4-COLOR / GLOSS LAMINATE with SPOT MATTE
F L O R E N C E 
G O R D O N
BRI AN  MORTON
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BRI AN 
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A   N O V E L
A marvelous creation.  VI VI AN  GORNI CK
Always  a  pleasure  to  read  for  his  well-drawn 
characters, quiet insight and dialogue that crack-
les with wit, Morton here raises his own bar in all 
three areas . . . [Florence Gordon is] a treat. 
 KI RKUS  REVI EWS, starred review
Meet  Florence  Gordon:  blunt,  brilliant,  cantan-
kerous, passionate, feminist icon to young women, 
invisible  to  almost  everyone  else.  At  seventy-ve, 
Florence has earned her right to set down the bur-
dens  of  family  and  work  and  shape  her  legacy  at 
long last. But just as she is beginning to write her 
long-deferred  memoir,  her  son  Daniel  returns  to 
New York from Seattle with his wife and daughter, 
and they embroil Florence in their dramas, cloud-
ing  the  clarity  of  her  days  and  threatening  her 
well-defended solitude. And then there is her left 
foot, which is starting to drag . . .
With searing wit, sophisticated intelligence, and 
a tender respect for humanity in all its aws, Brian 
Morton introduces a constellation of unforgettable 
characters.  Chief  among  them  Florence,  who  can 
humble the fools surrounding her with one barbed 
line,  but  who  eventually  nds  there  are  realities 
even she cannot outwit.
$25.00
Higher in Canada
0914
$25.00
ISBN 978-0-544-30986-9 
Higher in Canada
Early Praise for Florence Gordon
Combining a rigorous intellect and a deep humanity, this is the story of a feminist hero, 
a family coming together and apart, and the ways we interpret the past and attempt to 
face the future. Most of all, Florence Gordon shows how passion  of one type or the 
other  shapes a heart.    ALI CE  SEBOLD
Florence Gordon belongs on the very short list of wonderful novels about older women. 
Florence,  the  brilliant,  cranky,  solitude-craving  feminist  writer,  is  an  indelible  char-
acter,  and  her  New  York  the  fading  city  of  books  and  writers  and  melancholy  odd-
balls  lives on in these immensely pleasurable pages.    KATHA  POLLI TT
Morton  offers  up  a  fascinating  family  presided  over  by  the  irascible  Florence  Gor-
don . . . [His] characters are sharply drawn, vivid in temperament and behavior, and 
his prose smartly reveals Florences strength and dignity. 
  PUBLI SHERS  WEEKLY, starred review
A  wise,  compassionate,  funny,  rueful  and  altogether  winning  novel.  Brian  Morton 
knows  inside  out  this  tribe  of  witty,  thoughtful  people  who,  for  all  their  decent  val-
ues  and  good  intentions,  cant  seem  to  narrow  the  unbridgeable  distance  between 
men and women, young and old, pride and compromise, solitariness and community. 
Florence Gordon is his most ample, humane and vital book.    PHI LLI P  LOPATE
Florence Gordon is one of contemporary literatures most wondrous characters: awed 
and brilliant, funny and serious, totally unforgettable.    DARI N  STRAUSS
Perceptive isnt a strong enough word to describe Brian Mortons insight into family 
dynamics; psychic is more like it. From the nuances of a long marriage to the inevitable, 
innitely sad divisions and tender connections between grandparents and parents and 
children, Morton nails it all. And somehow he still manages to be funny, even as he 
breaks your heart.    EMI LY  GOULD
Florence  Gordon  is  a  marvelous  creation.  Like  many  great  characters  in  English  lit-
erature, she is a sacred monster, fully realized and richly present in the pages of this 
thoroughly enjoyable book.    VI VI AN  GORNI CK
Jacket design by Brian Moore
Jacket photograph  Hiroyuki Matsumoto / Getty Images
Author photograph  David  Kumin
 
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HOUGHTON  MI FFLI N  HARCOURT
www.hmhco.com
BRI AN  MORTON is the author of four pre-
vious novels, including Starting Out in the Evening, 
which was a nalist for the PEN / Faulkner Award 
and was made into an acclaimed feature lm, and 
A Window Across the River, which was a book club 
selection  of  the  Today  show.  He  teaches  at  New 
York University, the Bennington Writing Seminars, 
and Sarah Lawrence College, where he also directs 
the writing program. He lives in New York.
1581231
Morton_FLORENCE GORDON_jkt_mech.indd   1 7/8/14   3:28 PM
Florence Gordon
Brian Morton
Houghton Mifin Harcourt
BOSTON  NEW  YORK
201 4
Morton_FLORENCE-GORDON_F.indd   3 6/30/14   12:07 PM
Copyright  2014 by Brian Morton
All rights reserved
For information about permission to reproduce selections from this book,  
write to Permissions, Houghton Miffin Harcourt Publishing Company,  
215 Park Avenue South, New York, New York 10003.
www.hmhco.com
Library of Congress Cataloging-in-Publication Data is available.
isbn 978-0-544-30986-9
Book design by Brian Moore
Printed in the United States of America
DOC  10  9  8  7  6  5  4  3  2  1
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1
Florence  Gordon  was  trying  to  write  a  memoir,  but  she  had  two 
strikes  against  her:  she  was  old  and  she  was  an  intellectual.  And 
who on earth, she sometimes wondered, would want to read a book 
about an old intellectual?
  Maybe it was three strikes, because not only was she an intellec-
tual, she was a feminist. Which meant that if she ever managed to 
fnish this book, reviewers would inevitably dismiss it as strident 
and shrill.
  If youre an old feminist, anything you say, by defnition, is stri-
dent and shrill.
  She closed her laptop.
  Not much point, she thought.
  But then she opened it up again.
Morton_FLORENCE-GORDON_F.indd   1 6/30/14   12:07 PM
2
She didnt feel strident or shrill. She didnt even feel old.
  And anyway, old age isnt what it used to be  or at least thats 
what she kept telling herself.
  This was her reasoning. Florence was seventy-fve years old. In 
an  earlier  era,  that  would  have  made  her  an  old  lady.  But  not  to-
day. Shed been a young woman during the 1960s, and if you were 
young in the sixties bliss was it in that dawn to be alive theres 
a sense in which you can never grow old. You were there when the 
Beatles came to America; you were there when sex was discovered; 
you  were  there  when  the  idea  of  liberation  was  born;  and  even  if 
you  end  up  a  cranky  old  lady  whos  proud  of  her  activist  past  but 
who now just wants to be left alone to read, write, and think  even 
if  you  end  up  like  that,  theres  something  in  your  soul  that  stays 
green.
  She wasnt  this seems important to say  a woman who tried 
to look younger than she was. She didnt dye her hair; she had no 
interest in Botox; she didnt whiten her teeth. Her craggy old-fash-
ioned teeth, rude and honest and unretouched, were good enough 
for her.
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f l o r e n c e   g o r d o n      3
  She  wasnt  a  woman  who  wanted  to  recapture  her  youth.  In 
part this was because she found the life she was living now so in-
teresting.
  So she was a strong proud independent-minded woman who ac-
cepted being old but nevertheless felt essentially young.
  She was also, in the opinion of many who knew her, even in the 
opinion of many who loved her, a complete pain in the neck.
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3
She  was  writing  a  memoir  that  began  with  the  early  days  of  the 
womens  movement  the  modern  womens  movement,  her  own 
womens movement, the one that had been born in the 1970s. If she 
could fnish it, it would be her seventh book.
  Each  book  had  posed  its  own  diffculties.  The  diffculty  with 
this one was that she was fnding it impossible to bring the past to 
life.  Her  memory  was  effcient;  she  could  recall  the  dates  and  the 
acts and the actors. But she was fnding it hard to remember the tex-
ture of the past.
  Tonight she had fnally begun, she thought, to crack the code. 
Shed remembered a moment that she hadnt thought about in years. 
It was just a moment, not important in itself. But precisely because 
she hadnt thought about it in so long, she was able to remember it 
now with a sense of freshness, and she was hoping she might have 
fnally found the door that would lead her back into the past.
  She  was  free  for  the  rest  of  the  night.  Shed  had  dinner  plans 
with friends, but with a secret glee shed canceled so she could stay 
home and work. It was seven oclock on a Friday in early May; she 
was through with her academic obligations and her mind was clear. 
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f l o r e n c e   g o r d o n      5
And  this  evening,  in  which  shed  fnally,  fnally,  fnally  begun  to 
make some progress  this evening was the happiest one shed had 
in a long time.
  Except that Vanessa kept calling.
  Her friend Vanessa kept calling, and Florence kept not picking 
up. After the ffth call, she thought Vanessa might be in some sort 
of trouble, and on the sixth, she fnally answered.
  Thank God youre home, Vanessa said. Ive got a problem.
  Whats wrong?
  Nothing big. Nothing terrible. Its just that I got pickpocketed, 
evidently, and I dont have anything except my phone. I need some 
money to get back home.
  Where are you?
  Thats why I called you. Im three blocks away.
  She named a restaurant.
  Well Im right here, Florence said. Just come up.
  Thats nice of you. But its a little bit complicated.
  Why?
  Ruby and Cassie had to run, and I stayed to pay the check, and 
thats when I found out my purse was gone. So the owner doesnt 
want  me  to  leave.  He  wants  to  be  sure  Im  not  going  to  skip  out 
on him.
  Vanessa,  youre  a  very  respectable-looking  woman.  Youre  a 
very old woman. Youre obviously not skipping out on him. Tell him 
youre not Bonnie Parker.
  Thats just what I told him. Thats exactly what I told him, in 
fact. I told him Im not Bonnie Parker. But hes not being very un-
derstanding. I think he thinks I am Bonnie Parker. Im really sorry. 
But itll just take a minute.
  People,  Florence  thought  as  she  put  on  her  shoes.  What  do  I 
need them for again?
  Hes afraid shell skip out on him. As Florence waited for the el-
evator, she was muttering to herself. She reminded herself of Pop-
eye the Sailor Man.
  She crossed the street, still muttering. Muttering, and clenching 
and unclenching her fsts.
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6    b r i a n   m o r t o n
  She was doing this with her fsts because shed been having some 
trouble  with  her  left  hand.  Carpal  tunnel  syndrome.  Her  fngers 
sometimes  jumped  around  as  if  they  had  fve  little  minds  of  their 
own. A neurologist had told her to get an ergonomic keyboard and 
an  ergonomic  mouse  and  an  ergonomic  splint  for  her  wrist;  shed 
gotten all of it, and shed faithfully done the exercises he prescribed, 
but none of it was working so far.
  Muttering,  clenching,  unclenching:  I  must  look,  she  thought, 
like a madwoman.
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4
The  restaurant  was  on  Sixty-seventh  Street,  between  Columbus 
and Central Park West. She went inside, couldnt see Vanessa.
  It  was  a  fancy,  expensive,  somewhat  full-of-itself  restaurant.  It 
didnt seem like the kind of place where the owner would hold you 
hostage.
  The  greeter,  a  somber-looking  man,  asked  her  if  she  needed 
help.
  Im  looking  for  a  friend.  Woman  my  age?  Couldnt  pay  her 
bill?
  Oh, yes. I know who you mean. Shes in the back room.
  Theyve  got  her  in  the  back  room,  Florence  thought.  Theyre 
working her over.
  He led Florence down a hall and gestured toward an entryway, 
behind  which  the  room  was  unaccountably  dark.  She  stepped  in, 
and the lights went on, and the room was flled with people shout-
ing Surprise!
  Surprise.
  Friends  from  NYU,  friends  from  the  movement,  friends  from 
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8    b r i a n   m o r t o n
the writing world. Even her family was there: her daughter-in-law, 
her granddaughter.
  Vanessa was embracing her.
  This was the only way we thought wed be able to celebrate you.
  Its not my birthday.
  I thought if we did it too close to your birthday, wed lose the 
element of surprise. Youd know what was coming and youd never 
show  up.  It  was  a  delicate  operation.  Like  trapping  the  mythical 
yeti. We wanted to celebrate you. And we wanted to get you out of 
your apartment so you could have some fun.
  It  was  astonishing  how  little  people  know  each  other,  even  old 
friends.  I  was  having  fun,  Florence  thought.  I  was  having  fun  sit-
ting in my apartment and trying to understand our life, our collec-
tive life. I was having fun trying to make the sentences come right. 
I was having fun trying to keep a little moment in time alive.
  And now that was gone. She had been so close to seeing things 
clearly,  but  it  had  felt  so  precarious,  so  fragile.  Who  could  know 
whether  that  little  ficker  of  clarity  would  still  be  there  in  the 
morning.
  Janine, her daughter-in-law, and Emily, her granddaughter, were 
at  her  side.  Theyd  been  in  New  York  for  months  now,  and  she 
hadnt arranged to see them. She felt guilty for a moment, then re-
alized that the guilt was merely a sort of tribute she was paying to 
convention  in  fact,  she  simply  hadnt  wanted  to  see  them  and 
she stopped feeling guilty.
  Happy birthday, more or less, Janine said.
  Not that you look that happy, Emily said.
  I wish someone had nipped this in the bud.
  I tried. I tried to nip it, Janine said. I told them it was a bad 
idea. But . . . Vanessa. Shes almost as much of a force of nature as 
you are.
  Oh Christ. Even Saul was here.
  He put his arm around her shoulder. He seemed to be half drunk.
  I couldnt not be here, he said. And I mean that literally. Your 
friend wouldnt take no for an answer.
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f l o r e n c e   g o r d o n      9
  Someone  Florence  half  remembered  materialized  at  her  side 
and told a long story about how hard it had been to get there from 
Rockland  County.  Someone  else  told  Florence  a  story  about  how 
hard it was to tear herself away from her adorable but not yet house-
broken puppy. As Florence smiled and nodded and pretended to lis-
ten, all she was trying to do was hold on to the moments of clarity 
shed experienced at her desk, and all she wished for was to go back 
home.
  In the womens room, she looked at the window. It was ten feet 
off the ground. Maybe if I stood on the toilet seat I could lift myself 
up to the top of the stall . . .
  No. Too craven. Too undignifed.
  She returned to the room where the celebration was in progress, 
picked up a glass, and tapped a knife against it until she had every-
ones attention.
  My friends, she said, Im touched that you decided to do this. 
Im touched, and Im honored. What was it Yeats said? Something 
like Think where our glory begins and ends, and say my glory was, 
I had such friends. 
  There was a murmur of appreciation.
  One  of  the  things  that  I  fnd  beautiful  about  you  all  is  that 
you understand me. I know Im not easy to be with. Im a diffcult 
woman.
  Youre a gloriously diffcult woman, Vanessa said  she always 
gushed too much  and others made noises of agreement.
  Well, thank you. But whether Im gloriously hard to get along 
with or just plain hard to get along with, each of you has found ways 
to get along with me. Which is a tribute to your generosity, toler-
ance, and ingenuity. Because Ive asked you to put up with a lot.
  And now Im going to ask you to put up with one more thing. 
Im delighted by this surprise party, but Im going to leave you now, 
because I need to get back to my desk. I hope you know that I truly 
do  appreciate  this,  and  that  Ill  be  here  in  spirit.  And  I  hope  you 
have a wonderful evening.
  She  turned  and  left.  It  would  have  been  nice  to  avoid  meeting 
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10    b r i a n   m o r t o n
anyones eyes, but it was more important to keep her head up, and 
therefore  she  saw  the  faces  of  several  friends  as  she  passed  them. 
They looked as if they werent sure whether she was serious.
  Shed  left  her  computer  on,  and  as  soon  as  she  got  home  she 
sat  back  down  in  front  of  it.  It  took  a  while  for  the  fog  to  burn 
away  the  fog  of  embarrassment  or  ambivalence  or  whatever  she 
was  feeling  but  after  a  time  she  found  that  she  was  not  so  far 
from where shed left off. She worked for the rest of the night with 
satisfaction,  and  didnt  give  her  friends  and  well-wishers  another 
thought.
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5
After  she  left,  no  one  knew  what  to  say.  Nobody  even  seemed  to 
want to look at anyone else.
  Now you understand why I divorced her, Saul said.
  People laughed, and went back to eating and drinking.
  What the hell, Vanessa said. Lets have a party. Lets celebrate 
Florence in absentia.
  I think Ill celebrate her some other time, Saul said. Im out 
of here.
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6
Did he divorce her? Emily said to her mother.
  Other way round, Janine said.
  Thats what I thought. I cant even imagine them married.
  Why?
  Shes  so  independent.  And  he  seems  like  he  needs  somebody 
needy.
  Janine was constantly surprised by the things her daughter came 
out with. But parents always are.
  For a parent, time is not a one-way street. In Janines mind, the 
nineteen-year-old Emily was accompanied, shadowed, by the infant 
Emily, and the toddler Emily, and Emily in all her other incarna-
tions. So when she came out with a shrewd perception or a sophisti-
cated thought, it was always something to marvel at, because it was 
as if the fve-year-old Emily were saying it too. A parent is perpetu-
ally thinking, Where did she learn that?
  Weve got the evening free, at least, Janine said. Wanna go to 
the movies?
  But can we not see anything self-improving tonight? Can we go 
to something fun?
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f l o r e n c e   g o r d o n      13
  Only if you promise . . .
  But  Janine  couldnt  think  of  anything  to  make  her  daughter 
promise.  There  was  nothing  she  wanted  Emily  to  change.  This 
hadnt  always  been  true,  and  wouldnt  always  remain  true,  but  it 
was true right now.
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