Issue 035 November 2008 $4.50 / 3.25 / 2.

25

artist

Concept Art, Digital & Matte Painting Magazine

Jeffrey
Simpson

We chat with concept artist & illustrator for Big Sandwich Games, Jeffrey
Simpson about his influences, styles, tips and his home city, Vancouver

Articles

Sketchbook of Jorge Molina, Dr. Grordborts interview with Greg Broadmore

Interviews

Marta Dahlig, Jeffrey Simpson

Galleries

Julia Bax, Kev Chu, Mike Thompson, plus more!

Making Ofs

Worm Licker by Ioan Dumitrescu

Tutorials

Space Painting Tutorial Series: Planets and Starfields: Part 5 Colonised Planets, plus more!

Contents
Editorial
Welcome to Issue 035 and what

Contents

an issue! Marta Dahlig, Jeffrey

Simpson, Jorge Molina, Eduardo

Whats in this month?

Pea, Emrah Elmasli, Chee Ming

MartaDigital
Dahlig
Painter

007

Jeffrey Simpson
Concept Artist for Big Sandwich Games

019

Sketchbook
The Sketchbook of Jorge Molina

029

Dr. Grordborts
Interview with Greg Broadmore

037

The Gallery
10 of the Best 2D Artworks

065

Stylised Characters
This Months Finalists/Last Months Making Ofs

075

Speed Painting
With Eduardo Pea & Emrah Elmasli

089

Space Painting
Planets & Starfields: Part 5 Colonised Planets

097

The Human Face

Painting Series: Part 2 Lips & Noses

113

Worm Licker
Project Overview by Ioan Dumitrescu

121

Black Cat - White Cat

Digital Art Masters: V3 Free Chapter Promotion

126

About us
Zoo Publishing Information & Contacts

130

Wong, Nykolai Aleksander, Ioan

Dumitrescu, and thats not all!
So lets get to business and find
out whats in store for you all this
month
First up, we have an interview
with the lovely Marta Dahlig,
whose stunning character
illustrations flood the interview
pages of 2DArtist this month.
Marta is incredibly down to
earth and, although we all look to her as a leading artist in todays digital
painting world, she humbly declines the notion that she is a big name
(but we think otherwise!). Marta talks to us about how she started out in
CG just 7 years ago, and gives us an insight into her working life today.
You can check out the interview with Marta on page 007. Our second
interview is with Jeffrey Simpson, who, at just 22 years old, is working in
the video game art industry as well as dabbling with film concept art and
comics! Check out the dark concepts from Jeffrey on page 019 and enjoy
the witty interview that hes kindly given 2DArtist this month.
I was not so long ago pointed to Jorge Molina, this months Sketchbook
artist, and simply couldnt resist getting him on board this issue with a
feature on some of his latest character sheets for his upcoming projects
take a look on page 029. Our bonus article this month comes in the form
of an interview with Greg Broadmore, the senior conceptual designer
behind Dr. Grordborts. This is a huge article, simply because its so great
that we couldnt cut it down any more than what youll find on page 037.
Its full of humour, intelligence, and most importantly tonnes of fantastic
artwork that will make your eyes weep with joy!
Our tutorials hit a high this month with Chee Ming Wongs stunning
paintings of colonised planets (page 089). This particular tutorial is the
end of the first section of his Space Painting tutorials, and we feel hes

Editor

really outdone himself on this one a fantastic example! We cant wait

Lynette Clee

to see what he brings us next month, so be sure to stay tuned for that.
And because one (or two) is never enough where tutorials are concerned
in 2DArtist, we this month welcome back Eduardo Pea and Emrah

Lead Designer
Chris Perrins

Elmasli to tackle the speed painting: Fear engulfed them as they realised
they were about to die. See page 089 for two ever different interpretations
to our often ridiculous speed painting briefs! And to round up this months
tutorials, Nykolai Aleksander brings us Part 2 of her Human Face tutorial
series on page 113. Nykolai has been keeping me up-to-date almost daily
with Part 3 of this tutorial series, and all Im going to say is: Do not miss
next month! Trust me when I say that youll definitely want to see the end
result of this stunning tutorial miniseries!

Layout

Layla Khani
Matt Lewis

Marketing

Content

Proofing

Lynette Clee
Jo Hargreaves
Tom Greenway Lynette Clee
Richard Tilbury
Chris Perrins

Lynette Clee

Free Stuff!
Wherever you see
this symbol, click it to
download resources,
extras and even
movies!!

Finally, we thank Ioan Dumitrescu for his Making Of article this month,
discussing the creation of his recent 2DArtist Gallery featured image,
Worm Licker. So check out page 121 for that, and then get yourself
painting! Thanks as always for your support, and enjoy! Ed.

www.2dartistmag.com

page 2

Issue 035 November 2008

Get the most out of your

Magazine!

If youre having problems viewing the double-page spreads that we

feature in this magazine, follow this handy little guide on how to set
up your PDF reader!

Setting up your PDF reader

For optimum viewing of the magazine, it is
recommended that you have the latest Acrobat
Reader installed.
You can download it for free, here: DOWNLOAD!
To view the many double-page spreads featured in 2DArtist magazine,
you can set the reader to display two-up, which will show doublepage spreads as one large landscape image:
1. Open the magazine in Reader;

View menu, then Page display;

3. Select Two-up Continuous, making sure that Show Cover
Page is also selected.
2. Go to the

Contributors
Jeffrey
Simpson
22 year old concept artist and
illustrator currently working in
Vancouver B.C., Canada. Jeff
is still getting a feel for the
various industries that hes

Contributing Artists

Every month, many artists from around the world contribute to 3DCreative
& 2DArtist magazines; you can find out all about them here. If you would
like to be a part of 3DCreative or 2DArtist magazine, please contact:
lynette@zoopublishing.com

Emrah
Elmasli

interested in, such as games, comics, freelance and

personal illustration. He works primarily in Adobe
Photoshop, usually portraying darker, ambiguous
themes. Jeffs works try to find a balance between
fantasy, sci-fi and pop culture with expressionism
and surrealism.
http://www.surrealsushi.com / jeff_lite@hotmail.com

Eduardo
Pea
Educated as a graphic designer

Turkish Concept Artist based

at the Jorge Tadeo Lozano

in London, UK, working at

Lionhead Studios as a full-time

University in Bogota, Colombia,

senior concept artist. Before

and inspired by films like Blade

Runner, he discovered the

coming to the UK he was a

freelance artist living in Istanbul, Turkey, and was

discipline of conceptual art for the entertainment

working for various clients like Crystal Dynamics,

industry and has since been developing this

artistic interest ever since. He currently works as a

Irrational Games, CGToolkit and Fantasy Flight

conceptual artist at Immersion Games in Colombia,

Games, as well as ad agencies in Istanbul. He then

and also as a professor at the Andes University,

found himself in the UK. He draws everyday and

leading workshops.

enjoys the city in his spare time.

leco3ur.carbonmade.com / caareka20@hotmail.com

www.partycule.com / emrah@partycule.com

Dr Chee Ming
Wong

Nykolai
Aleksander

Has over 8 years of creative

Born in 1978, Nykolai spent

visualisation and pre-production

the first 17 years of her life

experience, having worked

in Germany, then moved to

on various independent game

England to study A-Level

projects, publications and CGI

Theatre and Music. She

pre-production artwork. He is currently the CEO

returned to Germany for a short while after, working

of his own digital art studio, Opus Artz, based in

in film as a set assistant, and in 1999 moved to

London. Previous work includes his role as senior

the UK for good. In 2000, Nykolai started drawing.

concept artist and visual lead for Infinity: The Quest

With the discovery of a Wacom tablet in 2002, her

for Earth MMO 2009, plus numerous commercial

work suddenly took off on a path she hadnt quite

publications.

expected!

www.opusartz.com / chee@opusartz.com

www.2dartistmag.com

http://www.admemento.com / x@admemento.com

page 4

Issue 035 November 2008

Contributors
Ioan
Dumitrescu

Felipe
Fernndez Morell

20 year old architecture

Studied art in Montevideo,

student and self-taught concept

Uruguay. He then worked

designer. He loves drawing the

freelance in Barcelona in

things he imagines in his head,

different media from publicity

and trying to convey a story

to editorial to web. Hes

to the viewer through them. He is currently working

currently working as a production and concept artist

freelance.

in the games industry.

http://www.ffilustracion.com
jononespo@yahoo.com

contactos@ffilustracion.com

Raffy
Dematawaran

Matthew
Ciompala
Freelance comic book artist

Has been creating art and

and book illustrator based in

working in design professionally

for over 15 years. His first

Warsaw, Poland. Hes self-

freelance job started when he

taught and is still exploring the

was still at college, at which

world of art as an artist. Hes

currently in the final class of high school and after

time he was joining art competitions for the prizes

this year will be trying to get into the most notable

and recognition, later realising that it was knowledge

and experience that was far more rewarding! He

Polish animation school in Lodz. At this moment

rarely resists work offers now, whether major or

hes working on two comic books and for two Polish

minor projects.

gaming magazines as an illustrator.

http://www.raffydematawaran.com

http://www.sickteo.blogspot.com

shatteredfx@hotmail.com

teo-disturbed@o2.pl

www.2dartistmag.com

page 5

Issue 035 November 2008

I devote hours to planning

my works out. Usually I take
something I find aesthetically
attractive and push the idea
to make it intellectually
challenging. I introduce
contrasting symbols or
storytelling elements that will
enrich the pieces narrative.

Welcome to the world of Marta Dahlig! A

rising star in the digital art community, we
were lucky enough to catch up with Marta
recently and nd out more about her life, her
work and the fantastic character illustrations
that shes become so well-known for.

This is the

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Issue 035 November 2008

At just 22, Jeffs got his foot

well and truly in the door of the
video game art industry and
hes also dipping his toes into
film concept art and freelance
comics! Read on to find out
more about his influences,
styles, tips and home city of
Vancouver.

Right now Im kinda

stuck in this sort of
steampunk-surreal-darkBROMesque phase with
porcelain skinned chicks
and black drippy stuff
everywhere.

Jeffrey Simpson Interview

Hey Jeff, thanks for agreeing to do this

interview! Lets start out with a bit of general
background: where you work, how you got there
and what makes you tick?
Its a pleasure to be doing this! Ive been doing
fake interviews with myself my whole life; its
about time it happened for real! Ive always
known Ive only been good at one thing and
thats drawing/creating, so Ive never really tried
to shoot for any other career. My parents were
both artists and were always encouraging me
and my brother to draw on that awesome old
printing paper, you know the kind with holes on
the side?

In retrospect all I seemed to draw were war planes and tanks, probably
because the gulf war was going on or maybe it was just because my
shy, quiet personality was harbouring violence and angst which would be
released in embarrassing ways during my awkward teens! I eventually
made the jump to digital painting when I enrolled in the Emily Carr Institute
after I graduated high school. Thats where I met my graphite tablet - it
was love at first sight. Ive since divorced her for a sexy young Intuos
though, good riddance! I studied animation and got my Bachelors of Media
Arts and made a six minute animated film that Im embarrassed to show.

www.2dartistmag.com

page 11

Issue 035 November 2008

Currently Im working full time as a Concept Artist for Big

Sandwich Games, a game studio in Vancouver B.C.; I
was lucky enough to get hired shortly after I graduated
so I havent had much downtime since I was about four.
I also do freelance in the evening and weekends, usually
colouring for comic books and whatnot. Im currently
collaborating on something for Marvel, hopefully I can
let everyone know what it is soon ... its got me pretty
stoked!
Married and divorced already, huh? Ever flirt with any
other bits of hardware?
Not especially. Im currently eyeing a Cintiq but
my wallet screams at the idea. Im hoping
someone will let me borrow one for maybe
an hour or so, so that I can get a feel for
it and see if I like it.

Jeffrey Simpson Interview

Its either that or a HDTV and Playsation3.
Maybe one day Ill have both. Dare to dream,
dare to dream!
Hows life in Vancouver? Its a city that I have
always wanted to visit; is it as fun, fresh and
lively as people say?
I love my city. I am a huge fan of overcast days,
rain, cold winds, forests and dull beaches.
Whenever Im in inside or out of my native
climate I feel sick, tired and gross. But yeah,
Vancouver does rock more than any city Ive
visited, which might not mean anything since I
havent really left the west coast that much. It is
lively and fun and super-clean... although this all
comes at a price of being extremely expensive
to live in. Plenty of great sushi places though,
Kampai!
Sounds good to me! Is it a fairly healthy and
sporty community you have there?
We live in a crazily healthy city - lots of

mountains and trails to walk/run/bike/climb up and seas to swim in. Were

intro sports too, as long as you dont talk about our brief stint in the NBA...
They were still a blast to go watch though when I was a kid. At least our
hockey team does alright (....actually, not really).
There are a lot of girls in your gallery, some of them classically beautiful
and some of them er, a little mixed up. Are they based on any particular
people and where do a lot of your ideas for your images come from?
Growing up I was always looking at my mums Renaissance art books, so
I think that I was influenced by their obsession with portraying that kind of

www.2dartistmag.com

page 13

Issue 035 November 2008

Jeffrey Simpson Interview

beauty. I wont lie, some of my works are at the
very least inspired by people I know, or myself;
however a majority of them are just me playing
around with aesthetic, mood and atmosphere.
I did a poll on my deviant art page recently and
was surprised to discover that most of my fans/
watchers were women. This made me feel a bit
relieved since Im always concerned that people
are going to see my work as being sexist or
offensive. But yes! I need to draw more dudes...
eventually...
And how do you find community sites such as
DeviantArt? Are they genuinely useful to you or
just good for showcasing, socializing and finding
girls? [Laughs].
Ive been on DeviantArt and other sites for

around five years now and Id highly encourage people to join as many
online communities as they can and be active on them. Theyre a great
way to showcase your work to millions of people; odds are pretty damn
good that a few of them will remember you and be pretty useful when
it comes to landing a job somewhere! Its also nice (and sometimes
horrifying) to look at your online gallery as a whole and see your
progression. The people youll meet are also gonna hugely affect your
work; youll find artists your age who kick the shit out of you and youll
be like aw damn, I wish I could be that good! and eventually you will
be! Just come up with a more original online name than I did. And as for
girls... well, there are other, more efficient, ways to meet them ...
You often paint a character and then also another creature/spirit in the
same picture. Can you tell us a little bit about this and the connections
you are trying to achieve with these duos?
I think theres just a current trend going on with my generation (dont
know if that word applies in this case, thanks to the Internet...) to pair
up chicks with cute/awesome/bad-ass animals or creatures or robots. I
could probably try to squeeze out a more thorough explanation about the
appeal of having contrast between savagery and beauty, life and death,
love and hate etc. However its probably much more likely that I saw
people doing it, so I started doing it and now its just a habit.
Yeah, I like the contrast explanation - that makes a lot of sense looking
at your gallery. I noticed also that several of your characters are quite
stylised - can you tell us a little more about this style of yours?
I think Ive gone through a lot of styles over the years. Right now Im

www.2dartistmag.com

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Issue 035 November 2008

kinda stuck in this sort of steampunk-surrealdark-BROMesque phase with porcelain skinned

chicks and black drippy stuff everywhere. Cant
really explain why; sometimes Ill just happen
upon a style and become obsessed with it,
until I start noticing its all I do ... and then force
myself to move on. I think my stuff is a bit
darker recently because of the project Ive been
working on at work for the past year is such
a colourful, happy, kid-friendly game. Its not
exactly my cup of tea, so when I go home I have
to spew out all this satisfying darker stuff.
With regards to your work, are you settled in
your life or do you have any big plans and
ambitions for the future?
If theres anything Im not good at, its predicting
where I will be the following year. Something
always comes up, for better or for worse. Its
difficult enough for me to decide on a definitive
path, let alone have the ways of the universe
come along and do its usual random shit to me.
All I know is that I want to be able to express
myself, draw whatever I want, and make a living
off of it. Right now Im trying to choose between
pre-production/concept art in the game/film
industry, the comic industry or the freelance
illustrator industry. Im sticking my toes into
each of these large, scary pools simultaneously
and I have yet to discover which one will drag
me down. Im relatively young (22... thats still
considered young right?) so Im sure Ill have a
bit more time to decide, and its nice to know its
worked out reasonably well so far.
Yeah you are a youngun (compared to me
anyway!) So keeping your options open sounds
like the right plan to me. Do any of these
industries tend to have greater gains financially
or do you think any produce more in a way of
satisfaction?
Financially I think the game industry right now
is the most profitable, since the game industry
here in Vancouver is growing like crazy. The
only thing is, I can easily get shoved onto a
project I have no interest in. Call me a snob but
game art direction needs a lot of work I think,
but I can understand why. Companies spend
millions of dollars on a game and theyre not
gonna let an art director go crazy if the only

Jeffrey Simpson Interview

thing that guarantees an income is: Moms will
buy this for their kids Pony Adventure or Space
Marine Kills Aliens 5: The Bloodshed.
The comic industry looks interesting, but there
is so little money/prestige in it. They seem to get
really shafted when it comes to getting paid; no
one seems to want to acknowledge that what
they do actually takes effort... at least, this is
what Ive been lead to believe thus far. Ill often
fantasize about being a straight up visual artist/
illustrator, doing things that I want to do and
having the industry adapt to me and not the
other way round. But I lack the confidence and
knowledge of the industry to attempt something
like that... and I dont like the idea of giving up
a salary just yet (especially when my rent is this
high!) [Laughs].
Throughout your artistic education and career
have you ever been given one piece of advice
that made a particular difference to your work?
When using Photoshop, work from dark to
light, and pretend that the human body has
no concave lines. I guess thats two pieces of
advice, but they both helped me out a lot.
Hang on! I just checked - Ive got some
concaves going on (maybe its a lack of
muscles, Im not sure), and if I didnt, wouldnt I
look kinda round? Is that what you mean!?
Oh, yeah its probably crap but it helps when
drawing a figure! It makes things have more
weight and dimension.
Yeah, when I actually start to think properly
about this advice it does make a lot sense. Well,
its been really great chatting with you Jeff, thanks again and take care!

Jeffrey Simpson
For more work by this artist please visit:
http://www.surrealsushi.com/
Or contact them at:
jeff_lite@hotmail.com
Interviewed by: Tom Greenway

www.2dartistmag.com

page 17

Issue 035 November 2008

PMS COLORED
116 U
404 U

modo is for artists

3D image
created
in modo
by Luxology.
Credit:
Gelmi
3D image created in modo by Luxology. Credit:
Gelmi
For more
information,
visit
modo3D.com
TM

We delve into the sketchbook

of Illustrator and Concept artist
Jorge Molina

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Issue 035 November 2008

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Issue 035 November 2008

This month we feature:

Alexander Yazynin
Sue Marino
Gabriel Vera
Ignacio Bazn Lazcano
Giorgio ucerG
Gonalo Pereira, aka Rawgon
Gabriel Leonardo Romero
Julia Bax
Kev Chu
Mike Thompson

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Issue 035 November 2008

2DArtist Magazine introduces the

Challenge section of the mag. Every
month we will run the challenge in the
conceptart.org forums, available for
anyone to enter, for prizes and goodies
from www.3dtotal.com shop and to
also get featured in this very magazine!
Here we will display the winners from
the previous months challenge and the
Making Ofs from the month before that.

Frankenstein
Stylised challenge

In Association with

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Stylised
Challenge
Frankenstein

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4HE0ROGRAMS
All Animation & Visual Effects programs
at Vancouver Film School focus on
telling a great story through movement.
Choose your discipline: 3D Animation
& Visual Effects, Classical Animation
or Digital Character Animation.

4HE0ROCESS
Under the guidance of industry pioneers,
you will work and learn in a studio setting,
and create a demo reel or film of your
own. When you graduate, youre ready
to work in a production team.

4HE2ESULTS
VFS animation is all around you. Every year
our graduates start careers at the worlds
best production studios. Youve seen
their work in Iron Man, WALL-E,
Transformers, Cloverfield, Horton
Hears a Who, Lost, Family Guy
and Battlestar Galactica.

4HE.EXT3TEP
Visit vfs.com/animationvfx to
learn more about our programs
and to speak to an advisor.

K;HhijYZcildg`WnO]Zc\IVc\

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Issue 035 November 2008

One of the key advantages

of painting for leisure is
that you are your own art
director; however, the
offshoot of this is that you
are also your harshest
critic.

I - Planets and Star fields

Part 1: Stars & Nebulas- July 2008
Part 2: Barren Worlds - August 2008
Part 3: Barren Planets - September 2008
Part 4: Gaian Planets - October 2008
Part 5: Colonised Planets - November 2008

II - Transport
Part 6: Spaceships - December 2008
Part 7: Capital Ships - January 2009
Part 8: Space Stations - February 2009

III - Environments
Part 9: Sci-fi Hangar - March 2009
Part 10: Space Battle - April 2009
Part 11: Mining the Asteroid Fields - May 2009
Part 12: Space Colonies - June 2009

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Issue 035 November 2008

Whilst eyes make a quiet

show of emotions, our
lips are far more supple
and capable of many
more visible nuances of
expression.

Even wondered how

to achieve that extra
level of realism in
your characters face?
Or simply wanted
to brush up on your
knowledge of facial
anatomy? Then this
excellent, three-part
tutorial from Nykolai
Aleksander could be
just what you were
looking for! In these
tutorials, Nykolai
will take us through
several step-by-step
guides to creating
various realistic facial
features - continuing
this month with the
lips and nose.
Interested? Read on
to nd out more!

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for
s
e
c
n
e
refer but also
e
v
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With the release of 3DTotals new book,

Digital Art Masters: Volume 3, we have
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