Alternative rock
Alternative rock
Stylistic
origins
Punk rock, post-punk,new
Cultural
origins
Late 1970s to early 1980s,United
Typical
instruments
Vocals, electricguitar,bass
Derivative
forms
Alternative country,alternative hip
wave, hardcore punk
Kingdom andUnited States
guitar, drums, keyboards
hop, trip hop[1][2]
Subgenres
Britpop
college rock
dream pop
emo
gothic rock
grunge
indie rock
indie pop
jangle pop
math rock
neo-psychedelia[3]
noise pop
noise rock
post-Britpop
post-grunge
post-rock
Paisley Underground
shoegazing
Fusion genres
Alternative dance
alternative metal
grebo
industrial rock
Madchester
post-punk revival
psychobilly
riot grrrl
Local scenes
Athens, Georgia
Illinois
Los Angeles
Manchester, England
Massachusetts
Minnesota
Seattle, Washington
Other topics
Bands
Christian alternative rock
college radio
history
independent music
indie music scene
Lollapalooza
2014 in alternaive rock
Alternative rock (also called alternative music, alt-rock or
simply alternative) is a genre of rock music that emerged
from the independent music underground of the 1980s and
became widely popular by the 1990s. In this instance, the word
"alternative" refers to the genre's distinction from mainstream
rock music, expressed primarily in a distorted guitar sound,
subversive and/ortransgressive lyrics and generally a
nonchalant, defiant attitude. The term's original meaning was
broader, referring to a generation of musicians unified by their
collective debt to either the musical style, or simply the
independent, D.I.Y. ethos of punk rock, which in the late 1970s
laid the groundwork for alternative music. [4] At times,
"alternative" has been used as a catch-all description for music
from underground rock artists that receives mainstream
recognition, or for any music, whether rock or not, that is seen
to be descended from punk rock (including some examples of
punk itself, as well as new wave, and post-punk).
Alternative rock is a broad umbrella term
consisting of music that differs greatly in terms
of its sound, its social context, and its regional
roots. By the end of the 1980s magazines
and zines, college radioairplay, and word of
mouth had increased the prominence and
highlighted the diversity of alternative rock,
helping to define a number of distinct styles (and
music scenes) such as gothic rock, jangle
pop, noise pop, indie rock, indie
pop, grunge, Madchester, industrial rock,
and shoegazing. Most of these subgenres had
achieved minor mainstream notice and a few
bands representing them, such as Hsker
D and R.E.M., had even signed to major labels.
But most alternative bands' commercial success
was limited in comparison to other genres of rock
and pop music at the time, and most acts
remained signed to independent labels and
received relatively little attention from
mainstream radio, television, or newspapers.
With the breakthrough of Nirvana and the
popularity of the grunge andBritpop movements
in the 1990s, alternative rock entered the
musical mainstream and many alternative bands
became commercially successful.
By the end of the decade, alternative rock's
mainstream prominence declined due to a
number of events that caused grunge and
Britpop to fade and led to the hiatus of the
Lollapalooza festival. Nevertheless, post-grunge
remained commercially viable into the start of
the 21st century, with the commercial success
of Creed and Matchbox Twenty and Radiohead's
critical acclaim, and the success of some postBritpop groups like Coldplay. Emo attracted
attention in the larger alternative rock world,
and the term was applied to a variety of artists,
including multi-platinum acts. During the late
1990s and early 2000s, several alternative rock
bands emerged, including The Strokes, Franz
Ferdinand, Arctic Monkeys and Interpol, that
drew from post-punk and new wave. Post-punk
revival artists such as Modest Mouse and The
Killershad commercial success in the early and
mid 2000s