bengali  is  derived  from
Sanskrit,  it  passed  through  several  stages  of
evolution. Also, a wide range of non-Sanskrit words,
derived  from  a  variety  of  sources  including  tribal
languages, Persian, and European languages, have
become part of modern Bengali.
Early  Bengali  literature  may  be  divided  into  two
categories  one indebted to Sanskrit and the other
independent of it. The first includes translations of
the  Sanskrit  epics,  the  Mangalakavyas  (literally
auspicious  poems,  dealing  with  local  deities)  and
bhakti  literature  such  as  the  biographies  of
Chaitanyadeva,  the  leader  of  the  Vaishnava  bhakti
movement (Chapter 8).
The  second  includes  Nath  literature  such  as  the
songs  of  Maynamati  and  Gopichandra,  stories
concerning the worship of Dharma Thakur, and fairy
tales, folk tales and ballads.
THE MAKING OF
REGIONAL CULTURES
132 OUR PASTS  II
Maynamati, Gopichandra and Maynamati, Gopichandra and Maynamati, Gopichandra and Maynamati, Gopichandra and Maynamati, Gopichandra and
Dharma Thakur Dharma Thakur Dharma Thakur Dharma Thakur Dharma Thakur
The Naths were ascetics who engaged in a variety of
yogic practices.
This particular song, which was often enacted,
described how Maynamati, a queen, encouraged her
son Gopichandra to adopt the path of asceticism in
the face of a variety of obstacles.
Dharma Thakur is a popular regional deity, often
worshipped in the form of a stone or a piece of wood.
The texts belonging to the first category are easier
to  date,  as  several  manuscripts  have  been  found
indicating that they were composed between the late
fifteenth  and  mid-eighteenth  centuries.  Those
belonging to the second category circulated orally and
cannot  be  precisely  dated.  They  were  particularly
popular  in  eastern  Bengal,  where  the  influence  of
Brahmanas was relatively weak.
Pirs  Pirs  Pirs  Pirs  Pirs and Temples and Temples and Temples and Temples and Temples
From the sixteenth century, people began to migrate
in large numbers from the less fertile western Bengal
to  the  forested  and  marshy  areas  of  south-eastern
Bengal. As they moved eastwards, they cleared forests
and  brought  the  land  under  rice  cultivation.
Gradually, local communities of fisherfolk and shifting
cultivators,  often  tribals,  merged  with  the  new
communities of peasants.
This  coincided  with  the  establishment  of  Mughal
control over Bengal with their capital in the heart of
the eastern delta at Dhaka. Officials and functionaries
received land and often set up mosques that served as
centres for religious transformation in these areas.
The early settlers sought some order and assurance
in  the  unstable  conditions  of  the  new  settlements.
Pir
A Persian word
meaning a
spiritual  guide.
?
Why do you think
the second
category of texts
was not written
down?
133
These were provided by community leaders, who also
functioned  as  teachers  and  adjudicators  and  were
sometimes ascribed with supernatural powers. People
referred to them with affection and respect as pirs.
This  term  included  saints  or  Sufis  and  other
religious personalities, daring colonisers and deified
soldiers, various Hindu and Buddhist deities and even
animistic spirits. The cult of pirs became very popular
and their shrines can be found everywhere in Bengal.
Bengal also witnessed a temple-building spree from
the  late  fifteenth  century,  which  culminated  in  the
nineteenth century. We have seen (Chapters 2 and 5)
that temples and other religious structures were often
built  by  individuals  or  groups  who  were  becoming
powerful    to  both  demonstrate  their  power  and
proclaim their piety. Many of the modest brick and
terracotta  temples  in  Bengal  were  built  with  the
support  of  several  low  social  groups,  such  as  the
Kolu  (oil  pressers)  and  the  Kansari  (bell  metal
workers).  The  coming  of  the  European  trading
companies created new economic opportunities; many
families  belonging  to  these  social  groups  availed  of
these. As their social and economic position improved,
Compare the
temple shown
here with that in
Chapter 2.
?
Fig. 11 (left)
A  double-roofed
thatched  hut.
Fig. 12 (right)
A  four-roofed  temple
with a tower.
THE MAKING OF
REGIONAL CULTURES
Animism
Attribution  of
living  soul  to
plants,  inanimate
objects,  and
natural
phenomena.
134 OUR PASTS  II
they proclaimed their status through the construction
of  temples.  When  local  deities,  once  worshipped  in
thatched huts in villages, gained the recognition of
the Brahmanas, their images began to be housed in
temples. The temples began to copy the double-roofed
(dochala) or four-roofed (chauchala) structure of the
thatched  huts.  (Remember  the  Bangla  dome  in
Chapter  5?)  This  led  to  the  evolution  of  the  typical
Bengali style in temple architecture.
In  the  comparatively  more  complex  four-roofed
structure, four triangular roofs placed on the four walls
move  up  to  converge  on  a  curved  line  or  a  point.
Temples were usually built on a square platform. The
interior was relatively plain, but the outer walls of many
temples  were  decorated  with  paintings,  ornamental
tiles or terracotta tablets. In some temples, particularly
in Vishnupur in the Bankura district of West Bengal,
such decorations reached a high degree of excellence.
Fig. 13
Krishna with gopis,
terracotta  plaque
from the Shyamaraya
temple,  Vishnupur.
135
Fish as Food Fish as Food Fish as Food Fish as Food Fish as Food
Traditional food habits are generally based
on locally available items of food. Bengal is
a riverine plain which produces plenty of
rice  and  fish.  Understandably,  these  two
items  figure  prominently  in  the  menu  of
even  poor  Bengalis.  Fishing  has  always
been an important occupation and Bengali
literature  contains  several  references  to
fish. What is more, terracotta plaques on
the walls of temples and viharas (Buddhist
monasteries)  depict  scenes  of  fish  being
dressed and taken to the market in baskets.
Brahmanas were not allowed to eat non-
vegetarian food, but the popularity of fish
in  the  local  diet  made  the  Brahmanical
authorities  relax  this  prohibition  for  the
Bengal  Brahmanas.  The  Brihaddharma
Purana, a thirteenth-century Sanskrit text
from  Bengal,  permitted  the  local  Brahmanas  to  eat
certain varieties of fish.
Fig. 14
Fish  being
dressed for domestic
consumption,
terracotta  plaque  from
the  Vishalakshi
temple,  Arambagh.
THE MAKING OF
REGIONAL CULTURES
Emergence of nation-states in Europe
Till the eighteenth century, people in Europe saw themselves as
subjects of an empire, such as the Austro-Hungarian empire, or
members of a church, such as the Greek Orthodox church. But,
from the late eighteenth century, people also began to identify
themselves as members of a community that spoke a common
language, such as French or German. By the early nineteenth
century, in Rumania school textbooks began to be written in
Rumanian rather than in Greek, and in Hungary Hugarian was
adopted as the official language instead of Latin. These and other
similar developments created the consciousness among the people
that each linguistic community was a separate nation. This feeling
was strengthened by the movements for Italian and German
unification in the late nineteenth century.
E
L
S
E
W
H
E
R
E
E
L
S
E
W
H
E
R
E
E
L
S
E
W
H
E
R
E
E
L
S
E
W
H
E
R
E
E
L
S
E
W
H
E
R
E
136 OUR PASTS  II
KEYWORDS
classical
miniature
pir
dialect
Lets recall
1. Match the following:
Anantavarman Kerala
Jagannatha Bengal
Mahodayapuram Orissa
Lilatilakam Kangra
Mangalakavya Puri
Miniature Kerala
2. What is Manipravalam? Name a book written in that
language.
3. Who were the major patrons of Kathak?
4. What are the important architectural features of the
temples of Bengal ?
Imagine
You  are  a  Rajput  prince.  How
would  you  like  your  story  to  be
told?
137
THE MAKING OF
REGIONAL CULTURES
Lets discuss
5.  Why  did  minstrels  proclaim  the  achievements  of
heroes?
6.  Why  do  we  know  much  more  about  the  cultural
practices  of  rulers  than  about  those  of  ordinary
people?
7.  Why  did  conquerors  try  to  control  the  temple  of
Jagannatha at Puri?
8.  Why were temples built in Bengal?
Lets do
9. Describe the most important features of the culture
of  your  region,  focusing  on  buildings,  performing
arts and painting.
10. Do  you  use  different  languages  for  (a)  speaking,
(b)  reading,  (c)  writing?  Find  out  about  one  major
composition  in  language  that  you  use  and  discuss
why you find it interesting.
11. Choose one state each from north, west, south, east
and central India. For each of these, prepare a list of
foods that are commonly consumed, highlighting any
differences and similarities that you notice.
12. Choose another set of five states from each of these
regions and prepare a list of clothes that are generally
worn  by  women  and  men  in  each.  Discuss  your
findings.
138 OUR PASTS  II
10
EIGHTEENTH-CENTURY EIGHTEENTH-CENTURY EIGHTEENTH-CENTURY EIGHTEENTH-CENTURY EIGHTEENTH-CENTURY
POLITICAL FORMATIONS POLITICAL FORMATIONS POLITICAL FORMATIONS POLITICAL FORMATIONS POLITICAL FORMATIONS
I
f  you  look  at  Maps  1  and  2  closely,  you  will  see
something significant happening in the subcontinent
during the first half of the eighteenth century. Notice
how  the  boundaries  of  the  Mughal  Empire  were
reshaped by the emergence of a number of independent
Map 1
State  formations  in
the  eighteenth
century.
139
kingdoms.  By  1765,
notice  how  another
power,  the  British,  had
successfully  grabbed
major  chunks  of
territory  in  eastern
India. What these maps
tell  us  is  that  political
conditions in eighteenth-
century  India  changed
quite  dramatically  and
within a relatively short
span of time.
In  this  chapter  we
will  read  about  the
emergence  of  new
political  groups  in  the
subcontinent  during
the  first  half  of  the
eighteenth  century  
roughly  from  1707,
when  Aurangzeb  died,
till  the  third  battle  of
Panipat in 1761.
The Crisis of the Empire and The Crisis of the Empire and The Crisis of the Empire and The Crisis of the Empire and The Crisis of the Empire and
the Later Mughals the Later Mughals the Later Mughals the Later Mughals the Later Mughals
In Chapter 4 you saw how the Mughal Empire reached
the height of its success and started facing a variety of
crises  towards  the  closing  years  of  the  seventeenth
century. These were caused by a number of factors.
Emperor  Aurangzeb  had  depleted  the  military  and
financial  resources  of  his  empire  by  fighting  a  long
war in the Deccan.
Under his successors, the efficiency of the imperial
administration  broke  down.  It  became  increasingly
difficult for the later Mughal emperors to keep a check
on their powerful mansabdars. Nobles appointed as
?
See Chapter 4,
Table 1. Which
group of people
challenged Mughal
authority for the
longest time in
Aurangzebs reign?
EIGHTEENTH-CENTURY
POLITICAL FORMATIONS
Map 2
British  territories  in
the  mid-eighteenth
century.
140 OUR PASTS  II
governors  (subadars)  often  controlled  the  offices  of
revenue  and  military  administration  (diwani  and
faujdari)  as  well.  This  gave  them  extraordinary
political,  economic  and  military  powers  over  vast
regions  of  the  Mughal  Empire.  As  the  governors
consolidated  their  control  over  the  provinces,  the
periodic remission of revenue to the capital declined.
Peasant and zamindari rebellions in many parts of
northern and western India added to these problems.
These revolts were sometimes caused by the pressures
of mounting taxes. At other times they were attempts
by  powerful  chieftains  to  consolidate  their  own
positions. Mughal authority had been challenged by
rebellious groups in the past as well. But these groups
were now able to seize the economic resources of the
region  to  consolidate  their  positions.  The  Mughal
emperors after Aurangzeb were unable to arrest the
gradual  shifting  of  political  and  economic  authority
into the hands of provincial governors, local chieftains
and other groups.
Rich harvests and empty coffers Rich harvests and empty coffers Rich harvests and empty coffers Rich harvests and empty coffers Rich harvests and empty coffers
The following is a contemporary writers account of
the financial bankruptcy of the empire:
The great lords are helpless and impoverished. Their peasants
raise two crops a year, but their lords see nothing of either,
and  their  agents  on  the  spot  are  virtual  prisoners  in  the
peasants hands, like a peasant kept in his creditors house
until he can pay his debt. So complete is the collapse of all
order  and  administration  that  though  the  peasant  reaps  a
harvest of gold, his lord does not see so much as a wisp of
straw. How then can the lord keep the armed force he should?
How can he pay the soldiers who should go before him when
he goes out, or the horsemen who should ride behind him?
141
In the midst of this economic and political crisis,
the ruler of Iran, Nadir Shah, sacked and plundered
the  city  of  Delhi  in  1739  and  took  away  immense
amounts of wealth. This invasion was followed by a
series of plundering raids by the Afghan ruler Ahmad
Shah  Abdali,  who  invaded  north  India  five  times
between 1748 and 1761.
Nadir Shah attacks Delhi Nadir Shah attacks Delhi Nadir Shah attacks Delhi Nadir Shah attacks Delhi Nadir Shah attacks Delhi
The devastation of Delhi after Nadir Shahs invasion
was described by contemporary observers. One
described the wealth looted from the Mughal treasury
as follows:
sixty  lakhs  of  rupees  and  some  thousand  gold  coins,  nearly
one  crore  worth  of  gold-ware,  nearly  fifty  crores  worth  of
jewels, most of them unrivalled in the world, and the above
included the Peacock throne.
 Another account described the invasions impact
upon Delhi:
(those)    who  had  been  masters  were  now  in  dire  straits;
and those who had been revered couldnt even (get water to)
quench  their  thirst.  The  recluses  were  pulled  out  of  their
corners.  The  wealthy  were  turned  into  beggars.  Those  who
once set the style in clothes now went naked; and those who
owned  property  were  now  homeless    The  New  City
(Shahjahanabad) was turned into rubble. (Nadir Shah) then
attacked the Old quarters of the city and destroyed a whole
world that existed there 
Already under severe pressure from all sides, the
empire was further weakened by competition amongst
different groups of nobles. They were divided into two
major groups or factions, the Iranis and Turanis (nobles
of Turkish descent). For a long time, the later Mughal
emperors were puppets in the hands of either one or
the  other  of  these  two  powerful  groups.  The  worst
Fig. 1
A 1779 portrait of Nadir
Shah.
EIGHTEENTH-CENTURY
POLITICAL FORMATIONS
142 OUR PASTS  II
possible humiliation came when two Mughal
emperors,  Farrukh  Siyar  (1713-1719)  and
Alamgir  II  (1754-1759)  were  assassinated,
and two others Ahmad Shah (1748-1754) and
Shah  Alam  II  (1759-1816)  were  blinded  by
their nobles.
Emergence of New States Emergence of New States Emergence of New States Emergence of New States Emergence of New States
With the decline in the authority of the Mughal
emperors, the governors of large  provinces,
subadars,  and  the  great  zamindars
consolidated their authority in different parts
of the subcontinent. Through the eighteenth
century,  the  Mughal  Empire  gradually
fragmented  into  a  number  of  independent,
regional states. Broadly speaking the states
of  the  eighteenth  century  can  be  divided  into  three
overlapping groups: (1) States that were old Mughal
provinces  like  Awadh,  Bengal  and  Hyderabad.
Although extremely powerful and quite independent,
the rulers of these states did not break their formal
ties  with  the  Mughal  emperor.  (2)  States  that  had
enjoyed considerable independence under the Mughals
as  watan  jagirs.  These  included  several  Rajput
principalities. (3) The last group included states under
the control of Marathas, Sikhs and others like the Jats.
These  were  of  differing  sizes  and  had  seized  their
independence  from  the  Mughals  after  a  long-drawn
armed struggle.
The Old Mughal Provinces The Old Mughal Provinces The Old Mughal Provinces The Old Mughal Provinces The Old Mughal Provinces
Amongst  the  states  that  were  carved  out  of  the  old
Mughal  provinces  in  the  eighteenth  century,  three
stand out very prominently. These were Awadh, Bengal
and  Hyderabad.  All  three  states  were  founded  by
members of the high Mughal nobility who had been
governors of large provinces  Saadat Khan (Awadh),
Murshid Quli Khan (Bengal) and Asaf Jah (Hyderabad).
All three had occupied high mansabdari positions and
enjoyed the trust and confidence of the emperors. Both
Fig. 2
Farrukh  Siyar
receiving a noble
in  court.
143
EIGHTEENTH-CENTURY
POLITICAL FORMATIONS
Asaf Jah and Murshid Quli Khan held a zat rank of
7,000 each, while Saadat Khans zat was 6,000.
Hyderabad
Nizam-ul-Mulk  Asaf  Jah,  the  founder  of  Hyderabad
state, was one of the most powerful members at the
court of the Mughal Emperor Farrukh Siyar. He was
entrusted first with the governorship of Awadh, and
later  given  charge  of  the  Deccan.  As  the  Mughal
governor  of  the  Deccan  provinces,  Asaf  Jah  already
had  full  control  over  its  political  and  financial
administration. Taking advantage of the turmoil in the
Deccan and the competition amongst the court nobility,
he gathered power in his hands and became the actual
ruler of that region.
Asaf Jah brought skilled soldiers and administrators
from  northern  India  who  welcomed  the  new
opportunities in the south.  He appointed mansabdars
and granted jagirs. Although he was still a servant of
the  Mughal  emperor,  he  ruled  quite  independently
without seeking any direction from Delhi or facing any
interference. The Mughal emperor merely confirmed
the decisions already taken by the Nizam.
The state of Hyderabad was constantly engaged in a
struggle  against  the  Marathas  to  the  west  and  with
independent  Telugu  warrior  chiefs  (nayakas)  of  the
plateau. The ambitions of the Nizam to control the rich
textile-producing areas of the Coromandel coast in the
east were checked by the British who were becoming
increasingly powerful in that region (see Map 2).
The Nizams army The Nizams army The Nizams army The Nizams army The Nizams army
A description of the Nizam of Hyderabads personal
troopers in 1790:
The Nizam has a swaree (sawari) of 400 elephants, several
thousand of horsemen near his person who receive upwards
100 R(upees)s nominal pay (and) are extremely well mounted
and richly caparisoned 
144 OUR PASTS  II
?
Awadh
Burhan-ul-Mulk Saadat Khan
was  appointed  subadar  of
Awadh  in  1722  and  founded
a  state  which  was  one  of  the
most  important  to  emerge
out  of  the  break-up  of  the
Mughal Empire. Awadh was a
prosperous region, controlling
the  rich  alluvial  Ganga  plain
and  the  main  trade  route
between  north  India  and
Bengal.  Burhan-ul-Mulk  also
held  the  combined  offices  of
subadari, diwani and faujdari.
In  other  words,  he  was
responsible  for  managing  the
political, financial and military
affairs of the province of Awadh.
Burhan-ul-Mulk  tried  to
decrease  Mughal  influence  in  the  Awadh  region  by
reducing  the  number  of  office  holders  (jagirdars)
appointed by the Mughals. He also reduced the size
of  jagirs,  and  appointed  his  own  loyal  servants  to
vacant  positions.  The  accounts  of  jagirdars  were
checked to prevent cheating and the revenues of all
districts were reassessed by officials appointed by the
Nawabs  court.  He  seized  a  number  of  Rajput
zamindaris and the agriculturally fertile lands of the
Afghans of Rohilkhand.
The state depended on local bankers and mahajans
for loans. It sold the right to collect tax to the highest
bidders. These revenue farmers (ijaradars) agreed to
pay  the  state  a  fixed  sum  of  money.  Local  bankers
guaranteed the payment of this contracted amount to
the  state.  In  turn,  the  revenue-farmers  were  given
considerable freedom in the assessment and collection
of  taxes.  These  developments  allowed  new  social
groups, like moneylenders and bankers, to influence
In trying to
consolidate their
rule, why did
Mughal subadars
also want to
control the office
of diwan?
Fig. 3
Burhan-ul-Mulk
Saadat Khan.
145
the  management  of  the  states  revenue  system,
something which had not occurred in the past.
Bengal
Bengal  gradually  broke  away  from  Mughal  control
under Murshid Quli Khan who was appointed as the
naib, deputy to the governor of the province. Although
never  a  formal  subadar,  Murshid  Quli  Khan  very
quickly seized all the power that went with that office.
Like  the  rulers  of  Hyderabad  and  Awadh  he  also
commanded the revenue administration of the state.
In an effort to reduce Mughal influence in Bengal he
transferred all Mughal jagirdars to Orissa and ordered
a  major  reassessment  of  the  revenues  of  Bengal.
Revenue  was  collected  in  cash  with  great  strictness
from all zamindars. As a result, many zamindars had
to  borrow  money  from  bankers  and  moneylenders.
Those unable to pay were forced to sell their lands to
larger zamindars.
The  formation  of  a  regional  state  in  eighteenth-
century Bengal therefore led to considerable change
amongst  the  zamindars.  The  close  connection
between  the  state  and  bankers    noticeable  in
Fig. 4
Alivardi Khan holding
court.
EIGHTEENTH-CENTURY
POLITICAL FORMATIONS
146 OUR PASTS  II
Hyderabad  and  Awadh  as  well    was  evident  in
Bengal  under  the  rule  of  Alivardi  Khan  (r.  1740-
1756). During his reign the banking house of Jagat
Seth became extremely prosperous.
If  we  take  a  birds  eye  view,  we  can  detect  three
common features amongst these states. First, though
many of the larger states were established by erstwhile
Mughal nobles they were highly suspicious of some of
the administrative systems that they had inherited, in
particular the jagirdari system. Second, their method
of tax collection differed. Rather than relying upon the
officers of the state, all three regimes contracted with
revenue-farmers  for  the  collection  of  revenue.  The
practice  of  ijaradari,  thoroughly  disapproved  of  by
the Mughals, spread all over India in the eighteenth
century.  Their  impact  on  the  countryside  differed
considerably. The third common feature in all these
regional states was their emerging relationship with
rich bankers and merchants. These people lent money
to  revenue  farmers,  received  land  as  security  and
collected  taxes  from  these  lands  through  their  own
agents. Throughout India the richest merchants and
bankers were gaining a stake in the new political order.
The The The The The Watan Jagirs  Watan Jagirs  Watan Jagirs  Watan Jagirs  Watan Jagirs of the Rajputs of the Rajputs of the Rajputs of the Rajputs of the Rajputs
Many  Rajput  kings,  particularly  those  belonging  to
Amber and Jodhpur, had served under the Mughals
with distinction. In exchange, they were permitted to
enjoy considerable autonomy in their watan jagirs. In
the eighteenth century, these rulers now attempted to
extend their control over adjacent regions. Ajit Singh,
the ruler of Jodhpur, was also involved in the factional
politics at the Mughal court.
These  influential  Rajput  families  claimed  the
subadari of the rich provinces of Gujarat and Malwa.
Raja Ajit Singh of Jodhpur held the governorship of
Gujarat  and  Sawai  Raja  Jai  Singh  of  Amber  was
governor  of  Malwa.  These  offices  were  renewed  by
Emperor Jahandar Shah in 1713. They also tried to
147
extend their territories by seizing portions of imperial
territories  neighbouring  their  watans.  Nagaur  was
conquered  and  annexed  to  the  house  of  Jodhpur,
while  Amber  seized  large  portions  of  Bundi.  Sawai
Raja Jai Singh founded his new capital at Jaipur and
was  given  the  subadari  of  Agra  in  1722.  Maratha
campaigns into Rajasthan from the 1740s put severe
pressure  on  these  principalities  and  checked  their
further expansion.
Raja Jai Singh of Jaipur Raja Jai Singh of Jaipur Raja Jai Singh of Jaipur Raja Jai Singh of Jaipur Raja Jai Singh of Jaipur
A description of Raja Jai Singh in a Persian account of
1732:
Raja Jai Singh was at the height of his power. He was the
governor of Agra for 12 years and of Malwa for 5 or 6 years.
He  possessed  a  large  army,  artillery  and  great  wealth.  His
sway extended from Delhi to the banks of the Narmada.
Fig. 5
Mehrangarh  Fort,
Jodhpur.
EIGHTEENTH-CENTURY
POLITICAL FORMATIONS
148 OUR PASTS  II
Seizing Independence Seizing Independence Seizing Independence Seizing Independence Seizing Independence
The Sikhs
The organisation of the Sikhs into a political community
during the seventeenth century (see Chapter 8) helped
in regional state-building in the Punjab. Several battles
were fought by Guru Gobind Singh against the Rajput
and Mughal rulers, both before and after the institution
of  the  Khalsa  in  1699.  After  his  death  in  1708,  the
Khalsa  rose  in  revolt  against  the  Mughal  authority
under  Banda  Bahadurs  leadership,  declared  their
sovereign rule by striking coins in the name of Guru
Nanak and Guru Gobind Singh, and established their
own  administration  between  the  Sutlej  and  the
Jamuna. Banda Bahadur was captured in 1715 and
executed in 1716.
Fig. 6
Guru  Gobind  Singh,
the  tenth  guru.
?
What is the Khalsa?
Do you recall
reading about
it in Chapter 8?
149
Under a number of able leaders in the eighteenth
century, the Sikhs organized themselves into a number
of  bands  called  jathas,  and  later  on  misls.  Their
combined forces were known as the grand army (dal
khalsa). The entire body used to meet at Amritsar at
the  time  of  Baisakhi  and  Diwali  to  take  collective
decisions  known  as  resolutions  of  the  Guru
(gurmatas).  A  system  called  rakhi  was  introduced,
offering protection to cultivators on the payment of a
tax of 20 per cent of the produce.
Guru Gobind Singh had inspired the Khalsa with
the  belief  that  their  destiny  was  to  rule  (raj  karega
khalsa). Their well-knit organization enabled them to
put up a successful resistance to the Mughal governors
first and then to Ahmad Shah Abdali who had seized
the  rich  province  of  the  Punjab  and  the  Sarkar  of
Sirhind from the Mughals. The Khalsa declared their
sovereign rule by striking their own coin again in 1765.
Significantly,  this  coin  bore  the  same  inscription  as
the one on the orders issued by the Khalsa in the time
of Banda Bahadur.
The Sikh territories in the late eighteenth century
extended from the Indus to the Jamuna but they were
divided under different rulers. One of them, Maharaja
Ranjit Singh, reunited these groups and established
his capital at Lahore in 1799.
The Marathas
The Maratha kingdom was another powerful regional
kingdom  to  arise  out  of  a  sustained  opposition  to
Mughal rule. Shivaji (1627-1680) carved out a stable
kingdom with the support of powerful warrior families
(deshmukhs).  Groups  of  highly  mobile,  peasant-
pastoralists  (kunbis)  provided  the  backbone  of  the
Maratha army. Shivaji used these forces to challenge
the  Mughals  in  the  peninsula.  After  Shivajis  death,
effective power in the Maratha state was wielded by a
family of Chitpavan Brahmanas who served Shivajis
successors as Peshwa (or principal minister). Poona
became the capital of the Maratha kingdom.
Fig. 7
Sword of Maharaja
Ranjit  Singh.
EIGHTEENTH-CENTURY
POLITICAL FORMATIONS
150 OUR PASTS  II
Under the Peshwas, the Marathas developed a very
successful  military  organisation.  Their  success  lay
in  bypassing  the  fortified  areas  of  the  Mughals,  by
raiding cities and by engaging Mughal armies in areas
where  their  supply  lines  and  reinforcements  could
be easily disturbed.
Between  1720  and  1761,  the  Maratha  empire
expanded. It gradually chipped away at the authority
of the Mughal Empire. Malwa and Gujarat were seized
from the Mughals by the 1720s. By the 1730s, the
Maratha king was recognised as the overlord of the
entire Deccan peninsula. He possessed the right to
levy chauth and sardeshmukhi in the entire region.
After raiding Delhi in 1737 the frontiers of Maratha
domination expanded rapidly: into Rajasthan and the
Punjab  in  the  north;  into  Bengal  and  Orissa  in  the
east; and into Karnataka and the Tamil and Telugu
countries  in  the  south  (see  Map  1).  These  were  not
formally  included  in  the  Maratha  empire,  but  were
made  to  pay  tribute  as  a  way  of  accepting  Maratha
sovereignty. Expansion brought enormous resources,
but it came at a price. These military campaigns also
made other rulers hostile towards the Marathas. As a
result, they were not inclined to support the Marathas
during the third battle of Panipat in 1761.
Alongside endless military campaigns, the Marathas
developed an effective administrative system as well.
Once conquest had been completed and Maratha rule
was  secure,  revenue  demands  were  gradually
introduced  taking  local  conditions  into  account.
Agriculture  was  encouraged  and  trade  revived.  This
allowed  Maratha  chiefs  (sardars)  like  Sindhia  of
Gwalior, Gaekwad of Baroda and Bhonsle of Nagpur
the  resources  to  raise  powerful  armies.  Maratha
campaigns into Malwa in the 1720s did not challenge
the growth and prosperity of the cities in the region.
Ujjain expanded under Sindhias patronage and Indore
under Holkars. By all accounts these cities were large
and  prosperous  and  functioned  as  important
Chauth
25 per cent of the
land  revenue
claimed by
zamindars. In the
Deccan this was
collected by the
Marathas.
Sardeshmukhi
9-10  per  cent  of
the land revenue
paid to the head
revenue  collector
in  the  Deccan.
151
commercial  and  cultural  centres.  New  trade  routes
emerged within the areas controlled by the Marathas.
The silk produced in the Chanderi region now found a
new outlet in Poona, the Maratha capital. Burhanpur
which  had  earlier  participated  in  the  trade  between
Agra and Surat now expanded its hinterland to include
Poona  and  Nagpur  in  the  south  and  Lucknow  and
Allahabad in the east.
The Jats
Like the other states the Jats consolidated their power
during the late seventeenth and eighteenth-centuries.
Under their leader, Churaman, they acquired control
over territories situated to the west of the city of Delhi,
and  by  the  1680s  they  had  begun  dominating  the
region between the two imperial cities of Delhi and
Agra. For a while they became the virtual custodians
of the city of Agra.
The Jats were prosperous agriculturists, and towns
like  Panipat  and  Ballabhgarh  became  important
trading centres in the areas dominated by them. Under
Suraj  Mal  the  kingdom  of  Bharatpur  emerged  as  a
strong state. When Nadir Shah sacked Delhi in 1739,
many of the citys notables took refuge there. His son
Jawahir Shah had 30,000 troops of his own and hired
Fig. 8
Eighteenth-century
palace complex at
Dig.
Note the Bangla
dome on the
assembly hall on the
roof  of  the  building.
EIGHTEENTH-CENTURY
POLITICAL FORMATIONS
152 OUR PASTS  II
another  20,000  Maratha  and  15,000  Sikh  troops  to
fight the Mughals.
While  the  Bharatpur  fort  was  built  in  a  fairly
traditional style, at Dig the Jats built an elaborate garden
palace combining styles seen at Amber and Agra. Its
buildings  were  modelled  on  architectural  forms  first
associated with royalty under Shah Jahan (see Figure
12 in Chapter 5 and Figure 12 in Chapter 9).
The French Revolution (1789-1794)
In the various state systems of eighteenth-century India, the common
people did not enjoy the right to participate in the affairs of their
governments. In the Western world, this was the situation until the
late eighteenth century. The American (1776-1781) and French
Revolutions challenged the social and political privileges enjoyed
by the aristocrats.
During the French Revolution, the middle classes, peasants and
artisans fought against the special rights enjoyed by the clergy and
the nobility. They believed that no group in society should have
privileges based on birth. Rather, peoples social position must
depend on merit. The philosophers of the French Revolution
suggested that there be equal laws and opportunities for all. They
also held that the authority of the government should come from
the people who must possess the right to participate in its affairs.
Movements such as the French and American Revolutions gradually
transformed subjects into citizens.
The ideas of citizenship, nation-state and democratic rights took
root in India from the late nineteenth century.
Imagine
You  are  a  ruler  of  an  eighteenth-
century  kingdom.  Tell  us  about  the
steps  you  would  take  to  make  your
position strong in your province, and
what opposition or problems you might
face while doing so.
E
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153
KEYWORDS
subadari
dal khalsa
misl
faujdari
ijaradari
chauth
sardeshmukhi
 Lets recall
1. Match the following:
subadar a revenue farmer
faujdar a high noble
ijaradar provincial governor
misl Maratha peasant warriors
chauth a Mughal military commander
kunbis a band of Sikh warriors
umara tax levied by the Marathas
2. Fill in the blanks:
(a) Aurangzeb fought a protracted war in the
____________________.
(b) Umara and jagirdars constituted powerful
sections of the Mughal __________________.
(c) Asaf Jah was given charge of the Deccan
subadari in _____________________.
(d) The founder of the Awadh nawabi was
______________________.
3. State whether true or false:
(a) Nadir Shah invaded Bengal.
(b) Sawai Raja Jai Singh was the ruler of Indore.
(c) Guru Gobind Singh was the tenth Guru of
the Sikhs.
(d) Poona became the capital of the Marathas in
the eighteenth century.
4. What were the offices held by Saadat Khan?
EIGHTEENTH-CENTURY
POLITICAL FORMATIONS
154 OUR PASTS  II
Lets discuss
5. Why did the Nawabs of Awadh and Bengal try to do
away with the jagirdari system?
6. How  were  the  Sikhs  organised  in  the  eighteenth
century?
7. Why  did  the  Marathas  want  to  expand  beyond  the
Deccan?
8. What  were  the  policies  adopted  by  Asaf  Jah  to
strengthen his position?
9. Do you think merchants and bankers today have the
kind of influence they had in the eighteenth century?
10. Did any of the kingdoms mentioned in this chapter
develop  in  your  state?  If  so,  in  what  ways  do  you
think life in the state would have been different in
the eighteenth century from what it is in the twenty-
first century?
Lets do
11. Find  out  more  about  the  architecture  and  culture
associated with the new courts of any of the following
Awadh, Bengal or Hyderabad.
12. Collect popular tales about-rulers from any one of the
following groups of people: the Rajputs, Jats, Sikhs
or Marathas.
115
Women  and  men  have  travelled  in  search  of  work,  to  escape
from  natural  disasters,  as  traders,  merchants,  soldiers,
priests,  pilgrims,  or  driven  by  a  sense  of  adventure.
Those  who  visit  or  come  to  stay  in  a  new  land
invariably  encounter  a  world  that  is  different:
in  terms  of  the  landscape  or  physical
environment  as  well  as  customs,  languages,
beliefs  and  practices  of  people.  Many  of  them
try  to  adapt  to  these  differences;  others,
somewhat  exceptional,  note  them  carefully  in
accounts,  generally  recording  what  they  find
unusual  or  remarkable.  Unfortunately,  we  have
practically  no  accounts  of  travel  left  by  women,  though
we  know  that  they  travelled.
The  accounts  that  survive  are  often  varied  in  terms  of
their  subject  matter.  Some  deal  with  affairs  of  the  court,
while  others  are  mainly  focused  on  religious  issues,  or
architectural  features  and  monuments.  For  example,  one
of  the  most  i mportant  descri pti ons  of  the  ci ty  of
Vijayanagara  (Chapter  7)  in  the  fifteenth  century  comes
from  Abdur  Razzaq  Samarqandi,  a  diplomat  who  came
visiting  from  Herat.
In  a  few  cases,  travellers  did  not  go  to  distant  lands.  For
example,  in  the  Mughal  Empire  (Chapters  8  and  9),
administrators  sometimes  travelled  within  the
empire  and  recorded  their  observations.  Some
of them were interested in looking at popular
customs  and  the  folklore  and  traditions  of
their  own  land.
In  this  chapter  we  shall  see  how  our
knowledge  of  the  past  can  be  enriched
through  a  consideration  of  descriptions  of
social  life  provided  by  travellers  who  visited
the  subcontinent,  focusing  on  the  accounts  of  three
men:  Al-Biruni  who  came  from  Uzbekistan  (eleventh
century),  Ibn  Battuta  who  came  from  Morocco,  in
northwestern  Africa  (fourteenth  century)  and  the
Frenchman  Franois  Bernier  (seventeenth  century).
Through  the  Eyes  of  Travellers
Perceptions  of  Society Perceptions  of  Society Perceptions  of  Society Perceptions  of  Society Perceptions  of  Society
( (( ((c cc cc.  tenth  to  seventeenth  century) .  tenth  to  seventeenth  century) .  tenth  to  seventeenth  century) .  tenth  to  seventeenth  century) .  tenth  to  seventeenth  century)
THEME
FIVE
Fig.  5.1b
A coconut
The  coconut  and  the  paan
were  things  that  struck  many
travellers  as  unusual.
Fig.  5.1a
Paan  leaves
 THEMES IN INDIAN HISTORY  PART II 116
As  these  authors  came  from  vastly  different
social  and  cultural  environments,  they  were  often
more attentive to everyday activities and practices
which  were  taken  for  granted  by  indigenous
writers,  for  whom  these  were  routine  matters,  not
worthy  of  being  recorded.  It  is  this  difference  in
perspective  that  makes  the  accounts  of  travellers
interesting.  Who  did  these  travellers  write  for?  As
we  will  see,  the  answers  vary  from  one  instance
to  the  next.
1. Al-Biruni and the
Kitab-ul-Hind
1.1 From Khwarizm to the Punjab
Al-Biruni was born in 973, in Khwarizm in present-
day Uzbekistan. Khwarizm was an important centre
of  l earni ng,  and  Al -Bi runi   recei ved  the  best
education  available  at  the  time.  He  was  well  versed
in  several  languages:  Syriac,  Arabic,  Persian,
Hebrew  and  Sanskrit.  Although  he  did  not  know
Greek,  he  was  familiar  with  the  works  of  Plato
and  other  Greek  phi l osophers,  havi ng  read
them  in Arabic translations. In 1017, when Sultan
Mahmud  i nvaded  Khwari zm,  he  took  several
scholars  and  poets  back  to  his  capital,  Ghazni;
Al-Biruni was one of them. He arrived in Ghazni as
a  hostage,  but  gradually  developed  a  liking  for  the
city,  where  he  spent  the  rest  of  his  life  until  his
death  at  the  age  of  70.
It  was  in  Ghazni  that  Al-Biruni  developed  an
interest  in  India.  This  was  not  unusual.  Sanskrit
works on astronomy, mathematics and medicine had
been  translated  into  Arabic  from  the  eighth  century
onwards.  When  the  Punjab  became  a  part  of  the
Ghaznavid empire, contacts with the local population
helped  create  an  environment  of  mutual  trust  and
understanding. Al-Biruni spent years in the company
of Brahmana priests and scholars, learning Sanskrit,
and studying religious and philosophical texts. While
his itinerary is not clear, it is likely that he travelled
widely  in  the  Punjab  and  parts  of  northern  India.
Travel  literature  was  already  an  accepted  part  of
Arabic literature by the time he wrote. This literature
dealt  with  lands  as  far  apart  as  the  Sahara  desert
in the west to the River Volga in the north. So, while
Translating  texts,
sharing ideas
Al-Birunis  expertise  in  several
l anguages  al l owed  hi m  t o
compare  l anguages  and
translate  texts.  He  translated
several Sanskrit works, including
Patanjalis  work  on  grammar,
into Arabic. For his Brahmana
f ri ends,   he  t ransl at ed  t he
works  of   Eucl i d  (a  Greek
mathematician) into Sanskrit.
Al-Birunis  objectives
Al-Biruni described his work as:
a help to those who want to
discuss  religious  questions
with them (the Hindus), and
as a repertory of information
t o  t hose  who  want   t o
associate with them.
Source 1
 Read the excerpt from
Al-Biruni (Source 5) and
discuss whether his work
met these objectives.
117
few people in India would have read Al-Biruni before
1500,  many  others  outside  India  may  have  done  so.
1.2  The Kitab-ul- Hind
Al-Birunis Kitab-ul-Hind, written in Arabic, is simple
and  lucid.  It  is  a  voluminous  text,  divided  into
80  chapters  on  subjects  such  as  religion  and
philosophy,  festivals,  astronomy,  alchemy,  manners
and  customs,  social  life,  weights  and  measures,
iconography,  laws  and    metrology.
Generally (though not always), Al-Biruni adopted
a  distinctive  structure  in  each  chapter,  beginning
with a question, following this up with a description
based  on  Sanskritic  traditions,  and  concluding
with  a  comparison  with  other  cultures.  Some
present-day  scholars  have  argued  that  this  almost
geometric structure, remarkable for its precision and
predictability,  owed  much  to  his  mathematical
orientation.
Al-Biruni, who wrote in Arabic, probably intended
his  work  for  peoples  living  along  the  frontiers  of  the
subcontinent.  He  was  familiar  with  translations
and  adaptations  of  Sanskrit,  Pali  and  Prakrit  texts
into  Arabic    these  ranged  from  fables  to  works  on
astronomy  and  medicine.  However,  he  was  also
critical  about  the  ways  in  which  these  texts  were
written,  and  clearly  wanted  to  improve  on  them.
THROUGH THE EYES OF TRAVELLERS
Metrology  is  the  science  of
measurement.
Hindu
The term Hindu was derived
from  an  Old  Persian  word,
used  c.  sixth-fifth  centuries
BCE, to refer to the region east
of  the  river  Sindhu  (Indus).
The  Arabs  cont i nued  t he
Persian usage and called this
regi on  al -Hi nd  and  i t s
peopl e  Hi ndi .  Later  the
Turks  referred  to  the  people
east of the Indus as Hindu,
their land as Hindustan, and
their  language  as  Hindavi.
None  of  these  expressions
indicated the religious identity
of  the  people.  It  was  much
later that the term developed
religious connotations.
  Discuss...
If  Al-Biruni  lived  in  the
twenty-first  century,  which
are  the  areas  of  the  world
where  he  could  have  been
easily  understood,  if  he  still
knew  the  same  languages?
Fig.  5.2
An illustration from a thirteenth-
century  Arabic  manuscript
showing the Athenian
statesman and poet Solon, who
lived in the sixth century BCE,
addressing his students
Notice  the  clothes  they  are
shown  in.
 Are these clothes Greek
or Arabian?
 THEMES IN INDIAN HISTORY  PART II 118
2. Ibn Battutas Rihla
2.1  An  early  globe-trotter
Ibn Battutas book of travels, called Rihla, written in
Arabic,  provides  extremely  rich  and  interesting
details  about  the  social  and  cultural  life  in  the
subcontinent  in  the  fourteenth  century.  This
Moroccan  traveller  was  born  in  Tangier  into  one  of
the  most  respectable  and  educated  families  known
for their expertise in Islamic religious law or sharia.
True  to  the  tradition  of  his  family,  Ibn  Battuta
received  literary  and  scholastic  education  when  he
was  quite  young.
Unlike  most  other  members  of  his  class,  Ibn
Battuta considered experience gained through travels
to  be  a  more  important  source  of  knowledge  than
books.  He  just  loved  travelling,  and  went  to  far-off
places,  exploring  new  worlds  and  peoples.  Before  he
set off for India in 1332-33, he had made pilgrimage
trips to Mecca, and had already travelled extensively
in  Syria,  Iraq,  Persia,  Yemen,  Oman  and  a  few
trading  ports  on  the  coast  of  East  Africa.
Travelling  overland  through  Central  Asia,  Ibn
Battuta  reached  Sind  in  1333.  He  had  heard
about  Muhammad  bin  Tughlaq,  the  Sultan  of  Delhi,
and  lured  by  his  reputation  as  a  generous  patron
of arts and letters, set off for Delhi, passing through
Multan  and  Uch.  The  Sultan  was  impressed  by
his scholarship, and appointed him the qazi  or judge
of  Delhi.  He  remained  in  that  position  for  several
years,  until  he  fell  out  of  favour  and  was  thrown
into  prison.  Once  the  misunderstanding  between
him  and  the  Sultan  was  cleared,  he  was
restored  to  imperial  service,  and  was
ordered in 1342 to proceed to China as the
Sultans  envoy  to  the  Mongol  ruler.
With  the  new  assignment,  Ibn  Battuta
proceeded  to  the  Malabar  coast  through
central  India.  From  Malabar  he  went  to
the  Maldives,  where  he  stayed  for  eighteen
months as the qazi, but eventually decided
to proceed to Sri Lanka. He then went back
once  more  to  the  Malabar  coast  and  the
Maldives, and before resuming his mission
to China, visited Bengal and Assam as well.
He took a ship to Sumatra, and from there
another  ship  for  the  Chinese  port  town  of
Source 2
Fig.  5.3
Robbers  attacking  travellers,  a
sixteenth-century  Mughal  painting
 How can you distinguish the
travellers from the robbers?
The  bird  leaves  its  nest
This is an excerpt from the Rihla:
My departure from Tangier,
my birthplace, took place on
Thursday ... I set out alone,
havi ng  nei t her  f el l ow-
traveller  ...  nor  caravan
whose party I might join, but
swayed by an overmastering
impulse  within  me  and  a
desire long-cherished in my
bosom  t o  vi si t   t hese
illustrious sanctuaries. So I
braced my resolution to quit
all my dear ones, female and
male, and forsook my home
as birds forsake their nests ...
My  age  at  that  time  was
twenty-two years.
Ibn Battuta returned home in
1354,  about  30  years  after  he
had set out.
119
Zaytun  (now  known  as  Quanzhou).  He  travelled
extensively in China, going as far as Beijing, but did
not  stay  for  long,  deciding  to  return  home  in  1347.
His  account  is  often  compared  with  that  of  Marco
Polo,  who  visited  China  (and  also  India)  from  his
home  base  in  Venice  in  the  late  thirteenth  century.
Ibn Battuta meticulously recorded his observations
about  new  cultures,  peoples,  beliefs,  values,  etc.
We  need  to  bear  in  mind  that  this  globe-trotter  was
travelling  in  the  fourteenth  century,  when  it  was
much more arduous and hazardous to travel than it
is today. According to Ibn Battuta, it took forty days
to  travel  from  Multan  to  Delhi  and  about  fifty  days
from  Sind  to  Delhi.  The  distance  from  Daulatabad
to  Delhi  was  covered  in  forty  days,  while  that  from
Gwalior  to  Delhi  took  ten  days.
Fig.  5.4
A  boat  carrying  passengers,
a terracotta sculpture from
a temple in Bengal
(c. seventeenth-eighteenth  centuries)
 Why do you think some of
the passengers are carrying
arms?
THROUGH THE EYES OF TRAVELLERS
The lonely traveller
Robbers were not the only hazard on long journeys: the traveller could feel homesick,
or fall ill. Here is an excerpt from the Rihla:
I was attacked by the fever, and I actually tied myself on the saddle with a turban-
cloth in case I should fall off by reason of my weakness ... So at last we reached
the town of Tunis, and the townsfolk came out to welcome the shaikh ... and ...
the son of the qazi ... On all sides they came forward with greetings and questions
to one another, but not a soul said a word of greeting to me, since there was none
of them I knew. I felt so sad at heart on account of my loneliness that I could not
restrain the tears that started to my eyes, and wept bitterly. But one of the pilgrims,
realising the cause of my distress, came up to me with a greeting ...
 THEMES IN INDIAN HISTORY  PART II 120
Travelling  was  also  more  insecure:  Ibn  Battuta
was  attacked  by  bands  of  robbers  several  times.
In  fact  he  preferred  travelling  in  a  caravan  along
with  companions,  but  this  did  not  deter  highway
robbers.  While  travelling  from  Multan  to  Delhi,
for  instance,  his  caravan  was  attacked  and  many
of  his  fellow  travellers  lost  their  lives;  those
travellers  who  survived,  including  Ibn  Battuta,
were  severely  wounded.
2.2 The enjoyment of curiosities
As  we  have  seen,  Ibn  Battuta  was  an  inveterate
traveller  who  spent  several  years  travelling  through
north  Africa,  West  Asia  and  parts  of  Central  Asia
(he  may  even  have  visited  Russia),  the  Indian
subcontinent  and  China,  before  returning  to  his
native  land,  Morocco.  When  he  returned,  the  local
ruler issued instructions that his stories be recorded.
Map 1
Places  visited  by
Ibn Battuta in
Afghanistan,
Sind  and  Punjab
Many  of  the
place-names
have  been  spelt  as
Ibn  Battuta  would
have  known  them.
Sketch map not to scale
ARABIAN SEA
Andkhoy
  Tirmidh
Balkh
  Qunduz
Parwan
Kabul
Ghazna
Qandahar
Ajudahan
Multan
Uja
  Hansi
  Dehli
Sarasati
Abuhar
I
n
d
u
s
Lahari
S
u
t
l
e
j
 Use the scale on the map to
calculate the distance in miles
between Multan and Delhi.
0   100   200   300
121
Education  and  entertainment
This is what Ibn Juzayy, who was deputed to write what
Ibn Battuta dictated, said in his introduction:
A gracious direction was transmitted (by the ruler)
that he (Ibn Battuta) should dictate an account of
the  cities  which  he  had  seen  in  his  travel,  and  of
the  i nteresti ng  events  whi ch  had  cl ung  to  hi s
memory, and that he should speak of those whom
he  had  met  of  the  rul ers  of  countries,  of  their
distinguished men of learning, and their pious saints.
Accordingly,  he  dictated  upon  these  subjects  a
narrative  which  gave  entertainment  to  the  mind
and delight to the ears and eyes, with a variety of
curious  particulars  by  the  exposition  of  which  he
gave  edi f i cati on  and  of   marvel l ous  thi ngs,   by
referring to which he aroused interest.
In the footsteps of Ibn Battuta
In the centuries between 1400 and 1800 visitors to India
wrote a number of travelogues in Persian. At the same
time, Indian visitors to Central Asia, Iran and the Ottoman
empire  also  sometimes  wrote  about  their  experiences.
These writers followed in the footsteps of Al-Biruni and
Ibn Battuta, and had sometimes read these earlier authors.
Among  the  best  known  of  these  writers  were  Abdur
Razzaq Samarqandi, who visited south India in the 1440s,
Mahmud Wali Balkhi, who travelled very widely in the
1620s, and Shaikh Ali Hazin, who came to north India in
the 1740s. Some of these authors were fascinated by India,
and one of them  Mahmud Balkhi  even became a sort
of  sanyasi   for  a  time.  Others  such  as  Hazin  were
disappointed and even disgusted with India, where they
expected to receive a red carpet treatment. Most of them
saw India as a land of wonders.
Source 3
THROUGH THE EYES OF TRAVELLERS
Fig.  5.5
An  eighteenth-century  painting
depicting  travellers  gathered
around a campfire
  Discuss...
Compare  the  objectives  of  Al-Biruni  and
Ibn  Battuta  in  writing  their  accounts.
 THEMES IN INDIAN HISTORY  PART II 122
3. Franois Bernier
A  Doctor  with  a  Difference
Once the Portuguese arrived in India in about 1500,
a number of them wrote detailed accounts regarding
Indian  social  customs  and  religious  practices.  A  few
of  them,  such  as  the  Jesuit  Roberto  Nobili,  even
translated  Indian  texts  into  European  languages.
Among  the  best  known  of  the  Portuguese  writers
is  Duarte  Barbosa,  who  wrote  a  detailed  account  of
trade  and  society  in  south  India.  Later,  after  1600,
we  find  growing  numbers  of  Dutch,  English  and
French  travellers  coming  to  India.  One  of  the  most
famous  was  the  French  jeweller  Jean-Baptiste
Tavernier,  who  travelled  to  India  at  least  six  times.
He  was  particularly  fascinated  with  the  trading
conditions in India, and compared India to Iran and
the  Ottoman  empire.  Some  of  these  travellers,  like
the Italian doctor Manucci, never returned to Europe,
and  settled  down  in  India.
Franois  Bernier,  a  Frenchman,  was  a  doctor,
political  philosopher  and  historian.  Like  many
others,  he  came  to  the  Mughal  Empire  in  search  of
opportunities. He was in India for twelve years, from
1656  to  1668,  and  was  closely  associated  with  the
Mughal court, as a physician to Prince Dara Shukoh,
the eldest son of Emperor Shah Jahan, and later as
an  intellectual  and  scientist,  with  Danishmand
Khan,  an  Armenian  noble  at  the  Mughal  court.
3.1  Comparing  East  and  West
Bernier travelled to several parts of the country, and
wrote accounts of what he saw, frequently comparing
what  he  saw  in  India  with  the  situation  in  Europe.
He  dedicated  his  major  writing  to  Louis  XIV,  the
king  of  France,  and  many  of  his  other  works  were
written  in  the  form  of  letters  to  influential  officials
and  ministers.  In  virtually  every  instance  Bernier
described  what  he  saw  in  India  as  a  bleak  situation
in  comparison  to  developments  in  Europe.  As  we
will  see,  this  assessment  was  not  always  accurate.
However,  when  his  works  were  published,  Berniers
writings  became  extremely  popular.
Fig.  5.6
A  seventeenth-century  painting
depicting  Bernier  in  European
clothes
Fig.  5.7
A  painting  depicting  Tavernier  in  Indian  clothes
123
Travelling  with  the  Mughal  army
Bernier often travelled with the army. This is an excerpt
from his description of the armys march to Kashmir:
I am expected to keep two good Turkoman horses, and
I also take with me a powerful Persian camel and driver,
a  groom  for  my  horses,  a  cook  and  a  servant  to  go
before  my  horse  with  a  flask  of  water  in  his  hand,
according  to  the  custom  of  the  country.  I  am  also
provided  with  every  useful  article,  such  as  a  tent  of
moderate size, a carpet, a portable bed made of four
very strong but light canes, a pillow, a mattress, round
leather table-cloths used at meals, some few napkins of
dyed cloth, three small bags with culinary utensils which
are all placed in a large bag, and this bag is again carried
in a very capacious and strong double sack or net made
of leather thongs. This double sack likewise contains
the  provisions,  linen  and  wearing  apparel,  both  of
master and servants. I have taken care to lay in a stock
of excellent rice for five or six days consumption, of
sweet biscuits flavoured with anise (a herb), of limes
and  sugar.  Nor  have  I  forgotten  a  linen  bag  with  its
small  iron  hook  for  the  purpose  of  suspending  and
draining dahi or curds; nothing being considered so
refreshing in this country as lemonade and dahi.
Berniers  works  were  published  in  France  in
1670-71 and translated into English, Dutch, German
and Italian within the next five years. Between 1670
and  1725  his  account  was  reprinted  eight  times  in
French,  and  by  1684  it  had  been  reprinted  three
times  in  English.  This  was  in  marked  contrast  to
the accounts in Arabic and Persian, which circulated
as  manuscripts  and  were  generally  not  published
before 1800.
The creation and
circulation of ideas
about India
The  wri t i ngs  of   European
travellers  helped  produce  an
image  of  India  for  Europeans
t hrough  t he  pri nt i ng  and
ci rcul at i on  of   t hei r  books.
Later, after 1750, when Indians
like  Shaikh  Itisamuddin  and
Mirza Abu Talib visited Europe
and  conf ront ed  t hi s  i mage
that  Europeans  had  of  their
society, they tried to influence
i t   by  produci ng  t hei r  own
version of matters.
  Discuss...
There  is  a  very  rich  travel
literature  in  Indian
languages.  Find  out  about
travel  writers  in  the  language
you use at home. Read one
such  account  and  describe
the  areas  visited  by  the
traveller,  what  s/he  saw,  and
why  s/he  wrote  the  account.
Source 4
THROUGH THE EYES OF TRAVELLERS
 What are the things from Berniers list
that you would take on a journey today?
 THEMES IN INDIAN HISTORY  PART II 124
4. Making Sense of an Alien World
Al- Biruni  and  the  Sanskritic
Tradition
4.1  Overcoming  barriers  to  understanding
As  we  have  seen,  travellers  often  compared  what
they  saw  in  the  subcontinent  with  practices
with  which  they  were  familiar.  Each  traveller
adopted  distinct strategies to understand what they
observed.    Al-Biruni,  for  instance,  was  aware  of  the
problems  inherent  in  the  task  he  had  set  himself.
He  discussed  several  barriers  that  he  felt
obstructed  understanding.  The  first  amongst  these
was  language.  According  to  him,  Sanskrit  was  so
different  from  Arabic  and  Persian  that  ideas  and
concepts  could  not  be  easily  translated  from  one
language  into  another.
The second barrier he identified was the difference
in religious beliefs and practices. The self-absorption
and  consequent  insularity  of  the  local  population
according  to  him,  constituted  the  third  barrier.
What is interesting is that even though he was aware
of  these  problems,  Al-Biruni  depended  almost
exclusively  on  the  works  of  Brahmanas,  often  citing
passages from the Vedas, the Puranas, the Bhagavad
Gita,  the  works  of  Patanjali,  the  Manusmriti,  etc.,  to
provide  an  understanding  of  Indian  society.
4.2  Al-Birunis  description  of  the  caste  system
Al-Biruni tried to explain the caste system by looking
for  parallels  in  other  societies.  He  noted  that  in
ancient  Persia,  four  social  categories  were
recognised:  those  of  knights  and  princes;  monks,
fire-priests  and  lawyers;  physicians,  astronomers
and  other  scientists;  and  finally,  peasants  and
artisans.  In  other  words,  he  attempted  to  suggest
that  social  divisions  were  not  unique  to  India.  At
the  same  time  he  pointed  out  that  within  Islam  all
men  were  considered  equal,  differing  only  in  their
observance  of  piety.
In  spite  of  his  acceptance  of  the  Brahmanical
description of the caste system, Al-Biruni disapproved
of  the  notion  of  pollution.  He  remarked  that
everything which falls into a state of impurity strives
and  succeeds  in  regaining  its  original  condition  of
purity. The sun cleanses the air, and the salt in the
sea  prevents  the  water  from  becoming  polluted.  If  it
A language with an
enormous range
Al-Biruni described Sanskrit as
follows:
If you want to conquer this
di f f i cul ty  (i . e.   to  l earn
Sanskrit), you will not find
i t  easy,   because  the
language is of an enormous
range, both in words and
inflections, something like
the Arabic, calling one and
the same thing by various
names,  both  original  and
derivative,  and  using  one
and  the  same  word  for  a
variety of subjects, which,
in  order  to  be  properly
underst ood,   must   be
distinguished  from  each
other by various qualifying
epithets.
God knows best!
Travellers did not always believe
what  they  were  tol d.  When
faced with the story of a wooden
idol  that  supposedly  lasted  for
216,432 years, Al-Biruni asks:
How,  then,  could  wood
have lasted such a length of
time,  and  particularly  in  a
place where the air and the
soil  are  rather  wet?  God
knows best!
125
were  not  so,  insisted  Al-Biruni,  life  on  earth  would
have  been  impossible.  The  conception  of  social
pollution,  intrinsic  to  the  caste  system,  was
according  to  him,  contrary  to  the  laws  of  nature.
The  system  of  varnas
This is Al-Birunis account of the system of varnas:
The  highest  caste  are  the  Brahmana,  of  whom  the
books of the Hindus tell us that they were created from
the  head  of  Brahman.  And  as  the  Brahman  is  only
another name for the force called nature, and the head
is the highest part of the  body, the Brahmana are the
choice part of the whole genus. Therefore the Hindus
consider them as the very best of mankind.
The next caste are the Kshatriya, who were created,
as they say, from the shoulders and hands of Brahman.
Their degree is not much below that of the Brahmana.
After them follow the Vaishya, who were created from
the thigh of Brahman.
The Shudra, who were created from his feet . . .
Between  the  latter  two  classes  there  is  no  very
great  distance.  Much,  however,  as  these  classes
differ  from  each  other,  they  live  together  in  the
same towns and villages, mixed together in the same
houses and lodgings.
As  we  have  seen,  Al-Birunis  description  of  the
caste  system  was  deeply  influenced  by  his  study
of normative Sanskrit texts which laid down the rules
governing  the  system  from  the  point  of  view  of
the  Brahmanas.  However,  in  real  life  the  system
was  not  quite  as  rigid.  For  instance,  the  categories
defined as antyaja (literally, born outside the system)
were often expected to provide inexpensive labour to
both    peasants  and  zamindars  (see  also  Chapter  8).
In  other  words,  while  they  were  often  subjected  to
social  oppression,  they  were  included  within
economic  networks.
  Discuss...
How  important  is  knowledge
of  the  language  of  the  area  for
a  traveller  from  a  different
region?
Source 5
 Compare what Al-Biruni
wrote with Source 6, Chapter 3.
Do you notice any similarities
and differences? Do you think
Al-Biruni depended only on
Sanskrit texts for his
information and understanding
of Indian society?
THROUGH THE EYES OF TRAVELLERS
 THEMES IN INDIAN HISTORY  PART II 126
5. Ibn Battuta and the Excitement
of the Unfamiliar
By  the  time  Ibn  Battuta  arrived  in  Delhi  in  the
fourteenth  century,  the  subcontinent  was  part  of  a
global network of communication that stretched from
China  in  the  east  to  north-west  Africa  and  Europe
in  the  west.  As  we  have  seen,  Ibn  Battuta  himself
travelled  extensively  through  these  lands,  visiting
sacred shrines, spending time with learned men and
rulers,  often  officiating  as  qazi,  and  enjoying  the
cosmopolitan  culture  of  urban  centres  where  people
who  spoke  Arabic,  Persian,  Turkish  and  other
languages, shared ideas, information and anecdotes.
These  included  stories  about  men  noted  for  their
piety,  kings  who  could  be  both  cruel  and  generous,
and  about  the  lives  of  ordinary  men  and  women;
anything  that  was  unfamiliar  was  particularly
highlighted  in  order  to  ensure  that  the  listener  or
the  reader  was  suitably  impressed  by  accounts  of
distant  yet  accessible  worlds.
5.1 The coconut and the paan
Some of the best examples of Ibn Battutas strategies
of  representation  are  evident  in  the  ways  in  which
he described the coconut and the paan, two kinds of
plant  produce  that  were  completely  unfamiliar  to
his  audience.
The paan
Read Ibn Battutas description of the paan:
The  betel  is  a  tree  which  is  cultivated  in  the  same
manner as the grape-vine;  The betel has no fruit
and  is  grown  only  for  the  sake  of  its  leaves    The
manner  of  its  use  is  that  before  eating  it  one  takes
areca nut; this is like a nutmeg but is broken up until it
is reduced to small pellets, and one places these in his
mouth and chews them. Then he takes the leaves of
betel, puts a little chalk on them, and masticates them
along with the betel.
Nuts  like  a  mans  head
The following is how Ibn Battuta
described the coconut:
These  trees  are  among  the
most  peculiar  trees  in  kind
and  most  astoni shi ng  i n
habi t.  They  l ook  exactl y
l i ke  date-pal ms,  wi thout
any  di f f erence  bet ween
them  except  that  the  one
produces  nuts  as  its  fruits
and  the  other  produces
dates. The nut of a coconut
t ree  resembl es  a  man s
head, for in it are what look
like two eyes and a mouth,
and the inside of it when it is
green  looks  like  the  brain,
and attached to it is a fibre
which  looks  like  hair.  They
make  from  this  cords  with
which  they  sew  up  ships
instead of (using) iron nails,
and they (also) make from it
cables for vessels.
Source 6
 What are the
comparisons that Ibn
Battuta makes to give his
readers an idea about
what coconuts looked
like? Do you think these
are appropriate? How
does he convey a sense
that this fruit is unusual?
How accurate is his
description?
Source 7
 Why do you think this attracted Ibn
Battutas attention? Is there anything you
would like to add to this description?
127
5.2 Ibn Battuta and Indian cities
Ibn  Battuta  found  cities  in  the  subcontinent  full  of
exciting  opportunities  for  those  who  had  the
necessary  drive,  resources  and  skills.  They  were
densely  populated  and  prosperous,  except  for  the
occasional  disruptions  caused  by  wars  and
invasions. It appears from Ibn Battutas account that
most  cities  had  crowded  streets  and  bright  and
colourful  markets  that  were  stacked  with  a  wide
variety  of  goods.  Ibn  Battuta  described  Delhi  as  a
vast city, with a great population, the largest in India.
Daulatabad (in Maharashtra) was no less, and easily
rivalled  Delhi  in  size.
Source 8
Dehli
Here  is  an  excerpt  from  Ibn  Battutas  account  of  Delhi,  often  spelt  as  Dehli  in  texts
of the period:
The city of Dehli covers a wide area and has a large population ...
The rampart round the city is without parallel. The breadth of its wall
is eleven cubits; and inside it are houses for the night sentry and gate-
keepers. Inside the ramparts, there are store-houses for storing edibles,
magazines, ammunition, ballistas and siege machines. The grains that
are stored (in these ramparts) can last for a long time, without rotting
... In the interior of the rampart, horsemen as well as infantrymen
move from one end of the city to another. The rampart is pierced
through  by  windows  which  open  on  the  side  of  the  city,  and  it  is
through these windows that light enters inside. The lower part of the
rampart is built of stone; the upper part of bricks. It has many towers
close to one another. There are twenty eight gates of this city which
are called darwaza, and of these, the Budaun darwaza is the greatest;
inside the Mandwi darwaza there is a grain market; adjacent to the
Gul darwaza there is an orchard ... It (the city of Dehli) has a fine cemetery in which graves have
domes over them, and those that do not have a dome, have an arch, for sure. In the cemetery
they  sow  flowers  such
as  tuberose,  jasmine,
wi l d  rose,   etc. ;   and
flowers  blossom  there
in all seasons.
 What were the architectural
features that Ibn Battuta
noted?
Compare this description with
the illustrations of the city
shown in Figs. 5.8 and 5.9.
THROUGH THE EYES OF TRAVELLERS
Fig.  5.8  (top)
An  arch  in  Tughlakabad,
Delhi
Fig.  5.9  (left)
Part of the fortification
wall of the settlement
 THEMES IN INDIAN HISTORY  PART II 128
The  bazaars  were  not  only  places  of  economic
transactions,  but  also  the  hub  of  social  and  cultural
activities.  Most  bazaars  had  a  mosque  and  a  temple,
and  in  some  of  them  at  least,  spaces  were  marked  for
public performances by dancers, musicians and singers.
While  Ibn  Battuta  was  not  particularly  concerned
with explaining the prosperity of towns, historians have
used  his  account  to  suggest  that  towns  derived  a
significant  portion  of  their  wealth  through  the
appropriation  of  surplus  from  villages.  Ibn  Battuta
found  Indian  agriculture  very  productive  because  of
the  fertility  of  the  soil,  which  allowed  farmers  to
cultivate  two  crops  a  year.  He  also  noted  that  the
subcontinent  was  well  integrated  with  inter-Asian
networks  of  trade  and  commerce,  with  Indian
manufactures being in great demand in both West Asia
and  Southeast  Asia,  fetching  huge  profits  for  artisans
and  merchants.  Indian  textiles,  particularly  cotton
cloth,  fine  muslins,  silks,  brocade  and  satin,  were  in
great  demand.  Ibn  Battuta  informs  us  that  certain
varieties  of  fine  muslin  were  so  expensive  that  they
could be worn only by the nobles and the very rich.
Music  in  the  market
Read Ibn Battutas description of Daulatabad:
In  Daulatabad  there  is  a  market  place  for  male  and
female singers, which is known as Tarababad. It is one
of  the  greatest  and  most  beautiful  bazaars.  It  has
numerous  shops  and  every  shop  has  a  door  which
leads  into  the  house  of  the  owner  ...  The  shops  are
decorated  with  carpets  and  at  the  centre  of  a  shop
there is a swing on which sits the female singer. She is
decked with all kinds of finery and her female attendants
swing her. In the middle of the market place there stands
a large cupola, which is carpeted and decorated and
in which the chief of the musicians takes his place every
Thursday after the dawn prayers, accompanied by his
servants  and  slaves.  The  female  singers  come  in
successive  crowds,  sing  before  him  and  dance  until
dusk after which he withdraws. In this bazaar there are
mosques for offering prayers ... One of the Hindu rulers
... alighted at the cupola every time he passed by this
market place, and the female singers would sing before
him. Even some Muslim rulers did the same.
Source 9
Fig.  5.10
Ikat weaving patterns such as this
were adopted and modified at
several  coastal  production  centres
in the subcontinent and in
Southeast  Asia.
 Why do you think Ibn
Battuta highlighted these
activities in his description?
129
5.3 A unique system of communication
The  state  evidently  took  special  measures  to
encourage  merchants.  Almost  all  trade  routes  were
well  supplied  with  inns  and  guest  houses.  Ibn
Battuta  was  also  amazed  by  the  efficiency  of  the
postal  system  which  allowed  merchants  to  not  only
send  information  and  remit  credit  across  long
distances,  but  also  to  dispatch  goods  required  at
short  notice.  The  postal  system  was  so  efficient  that
while  it  took  fifty  days  to  reach  Delhi  from  Sind,
the  news  reports  of  spies  would  reach  the  Sultan
through  the  postal  system  in  just  five  days.
On horse and on foot
This is how Ibn Battuta describes the postal system:
In India the postal system is of two kinds. The horse-
post, called uluq, is run by royal horses stationed at a
distance of every four miles. The foot-post has three
stations per mile; it is called dawa, that is one-third of a
mile ...  Now, at every third of a mile there is a well-
populated village, outside which are three pavilions in
which sit men with girded loins ready to start. Each of
them carries a rod, two cubits in length, with copper
bells at the top. When the courier starts from the city
he  holds  the  letter  in  one  hand  and  the  rod  with  its
bells on the other; and he runs as fast as he can. When
the men in the pavilion hear the ringing of the bell they
get ready. As soon as the courier reaches them, one of
them  takes  the  letter  from  his  hand  and  runs  at  top
speed shaking the rod all the while until he reaches
the next dawa. And the same process continues till the
letter reaches its destination. This foot-post is quicker
than the horse-post; and often it is used to transport
the fruits of Khurasan which are much desired in India.
  Discuss...
How  did  Ibn  Battuta  handle  the  problem  of
describing  things  or  situations  to  people  who
had  not  seen  or  experienced  them?
A strange nation?
The travelogue of Abdur Razzaq
wri t t en  i n  t he  1440s  i s  an
interesting mixture of emotions
and  perceptions.  On  the  one
hand,  he  did  not  appreciate
what  he  saw  i n  the  port  of
Calicut (present-day Kozhikode)
in Kerala, which was populated
by a people the likes of whom I
had never imagined, describing
them as a strange nation.
Later  in  his  visit  to  India,  he
arri ved  i n  Mangal ore,   and
crossed the Western Ghats. Here
he saw a temple that filled him
with admiration:
Within three leagues (about
nine miles of Mangalore, I
saw an idol-house the likes
of which is not to be found
in  all  the  world.  It  was  a
square, approximately ten
yards  a  side,  five  yards  in
height, all covered with cast
bronze, with four porticos.
In the entrance portico was
a statue in the likeness of a
human  being,  full  stature,
made  of  gold.  It  had  two
red  rubi es  f or  eyes,   so
cunningly  made  that  you
would  say  it  could  see.
What craft and artisanship!
Source 10
 Do you think the foot-post system could
have operated throughout the subcontinent?
THROUGH THE EYES OF TRAVELLERS
 THEMES IN INDIAN HISTORY  PART II 130
6. Bernier and the Degenerate
East
If  Ibn  Battuta  chose  to  describe  everything  that
impressed  and  excited  him  because  of  its  novelty,
Franois  Bernier  belonged  to  a  different  intellectual
tradition.  He  was  far  more  preoccupied  with
comparing  and  contrasting  what  he  saw  in  India
with  the  situation  in  Europe  in  general  and  France
in  particular,  focusing  on  situations  which  he
considered  depressing.  His  idea  seems  to  have  been
to  influence  policy-makers  and  the  intelligentsia  to
ensure that they made what he considered to be the
right  decisions.
Berniers  Travels  in  the  Mughal  Empire  is  marked
by  detailed  observations,  critical  insights  and
reflection.  His  account  contains  discussions  trying
to place the history of the Mughals within some sort
of  a  universal  framework.  He  constantly  compared
Mughal  India  with  contemporary  Europe,  generally
emphasising  the  superiority  of  the  latter.  His
representation  of  India  works  on  the  model  of
binary  opposition,  where  India  is  presented  as  the
inverse  of  Europe.  He  also  ordered  the  perceived
differences  hierarchically,  so  that  India  appeared  to
be  inferior  to  the  Western  world.
6.1 The question of landownership
According  to  Bernier,  one  of  the  fundamental
differences  between  Mughal  India  and  Europe  was
the  lack  of  private  property  in  land  in  the  former.
He  was  a  firm  believer  in  the  virtues  of  private
property,  and  saw  crown  ownership  of  land  as
being  harmful  for  both  the  state  and  its  people.  He
thought  that  in  the  Mughal  Empire  the  emperor
owned  all  the  land  and  distributed  it  among  his
nobles,  and  that  this  had  disastrous  consequences
for  the  economy  and  society.  This  perception  was
not  unique  to  Bernier,  but  is  found  in  most
travellers   accounts  of  the  sixteenth  and
seventeenth  centuries.
Owing to crown ownership of land, argued Bernier,
landholders  could  not  pass  on  their  land  to  their
children.  So  they  were  averse  to  any  long-term
investment  in  the  sustenance  and  expansion  of
production.  The  absence  of  private  property  in  land
had, therefore, prevented the emergence of the class
of improving landlords (as in Western Europe) with
Widespread poverty
Pelsaert, a Dutch traveller, visited
the subcontinent during the early
decades  of  the  seventeenth
century.  Like  Bernier,  he  was
shocked  to  see  the  widespread
poverty,  poverty so great and
miserable  that  the  life  of  the
peopl e  can  be  depi cted  or
accurately described only as the
home  of  stark  want  and  the
dwelling  place  of  bitter  woe.
Holding  the  state  responsible,
he  says:  So  much  is  wrung
from the peasants that even dry
bread  i s  scarcel y  l eft  to  fi l l
their stomachs.
131
a  concern  to  maintain  or  improve  the  land.  It  had
led to the uniform ruination of agriculture, excessive
oppression of the peasantry and a continuous decline
in the living standards of all sections of society, except
the  ruling  aristocracy.
The  poor  peasant
An excerpt from Berniers description of the peasantry in
the countryside:
Of the vast tracts of country constituting the empire of
Hindustan, many are little more than sand, or barren
mountains,  badly  cultivated,  and  thinly  populated.
Even a considerable portion of the good land remains
untilled for want of labourers; many of whom perish in
consequence  of  the  bad  treatment  they  experience
from Governors. The poor people, when they become
i ncapabl e  of  di schargi ng  the  demands  of  thei r
rapacious  lords,  are  not  only  often  deprived  of  the
means of subsistence, but are also made to lose their
children,  who  are  carried  away  as  slaves.  Thus,  it
happens  that  the  peasantry,  driven  to  despair  by  so
excessive a tyranny, abandon the country.
I n  t hi s  i nst ance,   Berni er  was  part i ci pat i ng  i n
contemporary debates in Europe concerning the nature
of state and society, and intended that his description of
Mughal India would serve as a warning to those who did
not recognise the merits of private property.
As  an  extension  of  this,  Bernier  described  Indian
society  as  consisting  of  undifferentiated  masses  of
impoverished people, subjugated by a small minority
of  a  very  rich  and  powerful  ruling  class.  Between
the  poorest  of  the  poor  and  the  richest  of  the  rich,
there  was  no  social  group  or  class  worth  the  name.
Bernier  confidently  asserted:  There  is  no  middle
state  in  India.
Source 11
 What, according to Bernier, were the
problems faced by peasants in the
subcontinent? Do you think his description
would have served to strengthen his case?
THROUGH THE EYES OF TRAVELLERS
Fig.  5.11
Drawings  such  as  this
nineteenth-century  example
often reinforced the notion of
an  unchanging  rural  society.
 THEMES IN INDIAN HISTORY  PART II 132
This, then, is how Bernier saw the Mughal Empire
  its  king  was  the  king  of  beggars  and  barbarians;
its  cities  and  towns  were  ruined  and  contaminated
with ill air; and its fields, overspread with bushes
and  full  of  pestilential  marishes.  And,  all  this  was
because  of  one  reason:  crown  ownership  of  land.
Curiously,  none  of  the  Mughal  official  documents
suggest  that  the  state  was  the  sole  owner  of  land.
For  instance,  Abul  Fazl,  the  sixteenth-century
official chronicler of Akbars reign, describes the land
revenue  as  remunerations  of  sovereignty,  a  claim
made  by  the  ruler  on  his  subjects  for  the  protection
he  provided  rather  than  as  rent  on  land  that  he
owned.  It  is  possible  that  European  travellers
regarded  such  claims  as  rent  because  land  revenue
demands  were  often  very  high.  However,  this  was
actually  not  a  rent  or  even  a  land  tax,  but  a  tax  on
the  crop  (for  more  details,  see  Chapter  8).
Bernier s  descriptions  influenced  Western
theorists from the eighteenth century onwards.  The
French  philosopher  Montesquieu,  for  instance,  used
this account to develop the idea of oriental despotism,
according  to  which  rulers  in  Asia  (the  Orient  or  the
East)  enjoyed  absolute  authority  over  their  subjects,
who  were  kept  in  conditions  of  subjugation  and
poverty,  arguing  that  all  land  belonged  to  the  king
and  that  private  property  was  non-existent.
According to this view, everybody, except the emperor
and  his  nobles,  barely  managed  to  survive.
This idea was further developed as the concept of
the  Asiatic  mode  of  production  by  Karl  Marx  in  the
nineteenth  century.  He  argued  that  in  India  (and
other  Asian  countries),  before  colonialism,  surplus
was  appropriated  by  the  state.  This  led  to  the
emergence of a society that was composed of a large
number  of  autonomous  and  (internally)  egalitarian
village  communities.  The  imperial  court  presided
over  these  village  communities,  respecting  their
autonomy  as  long  as  the  flow  of  surplus  was
unimpeded. This was regarded as a stagnant system.
However,  as  we  will  see  (Chapter  8),  this  picture
of  rural  society  was  far  from  true.  In  fact,  during
the  sixteenth  and  seventeenth  centuries,  rural
society was characterised by considerable social and
economic differentiation. At one end of the spectrum
were the big zamindars, who enjoyed superior rights
in land and, at the other, the untouchable landless
A  warning  for  Europe
Berni er  warned  t hat   i f
European  kings  followed  the
Mughal model:
Their  kingdoms  would  be
very  far  from  being  well-
cul ti vated  and  peopl ed,
so  well  built,  so  rich,  so
polite  and  flourishing  as
we  see  them.  Our  ki ngs
are  ot herwi se  ri ch  and
powerf ul ;   and  we  must
avow  that  they  are  much
better  and  more  royal l y
served. They would soon be
ki ngs  of   desert s  and
solitudes,  of  beggars  and
barbarians,  such  as  those
are  whom  I   have  been
representing (the Mughals)
  We  shoul d  f i nd  t he
great  Cities  and  the  great
Burroughs  (boroughs)
rendered  uni nhabi t abl e
because  of  ill  air,  and  to
fall  to  ruine  (ruin)  without
any bodies (anybody) taking
care  of   repai ri ng  t hem;
t he  hi l l ocks  abandon d,
and  the  fields  overspread
wi t h  bushes,   or  f i l l  d
with  pestilential  marishes
(marshes),  as  hath  been
already intimated.
Source 12
 How does Bernier depict
a scenario of doom?
Once you have read
Chapters 8 and 9, return
to this description and
analyse it again.
133
labourers.  In  between  was  the  big  peasant,  who  used
hired labour and engaged in commodity production, and
the  smaller  peasant  who  could  barely  produce  for  his
subsistence.
6.2 A more complex social reality
While  Berniers  preoccupation  with  projecting  the
Mughal  state  as  tyrannical  is  obvious,  his  descriptions
occasionally  hint  at  a  more  complex  social  reality.  For
instance,  he  felt  that  artisans  had  no  incentive  to
improve the quality of their manufactures, since profits
were  appropriated  by  the  state.  Manufactures  were,
consequently, everywhere in decline.  At the same time,
he conceded that vast quantities of the worlds precious
metals flowed into India, as manufactures were exported
in  exchange  for  gold  and  silver.  He  also  noticed  the
existence  of  a  prosperous  merchant  community,
engaged  in  long-distance  exchange.
Source 13
A  different  socio-economic  scenario
Read  this  excerpt  from  Berniers  description  of  both
agriculture and craft production:
It is important to observe, that of this vast tract of country,
a large portion is extremely fertile; the large kingdom of
Bengale (Bengal), for instance, surpassing Egypt itself, not
only in the production of rice, corn, and other necessaries
of life, but of innumerable articles of commerce which are
not cultivated in Egypt; such as silks, cotton, and indigo.
There  are  also  many  parts  of  the  Indies,  where  the
population is sufficiently abundant, and the land pretty well
tilled; and where the artisan, although naturally indolent,
is yet compelled by necessity or otherwise to employ himself
in manufacturing carpets, brocades, embroideries, gold
and silver cloths, and the various sorts of silk and cotton
goods, which are used in the country or exported abroad.
It  should  not  escape  notice  that  gold  and  silver,  after
circulating in every other quarter of the globe, come at
length  to  be  swallowed  up,  lost  in  some  measure,  in
Hindustan.
 In what ways is the description in this excerpt
different from that in Source 11?
THROUGH THE EYES OF TRAVELLERS
Fig.  5.12
A gold spoon studded with
emeralds  and  rubies,  an
example of the dexterity of
Mughal  artisans
 THEMES IN INDIAN HISTORY  PART II 134
In  fact,  during  the  seventeenth  century  about
15  per  cent  of  the  population  lived  in  towns.  This
was, on average, higher than the proportion of urban
population  in  Western  Europe  in  the  same  period.
In  spite  of  this  Bernier  described  Mughal  cities  as
camp  towns,  by  which  he  meant  towns  that  owed
their  existence,  and  depended  for  their  survival,
on  the  imperial  camp.  He  believed  that  these  came
into  existence  when  the  imperial  court  moved  in
and  rapi dl y  decl i ned  when  i t  moved  out.  He
suggested  that  they  did  not  have  viable  social  and
economic  foundations  but  were  dependent  on
imperial  patronage.
As  in  the  case  of  the  question  of  landownership,
Bernier  was  drawing  an  oversimplified  picture.
There  were  all  kinds  of  towns:  manufacturing
towns,  trading  towns,  port-towns,  sacred  centres,
pilgrimage  towns,  etc.  Their  existence  is  an  index
of  the  prosperity  of  merchant  communities  and
professional  classes.
Merchants often had strong community or kin ties,
and  were  organised  into  their  own  caste-cum-
occupational  bodies.  In  western  India  these  groups
were  called  mahajans,  and  their  chief,  the  sheth.  In
urban  centres  such  as  Ahmedabad  the  mahajans
were  collectively  represented  by  the  chief  of  the
merchant community who was called the nagarsheth.
Other  urban  groups  i ncl uded  professi onal
classes such as physicians (hakim or vaid), teachers
( pundi t  or  mul l a) ,  l awyers  (wakil ) ,  pai nters,
architects,  musicians,  calligraphers,  etc.  While
some  depended  on  imperial  patronage,  many  made
their  living  by  serving  other  patrons,  while  still
others  served  ordinary  people  in  crowded  markets
or  bazaars.
The  imperial  karkhanas
Bernier  is  perhaps  the  onl y
historian who provides a detailed
account  of   the  worki ng  of
t he  i mperi al   karkhanas  or
workshops:
Large  hal l s  are  seen
at   many  pl aces,   cal l ed
karkhanas  or  workshops
for the artisans. In one hall,
embroi derers  are  busi l y
employed,  superintended
by  a  master.  In  another,
you see the goldsmiths; in a
third,  painters;  in  a  fourth,
varnishers in lacquer-work;
in  a  fifth,  joiners,  turners,
tailors and shoe-makers; in
a sixth, manufacturers of silk,
brocade and fine muslins  
The  artisans  come  every
morning to their karkhanas
where  t hey  remai n
employed  the  whole  day;
and in the evening return to
their  homes.  In  this  quiet
regular  manner,  their  time
glides away; no one aspiring
for any improvement in the
condition of life wherein he
happens to be born.
 How does Bernier
convey a sense that
although there was a
great deal of activity,
there was little progress?
Source 14
  Discuss...
Why  do  you  think  scholars  like  Bernier  chose  to
compare  India  with  Europe?
 
135
Slave  women
Ibn Battuta informs us:
It is the habit of the emperor ... to
keep  with  every  noble,  great  or
small, one of  his slaves who spies
on  the  nobles.  He  also  appoints
female  scavengers  who  enter  the
houses unannounced; and to them
the slave girls communicate all the
information they possess.
Most female slaves were captured in
raids and expeditions.
7. Women
Slaves,  Sati  and  Labourers
Travellers  who  left  written  accounts  were
generally  men  who  were  interested  in  and
sometimes  intrigued  by  the  condition  of
women in the subcontinent. Sometimes they
took  social  inequities  for  granted  as  a
natural  state  of  affairs.  For  instance,
slaves were openly sold in markets, like any
other  commodity,  and  were  regularly
exchanged  as  gifts.  When  Ibn  Battuta
reached  Sind  he  purchased  horses,  camels
and  slaves  as  gifts  for  Sultan  Muhammad
bin  Tughlaq.  When  he  reached  Multan,  he
presented  the  governor  with,  a  slave  and
horse  together  with  raisins  and  almonds.
Muhammad  bin  Tughlaq,  informs  Ibn
Battuta, was so happy with the sermon of a
preacher named Nasiruddin that he gave him
a  hundred  thousand  tankas  (coins)  and
two  hundred  slaves.
It appears from Ibn Battutas account that
there was considerable differentiation among
slaves.  Some  female  slaves  in  the  service  of
the Sultan were experts in music and dance,
and  Ibn  Battuta  enjoyed  their  performance
at the wedding of the Sultans sister. Female
slaves  were  also  employed  by  the  Sultan  to
keep  a  watch  on  his  nobles.
Slaves  were  generally  used  for  domestic
labour, and Ibn Battuta found their services
particularly  indispensable  for  carrying
women and men on palanquins or dola. The
price  of  slaves,  particularly  female  slaves
required  for  domestic  labour,  was  very    low,
and most families who could afford to do so
kept  at least one or two of them.
Contemporary  European  travellers  and
writers  often  highlighted  the  treatment  of
women  as  a  crucial  marker  of  difference
between  Western  and  Eastern  societies.  Not
surprisingly,  Bernier  chose  the  practice  of
sati  for  detailed  description.  He  noted  that
while some women seemed to embrace death
cheerfully,  others  were  forced  to  die.
Source 15
THROUGH THE EYES OF TRAVELLERS
Source 16
The  child  sati
Thi s  i s  perhaps  one  of   t he  most
poignant descriptions by Bernier:
At  Lahore  I  saw  a  most  beautiful
young  wi dow  sacri f i ced,   who
could not, I think, have been more
than twelve years of age. The poor
little creature appeared more dead
than  alive  when  she  approached
the dreadful pit: the agony of her
mind  cannot  be  described;  she
trembled  and  wept  bitterly;  but
three  or  four  of  the  Brahmanas,
assisted by an old woman who held
her  under  the  arm,  forced  the
unwilling  victim  toward  the  fatal
spot, seated her on the wood, tied
her hands and feet, lest she should
run away, and in that situation the
innocent creature was burnt alive.
I  found  it  difficult  to  repress  my
f eel i ngs  and  t o  prevent   t hei r
bursting forth into clamorous and
unavailing rage 
 THEMES IN INDIAN HISTORY  PART II 136
However, womens lives revolved around much else
besides the practice of sati. Their labour was crucial
in both agricultural and non-agricultural production.
Women  from  merchant  families  participated  in
commercial  activities,  sometimes  even  taking
mercantile  disputes  to  the  court  of  law.  It  therefore
seems  unlikely  that  women  were  confined  to  the
private  spaces  of  their  homes.
You  may  have  noticed  that  travellers  accounts
provide us with a tantalising glimpse of the lives of
men and women during these centuries. However,
their observations were often shaped by the contexts
from which they came. At the same time, there were
many aspects of social life that these travellers did
not notice.
 Also relatively unknown are the experiences and
observations of men (and possibly women) from the
subcontinent who crossed seas and mountains and
ventured into lands beyond the subcontinent. What
did they see and hear? How were their relations with
peoples  of  distant  lands  shaped?  What  were  the
languages they used? These and other questions will
hopefully be systematically addressed by historians
in the years to come.
  Discuss...
Why do you think the lives of
ordinary  women  workers  did
not  attract  the  attention  of
travellers  such  as  Ibn  Battuta
and  Bernier?
Fig.  5.13
A sculpted panel from Mathura
depicting  travellers
 What are the various modes
of transport that are shown?
137
Timeline
Some  Travellers  who  Left  Accounts
THROUGH THE EYES OF TRAVELLERS
Tenth- eleventh centuries
973-1048 Muhammad ibn Ahmad Abu Raihan al-Biruni
(from Uzbekistan)
Thirteenth century
1254-1323 Marco Polo (from Italy)
Fourteenth century
1304-77 Ibn Battuta (from Morocco)
Fifteenth century
1413-82 Abd al-Razzaq Kamal al-Din ibn Ishaq al-Samarqandi
(from Samarqand)
1466-72 Afanasii Nikitich Nikitin
(years spent in India) (fifteenth century, from Russia)
Sixteenth century
1518 Duarte Barbosa, d.1521 (from Portugal)
(visit to India)
1562 Seydi Ali Reis (from Turkey)
(year of death)
1536-1600 Antonio Monserrate (from Spain)
Seventeenth century
1626-31 Mahmud Wali Balkhi (from Balkh)
(years spent in India)
1600-67 Peter Mundy (from England)
1605-89 Jean-Baptiste Tavernier (from France)
1620-88 Franois Bernier (from France)
Note: Unless otherwise indicated, the dates mentioned are those of the lifespan of the traveller.
 THEMES IN INDIAN HISTORY  PART II 138
 Answer in100-150 words
1. Write a note on the Kitab-ul-Hind.
2. Compare and contrast the perspectives from which Ibn
Battuta and Bernier wrote their accounts of their travels
in India.
3. Discuss the picture of urban centres that emerges from
Berniers account.
4. Analyse the evidence for slavery provided by Ibn Battuta.
5. What were the elements of the practice of sati that drew
the attention of Bernier?
Write a short essay (about
250-300 words) on the following:
6. Discuss Al-Birunis understanding of the caste system.
7. Do  you  think  Ibn  Battutas  account  is  useful  in
arriving  at  an  understanding  of  life  in  contemporary
urban centres? Give reasons for your answer.
8. Discuss the extent to which Berniers account enables
historians to reconstruct contemporary rural society.
9. Read this excerpt from Bernier:
Numerous are the instances of handsome pieces
of  workmanship  made  by  persons  destitute  of
tools, and who can scarcely be said to have received
instruction from a master. Sometimes they imitate
so perfectly articles of European manufacture that
the difference between the original and copy can
hardly  be  discerned.  Among  other  things,  the
Indians  make  excellent  muskets,  and  fowling-
pieces,  and  such  beautiful  gold  ornaments  that
it may be doubted if the exquisite workmanship
of those articles can be exceeded by any  European
goldsmith.  I  have  often  admired  the  beauty,
softness, and delicacy of their paintings.
List the crafts mentioned in the passage. Compare
these with the descriptions of artisanal activity in
the chapter.
139
Muzaffar Alam and
Sanjay Subrahmanyam. 2006.
Indo-Persian  Travels  in  the  Age
of Discoveries, 1400-1800.
Cambridge University Press,
Cambridge.
Catherine Asher and Cynthia
Talbot. 2006.
India  Before  Europe.
Cambridge University Press,
Cambridge.
Franois Bernier. nd.
Travels in the Mogul Empire
AD 1656-1668.
Low Price Publications,
New Delhi.
H.A.R. Gibb (ed.).  1993.
The Travels of  Ibn Battuta.
Munshiram  Manoharlal, Delhi.
Mushirul Hasan (ed.). 2005.
Westward  Bound:
Travels of Mirza Abu Talib.
Oxford University Press,
New Delhi.
H.K. Kaul (ed.). 1997.
Travellers India  an Anthology.
Oxford University Press,
New Delhi.
Jean-Baptiste Tavernier. 1993.
Travels in India.
Munshiram Manoharlal, Delhi.
Map work
If you would like to know
more, read:
For more information,
you could visit:
www.edumaritime.org
THROUGH THE EYES OF TRAVELLERS
10. On an outline map of the world mark the countries
visited by Ibn Battuta. What are the seas that he
may have crossed?
Projects  (choose  one)
11. Interview any one of your older relatives (mother/
father/grandparents/uncles/aunts)  who  has
travelled outside your town or village. Find out
(a)  where  they  went,  (b)  how  they  travelled,
(c) how long did it take, (d) why did they travel
(e) and did they face any difficulties.  List as many
similarities and differences that they may have
noticed between their place of residence and the
place they visited, focusing on language, clothes,
food, customs, buildings, roads, the lives of men
and women. Write a report on your findings.
12. For  any  one  of  the  travellers  mentioned  in
the  chapter,  find  out  more  about  his  life  and
writings.  Prepare a report on his travels, noting
in  particular  how  he  described  society,  and
comparing these descriptions with the excerpts
included in the chapter.
Fig.  5.14
A painting depicting travellers at rest
 THEMES IN INDIAN HISTORY  PART II 140
We  saw  in  Chapter  4  that  by  the  mid-first
millennium  CE  the  landscape  of  the  subcontinent
was  dotted  with  a  variety  of  religious  structures  
stupas,  monasteries,  temples.  If  these  typified
certain  religious  beliefs  and  practices,  others  have
been  reconstructed  from  textual  traditions,
including  the  Puranas,  many  of  which  received
their present shape around the same time, and yet
others  remain  only  faintly  visible  in  textual  and
visual  records.
New  textual  sources  available  from  this  period
include  compositions  attributed  to  poet-saints,
most  of  whom  expressed  themselves  orally  in
regional  languages  used  by  ordinary  people.  These
compositions,  which  were  often  set  to  music,  were
compiled  by  disciples  or  devotees,  generally  after
the  death  of  the  poet-saint.  What  is  more,  these
traditions were fluid  generations of devotees tended
to elaborate on the original message, and occasionally
modified  or  even  abandoned  some  of  the  ideas  that
appeared  problematic  or  irrelevant  in  different
political,  social  or  cultural  contexts.  Using  these
sources  thus  poses  a  challenge  to  historians.
Historians  also  draw  on  hagiographies  or
biographies  of  saints  written  by  their  followers  (or
members  of  their  religious  sect).  These  may  not  be
literally accurate, but allow a glimpse into the ways
in which devotees perceived the lives of these path-
breaking  women  and  men.
As  we  will  see,  these  sources  provide  us  with
insights into a scenario characterised by dynamism
and diversity. Let us look at some elements of these
more  closely.
Bhakti - Sufi  Traditions
Changes  in  Religious  Beliefs  and Changes  in  Religious  Beliefs  and Changes  in  Religious  Beliefs  and Changes  in  Religious  Beliefs  and Changes  in  Religious  Beliefs  and
De De De De Dev vv vvo oo ootional  T tional  T tional  T tional  T tional  Te ee eexts xts xts xts xts
( (( ((c cc cc.  eighth  to  eighteenth  century) .  eighth  to  eighteenth  century) .  eighth  to  eighteenth  century) .  eighth  to  eighteenth  century) .  eighth  to  eighteenth  century)
Fig.  6.1
A twelfth-century bronze sculpture of
Manikkavachakar,  a  devotee  of  Shiva
who  composed  beautiful  devotional  songs  in  Tamil
THEME
SIX
 
  
  
 
 
 
141
Great  and  little
traditions
The  t erms  great   and  l i t t l e
traditions  were  coined  by  a
soci ol ogi st   named  Robert
Redf i el d  i n  t he  t went i et h
century to describe the cultural
practices of peasant societies.
He  f ound  t hat   peasant s
observed  rituals  and  customs
that emanated from dominant
social  categories,  including
priests  and  rulers.  These  he
classified  as  part  of    a  great
tradition.  At  the  same  time,
peasants  also  followed  local
pract i ces  t hat   di d  not
necessarily  correspond  with
those  of  the  great  tradition.
These  he  included  within  the
category of little tradition. He
also  noticed  that  both  great
and  little  traditions  changed
over time, through a process of
interaction.
While  scholars  accept  the
significance of these categories
and  processes,   t hey  are
often  uncomfortable  with  the
hierarchy  suggested  by  the
terms great and little. The use
of quotation marks for great
and  l i t t l e  i s  one  way  of
indicating this.
1. A Mosaic of Religious Beliefs
and Practices
Perhaps  the  most  striking  feature  of  this  phase  is
the  increasing  visibility  of  a  wide  range  of  gods  and
goddesses  in  sculpture  as  well  as  in  texts.  At  one
level, this indicates the continued and even extended
worship  of  the  major  deities    Vishnu,  Shiva  and
the  goddess    each  of  whom  was  visualised  in  a
variety  of  forms.
1.1 The integration of cults
Historians  who  have  tried  to  understand  these
developments  suggest  that  there  were  at  least  two
processes at work. One was a process of  disseminating
Brahmanical  ideas.  This  is  exemplified  by  the
composition, compilation and preservation of Puranic
texts  in  simple  Sanskrit  verse,  explicitly  meant  to
be  accessible  to  women  and  Shudras,  who  were
generally  excluded  from  Vedic  learning.  At  the  same
time,  there  was  a  second  process  at  work    that  of
the  Brahmanas  accepting  and  reworking  the  beliefs
and  practices  of  these  and  other  social  categories.  In
fact, many beliefs and practices were shaped through
a continuous dialogue between what sociologists have
described  as  great  Sanskritic  Puranic  traditions
and  little  traditions  throughout  the  land.
One of the most striking examples of this process
is  evident  at  Puri,  Orissa,  where  the  principal  deity
was identified, by the twelfth century, as Jagannatha
(literally,  the  lord  of  the  world),  a  form  of  Vishnu.
Fig.  6.2
Jagannatha (extreme right) with his
sister Subhadra (centre) and his
brother  Balarama  (left)
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 142
If you compare Fig. 6.2 with Fig. 4.26 (Chapter 4)
you  will  notice  that  the  deity  is  represented  in  a
very  different  way.  In  this  instance,  a  local  deity,
whose image was and continues to be made of wood
by  local  tribal  specialists,  was  recognised  as  a  form
of  Vishnu.  At  the  same  time,  Vishnu  was  visualised
in  a  way  that  was  very  different  from  that  in  other
parts  of  the  country.
Such  i nstances  of  i ntegrati on  are  evi dent
amongst  goddess  cults  as  well.  Worship  of  the
goddess, often simply in the form of a stone smeared
with  ochre,  was  evidently  widespread.  These  local
deities  were  often  incorporated  within  the  Puranic
framework  by  providing  them  with  an  identity  as  a
wife  of  the  principal  male  deities    sometimes  they
were  equated  with  Lakshmi,  the  wife  of  Vishnu,  in
other  instances,  with  Parvati,  the  wife  of  Shiva.
1.2  Difference  and  conflict
Often  associated  with  the  goddess  were  forms
of  worship  that  were  classified  as  Tantric.  Tantric
practices  were  widespread  in  several  parts  of  the
subcontinent    they  were  open  to  women  and
men,  and  practitioners  often  ignored  differences
of  caste  and  class  within  the  ritual  context.  Many
of  these  ideas  influenced  Shaivism  as  well  as
Buddhism,    especially  in  the  eastern,  northern  and
southern  parts  of  the  subcontinent.
All of these somewhat divergent and even disparate
beliefs and practices would  come to be classified as
Hindu  over  the  course  of  the  next  millennium.  The
divergence is perhaps most stark if we compare Vedic
and  Puranic  traditions.  The  principal  deities  of  the
Vedic  pantheon,  Agni,  Indra  and  Soma,  become
marginal  figures,  rarely  visible  in  textual  or  visual
representations.  And  while  we  can  catch  a  glimpse
of  Vishnu,  Shiva  and  the  goddess  in  Vedic  mantras,
these  have  little  in  common  with  the  elaborate
Puranic  mythologies.  However,  in  spite  of  these
obvious  discrepancies,  the  Vedas  continued  to  be
revered  as  authoritative.
Not  surprisingly,  there  were  sometimes  conflicts  as
well    those  who  valued  the  Vedic  tradition  often
condemned  practices  that  went  beyond  the  closely
regulated  contact  with  the  divine  through  the
performance of sacrifices or precisely chanted mantras.
On  the  other  hand  those  engaged  in  Tantric  practices
Fig.  6.3
Sculpture of a Buddhist goddess,
Marichi  (c. tenth  century,  Bihar),
an example of the process of
integration of different religious
beliefs  and  practices
143
frequently  ignored  the  authority  of  the  Vedas.  Also,
devotees  often  tended  to  project  their  chosen  deity,
either  Vishnu  or  Shiva,  as  supreme.  Relations  with
other  traditions,  such  as  Buddhism  or  Jainism,  were
also  often  fraught  with  tension  if  not  open  conflict.
The  traditions  of  devotion  or  bhakti  need  to  be
located within this context.  Devotional worship had
a  long  history  of  almost  a  thousand  years  before
the  period  we  are  considering.  During  this  time,
expressions  of  devotion  ranged  from  the  routine
worship  of  deities  within  temples  to  ecstatic
adoration  where  devotees  attained  a  trance-like
state.  The  singing  and  chanting  of  devotional
compositions  was  often  a  part  of  such  modes  of
worship. This was particularly true of the Vaishnava
and  Shaiva  sects.
2. Poems of Prayer
Early  Traditions  of  Bhakti
In  the  course  of  the  evolution  of  these  forms  of
worship,    in  many  instances,  poet-saints  emerged
as  leaders  around  whom  there  developed  a
community  of  devotees.  Further,  while  Brahmanas
remained important intermediaries between gods and
devotees  in  several  forms  of  bhakti,  these  traditions
also  accommodated  and  acknowledged  women  and
the  lower  castes,  categories  considered  ineligible
for  liberation  within  the  orthodox  Brahmanical
framework.  What  also  characterised  traditions  of
bhakti  was  a  remarkable  diversity.
At  a  different  level,  historians  of  religion  often
classify  bhakti  traditions  into  two  broad  categories:
saguna  (with  attributes)  and  nirguna  (without
attributes).  The  former  included  traditions  that
focused  on  the  worship  of  specific  deities  such
as  Shiva,  Vishnu  and  his  avatars  (incarnations)  and
forms of the goddess or Devi, all often conceptualised
in  anthropomorphic  forms.  Nirguna  bhakti  on  the
other  hand  was  worship  of  an  abstract  form  of  god.
2.1  The  Alvars  and  Nayanars  of  Tamil  Nadu
Some  of  the  earliest  bhakti  movements  (c.  sixth
century)  were  led  by  the  Alvars  (literally,  those  who
are  immersed  in  devotion  to  Vishnu)  and  Nayanars
(literally,  leaders  who  were  devotees  of  Shiva).  They
travelled  from  place  to  place  singing  hymns  in  Tamil
in  praise  of  their  gods.
  Discuss...
Find out about gods and
goddesses  worshipped  in  your
town  or  village,  noting  their
names  and  the  ways  in  which
they  are  depicted.  Describe
the  rituals  that  are
performed.
BHAKTI-SUFI TRADITIONS
Alwar= Vishnu
Nayanar=Shiva
 THEMES IN INDIAN HISTORY  PART II 144
During  their  travels  the  Alvars  and  Nayanars
identified  certain  shrines  as  abodes  of  their  chosen
deities.  Very  often  large  temples  were  later  built  at
these  sacred  places.  These  developed  as  centres  of
pilgrimage. Singing compositions of these poet-saints
became  part  of  temple  rituals  in  these  shrines,  as
did  worship  of  the  saints  images.
2.2  Attitudes  towards  caste
Some  historians  suggest  that  the  Alvars  and
Nayanars  initiated  a  movement  of  protest  against
the  caste  system  and  the  dominance  of  Brahmanas
or  at  least  attempted  to  reform  the  system.  To  some
extent  this  is  corroborated  by  the  fact  that  bhaktas
hailed from diverse social backgrounds ranging from
Brahmanas  to  artisans  and  cultivators  and  even
from  castes  considered  untouchable.
The  importance  of  the  traditions  of  the  Alvars
and  Nayanars  was  sometimes  indicated  by  the
claim  that  their  compositions  were  as  important
as  the  Vedas.  For  instance,  one  of  the  major
anthologies of compositions by the Alvars, the Nalayira
Divyaprabandham,  was  frequently  described  as  the
Tamil  Veda,  thus  claiming  that  the  text  was  as
significant  as  the  four  Vedas  in  Sanskrit  that  were
cherished  by  the  Brahmanas.
2.3  Women  devotees
Perhaps  one  of  the  most  striking  features  of  these
traditions was the presence of women. For instance,
the  compositions  of  Andal,  a  woman  Alvar,  were
widely sung (and continue to be sung to date). Andal
saw  herself  as  the  beloved  of  Vishnu;  her  verses
express  her  love  for  the  deity.  Another  woman,
Karaikkal  Ammaiyar,  a  devotee  of  Shiva,  adopted
the  path  of  extreme  asceticism  in  order  to  attain
Compilations of devotional literature
By the tenth century the compositions of the 12 Alvars were
compiled  in  an  anthology  known  as  the  Nalayira
Divyaprabandham (Four Thousand Sacred Compositions).
The poems of Appar, Sambandar and Sundarar form
the Tevaram, a collection that was compiled and classified
in the tenth century on the basis of the music of the songs.
Source 1
Source 2
The chaturvedin (Brahmana
versed in the four Vedas)
and the outcaste
Thi s  i s  an  excerpt   f rom  a
composition of an Alvar named
Tondaradippodi,  who  was  a
Brahmana:
You (Vishnu) manifestly like
those  servants  who  express
their love for your feet,
t hough  t hey  may  be  born
outcastes, more than
t he  Chat urvedi ns  who  are
st rangers  and  wi t hout
allegiance to your service.
 Do you think
Tondaradippodi was
opposed to the caste
system?
Shastras  or  devotion?
This  is  a  verse  composed  by
Appar, a Nayanar saint:
O  rogues  who  quote  the  law
books,
Of what use are your gotra and
kula?
Just  bow  to  Marperus  lord
(Shiva who resides in Marperu,
in Thanjavur, Tamil Nadu)  as
your sole refuge.
 Are there any
similarities or differences
in the attitudes of
Tondaradippodi and Appar
towards Brahmanas?
145
Source 3
Fig.  6.4
A twelfth-century bronze image
of  Karaikkal  Ammaiyar
BHAKTI-SUFI TRADITIONS
her  goal.  Her  compositions  were  preserved  within
the Nayanar tradition. These women renounced their
social  obligations,  but  did  not  join  an  alternative
order or become nuns. Their very existence and their
compositions posed a challenge to patriarchal norms.
A  demon?
This is an excerpt from a poem by Karaikkal Ammaiyar in
which she describes herself:
The female Pey (demoness)
with . . .  bulging veins,
protruding eyes, white teeth and shrunken stomach,
red haired and jutting teeth
lengthy shins extending till the ankles,
shouts and wails
while wandering in the forest.
This is the forest of Alankatu,
which is the home of our father (Shiva)
who dances  with his matted hair
thrown in all eight directions, and with cool limbs.
 List the ways in which Karaikkal Ammaiyar
depicts herself as presenting a contrast to
traditional notions of feminine beauty.
2.4 Relations with the state
We  saw  in  Chapter  2  that  there  were  several
important chiefdoms in the Tamil region in the early
first millennium CE. From the second half of the first
millennium  there  is  evidence  for  states,  including
those  of  the  Pallavas  and  Pandyas  (c.  sixth  to  ninth
centuries  CE).  While  Buddhism  and  Jainism  had
been  prevalent  in  this  region  for  several  centuries,
drawing  support  from  merchant  and  artisan
communities,  these  religious  traditions  received
occasional  royal  patronage.
Interestingly,  one  of  the  major  themes  in  Tamil
bhakti  hymns  is  the  poets  opposition  to  Buddhism
and  Jainism.  This  is  particularly  marked  in  the
 THEMES IN INDIAN HISTORY  PART II 146
compositions  of  the  Nayanars.  Historians  have
attempted to explain this hostility by suggesting that
it  was  due  to  competition  between  members  of
other  religious  traditions  for  royal  patronage.  What
is  evident  is  that  the  powerful  Chola  rulers  (ninth
to  thirteenth  centuries)  supported  Brahmanical
and  bhakti  traditions,  making  land  grants  and
constructing  temples  for  Vishnu  and  Shiva.
In  fact,  some  of  the  most  magnificent  Shiva
temples, including those at Chidambaram, Thanjavur
and  Gangaikondacholapuram,  were  constructed
under  the  patronage  of  Chola  rulers.  This  was  also
the  period  when  some  of  the  most  spectacular
representations  of  Shiva  in  bronze  sculpture  were
produced.  Clearly,  the  visions  of  the  Nayanars
inspired  artists.
Both  Nayanars  and  Alvars  were  revered  by  the
Vellala  peasants.  Not  surprisingly,  rulers  tried  to
win  their  support  as  well.  The  Chola  kings,  for
instance,  often  attempted  to  claim  divine  support
and proclaim their own power and status by building
splendid  temples  that  were  adorned
with  stone  and  metal  sculpture  to
recreate the visions of these popular
saints  who  sang  in  the  language  of
the  people.
These  kings  also  introduced  the
singing  of  Tamil  Shaiva  hymns  in
the  temples  under  royal  patronage,
taking  the  initiative  to  collect  and
organise them into a text (Tevaram).
Further,  inscriptional  evidence  from
around  945  suggests  that  the  Chola
ruler  Parantaka  I  had  consecrated
metal  images  of  Appar,  Sambandar
and  Sundarar  in  a  Shiva  temple.
These  were  carried  in  processions
during  the  festivals  of  these  saints.
Fig.  6.5
An image of Shiva as Nataraja
  Discuss...
Why do you think kings were
interested  in  proclaiming  their
connections  with  bhaktas?
147
Rituals  and  the
real  world
Here  is  a  vachana  composed
by Basavanna:
When  they  see  a  serpent
carved  in  stone  they  pour
milk on it.
If  a  real  serpent  comes  they
say: Kill. Kill.
To the servant of the god who
could eat if served they say:
Go away! Go away!
But  to  the  image  of  the  god
which  cannot  eat  they  offer
dishes of food.
 Describe Basavannas
attitude towards rituals.
How does he attempt to
convince the listener?
Source 4
BHAKTI-SUFI TRADITIONS
3. The Virashaiva Tradition
in  Karnataka
The  twelfth  century  witnessed  the  emergence  of  a
new  movement  in  Karnataka,  led  by  a  Brahmana
named  Basavanna  (1106-68)  who  was  initially  a
Jaina  and  a  minister  in  the  court  of  a  Chalukya
king.  His  followers  were  known  as  Virashaivas
(heroes  of  Shiva)  or  Lingayats  (wearers  of  the  linga).
Lingayats continue to be an important community
in  the  region  to  date.  They  worship  Shiva  in  his
manifestation  as  a  linga,  and  men  usually  wear  a
small linga in a silver case on a loop strung over the
left  shoulder.  Those  who  are  revered  include  the
jangama  or  wandering  monks.  Lingayats  believe
that  on  death  the  devotee  will  be  united  with  Shiva
and  will  not  return  to  this  world.  Therefore  they  do
not  practise  funerary  rites  such  as  cremation,
prescribed  in  the  Dharmashastras.  Instead,  they
ceremonially  bury  their  dead.
The  Lingayats  challenged  the  idea  of  caste  and
the  pollution  attributed  to  certain  groups  by
Brahmanas.  They  also  questioned  the  theory  of
rebirth.  These  won  them  followers  amongst  those
who  were  marginalised  within  the  Brahmanical
social  order.  The  Lingayats  also  encouraged  certain
practices  disapproved  in  the  Dharmashastras,
such  as  post-puberty  marriage  and  the  remarriage
of  widows.  Our  understanding  of  the  Virashaiva
tradition is derived from vachanas (literally, sayings)
composed  in  Kannada  by  women  and  men  who
joined  the  movement.
New religious developments
This period also  witnessed  two  major  developments.
On  the  one  hand,  many  ideas  of  the  Tamil  bhaktas
(especially the Vaishnavas) were incorporated within
the Sanskritic tradition, culminating in the composition
of  one  of  the  best-known  Puranas,  the  Bhagavata
Purana. Second, we find the development of traditions
of bhakti in Maharashtra in the thirteenth century.
 THEMES IN INDIAN HISTORY  PART II 148
4. Religious Ferment in
North India
During  the  same  period,  in  north  India  deities  such  as
Vishnu and Shiva were worshipped in temples, often built
with  the  support  of  rulers.  However,  historians  have  not
found  evidence  of  anything  resembling  the  compositions
of  the  Alvars  and  Nayanars  till  the  fourteenth  century.
How  do  we  account  for  this  difference?
Some  historians  point  out  that  in  north  India  this
was  the  period  when  several  Rajput  states  emerged.  In
most  of  these  states  Brahmanas  occupied  positions  of
importance,  performing  a  range  of  secular  and  ritual
functions. There seems to have been little or no attempt
to  challenge  their  position  directly.
At  the  same  time  other
religious  leaders,  who  did  not
function  within  the  orthodox
Brahmanical  framework,  were
gaining  ground.  These  included
the  Naths,  Jogis  and  Siddhas.
Many  of  them  came  from
artisanal  groups,  including
weavers,  who  were  becoming
increasingly  important  with  the
development  of  organised  craft
production.  Demand  for  such
production  grew  with  the
emergence of new urban centres,
and  long-distance  trade  with
Central  Asia  and  West  Asia.
Many  of  these  new  religious
leaders  questioned  the
authority  of  the  Vedas,  and
expressed  themselves  in  languages  spoken  by  ordinary
people,  which  developed  over  centuries  into  the  ones
used  today.  However,  in  spite  of  their  popularity  these
religious  leaders  were  not  in  a  position  to  win  the
support  of  the  ruling  elites.
A  new  element  in  this  situation  was  the  coming  of
the Turks which culminated in the establishment of the
Delhi  Sultanate  (thirteenth  century).  This  undermined
the  power  of  many  of  the  Rajput  states  and  the
Brahmanas  who  were  associated  with  these  kingdoms.
This  was  accompanied  by  marked  changes  in  the  realm
of  culture  and  religion.  The  coming  of  the  sufis
(Section 6) was a significant part of these developments.
Fig.  6.6
Fragment of a page from the
Quran,  belonging  to  a
manuscript dating to the
eighth or ninth century
149
Ulama  (plural  of  alim,  or  one
who  knows)  are  scholars  of
Islamic studies. As preservers of
this  tradition  they  perform
various religious, juridical and
teaching functions.
5. New Strands in the Fabric
Islamic  Traditions
Just  as  the  regions  within  the  subcontinent  were
not  isolated  from  one  another,  so  too,  contact  with
lands  beyond  the  seas  and  mountains  had  existed
for  millennia.  Arab  merchants,  for  instance,
frequented ports along the western coast in the first
millennium  CE,  while  Central  Asian  peoples  settled
in  the  north-western  parts  of  the  subcontinent
during  the  same  period.  From  the  seventh  century,
with  the  advent  of  Islam,  these  regions  became  part
of  what  is  often  termed  the  Islamic  world.
5.1 Faiths of rulers and subjects
One  axis  of  understanding  the  significance  of  these
connections  that  is  frequently  adopted  is  to  focus  on
the  religions  of  ruling  elites.  In  711  an  Arab  general
named  Muhammad  Qasim  conquered  Sind,  which
became part of the Caliphs domain. Later (c. thirteenth
century)  the  Turks  and  Afghans  established  the
Delhi  Sultanate.  This  was  followed  by  the  formation
of  Sultanates  in  the  Deccan  and  other  parts  of  the
subcontinent;  Islam  was  an  acknowledged  religion  of
rulers  in  several  areas.  This  continued  with  the
establishment  of  the  Mughal  Empire  in  the  sixteenth
century as well as in many of the regional states that
emerged  in  the  eighteenth  century.
Theoretically,  Muslim  rulers  were  to  be  guided  by
the  ulama,  who  were  expected  to  ensure  that  they
ruled  according  to  the  sharia.  Clearly,  the  situation
was  complicated  in  the  subcontinent,  where  there
were  populations  that  did  not  subscribe  to  Islam.
It is in this context that the category of the zimmi,
meaning  protected  (derived  from  the  Arabic  word
zimma, protection) developed for peoples who followed
revealed scriptures, such as the Jews and Christians,
and  lived  under  Muslim  rulership.  They  paid  a  tax
called  jizya  and  gained  the  right  to  be  protected  by
Muslims.  In India this status was extended to Hindus
as  well.  As  you  will  see  (Chapter  9),  rulers  such  as
the  Mughals  came  to  regard  themselves  as  emperors
of  not  just  Muslims  but  of  all  peoples.
In effect, rulers often adopted a fairly flexible policy
towards  their  subjects.  For  instance,  several  rulers
gave  land  endowments  and  granted  tax  exemptions
to  Hindu,  Jaina,  Zoroastrian,  Christian  and  Jewish
religious institutions and also expressed respect and
Sharia
The sharia is the law governing
the  Muslim  community.  It  is
based  on  the  Quran  and  the
hadis, traditions of the Prophet
i ncl udi ng  a  record  of  hi s
remembered words and deeds.
With the expansion of Islamic
rule  outside  Arabia,  in  areas
where customs and traditions
were different, qiyas (reasoning
by  anal ogy)  and  i j ma
(consensus of the community)
were recognised as two other
sources of legislation. Thus, the
shari  a  evol ved  f rom  t he
Quran, hadis, qiyas and ijma.
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 150
Fig.  6.7
A  Mughal  painting  depicting
Emperor Jahangir with a Jogi
Source 5
Source 6
 Who were the people from whom Akbar
anticipated opposition to his order?
 Identify the deity worshipped by the Jogi.
Describe the attitude of the emperor towards
the Jogi.
devotion  towards  non-Muslim  religious  leaders.
These  grants  were  made  by  several  Mughal  rulers,
including  Akbar  and  Aurangzeb.
A  church  in  Khambat
This is an excerpt from a farman (imperial order) issued
by Akbar in 1598:
Whereas it reached our eminent and holy notice that
the padris (fathers) of the Holy Society of Jesus wish
to  build  a  house  of  prayer  (church)  in  the  city  of
Kambayat (Khambat, in Gujarat); therefore an exalted
mandate  is being issued,  that the dignitaries of
the city of Kambayat should in no case stand in their
way but should allow them to build a church so that
they may engage themselves in their own worship. It
is necessary that the order of the Emperor should be
obeyed in every way.
Reverence for the Jogi
Here is an excerpt from a letter written by Aurangzeb to
a Jogi in 1661-62:
The possessor of the sublime station, Shiv Murat, Guru
Anand Nath Jio!
May your Reverence remain in peace and happiness
ever under the protection of Sri Shiv Jio!
 A piece of cloth for the cloak and a sum of twenty
five rupees which have been sent as an offering will
reach (Your Reverence)  Your Reverence may write
to  us  whenever  there  is  any  service  which  can  be
rendered by us.
151
5.2  The  popular  practice  of  Islam
The  developments  that  followed  the  coming  of  Islam
were  not  confined  to  ruling  elites;  in  fact  they
permeated  far  and  wide,  through  the  subcontinent,
amongst  different  social  strata    peasants,  artisans,
warriors,  merchants,  to  name  a  few.  All  those  who
adopted Islam accepted, in principle, the five pillars
of the faith: that there is one God, Allah, and Prophet
Muhammad  is  his  messenger  (shahada);  offering
prayers  five  times  a  day  (namaz/salat );  giving  alms
(zakat); fasting during the month of Ramzan (sawm);
and  performing  the  pilgrimage  to  Mecca  (hajj ).
However,  these  universal  features  were  often
overlaid  with  diversities  in  practice  derived  from
sectarian affiliations (Sunni, Shia), and the influence
of local customary practices of converts from different
social  milieus.  For  example,  the  Khojahs,  a  branch
of  the  Ismailis  (a  Shia  sect),  developed  new  modes
of  communication,  disseminating  ideas  derived  from
the Quran through indigenous literary genres. These
included the ginan (derived from the Sanskrit jnana,
meaning  knowledge),  devotional  poems  in  Punjabi,
Multani,  Sindhi,  Kachchi,  Hindi  and  Gujarati,  sung
in  special  ragas  during  daily  prayer  meetings.
Elsewhere,  Arab  Muslim  traders  who  settled
along  the  Malabar  coast  (Kerala)  adopted  the
local  language,  Malayalam.  They  also  adopted
local  customs  such  as  matriliny  (Chapter  3)  and
matrilocal  residence.
The  complex  blend  of  a  universal  faith  with  local
traditions  is  perhaps  best  exemplified  in  the
architecture of mosques. Some architectural features
Fig.  6.8
A  Khojaki  manuscript
The  ginan  were  transmitted
orally  before  being  recorded  in  the
Khojaki  script  that  was  derived
from  the  local  landa  (clipped
mercantile  script)  used  by  the
linguistically  diverse  community
of  Khojahs  in  the  Punjab,  Sind
and  Gujarat.
Matrilocal   residence  is  a
practice  where  women  after
marriage remain in their natal
home  with  their  children  and
the husbands may come to stay
with them.
Fig.  6.9
A mosque in Kerala,
c. thirteenth century
Note the shikhara-like  roof.
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 152
of  mosques  are  universal    such  as
their  orientation  towards  Mecca,
evident in the placement of the mihrab
(prayer niche) and the  minbar (pulpit).
However,  there  are  several  features
that  show  variations    such  as  roofs
and  building  materials  (see  Figs.  6.9,
6.10  and  6.11).
5.3  Names  for  communities
We  often  take  the  terms  Hindu  and
Muslim  for  granted,  as  labels  for
religious  communities.  Yet,  these
terms did not gain currency for a very
long time. Historians who have studied
Sanskrit  texts  and  inscriptions  dating
between  the  eighth  and  fourteenth
centuries  point  out  that  the  term
musalman  or  Muslim  was  virtually
never  used.  Instead,  people  were
occasionally  identified  in  terms  of
the  region  from  which  they  came.
So, the Turkish rulers were designated
as  Turushka,  Tajika  were  people  from
Tajikistan  and Parashika were people
from  Persia.  Sometimes,  terms  used
for  other  peoples  were  applied  to  the
new  migrants.  For  instance,  the
Turks  and  Afghans  were  referred  to
as  Shakas  (Chapters  2  and  3)  and
Yavanas  (a  term  used  for  Greeks).
A more general term for these migrant
communities  was  mlechchha,  indicating  that  they  did
not  observe  the  norms  of  caste  society  and  spoke
languages  that  were  not  derived  from  Sanskrit.  Such
terms sometimes had a derogatory connotation, but they
rarely denoted a distinct religious community of Muslims
in    opposition  to  Hindus.  And  as  we  saw  (Chapter  5),
the  term  Hindu  was  used  in  a  variety  of  ways,  not
necessarily  restricted  to  a  religious  connotation.
  Discuss...
Find  out  more  about  the  architecture  of  mosques  in
your  village  or  town.  What  are  the  materials  used  to
build  mosques?  Are  these  locally  available?
Are  there  any  distinctive  architectural  features?
Fig.  6.11
The Shah Hamadan mosque in
Srinagar, on the banks of the
Jhelum, is often regarded as the
jewel in the crown of all the
existing mosques of Kashmir.
Built in 1395, it is one of the best
examples  of  Kashmiri  wooden
architecture.  Notice  the  spire  and
the  beautifully  carved  eaves.  It  is
decorated  with  papier  mache.
Fig.  6.10
Atiya  mosque,  Mymensingh  district,
Bangladesh,  built  with  brick,  1609
153
6. The Growth of Sufism
In  the  early  centuries  of  Islam  a  group  of  religious-
minded  people  called  sufis  turned  to  asceticism  and
mysticism  in  protest  against  the  growing  materialism
of  the  Caliphate  as  a  religious  and  political  institution.
They  were  critical  of  the  dogmatic  definitions  and
scholastic methods of interpreting the Quran and sunna
(traditions  of  the  Prophet)  adopted  by  theologians.
Instead,  they  laid  emphasis  on  seeking  salvation
through  intense  devotion  and  love  for  God  by  following
His  commands,  and  by  following  the  example  of  the
Prophet  Muhammad  whom  they  regarded  as  a  perfect
human  being.  The  sufis  thus  sought  an  interpretation
of the Quran on the basis of their personal experience.
6.1 Khanqahs and silsilas
By  the  eleventh  century  Sufism  evolved  into  a  well-
developed  movement  with  a  body  of  literature  on
Quranic  studies  and  sufi  practices.  Institutionally,
the  sufis  began  to  organise  communities  around  the
hospice  or  khanqah  (Persian)  controlled  by  a  teaching
master known as shaikh (in Arabic), pir or murshid (in
Persian).  He  enrolled  disciples  (murids)  and  appointed
a successor (khalifa). He established rules for spiritual
conduct  and  interaction  between  inmates  as  well  as
between  laypersons  and  the  master.
Sufi  silsilas  began  to  crystallise  in  different  parts  of
the  Islamic  world  around  the  twelfth  century.  The  word
silsila  literally  means  a  chain,  signifying  a  continuous
link  between  master  and  disciple,  stretching  as  an
unbroken spiritual genealogy to the Prophet Muhammad.
It  was  through  this  channel  that  spiritual  power  and
blessings  were  transmitted  to  devotees.  Special  rituals
of  initiation  were  developed  in  which  initiates  took  an
oath  of  allegiance,  wore  a  patched  garment,  and  shaved
their  hair.
When  the  shaikh  died,  his  tomb-shrine  (dargah,  a
Persian  term  meaning  court)  became  the  centre  of
devotion for his followers. This encouraged the practice
of  pilgrimage  or  ziyarat  to  his  grave,  particularly  on
his  death  anniversary  or  urs  (or  marriage,  signifying
the  union  of  his  soul  with  God).  This  was  because
people  believed  that  in  death  saints  were  united  with
God,  and  were  thus  closer  to  Him  than  when  living.
People  sought  their  blessings  to  attain  material  and
spiritual  benefits.  Thus  evolved  the  cult  of  the  shaikh
revered  as  wali.
Sufism and tasawwuf
Sufism  is  an  English  word
coined  in  the  nineteenth
century. The word used for
Sufism  in  Islamic  texts  is
tasawwuf.  Historians  have
understood  thi s  term  i n
several  ways.  According  to
some scholars, it is derived
from  suf,  meaning  wool,
ref erri ng  t o  t he  coarse
woollen  clothes  worn  by
sufis.  Others derive it from
safa, meaning purity. It may
also have been derived from
suffa,  the  platform  outside
t he  Prophet  s  mosque,
where  a  group  of   cl ose
followers assembled to learn
about the faith.
Names of silsilas
Most   suf i   l i neages  were
named  af t er  a  f oundi ng
fi gure.  For  exampl e,  the
Qadiri  order  was  named
after  Shaikh  Abdul  Qadir
Jilani.  However,  some  like
t he  Chi sht i   order,   were
named  af t er  t hei r  pl ace
of  origin,  in  this  case  the
town  of  Chisht  in  central
Afghanistan.
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 154
6.2  Outside  the  khanqah
Some  mystics  initiated  movements  based  on  a
radical  interpretation  of  sufi  ideals.  Many  scorned
the  khanqah  and  took  to  mendicancy  and  observed
celibacy.  They  ignored  rituals  and  observed  extreme
forms  of  asceticism.  They  were  known  by  different
names    Qalandars,  Madaris,  Malangs,  Haidaris,
etc. Because of their deliberate defiance of the sharia
they were often referred to as be-sharia, in contrast
to  the  ba-sharia  sufis  who  complied  with  it.
7. The Chishtis in the
Subcontinent
Of  the  groups  of  sufis  who  migrated  to  India  in
the  late  twelfth  century,  the  Chishtis  were  the
most  influential.  This  was  because  they  adapted
successfully  to  the  local  environment  and  adopted
several  features  of  Indian  devotional  traditions.
7.1 Life in the Chishti khanqah
The  khanqah  was  the  centre  of  social  life.  We  know
about  Shaikh  Nizamuddins  hospice  (c.  fourteenth
century)  on  the  banks  of  the  river  Yamuna  in
Ghiyaspur,  on  the  outskirts  of  what  was  then  the
city  of  Delhi.  It  comprised  several  small  rooms  and
a  big  hall  ( jamaat  khana)  where  the  inmates  and
visitors lived and prayed. The inmates included family
members  of  the  Shaikh,  his  attendants  and  disciples.
The  Shaikh  lived  in  a  small  room  on  the  roof  of  the
hall where he met visitors in the morning and evening.
A veranda surrounded the courtyard, and a boundary
wall ran around the complex. On one occasion, fearing
a Mongol invasion, people from the neighbouring areas
flocked into the khanqah to seek refuge.
Wali (plural auliya) or friend of
God  was  a  sufi  who  claimed
proximity  to  Allah,  acquiring
His Grace (barakat) to perform
miracles (karamat).
MAJOR TEACHERS OF THE CHISHTI SILSILA
SUFI TEACHERS YEAR OF DEATH LOCATION OF DARGAH
Shaikh  Muinuddin  Sijzi 1235 Ajmer  (Rajasthan)
Khwaja  Qutbuddin  Bakhtiyar  Kaki 1235 Delhi
Shaikh  Fariduddin  Ganj-i  Shakar 1265 Ajodhan  (Pakistan)
Shaikh  Nizamuddin  Auliya 1325 Delhi
Shaikh  Nasiruddin  Chiragh-i  Dehli 1356 Delhi
  Discuss...
Are  there  any khanqahs or
dargahs in your town or
village?  Find  out  when  these
were  built,  and  what  are  the
activities  associated  with
them.  Are  there  other  places
where  religious  men  and
women  meet  or  live?
155
There  was  an  open  kitchen  (langar),  run  on  futuh
(unasked-for  charity).  From  morning  till  late  night
people  from  all  walks  of  life    soldiers,  slaves,
singers,  merchants,  poets,  travellers,  rich  and
poor,  Hindu  jogis  (yogi)  and  qalandars    came
seeking  discipleship,  amulets  for  healing,  and  the
intercession of the Shaikh in various matters.  Other
visitors  included  poets  such  as  Amir  Hasan  Sijzi
and Amir Khusrau and the court historian Ziyauddin
Barani,  all  of  whom  wrote  about  the  Shaikh.
Practices that were adopted, including bowing before
the  Shaikh,  offering  water  to  visitors,  shaving  the
heads  of  initiates,  and  yogic  exercises,  represented
attempts  to  assimilate  local  traditions.
Shaikh  Nizamuddin  appointed  several  spiritual
successors  and  deputed  them  to  set  up  hospices  in
various  parts  of  the  subcontinent.  As  a  result  the
teachings, practices and organisation of the Chishtis
as  well  as  the  fame  of  the  Shaikh  spread  rapidly.
This in turn drew pilgrims to his shrine, and also to
the  shrines  of  his  spiritual  ancestors.
7.2 Chishti devotionalism: ziyarat and qawwali
Pilgrimage, called ziyarat,  to  tombs  of  sufi  saints  is
prevalent  all  over  the  Muslim  world.  This  practice
is  an  occasion  for  seeking  the  sufis  spiritual  grace
(barakat).  For  more  than  seven  centuries  people  of
various creeds, classes and social backgrounds have
expressed  their  devotion  at  the  dargahs  of  the  five
great  Chishti  saints  (see  chart  on  p.154).  Amongst
these,  the  most  revered  shrine  is  that  of  Khwaja
Muinuddin,  popularly  known  as  Gharib  Nawaz
(comforter  of  the  poor).
  The  earliest  textual  references  to  Khwaja
Muinuddins  dargah  date  to  the  fourteenth  century.
It  was  evidently  popular  because  of  the  austerity
and piety of its Shaikh, the greatness of his spiritual
successors,  and  the  patronage  of  royal  visitors.
Muhammad  bin  Tughlaq  (ruled,  1324-51)  was  the
The story of
Data Ganj Bakhsh
In 1039 Abul Hasan al Hujwiri,
a native of Hujwir near Ghazni
in  Afghanistan,  was  forced  to
cross  the  Indus  as  a  captive  of
the  invading  Turkish  army.  He
settled  in  Lahore  and  wrote  a
book in Persian called the Kashf-
ul-Mahj ub  (Unveiling  of  the
Veiled) to explain the meaning
of  tasawwuf,  and  those  who
practised it, that is, the sufi.
Hujwiri died in 1073 and was
buried in Lahore. The grandson
of  Sultan  Mahmud  of  Ghazni
constructed  a  tomb  over  his
grave,  and  this  tomb-shrine
became a site of pilgrimage for
his  devotees,  especially  on  his
death anniversary.
Even today Hujwiri is revered
as Data Ganj Bakhsh or Giver
who bestows treasures and his
mausol eum  i s  cal l ed  Dat a
Darbar or Court of the Giver.
Fig.  6.12
A seventeenth-century painting of
Shaikh  Nizamuddin  Auliya  and
his  disciple  Amir  Khusrau
 Describe how the artist differentiates between the
Shaikh and his disciple.
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 156
first  Sultan  to  visit  the  shrine,  but  the  earliest
construction  to  house  the  tomb  was  funded  in  the
late fifteenth century by Sultan Ghiyasuddin Khalji
of Malwa. Since the shrine was located on the trade
route  linking  Delhi  and  Gujarat,  it  attracted  a  lot
of  travellers.
By  the  sixteenth  century  the  shrine  had  become
very  popular;  in  fact  it  was  the  spirited  singing  of
pilgrims  bound  for  Ajmer  that  inspired  Akbar
to  visit  the  tomb.  He  went  there  fourteen  times,
sometimes  two  or  three  times  a  year,  to  seek
blessings for new conquests, fulfilment of vows, and
the birth of sons. He maintained this tradition until
1580.  Each  of  these  visits  was  celebrated  by
generous  gifts,  which  were  recorded  in  imperial
documents. For example, in 1568 he offered a huge
cauldron  (degh)  to  facilitate  cooking  for  pilgrims.
He  also  had  a  mosque  constructed  within  the
compound of the dargah.
Fig.  6.13
Shaikhs greeting the Mughal
emperor  Jahangir  on  his  pilgrimage
to Ajmer, painting by an artist
named Manohar, c.1615
 Find his signature on the
painting.
157
The  pilgrimage  of  the  Mughal  princess
Jahanara,  1643
The following is an excerpt from Jahanaras biography
of  Shaikh  Muinuddin  Chishti,  titled  Munis  al  Arwah
(The Confidant of Spirits):
After  praising  the  one  God    this  lowly  faqira
(humble  soul)  Jahanara  ...  went  from  the  capital
Agra in the company of my great father (Emperor
Shah  Jahan)   t owar ds   t he  pur e  r egi on  of
incomparable Ajmer  I was committed to this idea,
that every day in every station I would perform two
cycles of optional prayer 
For several days ... I did not sleep on a leopard skin
at night, I did not extend my feet in the direction of the
blessed sanctuary of the revered saving master, and I
did not turn my back towards him. I passed the days
beneath the trees.
On  Thursday,  the  fourth  of  the  blessed  month  of
Ramzan, I attained the happiness of pilgrimage to the
illuminated and the perfumed tomb  With an hour of
daylight remaining, I went to the holy sanctuary and
rubbed my pale face with the dust of that threshold.
From the doorway to the blessed tomb I went barefoot,
kissing the ground. Having entered the dome, I went
around the light-filled tomb of my master seven times
 Finally, with my own hand I put the finest quality of
itar  on  the  perfumed  tomb  of  the  revered  one,  and
having taken off the rose scarf that I had on my head, I
placed it on the top of the blessed tomb ...
Also part of ziyarat is the use of music and dance
including  mystical  chants  performed  by  specially
trained  musicians  or  qawwals  to  evoke  divine
ecstasy.  The  sufis  remember  God  either  by  reciting
the  zikr  (the  Divine  Names)  or  evoking  His  Presence
through  sama  (literally,  audition)  or  performance
of mystical music. Sama was integral to the Chishtis,
and  exemplified  interaction  with  indigenous
devotional  traditions.
 What are the gestures that Jahanara
records to indicate her devotion to the Shaikh?
How does she suggest that the dargah was a
special place?
The lamp of the
entire land
Each sufi shrine was associated
with distinctive features. This is
what  an  eighteenth-century
visitor from the Deccan, Dargah
Quli  Khan,  wrote  about  the
shrine of Nasiruddin Chiragh-i
Dehli  in  his  Muraqqa-i  Dehli
(Album of Delhi):
The Shaikh (in the grave)
is  not  the  lamp  of  Delhi
but  of  the  entire  country.
People  turn  up  there  in
crowds,  particularly  on
Sunday.   I n  t he  mont h
of   Di wal i   the  enti re
population  of  Delhi  visits
i t  and  stays  i n  tents
around the spring tank for
days.  They  take  baths  to
obtain cures from chronic
di seases.   Musl i ms  and
Hindus  pay  visits  in  the
same spirit. From morning
till  evening  people  come
and also make themselves
busy  in  merrymaking  in
the shade of  the  trees.
Source 7
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 158
7.3    Languages  and  communication
It  was  not  just  in  sama  that  the  Chishtis  adopted
local  languages.  In  Delhi,  those  associated  with
the Chishti silsila conversed in Hindavi, the language
of  the  people.  Other  sufis  such  as  Baba  Farid
composed  verses  in  the  local  language,  which  were
incorporated  in  the  Guru  Granth  Sahib.  Yet  others
composed  long  poems  or  masnavis  to  express  ideas
of  divine  love  using  human  love  as  an  allegory.  For
example,  the  prem-akhyan  (love  story)  Padmavat
composed  by  Malik  Muhammad  Jayasi  revolved
around  the  romance  of  Padmini  and  Ratansen,  the
king of Chittor. Their trials were symbolic of the souls
journey to the divine. Such poetic compositions were
often  recited  in  hospices,  usually  during  sama.
A  different  genre  of  sufi  poetry  was  composed  in
and  around  the  town  of  Bijapur,  Karnataka.  These
were  short  poems  in  Dakhani  (a  variant  of  Urdu)
attributed  to  Chishti  sufis  who  lived  in  this  region
during  the  seventeenth  and  eighteenth  centuries.
These  poems  were  probably  sung  by  women  while
performing household chores like grinding grain and
spinning.  Other  compositions  were  in  the  form  of
lurinama  or  lullabies  and  shadinama  or  wedding
songs.  It  is  likely  that  the  sufis  of  this  region  were
inspired  by  the  pre-existing  bhakti  tradition  of  the
Kannada vachanas of the Lingayats and the Marathi
abhangs  of  the  sants  of  Pandharpur.  It  is  through
this  medium  that  Islam  gradually  gained  a  place  in
the  villages  of  the  Deccan.
Amir Khusrau and
the qaul
Amir  Khusrau  (1253-1325),  the
great poet, musician and disciple
of  Shaikh  Nizamuddin  Auliya,
gave a unique form to the Chishti
sama  by  introducing  the  qaul
(Arabic word meaning saying),
a  hymn  sung  at  the  opening  or
closing  of  qawwali.  This  was
followed by sufi poetry in Persian,
Hindavi or Urdu, and sometimes
using  words  from  all  of  these
languages. Qawwals (those who
sing these songs) at the shrine of
Shaikh Nizamuddin Auliya always
start  their  recital  with  the  qaul.
Today  qawwali  is  performed  in
shrines all over the subcontinent.
Fig.  6.14
Qawwali  at  the  dargah  of
Nizamuddin  Auliya
Charkhanama
 A song set to the rhythm of the spinning wheel:
As you take the cotton, you do zikr-i jali
As you separate the cotton you should do zikr-i qalbi
And as you spool the thread you should do zikr-i aini
Zikr should be uttered from the stomach through the
chest,
And threaded through the throat.
The threads of breath should be counted one by one,
oh sister.
Up to twenty four thousand.
Do this day and night,
And offer this to your pir as a gift.
Source 8
 In what ways are the ideas
and modes of expression used
in this song similar to or
different from those used by
Jahanara to describe her
ziyarat (Source 7)?
159
7.4 Sufis and the state
A major feature of the Chishti tradition was austerity,
including  maintaining  a  distance  from  worldly
power. However, this was by no means a situation of
absolute  isolation  from  political  power.  The  sufis
accepted  unsolicited  grants  and  donations  from  the
political elites. The Sultans in turn set up charitable
trusts  (auqaf )  as  endowments  for  hospices  and
granted  tax-free  land  (inam).
The Chishtis accepted donations in cash and kind.
Rather  than  accumulate  donations,  they  preferred
to  use  these  fully  on  immediate  requirements
such  as  food,  clothes,  living  quarters  and  ritual
necessities  (such  as  sama ).  All  this  enhanced  the
moral  authority  of  the  shaikhs,  which  in  turn
attracted  people  from  all  walks  of  life.  Further,  their
piety  and  scholarship,  and  peoples  belief  in  their
miraculous  powers  made  sufis  popular  among  the
masses,  whose  support  kings  wished  to  secure.
Kings  did  not  simply  need  to  demonstrate  their
association with sufis; they also required legitimation
from  them.  When  the  Turks  set  up  the  Delhi
Sultanate,  they  resisted  the  insistence  of  the  ulama
on  imposing  sharia  as  state  law  because  they
anticipated  opposition  from  their  subjects,  the
majority  of  whom  were  non-Muslims.  The  Sultans
then  sought  out  the  sufis    who  derived  their
authority directly from God  and did not depend on
jurists  to  interpret  the  sharia.
Besides,  it  was  believed  that  the  auliya  could
intercede  with  God  in  order  to  improve  the  material
and  spiritual  conditions  of  ordinary  human  beings.
This explains why kings often wanted their tombs to
be  in  the  vicinity  of  sufi  shrines  and  hospices.
However,  there  were  instances  of  conflict  between
the  Sultans  and  the  sufis.  To  assert  their  authority,
both expected that certain rituals be performed such
as  prostration  and  kissing  of  the  feet.  Occasionally
the  sufi  shaikh  was  addressed  with  high-sounding
titles.  For  example,  the  disciples  of  Nizamuddin
Auliya addressed him as sultan-ul-mashaikh (literally,
Sultan  amongst  shaikhs).
Sufis and the state
Ot her   s uf i s   s uch  as   t he
Suhrawardi  under  the  Delhi
Sultans  and  the  Naqshbandi
under the Mughals were also
as s oci at ed  wi t h  t he  s t at e.
However,  the  modes  of  their
association were not the same
as  those  of  the  Chi shti s.  In
some  cases,   suf i s  accepted
courtly offices.
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 160
Declining  a  royal  gift
This excerpt from a sufi text describes the proceedings at
Shaikh Nizamuddin Auliyas hospice in 1313:
I  (the  author,  Ami r  Hasan  Si j zi )  had  the  good
fortune of kissing his (Shaikh Nizamuddin Auliyas)
feet    At  this  time  a  local  ruler  had  sent  him  the
deed of ownership to two gardens and much land,
al ong  wi t h  t he  provi si ons  and  t ool s  f or  t hei r
maintenance. The ruler had also made it clear that
he  was  rel i nqui shi ng  al l   hi s  ri ghts  to  both  the
gardens and land. The master  had not accepted
that gift. Instead, he had lamented: What have I to
do with gardens and fields and lands?  None of 
our spiritual masters had engaged in such activity.
Then  he  told  an  appropriate  story:    Sultan
Ghiyasuddin,  who  at  that  time  was  still  known  as
Ulugh Khan, came to visit Shaikh Fariduddin (and)
offered some money and ownership deeds for four
villages to the Shaikh, the money being for the benefit
of  the  dervishes  (sufis),  and  the  land  for  his  use.
Smiling, Shaikh al Islam (Fariduddin) said: Give me
the money. I will dispense it to the dervishes. But as
for those land deeds, keep them. There are many who
long for them. Give them away to such persons.
Source 9
 What aspects of the
relationship between the sufis
and the state do you think are
best illustrated in this account?
What does the account tell us
about the modes of
communication between the
Shaikh and his disciples?
Fig.  6.15
The  dargah  of  Shaikh  Salim  Chishti
(a direct descendant of Baba Farid)
constructed in Fatehpur Sikri,
Akbars  capital,  symbolised  the
bond between the Chishtis and the
Mughal  state.
  Discuss...
What  are  the  potential
sources  of  conflict  in  the
relationship  between  religious
and  political  leaders?
161
8. New Devotional Paths
Dialogue  and  Dissent  in
Northern  India
Many  poet-saints  engaged  in  explicit  and  implicit
dialogue  with  these  new  social  situations,  ideas  and
institutions. Let us now see how this dialogue found
expression.  We  focus  here  on  three  of  the  most
influential  figures  of  the  time.
8.1 Weaving a divine fabric: Kabir
Kabir  (c.  fourteenth-fifteenth  centuries)  is  perhaps
one of the most outstanding examples of a poet-saint
who  emerged  within  this  context.  Historians  have
painstakingly  tried  to  reconstruct  his  life  and  times
through  a  study  of  compositions  attributed  to  him
as  well  as  later  hagiographies.  Such  exercises  have
proved  to  be  challenging  on  a  number  of  counts.
Verses  ascribed  to  Kabir  have  been  compiled  in
three  distinct  but  overlapping  traditions.  The  Kabir
Bijak  is  preserved  by  the  Kabirpanth  (the  path  or
sect  of  Kabir)  in  Varanasi  and  elsewhere  in  Uttar
Pradesh;  the  Kabir  Granthavali  is  associated  with
the  Dadupanth  in  Rajasthan,  and  many  of  his
compositions are found in the Adi Granth Sahib (see
Section  8.2).  All  these  manuscript  compilations
were  made  long  after  the  death  of  Kabir.  By  the
nineteenth  century,  anthologies  of  verses  attributed
to  him  circulated  in  print  in  regions  as  far  apart  as
Bengal,  Gujarat  and  Maharashtra.
Kabirs  poems  have  survived  in  several  languages
and  dialects;  and  some  are  composed  in  the  special
language  of  nirguna  poets,  the  sant  bhasha.  Others,
known  as  ulatbansi  (upside-down  sayings),  are
written  in  a  form  in  which  everyday  meanings
are  inverted.  These  hint  at  the  difficulties  of
capturing  the  nature  of  the  Ultimate  Reality  in
words: expressions such as the lotus which blooms
without flower or the fire raging in the ocean convey
a  sense  of  Kabirs  mystical  experiences.
Also striking is the range of traditions Kabir drew
on  to  describe  the  Ultimate  Reality.  These  include
Islam:  he  described  the  Ultimate  Reality  as  Allah,
Khuda,  Hazrat  and  Pir.  He  also  used  terms  drawn
from Vedantic traditions, alakh (the unseen), nirakar
(formless),  Brahman,  Atman,  etc.  Other  terms  with
mystical  connotations  such  as  shabda  (sound)  or
shunya (emptiness) were drawn from yogic traditions.
The  One  Lord
Here is a composition attributed
to Kabir:
Tell  me,  brother,  how  can
there be
No  one  lord  of  the  world
but two?
Who led you so astray?
God is called by many names:
Names like Allah, Ram,  Karim,
Keshav, Hari, and Hazrat.
Gold  may  be  shaped  into
rings and bangles.
Isnt it gold all the same?
Distinctions  are  only  words
we invent 
Kabi r  says  they  are  both
mistaken.
Neither  can  find  the  only
Ram. One kills the goat, the
other cows.
They  waste  thei r  l i ves  i n
disputation.
 What is Kabirs
argument against the
distinction made
between gods of
different communities?
Source 10
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 162
Diverse  and  sometimes  conflicting  ideas  are
expressed  in  these  poems.  Some  poems  draw  on
Islamic  ideas  and  use  monotheism  and  iconoclasm
to attack Hindu polytheism and idol worship; others
use the sufi concept of zikr and ishq (love) to express
the  Hindu  practice  of  nam-simaran  (remembrance
of  Gods  name).
Were  all  these  composed  by  Kabir?  We  may  never
be able to tell with certainty, although scholars have
tried  to  analyse  the  language,  style  and  content  to
establish  which  verses  could  be  Kabirs.  What  this
rich corpus of verses also signifies is that Kabir was
and  is  to  the  present  a  source  of  inspiration  for
those  who  questioned  entrenched  religious  and
social  institutions,  ideas  and  practices  in  their
search  for  the  Divine.
Just as Kabirs ideas probably
crystallised  through  dialogue
and  debate  (explicit  or  implicit)
with  the  traditions  of  sufis  and
yogis in the region of Awadh (part
of  present-day  Uttar  Pradesh),
his legacy was claimed by several
groups,  who  remembered  him
and continue to do so.
This  is  most  evident  in  later
debates  about  whether  he  was
a  Hindu  or  a  Muslim  by  birth,
debates  that  are  reflected  in
hagiographies.  Many  of  these
were  composed  from  the
seventeenth  century  onwards,
about  200  years  after  Kabirs
lifetime.
Hagiographies  within  the
Vaishnava  tradition  attempted
to  suggest  that  he  was  born  a
Hindu,  Kabirdas  (Kabir  itself  is
an Arabic word meaning great),
but  was  raised  by  a  poor
Muslim  family  belonging  to
the  community  of  weavers  or
julahas,  who  were  relatively
recent  converts  to  Islam.  They
also  suggested  that  he  was
initiated  into  bhakti  by  a  guru,
perhaps  Ramananda.
Fig.  6.16
Roadside  musicians,  a  seventeenth-
century  Mughal  painting
It  is  likely  that  the  compositions
of the sants were sung by
such  musicians.
163
However,  the  verses  attributed  to  Kabir  use  the
words guru and satguru, but do not mention the name
of  any  specific  preceptor.  Historians  have  pointed
out  that  it  is  very  difficult  to  establish  that
Ramananda and Kabir were contemporaries, without
assigning  improbably  long  lives  to  either  or  both.
So,  while  traditions  linking  the  two  cannot  be
accepted  at  face  value,  they  show  how  important
the  legacy  of  Kabir  was  for  later  generations.
8.2  Baba  Guru  Nanak  and  the  Sacred  Word
Baba Guru Nanak (1469-1539) was born in a Hindu
merchant  family  in  a  village  called  Nankana  Sahib
near  the  river  Ravi  in  the  predominantly  Muslim
Punjab. He trained to be an accountant and studied
Persian. He was married at a young age but he spent
most  of  his  time  among  sufis  and  bhaktas.  He  also
travelled  widely.
The  message  of  Baba  Guru  Nanak  is  spelt  out  in
his  hymns  and  teachings.  These  suggest  that  he
advocated  a  form  of  nirguna  bhakti.  He  firmly
repudiated  the  external  practices  of  the  religions  he
saw around him. He rejected sacrifices, ritual baths,
image worship, austerities and the scriptures of both
Hindus  and  Muslims.  For  Baba  Guru  Nanak,
the  Absolute  or  rab  had  no  gender  or  form.  He
proposed  a  simple  way  to  connect  to  the  Divine  by
remembering  and  repeating  the  Divine  Name,
expressing his ideas through hymns called shabad
in  Punjabi,  the  language  of  the  region.  Baba  Guru
Nanak  would  sing  these  compositions  in  various
ragas while his attendant Mardana played the rabab.
Baba  Guru  Nanak  organised  his  followers  into  a
community.  He  set  up  rules  for  congregational
worship  (sangat )  involving  collective  recitation.  He
appointed  one  of  his  disciples,  Angad,  to  succeed
him  as  the  preceptor  (guru),  and  this  practice  was
followed  for  nearly  200  years.
It  appears  that  Baba  Guru  Nanak  did  not
wish  to  establish  a  new  religion,  but  after  his  death
his  followers  consolidated  their  own  practices
and  distinguished  themselves  from  both  Hindus
and  Muslims.  The  fifth  preceptor,  Guru  Arjan,
compiled  Baba  Guru  Nanaks  hymns  along  with
those  of  his  four  successors  and  other  religious
poets  like  Baba  Farid,  Ravidas  (also  known  as
Raidas)  and  Kabir  in  the  Adi  Granth  Sahib.  These
hymns,  called  gurbani,  are  composed  in  various
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 164
languages.  In  the  late  seventeenth  century  the  tenth
preceptor,  Guru  Gobind  Singh,  included  the
compositions  of  the  ninth  guru,  Guru  Tegh  Bahadur,
and  this  scripture  was  called  the  Guru  Granth  Sahib.
Guru  Gobind  Singh  also  laid  the  foundation  of  the
Khalsa  Panth  (army  of  the  pure)  and  defined  its  five
symbols: uncut hair, a dagger, a pair of shorts, a comb
and  a  steel  bangle.  Under  him  the  community  got
consolidated  as  a  socio-religious  and  military  force.
8.3  Mirabai,  the  devotee  princess
Mirabai  (c.  fifteenth-sixteenth  centuries)  is  perhaps
the  best-known  woman  poet  within  the  bhakti
tradition.  Biographies  have  been  reconstructed
primarily  from  the  bhajans  attributed  to  her,  which
were  transmitted  orally  for  centuries.  According  to
these,  she  was  a  Rajput  princess  from  Merta  in
Marwar  who  was  married  against  her  wishes  to  a
prince  of  the  Sisodia  clan  of  Mewar,  Rajasthan.  She
defied  her  husband  and  did  not  submit  to  the
traditional  role  of  wife  and  mother,  instead
recognising  Krishna,  the  avatar  of  Vishnu,  as  her
lover. Her in-laws tried to poison her, but she escaped
from  the  palace  to  live  as  a  wandering  singer
composing  songs  that  are  characterised  by  intense
expressions  of  emotion.
 Love for the Lord
This is part of a song attributed to Mirabai:
I will build a funeral pyre of sandalwood and aloe;
Light it by your own hand
When I am burned away to cinders;
Smear this ash upon your limbs.
 let flame be lost in flame.
In another verse, she sings:
What can Mewars ruler do to me?
If God is angry, all is lost,
But what can the Rana do?
Source 11
 What does this indicate about Mirabais
attitude towards the king?
Fig.  6.17
A fifteenth-century stone sculpture
(Tamil  Nadu)  depicting  Krishna
playing the flute, a form of the
deity  worshipped  by  Mirabai
165
According  to  some  traditions,  her  preceptor  was
Raidas,  a  leather  worker.  This  would  indicate  her
defiance  of  the  norms  of  caste  society.  After
rejecting  the  comforts  of  her  husbands  palace,  she
is  supposed  to  have  donned  the  white  robes  of  a
widow  or  the  saffron  robe  of  the  renouncer.
Although  Mirabai  did  not  attract  a  sect  or
group  of  followers,  she  has  been  recognised  as  a
source  of  inspiration  for  centuries.  Her  songs
continue  to  be  sung  by  women  and  men,  especially
those  who  are  poor  and  considered  low  caste  in
Gujarat  and  Rajasthan.
  Discuss...
Why  do  you  think  the  traditions  of  Kabir,  Baba
Guru  Nanak  and  Mirabai  remain  significant  in
the  twenty-first  century?
9. Reconstructing Histories of
Religious Traditions
We  have  seen  that  historians  draw  on  a  variety
of  sources  to  reconstruct  histories  of  religious
traditions    these  include  sculpture,  architecture,
stories    about  religious  preceptors,  compositions
attributed  to  women  and  men  engaged  in  the  quest
of  understanding  the  nature  of  the  Divine.
As  we  have  seen  in  Chapters  1  and  4,  sculpture
and  architecture  can  only  be  understood  if  we
have  a  grasp  of  the  context    the  ideas,  beliefs  and
practices  of  those  who  produced  and  used  these
images and buildings. What about textual traditions
regarding  religious  beliefs?  If  you  return  to  the
sources  in  this  chapter,  you  will  notice  that  they
include  a  wide  variety,  written  in  several  different
languages  and  styles.  They  range  from  the
apparently  simple,  direct  language  of  the  vachanas
of Basavanna to the ornate Persian of the farman of
the  Mughal  emperors.  Understanding  each  type  of
text requires different skills: apart from a familiarity
with several languages, the historian has to be aware
of  the  subtle  variations  in  style  that  characterise
each  genre.
Shankaradeva
In  the  late  fifteenth  century,
Shankaradeva emerged as one
of  the  leading  proponents  of
Vai shnavi sm  i n  Assam.   Hi s
teachings,  often  known  as  the
Bhagavati dharma because they
were  based  on  the  Bhagavad
Gita and the Bhagavata Purana,
focused on absolute surrender
to the supreme deity, in this case
Vishnu.  He  emphasised  the
need for naam kirtan, recitation
of the names of the lord in sat
sanga or congregations of pious
devotees. He also encouraged
the  establishment  of  satra  or
monasteries for the transmission
of  spiritual  knowledge,  and
naam  ghar  or  prayer  hal l s.
Many  of  these  institutions  and
practices  continue  to  flourish
i n  t he  regi on.   Hi s  maj or
composi t i ons  i ncl ude  t he
Kirtana-ghosha.
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 166
Varieties of sources used to reconstruct
the history of sufi traditions
A wide range of texts were produced in and around sufi khanqahs.
These included:
1. Treat i ses  or  manual s  deal i ng  wi t h  suf i   t hought   and
practices  The Kashf-ul-Mahjub of Ali bin Usman Hujwiri (died
c. 1071) is an example of this genre. It enables historians to see
how traditions outside the subcontinent influenced sufi thought
in India.
2. Malfuzat (literally,  uttered; conversations of sufi saints) 
An early text on malfuzat is the Fawaid-al-Fuad, a collection of
conversations of Shaikh Nizamuddin Auliya, compiled by Amir
Hasan Sijzi Dehlavi, a noted Persian poet. Source 9 contains an
excerpt from this text. Malfuzats were compiled by different sufi
silsilas  with  the  permission  of  the  shaikhs;  these  had  obvious
didactic  purposes.  Several  examples  have  been  found  from
different parts of the subcontinent, including the Deccan. They
were compiled over several centuries.
3. Maktubat (literally, written collections of letters); letters
wri tten  by  sufi   masters,  addressed  to  thei r  di sci pl es  and
associates  While these tell us about the shaikhs experience
of  religious  truth  that  he  wanted  to  share  with  others,  they
also reflect the life conditions of the recipients and are responses
to their aspirations and difficulties, both spiritual and mundane.
The letters, known as Maktubat-i Imam Rabbani, of the noted
seventeenth-century  Naqshbandi   Shai kh  Ahmad  Si rhi ndi
(d.1624), whose ideology is often contrasted with the liberal
and  non-sectarian  views  of  Akbar,  are  amongst  those  most
frequently discussed by scholars.
4. Tazkiras (literally, to mention and memorialise; biographical
accounts  of  saints)    The  fourteenth-centurySiyar-ul-Auliya  of
Mir  Khwurd  Kirmani  was  the  first  sufi  tazkira  written  in  India.
It dealt principally with the Chishti saints. The most famous tazkira
is  the  Akhbar-ul-Akhyar  of  Abdul  Haqq  Muhaddis  Dehlavi
(d. 1642). The authors of the tazkiras often sought to establish
the  precedence  of  their  own  orders  and  glorify  their    spiritual
genealogies. Many details are often implausible, full of elements
of  the  fantastic.  Still  they  are  of  great  value  for  historians  and
help them to understand more fully the nature of the tradition.
 Remember that each of the traditions we have been considering
in this chapter generated a wide range of textual and oral modes
of communication, some of which have been preserved, many
of which have been modified in the process of transmission, and
others are probably lost forever.
167
Virtually  all  these  religious  traditions  continue  to
flourish  to  date.  This  continuity  has  certain
advantages for historians as it allows them to compare
contemporary practices with those described in textual
traditions  or  shown  in  old  paintings    and  to  trace
changes.  At the same time, because these traditions
are part of peoples lived beliefs and practices, there
is  often  a  lack  of  acceptance  of  the  possibility  that
these may have changed over time.  The challenge for
historians  is  to  undertake  such  investigations  with
sensitivity, while at the same time recognising that
religious traditions, like other traditions, are dynamic
and change over time.
Timeline
Some  Major  Religious  Teachers  in  the  Subcontinent
c. 500-800 CE Appar, Sambandar, Sundaramurti in Tamil Nadu
c.  800-900 Nammalvar, Manikkavachakar, Andal, Tondaradippodi
in Tamil Nadu
c.1000-1100 Al Hujwiri, Data Ganj Bakhsh in the Punjab; Ramanujacharya
in Tamil Nadu
c.1100-1200 Basavanna in Karnataka
c.1200-1300 Jnanadeva, Muktabai in Maharashtra; Khwaja Muinuddin
Chishti in Rajasthan; Bahauddin Zakariyya and Fariduddin
Ganj- i Shakar in the Punjab; Qutbuddin Bakhtiyar Kaki in Delhi
c.1300-1400 Lal Ded in Kashmir; Lal Shahbaz Qalandar in Sind;
Nizamuddin Auliya in Delhi; Ramananda in Uttar Pradesh;
Chokhamela in Maharashtra; Sharafuddin Yahya Maneri in Bihar
c.1400-1500 Kabir, Raidas, Surdas in  Uttar Pradesh; Baba Guru Nanak in the
Punjab; Vallabhacharya in Gujarat; Abdullah Shattari in Gwalior;
Muhammad Shah Alam in Gujarat; Mir Sayyid Muhammad Gesu
Daraz in Gulbarga,  Shankaradeva in Assam; Tukaram in
Maharashtra
c.1500-1600 Sri Chaitanya in Bengal; Mirabai in Rajasthan; Shaikh Abdul
Quddus Gangohi, Malik Muhammad Jaisi, Tulsidas in
Uttar  Pradesh
c.1600-1700 Shaikh Ahmad Sirhindi in Haryana; Miyan Mir in the Punjab
Note: These time frames indicate the approximate period during which these teachers lived.
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 168
Answer in100-150 words
1. Explain with examples what historians mean by the
integration of cults.
2. To  what  extent  do  you  think  the  architecture  of
mosques in the subcontinent reflects a combination
of universal ideals and local traditions?
3. What were the similarities and differences between
the be-sharia and ba-sharia sufi traditions?
4. Discuss the ways in which the Alvars, Nayanars and
Virashaivas expressed critiques of the caste system.
5. Describe  the  major  teachings  of  either  Kabir  or
Baba Guru Nanak, and the ways in which these
have been transmitted.
Write a short essay (about
250- 300 words) on the following:
6. Discuss  the  major  beliefs  and  practices  that
characterised Sufism.
7. Examine  how  and  why  rulers  tried  to  establish
connections with the traditions of the Nayanars and
the sufis.
8. Analyse,  with  illustrations,  why  bhakti  and  sufi
thinkers adopted a variety of languages in which
to express their opinions.
9. Read any five of the sources included in this chapter
and discuss the social and religious ideas that are
expressed in them.
Map work
10. On an outline map of India, plot three major sufi
shrines, and three places associated with temples
(one  each  of  a  form  of  Vishnu,  Shiva  and  the
goddess).
169
Richard M. Eaton (ed). 2003.
Indias Islamic Traditions.
Oxford University Press,
New Delhi.
John Stratton Hawley. 2005.
Three  Bhakti  Voices
Mirabai, Surdas and Kabir
in their times and ours.
Oxford University Press,
New Delhi.
David N. Lorenzen (ed.). 2004.
Religious  Movements  in
South Asia 600-1800.
Oxford University Press,
New Delhi,
A.K. Ramanujan. 1981.
Hymns for the Drowning.
Penguin, New Delhi.
Annemarie Schimmel. 1975.
Mystical Dimensions of Islam.
Univesity of North Carolina
Press, Chapel Hill.
David Smith. 1998.
The Dance of Siva: Religion
Art and Poetry in South India.
Cambridge Univesity Press,
New Delhi.
Charlotte Vaudeville. 1997.
A  Weaver  Named  Kabir.
Oxford University Press,
New Delhi.
Projects  (choose  one)
11. Choose any two of the religious teachers/thinkers/
saints mentioned in this chapter, and find out more
about their lives and teachings. Prepare a report
about the area and the times in which they lived,
their major ideas, how we know about them, and
why you think they are important.
12. Find  out  more  about  practices  of  pilgrimage
associated  with  the  shrines  mentioned  in  this
chapter.  Are  these  pilgrimages  still  undertaken?
When are these shrines visited? Who visits these
shrines? Why do they do so? What are the activities
associated with these pilgrimages?
If you would like to know
more, read:
For more information,
you could visit:
http://www.alif-india.com
Fig.  6.18
The  dargah  of  Shaikh  Bahauddin  Zakariya,
Multan  (Pakistan)
BHAKTI-SUFI TRADITIONS
 THEMES IN INDIAN HISTORY  PART II 170
An  Imperial  Capital
Vijayanagara
( (( ((c cc cc.  fourteenth  to  sixteenth  century) .  fourteenth  to  sixteenth  century) .  fourteenth  to  sixteenth  century) .  fourteenth  to  sixteenth  century) .  fourteenth  to  sixteenth  century)
Vijayanagara  or  city  of  victory  was  the  name  of
both a city and an empire. The empire was founded
in the fourteenth century. In its heyday it stretched
from  the  river  Krishna  in  the  north  to  the  extreme
south of the peninsula. In 1565 the city was sacked
and  subsequently  deserted.  Although  it  fell  into
ruin  in  the  seventeenth-eighteenth  centuries,  it
lived  on  in  the  memories  of  people  living  in  the
Krishna-Tungabhadra  doab.  They  remembered  it
as  Hampi,  a  name  derived  from  that  of  the  local
mother  goddess,  Pampadevi.  These  oral  traditions
combined  with  archaeological  finds,  monuments
and inscriptions and other records helped scholars
to  rediscover  the  Vijayanagara  Empire.
1. The Discovery of Hampi
The ruins at Hampi were brought to light in 1800 by
an  engineer  and  antiquarian  named  Colonel  Colin
Mackenzie.  An  employee  of  the  English  East  India
Company,  he  prepared  the  first  survey  map  of  the
site.  Much  of  the  initial  information  he  received  was
based  on  the  memories  of  priests  of  the  Virupaksha
temple  and  the  shrine  of  Pampadevi.  Subsequently,
from  1856,  photographers  began  to  record  the
monuments  which  enabled  scholars  to  study  them.
As  early  as  1836  epigraphists  began  collecting
several  dozen  inscriptions  found  at  this  and  other
temples  at  Hampi.  In  an  effort  to  reconstruct  the
history of the city and the empire, historians collated
information  from  these  sources  with  accounts  of
foreign  travellers  and  other  literature  written  in
Telugu,  Kannada,  Tamil  and  Sanskrit.
Fig.  7.1
A part of the stone wall that was
built  around  the  city  of  Vijayanagara
THEME
SEVEN
171
Colin  Mackenzie
Born  in  1754,  Colin  Mackenzie  became  famous  as  an
engineer,  surveyor  and  cartographer.  In  1815  he  was
appointed  the  first  Surveyor  General  of  India,  a  post
he held till his death in 1821. He embarked on collecting
local  histories  and  surveying  historic  sites  in  order  to
better understand Indias past and make governance of
the colony easier. He says that it struggled long under
the  miseries  of  bad  management    before  the  South
came  under  t he  beni gn  i nf l uence  of   t he  Bri t i sh
government.  By  studying  Vijayanagara,  Mackenzie
believed that the East India Company could gain much
useful  information  on  many  of  these  institutions,  laws
and  customs  whose  influence  still  prevails  among  the
various  Tribes  of  Natives  forming  the  general  mass  of
the population to this day.
2. Rayas, Nayakas and Sultans
According  to  tradition  and  epigraphic  evidence  two
brothers,  Harihara  and  Bukka,  founded  the
Vijayanagara  Empire  in  1336.  This  empire  included
within  its  fluctuating  frontiers  peoples  who  spoke
different  languages  and  followed  different  religious
traditions.
On their northern frontier, the Vijayanagara kings
competed  with  contemporary  rulers    including  the
Sultans  of  the  Deccan  and  the  Gajapati  rulers  of
Orissa    for  control  of  the  fertile  river  valleys  and
the  resources  generated  by  lucrative  overseas  trade.
At  the  same  time,  interaction  between  these  states
led  to  sharing  of  ideas,  especially  in  the  field  of
architecture.  The  rulers  of  Vijayanagara  borrowed
concepts  and  building  techniques  which  they  then
developed  further.
Fig.  7.2
Mackenzie  and  his  assistants
This is a copy by an
unknown  artist  of  an  oil
painting  by  the  portrait
painter  Thomas  Hickey.
It dates to c.1825 and belongs
to the collection of the Royal
Asiatic  Society  of  Britain  and
Ireland.  On  Mackenzies  left
is  his  peon  Kistnaji  holding
a  telescope,  on  his  right  are
Brahmana  assistants  
a  Jaina  pandit  (right)  and
behind  him  the  Telugu
Brahmana  Cauvellery
Ventak  Letchmiah.
Karnataka samrajyamu
While  historians  use  the  term  Vijayanagara  Empire,
contemporaries described it as the karnataka samrajyamu.
 How has the artist
portrayed Mackenzie
and his indigenous
informers? What ideas
about him and his
informants are sought to
be impressed upon the
viewers?
AN IMPERIAL CAPITAL: VIJAYANAGARA
Source 1
 THEMES IN INDIAN HISTORY  PART II 172
Some  of  the  areas  that  were  incorporated  within
the  empire  had  witnessed  the  development  of
powerful states such as those of the Cholas in Tamil
Nadu  and  the  Hoysalas  in  Karnataka.  Ruling  elites
in  these  areas  had  extended  patronage  to  elaborate
temples  such  as  the  Brihadishvara  temple  at
Thanjavur  and  the  Chennakeshava  temple  at  Belur.
The  rulers  of  Vijayanagara,  who  called  themselves
rayas,  built  on  these  traditions  and  carried  them,
as  we  will  see,  literally  to  new  heights.
2.1  Kings  and  traders
As  warfare  during  these  times  depended  upon
effective  cavalry,  the  import  of  horses  from  Arabia
and  Central  Asia  was  very  important  for  rival
kingdoms. This trade was initially controlled by Arab
traders.  Local  communities  of  merchants  known  as
kudirai  chettis  or  horse  merchants  also  participated
in these exchanges. From 1498 other actors appeared
on the scene. These were the Portuguese, who arrived
on the west coast of the subcontinent and attempted
to  establish  trading  and  military  stations.  Their
superior  military  technology,  especially  the  use  of
muskets, enabled them to become important players
in  the  tangled  politics  of  the  period.
In  fact,  Vijayanagara  was  also  noted  for  its
markets  dealing  in  spices,  textiles  and  precious
stones. Trade was often regarded as a status symbol
for such cities, which boasted of a wealthy population
that  demanded  high-value  exotic  goods,  especially
precious  stones  and  jewellery.  The  revenue  derived
Fig.  7.3
The gopuram or gateway of the
Brihadishvara  temple  at  Thanjavur
Elephants, horses
and men
Gajapati  literally  means  lord
of elephants. This was the name
of  a  ruling  lineage  that  was
very  powerful  in  Orissa  in  the
fifteenth century. In the popular
traditions  of  Vijayanagara  the
Deccan Sultans are termed as
ashvapati or lord of horses and
the rayas are called narapati or
lord of men.
173
Kings  and  traders
Krishnadeva  Raya  (ruled  1509-29),
t he  most   f amous  rul er  of
Vijayanagara, composed a work
on  statecraft  in  Telugu  known
as  the  Amuktamalyada.  About
traders he wrote:
A king should improve the
harbours  of  hi s  country
and  so  encourage  i t s
commerce  t hat   horses,
elephants,  precious  gems,
sandal wood,  pearl s  and
other  arti cl es  are  freel y
i mport ed    He  shoul d
arrange  that  the  foreign
sai l ors  who  l and  i n
hi s  country  on  account
of   st orms,   i l l ness  and
exhaustion are looked after
in  a  suitabl e  manner  
Make  t he  merchant s  of
distant  foreign  countries
who import elephants and
good  horses  be  attached
to  yourself  by  providing
them with daily audience,
present s  and  al l owi ng
decent profits. Then those
articles  will  never  go  to
your enemies.
from  trade  in  turn  contributed  significantly  to  the
prosperity  of  the  state.
2.2  The  apogee  and  decline  of  the  empire
Within  the  polity,  claimants  to  power  included
members  of  the  ruling  lineage  as  well  as  military
commanders.  The  first  dynasty,  known  as  the
Sangama  dynasty,  exercised  control  till  1485.
They  were  supplanted  by  the  Saluvas,  military
commanders,  who  remained  in  power  till  1503
when  they  were  replaced  by  the  Tuluvas.
Krishnadeva  Raya  belonged  to  the  Tuluva  dynasty.
Krishnadeva  Rayas  rule  was  characterised  by
expansion  and  consolidation.  This  was  the  time
when  the  land  between  the  Tungabhadra  and
Krishna  rivers  (the  Raichur  doab)  was  acquired
(1512), the rulers of Orissa were subdued (1514) and
severe defeats were inflicted on the Sultan of Bijapur
(1520). Although the kingdom remained in a constant
state  of  military  preparedness,  it  flourished  under
conditions  of  unparalleled  peace  and  prosperity.
Krishnadeva  Raya  is  credited  with  building  some
fine  temples  and  adding  impressive  gopurams  to
many  important  south  Indian  temples.  He  also
founded  a  suburban  township  near  Vijayanagara
called  Nagalapuram  after  his  mother.  Some  of  the
most detailed descriptions of Vijayanagara come from
his  time  or  just  after.
Strain began to show within the imperial structure
following  Krishnadeva  Rayas  death  in  1529.  His
successors  were  troubled  by  rebellious  nayakas  or
military  chiefs.  By  1542  control  at  the  centre  had
shifted to another ruling lineage, that of the Aravidu,
which  remained  in  power  till  the  end  of  the
seventeenth  century.  During  this  period,  as  indeed
earlier,  the  military  ambitions  of  the  rulers
of  Vijayanagara  as  well  as  those  of  the  Deccan
Sultanates  resulted  in  shifting  alignments.
Eventually  this  led  to  an  alliance  of  the  Sultanates
against  Vijayanagara.  In  1565  Rama  Raya,  the  chief
minister  of  Vijayanagara,  led  the  army  into  battle
at Rakshasi-Tangadi (also known as Talikota), where
his  forces  were  routed  by  the  combined  armies
of Bijapur, Ahmadnagar and Golconda. The victorious
armies sacked the city of Vijayanagara. The city was
totally abandoned within a few years. Now the focus
of  the  empire  shifted  to  the  east  where  the  Aravidu
 Why do you think
the king was interested
in encouraging trade?
Which groups of people
would have benefited
from these
transactions?
Source 2
AN IMPERIAL CAPITAL: VIJAYANAGARA
 THEMES IN INDIAN HISTORY  PART II 174
Bidar
Gulbarga
Golconda
Warangal
Bijapur
Ikkeri
Quilon
  Tirunelveli
Vijayanagara
Chitradurga
Kolar
Kanchipuram
Gingee
Chidambaram
Thanjavur
Madurai
Ramanathapuram
Chandragiri
Mysore
B
a
y
 
o
f
 
B
e
n
g
a
l
Indian Ocean
A
r
a
b
i
a
n
 
S
e
a
  Sri Lanka
B
h
i
m
a
Krishna
Tungabhadra
P
e
n
n
a
r
K
a
v
e
r
i
V
a
i
g
a
i
Sketch map not to scale
dynasty  ruled  from  Penukonda  and  later  from
Chandragiri  (near  Tirupati).
Although the armies of the Sultans were responsible
for the destruction of the city of Vijayanagara, relations
between  the  Sultans  and  the  rayas  were  not  always
or  inevitably  hostile,  in  spite  of  religious  differences.
Krishnadeva  Raya,  for  example,  supported  some
claimants  to  power  in  the  Sultanates  and  took  pride
in  the  title  establisher  of  the  Yavana  kingdom.
Similarly,  the  Sultan  of  Bijapur  intervened  to  resolve
succession  disputes  in  Vijayanagara  following  the
death  of  Krishnadeva  Raya.  In  fact  the  Vijayanagara
kings  were  keen  to  ensure  the  stability  of  the
Sultanates  and  vice  versa.  It  was  the  adventurous
policy of Rama Raya who tried to play off one Sultan
against  another  that  led  the  Sultans  to  combine
together  and  decisively  defeat  him.
Map 1
South India,
c. fourteenth-eighteenth century
Yavana  is a Sanskrit word used
for the Greeks and other peoples
who entered the subcontinent
from the north west.
 Identify the present-day states
that formed part of the empire.
175
2.3 The rayas and the nayakas
Among those who exercised power in the empire were
military  chiefs  who  usually  controlled  forts  and  had
armed  supporters.  These  chiefs  often  moved  from
one  area  to  another,  and  in  many  cases  were
accompanied  by  peasants  looking  for  fertile  land  on
which to settle. These chiefs were known as nayakas
and  they  usually  spoke  Telugu  or  Kannada.  Many
nayakas  submitted  to  the  authority  of  the  kings  of
Vijayanagara  but  they  often  rebelled  and  had  to  be
subdued  by  military  action.
The  amara-nayaka  system  was  a  major  political
innovation  of  the  Vijayanagara  Empire.  It  is  likely
that many features of this system were derived from
the  iqta  system  of  the  Delhi  Sultanate.
The  amara-nayakas  were  military  commanders
who  were  given  territories  to  govern  by  the  raya.
They  collected  taxes  and  other  dues  from  peasants,
craftspersons and traders in the area. They retained
part  of  the  revenue  for  personal  use  and  for
maintaining  a  stipulated  contingent  of  horses
and  elephants.  These  contingents  provided  the
Vijayanagara  kings  with  an  effective  fighting  force
with  which  they  brought  the  entire  southern
peninsula  under  their  control.  Some  of  the  revenue
was  also  used  for  the  maintenance  of  temples  and
irrigation  works.
The  amara-nayakas  sent  tribute  to  the  king
annually and personally appeared in the royal court
with gifts to express their loyalty. Kings occasionally
asserted their control over them by transferring them
from one place to another. However, during the course
of  the  seventeenth  century,  many  of  these  nayakas
established  independent  kingdoms.  This  hastened
the  collapse  of  the  central  imperial  structure.
  Discuss...
Locate  Chandragiri,  Madurai,  Ikkeri,  Thanjavur
and  Mysore,  all  centres  of  nayaka power,  on
Map  1.  Discuss  the  ways  in  which  rivers  and  hills
may  have  facilitated  or  hindered  communication
with  Vijayanagara  in  each  case.
 Amara is believed to be derived
from the Sanskrit word samara,
meaning battle or war. It also
resembles  the  Persian  term
amir,  meaning a high noble.
AN IMPERIAL CAPITAL: VIJAYANAGARA
 THEMES IN INDIAN HISTORY  PART II 176
3.  Vijayanagara
The  Capital  and  its  Environs
Like  most  capitals,  Vijayanagara,  was  characterised
by  a  distinctive  physical  layout  and  building  style.
 Identify three major zones on
the plan. Look at the central part.
Can you see channels connecting
up with the river? See how many
fortification walls you can trace.
Was the sacred centre fortified?
Fig.  7.4
Plan  of  Vijayanagara
 Would you find these features
in a city today? Why do you
think the gardens and water
bodies were selected for special
mention by Paes?
A  sprawling  city
This  is  an  excerpt  from  Domingo  Paess  description  of
Vijayanagara:
The  size  of  this  city  I  do  not  write  here,  because  it
cannot all be seen from any one spot, but I climbed a
hill whence I could see a great part of it; I could not see
it all because it lies between several ranges of hills. What
I saw from thence seemed to me as large as Rome, and
very beautiful to the sight; there are many groves of
trees within it, in the gardens of the houses, and many
conduits of water which flow into the midst of it, and in
places  there  are  lakes;  and  the  king  has  close  to  his
palace a palm-grove and other rich fruit-bearing trees.
Source 3
Finding out about
the city
A large number of inscriptions
of  the  kings  of  Vijayanagara
and  their  nayakas  recording
donations to temples as well as
describing  important  events
have been recovered.  Several
travellers  visited  the  city  and
wrote about it. Notable among
their  accounts  are  those  of  an
Italian trader named Nicolo de
Conti,  an  ambassador  named
Abdur Razzaq sent by the ruler
of  Persia,  a  merchant  named
Afanasii  Nikitin  from  Russia,
all  of  whom  visited  the  city  in
the fifteenth century, and those
of  Duarte  Barbosa,  Domingo
Paes  and  Fernao  Nuniz  from
Port ugal ,   who  came  i n  t he
sixteenth century.
177
3.1  Water  resources
The  most  striking  feature  about  the  location  of
Vijayanagara  is  the  natural  basin  formed  by  the
river  Tungabhadra  which  flows  in  a  north-easterly
direction. The surrounding landscape is characterised
by  stunning  granite  hills  that  seem  to  form  a  girdle
around  the  city.  A  number  of  streams  flow  down  to
the  river  from  these  rocky  outcrops.
In almost all cases embankments were built along
these  streams  to  create  reservoirs  of  varying  sizes.
As this is one of the most arid zones of the peninsula,
elaborate  arrangements  had  to  be  made  to  store
rainwater  and  conduct  it  to  the  city.  The  most
important  such  tank  was  built  in  the  early  years
of  the  fifteenth  century  and  is  now  called
Kamalapuram  tank.  Water  from  this  tank  not  only
irrigated  fields  nearby  but  was  also  conducted
through  a  channel  to  the  royal  centre.
One of the most prominent waterworks to be seen
among the ruins is the Hiriya canal. This canal drew
water  from  a  dam  across  the  Tungabhadra  and
irrigated  the  cultivated  valley  that  separated  the
sacred  centre  from  the  urban  core.  This  was
apparently  built  by  kings  of  the  Sangama  dynasty.
3.2  Fortifications  and  roads
Before  we  examine  the  different  parts  of  the  city  in
detail  let  us  look  at  what  enclosed  them  all    the
great  fortress  walls.  Abdur  Razzaq,  an  ambassador
sent  by  the  ruler  of  Persia  to  Calicut  (present-day
Kozhikode)  in  the  fifteenth  century,  was  greatly
impressed  by  the  fortifications,  and  mentioned
seven  lines  of  forts.  These  encircled  not  only  the
city but also its agricultural hinterland and forests.
The  outermost  wall  linked  the  hills  surrounding
the  city.  The  massive  masonry  construction  was
slightly tapered.  No mortar or cementing agent was
employed  anywhere  in  the  construction.  The  stone
blocks  were  wedge  shaped,  which  held  them  in
place,  and  the  inner  portion  of  the  walls  was  of
earth  packed  with  rubble.  Square  or  rectangular
bastions  projected  outwards.
What  was  most  significant  about  this  fortification
is  that  it  enclosed  agricultural  tracts.  Abdur  Razzaq
noted  that  between  the  first,  second  and  the  third
walls there are cultivated fields, gardens and houses.
And Paes observed: From this first circuit until you
Fig.  7.5
An aqueduct leading into the royal
centre
How  tanks  were  built
About  a  tank  constructed  by
Krishnadeva Raya, Paes wrote:
The king made a tank  at
t he  mout h  of   t wo  hi l l s
so  t hat   al l   t he  wat er
which  comes  from  either
one  si de  or  t he  ot her
collects  there; and, besides
t hi s,   wat er  comes  t o  i t
f rom  more  t han  t hree
leagues  (approximately  15
kilometres) by pipes which
run along the lower parts of
t he  range  out si de.   Thi s
water is brought from a lake
which itself overflows into a
little river. The tank has three
large  pillars  handsomely
carved  with  figures;  these
connect above with certain
pipes  by  which  they  get
water  when  they  have  to
irrigate  their  gardens  and
rice-fields. In order to make
this tank the said king broke
down a hill  In the tank I
saw so many people at work
that  there  must  have  been
fifteen  or  twenty  thousand
men, looking like ants 
Source 4
AN IMPERIAL CAPITAL: VIJAYANAGARA
 THEMES IN INDIAN HISTORY  PART II 178
enter the city there is a great distance, in which are
fields in which they sow rice and have many gardens
and  much  water,  in  which  water  comes  from  two
lakes.  These  statements  have  been  corroborated  by
present-day  archaeologists,  who  have  also  found
evidence  of  an  agricultural  tract  between  the  sacred
centre  and  the  urban  core.  This  tract  was  serviced
by  an  elaborate  canal  system  drawing  water  from
the  Tungabhadra.
Why  do  you  think  agricultural  tracts  were
incorporated  within  the  fortified  area?  Often,  the
objective  of  medieval  sieges  was  to  starve  the
defenders  into  submission.  These  sieges  could  last
for  several  months  and  sometimes  even  years.
Normally  rulers  tried  to  be  prepared  for  such
situations  by  building  large  granaries  within
fortified  areas.  The  rulers  of  Vijayanagara  adopted
a more expensive and elaborate strategy of protecting
the  agricultural  belt  itself.
A  second  line  of  fortification  went  round  the
inner  core  of  the  urban  complex,  and  a  third  line
surrounded  the  royal  centre,  within  which  each  set
of  major  buildings  was  surrounded  by  its  own
high  walls.
The  fort  was  entered  through  well-guarded  gates,
which  linked  the  city  to  the  major  roads.  Gateways
were  distinctive  architectural  features  that  often
defined  the  structures  to  which  they  regulated
access.  The  arch  on  the  gateway  leading  into  the
fortified  settlement  as  well  as  the  dome  over  the
gate (Fig. 7.6) are regarded as typical features of the
architecture  introduced  by  the  Turkish  Sultans.  Art
historians  refer  to  this  style  as  Indo-Islamic,  as  it
grew  continually  through  interaction  with  local
building  practices  in  different  regions.
Archaeologists  have  studied  roads  within  the  city
and  those  leading  out  from  it.  These  have  been
identified by tracing paths through gateways, as well
as  by  finds  of  pavements.  Roads  generally  wound
around  through  the  valleys,  avoiding  rocky  terrain.
Some  of  the  most  important  roads  extended  from
temple  gateways,  and  were  lined  by  bazaars.
3.3  The  urban  core
Moving  along  the  roads  leading  into  the  urban  core,
there  is  relatively  little  archaeological  evidence  of
the  houses  of  ordinary  people.  Archaeologists  have
Fig.  7.6
A gateway in the fortification wall
Fig.  7.7
A  gopuram
 Describe the similarities
and differences between
these two entrances.
Why do you think the rulers
of Vijayanagara adopted
elements of Indo-Islamic
architecture?
179
found  fine  Chinese  porcelain  in  some  areas,
including  in  the  north-eastern  corner  of  the  urban
core  and  suggest  that  these  areas  may  have  been
occupied  by  rich  traders.  This  was  also  the  Muslim
residential  quarter.  Tombs  and  mosques  located
here have distinctive functions, yet their architecture
resembles that of the mandapas found in the temples
of  Hampi.
This  is  how  the  sixteenth-century  Portuguese
traveller  Barbosa  described  the  houses  of  ordinary
people,  which  have  not  survived:  The  other  houses
of the people are thatched, but nonetheless well built
and  arranged  according  to  occupations,  in  long
streets  with  many  open  places.
Field  surveys  indicate  that  the  entire  area  was
dotted  with  numerous  shrines  and  small  temples,
pointing  to  the  prevalence  of  a  variety  of  cults,
perhaps  supported  by  different  communities.  The
surveys  also  indicate  that  wells,  rainwater  tanks  as
well  as  temple  tanks  may  have  served  as  sources  of
water  to  the  ordinary  town  dwellers.
4.  The Royal Centre
The  royal  centre  was  located  in  the  south-western
part of the settlement. Although designated as a royal
centre,  it  included  over  60  temples.  Clearly,  the
patronage  of  temples  and  cults  was  important  for
rulers  who  were  trying  to  establish  and  legitimise
their  authority  through  association  with  the
divinities  housed  in  the  shrines.
About  thirty  building  complexes  have  been
identified  as  palaces.  These  are  relatively  large
structures that do not seem to have been associated
Fig.  7.8
Part of an excavated pavement
Fig.  7.9
Shards  of  Chinese  porcelain
Fig.  7.10
A  mosque  in  Vijayanagara
 What kinds of vessels
do you think these shards
were originally parts of?
 Does the mosque have
the typical features of
Indo-Islamic architecture?
AN IMPERIAL CAPITAL: VIJAYANAGARA
  Discuss...
Compare  the  layout  of
Vijayanagara  with  that  of
your  town  or  village.
 THEMES IN INDIAN HISTORY  PART II 180
with  ritual  functions.  One  difference  between
these  structures  and  temples  is  that  the  latter
were  constructed  entirely  of  masonry,  while  the
superstructure  of  the  secular  buildings  was  made
of  perishable  materials.
4.1 The mahanavami dibba
Some  of  the  more  distinctive  structures  in  the  area
have  been  assigned  names  based  on  the  form  of
the  buildings  as  well  as  their  functions.  The  kings
palace  is  the  largest  of  the  enclosures  but  has  not
yielded definitive evidence of being a royal residence.
It has two of the most impressive platforms, usually
called  the  audience  hall  and  the  mahanavami
dibba.  The  entire  complex  is  surrounded  by  high
double  walls  with  a  street  running  between  them.
The  audience  hall  is  a  high  platform  with  slots  for
wooden  pillars  at  close  and  regular  intervals.  It  had
a staircase going up to the second floor, which rested
on  these  pillars.  The  pillars  being  closely  spaced,
would  have  left  little  free  space  and  thus  it  is  not
clear  what  the  hall  was  used  for.
Located  on  one  of  the  highest  points  in  the  city,
the mahanavami dibba is a massive platform rising
from  a  base  of  about  11,000  sq.  ft  to  a  height  of
40  ft.  There  is  evidence  that  it  supported  a  wooden
structure.  The  base  of  the  platform  is  covered  with
relief  carvings  (Fig.  7.12).
Rituals  associated  with  the  structure  probably
coincided  with  Mahanavami  (literally,  the  great  ninth
day) of the ten-day Hindu festival during the autumn
months  of  September  and  October,  known  variously
as  Dusehra  (northern  India),  Durga  Puja  (in  Bengal)
Fig.  7.11
The  mahanavami  dibba
A House of Victory?
This  is  what  Paes  had  to  say
about  the  audience  hall  and
the mahanavami dibba, which
together he called the House
of Victory:
These  bui l di ngs  have
two  platforms  one  above
the  other,  beauti ful l y
sculpted    On  the  upper
platform    in  this  House
of  Victory  the  king  has  a
room  made  of  cl oth  
where the idol has a shrine
...  and  in  the  other  in  the
middle is placed a dais on
which  stands  a  throne  of
state,  (the  crown  and  the
royal anklet) 
Fig.  7.12
Carvings  on  the  mahanavami
dibba
 Can you identify the themes
of the carvings?
181
and  Navaratri  or  Mahanavami  (in  peninsular  India).
The Vijayanagara kings displayed their  prestige,  power
and  suzerainty  on  this  occasion.
The ceremonies performed on the occasion included
worship of the image, worship of the state horse, and
the  sacrifice  of  buffaloes  and  other  animals.  Dances,
wrestling  matches,  and  processions  of  caparisoned
horses,  elephants  and  chariots  and  soldiers,  as  well
as  ritual  presentations  before  the  king  and  his
guests  by  the  chief  nayakas  and  subordinate  kings
marked the occasion. These ceremonies were imbued
with  deep  symbolic  meanings.  On  the  last  day  of  the
festival  the  king  inspected  his  army  and  the  armies
of the nayakas in a grand ceremony in an open field.
On  this  occasion  the  nayakas  brought  rich  gifts  for
the  king  as  well  as  the  stipulated  tribute.
Was  the  mahanavami  dibba  that  stands  today
the  centre  of  this  elaborate  ritual?  Scholars  have
pointed out that the space surrounding the structure
does  not  seem  to  have  been  adequate  for  elaborate
processions  of  armed  men,  women,  and  large
numbers  of  animals.  Like  some  of  the  other
structures in the royal centre, it remains an enigma.
4.2 Other buildings in the royal centre
One  of  the  most  beautiful  buildings  in  the  royal
centre  is  the  Lotus  Mahal,  so  named  by  British
travellers in the nineteenth century. While the name
is  certainly  romantic,  historians  are  not  quite  sure
Fig.  7.13
An elevation drawing of the
Lotus  Mahal
An  elevation  is  a  vertical  view  of
any  object  or  structure.  It  gives
you  an  idea  of  features  that
cannot  be  seen  in  a  photograph.
Notice  the  arches.  These  were
probably  inspired  by  Indo-Islamic
techniques.
 Compare Figs. 7.13 and
7.15, and make a list of the
features that are common to
both, as well as those that can
be seen in only one. Also
compare the arch in Fig. 7.14
with the arch in Fig. 7.6. The
Lotus Mahal had nine towers 
a high central one, and eight
along the sides. How many can
you see in the photograph and
how many in the elevation?
If you had to rename the Lotus
Mahal, what would you call  it?
Fig.  7.14
Detail of an arch of
the Lotus Mahal
AN IMPERIAL CAPITAL: VIJAYANAGARA
 THEMES IN INDIAN HISTORY  PART II 182
Fig.  7.15
A photograph of the Lotus Mahal
 Compare Figs. 7.16 a
and 7.16 b with Fig. 7.17,
making a list of features
visible in each one.
Do you think these were
actually elephant stables?
Fig. 7.17    Elephant stables located close to the Lotus Mahal
Fig. 7.16 a    Elevation of the elephant stables
Fig.  7.16  b      Plan  of  the  elephant  stables. A  plan  gives  a  horizontal  view  of  a  structure.
what  the  building  was  used  for.  One  suggestion,
found  in  a  map  drawn  by  Mackenzie,  is  that  it
may  have  been  a  council  chamber,  a  place  where
the  king  met  his  advisers.
While  most  temples  were  located  in  the  sacred
centre, there were several in the royal centre as well.
183
One of the most spectacular of these is one known as
the  Hazara  Rama  temple.  This  was  probably  meant
to be used only by the king and his family. The images
in  the  central  shrine  are  missing;  however,  sculpted
panels  on  the  walls  survive.  These  include  scenes
from  the  Ramayana  sculpted  on  the  inner  walls  of
the  shrine.
While  many  of  the  structures  at  Vijayanagara
were  destroyed  when  the  city  was  sacked,  traditions
of  building  palatial  structures  were  continued  by
the nayakas. Many of these buildings have survived.
Fig.  7.19
Interior of the audience hall
at  Madurai
Note  the  arches.
  Discuss...
Why  did  the  nayakas continue  with  the  building
traditions  of  the  rulers  of  Vijayanagara?
Fig.  7.18
Sculpture from the Hazara Rama temple
 Can you identify scenes of dancing?
Why do you think elephants and horses
were depicted on the panels?
AN IMPERIAL CAPITAL: VIJAYANAGARA
 THEMES IN INDIAN HISTORY  PART II 184
5. The Sacred Centre
5.1 Choosing a capital
We  now  move  to  the  rocky  northern  end  of  the  city
on the banks of the Tungabhadra. According to local
tradition,  these  hills  sheltered  the  monkey  kingdom
of  Vali  and  Sugriva  mentioned  in  the  Ramayana.
Other  traditions  suggest  that  Pampadevi,  the  local
mother  goddess,  did  penance  in  these  hills  in  order
to  marry  Virupaksha,  the  guardian  deity  of  the
kingdom, also recognised as a form of Shiva. To this
day  this  marriage  is  celebrated  annually  in  the
Virupaksha  temple.  Among  these  hills  are  found
Jaina temples of the pre-Vijayanagara period as well.
In other words, this area was associated with several
sacred  traditions.
Temple  building  in  the  region  had  a  long  history,
going  back  to  dynasties  such  as  the  Pallavas,
Chalukyas,  Hoysalas  and  Cholas.  Rulers  very  often
encouraged  temple  building  as  a  means  of
associating  themselves  with  the  divine    often,  the
deity  was  explicitly  or  implicitly  identified  with  the
king. Temples also functioned as centres of learning.
Besides,  rulers  and  others  often  granted  land  and
other  resources  for  the  maintenance  of  temples.
Consequently,  temples  developed  as  significant
religious, social, cultural and economic centres. From
the point of view of the rulers, constructing, repairing
and  maintaining  temples  were  important  means
of  winning  support  and  recognition  for  their  power,
wealth  and  piety.
It  is  likely  that  the  very  choice  of  the  site  of
Vijayanagara  was  inspired  by  the  existence  of  the
shrines  of  Virupaksha  and  Pampadevi.  In  fact  the
Vijayanagara  kings  claimed  to  rule  on  behalf  of
the  god  Virupaksha.  All  royal  orders  were  signed
Shri  Virupaksha,  usually  in  the  Kannada  script.
Rulers  also  indicated  their  close  links  with  the  gods
by  using  the  title  Hindu  Suratrana.  This  was  a
Sanskritisation  of  the  Arabic  term  Sultan,  meaning
king,  so  it  literally  meant  Hindu  Sultan.
Even as they drew on earlier traditions, the rulers
of  Vijayanagara  innovated  and  developed  these.
Royal  portrait  sculpture  was  now  displayed  in
temples, and the kings visits to temples were treated
as  important  state  occasions  on  which  he  was
accompanied by the important nayakas of the empire.
185
5.2. Gopurams and mandapas
In  terms  of  temple  architecture,  by  this  period
certain  new  features  were  in  evidence.  These
included structures of immense scale that must have
been  a  mark  of  imperial  authority,  best  exemplified
by  the  raya  gopurams  (Fig.  7.7)  or  royal  gateways
that often dwarfed the towers on the central shrines,
and signalled the presence of the temple from a great
Fig.  7.20
An aerial view of the
Virupaksha  temple
Fig.  7.21
A  plan  of  the  Virupaksha
temple
Most  of  the  square
structures  are  shrines.
The  two  major  gateways
are  shaded  in  black.
Each  tiny  dot  represents
a pillar. Rows of pillars
arranged  in  lines
within  a  square  or
rectangular  frame  appear
to  demarcate  major  halls,
pavilions  and  corridors.
 Using the scale in
the plan, measure the
distance from the main
gopuram to the central
shrine. What would
have been the easiest
access from the tank to
the shrine?
Tank
Shrine
30m
AN IMPERIAL CAPITAL: VIJAYANAGARA
 THEMES IN INDIAN HISTORY  PART II 186
distance.  They  were  also  probably  meant  as
reminders  of  the  power  of  kings,  able  to  command
the  resources,  techniques  and  skills  needed  to
construct  these  towering  gateways.  Other  distinctive
features  include  mandapas  or  pavilions  and
long,  pillared  corridors  that  often  ran  around  the
shrines  within  the  temple  complex.  Let  us  look  at
two  temples  more  closely    the  Virupaksha  temple
and  the  Vitthala  temple.
The Virupaksha temple was built over centuries.
Whi l e  i nscri pti ons  suggest  that  the  earl i est
shrine  dated  to  the  ninth-tenth  centuries,  it  was
substantially  enlarged  with  the  establishment
of  the  Vijayanagara  Empire.  The  hall  in  front  of
the  main  shrine  was  built  by  Krishnadeva  Raya  to
mark  his  accession.  This  was  decorated  with
delicately  carved  pillars.  He  is  also  credited  with
Fig.  7.23
A line drawing of a sculpted pillar
 Describe what you see on
the pillar.
Fig.  7.22
A  kalyana  mandapa,  meant  to
celebrate  divine  weddings
187
the  construction  of  the  eastern  gopuram.  These
additions  meant  that  the  central  shrine  came  to
occupy  a  relatively  small  part  of  the  complex.
The  halls  in  the  temple  were  used  for  a  variety  of
purposes.  Some  were  spaces  in  which  the  images  of
gods  were  placed  to  witness  special  programmes  of
music,  dance,  drama,  etc.  Others  were  used  to
celebrate  the  marriages  of  deities,  and  yet  others
were meant for the deities to swing in. Special images,
distinct  from  those  kept  in  the  small  central  shrine,
were  used  on  these  occasions.
Fig.  7.24
The chariot of the Vitthala temple
 Do you think chariots
would have actually been built
like this?
Fig.  7.25
Swing  pavilion  from  Gingee
AN IMPERIAL CAPITAL: VIJAYANAGARA
 THEMES IN INDIAN HISTORY  PART II 188
Another  shrine,  the  Vitthala  temple,  is  also
interesting.  Here,  the  principal  deity  was  Vitthala,  a
form of Vishnu generally worshipped in Maharashtra.
The  introduction  of  the  worship  of  the  deity  in
Karnataka is another indication of the ways in which
the rulers of Vijayanagara drew on different traditions
to  create  an  imperial  culture.  As  in  the  case  of  other
temples,  this  temple  too  has  several  halls  and  a
unique  shrine  designed  as  a  chariot  (Fig.  7.24).
A  characteristic  feature  of  the  temple  complexes
is  the  chariot  streets  that  extended  from  the  temple
gopuram in a straight line. These streets were paved
with  stone  slabs  and  lined  with  pillared  pavilions  in
which  merchants  set  up  their  shops.
Just as the nayakas continued with and elaborated
on  traditions  of  fortification,  so  they  did  with
traditions  of  temple  building.  In  fact,  some  of  the
most  spectacular  gopurams  were  also  built  by  the
local  nayakas.
  Discuss...
How  and  why  did  the  rulers  of  Vijayanagara  adopt
and  adapt  earlier  traditions  of  ritual  architecture?
6. Plotting Palaces, Temples
and Bazaars
We  have  been  examining  a  wealth  of  information  on
Vijayanagara    photographs,  plans,  elevations  of
structures  and  sculpture.  How  was  all  of  this
produced?  After  the  initial  surveys  by  Mackenzie,
information  was  pieced  together  from  travellers
accounts  and  inscriptions.  Through  the  twentieth
century, the site was preserved by the Archaeological
Survey  of  India  and  the  Karnataka  Department  of
Archaeology  and  Museums.  In  1976,  Hampi  was
recognised  as  a  site  of  national  importance.  Then,
in  the  early  1980s,  an  important  project  was
launched  to  document  the  material  remains  at
Vijayanagara  in  detail,  through  extensive  and
intensive  surveys,  using  a  variety  of  recording
techniques.  Over  nearly  twenty  years,  dozens  of
Fig.  7.26
A  gopuram  built  by  the  nayakas
of  Madurai
189
scholars  from  all  over  the
world worked to compile and
preserve  this  information.
Let  us  look  at  just  one
part  of  thi s  enormous
exercise    mapping    in
more  detail.  The  first  step
was  to  divide  the  entire
area  i nto  a  set  of  25
squares,  each  designated  by
a letter of the alphabet. Then,
each  of  the  small  squares
was  subdivided  into  a  set
of  even  smaller  squares.  But
this  was  not  all:  each  of
these  smaller  squares  was
further  subdivided  into  yet
smaller  units.
As  you  can  see,  these
detailed  surveys  have
been  extremely  painstaking,
and  have  recovered  and
documented  traces  of
thousands  of  structures  
from  tiny  shrines  and
residences  to  elaborate
temples.  They  have  also  led
to  the  recovery  of  traces  of
roads,  paths,  bazaars,  etc.
Fig.  7.27
A detailed map of the site
(top  right)
 Which is the letter of the
alphabet that was not used?
Using the scale in the map,
measure the length of any
one of the small squares.
 What is the scale used
on this map?
Fig.  7.28
Square N of Fig. 7.27 (right)
AN IMPERIAL CAPITAL: VIJAYANAGARA
 THEMES IN INDIAN HISTORY  PART II 190
The  latter  have  been  located
through  finds  of  pillar  bases
and  platforms    all  that  remain
of  thriving  markets.
It  is  worth  remembering
something  that  John  M.  Fritz,
George Michell and M.S. Nagaraja
Rao, who worked for years at the
site, wrote: In our study of these
monuments  of  Vijayanagara  we
have  to  imagine  a  whole  series
of  vanished  wooden  elements  
columns,  brackets,  beams,
ceilings,  overhanging  eaves,  and
towers    decorated  with  plaster
and  painted,  perhaps  brightly.
Although wooden structures are
lost,  and  only  stone  structures
survive,  the  descriptions  left  by
travellers  allow  us  to  reconstruct
some aspects of the vibrant life of
the  times.
Fig.  7.29
Square NM of Fig. 7.28
 Identify a temple.
Look for walls, a central shrine,
and traces of paths leading to the
temple. Name the squares on
the map which contain the plan
of the temple.
 Identify the gopuram, halls,
colonnades and central shrine.
Which areas would you pass
through to reach the central
shrine from the outer entrance?
Fig.  7.30
Plan of the temple in Fig 7.29
191
The  bazaar
Paes gives a vivid description of the bazaar:
Going forward, you have a broad and beautiful street
 In this street live many merchants, and there you
will find all sorts of rubies, and diamonds, and emeralds,
and pearls, and seed-pearls, and cloths, and every other
sort of thing there is on earth and that you may wish to
buy. Then you have there every evening a fair where
they sell many common horses and nags, and also many
citrons, and limes, and oranges, and grapes, and every
other kind of garden stuff, and wood; you have all in
this street.
 More generally, he described the city as being the best-
provided city in the world with the markets stocked with
provisions such as rice, wheat, grains, India corn and a
certain  amount  of  barley  and  beans,  moong,  pulses
and horse-gram all of which were cheaply and abundantly
available. According to Fernao Nuniz, the Vijayanagara
markets  were  overflowing  with  abundance  of  fruits,
grapes and oranges, limes, pomegranates, jackfruit and
mangoes  and  all  very  cheap.  Meat  too  was  sold  in
abundance in the marketplaces. Nuniz describes mutton,
pork, venison, partridges, hares, doves, quail and all kinds
of  birds,  sparrows,  rats  and  cats  and  lizards  as  being
sold in the market of Bisnaga (Vijayanagara).
7. Questions in Search
of Answers
Buildings  that  survive  tell  us  about  the  way  spaces
were  organised  and  used,  how  they  were  built,  with
what  materials  and  techniques.  For  example,  we
can  assess  the  defence  requirements  and  military
preparedness  of  a  city  by  studying  its  fortifications.
Buildings  also  tell  us  about  the  spread  of  ideas  and
cultural  influences  if  we  compare  them  with
buildings  in  other  places.  They  convey  ideas  which
the builders or their patrons wished to project. They
are often suffused with symbols which are a product
of  their  cultural  context.  These  we  can  understand
when  we  combine  information  from  other  sources
like  literature,  inscriptions  and  popular  traditions.
Source 5
AN IMPERIAL CAPITAL: VIJAYANAGARA
 THEMES IN INDIAN HISTORY  PART II 192
  Investigations  of  architectural  features  do  not
tell  us  what  ordinary  men,  women  and  children,
comprising the vast majority of the people who lived
in  the  city  and  its  outskirts,  thought  about  these
impressive  buildings.  Would  they  have  had  access
to  any  of  the  areas  within  the  royal  centre  or  the
sacred centre? Would they hurry past the sculpture,
or  would  they  pause  to  see,  reflect  and  try  and
understand  its  complicated  symbolism?  And  what
did  the  people  who  worked  on  these  colossal
construction  projects  think  of  the  enterprises  to
which  they  had  contributed  their  labour?
While rulers took all important decisions about the
buildings to be constructed, the site, the material to
be used and the style to be followed, who possessed
the  specialised  knowledge  required  for  such
enormous enterprises? Who drew up the plans for
the buildings? Where did the masons, stonecutters,
sculptors  who  did  the  actual  building  come  from?
Were they captured during war from neighbouring
regions?  What  kind  of  wages  did  they  get?  Who
supervised the building activity? How was building
material  transported  and  where  did  it  come  from?
These  are  some  of  the  questions  that  we  cannot
answer by merely looking at the buildings or their
remains. Continuing research using other sources
might provide some further clues.
Krishnadeva Raya
To recapitulate about some of
the  problems  of  perspective,
look  at  this  beautiful  statue
of  Krishnadeva  Raya  placed
on the gopuram of the temple
at Chidambaram, Tamil Nadu.
This  is  obviously  the  way  in
whi ch  t he  rul er  want ed  t o
project himself.
And  thi s  i s  how  Paes
describes the king:
Of medium height, and of
fair complexion and good
figure, rather fat than thin;
he has on his face signs of
smallpox.
Fig.  7.31
193 AN IMPERIAL CAPITAL: VIJAYANAGARA
Fig.  7.32
Part of a structure known
as the queens bath
 Timeline 1
Major  Political  Developments
c . 1200-1300 Establishment of the Delhi Sultanate (1206)
c . 1300-1400 Establishment of the Vijayanagara Empire (1336?);
establishment of the Bahmani kingdom (1347);
Sultanates in Jaunpur, Kashmir and Madura
c . 1400-1500 Establishment of the Gajapati kingdom of Orissa (1435);
Establishment of the Sultanates of Gujarat and Malwa;
Emergence of the Sultanates of Ahmadnagar, Bijapur
and Berar (1490)
c . 1500-1600 Conquest of Goa by the Portuguese (1510);
Collapse of the Bahmani kingdom,
emergence of the Sultanate of Golconda (1518);
Establishment of the Mughal empire by Babur (1526)
Timeline 2
Landmarks  in  the  Discovery  and  Conservation
of  Vijayanagara
1800 Colin Mackenzie visits Vijayanagara
1856 Alexander Greenlaw takes the first detailed photographs
of archaeological remains at Hampi
1876 J.F. Fleet begins documenting the inscriptions on the
temple walls at the site
1902 Conservation begins under John Marshall
1986 Hampi declared a World Heritage site by UNESCO
 
Note: Question mark indicates uncertain date.
 THEMES IN INDIAN HISTORY  PART II 194
Fig.  7.33
Answer in100-150 words
1. What have been the methods used to study the ruins
of  Hampi  over  the  last  two  centuries?  In  what
way do you think they would have complemented
the  information  provided  by  the  priests  of  the
Virupaksha temple?
2. How  were  the  water  requirements  of  Vijayanagara
met?
3. What  do  you  think  were  the  advantages  and
disadvantages of enclosing agricultural land within
the fortified area of the city?
4. What do you think was the significance of the rituals
associated with the mahanavami dibba?
5. Fig. 7.33 is an illustration of another pillar from the
Virupaksha temple. Do you notice any floral motifs?
What are the animals shown? Why do you think they
are depicted? Describe the human figures shown.
Write a short essay (about
250- 300 words) on the following:
6. Discuss  whether  the  term  royal  centre  is  an
appropriate description for the part of the city for which
it is used.
7. What does the architecture of buildings like the Lotus
Mahal and elephant stables tell us about the rulers
who commissioned them?
8. What are the architectural traditions that inspired the
architects of Vijayanagara? How did they transform
these traditions?
9. What impression of the lives of the ordinary people of
Vijayanagara  can  you  cull  from  the  various
descriptions in the chapter?
195
For more information,
you could visit:
http://www.museum.upenn.edu/
new/research/Exp_Rese_Disc/
Asia/vrp/HTML/Vijay_Hist.shtml
If you would like to know
more, read:
Map work
10. On  an  outline  map  of  the  world,  mark
approximately  Italy,  Portugal,  Iran  and  Russia.
Trace the routes the travellers mentioned on p.176
would have taken to reach Vijayanagara.
Project  (choose  one)
11. Find out more about any one of the major cities
which  flourished  in  the  subcontinent  during
c. fourteenth-seventeenth centuries. Describe the
architecture of the city. Are there any features to
suggest that these were political centres? Are there
buildings  that  were  ritually  significant?  Is  there
an  area  for  commercial  activities?  What  are  the
features that distinguish the urban layout from that
of surrounding areas?
12. Visit a religious building in your neighbourhood.
Describe,  with  sketches,  its  roof,  pillars  and
arches if any, corridors, passages, halls, entrance,
water supply, etc. Compare these features with
those of the Virupaksha temple. Describe what
each  part  of  the  building  is  used  for.  Find  out
about its history.
Vasundhara Filliozat. 2006 (rpt).
Vijayanagara.
National Book Trust,
New Delhi.
George Michell. 1995.
Architecture  and  Art  of
Southern  India.
Cambridge University Press,
Cambridge.
K.A. Nilakanta Sastri. 1955.
A History of South India.
Oxford University Press,
New Delhi.
Burton Stein. 1989.
Vijayanagara (The New
Cambridge History of India
Vol.1, Part 2).
Foundation Books, New Delhi.
AN IMPERIAL CAPITAL: VIJAYANAGARA
 THEMES IN INDIAN HISTORY  PART II 196
During  the  sixteenth  and  seventeenth  centuries
about 85 per cent of the population of India lived in
its  villages.  Both  peasants  and  landed  elites  were
involved  in  agricultural  production  and  claimed
rights  to  a  share  of  the  produce.  This  created
relationships  of  cooperation,  competition  and
conflict  among  them.  The  sum  of  these  agrarian
relationships  made  up  rural  society.
At  the  same  time  agencies  from  outside  also
entered into the rural world. Most important among
these  was  the  Mughal  state,  which  derived  the
bulk  of  its  income  from  agricultural  production.
Agents  of  the  state    revenue  assessors,  collectors,
record  keepers    sought  to  control  rural  society  so
as  to  ensure  that  cultivation  took  place  and  the
state  got  its  regular  share  of  taxes  from  the
produce.  Since  many  crops  were  grown  for  sale,
trade, money and markets entered the villages and
linked  the  agricultural  areas  with  the  towns.
1. Peasants and Agricultural
Production
The basic unit of agricultural society was the village,
inhabited  by  peasants  who  performed  the  manifold
seasonal tasks that made up agricultural production
throughout  the  year    tilling  the  soil,  sowing  seeds,
harvesting  the  crop  when  it  was  ripe.  Further,  they
contributed  their  labour  to  the  production  of
agro-based  goods  such  as  sugar  and  oil.
But  rural  India  was  not  characterised  by  settled
peasant  production  alone.  Several  kinds  of  areas
such as large tracts of dry land or hilly regions were
not  cultivable  in  the  same  way  as  the  more  fertile
Fig.  8.1
A rural scene
Detail  from  a  seventeenth-century
Mughal  painting
Peasants,  Zamindars
and the State
A AA AAg gg ggr rr rrar ar ar ar arian  Socie ian  Socie ian  Socie ian  Socie ian  Society  and  t ty  and  t ty  and  t ty  and  t ty  and  the  Mughal  Em he  Mughal  Em he  Mughal  Em he  Mughal  Em he  Mughal  Empir pir pir pir pire ee ee
( (( ((c cc cc.  sixteent .  sixteent .  sixteent .  sixteent .  sixteenth hh hh- -- -- seventeenth  centuries) seventeenth  centuries) seventeenth  centuries) seventeenth  centuries) seventeenth  centuries)
THEME
EIGHT
197
expanses  of  land.  In  addition,  forest  areas  made  up
a substantial proportion of territory. We need to keep
this  varied  topography  in  mind  when  discussing
agrarian  society.
1.1  Looking  for  sources
Our understanding of the workings of rural society does
not come from those who worked the land, as peasants
did  not  write  about  themselves.  Our  major  source  for
the  agrarian  history  of  the  sixteenth  and  early
seventeenth  centuries  are  chronicles  and  documents
from  the  Mughal  court  (see  also  Chapter  9).
One  of  the  most  important  chronicles  was  the
Ain-i  Akbari  (in  short  the  Ain,  see  also  Section  8)
authored  by  Akbars  court  historian  Abul  Fazl.  This
text  meticulously  recorded  the  arrangements  made
by  the  state  to  ensure  cultivation,  to  enable  the
collection  of  revenue  by  the  agencies  of  the  state
and  to  regulate  the  relationship  between  the  state
and  rural  magnates,  the  zamindars.
The  central  purpose  of  the  Ain  was  to  present  a
vision  of  Akbars  empire  where  social  harmony  was
provided by a strong ruling class. Any revolt or assertion
of  autonomous  power  against  the  Mughal  state  was,
in the eyes of the author of the Ain, predestined to fail.
In other words, whatever we learn from the  Ain about
peasants  remains  a  view  from  the  top.
Fortunately,  however,  the  account  of  the  Ain  can
be supplemented by descriptions contained in sources
emanating  from  regions  away  from  the  Mughal
capital.  These  include  detailed  revenue  records  from
Gujarat,  Maharashtra  and  Rajasthan  dating  from
the  seventeenth  and  eighteenth  centuries.  Further,
the extensive records of the East India Company (see
also  Chapter  10)  provide  us  with  useful  descriptions
of  agrarian  relations  in  eastern  India.  All  these
sources  record  instances  of  conflicts  between
peasants,  zamindars  and  the  state.  In  the  process
they  give  us  an  insight  into  peasants  perception  of
and  their  expectations  of  fairness  from  the  state.
1.2  Peasants  and  their  lands
The  term  which  Indo-Persian  sources  of  the  Mughal
period most frequently used to denote a peasant was
raiyat  (plural,  riaya)  or  muzarian.  In  addition,  we
also encounter the terms kisan or asami.  Sources of
the  seventeenth  century  refer  to  two  kinds  of
peasants  khud-kashta and pahi-kashta. The former
PEASANTS, ZAMINDARS AND THE STATE
 THEMES IN INDIAN HISTORY  PART II 198
were residents of the village in which they held their
lands.  The  latter  were  non-resident  cultivators  who
belonged  to  some  other  village,  but  cultivated  lands
elsewhere  on  a  contractual  basis.  People  became
pahi-kashta either out of choice  for example, when
terms  of  revenue  in  a  distant  village  were  more
favourable    or  out  of  compulsion    for  example,
forced  by  economic  distress  after  a  famine.
Seldom  did  the  average  peasant  of  north  India
possess  more  than  a  pair  of  bullocks  and  two
ploughs;  most  possessed  even  less.  In  Gujarat
peasants  possessing  about  six  acres  of  land  were
considered  to  be  affluent;  in  Bengal,  on  the  other
hand,  five  acres  was  the  upper  limit  of  an  average
peasant farm; 10 acres would make one a rich asami.
Cultivation  was  based  on  the  principle  of  individual
ownership.  Peasant  lands  were  bought  and  sold  in
the same way as the lands of other property owners.
This  nineteenth-century  description  of  peasant
holdings in the Delhi-Agra region would apply equally
to  the  seventeenth  century:
The  cultivating  peasants  (asamis),  who  plough
up  the  fields,  mark  the  limits  of  each  field,  for
identification  and  demarcation,  with  borders  of
(raised) earth, brick and thorn so that thousands
of such fields may be counted in a village.
1.3 Irrigation and technology
The  abundance  of  land,  available  labour  and  the
mobility  of  peasants  were  three  factors  that
accounted for the constant expansion of agriculture.
Since  the  primary  purpose  of  agriculture  is  to  feed
people,  basic  staples  such  as  rice,  wheat  or  millets
were  the  most  frequently  cultivated  crops.  Areas
which  received  40  inches  or  more  of  rainfall  a  year
were  generally  rice-producing  zones,  followed  by
wheat  and  millets,  corresponding  to  a  descending
scale  of  precipitation.
Monsoons  remained  the  backbone  of  Indian
agriculture,  as  they  are  even  today.  But  there  were
crops  which  required  additional  water.  Artificial
systems  of  irrigation  had  to  be  devised  for  this.
Peasants on the move
This  was  a  feature  of  agrarian
society  which  struck  a  keen
observer  like  Babur,  the  first
Mughal   emperor,   f orcef ul l y
enough for him to write about it
in the Babur Nama, his memoirs:
In  Hindustan  hamlets  and
villages, towns indeed, are
depopulated and set up in
a moment! If the people of a
large  town,  one  inhabited
for years even, flee from it,
they do it in such a way that
not a sign or trace of them
remains in a day and a half.
On  the  other  hand,  if  they
fix their eyes on a place to
settle,  they  need  not  dig
water courses because their
crops  are  all  rain-grown,
and  as  the  population  of
Hindustan  is  unlimited  it
swarms in. They make a tank
or a well; they need not build
houses  or  set  up  walls  
khas-grass  abounds,  wood
is unlimited, huts are made,
and straightaway there is a
village or a town!
Source 1
 Describe the aspects
of agricultural life that
struck Babur as
particular to regions in
northern India.
199
Irrigating trees and fields
This  is  an  excerpt  from  the  Babur  Nama  that  describes  the
irrigation devices the emperor observed in northern India:
The greater part of Hindustan country is situated on level land.
Many though its towns and cultivated lands are, it nowhere
has running waters  For  water is not at all a necessity in
cultivating  crops  and  orchards.  Autumn  crops  grow  by  the
downpour of the rains themselves; and strange it is that spring
crops grow even when no rains fall. (However)  to young trees
water is made to flow by means of buckets or wheels 
In Lahore, Dipalpur (both in present-day Pakistan) and those
other parts, people water by means of a wheel. They make two
circles of rope long enough to suit the depths of the well, fix
strips of wood between them, and on these fasten pitchers.
The ropes with the wood and attached pitchers are put over
the wheel-well. At one end of the wheel-axle a second wheel is
fixed, and close to it another on an upright axle. The last wheel
the  bullock  turns;  its  teeth  catch  in  the  teeth  of  the  second
(wheel),  and  thus  the  wheel  with  the  pitchers  is  turned.  A
trough is set where the water empties from the pitchers and
from this the water is conveyed everywhere.
In Agra, Chandwar, Bayana (all in present-day Uttar Pradesh)
and those parts again, people water with a bucket   At the
well-edge they set up a fork of wood, having a roller adjusted
between the forks, tie a rope to a large bucket, put the rope
over a roller, and tie its other end to the bullock. One person
must drive the bullock, another empty the bucket.
 Compare the
irrigation devices
observed by Babur with
what you have learnt
about irrigation in
Vijayanagara
(Chapter 7). What kind
of resources would each
of these systems
require? Which systems
could ensure the
participation of peasants
in improving
agricultural technology?
Fig.  8.2
A reconstructed Persian
wheel,  described  here
Source 2
PEASANTS, ZAMINDARS AND THE STATE
 THEMES IN INDIAN HISTORY  PART II 200
Irrigation  projects  received  state  support  as  well.
For  example,  in  northern  India  the  state  undertook
digging  of  new  canals  (nahr,  nala)  and  also  repaired
old ones like the shahnahr in the Punjab during Shah
Jahans  reign.
Though agriculture was labour intensive, peasants
did  use  technologies  that  often  harnessed  cattle
energy. One example was the wooden plough, which
was  light  and  easily  assembled  with  an  iron  tip  or
coulter. It therefore did not make deep furrows, which
preserved  the  moisture  better  during  the  intensely
hot  months.  A  drill,  pulled  by  a  pair  of  giant  oxen,
was  used  to  plant  seeds,  but  broadcasting  of
seed  was  the  most  prevalent  method.  Hoeing  and
weeding  were  done  simultaneously  using  a  narrow
iron  blade  with  a  small  wooden  handle.
1.4  An  abundance  of  crops
Agriculture  was  organised  around  two  major
seasonal  cycles,  the  kharif  (autumn)  and  the  rabi
(spring). This would mean that most regions,  except
those  terrains  that  were  the  most  arid  or
inhospitable,  produced  a  minimum  of  two  crops  a
year  (do-fasla),  whereas  some,  where  rainfall  or
irrigation assured a continuous supply of water, even
gave  three  crops.  This  ensured  an  enormous  variety
of produce. For instance, we are told in the Ain that
the  Mughal  provinces  of  Agra  produced  39  varieties
of crops and Delhi produced 43 over the two seasons.
Bengal  produced  50  varieties  of  rice  alone.
However,  the  focus  on  the  cultivation  of  basic
staples  did  not  mean  that  agriculture  in  medieval
India was only for subsistence. We often come across
the  term  jins-i  kamil  (literally,  perfect  crops)  in  our
sources. The Mughal state also encouraged peasants
to  cultivate  such  crops  as  they  brought  in  more
revenue.  Crops  such  as  cotton  and  sugarcane  were
jins-i  kamil  par  excellence.  Cotton  was  grown  over  a
great  swathe  of  territory  spread  over  central  India
and the Deccan plateau, whereas Bengal was famous
for  its  sugar.  Such  cash  crops  would  also  include
various  sorts  of  oilseeds  (for  example,  mustard)  and
lentils. This shows how subsistence and commercial
production  were  closely  intertwined  in  an  average
peasants  holding.
During the seventeenth century several new crops
from  different  parts  of  the  world  reached  the  Indian
The spread of tobacco
This  plant,  which  arrived  first
i n  the  Deccan,  spread  to
northern India in the early years
of the seventeenth century. The
Ain  does  not  mention  tobacco
in  the  lists  of  crops  in  northern
India. Akbar and his nobles came
across tobacco for the first time
in  1604.  At  this  time  smoking
tobacco (in hookahs or chillums)
seems  to  have  caught  on  in
a  bi g  way.  Jahangi r  was  so
concerned  about  its  addiction
that he banned it. This was totally
i neffecti ve  because  by  the
end  of  the  seventeenth  century,
tobacco  had  become  a  major
article of consumption, cultivation
and trade all over India.
Agricultural  prosperity
and population growth
One important outcome of such
varied  and  flexible  forms  of
agricultural  production  was
a  slow  demographic  growth.
Despite  periodic  disruptions
caused  by  fami nes  and
epidemics,  Indias  population
i ncreased,  accordi ng  to
cal cul ati ons  by  economi c
historians,  by  about  50  million
people between 1600 and 1800,
which  is  an  increase  of  about
33 per cent over 200 years.
201
subcontinent.  Maize  (makka),  for  example,  was
introduced  into  India  via  Africa  and  Spain  and  by
the  seventeenth  century  it  was  being  listed  as  one
of  the  major  crops  of  western  India.  Vegetables  like
tomatoes, potatoes and chillies were introduced from
the  New  World  at  this  time,  as  were  fruits  like  the
pineapple  and  the  papaya.
2. The Village Community
The  above  account  makes  it  clear  that  agricultural
production  involved  the  intensive  participation  and
initiative  of  the  peasantry.  How  did  this  affect  the
structure  of  agrarian  relations  in  Mughal  society?
To find out, let us look at the social groups involved
in  agricultural  expansion,  and  at  their  relationships
and  conflicts.
We  have  seen  that  peasants  held  their  lands  in
individual ownership. At the same time they belonged
to  a  collective  village  community  as  far  as  many
aspects  of  their  social  existence  were  concerned.
There  were  three  constituents  of  this  community  
the  cultivators,  the  panchayat,  and  the  village
headman  (muqaddam  or  mandal).
2.1 Caste and the rural milieu
Deep  inequities  on  the  basis  of  caste  and  other  caste-
like  distinctions  meant  that  the  cultivators  were  a
highly  heterogeneous  group.  Among  those  who  tilled
the  land,  there  was  a  sizeable  number  who  worked
as  menials  or  agricultural
labourers  (majur).
Despite  the  abundance  of
cultivable land, certain caste
groups were assigned menial
tasks  and  thus  relegated  to
poverty.  Though  there  was
no census at  that  time, the
little  data  that  we  have
suggest  that  such  groups
comprised  a  large  section  of
the  village  population,  had
the least resources and were
constrained by their position
in the caste hierarchy, much
like  the  Dalits  of  modern
India.  Such  distinctions  had
begun permeating into other
  Discuss...
Identify  the  technologies
and  agricultural  practices
described  in  this  section  that
appear  similar  to  or  different
from  those  described  in
Chapter  2.
PEASANTS, ZAMINDARS AND THE STATE
Fig.  8.3
An  early  nineteenth-century
painting  depicting  a  village  in
the  Punjab
 Describe what women and
men are shown doing in the
illustration as well as the
architecture of the village.
 THEMES IN INDIAN HISTORY  PART II 202
communities too. In Muslim communities menials like
the halalkhoran (scavengers) were housed outside the
boundaries  of  the  village;  similarly  the  mallahzadas
(literally,  sons  of  boatmen)  in  Bihar  were  comparable
to  slaves.
There  was  a  direct  correlation  between  caste,
poverty  and  social  status  at  the  lower  strata  of
society.  Such  correlations  were  not  so  marked  at
intermediate  levels.  In  a  manual  from  seventeenth-
century Marwar, Rajputs are mentioned as peasants,
sharing the same space with Jats, who were accorded
a lower status in the caste hierarchy. The Gauravas,
who  cultivated  land  around  Vrindavan  (Uttar
Pradesh),  sought  Rajput  status  in  the  seventeenth
century. Castes such as the Ahirs, Gujars and Malis
rose  in  the  hierarchy  because  of  the  profitability  of
cattle  rearing  and  horticulture.  In  the  eastern
regions,  intermediate  pastoral  and  fishing  castes
like  the  Sadgops  and  Kaivartas  acquired  the  status
of  peasants.
2.2  Panchayats  and  headmen
The  village  panchayat  was  an  assembly  of  elders,
usually important people of the village with hereditary
rights  over  their  property.  In  mixed-caste  villages,
the panchayat was usually a heterogeneous body. An
oligarchy,  the  panchayat  represented  various  castes
and  communities  in  the  village,  though  the  village
menial-cum-agricultural  worker  was  unlikely  to  be
represented  there.  The  decisions  made  by  these
panchayats  were  binding  on  the  members.
The  panchayat  was  headed  by  a  headman  known
as muqaddam or mandal. Some sources suggest that
the  headman  was  chosen  through  the  consensus  of
the  village  elders,  and  that  this  choice  had  to  be
ratified by the zamindar. Headmen held office as long
as  they  enjoyed  the  confidence  of  the  village  elders,
failing  which  they  could  be  dismissed  by  them.  The
chief  function  of  the  headman  was  to  supervise  the
preparation  of  village  accounts,  assisted  by  the
accountant  or  patwari  of  the  panchayat.
The  panchayat  derived  its  funds  from
contributions  made  by  individuals  to  a  common
financial  pool.  These  funds  were  used  for  defraying
the  costs  of  entertaining  revenue  officials  who
visited  the  village  from  time  to  time.  Expenses  for
community  welfare  activities  such  as  tiding  over
Corrupt  mandals
The mandals often misused their
positions. They were principally
accused  of  defrauding  village
accounts in connivance with the
patwari, and for underassessing
the  revenue  they  owed  from
their own lands in order to pass
the additional burden on to the
smaller cultivator.
203
Fig.  8.4
An  early  nineteenth-century
painting depicting a meeting of
village elders and tax collectors
natural  calamities  (like
floods),  were  also  met  from
these  funds.  Often  these
funds  were  also  deployed  in
construction  of  a  bund  or
digging  a  canal  which
peasants  usually  could  not
afford to do on their own.
One  important  function  of
the panchayat  was to ensure
that caste boundaries among
the  various  communities
inhabiting  the  village  were
upheld.  In  eastern  India  all
marriages  were  held  in  the
presence  of  the  mandal.  In  other  words  one  of  the
duties  of  the  village  headman  was  to  oversee  the
conduct  of  the  members  of  the  village  community
chiefly  to  prevent  any  offence  against  their  caste.
Panchayats  also  had  the  authority  to  levy  fines
and  inflict  more  serious  forms  of  punishment  like
expulsion  from  the  community.  The  latter  was  a
drastic  step  and  was  in  most  cases  meted  out  for  a
limited period. It meant that a person forced to leave
the  village  became  an  outcaste  and  lost  his  right
to  practise  his  profession.  Such  a  measure  was
intended  as  a  deterrent  to  violation  of  caste  norms.
In  addition  to  the  village  panchayat  each  caste
or  jati  in  the  village  had  its  own  jati  panchayat.
These  panchayats  wielded  considerable  power
in  rural  society.  In  Rajasthan  jati  panchayats
arbitrated  civil  disputes  between  members  of
different  castes.  They  mediated  in  contested  claims
on land, decided whether marriages were performed
according  to  the  norms  laid  down  by  a  particular
caste  group,  determined  who  had  ritual  precedence
in  village  functions,  and  so  on.  In  most  cases,
except  in  matters  of  criminal  justice,  the  state
respected  the  decisions  of  jati  panchayats.
Archival  records  from  western  India    notably
Rajasthan  and  Maharashtra    contain  petitions
presented  to  the  panchayat  complaining  about
extortionate  taxation  or  the  demand  for  unpaid
labour  (begar)  imposed  by  the  superior  castes  or
officials  of  the  state.  These  petitions  were  usually
made  by  villagers,  from  the  lowest  rungs  of  rural
society.  Often  petitions  were  made  collectively  as
PEASANTS, ZAMINDARS AND THE STATE
 How has the artist
differentiated between the
village elders and the
tax collectors?
 THEMES IN INDIAN HISTORY  PART II 204
well,  by  a  caste  group  or  a  community  protesting
against  what  they  considered  were  morally
illegitimate  demands  on  the  part  of  elite  groups.
These  included  excessive  tax  demands  which,
especially  in  times  of  drought  or  other  disasters,
endangered  the  peasants  subsistence.  In  the  eyes
of the petitioners the right to the basic minimum for
survival  was  sanctioned  by  custom.  They  regarded
the  village  panchayat  as  the  court  of  appeal  that
would  ensure  that  the  state  carried  out  its  moral
obligations  and  guaranteed  justice.
The  decision  of  the  panchayat  in
conflicts  between  lower -caste
peasants  and  state  officials  or  the
local  zamindar  could  vary  from
case  to  case.  In  cases  of  excessive
revenue  demands,  the  panchayat
often  suggested  compromise.  In
cases  where  reconciliation  failed,
peasants  took  recourse  to  more
drastic  forms  of  resistance,  such  as
deserting  the  village.  The  relatively
easy availability of uncultivated land
and  the  competition  over  labour
resources  made  this  an  effective
weapon  in  the  hands  of  cultivators.
2.3  Village  artisans
Another  interesting  aspect  of
the  village  was  the  elaborate
relationship  of  exchange  between
different  producers.  Marathi
documents  and  village  surveys
made  in  the  early  years  of  British
rule  have  revealed  the  existence  of
substantial  numbers  of  artisans,
sometimes as high as 25 per cent of
the  total  households  in  the  villages.
At times, however, the distinction
between  artisans  and  peasants  in
village  society  was  a  fluid  one,  as
many  groups  performed  the  tasks
of  both.  Cultivators  and  their
families  would  also  participate  in
craft  production    such  as  dyeing,
textile  printing,  baking  and  firing
of  pottery,  making  and  repairing
Fig.  8.5
A  seventeenth-century  painting
depicting  textile  production
 Describe the activities that
are shown in the illustration.
205
agricultural  implements.  Phases  in  the  agricultural
calendar  when  there  was  a  relative  lull  in  activity,
as  between  sowing  and  weeding  or  between  weeding
and  harvesting,  were  a  time  when  cultivators  could
engage  in  artisanal  production.
Village artisans  potters, blacksmiths, carpenters,
barbers,  even  goldsmiths    provided  specialised
services  in  return  for  which  they  were  compensated
by villagers by a variety of means. The most common
way  of  doing  so  was  by  giving  them  a  share  of  the
harvest,  or  an  allotment  of  land,  perhaps  cultivable
wastes,  which  was  likely  to  be  decided  by  the
panchayat.  In  Maharashtra  such  lands  became  the
artisans  miras  or  watan    their  hereditary  holding.
Another  variant  of  this  was  a  system  where
artisans and individual peasant households entered
into a mutually negotiated system of remuneration,
most  of  the  time  goods  for  services.  For  example,
eighteenth-century  records  tell  us  of  zamindars  in
Bengal  who  remunerated  blacksmiths,  carpenters,
even  goldsmiths  for  their  work  by  paying  them  a
small  daily  allowance  and  diet  money.  This  later
came  to  be  described  as  the  j aj mani   system,
though the term was not in vogue in the sixteenth
and  seventeenth  centuries.  Such  evidence  is
interesting because it indicates the intricate ways
i n  whi ch  exchange  networks  operated  at  the
micro-level  of  the  village.  Cash  remuneration  was
not  entirely  unknown  either.
2.4  A little republic?
How  does  one  understand  the  significance  of  the
village  community?  Some  British  officials  in  the
nineteenth  century  saw  the  village  as  a  little
republic  made  up  of  fraternal  partners  sharing
resources  and  labour  in  a  collective.  However,  this
was  not  a  sign  of  rural  egalitarianism.  There  was
individual  ownership  of  assets  and  deep  inequities
based  on  caste  and  gender  distinctions.  A  group
of  powerful  individuals  decided  the  affairs  of  the
village,  exploited  the  weaker  sections  and  had  the
authority  to  dispense  justice.
More  importantly,  a  cash  nexus  had  already
developed through trade between villages and towns.
In  the  Mughal  heartland  too,  revenue  was  assessed
and  collected  in  cash.  Artisans  producing  for  the
export  market  (for  example,  weavers)  received  their
PEASANTS, ZAMINDARS AND THE STATE
 THEMES IN INDIAN HISTORY  PART II 206
advances  or  wages  in  cash,  as  did  producers  of
commercial  products  like  cotton,  silk  or  indigo.
  Discuss...
In  what  ways  do  you  think  the  panchayats
described  in  this  section  were  similar  to  or
different  from  present-day  gram  panchayats?
3. Women in Agrarian Society
As you may have observed in many different societies,
the  production  process  often  involves  men  and
women  performing  certain  specified  roles.  In  the
contexts that we are exploring, women and men had
to  work  shoulder  to  shoulder  in  the  fields.  Men
tilled  and  ploughed,  while  women  sowed,  weeded,
threshed and winnowed the harvest. With the growth
of  nucleated  villages  and  expansion  in  individuated
peasant  farming,  which  characterised  medieval
Indian  agriculture,  the  basis  of  production  was  the
labour  and  resources  of  the  entire  household.
Naturally, a gendered segregation between the home
(for women) and the world (for men) was not possible
in this context. Nonetheless biases related to womens
biological  functions  did  continue.  Menstruating
women,  for  instance,  were  not  allowed  to  touch  the
plough  or  the  potters  wheel  in  western  India,  or
enter  the  groves  where  betel-leaves  (paan)  were
grown  in  Bengal.
Artisanal  tasks  such  as  spinning  yarn,  sifting  and
kneading clay for pottery, and embroidery were among
the many aspects of production dependent on female
labour.  The  more  commercialised  the  product,  the
greater the demand on womens labour to produce it.
In  fact,  peasant  and  artisan  women  worked  not  only
in  the  fields,  but  even  went  to  the  houses  of  their
employers  or  to  the  markets  if  necessary.
Women were considered an important resource in
agrarian society also because they were child bearers
in  a  society  dependent  on  labour.  At  the  same  time,
high  mortality  rates  among  women    owing  to
malnutrition,  frequent  pregnancies,  death  during
childbirth    often  meant  a  shortage  of  wives.  This
led  to  the  emergence  of  social  customs  in  peasant
and  artisan  communities  that  were  distinct  from
Money in the village
The seventeenth-century  French
traveller Jean-Baptiste Tavernier
found  it  remarkabl e  that  in
India a village must be very small
indeed  if  it  has  not  a  money-
changer called a Shroff. (They)
act   as  bankers  t o  make
remi ttances  of   money  (and
who)  enhance  the  rupee  as
they  please  for  paisa  and  the
paisa for these (cowrie) shells.
Fig.  8.7
A woman spinning thread
Fig.  8.6
A shroff at work
207
those  prevalent  among  elite  groups.  Marriages  in
many  rural  communities  required  the  payment  of
bride-price  rather  than  dowry  to  the  brides  family.
Remarriage  was  considered  legitimate  both  among
divorced  and  widowed  women.
The  importance  attached  to  women  as  a
reproductive  force  also  meant  that  the  fear  of  losing
control over them was great. According to established
social  norms,  the  household  was  headed  by  a  male.
Thus  women  were  kept  under  strict  control  by  the
male  members  of  the  family  and  the  community.
They  could  inflict  draconian  punishments  if  they
suspected  infidelity  on  the  part  of  women.
Documents from Western India  Rajasthan, Gujarat
and Maharashtra  record petitions sent by women to
the  village  panchayat,  seeking  redress  and  justice.
Wives  protested  against  the  infidelity  of  their
husbands  or  the  neglect  of  the  wife  and  children  by
the  male  head  of  the  household,  the  grihasthi.  While
male  infidelity  was  not  always  punished,  the  state
and superior caste groups did intervene when it came
to  ensuring  that  the  family  was  adequately  provided
for.  In  most  cases  when  women  petitioned  to  the
panchayat,  their  names  were  excluded  from  the
record:  the  petitioner  was  referred  to  as  the  mother,
sister  or  wife  of  the  male  head  of  the  household.
Amongst  the  landed  gentry,  women  had  the  right
to  inherit  property.  Instances  from  the  Punjab  show
that  women,  including  widows,  actively  participated
in the rural land market as sellers of property inherited
by  them.  Hindu  and  Muslim  women  inherited
zamindaris  which  they  were  free  to  sell  or  mortgage.
Women  zamindars  were  known  in  eighteenth-century
Bengal. In fact, one of the biggest and most famous of
the  eighteenth-century  zamindaris,  that  of  Rajshahi,
had a woman at the helm.
Fig.  8.8  b
Women carrying loads
Migrant  women  from  neighbouring
villages  often  worked  at  such
construction  sites.
PEASANTS, ZAMINDARS AND THE STATE
Fig. 8.8 a
The construction of Fatehpur Sikri 
women  crushing  stones
  Discuss...
Are  there  any  differences  in  the  access  men  and
women  have  to  agricultural  land  in  your  state?
 THEMES IN INDIAN HISTORY  PART II 208
4. Forests and Tribes
4.1  Beyond  settled  villages
There  was  more  to  rural  India  than  sedentary
agriculture.  Apart  from  the  intensively  cultivated
provinces  in  northern  and  north-western  India,
huge  swathes  of  forests    dense  forest  (jangal)  or
scrubland  (kharbandi)    existed  all  over  eastern
India,  central  India,  northern  India  (including  the
Terai  on  the  Indo-Nepal  border),  Jharkhand,  and  in
peninsular  India  down  the  Western  Ghats  and  the
Deccan  plateau.  Though  it  is  nearly  impossible  to
set  an  all-India  average  of  the  forest  cover  for  this
period, informed conjectures based on contemporary
sources  suggest  an  average  of  40  per  cent.
Forest  dwel l ers  were  termed  j angl i   in
contemporary  texts.  Being  jangli,  however,  did
not  mean  an absence  of  civilisation,
as  popular  usage  of  the  term  today
seems  to  connote.  Rather,  the  term
descri bed  those  whose  l i vel i hood
came  from  the  gathering  of  forest
produce,  hunti ng  and  shi fti ng
agriculture.  These  activities  were
largely  season  specific.  Among  the
Bhils, for example, spring was reserved
for  collecting  forest  produce,  summer
for  fishing,  the  monsoon  months
for  cul ti vati on,  and  autumn  and
winter  for  hunting.  Such  a  sequence
presumed  and  perpetuated  mobility,
which  was  a  distinctive  feature  of
tribes  inhabiting  these  forests.
For  the  state,  the  forest  was  a
subversive  place    a  place  of  refuge
(mawas)  for  troublemakers.  Once
again, we turn to Babur who says that
jungles provided a good defence behind
which  the  people  of  the  pargana
become  stubbornly  rebellious  and
pay  no  taxes.
4.2  Inroads  into  forests
External  forces  entered  the  forest  in
different  ways.  For  instance,  the  state
required  elephants  for  the  army.  So
the  peshkash levied from forest people
often  included  a  supply  of  elephants.
Fig.  8.9
Painting of Shah Jahan hunting
nilgais  ( from  the  Badshah  Nama)
 Describe what you see
in this painting. What is the
symbolic element that helps
establish the connection
between the hunt and
ideal justice?
209
In  the  Mughal  political  ideology,  the  hunt
symbolised  the  overwhelming  concern  of  the  state
to  ensure  justice  to  all  its  subjects,  rich  and  poor.
Regular  hunting  expeditions,  so  court  historians  tell
us, enabled the emperor to travel across the extensive
territories  of  his  empire  and  personally  attend  to  the
grievances of its inhabitants. The hunt was a subject
frequently  painted  by  court  artists.  The  painter
resorted  to  the  device  of  inserting  a  small  scene
somewhere in the picture that functioned as a symbol
of  a  harmonious  reign.
Clearance  of  forests  for
agricultural  settlements
This is an excerpt from a sixteenth-century Bengali poem,
Chandimangala, composed by Mukundaram Chakrabarti.
The  hero  of  the  poem,  Kalaketu,  set  up  a  kingdom  by
clearing forests:
Hearing the news, outsiders came from various lands.
Kalaketu then bought and distributed among them
Heavy knives, axes, battle-axes and pikes.
From the north came the Das (people)
One hundred of them advanced.
They were struck with wonder on seeing Kalaketu
Who distributed betel-nut to each of them.
From the south came the harvesters
Five hundred of them under one organiser.
From the west came Zafar Mian,
Together with twenty-two thousand men.
Sulaimani beads in their hands
They chanted the names of their pir  and paighambar
(Prophet).
Having cleared the forest
They established markets.
Hundreds and hundreds of foreigners
Ate and entered the forest.
Hearing the sound of the axe,
Tigers became apprehensive and ran away, roaring.
Pargana  was  an  administrative
subdivision of a Mughal province.
Source 3
 What forms of intrusion into
the forest does the text evoke?
Compare its message with that
of the miniature painting in
Fig. 8.9. Who are the people
identified as foreigners from the
perspective of the forest dwellers?
PEASANTS, ZAMINDARS AND THE STATE
Peshkash was a form of tribute
collected by the Mughal state.
 THEMES IN INDIAN HISTORY  PART II 210
Trade  between  the  hill  tribes
and  the  plains,  c.  1595
This is how Abul Fazl describes the transactions between
the hill tribes and the plains in the suba of Awadh (part
of present-day Uttar Pradesh):
From the northern mountains quantities of goods are
carried on the backs of men, of stout ponies and of
goats, such as gold, copper, lead, musk, tails of the
kutas cow (the yak), honey, chuk (an acid composed
of   orange  j ui ce  and  l emon  boi l ed  t oget her),
pomegranate seed, ginger, long pepper, majith (a plant
producing  a  red  dye)  root,  borax,  zedoary  (a  root
resembling  turmeric),  wax,  woollen  stuffs,  wooden
ware, hawks, falcons, black falcons, merlins (a kind of
bird), and other articles. In exchange they carry back
white  and  coloured  cloths,  amber,  salt,  asafoetida,
ornaments, glass and earthen ware.
The  spread  of  commercial  agriculture  was  an
important  external  factor  that  impinged  on  the  lives
of  those  who  lived  in  the  forests.  Forest  products  
like  honey,  beeswax  and  gum  lac    were  in  great
demand. Some, such as gum lac, became major items
of  overseas  export  from  India  in  the  seventeenth
century.  Elephants  were  also  captured  and  sold.
Trade  involved  an  exchange  of  commodities  through
barter  as  well.  Some  tribes,  like  the  Lohanis  in  the
Punjab,  were  engaged  in  overland  trade,  between
India  and  Afghanistan,  and  in  the  town-country
trade  in  the  Punjab  itself.
Social  factors  too  wrought  changes  in  the  lives  of
forest  dwellers.  Like  the  big  men  of  the  village
community,  tribes  also  had  their  chieftains.  Many
tribal  chiefs  had  become  zamindars,  some  even
became  kings.  For  this  they  required  to  build  up  an
army.  They  recruited  people  from  their  lineage
groups  or  demanded  that  their  fraternity  provide
military service. Tribes in the Sind region had armies
comprising  6,000  cavalry  and  7,000  infantry.  In
Assam, the Ahom kings had their  paiks, people who
were  obliged  to  render  military  service  in  exchange
for land. The capture of wild elephants was declared
a royal monopoly by the Ahom kings.
Fig.  8.10
A peasant and a hunter listening
to a sufi singer
Source 4
 What are the modes of
transport described in this
passage? Why do you think
they were used? Explain what
each of the articles brought from
the plains to the hills may have
been used for.
211
Though  the  transi ti on  from  a  tri bal   to  a
monarchical  system  had  started  much  earlier,  the
process  seems  to  have  become  fully  developed  only
by  the  sixteenth  century.  This  can  be  seen  from
the  Ains  observations  on  the  existence  of  tribal
kingdoms  in  the  north-east.  War  was  a  common
occurrence.  For  instance,  the  Koch  kings  fought
and subjugated a number of neighbouring tribes in
a  long  sequence  of  wars  through  the  sixteenth  and
seventeenth  centuries.
  New  cultural  influences  also  began  to  penetrate
into  forested  zones.  Some  historians  have  indeed
suggested that sufi saints (pirs) played a major role
in  the  slow  acceptance  of  Islam  among  agricultural
communities  emerging  in  newly  colonised  places
(see  also  Chapter  6).
5. The Zamindars
Our  story  of  agrarian  relations  in  Mughal  India  will
not  be  complete  without  referring  to  a  class  of
people  in  the  countryside  that  lived  off  agriculture
but  did  not  participate  directly  in  the  processes  of
agricultural  production.  These  were  the  zamindars
who were landed proprietors who also enjoyed certain
social  and  economic  privileges  by  virtue  of  their
superior status in rural society. Caste was one factor
that  accounted  for  the  elevated  status  of  zamindars;
another  factor  was  that  they  performed  certain
services  (khidmat)  for  the  state.
The  zamindars  held  extensive  personal  lands
termed  milkiyat,  meaning  property.  Milkiyat  lands
were  cultivated  for  the  private  use  of  zamindars,
often  with  the  help  of  hired  or  servile  labour.  The
zamindars  could  sell,  bequeath  or  mortgage  these
lands  at  will.
Zamindars  also  derived  their  power  from  the  fact
that  they  could  often  collect  revenue  on  behalf  of
the state, a service for which they were compensated
financially.  Control  over  military  resources  was
another  source  of  power.  Most  zamindars  had
fortresses  (qilachas)  as  well  as  an  armed  contingent
comprising  units  of  cavalry,  artillery  and  infantry.
Thus  if  we  visualise  social  relations  in  the
Mughal  countryside  as  a  pyramid,  zamindars  clearly
constituted  its  very  narrow  apex.  Abul  Fazls  account
indicates  that  an  upper-caste,  Brahmana-Rajput
  Discuss...
Find  out  which  areas  are
currently  identified  as  forest
zones  in  your  state.  Is  life  in
these  areas  changing  today?
Are  the  factors  responsible  for
these  changes  different  from
or  identical  to  those
mentioned  in  this  section?
PEASANTS, ZAMINDARS AND THE STATE
 THEMES IN INDIAN HISTORY  PART II 212
combine  had  already  established  firm  control
over  rural  society.  It  also  reflects  a  fairly  large
representation  from  the  so-called  intermediate  castes,
as  we  saw  earlier,  as  well  as  a  liberal  sprinkling  of
Muslim  zamindaris.
Contemporary documents give an impression that
conquest  may  have  been  the  source  of  the  origin  of
some zamindaris. The dispossession of weaker people
by  a  powerful  military  chieftain  was  quite  often  a
way of expanding a zamindari. It is, however, unlikely
that  the  state  would  have  allowed  such  a  show  of
aggression  by  a  zamindar  unless  he  had  been
confirmed  by  an  imperial  order  (sanad).
More  important  were  the  slow  processes  of
zamindari consolidation, which are also documented
in sources. These involved colonisation of new lands,
by  transfer  of  rights,  by  order  of  the  state  and  by
purchase.  These  were  the  processes  which  perhaps
permitted  people  belonging  to  the  relatively  lower
castes to enter the rank of zamindars  as zamindaris
were  bought  and  sold  quite  briskly  in  this  period.
A  combination  of  factors  also  allowed  the
consolidation  of  clan-  or  lineage-based  zamindaris.
For  example,  the  Rajputs  and  Jats  adopted  these
strategies  to  consolidate  their  control  over  vast
swathes  of  territory  in  northern  India.  Likewise,
peasant-pastoralists  (like  the  Sadgops)  carved  out
powerful  zamindaris  in  areas  of  central  and  south-
western  Bengal.
Zamindars  spearheaded  the  colonisation  of
agricultural  land,  and  helped  in  settling  cultivators
by  providing  them  with  the  means  of  cultivation,
including  cash  loans.  The  buying  and  selling  of
zamindaris  accelerated  the  process  of  monetisation
in  the  countryside.  In  addition,  zamindars  sold  the
produce  from  their  milkiyat  lands.  There  is  evidence
to show that zamindars often established markets (haats)
to  which  peasants  also  came  to  sell  their  produce.
Although  there  can  be  little  doubt  that  zamindars
were  an  exploitative  class,  their  relationship  with  the
peasantry  had  an  element  of  reciprocity,  paternalism
and patronage. Two aspects reinforce this view. First,
the  bhakti  saints,  who  eloquently  condemned
caste-based  and  other  forms  of  oppression  (see  also
Chapter  6),  did  not  portray  the  zamindars  (or,
interestingly,  the  moneylender)  as  exploiters  or
oppressors  of  the  peasantry.  Usually  it  was  the
A parallel army!
Accordi ng  t o  t he  Ai n,   the
combined  military  strength  of
the  zamindars  in  Mughal  India
was 384,558 cavalry, 4,277,057
infantry, 1,863 elephants, 4,260
cannons, and 4,500 boats.
213
revenue official of the state who was the object of their
ire.  Second,  in  a  large  number  of  agrarian  uprisings
which  erupted  in  north  India  in  the  seventeenth
century,  zamindars  often  received  the  support  of  the
peasantry  in  their  struggle  against  the  state.
6. Land Revenue System
Revenue  from  the  land  was  the  economic  mainstay
of  the  Mughal  Empire.  It  was  therefore  vital  for  the
state to create an administrative apparatus to ensure
control  over  agricultural  production,  and  to  fix  and
collect  revenue  from  across  the  length  and  breadth
of  the  rapidly  expanding  empire.  This  apparatus
included  the  office  (daftar)  of  the  diwan  who  was
responsible  for  supervising  the  fiscal  system  of  the
empire.  Thus  revenue  officials  and  record  keepers
penetrated  the  agricultural  domain  and  became  a
decisive  agent  in  shaping  agrarian  relations.
The  Mughal  state  tried  to  first  acquire  specific
information  about  the  extent  of  the  agricultural
lands in the empire and what these lands produced
before  fixing  the  burden  of  taxes  on  people.  The
l and  revenue  arrangements  consi sted  of  two
stages  first, assessment and then actual collection.
The  jama  was  the  amount  assessed,  as  opposed  to
hasil,  the  amount  collected.  In  his  list  of  duties  of
the  amil-guzar  or  revenue  collector,  Akbar  decreed
that  while  he  should  strive  to  make  cultivators  pay
in  cash,  the  option  of  payment  in  kind  was  also  to
be  kept  open.  While  fixing  revenue,  the  attempt  of
the  state  was  to  maximise  its  claims.  The  scope  of
actually  realising  these  claims  was,  however,
sometimes  thwarted  by  local  conditions.
Both cultivated and cultivable lands were measured
in  each  province.  The  Ain  compiled  the  aggregates  of
such  lands  during  Akbars  rule.  Efforts  to  measure
lands  continued  under  subsequent  emperors.  For
instance, in 1665, Aurangzeb expressly instructed his
revenue  officials  to  prepare  annual  records  of  the
number  of  cultivators  in  each  village  (Source  7).  Yet
not all areas were measured successfully. As we have
seen,  forests  covered  huge  areas  of  the  subcontinent
and  thus  remained  unmeasured.
  Discuss...
The  zamindari  system  was
abolished  in  India  after
Independence.  Read  through
this  section  and  identify
reasons  why  this  was  done.
PEASANTS, ZAMINDARS AND THE STATE
 THEMES IN INDIAN HISTORY  PART II 214
Amin was an official responsible
for  ensuring  that  imperial
regulations were carried out in
the provinces.
Classification  of  lands  under  Akbar
The following is a listing of criteria of classification excerpted
from the Ain:
The Emperor Akbar in his profound sagacity classified
the lands and fixed a different revenue to be paid by
each. Polaj  is land which is annually cultivated for each
crop in succession and is never allowed to lie fallow.
Parauti is land left out of cultivation for a time that it
may  recover  its  strength.  Chachar  is  land  that  has
lain  fallow  for  three  or  four  years.  Banjar  is  land
uncultivated for five years and more. Of the first two
kinds of land, there are three classes, good, middling,
and bad.  They add together the produce of each sort,
and the third of this represents the medium produce,
one-third part of which is exacted as the Royal dues.
The mansabdari system
The  Mughal   admi ni strati ve
system had at its apex a military-
cum-bureaucratic  apparatus
(mansabdari )  whi ch  was
responsible for looking after the
civil  and  military  affairs  of  the
state.  Some  mansabdars  were
paid in cash (naqdi), while the
majority  of  them  were  paid
through assignments of revenue
(jagirs) in different regions of the
empire. They were transferred
periodically.  See also Chapter 9.
Source 5
 What principles did the
Mughal state follow while
classifying lands in its territories?
How was revenue assessed?
Map 1
The  expansion  of  the  Mughal  Empire
 What impact do you think
the expansion of the empire
would have had on land revenue
collection?
Samarqand
Balkh
Kabul
Qandahar
Lahore
Panipat
Delhi
Agra
Amber
Ajmer
Patna
Rohtas
Goa
Baburs reign, 1530
Akbars reign, 1605
Aurangzebs reign, 1707
Arabian Sea
Bay of Bengal
Sketch map not to scale
215
The jama
Thi s  i s  an  excerpt  f rom
Aurangzeb s  order  to  hi s
revenue official, 1665:
He should direct the amins of
the parganas  that they should
discover the actual conditions
of  cultivation  (mauj udat),
village by  village, peasant-wise
(asamiwar), and after minute
scruti ny,  assess  the  j ama,
keeping in view the financial
i nterests  (ki f ayat)  of   the
government, and the welfare
of the peasantry.
Source 6
The Ain on land revenue collection:
Let  him  (the  amil-guzar)  not  make  it  a  practice  of
taking  only  in  cash  but  also  in  kind.  The  latter  is
effected in several ways. First, kankut : in the Hindi
language kan signifies grain, and kut, estimates  If
any  doubts  arise,  the  crops  shoul d  be  cut  and
estimated in three lots, the good, the middling, and
the inferior, and the hesitation removed. Often, too,
the land taken by appraisement, gives a sufficiently
accurate return.  Secondly, batai, also called bhaoli,
the  crops  are  reaped  and  stacked  and  divided  by
agreement in the presence of the parties. But in this
case  several  intelligent  inspectors  are  required;
otherwise,  the  evil-minded  and  false  are  given  to
deception. Thirdly, khet-batai, when they divide the
fields after they are sown. Fourthly, lang batai , after
cutting the grain, they form it in heaps and divide it
among themselves, and each takes his share home
and turns it to profit.
  Discuss...
Would  you  consider  the  land  revenue  system  of
the  Mughals  as  a  flexible  one?
7. The Flow of Silver
The  Mughal  Empire  was  among  the  large  territorial
empires in Asia that had managed to consolidate power
and  resources  during  the  sixteenth  and  seventeenth
centuries.  These  empires  were  the  Ming  (China),
Safavid  (Iran)  and  Ottoman  (Turkey).  The  political
stability  achieved  by  all  these  empires  helped  create
vibrant  networks  of  overland  trade  from  China  to  the
Mediterranean  Sea.  Voyages  of  discovery  and  the
opening  up  of  the  New  World  resulted  in  a  massive
expansion  of  Asias  (particularly  Indias)  trade  with
Europe.  This  resulted  in  a  greater  geographical
diversity  of  Indias  overseas  trade  as  well  as  an
 What difference would each of the systems
of assessment and collection of revenue have
made to the cultivator?
Source 7
 Why do you think
the emperor insisted
on a detailed survey?
PEASANTS, ZAMINDARS AND THE STATE
Cash  or  kind?
Fig.  8.11
A  silver  rupya  issued  by  Akbar
(obverse  and  reverse)
 THEMES IN INDIAN HISTORY  PART II 216
expansion in the commodity composition of this trade.
An expanding trade brought in huge amounts of silver
bullion into Asia to pay for goods procured from India,
and  a  large  part  of  that  bullion  gravitated  towards
India.  This  was  good  for  India  as  it  did  not  have
natural  resources  of  silver.  As  a  result,  the  period
between  the  sixteenth  and  eighteenth  centuries  was
also  marked  by  a  remarkable  stability  in  the
availability  of  metal  currency,  particularly  the  silver
rupya  in  India.  This  facilitated  an  unprecedented
expansion  of  minting  of  coins  and  the  circulation  of
money  in  the  economy  as  well  as  the  ability  of  the
Mughal  state  to  extract  taxes  and  revenue  in  cash.
The  testimony  of  an  Italian  traveller,  Giovanni
Careri, who passed through India c.  1690,  provides
a  graphic  account  about  the  way  silver  travelled
across the globe to reach India. It also gives us an idea
of  the  phenomenal  amounts  of  cash  and  commodity
transactions  in  seventeenth-century  India.
  Discuss...
Find  out  whether  there  are
any  taxes  on  agricultural
production  at  present  in
your  state.  Explain  the
similarities  and  differences
between  Mughal  fiscal
policies  and  those  adopted
by  present-day  state
governments.
Fig.  8.12
A  silver  rupya  issued  by  Aurangzeb
Fig.  8.13
An example of textiles produced in
the subcontinent to meet the
demands of European markets
217
How  silver  came  to  India
This excerpt from Giovanni Careris account (based on Berniers account) gives an
idea of the enormous amount of wealth that found its way into the Mughal Empire:
That the Reader may form some idea of the Wealth of this (Mughal) Empire, he is to
observe that all the Gold and Silver, which circulates throughout the World at last
Centres here. It is well known that as much of it comes out of America, after running
through several Kingdoms of Europe, goes partly into Turky (Turkey), for several
sorts of Commodities; and part into Persia, by the way of Smirna for Silk. Now the
Turks not being able to abstain from Coffee, which comes from Hyeman (Oman),
and  Arabia    nor  Persia,  Arabia,  and  the  Turks  themselves  to  go  without  the
commodities of India, send vast quantities of Mony (money) to Moka (Mocha) on
the Red Sea, near Babel Mandel; to Bassora (Basra) at the bottom of the Persian
Gulgh (Gulf);  which is afterwards sent over in Ships to Indostan (Hindustan).
Besides the Indian, Dutch, English, and Portuguese Ships, that every Year carry the
Commodities of Indostan, to Pegu, Tanasserri (parts of Myanmar), Siam (Thailand),
Ceylon (Sri Lanka)   the Maldive Islands, Mozambique and other Places, must of
necessity convey much Gold and Silver thither, from those Countries. All that the
Dutch fetch from the Mines in Japan, sooner or later, goes to Indostan; and the
goods carryd hence into Europe, whether to France, England, or Portugal, are all
purchasd for ready Mony, which remains there.
Source 8
8. The Ain- i Akbari of Abul
Fazl Allami
The  Ain-i  Akbari  was  the  culmination  of  a  large
historical,  administrative  project  of  classification
undertaken  by  Abul  Fazl  at  the  order  of  Emperor
Akbar.  It  was  completed  in  1598,  the  forty-second
regnal year of the emperor, after having gone through
five  revisions.  The  Ain  was  part  of  a  larger  project
of  history  writing  commissioned  by  Akbar.  This
history, known as the Akbar Nama, comprised three
books.  The  first  two  provided  a  historical  narrative.
We  will  look  at  these  parts  more  closely  in  Chapter
9.  The  Ain-i  Akbari,  the  third  book,  was  organised
as  a  compendium  of  imperial  regulations  and  a
gazetteer  of  the  empire.
The Ain gives detailed accounts of the organisation
of  the  court,  administration  and  army,  the  sources
of  revenue  and  the  physical  layout  of  the  provinces
of  Akbars  empire  and  the  literary,  cultural  and
religious  traditions  of  the  people.  Along  with  a
description  of  the  various  departments  of  Akbars
government  and  elaborate  descriptions  of  the
PEASANTS, ZAMINDARS AND THE STATE
 THEMES IN INDIAN HISTORY  PART II 218
various  provinces  (subas)  of  the  empire,  the  Ain
gives  us  intricate  quantitative  information  of
those  provinces.
Collecting  and  compiling  this  information
systematically  was  an  important  imperial  exercise.
It informed the emperor about the varied and diverse
customs  and  practices  prevailing  across  his
extensive  territories.  The  Ain  is  therefore  a  mine  of
information  for  us  about  the  Mughal  Empire  during
Akbars  reign.  It  is  important,  however,  to  keep  in
mind  that  this  is  a  view  of  the  regions  from  the
centre,  a  view  of  society  from  its  apex.
The Ain is made up of five books (daftars), of which
the  first  three  books  describe  the  administration.
The  first  book,  called  manzil-abadi,  concerns  the
imperial household and its maintenance. The second
book,  sipah-abadi,  covers  the  military  and  civil
administration  and  the  establishment  of  servants.
This  book  includes  notices  and  short  biographical
sketches  of  imperial  officials  (mansabdars),  learned
men,  poets  and  artists.
The third book, mulk-abadi, is the one which deals
with  the  fiscal  side  of  the  empire  and  provides  rich
quantitative  information  on  revenue  rates,  followed
by the Account of the Twelve Provinces. This section
has  detailed  statistical  information,  which  includes
the  geographic,  topographic  and  economic  profile  of
all  subas  and  their  administrative  and  fiscal
divisions  (sarkars,  parganas  and  mahals),  total
measured  area,  and  assessed  revenue  ( jama ).
After  setting  out  details  at  the  suba  level,  the  Ain
goes on to give a detailed picture of the sarkars below
the  suba.  This  it  does  in  the  form  of  tables,  which
have  eight  columns  giving  the  following  information:
(1)  parganat/mahal;  (2)  qila  (forts);  (3)  arazi  and
zamin-i  paimuda  (measured  area);  (4)  naqdi,  revenue
assessed in cash; (5) suyurghal, grants of revenue  in
charity;  (6)  zamindars;  columns  7  and  8  contain
details  of  the  castes  of  these  zamindars,  and  their
troops including their horsemen (sawar), foot-soldiers
(piyada)  and  elephants  (fil ).  The  mulk-abadi  gives  a
fascinating,  detailed  and  highly  complex  view  of
agrarian  society  in  northern  India.  The  fourth  and
fifth  books  (daftars)  deal  with  the  religious,  literary
and cultural traditions of the people of India and also
contain  a  collection  of  Akbars  auspicious  sayings.
Fig.  8.14
Abul  Fazl  presenting  the
manuscript of the completed
Akbar  Nama  to  his  patron
219
Source 9
Moistening  the  rose  garden  of  fortune
In this extract Abul Fazl gives a vivid account of how and from whom he
collected his information:
... to Abul Fazl, son of Mubarak  this sublime mandate was given.
Write with the pen of sincerity the account of the glorious events
and of our dominion-conquering victories  Assuredly, I spent much
labour and research in collecting the records and narratives of His
Majestys actions and I was a long time interrogating the servants of
the State and the old members of the illustrious family. I examined
both  prudent,  truth-speaking  old  men  and  active-minded,  right-
actioned young ones and reduced their statements to writing. The
Royal commands were issued to the provinces, that those who from
old service remembered, with certainty or with adminicle of doubt,
the  events  of  the  past,  should  copy  out  the  notes  and  memoranda
and transit them to the court. (Then) a second command shone forth
from the holy Presence-chamber; to wit  that the materials which
had  been  collected  should  be  ...  recited  in  the  royal  hearing,  and
whatever  might  have  to  be  written  down  afterwards,  should  be
introduced  into  the  noble  volume  as  a  supplement,  and  that  such
details  as  on  account  of  the  minuteness  of  the  inquiries  and  the
minutae  of  affairs,  (which)  could  not  then  be  brought  to  an  end,
should be inserted afterwards at my leisure.
Being relieved by this royal order  the interpreter of the Divine
ordinance    from  the  secret  anxiety  of  my  heart,  I  proceeded  to
reduce into writing the rough draughts (drafts)which were void of
the  grace  of  arrangement  and  style.  I  obtained  the  chronicle  of
events beginning at the Nineteenth Year of the Divine Era, when
the Record Office was established by the enlightened intellect of
His  Majesty,  and  from  its  rich  pages,  I  gathered  the  accounts  of
many events. Great pains too, were taken to procure the originals
or  copies  of  most  of  the  orders  which  had  been  issued  to  the
provinces from the Accession up to the present-day  I also took
much trouble to incorporate many of the reports which ministers
and high officials had submitted, about the affairs of the empire
and  the  events  of  foreign  countries.  And  my  labour-loving  soul
was satiated by the apparatus of inquiry and research. I also exerted
myself energetically to collect the rough notes and memoranda of
sagacious and well-informed men. By these means, I constructed a
reservoir for irrigating and moistening the rose garden of fortune
(the Akbar Nama).
 List all the sources that Abul Fazl used to compile his
work. Which of these sources would have been most useful
for arriving at an understanding of agrarian relations?
To what extent do you think his work would have been
influenced by his relationship with Akbar?
PEASANTS, ZAMINDARS AND THE STATE
 THEMES IN INDIAN HISTORY  PART II 220
Although the Ain was officially sponsored to record
detailed  information  to  facilitate  Emperor  Akbar
govern  his  empire,  it  was  much  more  than  a
reproduction  of  official  papers.  That  the  manuscript
was  revised  five  times  by  the  author  would  suggest
a  high  degree  of  caution  on  the  part  of  Abul  Fazl
and  a  search  for  authenticity.  For  instance,  oral
testimonies  were  cross-checked  and  verified  before
being  incorporated  as  facts  in  the  chronicle.  In
the  quantitative  sections,  all  numeric  data  were
reproduced  in  words  so  as  to  minimise  the  chances
of  subsequent  transcriptional  errors.
Historians who have carefully studied the Ain point
out  that  it  is  not  without  its  problems.  Numerous
errors  in  totalling  have  been  detected.  These  are
ascribed  to  simple  slips  of  arithmetic  or  of
transcription  by  Abul  Fazls  assistants.  These  are
generally  minor  and  do  not  detract  from  the  overall
quantitative  veracity  of  the  manuals.
Another  limitation  of  the  Ain  is  the  somewhat
skewed  nature  of  the  quantitative  data.    Data  were
not  collected  uniformly  from  all  provinces.  For
instance,  while  for  many  subas  detailed  information
was  compiled  about  the  caste  composition  of  the
zamindars,  such  information  is  not  available  for
Bengal  and  Orissa.  Further,  while  the  fiscal  data
from  the  subas  is  remarkable  for  its  richness,  some
equally  vital  parameters  such  as  prices  and  wages
from  these  same  areas  are  not  as  well  documented.
The  detailed  list  of  prices  and  wages  that  the  Ain
does  provide  is  mainly  derived  from  data  pertaining
to  areas  in  or  around  the  imperial  capital  of  Agra,
and  is  therefore  of  limited  relevance  for  the  rest  of
the  country.
These limitations notwithstanding, the Ain remains
an extraordinary document of its times. By providing
fascinating  glimpses  into  the  structure  and
organisation of the Mughal Empire and by giving us
quantitative  information  about  its  products  and
people,  Abul  Fazl  achieved  a  major  breakthrough
in  the  tradition  of  medieval  chroniclers  who  wrote
mostly  about  remarkable  political  events    wars,
conquests,  political  machinations,  and  dynastic
turmoil.  Information  about  the  country,  its  people
Translating the Ain
Given the importance of the Ain,
it has been translated for use by
a  number  of  scholars.  Henry
Blochmann  edited  it  and  the
Asi at i c  Soci et y  of   Bengal ,
Calcutta (present-day Kolkata),
published  it  in  its  Bibliotheca
Indica  series.  The  book  has
also been translated into English
in three volumes. The standard
translation  of  Volume  1  is  that
of Henry Blochmann (Calcutta
1873).  The other two volumes
were translated by H.S. Jarrett
(Calcutta 1891 and 1894).
221
and  its  products  was  mentioned  only  incidentally
and  as  embellishments  to  the  essentially  political
thrust of the narrative.
The Ain completely departed from this tradition as
it recorded information about the empire and the people
of  India,  and  thus  constitutes  a  benchmark  for
studying India at the turn of the seventeenth century.
The  value  of  the  Ains  quantitative  evidence  is
uncontested  where  the  study  of  agrarian  relations
is concerned. But it is the information it contains on
people,  their  professions  and  trades  and  on  the
imperial establishment and the grandees of the empire
which  enables  historians  to  reconstruct  the  social
fabric of India at that time.
PEASANTS, ZAMINDARS AND THE STATE
 Timeline
Landmarks  in  the  History  of  the  Mughal  Empire
1526 Babur defeats Ibrahim Lodi, the Delhi Sultan,
at Panipat, becomes the first Mughal emperor
1530-40 First phase of Humayuns reign
1540-55 Humayun defeated by Sher Shah,
in exile at the Safavid court
1555-56 Humayun regains lost territories
1556-1605 Reign of Akbar
1605-27 Reign of Jahangir
1628-58 Reign of Shah Jahan
1658-1707 Reign of Aurangzeb
1739 Nadir Shah invades India and sacks Delhi
1761 Ahmad Shah Abdali defeats the Marathas
in the third battle of Panipat
1765 The diwani of Bengal transferred to the
East India Company
1857 Last Mughal ruler, Bahadur Shah II,
deposed by the British and exiled to Rangoon
(present day Yangon, Myanmar)
 THEMES IN INDIAN HISTORY  PART II 222
Answer in100-150 words
1. What are the problems in using the Ain as a source for
reconstructing agrarian history? How do historians deal
with this situation?
2. To what extent is it possible to characterise agricultural
production in the sixteenth-seventeenth centuries as
subsistence agriculture? Give reasons for your answer.
3. Describe  the  role  played  by  women  in  agricultural
production.
4. Discuss, with examples, the significance of monetary
transactions during the period under consideration.
5. Examine the evidence that suggests that land revenue
was important for the Mughal fiscal system.
Write a short essay (about
250- 300 words) on the following:
6. To  what  extent  do  you  think  caste  was  a  factor  in
influencing social and economic relations in agrarian
society?
7. How were the lives of forest dwellers transformed in the
sixteenth and seventeenth centuries?
8. Examine the role played by zamindars in Mughal India.
9. Discuss  the  ways  in  which  panchayats  and  village
headmen regulated rural society.
Fig.  8.15
A  seventeenth-century  painting
depicting  jewellers
223
Sumit Guha. 1999.
Environment  and  Ethnicity
in India.
Cambridge University Press,
Cambridge.
Irfan Habib. 1999.
The Agrarian System of Mughal
India 1556-1707 (Second edition).
Oxford University Press,
New Delhi.
W.H. Moreland. 1983 (rpt).
India at the Death of Akbar:
An  Economic  Study.
Oriental, New Delhi.
Tapan Raychaudhuri and
Irfan Habib (eds). 2004.
The  Cambridge  Economic
History of India. Vol.1.
Orient Longman, New Delhi.
Dietmar Rothermund. 1993.
An  Economic  History  of  India  
from Pre-colonial Times to 1991.
Routledge, London.
Sanjay Subrahmanyam (ed.).1994.
Money and the Market in India,
1100-1700.
Oxford University Press,
New Delhi.
Map work
10. On an outline map of the world, mark the areas
which had economic links with the Mughal Empire,
and trace out possible routes of communication.
Project  (choose  one)
11. Visit a neighbouring village. Find out how many
people live there, which crops are grown, which
animals are raised, which artisanal  groups reside
there,  whether  women  own  land, how  the  local
panchayat functions. Compare this information
with what you have learnt about the sixteenth-
seventeenth  centuries,  noting  similarities  and
differences.  Explain  both  the  changes  and  the
continuities that you find.
12. Select  a  small  section  of  the  Ain  (10-12  pages,
available online at the website indicated below).
Read it carefully and prepare a report on how it
can be used by a historian.
If you would like to know
more, read:
For more information,
you could visit:
http://persian.packhum.org
persianindex.jsp?serv=
pf&file=00702053&ct=0
PEASANTS, ZAMINDARS AND THE STATE
Fig.  8.16
A painting depicting a woman selling sweets
223 PEASANTS, ZAMINDARS AND THE STATE
 THEMES IN INDIAN HISTORY  PART II 224
Kings  and  Chronicles
The  Mughal  Courts The  Mughal  Courts The  Mughal  Courts The  Mughal  Courts The  Mughal  Courts
( (( ((c cc cc.  sixteent .  sixteent .  sixteent .  sixteent .  sixteenth hh hh- -- -- seventeenth  centuries) seventeenth  centuries) seventeenth  centuries) seventeenth  centuries) seventeenth  centuries)
THEME
NINE
The  rulers  of  the  Mughal  Empire  saw  themselves
as  appointed  by  Divine  Will  to  rule  over  a  large
and  heterogeneous  populace.  Although  this
grand  vision  was  often  circumscribed  by  actual
political circumstances, it remained
important. One way of transmitting
this  vision  was  through  the
writing  of  dynastic  histories.  The
Mughal  kings  commissioned  court
historians  to  write  accounts.  These
accounts recorded the events of the
emperors  time.  In  addition,  their
writers  collected  vast  amounts  of
information  from  the  regions  of  the
subcontinent  to  help  the  rulers
govern  their  domain.
Modern  historians  writing  in
English  have  termed  this  genre
of  texts  chronicles,  as  they
present a continuous chronological
record    of  events.  Chronicles  are
an  indispensable  source  for  any
scholar  wishing  to  write  a  history
of  the  Mughals.  At  one  level
they  were  a  repository  of  factual
information  about  the  institutions
of  the  Mughal  state,  painstakingly
collected  and  classified  by
individuals  closely  connected  with  the  court.  At
the  same  time  these  texts  were  intended  as
conveyors  of  meanings  that  the  Mughal  rulers
sought  to  impose  on  their  domain.  They  therefore
give  us  a  glimpse  into  how  imperial  ideologies
were  created  and  disseminated.  This  chapter  will
look  at  the  workings  of  this  rich  and  fascinating
dimension  of  the  Mughal  Empire.
Fig.  9.1
The mausoleum of Timur at
Samarqand, 1404
225
1. The Mughals and Their Empire
The name Mughal derives from Mongol. Though today
the  term  evokes  the  grandeur  of  an  empire,  it  was
not  the  name  the  rulers  of  the  dynasty  chose  for
themselves. They referred to themselves as Timurids,
as  descendants  of  the  Turkish  ruler  Timur  on  the
paternal  side.  Babur,  the  first  Mughal  ruler,  was
related  to  Ghenghiz  Khan  from  his  mothers  side.
He  spoke  Turkish  and  referred  derisively  to  the
Mongols  as  barbaric  hordes.
During the sixteenth century, Europeans used the
term  Mughal  to  describe  the  Indian  rulers  of  this
branch  of  the  family.  Over  the  past  centuries  the
word  has  been  frequently  used    even  the  name
Mowgli,  the  young  hero  of  Rudyard  Kiplings  Jungle
Book,  is  derived  from  it.
The empire was carved out of a number of regional
states  of  India  through  conquests  and  political
alliances between the Mughals and local chieftains.
The  founder  of  the  empire,  Zahiruddin  Babur,  was
driven from his Central Asian homeland, Farghana,
by  the  warring  Uzbeks.  He  first  established  himself
at  Kabul  and  then  in  1526  pushed  further  into
the Indian subcontinent in search of territories and
resources  to  satisfy  the  needs  of  the  members  of
his  clan.
His  successor,  Nasiruddin  Humayun  (1530-40,
1555-56)  expanded  the  frontiers  of  the  empire,  but
lost it to the Afghan leader Sher Shah Sur, who drove
him  into  exile.  Humayun  took  refuge  in  the  court  of
the Safavid ruler of Iran. In 1555 Humayun defeated
the  Surs,  but  died  a  year  later.
Many  consider  Jalaluddin  Akbar  (1556-1605)  the
greatest  of  all  the  Mughal  emperors,  for  he  not  only
expanded  but  also  consolidated  his  empire,  making
it  the  largest,  strongest  and  richest  kingdom  of
his  time.  Akbar  succeeded  in  extending  the  frontiers
of  the  empire  to  the  Hindukush  mountains,  and
checked  the  expansionist  designs  of  the  Uzbeks  of
Turan  (Central  Asia)  and  the  Safavids  of  Iran.
Akbar  had  three  fairly  able  successors  in  Jahangir
(1605-27),  Shah  Jahan  (1628-58)  and  Aurangzeb
(1658-1707),  much  as  their  characters  varied.  Under
them  the  territorial  expansion  continued,  though  at
a much reduced pace. The three rulers maintained and
consolidated  the  various  instruments  of  governance.
KINGS AND CHRONICLES
Fig.  9.2
An eighteenth-century depiction of
Humayuns wife Nadira crossing
the desert of Rajasthan
 THEMES IN INDIAN HISTORY  PART II 226
During  the  sixteenth  and  seventeenth  centuries
the institutions of an imperial structure were created.
These  included  effective  methods  of  administration
and taxation. The visible centre of Mughal power was
the  court.  Here  political  alliances  and  relationships
were  forged,  status  and  hierarchies  defined.  The
political  system  devised  by  the  Mughals  was  based
on  a  combination  of  military  power  and  conscious
policy  to  accommodate  the  different  traditions  they
encountered  in  the  subcontinent.
After  1707,  following  the  death  of  Aurangzeb,  the
power of the dynasty diminished. In place of the vast
apparatus  of  empire  controlled  from  Delhi,  Agra  or
Lahore  the different capital cities  regional powers
acquired  greater  autonomy.  Yet  symbolically  the
prestige of the Mughal ruler did not lose its aura. In
1857  the  last  scion  of  this  dynasty,  Bahadur  Shah
Zafar  II,  was  overthrown  by  the  British.
2. The Production of Chronicles
Chronicles  commissioned  by  the  Mughal  emperors
are an important source for studying the empire and
its  court.  They  were  written  in  order  to  project  a
vision  of  an  enlightened  kingdom  to  all  those  who
came under its umbrella. At the same time they were
meant  to  convey  to  those  who  resisted  the  rule  of
the  Mughals  that  all  resistance  was  destined  to  fail.
Also,  the  rulers  wanted  to  ensure  that  there  was  an
account  of  their  rule  for  posterity.
The  authors  of  Mughal  chronicles  were  invariably
courtiers. The histories they wrote focused on events
centred on the ruler, his family, the court and nobles,
wars  and  administrative  arrangements.  Their  titles,
such as the  Akbar Nama, Shahjahan Nama, Alamgir
Nama,  that  is,  the  story  of  Akbar,  Shah  Jahan  and
Alamgir  (a  title  of  the  Mughal  ruler  Aurangzeb),
suggest  that  in  the  eyes  of  their  authors  the  history
of  the  empire  and  the  court  was    synonymous  with
that  of  the  emperor.
2.1 From Turkish to Persian
Mughal  court  chronicles  were  written  in  Persian.
Under  the  Sultans  of  Delhi  it  flourished  as  a
language  of  the  court  and  of  literary  writings,
alongside north Indian languages, especially Hindavi
and  its  regional  variants.  As  the  Mughals  were
Chaghtai  Turks  by  origin,  Turkish  was  their  mother
  Discuss...
Find  out  whether  the  state  in
which  you  live  formed  part
of  the  Mughal  Empire.
Were  there  any  changes  in
the  area  as  a  result  of  the
establishment  of  the  empire?
If your state was not part of
the  empire,  find  out  more
about  contemporary  regional
rulers    their  origins  and
policies.  What  kind  of  records
did  they  maintain?
Chaghtai Turks traced descent
from the eldest son of Ghengiz
Khan.
227
tongue.  Their  first  ruler  Babur  wrote  poetry  and  his
memoirs  in  this  language.
It  was  Akbar  who  consciously  set  out  to  make
Persian  the  leading  language  of  the  Mughal  court.
Cultural  and  intellectual  contacts  with  Iran,  as  well
as  a  regular  stream  of  Iranian  and  Central  Asian
migrants  seeking  positions  at  the  Mughal  court,
might  have  motivated  the  emperor  to  adopt  the
language.  Persian  was  elevated  to  a  language  of
empire,  conferring  power  and  prestige  on  those  who
had a command of it. It was spoken by the king, the
royal  household  and  the  elite  at  court.  Further,  it
became  the  language  of  administration  at  all  levels
so  that  accountants,  clerks  and  other  functionaries
also  learnt  it.
Even  when  Persian  was  not  directly  used,  its
vocabulary and idiom heavily influenced the language
of  official  records  in  Rajasthani  and  Marathi  and
even  Tamil.  Since  the  people  using  Persian  in  the
sixteenth  and  seventeenth  centuries  came  from
many  different  regions  of  the  subcontinent  and
spoke  other  Indian  languages,  Persian  too  became
Indianised  by  absorbing  local  idioms.  A  new
language,  Urdu,  sprang  from  the  interaction  of
Persian  with  Hindavi.
Mughal  chronicles  such  as  the  Akbar  Nama  were
written  in  Persian,  others,  like  Baburs  memoirs,
were  translated  from  the  Turkish  into  the  Persian
Babur  Nama.  Translations  of  Sanskrit  texts  such  as
the  Mahabharata  and  the  Ramayana  into  Persian
were  commissioned  by  the  Mughal  emperors.  The
Mahabharata  was  translated  as  the  Razmnama
(Book  of  Wars).
2.2  The  making  of  manuscripts
All  books  in  Mughal  India  were  manuscripts,  that
is,  they  were  handwritten.  The  centre  of  manuscript
production  was  the  imperial  kitabkhana.  Although
kitabkhana  can  be  translated  as  library,  it  was  a
scriptorium,  that  is,  a  place  where  the  emperors
collection  of  manuscripts  was  kept  and  new
manuscripts  were  produced.
  The  creation  of  a  manuscript  involved  a  number
of people performing a variety of tasks. Paper makers
were needed to prepare the folios of the manuscript,
scribes  or  calligraphers  to  copy  the  text,  gilders  to
illuminate  the  pages,  painters  to  illustrate  scenes
The flight of the
written word
In Abul Fazls words:
The  wri t t en  word  may
embody  t he  wi sdom  of
bygone  ages  and  may
become  a  means  t o
intellectual  progress.  The
spoken  word  goes  to  the
heart   of   t hose  who  are
present to hear it. The written
word gives wisdom to those
who are near and far. If it was
not for the written word, the
spoken  word  would  soon
die, and no keepsake would
be left us from those who are
passed  away.   Superf i ci al
observers see in the letter a
dark  figure,  but  the  deep-
sighted  see  in  it  a  lamp  of
wisdom  (chirag-i  shinasai ).
The written word looks black,
notwithstanding the thousand
rays  within  it,  or  it  is  a  light
with a mole on it that wards
of f   the  evi l   eye.   A  l etter
(khat )  i s  t he  port rai t   of
wisdom; a rough sketch from
the  realm  of  ideas;  a  dark
l i ght   usheri ng  i n  day;   a
black  cloud  pregnant  with
knowledge; speaking though
dumb;   st at i onary  yet
travelling;  stretched  on  the
sheet ,   and  yet   soari ng
upwards.
KINGS AND CHRONICLES
 THEMES IN INDIAN HISTORY  PART II 228
from  the  text,  bookbinders  to  gather  the  individual
folios  and  set  them  within  ornamental  covers.  The
finished  manuscript  was  seen  as  a  precious  object,
a  work  of  intellectual  wealth  and  beauty.  It
exemplified  the  power  of  its  patron,  the  Mughal
emperor,  to  bring  such  beauty  into  being.
At  the  same  time  some  of  the  people  involved  in
the  actual  production  of  the  manuscript  also  got
recognition in the form of titles and awards. Of these,
calligraphers  and  painters  held  a  high  social
standing  while  others,  such  as  paper  makers  or
bookbinders,  have  remained  anonymous  artisans.
Calligraphy, the art of handwriting, was considered
a  skill  of  great  importance.  It  was  practised  using
different  styles.  Akbars  favourite  was  the  nastaliq,  a
fluid  style  with  long  horizontal  strokes.  It  is  written
using a piece of trimmed reed with a tip of  five to 10
mm  called  qalam,  dipped  in  carbon  ink  (siyahi).  The
nib  of  the  qalam  is  usually  split  in  the  middle  to
facilitate  the  absorption  of  ink.
  Discuss...
In what ways do you think the production of books
today  is  similar  to  or  different  from  the  ways  in
which  Mughal  chronicles  were  produced?
3. The Painted Image
As we read in the previous section, painters too were
involved  in  the  production  of  Mughal  manuscripts.
Chronicles narrating the events of a Mughal emperors
reign  contained,  alongside  the  written  text,  images
that  described  an  event  in  visual  form.  When  scenes
or themes in a book were to be given visual expression,
the  scribe  left  blank  spaces  on  nearby  pages;
paintings,  executed  separately  by  artists,  were
inserted  to  accompany  what  was  described  in  words.
These paintings were miniatures, and could therefore
be  passed  around  for  viewing  and  mounting  on  the
pages  of  manuscripts.
Paintings served not only to enhance the beauty of
a  book,  but  were  believed  to  possess  special  powers
of  communicating  ideas  about  the  kingdom  and  the
power of kings in ways that the written medium could
not.  The  historian  Abul  Fazl  described  painting  as
a magical art: in his view it had the power to make
inanimate  objects  look  as  if  they  possessed  life.
Fig.  9.3
A  folio  in nastaliq,  the  work  of
Muhammad Husayn of Kashmir
(c.1575-1605), one of the finest
calligraphers  at  Akbars  court,  who
was honoured with the title zarrin
qalam  (golden  pen)  in  recognition
of the perfectly proportioned
curvature of his letters
The  calligrapher  has  signed  his
name  on  the  lower  section  of
the  page,  taking  up  almost
one-fourth  of  its  space.
229
The  production  of  paintings  portraying  the
emperor,  his  court  and  the  people  who  were  part  of
it,  was  a  source  of  constant  tension  between  rulers
and  representatives  of  the  Muslim  orthodoxy,  the
ulama.  The  latter  did  not  fail  to  invoke  the  Islamic
prohibition  of  the  portrayal  of  human  beings
enshrined in the Quran as well as the hadis,  which
described  an  incident  from  the  life  of  the  Prophet
Muhammad.  Here  the  Prophet  is  cited  as  having
forbidden  the  depiction  of  living  beings  in  a
naturalistic  manner  as  it  would  suggest  that  the
artist  was  seeking  to  appropriate  the  power  of
creation.  This  was  a  function  that  was  believed  to
belong  exclusively  to  God.
Source 1
In  praise  of  taswir
Abul Fazl held the art of painting
in high esteem:
Drawi ng  the  l i keness  of
anything  is  called  taswir.  His
Majesty from his earliest youth,
has shown a great predilection
for  this  art,  and  gives  it  every
encouragement,  as  he  looks
upon it as a means both of study
and  amusement.  A  very  large
number of painters have been
set to work. Each week, several
supervisors  and  clerks  of  the
i mperi al   workshop  submi t
before  the  emperor  the  work
done  by  each  artist,  and  His
Majesty  gives  a  reward  and
increases the monthly salaries
of  the  artists  according  to  the
excellence  displayed.    Most
excellent  painters  are  now  to
be  found,  and  masterpieces,
worthy  of  a  Bihzad,  may  be
pl aced  at  the  si de  of   the
wonderf ul   works  of   the
European  painters  who  have
attained worldwide fame. The
mi nuteness  i n  detai l ,   the
general finish and the boldness
of execution now observed in
pictures  are  incomparable;
even inanimate objects look as
if  they  have  life.  More  than  a
hundred painters have become
famous masters of the art. This
is especially true of the Hindu
artists.  Their  pictures  surpass
our conception of things. Few,
indeed, in the whole world are
found equal to them.
 Why did Abul Fazl
consider the art of
painting important?
How did he seek to
legitimise this art?
KINGS AND CHRONICLES
Fig.  9.4
A  Mughal  kitabkhana
 Identify the different tasks involved in the production
of a Mughal manuscript depicted in this miniature.
 THEMES IN INDIAN HISTORY  PART II 230
Yet  interpretations  of  the  sharia  changed  with
time.  The  body  of  Islamic  tradition  was  interpreted
in different ways by various social groups. Frequently
each group put forward an understanding of tradition
that  would  best  suit  their  political  needs.  Muslim
rulers  in  many  Asian  regions  during  centuries  of
empire  building  regularly  commissioned  artists  to
paint  their  portraits  and  scenes  of  life  in  their
kingdoms.  The  Safavid  kings  of  Iran,  for  example,
patronised  the  finest  artists,  who  were  trained  in
workshops  set  up  at  court.  The  names  of  painters  
such  as  that  of  Bihzad    contributed  to  spreading
the  cultural  fame  of  the  Safavid  court  far  and  wide.
Artists  from  Iran  also  made  their  way  to  Mughal
India. Some were brought to the Mughal court, as in
the  case  of  Mir  Sayyid  Ali  and  Abdus  Samad,  who
were  made  to  accompany  Emperor  Humayun  to
Delhi.  Others  migrated  in  search  of  opportunities  to
win  patronage  and  prestige.  A  conflict  between  the
emperor  and  the  spokesmen  of  orthodox  Muslim
opinion  on  the  question  of  visual  representations  of
living  beings  was  a  source  of  tension  at  the  Mughal
court.  Akbars  court  historian  Abul  Fazl  cites  the
emperor  as  saying:  There  are  many  that  hate
painting,  but  such  men  I  dislike.  It  appears  to  me
that  an  artist  has  a  unique  way  of  recognising  God
when  he  must  come  to  feel  that  he  cannot  bestow
life  on  his  work  ...
4. The Akbar Nama and the
Badshah Nama
Among  the  important  illustrated  Mughal  chronicles
the Akbar Nama and Badshah Nama (The Chronicle
of  a  Ki ng)   are  the  most  wel l   known.  Each
manuscript  contained  an  average  of  150  full-  or
double-page  paintings  of  battles,  sieges,  hunts,
building  construction,  court  scenes,  etc.
The author of the Akbar Nama, Abul Fazl grew up
in the Mughal capital of Agra. He was widely read in
Arabic,  Persian,  Greek  philosophy  and  Sufism.
Moreover, he was a forceful debater and independent
thinker  who  consistently  opposed  the  views  of  the
conservative ulama. These qualities impressed Akbar,
who  found  Abul  Fazl  ideally  suited  as  an  adviser
and  a  spokesperson  for  his  policies.  One  major
  Discuss...
Compare  the  painters
representation  (Fig.  9.4)  of
literary  and  artistic
production  with  that  of
Abul  Fazl  (Source  1).
231
objective  of  the  emperor  was  to  free  the  state  from
the control of religious orthodoxy. In his role as court
historian,  Abul  Fazl  both  shaped  and  articulated
the  ideas  associated  with  the  reign  of  Akbar.
Beginning in 1589, Abul Fazl worked on the Akbar
Nama  for  thirteen  years,  repeatedly  revising  the  draft.
The chronicle is based on a range of sources, including
actual  records  of  events  (waqai ),  official  documents
and  oral  testimonies  of  knowledgeable  persons.
The  Akbar  Nama  is  divided  into  three  books  of
which  the  first  two  are  chronicles.  The  third  book  is
the Ain-i Akbari. The first volume contains the history
of mankind from Adam to one celestial cycle of Akbars
life (30 years). The second volume closes in the forty-
sixth regnal year (1601) of Akbar. The very next year
Abul  Fazl  fell  victim  to  a  conspiracy  hatched  by
Prince  Salim,  and  was  murdered  by  his  accomplice,
Bir  Singh  Bundela.
The  Akbar  Nama  was  written  to  provide  a  detailed
description  of  Akbar s  reign  in  the  traditional
diachronic  sense  of  recording  politically  significant
events across time, as well as in the more novel sense
of giving a synchronic picture of all aspects of Akbars
empire    geographic,  social,  administrative  and
cultural    without  reference  to  chronology.  In  the
Ain-i Akbari the Mughal Empire is presented as having
a  diverse  population  consisting  of  Hindus,  Jainas,
Buddhists  and  Muslims  and  a  composite  culture.
Abul  Fazl  wrote  in  a  language  that  was  ornate
and  which  attached  importance  to  diction  and
rhythm,  as  texts  were  often  read  aloud.  This  Indo-
Persian  style  was  patronised  at  court,  and  there
were a large number of writers who wanted to write
like  Abul  Fazl.
A  pupil  of  Abul  Fazl,  Abdul  Hamid  Lahori  is
known as the author of the Badshah Nama. Emperor
Shah  Jahan,  hearing  of  his  talents,  commissioned
him  to  write  a  history  of  his  reign  modelled  on  the
Akbar  Nama.  The  Badshah  Nama  is  this  official
history in three volumes (daftars) of ten lunar years
each.  Lahori  wrote  the  first  and  second  daftars
comprising  the  first  two  decades  of  the  emperors
rule  (1627-47);  these  volumes  were  later  revised  by
Sadullah  Khan,  Shah  Jahans  wazir.  Infirmities  of
old  age  prevented  Lahori  from  proceeding  with  the
third  decade  which  was  then  chronicled  by  the
historian  Waris.
A  diachronic  account  traces
developments  over  time,
whereas  a  synchronic  account
depicts one or several situations
at  one  particular  moment  or
point of time.
Travels of the
Badshah  Nama
Gifting of precious manuscripts
was an established diplomatic
custom  under  the  Mughal s.
I n  emul at i on  of   t hi s,   t he
Nawab  of  Awadh  gifted  the
illustrated  Badshah  Nama  to
King George III in 1799. Since
then  it  has  been  preserved  in
the English Royal Collections,
now at Windsor Castle.
In  1994,  conservation  work
required the bound manuscript
to  be  taken  apart.  This  made
i t   possi bl e  t o  exhi bi t   t he
paintings,  and  in  1997  for  the
first  time,  the  Badshah  Nama
pai nti ngs  were  shown  i n
exhi bi ti ons  i n  New  Del hi ,
London and Washington.
KINGS AND CHRONICLES
 THEMES IN INDIAN HISTORY  PART II 232
During the colonial period, British administrators
began  to  study  Indian  history  and  to  create  an
archive  of  knowledge  about  the  subcontinent  to
help  them  better  understand  the  people  and  the
cultures  of  the  empire  they  sought  to  rule.  The
Asiatic  Society  of  Bengal,  founded  by  Sir  William
Jones  in  1784,  undertook  the  editing,  printing  and
translation  of  many  Indian  manuscripts.
Edited  versions  of  the  Akbar  Nama  and  Badshah
Nama  were  first  published  by  the  Asiatic  Society
in  the  nineteenth  century.  In  the  early  twentieth
century the Akbar Nama was translated into English
by  Henry  Beveridge  after  years  of  hard  labour.  Only
excerpts of the Badshah Nama have been translated
into  English  to  date;  the  text  in  its  entirety  still
awaits  translation.
  Discuss...
Find  out  whether  there  was  a  tradition  of
illustrating  manuscripts  in  your  town  or  village.
Who  prepared  these  manuscripts?  What  were  the
subjects  that  they  dealt  with?  How  were  these
manuscripts  preserved?
5. The Ideal Kingdom
5.1 A divine light
Court  chroniclers  drew  upon  many  sources  to  show
that  the  power  of  the  Mughal  kings  came  directly
from God. One of the legends they narrated was that
of the Mongol queen Alanqua, who was impregnated
by  a  ray  of  sunshine  while  resting  in  her  tent.  The
offspring  she  bore  carried  this  Divine  Light  and
passed  it  on  from  generation  to  generation.
Abul  Fazl  placed  Mughal  kingship  as  the  highest
station  in  the  hierarchy  of  objects  receiving  light
emanating  from  God  (farr-i  izadi ).  Here  he  was
inspired  by  a  famous  Iranian  sufi,  Shihabuddin
Suhrawardi  (d.  1191)  who  first  developed  this  idea.
According  to  this  idea,  there  was  a  hierarchy  in
which  the  Divine  Light  was  transmitted  to  the  king
who  then  became  the  source  of  spiritual  guidance
for  his  subjects.
Paintings  that  accompanied  the  narrative  of  the
chronicles  transmitted  these  ideas  in  a  way  that
The transmission of
notions of luminosity
The  origins  of  Suhrawardis
phi l osophy  went  back  to
Platos  Republic,  where  God  is
represented  by  the  symbol  of
the  sun.  Suhrawardis  writings
were  universally  read  in  the
Isl ami c  worl d.   They  were
studied  by  Shaikh  Mubarak,
who  transmitted  their  ideas  to
his  sons,  Faizi  and  Abul  Fazl,
who were trained under him.
233
left  a  lasting  impression  on  the  minds  of  viewers.
Mughal  artists,  from  the  seventeenth  century
onwards, began to portray emperors wearing the halo,
which they saw on European paintings of Christ and
the  Virgin  Mary  to  symbolise  the  light  of  God.
5.2 A unifying force
Mughal chronicles present the empire as comprising
many  different  ethnic  and  religious  communities  
Hindus,  Jainas,  Zoroastrians  and  Muslims.  As  the
source  of  all  peace  and  stability  the  emperor  stood
above  all  religious  and  ethnic  groups,  mediated
among  them,  and  ensured  that  justice  and  peace
prevailed.  Abul  Fazl  describes  the  ideal  of  sulh-i  kul
(absolute  peace)  as  the  cornerstone  of  enlightened
rule. In sulh-i kul all religions and schools of thought
had freedom of expression but on condition that they
did not undermine the authority of the state or fight
among  themselves.
The  ideal  of  sulh-i  kul  was  implemented  through
state  policies    the  nobility  under  the  Mughals  was
a composite one comprising Iranis, Turanis, Afghans,
Rajputs, Deccanis  all of whom were given positions
and  awards  purely  on  the  basis  of  their  service  and
Fig.  9.5
This  painting  by  Abul  Hasan  shows  Jahangir
dressed  in  resplendent  clothes  and  jewels,  holding
up a portrait of his father Akbar.
Akbar  is  dressed  in  white,  associated  in  sufi
traditions  with  the  enlightened  soul.  He  proffers
a  globe,  symbolic  of  dynastic  authority.
In  the  Mughal  empire  there  was  no  law  laying
down  which  of  the  emperors  sons  would  succeed
to  the  throne.  This  meant  that  every  dynastic
change  was  accompanied  and  decided  by  a
fratricidal  war.  Towards  the  end  of  Akbars  reign,
Prince  Salim  revolted  against  his  father,  seized
power  and  assumed  the  title  of  Jahangir.
 How does this painting describe the
relationship between father and son?
Why do you think Mughal artists frequently
portrayed emperors against dark or dull
backgrounds? What are the sources of
light in this painting?
KINGS AND CHRONICLES
 THEMES IN INDIAN HISTORY  PART II 234
loyalty  to  the  king.  Further,
Akbar  abolished  the  tax  on
pilgrimage in 1563 and  jizya
in 1564 as the two were based
on  religious  discrimination.
Instructions  were  sent  to
officers  of  the  empire  to
follow the precept of sulh-i kul
in  administration.
All  Mughal  emperors  gave
grants  to  support  the
building and maintenance of
places of worship. Even when
temples  were  destroyed
during war, grants were later
issued  for  their  repair    as
we  know  from  the  reigns  of
Shah  Jahan  and  Aurangzeb.
However,  during  the  reign  of
the  latter,  the  jizya  was  re-
imposed  on  non-Muslim
subjects.
5.3  Just  sovereignty  as
social  contract
Abul Fazl defined sovereignty
as  a  social  contract:  the
emperor  protects  the  four
essences  of  his  subjects,
namely,  life  (jan),  property
(mal),  honour  (namus)  and
faith  (din),  and  in  return
demands  obedience  and  a
share  of  resources.  Only  just
sovereigns  were  thought
to  be  able  to  honour  the
contract  with  power  and
Divine  guidance.
Fig.  9.6
Jahangir  presenting  Prince
Khurram with a turban jewel
Scene from the  Badshah  Nama
painted  by  the  artist  Payag,
c.1640.
235
A  number  of  symbols  were  created  for  visual
representation  of  the  idea  of  justice  which  came  to
stand  for  the  highest  virtue  of  Mughal  monarchy.
One  of  the  favourite  symbols  used  by  artists  was
the motif of the lion and the lamb (or goat) peacefully
nestling next to each other. This was meant to signify
a  realm  where  both  the  strong  and  the  weak  could
exist  in  harmony.  Court  scenes  from  the  illustrated
Badshah Nama place such motifs in a niche directly
below  the  emperors  throne  (see  Fig.  9.6).
Fig.  9.7
Jahangir shooting the figure of
poverty, painting by the artist
Abul  Hasan
The  artist  has  enveloped  the
target  in  a  dark  cloud  to  suggest
that  this  is  not  a  real  person,  but
a  human  form  used  to  symbolise
an  abstract  quality.  Such  a
mode  of  personification  in  art
and  literature  is  termed  allegory.
The  Chain  of  Justice  is  shown
descending  from  heaven.
This  is  how  Jahangir  described
the  Chain  of  Justice  in
his  memoirs:
After  my  accession,  the  first
order that I gave was for the
fastening  up  of  the  Chain
of Justice, so that if those
engaged  in  the  administration
of  justice  should  delay  or
practise  hypocrisy  in  the
matter  of  those  seeking  justice,
the  oppressed  might  come  to
this  chain  and  shake  it  so
that  its  noise  might  attract
attention.  The  chain  was  made
of pure gold, 30 gaz in length
and  containing  60  bells.
KINGS AND CHRONICLES
  Discuss...
Why  was  justice  regarded  as
such  an  important  virtue  of
monarchy  in  the  Mughal
Empire?
 Identify and interpret the
symbols in the painting.
Summarise the message of
this painting.
 THEMES IN INDIAN HISTORY  PART II 236
6. Capitals and Courts
6.1  Capital  cities
The  heart  of  the  Mughal  Empire  was  its  capital  city,
where  the  court  assembled.  The  capital  cities  of  the
Mughals  frequently  shifted  during  the  sixteenth
and  seventeenth  centuries.  Babur  took  over  the  Lodi
capital  of  Agra,  though  during  the  four  years  of  his
reign  the  court  was  frequently  on  the  move.  During
the  1560s  Akbar  had  the  fort  of  Agra  constructed
with red sandstone quarried from the adjoining regions.
In  the  1570s  he  decided  to  build  a  new  capital,
Fatehpur  Sikri.  One  of  the  reasons  prompting
this  may  have  been  that  Sikri  was  located  on  the
direct  road  to  Ajmer,  where  the  dargah  of  Shaikh
Muinuddin  Chishti  had  become  an  important
pilgrimage  centre.  The  Mughal  emperors  entered
into  a  close  relationship  with  sufis  of  the  Chishti
silsila.  Akbar  commissioned  the
construction of a white marble tomb
for Shaikh Salim Chishti next to the
majestic  Friday  mosque  at  Sikri.
The  enormous  arched  gateway
(Buland  Darwaza)  was  meant  to
remind visitors of the Mughal victory
in  Gujarat.  In  1585  the  capital  was
transferred  to  Lahore  to  bring  the
north-west  under  greater  control
and  Akbar  cl osel y  watched  the
frontier  for  thirteen  years.
Shah  Jahan  pursued  sound  fiscal
policies  and  accumulated  enough
money  to  indulge  his  passion  for
building.  Building  activity  in
monarchical  cultures,  as  you  have
seen in the case of earlier rulers,  was
the  most  visible  and  tangible  sign
of  dynastic  power,  wealth  and
prestige. In the case of Muslim rulers
it was also considered an act of piety.
In  1648  the  court,  army  and
household  moved  from  Agra  to  the
newly  completed  imperial  capital,
Shahjahanabad.  It  was  a  new
addition to the old residential city of
Delhi,  with  the  Red  Fort,  the  Jama
Masjid,  a  tree-lined  esplanade  with
Fig.  9.8
The  Buland  Darwaza,
Fatehpur  Sikri
237
bazaars  (Chandni  Chowk)  and  spacious  homes  for
the  nobility.  Shah  Jahans  new  city  was  appropriate
to  a  more  formal  vision  of  a  grand  monarchy.
6.2  The  Mughal  court
The  physical  arrangement  of  the  court,  focused
on  the  sovereign,  mirrored  his  status  as  the  heart
of society. Its centrepiece was therefore the throne,
the takht, which gave physical form to the function
of  the  sovereign  as  axis  mundi.  The  canopy,  a
symbol  of  kingship  in  India  for  a  millennium,  was
believed  to  separate  the  radiance  of  the  sun  from
that  of  the  sovereign.
Chronicles lay down with great precision the rules
defining  status  amongst  the  Mughal  elites.  In  court,
status  was  determined  by  spatial  proximity  to  the
king.  The  place  accorded  to  a  courtier  by  the  ruler
was  a  sign  of  his  importance  in  the  eyes  of  the
emperor.  Once  the  emperor  sat  on  the  throne,  no
one  was  permitted  to  move  from  his  position  or  to
leave  without  permission.  Social  control  in  court
society  was  exercised  through  carefully  defining  in
 Describe the main activities taking place
in the darbar.
Kor nish  was  a  form  of
ceremonial salutation in which
the courtier placed the palm of
his  right  hand  against  his
forehead and bent his head. It
suggested  that  the  subject
placed his head  the seat of the
senses and the mind  into the
hand of humility, presenting it
to the royal assembly
Axis mundi is a Latin phrase for
a pillar or pole that is visualised
as the support of the earth.
KINGS AND CHRONICLES
Darbar-i  Akbari
Abul Fazl gives a vivid account of Akbars darbar:
Whenever His Majesty (Akbar) holds court (darbar)
a  large  drum  is  beaten,  the  sounds  of  which  are
accompanied by Divine praise. In this manner, people
of all classes receive notice. His Majestys sons and
grandchildren,  the  grandees  of  the  Court,  and  all
other men who have admittance, attend to make the
kornish, and remain standing in their proper places.
Learned men of renown and skilful mechanics pay
their respects; and the officers of justice present their
reports.  His  Majesty,  with  his  usual  insights,  gives
orders,  and  settl es  everythi ng  i n  a  sati sfactory
manner. During the whole time, skilful gladiators and
wrestlers  from  all  countries  hold  themselves  in
readiness,  and  singers,  male  and  female,  are  in
waiting. Clever jugglers and funny tumblers also are
anxious to exhibit their dexterity and agility.
Source 2
 THEMES IN INDIAN HISTORY  PART II 238
Shab-i  barat is  the  full  moon
night  on  the  14  Shaban,  the
eighth  month  of  the  hijri
calendar, and is celebrated with
prayers  and  fireworks  in  the
subcontinent.    It  is  the  night
when  the  destinies  of  the
Muslims  for  the  coming  year
are said to be determined and
sins forgiven.
full  detail  the  forms  of  address,  courtesies  and
speech which were acceptable in court. The slightest
infringement  of  etiquette  was  noticed  and  punished
on the spot.
The  forms  of  salutation  to  the  ruler  indicated  the
persons  status  in  the  hierarchy:  deeper  prostration
represented  higher  status.  The  highest  form  of
submission was sijda or complete prostration. Under
Shah Jahan these rituals were replaced with chahar
taslim  and  zaminbos  (kissing  the  ground).
The  protocols  governing  diplomatic  envoys  at  the
Mughal  court  were  equally  explicit.  An  ambassador
presented  to  the  Mughal  emperor  was  expected  to
offer an acceptable form of greeting  either by bowing
deeply  or  kissing  the  ground,  or  else  to  follow  the
Persian  custom  of  clasping  ones  hands  in  front  of
the chest. Thomas Roe, the English envoy of James I,
simply  bowed  before  Jahangir  according  to
European  custom,  and  further  shocked  the  court  by
demanding  a  chair.
The  emperor  began  his  day  at  sunrise  with
personal  religious  devotions  or  prayers,  and  then
appeared on a small balcony, the jharoka, facing the
east.  Below,  a  crowd  of  people  (soldiers,  merchants,
craftspersons,  peasants,  women  with  sick  children)
waited  for  a  view,  darshan,  of  the  emperor.  Jharoka
darshan was introduced by Akbar with the objective
of  broadening  the  acceptance  of  the  imperial
authority  as  part  of  popular  faith.
Chahar  taslim  is  a  mode  of
salutation  which  begins  with
placing  the  back  of  the  right
hand  on  the  ground,  and
raising it gently till the person
stands erect, when he puts the
palm  of  his  hand  upon  the
crown of his head.  It is done
four  (chahar)  times.  Taslim
literally means submission.
The jewelled throne
This is how Shah Jahans jewelled throne (takht-i murassa) in the hall of public audience in
the Agra palace is described in the Badshah Nama:
This gorgeous structure has a canopy supported by twelve-sided pillars and measures
five cubits in height from the flight of steps to the overhanging dome. On His Majestys
coronation, he had commanded that 86 lakh worth of gems and precious stones, and
one lakh tolas of gold worth another 14 lakh, should be used in decorating it.  The
throne was completed in the course of seven years, and among the precious stones used
upon it was a ruby worth one lakh of rupees that Shah Abbas Safavi had sent to the late
emperor Jahangir.  And on this ruby were inscribed the names of the great emperor
Timur Sahib-i qiran, Mirza Shahrukh, Mirza Ulugh Beg, and Shah Abbas as well as the
names of the emperors Akbar, Jahangir, and that of His Majesty himself.
239
After spending an hour at the jharoka, the emperor
walked  to  the  public  hall  of  audience  (diwan-i  am)  to
conduct  the  primary  business  of  his  government.
State  officials  presented  reports  and  made  requests.
Two hours later, the emperor was in the diwan-i khas
to  hold  private  audiences  and  discuss  confidential
matters. High ministers of state placed their petitions
before him and tax officials presented their accounts.
Occasionally, the emperor viewed the works of highly
reputed artists or building plans of architects (mimar).
On  special  occasions  such  as  the  anniversary  of
accession  to  the  throne,  Id,  Shab-i  barat  and  Holi,
the  court  was  full  of  life.  Perfumed  candles  set  in
rich  holders  and  palace  walls  festooned  with
colourful  hangings  made  a  tremendous  impression
on visitors. The Mughal kings celebrated three major
Fig.  9.9
Shah  Jahan  honouring  Prince
Aurangzeb at Agra before his
wedding,  painting  by  Payag
in  the  Badshah  Nama
 Identify the emperor.
Aurangzeb is shown dressed
in a yellow jama (upper
garment) and green jacket
with little blossoms. How is he
placed and what does his
gesture to his father suggest?
How are the courtiers shown?
Can you locate figures with
big turbans to the left? These
are depictions of scholars.
Fig.  9.10
Prince Khurram being weighed in
precious metals in a ceremony
called  jashn-i  wazn  or  tula  dan
(from  Jahangirs  memoirs)
KINGS AND CHRONICLES
 THEMES IN INDIAN HISTORY  PART II 240
Fig.  9.11a
Dara  Shukohs  wedding
Weddings  were  celebrated  lavishly  in  the  imperial
household.  In  1633  the  wedding  of  Dara  Shukoh
and  Nadira,  the  daughter  of  Prince  Parwez,  was
arranged  by  Princess  Jahanara  and  Sati  un  Nisa
Khanum,  the  chief  maid  of  the  late  empress,
Mumtaz  Mahal.  An  exhibition  of  the  wedding  gifts
was  arranged  in  the  diwan-i  am.  In  the  afternoon
the  emperor  and  the  ladies  of  the  harem  paid  a
visit  to  it,  and  in  the  evening  nobles  were  allowed
access.  The  brides  mother  similarly  arranged  her
presents  in  the  same  hall  and  Shah  Jahan  went  to
see  them.  The  hinabandi  (application  of  henna  dye)
ceremony  was  performed  in  the    diwan-i  khas.
Betel  leaf  (paan),  cardamom  and  dry  fruit  were
distributed  among  the  attendants  of  the  court.
The total cost of the wedding was Rs 32 lakh, of which Rs six lakh
was  contributed  by  the  imperial  treasury,  Rs  16  lakh  by  Jahanara
(including  the  amount  earlier  set  aside  by  Mumtaz  Mahal)  and  the
rest  by  the  brides  mother.  These  paintings  from  the  Badshah  Nama
depict  some  of  the  activities  associated  with  the  occasion.
 Describe what you
see in the pictures.
Fig.  9.11b
Fig.  9.11c
241
festivals  a  year:  the  solar  and  lunar  birthdays  of  the
monarch  and  Nauroz,  the  Iranian  New  Year  on  the  vernal
equinox. On his birthdays, the monarch was weighed against
various commodities which were then distributed in charity.
6.3  Titles  and  gifts
Grand titles were adopted by the Mughal emperors at the
time of coronation or after a victory over an enemy. High-
sounding  and  rhythmic,  they  created  an  atmosphere  of
awe  in  the  audience  when  announced  by  ushers  (naqib).
Mughal coins carried the full title of the reigning emperor
with  regal  protocol.
The  granting  of  titles  to  men  of  merit  was  an  important
aspect  of  Mughal  polity.  A  mans  ascent  in  the  court
hierarchy  could  be  traced  through  the  titles  he  held.  The
title  Asaf  Khan  for  one  of  the  highest  ministers  originated
with  Asaf,  the  legendary  minister  of  the  prophet  king
Sulaiman  (Solomon).  The  title  Mirza  Raja  was  accorded  by
Aurangzeb to his two highest-ranking nobles, Jai Singh and
Jaswant Singh. Titles could be earned or paid for. Mir Khan
offered  Rs  one  lakh  to  Aurangzeb  for  the  letter  alif,  that  is
A, to be added to his name to make it Amir Khan.
Other  awards  included  the  robe  of  honour  (khilat),  a
garment  once  worn  by  the  emperor  and  imbued  with  his
benediction.  One  gift,  the  sarapa  (head  to  foot),  consisted
of a tunic, a turban and a sash (patka). Jewelled ornaments
were often given as gifts by the emperor. The lotus blossom
set  with  jewels  (padma  murassa)  was  given  only  in
exceptional  circumstances.
A  courtier  never  approached  the  emperor  empty  handed:
he  offered  either  a  small  sum  of  money  (nazr )  or  a  large
amount  (peshkash).  In  diplomatic  relations,  gifts
were  regarded  as  a  sign  of  honour  and  respect.
Ambassadors  performed  the  important  function  of
negotiating  treaties  and  relationships  between
competing  political  powers.  In  such  a  context  gifts
had  an  important  symbolic  role.  Thomas  Roe  was
disappointed  when  a  ring  he  had  presented  to  Asaf
Khan  was  returned  to  him  for  the  reason  that  it  was
worth  merely  400  rupees.
KINGS AND CHRONICLES
  Discuss...
Are  some  of  the  rituals  and  practices
associated  with  the  Mughals  followed  by
present-day  political  leaders?
Fig.  9.12
A Mughal turban box
 THEMES IN INDIAN HISTORY  PART II 242
7. The Imperial Household
The  term  harem  is  frequently  used  to  refer  to  the
domestic  world  of  the  Mughals.  It  originates  in  the
Persian  word  haram,  meaning  a  sacred  place.  The
Mughal  household  consisted  of  the  emperors  wives
and  concubines,  his  near  and  distant  relatives
(mother, step- and foster-mothers, sisters, daughters,
daughters-in-law,  aunts,  children,  etc.),  and  female
servants  and  slaves.  Polygamy  was  practised  widely
in  the  Indian  subcontinent,  especially  among  the
ruling  groups.
Both  for  the  Rajput  clans  as  well  as  the  Mughals
marriage  was  a  way  of  cementing  political
relationships  and  forging  alliances.  The  gift  of
territory  was  often  accompanied  by  the  gift  of  a
daughter  in  marriage.  This  ensured  a  continuing
hierarchical  relationship  between  ruling  groups.  It
was  through  the  link  of  marriage  and  the
relationships  that  developed  as  a  result  that  the
Mughals  were  able  to  form  a  vast  kinship  network
that  linked  them  to  important  groups  and  helped  to
hold  a  vast  empire  together.
In  the  Mughal  household  a  distinction  was
maintained  between  wives  who  came  from  royal
families (begams), and other wives (aghas) who were
not  of  noble  birth.  The  begams,  married  after
receiving  huge  amounts  of  cash  and  valuables  as
dower  (mahr),  naturally  received  a  higher  status
and greater attention from their husbands than did
aghas. The concubines (aghacha or the lesser agha)
occupied  the  lowest  position  in  the  hierarchy  of
females  intimately  related  to  royalty.  They  all
received monthly allowances in cash, supplemented
with  gifts  according  to  their  status.  The  lineage-
based  family  structure  was  not  entirely  static.  The
agha  and  the  aghacha  could  rise  to  the  position
of  a  begam  depending  on  the  husbands  will,  and
provided  that  he  did  not  already  have  four  wives.
Love  and  motherhood  played  important  roles  in
elevating  such  women  to  the  status  of  legally
wedded  wives.
Apart from wives, numerous male and female slaves
populated  the  Mughal  household.  The  tasks  they
performed  varied  from  the  most  mundane  to  those
requiring  skill,  tact  and  intelligence.  Slave  eunuchs
(khwajasara)  moved  between  the  external  and
Fig.  9.13
Part of the inner apartments in
Fatehpur  Sikri
243
internal  life  of  the  household  as  guards,  servants,
and also as agents for women dabbling in commerce.
After  Nur  Jahan,  Mughal  queens  and  princesses
began to control significant financial resources. Shah
Jahans daughters Jahanara and Roshanara enjoyed
an  annual  income  often  equal  to  that  of  high  imperial
mansabdars.  Jahanara,  in  addition,  received  revenues
from the port city of Surat, which was a lucrative centre
of  overseas  trade.
Control  over  resources  enabled  important  women
of the Mughal household to commission buildings and
gardens.  Jahanara  participated  in  many  architectural
projects  of  Shah  Jahans  new  capital,
Shahjahanabad  (Delhi).  Among  these
was  an  imposing  double-storeyed
caravanserai  with  a  courtyard  and
garden. The bazaar of Chandni Chowk,
the throbbing centre of Shahjahanabad,
was  designed  by  Jahanara.
An  interesting  book  giving  us
a  glimpse  into  the  domestic  world
of  the  Mughals  is  the  Humayun
Nama  written  by  Gulbadan  Begum.
Gulbadan was the daughter of Babur,
Humayuns  sister  and  Akbars  aunt.
Gulbadan  could  write  fluently  in
Turkish  and  Persian.  When  Akbar
commissioned  Abul  Fazl  to  write  a
history  of  his  reign,  he  requested  his
aunt to record her memoirs of earlier
times  under  Babur  and  Humayun,
for Abul Fazl to draw upon.
What  Gulbadan  wrote  was  no
eulogy  of  the  Mughal  emperors.
Rather  she  described  in  great  detail
the conflicts and tensions among the
princes and kings and the important
mediating  role  elderly  women  of  the
family  played  in  resolving  some  of
these  conflicts.
 Describe the activities that
the artist has depicted in each
of the sections of the painting.
On the basis of the tasks being
performed by different people,
identify the members of the
imperial establishment that
make up the scene.
KINGS AND CHRONICLES
Fig.  9.14
Birth of Prince Salim at Fatehpur Sikri,
painted  by  Ramdas,  Akbar  Nama
 THEMES IN INDIAN HISTORY  PART II 244
8. The Imperial Officials
8.1  Recruitment  and  rank
Mughal  chronicles,  especially  the  Akbar  Nama,  have
bequeathed a vision of empire in which agency rests
almost solely with the emperor, while the rest of the
kingdom has been portrayed as following his orders.
Yet  if  we  look  more  closely  at  the  rich  information
these  histories  provide  about  the  apparatus  of  the
Mughal  state,  we  may  be  able  to  understand  the
ways  in  which  the  imperial  organisation  was
dependent on several different institutions to be able
to  function  effectively.  One  important  pillar  of  the
Mughal  state  was  its  corps  of  officers,  also  referred
to  by  historians  collectively  as  the  nobility.
The nobility was recruited from diverse ethnic and
religious  groups.  This  ensured  that  no  faction  was
large  enough  to  challenge  the  authority  of  the  state.
The  officer  corps  of  the  Mughals  was  described  as  a
bouquet of flowers (guldasta) held together by loyalty
to  the  emperor.  In  Akbars  imperial  service,  Turani
and  Iranian  nobles  were  present  from  the  earliest
phase of carving out a political dominion. Many had
accompanied Humayun; others migrated later to the
Mughal  court.
The Mughal nobility
This  is  how  Chandrabhan  Barahman  described  the  Mughal  nobility  in  his  book
Char Chaman  (Four Gardens), written during the reign of Shah Jahan:
People from many races (Arabs, Iranians, Turks, Tajiks, Kurds, Tatars, Russians,
Abyssinians, and so on) and from many countries (Turkey, Egypt, Syria, Iraq,
Arabia, Iran, Khurasan, Turan)  in fact, different groups and classes of people
from all societies  have sought refuge in the imperial court, as well as different
groups  from  India,  men  with  knowledge  and  skills  as  well  as  warriors,  for
example, Bukharis and Bhakkaris, Saiyyads of genuine lineage, Shaikhzadas with
noble ancestry, Afghan tribes such as the Lodis, Rohillas, Yusufzai, and castes of
Rajputs, who were to be addressed as rana, raja, rao and rayan  i.e. Rathor,
Sisodia,  Kachhwaha,  Hada,  Gaur,  Chauhan,  Panwar,  Bhaduriya,  Solanki,
Bundela, Shekhawat, and all the other Indian tribes, such as Ghakkar, Khokar,
Baluchi,  and  others  who  wielded  the  sword,  and  mansabs  from  100  to  7000
zat,  likewise  landowners  from  the  steppes  and  mountains,  from  the  regions
of Karnataka, Bengal, Assam, Udaipur, Srinagar, Kumaon, Tibet and Kishtwar
and so on  whole tribes and groups of them have been privileged to kiss the
threshold of the imperial court (i.e. attend the court or find employment).
245
Two  ruling  groups  of  Indian  origin  entered  the
imperial service from 1560 onwards: the Rajputs and
the  Indian  Muslims  (Shaikhzadas).  The  first  to  join
was  a  Rajput  chief,  Raja  Bharmal  Kachhwaha  of
Amber,  to  whose  daughter  Akbar  got  married.
Members of Hindu castes inclined towards education
and  accountancy  were  also  promoted,  a  famous
example  being  Akbars  finance  minister,  Raja  Todar
Mal,  who  belonged  to  the  Khatri  caste.
Iranians gained high offices under Jahangir, whose
politically  influential  queen,  Nur  Jahan  (d.  1645),
was an Iranian. Aurangzeb appointed Rajputs to high
positions,  and  under  him  the  Marathas  accounted
for  a  sizeable  number  within  the  body  of  officers.
All  holders  of  government  offices  held  ranks
(mansabs)  comprising  two  numerical  designations:
zat  which  was  an  indicator  of  position  in  the
imperial  hierarchy  and  the  salary  of  the  official
( mansabdar),  and  sawar  which  indicated  the
number  of  horsemen  he  was  required  to  maintain
in service. In the seventeenth century, mansabdars
of  1,000  zat  or  above  ranked  as  nobles  (umara,
which  is  the  plural  of  amir).
The nobles participated in military campaigns with
their armies and also served as officers of the empire
in the provinces. Each military commander recruited,
equipped  and  trained  the  main  striking  arm  of
the  Mughal  army,  the  cavalry.  The  troopers
maintained superior horses branded on the flank by
the  imperial  mark  (dagh).  The  emperor  personally
reviewed changes in rank, titles and official postings
for  all  except  the  lowest-ranked  officers.  Akbar,
who  designed  the  mansab  system,  also  established
spiritual  relationships  with  a  select  band  of  his
nobility  by  treating  them  as  his  disciples  (murid).
For  members  of  the  nobility,  imperial  service  was
a  way  of  acquiring  power,  wealth  and  the  highest
possible  reputation.  A  person  wishing  to  join  the
service  petitioned  through  a  noble,  who  presented  a
tajwiz  to  the  emperor.  If  the  applicant  was  found
suitable  a  mansab  was  granted  to  him.  The  mir
bakhshi  (paymaster  general)  stood  in  open  court  on
the right of the emperor and presented all candidates
for  appointment  or  promotion,  while  his  office
prepared  orders  bearing  his  seal  and  signature  as
well  as  those  of  the  emperor.  There  were  two  other
important  ministers  at  the  centre:  the  diwan-i  ala
KINGS AND CHRONICLES
Taj wi z  was  a  peti ti on
presented  by  a  nobleman  to
the  emperor,  recommending
that an applicant be recruited
as mansabdar.
Nobles  at  court
The Jesuit priest Father Antonio
Monserrate,  resident  at  the
court of Akbar, noticed:
In order to prevent the great
nobles  becoming  insolent
through  the  unchallenged
enjoyment  of  power,  the
Ki ng  summons  them  to
court  and  gi ves  them
imperious  commands,  as
though they were his slaves.
The  obedi ence  to  these
commands  i l l   sui ts  thei r
exalted rank and dignity.
Source 3
 What does Father
Monserrates observation
suggest about the
relationship between the
Mughal emperor and
his officials?
 THEMES IN INDIAN HISTORY  PART II 246
(finance  minister)  and  sadr-us  sudur  (minister  of
grants or madad-i maash, and in charge of appointing
local  judges  or  qazis).  The  three  ministers
occasionally  came  together  as  an  advisory  body,
but  were  independent  of  each  other.  Akbar  with
these  and  other  advisers  shaped  the  administrative,
fiscal  and  monetary  institutions  of  the  empire.
Nobles stationed at the court (tainat-i rakab) were
a reserve force to be deputed to a province or military
campaign.  They  were  duty-bound  to  appear  twice
daily,  morning  and  evening,  to  express  submission
to  the  emperor  in  the  public  audience  hall.  They
shared  the  responsibility  for  guarding  the  emperor
and  his  household  round  the  clock.
8.2  Information  and  empire
The keeping of exact and detailed records was a major
concern  of  the  Mughal  administration.  The  mir
bakhshi  supervised  the  corps  of  court  writers  (waqia
nawis)  who  recorded  all  applications  and  documents
presented  to  the  court,  and  all  imperial  orders
(farman).  In  addition,  agents  (wakil )  of  nobles  and
regional  rulers  recorded  the  entire  proceedings  of  the
court  under  the  heading  News  from  the  Exalted
Court  (Akhbarat-i  Darbar-i  Mualla)  with  the  date
and  time  of  the  court  session  (pahar ).  The  akhbarat
contained all kinds of information such as attendance
at  the  court,  grant  of  offices  and  titles,  diplomatic
missions,  presents  received,  or  the  enquiries  made
by  the  emperor  about  the  health  of  an  officer.  This
information  is  valuable  for  writing  the  history  of  the
public  and  private  lives  of  kings  and  nobles.
News  reports  and  important  official  documents
travelled across the length and breadth of the regions
under Mughal rule by imperial post. Round-the-clock
relays  of  foot-runners  (qasid  or  pathmar )  carried
papers rolled up in bamboo containers. The emperor
received reports from even distant provincial capitals
within  a  few  days.  Agents  of  nobles  posted  outside
the  capital  and  Rajput  princes  and  tributary  rulers
all assiduously copied these announcements and sent
their  contents  by  messenger  back  to  their  masters.
The  empire  was  connected  by  a  surprisingly  rapid
information  loop  for  public  news.
247
8.3 Beyond the centre: provincial
administration
The  division  of  functions  established  at  the  centre
was  replicated  in  the  provinces  (subas)  where  the
ministers  had  their  corresponding  subordinates
(diwan, bakhshi and sadr). The head of the provincial
administration  was  the  governor  (subadar)  who
reported  directly  to  the  emperor.
The  sarkars,  into  which  each  suba  was  divided,
often  overlapped  with  the  jurisdiction  of  faujdars
(commandants) who were deployed with contingents
of  heavy  cavalry  and  musketeers  in  districts.  The
local  administration  was  looked  after  at  the  level
of the pargana (sub-district) by three semi-hereditary
officers,  the  qanungo  (keeper  of  revenue  records),
the  chaudhuri  (in  charge  of  revenue  collection)  and
the  qazi.
Each  department  of  administration  maintained
a  l arge  support  staff  of  cl erks,  accountants,
auditors,  messengers,  and  other  functionaries  who
were  technically  qualified  officials,  functioning  in
accordance with standardised rules and procedures,
and  generating  copious  written  orders  and  records.
Persian  was  made  the  language  of  administration
throughout,  but  local  languages  were  used  for
village  accounts.
The  Mughal  chroniclers  usually  portrayed  the
emperor  and  his  court  as  controlling  the  entire
administrative  apparatus  down  to  the  village  level.
Yet,  as  you  have  seen  (Chapter  8),  this  could  hardly
have  been  a  process  free  of  tension.  The  relationship
between  local  landed  magnates,  the  zamindars,  and
the  representatives  of  the  Mughal  emperor  was
sometimes  marked  by  conflicts  over  authority  and  a
share of the resources. The zamindars often succeeded
in  mobilising  peasant  support  against  the  state.
KINGS AND CHRONICLES
  Discuss...
Read  Section  2,  Chapter  8  once  more  and  discuss
the  extent  to  which  the  emperors  presence  may
have  been  felt  in  villages.
 THEMES IN INDIAN HISTORY  PART II 248
9. Beyond the Frontiers
Writers  of  chronicles  list  many  high-sounding  titles
assumed  by  the  Mughal  emperors.  These  included
general  titles  such  as  Shahenshah  (King  of  Kings)
or  specific  titles  assumed  by  individual  kings
upon  ascending  the  throne,  such  as  Jahangir
(World-Seizer),  or  Shah  Jahan  (King  of  the  World).
The  chroniclers  often  drew  on  these  titles  and  their
meanings  to  reiterate  the  claims  of  the  Mughal
emperors  to  uncontested  territorial  and  political
control.  Yet  the  same  contemporary  histories
provide  accounts  of  diplomatic  relationships  and
conflicts  with  neighbouring  political  powers.
These  reflect  some  tension
and  political  rivalry  arising
from  competing  regional
interests.
9.1  The  Safavids  and
Qandahar
The  political  and  diplomatic
relations  between  the
Mughal  kings  and  the
neighbouring  countries  of
Iran  and  Turan  hinged  on
the  control  of  the  frontier
defined  by  the  Hindukush
mountains  that  separated
Afghanistan  from  the
regions  of  Iran  and  Central
Asia.  All  conquerors  who
sought  to  make  their
way  into  the  Indian
subcontinent  had  to  cross
the  Hindukush  to  have
access  to  north  India.  A
constant  aim  of  Mughal
policy  was  to  ward  off
this  potential  danger
by  controlling  strategic
outposts    notably  Kabul
and  Qandahar.
Qandahar  was  a  bone  of
contention  between  the
Safavids  and  the  Mughals.
The fortress-town had initially
been  in  the  possession  of
Fig.  9.15
The siege of Qandahar
249
Humayun,  reconquered  in  1595  by  Akbar.  While  the
Safavid  court  retained  diplomatic  relations  with  the
Mughals,  it  continued  to  stake  claims  to  Qandahar.  In
1613  Jahangir  sent  a  diplomatic  envoy  to  the  court  of
Shah  Abbas  to  plead  the  Mughal  case  for  retaining
Qandahar, but the mission failed. In the winter of 1622
a  Persian  army  besieged  Qandahar.  The  ill-prepared
Mughal garrison was defeated and had to surrender the
fortress  and  the  city  to  the  Safavids.
9.2  The  Ottomans:  pilgrimage  and  trade
The  relationship  between  the  Mughals  and  the
Ottomans  was  marked  by  the  concern  to  ensure
free  movement  for  merchants  and  pilgrims  in  the
terri tori es  under  Ottoman  control .  Thi s  was
especially  true  for  the  Hijaz,  that  part  of  Ottoman
Arabia where the important pilgrim centres of Mecca
and  Medina  were  located.  The  Mughal  emperor
usual l y  combi ned  rel i gi on  and  commerce  by
exporting valuable merchandise to Aden and Mokha,
both  Red  Sea  ports,  and  distributing  the  proceeds
KINGS AND CHRONICLES
Fig.  9.16
Jahangirs  dream
An  inscription  on  this  miniature  records
that  Jahangir  commissioned  Abul  Hasan
to  render  in  painting  a  dream  the  emperor
had  had  recently.  Abul  Hasan  painted  this
scene  portraying  the  two  rulers    Jahangir
and  the  Safavid  Shah  Abbas    in  friendly
embrace.  Both  kings  are  depicted  in  their
traditional  costumes.  The  figure  of  the
Shah  is  based  upon  portraits  made  by
Bishandas  who  accompanied  the  Mughal
embassy  to  Iran  in  1613.  This  gave  a  sense
of  authenticity  to  a  scene  which  is
fictional,  as  the  two  rulers  had  never  met.
Look at the painting carefully. How is the
relationship between Jahangir and Shah
Abbas shown? Compare their physique and
postures. What do the animals stand for?
What does the map suggest?
 THEMES IN INDIAN HISTORY  PART II 250
of  the  sales  in  charity  to  the  keepers  of  shrines
and  religious men  there.  However,  when  Aurangzeb
discovered  cases  of  misappropriation  of  funds
sent  to  Arabia,  he  favoured  their  distribution  in
India  which,  he  thought,  was  as  much  a  house  of
God  as  Mecca.
9.3 Jesuits at the Mughal court
Europe  received  knowledge  of  India  through  the
accounts  of  Jesuit  missionaries,  travellers,
merchants  and  diplomats.  The  Jesuit  accounts  are
the  earliest  impressions  of  the  Mughal  court  ever
recorded  by  European  writers.
Following  the  discovery  of  a  direct  sea  route
to  Indi a  at  the  end  of  the  fi fteenth  century,
Portuguese  merchants  established  a  network  of
trading  stations  in  coastal  cities.  The  Portuguese
king  was  also  interested  in  the  propagation  of
Christianity  with  the  help  of  the  missionaries  of
the  Society  of  Jesus  (the  Jesuits).  The  Christian
missions to India during the sixteenth century were
part  of  this  process  of  trade  and  empire  building.
Akbar  was  curious  about  Christianity  and
dispatched  an  embassy  to  Goa  to  invite  Jesuit
priests. The first Jesuit mission reached the Mughal
court at Fatehpur Sikri in 1580 and stayed for about
two  years.  The  Jesuits  spoke  to  Akbar  about
Christianity  and  debated  its  virtues  with  the  ulama.
Two  more  missions  were  sent  to  the  Mughal  court
at Lahore, in 1591 and 1595.
The  Jesuit  accounts  are  based  on  personal
observation  and  shed  light  on  the  character  and
mind of the emperor. At public assemblies the Jesuits
were  assigned  places  in  close  proximity  to  Akbars
throne.  They  accompanied  him  on  his  campaigns,
tutored  his  children,  and  were  often  companions  of
his  leisure  hours.  The  Jesuit  accounts  corroborate
the  information  given  in  Persian  chronicles  about
state  officials  and  the  general  conditions  of  life  in
Mughal  times.
  Discuss...
What  were  the  considerations  that  shaped  the
relations  of  the  Mughal  rulers  with  their
contemporaries?
The  accessible  emperor
In  the  account  of   hi s
experiences,  Monserrate,  who
was  a  member  of   t he  f i rst
Jesuit mission, says:
It is hard to exaggerate how
accessible he (Akbar) makes
hi msel f   t o  al l   who  wi sh
audience  of  him.  For  he
creat es  an  opport uni t y
almost every day for any of
the  common  people  or  of
the  nobles  to  see  him  and
to  converse  with  him;  and
he  endeavours  t o  show
hi msel f   pl easant-spoken
and  af f abl e  rat her  t han
severe  t owards  al l   who
come to speak with him.  It
i s  very  remarkabl e  how
great an effect this courtesy
and  af f abi l i t y  has  i n
attaching him to the minds
of his subjects.
Source 4
 Compare this
account with Source 2.
251
10. Questioning Formal
Religion
The high respect shown by Akbar towards
the  members  of  the  Jesuit  mission
impressed  them  deeply.  They  interpreted
the  emperor s  open  interest  in  the
doctrines  of  Christianity  as  a  sign  of
his  acceptance  of  their  faith.  This  can
be  understood  in  the  light  of  the
prevailing climate of religious intolerance
in  Western Europe. Monserrate remarked
that the king cared little that in allowing
everyone  to  follow  his  religion  he  was
in  reality  violating  all.
Akbars  quest  for  religious  knowledge
led  to  interfaith  debates  in  the  ibadat
khana  at  Fatehpur  Sikri  between  learned
Muslims,  Hindus,  Jainas,  Parsis  and
Christians.  Akbar s  religious  views
matured  as  he  queried  scholars  of
different religions and sects and gathered
knowledge  about  their  doctrines.
Increasingly,  he  moved  away  from  the
orthodox  Islamic  ways  of  understanding
religions  towards  a  self-conceived  eclectic
form  of  divine  worship  focused  on  light
and  the  sun.  We  have  seen  that  Akbar
and  Abul  Fazl  created  a  philosophy  of
light  and  used  it  to  shape  the  image  of
the king and ideology of the state. In this,
a  divinely  inspired  individual  has
supreme  sovereignty  over  his  people  and
complete  control  over  his  enemies.
KINGS AND CHRONICLES
Fig.  9.17
Religious  debates
in the court
Padre  Rudolf
Acquaviva  was  the
leader  of  the  first
Jesuit  mission.
His  name  is
written on top of
the  painting.
Hom in the haram
This is an excerpt from Abdul Qadir Badaunis Muntakhab-ut Tawarikh.
A theologian and a courtier, Badauni was critical of his employers policies
and did not wish to make the contents of his book public.
From  early  youth,  in  compliment  to  his  wives,  the  daughters  of
Rajas of Hind, His Majesty had been performing hom in the haram,
which is a ceremony derived from fire-worship (atish-parasti ). But
on  the  New  Year  of  the  twenty-fifth  regnal  year  (1578)  he
prostrated publicly before the sun and the fire. In the evening the
whole Court had to rise up respectfully when the lamps and candles
were lighted.
 THEMES IN INDIAN HISTORY  PART II 252
These ideas were in harmony with the perspective
of the court chroniclers who give us a sense of the
processes  by  which  the  Mughal  rulers  could
effectively assimilate such a heterogeneous populace
within an imperial edifice. The name of the dynasty
continued  to  enjoy  legitimacy  in  the  subcontinent
for a century and a half, even after its geographical
extent  and  the  political  control  it  exercised  had
diminished considerably.
Timeline Timeline Timeline Timeline Timeline
Some  Major  Mughal  Chronicles  and  Memoirs
c. 1530 Manuscript of Baburs memoirs in Turkish  saved
from a storm  becomes part of the family collection
of the Timurids
c. 1587 Gulbadan Begum begins to write the Humayun Nama
1589 Baburs memoirs translated into Persian as Babur Nama
1589-1602 Abul Fazl works on the Akbar Nama
1605-22 Jahangir writes his memoirs, the Jahangir Nama
1639-47 Lahori composes the first two daftars of the Badshah Nama
c. 1650 Muhammad Waris begins to chronicle the third decade of
Shah Jahans reign
1668 Alamgir Nama, a history of the first ten years of Aurangzebs
reign compiled by Muhammmad Kazim
Fig.  9.18
Blue tiles from a shrine in Multan,
brought  by  migrant  artisans
from Iran
253
Answer  in100-150  words
1. Describe  the  process  of  manuscript
production in the Mughal court.
2. In what ways would the daily routine and
special  festivities  associated  with  the
Mughal court have conveyed a sense of the
power of the emperor?
3. Assess  the  role  played  by  women  of  the
imperial household in the Mughal Empire.
4. What  were  the  concerns  that  shaped
Mughal  policies  and  attitudes  towards
regions outside the subcontinent?
5. Discuss  the  major  features  of  Mughal
provincial  administration.  How  did  the
centre control the provinces?
Write a short essay
(about 250- 300 words)
on the following:
6. Discuss,  with  examples,  the  distinctive
features of Mughal chronicles.
7. To  what  extent  do  you  think  the  visual
material  presented  in  this  chapter
corresponds with  Abul Fazls description
of the taswir (Source 1)?
8. What  were  the  distinctive  features  of
the  Mughal  nobility?  How  was  their
relationship with the emperor shaped?
9. Identify the elements that went into the
making of the Mughal ideal of kingship.
KINGS AND CHRONICLES
Fig.  9.19
Many  Mughal  manuscripts  contained
drawings of birds
 THEMES IN INDIAN HISTORY  PART II 254
Map work
10. On an outline map of the world, plot the areas
with which the Mughals had political and cultural
relations.
Project  (choose  one)
11. Find out more about any one Mughal chronicle.
Prepare  a  report  describing  the  author,  and  the
language, style and content of the text. Describe at
least two visuals used to illustrate the chronicle
of your choice, focusing on the symbols used to
indicate the power of the emperor.
12. Prepare a report comparing the present-day system
of  government  with  the  Mughal  court  and
administration,  focusing  on  ideals  of  rulership,
court rituals, and means of recruitment into the
imperial  service,  highlighting  the  similarities
and differences that you notice.
If you would like to know
more, read:
For more information,
you could visit:
www.mughalgardens.org
Bamber Gascoigne. 1971.
The  Great  Moghuls.
Jonathan Cape Ltd., London.
Shireen Moosvi. 2006 (rpt).
Episodes in the Life of Akbar.
National Book Trust,
New Delhi.
Harbans Mukhia. 2004.
The Mughals of India. Blackwell,
Oxford.
John F. Richards. 1996.
The Mughal Empire
(The New Cambridge History
of India, Vol.1).
Cambridge University Press,
Cambridge.
Annemarie Schimmel. 2005.
The Empire of the Great Mughals:
History, Art and Culture.
Oxford University Press,
New Delhi.
Fig.  9.20
A  Mughal  painting  depicting
squirrels on a tree
255 KINGS AND CHRONICLES
Credits for Illustrations
Theme 5
Fig. 5.1: Ritu Topa.
Fig. 5.2: Henri Stierlin, The Cultural History of the Arabs,
Aurum Press, London, 1981.
Fig. 5.4, 5.13: FICCI, Footprints of Enterprise: Indian Business
Through the Ages, Oxford University Press, New Delhi, 1999.
Fig. 5.5:  Calcutta Art Gallery, printed in E.B. Havell,
The Art Heritage of India, D.B. Taraporevala Sons & Co., Bombay, 1964.
Fig. 5.6, 5.7, 5.12: Bamber Gascoigne, The Great Moghuls,
Jonathan Cape Ltd., London, 1971.
Fig. 5.8, 5.9: Sunil Kumar.
Fig. 5.10:  Rosemary Crill, Indian Ikat Textiles, Weatherhill, London, 1998.
Fig. 5.11, 5.14: C.A. Bayly (ed). An Illustrated History of Modern India,
1600-1947, Oxford University Press, Bombay, 1991.
Theme 6
Fig. 6.1: Susan L. Huntington, The Art of Ancient India,
Weatherhill, New York, 1993.
Fig. 6.3, 6.17: Jim Masselos, Jackie Menzies and Pratapaditya Pal,
Dancing to the Flute: Music and Dance in Indian Art,
The Art Gallery of New South Wales, Sydney, Australia, 1997.
Fig. 6.4, 6.5: Benjamin Rowland, The Art and Architecture of India,
Penguin, Harmondsworth, 1970.
Fig. 6.6: Henri Stierlin, The Cultural History of the Arabs,
Aurum Press, London, 1981.
Fig. 6.8: http://www.us.iis.ac.uk/view_article.asp/ContentID=104228
Fig. 6.9: http://www.thekkepuram.ourfamily.com/miskal.htm
Fig. 6.10: http://a-bangladesh.com/banglapedia/Images/A_0350A.JPG
Fig. 6.11: foziaqazi@kashmirvision.com
Fig. 6.12: Stuart Cary Welch, Indian Art and Culture 1300-1900,
The Metropolitan Museum of Art, New York, 1985.
Fig. 6.13: Bamber Gascoigne, The Great Moghuls,
Jonathan Cape Ltd., London, 1971.
Fig. 6.15: CCRT.
Fig. 6.16: C. A. Bayly (ed). An Illustrated History of Modern India,
1600-1947, Oxford University Press, Bombay, 1991.
Fig. 6.18: Ahmad Nabi Khan, Islamic Architecture in Pakistan,
National Hijra Council, Islamabad, 1990.
Theme 7
Fig. 7.1, 7.11, 7.12, 7.14, 7.15, 7.16, 7.18: Vasundhara Filliozat and
George Michell (eds), The Splendours of Vijayanagara,
Marg Publications, Bombay, 1981.
Fig. 7.2: C.A. Bayly (ed). An Illustrated History of Modern India,
1600-1947, Oxford University Press, Bombay, 1991.
 THEMES IN INDIAN HISTORY  PART II 256
Fig. 7.3: Susan L. Huntington, The Art of Ancient India, Weatherhill,
New York, 1993.
Fig. 7.4, 7.6, 7.7, 7.20, 7. 23, 7.26, 7.27, 7.32: George Michell,
Architecture and Art of South India, Cambridge University Press,
Cambridge, 1995.
Fig. 7.5, 7.8, 7.9, 7.21 http://www.museum.upenn.edu/new/
research/Exp_Rese_Disc/Asia/vrp/HTML/Vijay_Hist.shtml
Fig 7.10: Catherine B. Asher and Cynthia Talbot.
India Before Europe,  Cambridge University Press, Cambridge, 2006.
Fig. 7.17, 7.22, 7.24, 7.28, 7.29, 7.30, 7.31, 7.33: George Michell and
M.B.Wagoner, Vijayanagara:  Architectural  Inventory  of  the
Sacred Centre, Munshiram Manoharlal, New Delhi.
Fig. 7.25: CCRT.
Theme 8
Fig. 8.1, 8.9: Milo Cleveland Beach and Ebba Koch, King of the World,
Sackler Gallery, New York, 1997.
 Fig. 8.3: India Office Library, printed in C.A. Bailey (ed). An Illustrated
History of Modern India, 1600-1947, Oxford University Press,
Bombay, 1991.
Fig. 8.4: Harvard University Art Museum, printed in Stuart Cary Welch,
Indian Art and Culture 1300-1900, The Metropolitan Museum of Art,
New York, 1985.
Fig. 8.6, 8.11, 8.12, 8.14:  C.A. Bayly (ed). An Illustrated History of Modern
India, 1600-1947, Oxford University Press, Bombay, 1991.
 Fig. 8.13, 8.15:  Bamber Gascoigne, The Great Moghuls,
Jonathan Cape Ltd., London, 1971.
Theme 9
Fig. 9.1, 9.2, 9.12, 9.13, 9.19: Bamber Gascoigne, The Great Moghuls,
Jonathan Cape, London, 1971.
Fig. 9.3, 9.4, 9.17: Michael Brand and Glenn D. Lowry, Akbars India,
New York, 1986.
Fig. 9.5, 9.15: Amina Okada, Indian Miniatures of the Mughal Court.
Fig. 9.6, 9.7: The Jahangirnama (tr. Wheeler Thackston)
Fig. 9.8: Photograph Friedrich Huneke.
Fig. 9.9, 9.11 a, b, c : Milo Cleveland Beach and Ebba Koch,
King of the World, Sackler Gallery, New York, 1997.
Fig. 9.10, 9.16, 9.20: Stuart Carey Welch, Imperial Mughal Painting,
George Braziller, New York, 1978.
Fig. 9.14:  Geeti Sen, Paintings from the Akbarnama.
Fig. 9.18: Hermann Forkl et al. (eds), Die Grten des Islam.