106 “3 no 358 626 aa 357 a3 086 062 203 08 21 208 064 302 as 12 247 403 556 558, 554 a4 039 4a 482 es 306 oa 639 402 4a 456 003 659 465, ow? 105 361 362 355 410 137 on 155 a 552 ois ss 658 240 063 re A + Ater Youve Gone” (C) ‘Ah Marie (Cm) + Aint Misbehavin’ (©) + Aint She Sweet (C) Airegan (Ab) ADI La (6) + Alexanders Ragtime Band (F) ‘Alice in Wonderland (C) + AIT Ask of You (Ob) + Al My Tomorrows. (Eb) + All OF Me" (©) AIL OF You (EB) ‘All Or Nothing At All (C) ‘+ Al The Things You Are (AB) +All The Way) alley Cat (©) + Almost Like Being In Love (Bb) ‘Alone Together (Om) + Alright, Otay, You Win (Eb) + Always + Always In My Heart (Bb) + Amapola (86) + Amor (©) ‘Anema E Core (G) + Angel Eyes (Cm) + Anniversary Song (Em) + Anniversary Waltz (C) Anthropology (8b) + Anything Goes (©) * April In Pacis (©) Armando's Rhumba. (Cm) + Around The World () + Arrivederci Roma. (G) ‘Arta Alinu (Om) + As Time Goes By (Eb) ‘Au Privave (®) Auld Lang Syne (F) + Autumn in New York. (F) * Autumn Leaves (Em) + Avalon ©) B + Baby Face (©) + Basin Sweet Blues (C) + Baubles, Bangles and Beads (Ab) + Beautiul Love (F) Bebop (Eb) + Because of You (Eb) Beer Barel Polka. (C) + Begin The Beguine (C) Bernie's Tune. (Om) + Besame Mucho (Om) Bessie’s Blues (Eb) tween The Devil and the (F) Bewitched (©) K (BLUE) Alphabetical Index 351+ Bill Bailey (6) ille's Bounce (F) 539 Bim Bam Bum (Bb) 355+ Binh Of The Blues (C) 660 Bittersweet (C) 508 + Black Orpheus (Am) ye Botta (Cm) 059 + Blue Gardenia (G) 060 + Blue Hawaii (Bb) 602 Blue In Green (8b) 659 Blue Monk (Bb) 101 + Blue Moon (Eb) 135 = Blue Room (F) ue Skies (F) lve Tango (D) Je Trane (Crm) ue Velvet. (Bb) 659 Blues For Alice (A) 149° + Blues in The Night (8b) 414 Bluesette (6b) 012+ Body And Soul (0b) 636 Bolivia (G) 354 Bourbon Street Parade (Ab) 535 « Brazil (Ab) 244 + Breeze And |, The (F) 463 Bridal Chorus (8b) 464° Bunny Hop (F) 013 But Beauttul (@) 212» ButNot ForMe (E>) 159 + Button Up Your Overcoat (6) 103 + Bye Bye Blackbird 353» Bye Bye Blues (C) 656 —Byrdlike (F)~ c 302°» Cabaret (Eb) 512+ Call Me (@b) 136 + Call Me imesponsibie (Ab) 132+ Canadian Sunset (Bb) 568 Caravan (Fm) 094 + Cast Your Fate to The Wind (F) 309 + Cecilia 691 Ceora. (Ab) 0382+ Chances are (C) 356 Charleston, The (8b) 233+ Chattanooga Choo Choo (C) 128 + Cheek to Cheek (O) 601 Chelsea Bridge (0b) 228 Cherokee (86) 565» Chery Pink and Apple (Eb) 357 * Chicago (F) Chicken Dance () 601 Child 1s Bom, A (Bb) 248 + Choo Choo Ch’Boogie (F) 485 + Christmas Song (Eb) 492» Christmas Time is Here (®) 469 432 092 aa 226 7 022 643 643 219 oe 131 632 466 138 126 451 567 358 O19. 205 102 409, 227 051 509, 634 313 607 202 n8 on 245, 023, 201 033, sn 158 642 157 613 04 146 028 049) 027 050 123 147 404 on 00s Ciao, Ciao, Bambina (C) * Cielito Lindo (@b) Clarinet Polka (C) + Close To You (E6) ‘Come Back To Sorento. (Cm) ‘+ Come Fly With Me (C) + Come Rain or Come Shine (F) ‘Come Sunday (8b) Con Alma @ Confirmation (F) * Crazy Rhythm) + Cry Me A River (Cm) + cute (©) D Dashoud (E>) + Daddy's Little Git (©) * Dancing in The Dark (>) + Dancing On The Ceiling (F) + Danny Boy (Londonderry At) (C) * Dansero (F) + Darktown Strutters Ball (C) + Darn That Dream (G) + Day By Day += Days Of Wine And Roses (F) + Dear Hear (F) + Dearly Beloved (©) + Deep Purple (F) * Desafinado (F) Dig (Ab) = Dindi () Django Fm) * Do Nothing Tit You Hear (F) ‘Do You Know What it Means (C) Dolphin Dance (Eb) * Don't Be That Way (Eb) ‘Don't Blame Me (C) + Don't Get Around Much (C) + Don't Go to Svangers (Bt) + Don’ Wisunderstand (F) * Don't Take Your Love From Me (C) Donna Lee (Ab) + Don't Worry ‘Bout Me (AB) Dory (6b) + Dream (©) ‘Dream A Ute Dream (6) e Early Autumn (©) ‘East of The Sun (G) + Easy Uving + Easy Sueet (Eb) + Easy To Love (G) + Ebb Tide (O) * Edelweiss (Bb) Elsa (Eb) + Embraceable You ®)403 076 oan 658 519 090 185 065 008 230 7 409 an 20 401 098 sis 305 ns 382 042 107 209 053 048 on 069 690 20 566 ses 246 492 692 148 504 02 306 070 64 657 $01 239 327 182 025 461 516 224 02s oss ais 229 583 a2 61 696 635 Emily © + End of a Love Aff. The (F) Epistrophy (CA) Equinox (Cm) + esate + Evergreen () + Everybody Loves Somebody (F) + Everything Happens to Me (Bb) + Everytime We Say Goodbye (Eb) + Beactly Ute You (©) € Falling Grace (AB) + Falling in Love Again (&b) ‘Falling In Love With Love (Bb) + Fascinating Rhythm (® ‘Fascination (©) + Feelings (Em) + Felicidade (Cm) Fine And Dandy (F) + Fine Romance, A (C) ‘+ Five Foot Two (C) ‘+ Flamingo () + Fly Me To The Moon (C) + Foggy Day, A (F) * Fools Rush in (C) ‘For All We Know (F) + For Sentimental Reasons (F) + For You, For Me, Forevermore (F) Forest Flower (C) Four (E) + Frenesi_ (Ab) Friends (©) + From This Moment On (AB) * Frosty the Snowman (C) cs Gaviota (Cm) + Gee Baby, Ain't Good to (Cm) + Gentle Rain (Am) + Georgia (F) * Get Meto the Church on (6) + Ghost OF A Chance (C) iant Steps (8) Gingerbread Boy (8b) * Girt From Ipanema (F) + Give Me The Simple Lite (@b) Give My Regards To Broadway (Bb) + Glory of Love, The (G) + God Bless The Child (Eb) Godtather Theme (Cm) * Going Out Of My Head (8b) * Gone With The Wind (Eb) + Good Morning Heartache (F) * Goodnight Sweetheart (C) Gravy Walz (©) + Green Dolphin Street (C) + Green Eyes (Eb) * Greensleeves. (Om) Gregory is Here (Bb) Groove Merchant (Bb) Groovin’ High (Eb) 489 070 463 63 432 vr a3 455 203 461 a4 432 301 a6 o10 138 464 353 a4 327 133 062 22 506 036 676 020 128 040 16 064 waz 139 037 27 166 337 034 301 158 na 001 ns 3 161 207 oat ons 604 o10 188 044 n6 686 + Cusntanamara (0) + Guess Pi Hang My 4 Hal To The Chiel (©) Half Nelson (©) Happy Wanderer, The (8b) + Harbor Lights (&) Harem Noctume (Om) Haunted Baloom () Hava Nagin (©) + Have You Met Mis jones (6) + Have Yours a Mey Xmas (©) + Hawaian Wedding Song (C) + Hear And Soul + Heather on The Hil, The Helena Poa (F + Helio Dolly (Bb) ‘Hello Young Lovers (5) + Here's That Rainy Day (F) Hey There (€) Hotey Pokey (6b) “+ Honeysuckle Rose) + Hoop DeeDoo. (Eb) Hooray For Holywood () + How About You (©) ‘+ How Deep ts The Ocean) + How High The Moon. (@) + How Insensitve (Om) * How Long Has Tis Been (6) How My Hear Sings. (©) v ars Out (©) +1 Cant Get Stared (©) + 1.Cant Give You Anything (Ab) ‘1 Concentrate on You (Eb) +1 Could Have Danced All (C) #1 Could Write a Book (©) ‘1 Cover The Waterfront () ‘1 Didnt Know What Time it (C) +1 Don't Know Why (Bb) +1 Fall in Love Too Easily () Get A Kick Out OF You (Eb) +1 Get Along Without You (8b) 1.Go To Rio (Bb) Got it Bad (6) #1Got Rhythm (Bb) +1 Hadn't Anyone Til You () I Hear a Rhapsody (Eb) “1 Left My Heart in San (Bb) +1 Let A Song Go Out Of My (Eb) +1 Uke The Likes Of You (Eb) +1 Love Paris (C) st hove You IMean You @) +1 Only Have Eyes For You (©) | Remember Citford_ (F) + 1Remember You (G) +1 Say A Uitte Prayer For You (C) #1 Should Care (C) * Thought About You (Eb) Hold You So.) 22 161 388 578 337 244 27 491 491 640 rar ‘= Wl Wait For You (Om) ‘+1 Wish You Love @) ‘1 Won't Dance (C) ‘+I Be Home For Christmas (C) + MM Be Seeing You (Eb) Get By ©) i Remember April (C) ‘Take Romance (F) ‘rm Beginning To See The (©) ‘+ fm Getting Sentimental (F) + im Glad There is You (F) + im Gonna Sit Right Down (©) ‘frm In The Mood For Love (C) + 1m Old Fashioned (F) Ive Found A New Baby (0) ‘+ 1¥e Got My Love to Keep Me () + I¥e Got The World on a (Eb) * Ive Got You Under My Skin (Eb) + Ie Grown Accustomed to (Eb) ‘I Ever | Would Leave You (@b) You Could See Me Now (Eb) + You Never Come To Me (Eb) A Wind (Bb) ‘Imagination (@) Impressions (Om) nA Mellow Tone (Ab) In A Sentimental Mood) + In My Solitude (Eb) In The Mood (Ab) + In The Stl of the Night) ‘+ in The Wee Small Hours (C) |n Your Own Sweet Way (8b) + Indiana Infant Eyes (Eb) ‘Invitation (Cm) Iesh Washerwoman (6) * Isn't tt Romantic (Eb) lotope (C) it All Depends On You (C) + It Could Happen To You (F) ‘= It Don’t Mean a Thing (Bb) ‘it Had To Be You (Ab) ‘it Might As Well Be Spring (G) # WtNever Entered My Mind. (®) Its A Raggy Waltz (6) ‘sts Alright With Me ts Delovely (F) + i's Only a Paper Moon (C) + 1t’s You Or No One. (F) ‘Rts Been a Long, Long Time (A) 1 ha *Jalousie (8b) + Jamz Samba (€b) Jeanine (Ab) Jersey Bounce (C) Tingle Bells (6) = finglebell Rock (C) Joshua (Om) ley Springon 208 109 230 yaa 608 sis 576 az 377 377 468 308 633, 209 602 066 3 os 627 490 151 1 150 633 433 sio m 160 468 364 505 67 21 sn 317 237 235 os 14s 165 a3 23 os 687 522 ne 606 208 482 408 13 no 441 308 318 126 jou + Just Friends (6) + lust in Time (8b) + lust One Of Those Things (F) + Just Squeeze Me (F) x Kids Are Pretty People (F) Killer Joe () + Kiss Of Fire (Om) u +LOvEtove © La Cumparsta (Cm) Paloma (©) +2 Vie en Rose (©) + Lady Be Good (6) Lady Bird (©) + Lady is A Tramp, The (C) Lament (®) + Last Night When We Were (6) + Late, Late Show, The (F) + tau (©) Lazy Bird (©) sett Snow CF) + Lets Do tt (Bb) * Let's Fall in Love (©) * Lets Get Away From it All (Eb) berated Brother (Gm) Lechtensteiner Polka (A) + Like A Lover (©) * Like Someone in Love (8b) +i" Darlin’ (eb) + Limbo Rock * Limehouse Blues (AB) Little Boat () Little Sunflower (Om) + Long Ago And Far Away (F) + Look Of Love (Om) Look to the Sky + Lot OF Living To Do, A (C) * Love For Sale. (Bb) Love Story (Gm) + Love Walked In. (Eb) * Lovely To Look At + Lover (0) + Lover, Come Back To Me (AB) * Lover Man. (Om) Lucky Southem (0) Lujon (Om Lullaby of Birdland (Fm) + Lush Lie (0b) ™ + Mac The Knife (C) MacNamara's Band) Mademoiselle de Paris (0) + Make Someone Happy (F) ‘+ Makin’ Whoopee (F) Mala Femmena (Bb) Mame (©) Man And A Woman, A (C) + Manhattan (F) oes 443 539 074 456 182 503 087 18 540 696 406 464 359 087 628 456 002 626 27 187 029 034 02 401 104 162 016 001 553 M3 022 568 130 248 127 658 359 236 156 as 412 026 004 694 “4 058 043 on 080 107 o16 097 452 603 082 626 on 520 Manteca (8b) Maria Elena (C) + Mas Que Noda + Masquerade is Over. The (Eb) Mayim Mayim (Cm) + Mean To Me) + Meditation (©) + Memory (C) Memphis in June (C) Menina Flor (€) Mercy, Mercy, Mercy (8b) Mery Widow Waltz (F) Mexican Hat Dance () Midnight in Moscow (C) + Midnight Sun (©) Milestones (Ole) (8b) Misiiou (Gm) + Misty (6) Moanin’ (Fm) Moments Notice (Eb) + Moments To Remember (Ab) “+ Mona tsa (F) + Mood indigo. (Ab) + Moon Over Miami (G) + Moon River (©) + Moongiow (@) ‘+ Moonlight Becomes You (9) ‘+ Moonlight In Vermont. (Eb) ‘Moonlight Serenade (F) + More (@) + More See You, The (Eb) + More Than You Know (©) Moming (Bom) Moten Swing (Ab) + Mountain Greenery (©) + Me tacky (G) Me. Sims. (©) Musicat Ramble (Bb) + My Baby jst Cares For Me (G) ‘My Blue Heaven (@) + My Buddy (©) + My Favorite Things (Em) + My Foolish Heart (86) * My Funny Valentine (Cm) My Uitte Suede Shoes (E>) My Love Forgive Me (©) My Melancholy Baby (G2) ‘+ My Old Flame () + My One And Only Love (©) + My Own Trve Love Tara) (F) ‘+ My Romance (C) +My Ship © My Way My Wid Wish Rose (Bb) N Naima (Fm) ‘+ Nancy With The Laughing (F) Nardis (Em) + Neamess Of You, The (F) + Never Let Me Go (Db) 567 on 304 637 133 m mm on 638 on 082 042 145 514 655 507 43 a2 052 28 oan 625 104 125 305 303 504 o7 303 056 54 007 + Never On Sunday (Eb) + Nevertheless (8b) “= New York, New York (F) ‘Nic's Dream (bm) + Nice ‘N’ Easy (Eb) + Nice Work if You can Get it (6) + Night And Day (@) Night Dreamer” (C) Night Has 1000 Eyes, The (C) Night in Tunesia, A (Eb) = Night We Called tA Day, (6) + Nightingale Sang in Berk. Sq, (Eb) ‘= No Moon At All (Om) + No More Blues (Chega De (F) Now's The Time (F) ° © Grande Amor (Am) © Sole Mio. (b) + Oh You Crazy Moon (G) + Old Cape Cod + Old Devil Moon (F) + Old Fos (eb) leo (Bb) + On A Cleat Day (6) + On a Slow Boat To China (8b) + On The Street Where You Live (C) + On The Sunny Side OF The (C) + Once I Loved (6) + Once In Awhile (Eb) + One (Eb) + One For My Baby (Eb) + One More For The Road. (Eb) + One-Note Samba (Bb) *+ Only Trust Your Heart ‘Opus One (6) Ornithology (6) + Our Day Wilt Come (6) * Our Love s Here To Stay (F) + Out Of Nowhere (6) + Over The Rainbow (Eb) P + Paper Doll (F) + Party's Over, The (Eb) sion Flower (C) Peace 8b) + Peg ‘0’ My Heart (Bb) * Pennies From Heaven (C) Pennsyhvania 6.5000 (C) Pennsyhania Polka (F) Pensativa (Cb) + Penthouse Serenade (C) + People (C) Perdido (6b) + Perfidia (C) Pethaps (©) + Pieces of Dreams) Pigalle (C) + Pleave Don't tak About Me (Eb) ‘Poinciana (G) + Polka Dots & Moonbeams.¢F) eeont 078 035 506 310 536 628 408 503 605 186 317 685 26 061 656 ar 363 130 328 603 487 467 an 522 642 536 246 487 103 a4 013 353 601 0s) 25 093 9 077 07 629 25 639 501 363 23 695 489 ees 677 186 695 os 488 636 ons 029 + Poor Buttery (Ab) + Portrait of Jenny, A (®) + Prelude toa Kiss (C) Pretty World (6) + Puttin’ On The Ritz (Fm) Q * Quando, Quando (8b) Quasimodo (Eb) (Que Sera, Sera (Eb) + Quiet Nights (Corcovade) (C) Quintessence () R + Raindrops (F) Recado Bossa Nova Recordame (Am) + Red Roses (for A Blue Lady) (C) + Red Sails In The Sunset (G) Relaxin’ at Camaro. (6b) Robbin’s Nest (C) + RoccA-Bye Your Baby (C) Rose Room (Ab) Rosetta Round Midnight (Eom) + Rudolph (©) Russian Dance (C) s + SWonderful 2) Sabor A Mi (Eb) Sak Peanuts (F) ‘Samba de Orfey (C) San Francisco. (C) + Santa Claus is Coming * Satin Doll (©) Scarborough Fat (Om) + Scotch & Soda (Eb) Scrapple From The Apple (F) Search For Peace + Second Time Around, The (©) + Secret Love (Eb) + Send in the Clowns (Ab) + Sentimental Journey (C) ‘September In The Rain (Eb) + September Song (C) Serenity. (Ee) Serpent’ s Tooth (Bb) Seven Steps To Heaven (P) + Shadow Of Your Smile (C) * Sheik of Araby, The (6b) + Shiny Stockings (Ab) Sidewinder (Eb) + Siver Bells (© Sivers Serenade (Em) Simone () + Sing (6b) Sister Sadie (6) + Skylark. (Eb) + Sieigh Ride (€) Smater (278) + Smile @ + Smoke Gets n Your Eyes (ED) 518 507 639 326 357 630 655 164 660 046 237 401 026 678 095 208 402 694 68s 231 18s 032 693 163 690 551 555 23 657 4s 049, 354 687 us 465 006 223 035 612 27 120 659 164 094 357 2s 485 616 613 065 146 077 455 310 146 381 325 ns 1+ So Many Stars (C) + So Nice (Summer Samba) (F) ‘50 What (Om) + So Whats New (©) + Softly As In A Morning (Om) Solar (Crm) Solid (6b) + Some Enchanted Evening (C) Some Other Blues (F) + Some Other Time (©) ‘+ Somebody Loves Me () ‘Someday My Prince Wil) ‘+ Someone To Watch Over Me (Eb) Sometime Ago (F) + Somewhere () * Somewhere Beyond the Sea (Eb) ‘+ Somewhere My Love (C) Song For My Father (Fm) Song For Strayhom (Eb) + Song is You, The (C) + Song Sung Blue (F) Sophisticated Lady (Ab) Soul Eyes (Eb) * Sound of Music, The (F) Spain (0) + Spanish Eyes (6) + Speak Low () Speak No Evil (Cm) Speedball (C) * Spring Can Really Hang You (C) * Spring is Here (Ab) + St Louis Blues () St Thomas (C) Star Eyes (Eb) ‘Star Spangled Banner (8b) + Stardust (C) + Stars Fell On Alabama (C) + Stella By Staright (8b) Stolen Moments (Cm) Stompin’ At The Savoy () + Stormy Weather (AB) Swaight No Chaser (@) + Stranger in Parade (F) + Stranger on the Shore (F) Strangers In the Night (F) Swing OF Pearls (Eb) Stripper, The ¢F) Strollin’ (Ob) Sugar (Cm) + Summer Knows, The (F) + Summer Place, A (Bb) ‘Summer Wind (Eb) + Summertime (Am) + Sunday Kind Of Love (F) + Sunrise, Sunset (Ge) + Surrey With The Fringe. The (C) + Sweet and Lovely (C) + Sweet Georgia Brown, (C) Sweet Gypsy Rose (C) + Sweet Lorraine (C) 131 oi 242 206 42 565 n3 140 003 410 655 068 ral 135 ons 470 327 154 540 24 202 242 139 020 127 o7s 615 037 686 232 187 073 638 467 128 538 325 360 o2t 101 oss 067 361 238 43 239 362 o72 635 218 088 033 on 407 456 Swinging Shepherd Bhies (C) 7 Take Five (Cm) Take The "A" Train (©) ‘Tangerine () Tarantella (Am) + Tea For Two (Ab) += Teach Me Tonight (©) + Tender Trap, The (Ab) ‘sTenderly (Eb) ‘Tennessee Waltz (C) ‘Tenor Madness. (Bb) = Thanks For The Memory (F) ‘+ That O'd Black Magic (@b) ‘* That Old Feeling (Eb) That's All @b) = That's Amore That's Entertainment (6b) ‘+ Thats Ue (©) Theirs Tears ‘Theme, The (8b) + There s No Greater Love (Bb) ‘+ There Will Never Be Another (Eb) ‘+ There Be Some Changes (Bb) ‘+ Theres A Small Hotel (©) + These Foolish Things (E2) * They Can't Take That Away (Eb) + They Sat It's Wondertul_(F) ‘Things Ain't What They Used (F) ‘+ Things We Did Last Summer, (C) Think On Me (0) + This Can't Be Love (Ab) * This Could Be The Start (C) «This Guys in Love (€) This Is AIT Ask This is New (Cm) + Thove Were The Days (Am) + Three Lite Words () + Tico Tieo (Am) ‘Tie A Yellow Ribbon (Eb) Tiger Rag (Bb) + Till There Was You (€b) + Time after Time (Bb) + Time For Love, A (Bb) + Time On My Hands (F) Tin Roof Blues (Bb) ‘Too Close For Comfort (C) ‘Too Fat Polka (C) + Too Marvelous For Words (C) + Toot Toot Tootsie (C) Triste (6) = Try A Uitte Tendemess (€) ‘Tune Up (0) ‘Turn Out The Stars Tuxedo Junction (Bb) Twelth of Never (0) + Twilight Time (C) ‘Two For The Road (C) “Two Hearts In 3/4 Time (C) Taena20 405 005 364 a4 os os 009 407 406 656 on 442 26 os 076 soz 696 502 352 089 2 008 ost 137 483 631 os os ous 08s 24 ost 3 ore as on 089 451 7 os 050 304 162 sz 407 48 a2 307 436 063 12 030 676 490 a9 120 v + Undecided (©) + Under Pars Skies (Fm) + Unforgettable (F) + Up A Lazy River (F) Up lumped Spring (8b) v Valse Hot (AB) Very Early ( + very Thought OF You, The (Ab) Vienna tte (8b) + Vienna, My City Of Dreams (F) Vierd Blues (Bb) + Violets For Your Furs. (F) Volare (88) w + Walkin’ My Baby Back Home (Eb) Waltz For Debby (F) Warm Valley (Eb) “Watch What Happens (Eb) Watermelon Man. (F) + wave (0) + Way Down Yonder In New (G) “+ Way We Were, The (A) ‘Way You Look Tonight, The (Eb) + Well Be Together Again (C) + WeVe Only Just Begun (F) + Weaver of Dreams, A (C) Wedding March (Om) Well You Needn't West Coast Blues (Bb) + What A Diference A Day (F) + What Are You Doing the Rest. (Am) + What | Did For Love (©) + What Is This Thing Called (C) + What Kind of Fool Am 1 (C) + What Now My Love (F) What Was (©) + Whatll 1007) + What's New (© + When | Fall in Love (F) + When Irish Eyes Are Smiling (C) + When Lights Are Low (©) + When Sunny Gets Bue) ‘+ When You Wish Upon A Star (©) + When You'e Smiling (Bb) + When Your Lover Has Gone (AB) + Where Do You Start_(Eb) Where ts Your Heart (€b) + Where or When (Eb) Whisper Not (Cm) * Whispering (Eb) + White Christmas. (©) + Who Can Tum To (Eb) * Will You SUil Be Mine (Ab) * Willow Weep For Me (G) Windows (8b) ‘Winter Wonderland (Eb) Witeh Hunt (Cm) + Witcheratt 156 244 406 247 61s 245 404 632 512 362 12 ey 556 240 095 046 023 604 106 108 125 123 41 153 124 059 558 “= With A Song in My Heart (Eb) ‘Without a Song (Eb) + Wondertul Copenhagen (C) Woodchepper's Ball (C) + Work Song_ (Fm) + Wrap Your Troubles () + Wunderbar (©) Y Yardbird Suite (C) + Yellow Days. (F) + Yes Sic, That's My Baby (Eb) + Yesterdays (Om) * You and the Night and the (Eb) + You Belong To My Heart (Eb) + You Do Something To Me (Eb) + You Dont Know Me (C) + You Don't Know What Love Is (Fm) + You GoTo My Head (C) You Know! Care (Bb) + You Made Me Love You (C) * You Make Me Feel So Young (8b) + You Stepped Out ofa Dream (C) + You'd Be So Nice to Come (C) + Youre Getting to be a Habit (F) + You're My Theil (Fm) + You're Nobody Til Somebody (®) ‘Youve Changed (Eb) + Yous: (0) Zz062 038 039 on 003 047 063 059 060 o12 013 022 078 os ost 023 033 054 028 048 027 050 076 065 008 042 083 03 068 02 070 025 02s oss 070 060 80 010 962 036 020 40 064 037 034 oor ors o10 044 083 039 028 THE GREAT GIG BOOK (BLUE) — Style Index BALLADS ‘Al My Tomorrows (Eb) ‘AL OF You (Eb) ‘Al The Way @) ‘Angel Eyes (Cm) ‘April tn aris (C) ‘As Time Goes By (Eb) ‘Autumn in New York (®) Bewitched (C) Blue Gardenia (G) Blue Hawaii (8) Blue Velvet (Bb) Body And Soul (Db) But Beautiful (6) Chances Are (G) Come Sunday (Bb) Cry Me & River (Cm) arn That Dream (C) Deep Purple (F) Don't Blame Me (C) Don't Goto Strangers (Bb) Dream (©) Ely Auturnn (©) East of The Sun (C) Eary Uving (F) Easy Street (EB) Embraceable You (F) End of a Love Affair. The (F) Everything Happens to (Bb) Everytime We Say (Eb) Flamingo @) Fools Rush In (C) For All We Know (F) For Sentimental Reasons (F) For You, For Me, (F) Georgia Ghost OF A Chance (©) God Bless The Child (Eb) Good Moming Heartache (F) Goodnight Sweetheart (C) Guess rit Hang My Tears (©) Harbor Lights (Eb) Heather on The Hill, The (F) Here's That Rainy Day (F) How Deep Is The Ocean (F) How Long Has This Been (G) Cant Get Staned (©) ' Concentrate on You (Eb) | Cover The Waterfront (C) 1 Fallin Love Too Easily (Eb) 1 Got it Baa (6) "Lett My Heart In San (Bb) | Only Have Eyes For You (C) Remember You (6) 1 Should Care (C) | Will Wait For You (Om) 1 Wish You Love (F) ''m Getting Sentimental (F) 068 009 069 081 027 024 036 038 031 054 083 oe 043 07 087 002 029 082 016 01 022 026 058 043 on 080 016 082 on on 042 052 oan 017 056 056 017 oss 058 067 079 007 ony 078 035 061 013 ost 077 007 019 075 02s 046 026 tim Glad There i You (F) {fm In The Mood For Love (C) ve Grown Accustomed (Eb) I Ever | Would Leave (Bb) ML Wind (Bb) Imagination (Eb) In A Sentimental Mood (F) In My Solitude (€b) In The Stil of the Night (F) Isn't tt Romantic (€) 1 Might As Well Be (6) It Never Entered My Mind (F) Last Night When We (C) tau (©) Lover Man (Om) Masquerade is Over. The (Eb) Midnight Sun (C) Misty (&) ‘Mona Lisa (F) Mood indigo (Ab) ‘Moon Over Miami (C) Moonlight n Vermont. (Eb) Moonlight Serenade (F) ‘More Than You Know (€) ‘My Foolish Heart (Bb) >My Funny Valentine (Cm) My Melancholy Baby (Eb) My Old Flame (C) ‘My One And Only Love (©) My Own True Love (Tara) ¢F) My Ship (F) Nancy With The (6 ‘Nearness Of You, The (F) Nevertheless. (Bb) Night We Called tA (C) Nightingale Sang in (Eb) ld Cape Cod (F) Old Folks (&b) Once In Awhile (Eb) ‘One For My Baby (Eb) ‘One More For The Rosd (Eb) ‘Over The Rainbow (Eb) Party's Over, The (€b) Penthouse Serenade (C) People (C) Pieces of Dreams () Polka Dots & Moonbeam: (F) Poor Buttery (Ab) Portrait of Jenny, A (F) Prelude to a Kiss (C) Red Sails In The Sunset (6) ‘Scotch & Soda (ED) Second Time Around, The (C) September In The Rain (&b) ‘September Song (C) Skylark) Smile (F) ‘Smoke Gets In Your Eyes (Eb) Some Other Time (C) Someone To Watch Over (Eb) 032 045 049, 006 035, 065, 077 003 068 ons 020 07s 037 073 o2t 067 072 033 on 005 072 076 008. on 014 061 on 024 050 048 063 030 046 023 059, 086 094 092 090 098 08s 087 097 093 095 096 oss ose 089 091 08s 089 095 Sophisticated Lady (Ab) Spring Can Really Hang () Spring Is Here (Ab) Stardust (C) Stella By Staright (68) ‘Surnmer Place, A (8b) Summertime (Am) Sunday Kind Of Love (F) Tenderly (Eb) Thanks For The Memory (F) That’ All @b) ‘These Foolish Things (Eb) They Sat I's Wondertul (F) Things We Did Last (©) This Is All| Ack Til There Was You (Eb) Time On My Hands () Try A Little Tenderness (Eb) Twilight Time (G) ‘Two For The Road (C) Unforgettable Very Thought OF You, The (AB) Violets For Your Furs (2) Warm Valley (Eb) Well Be Together Again (©) What A Difference A Day What Are You Doing the (Am) What Kind of Fool Am 1 (C) What's New (©) ‘When Sunny Gets Blue (F) When You Wish Upon A (C) Where or When (Eb) Who Can {Tum To (&b) ‘Willow Weep For Me (G) ‘You Dont know What (Fm) You Go To My Head (C) Youve Changed (Eb) (NEWER BALLADS Al | Ask of You (0b) Cast Your Fate to The (F) lose To You (Eb) Evergreen (©) Feelings (Em) Love Story (Gm) Merery (C) My Way ©) Send in the Clowns (AB) Somewhere (F) Stranger on the Shore (F) Summer Knows, The (F) Tire For Love, A (6b) Twelth of Never (D) Way We Were, The (A) Weve Only ust Begun ¢F) What | Did For Love () When | Fall in Love You Don't Know Me (C) J f K i , i '106 10 nz 105 157 ass 101 135 105 143 103 136 132 128 7 131 138 126 102 ne 158 17 146 3 147 ng 107 148 12 7 m4 138 133 129 6 142 139 166 158 na us 161 ne 134 155, 108 183 37 130 102 124 161 109 6 132 131 ord 150 m 160 us 165, EASY SWING ‘ter Youve Gone (©) Ain't Misbehavin’ (C) Alone Together (Om) ‘Auturmn Leaves (Em) Beautiful Love (F) Because of You (Eb) Blue Moon (Eb) ‘Blue Room (F) Bive Skies Blues in The Night (8b) Bye Bye Blackbird (F) Call Me kresponsible (Ab) Canadian Sunset (Bb) Cheek to Cheek (C) Come Rain of Come (F) cute (€) Dancing In The Dark (Eb) Dancing On The Ceiling (F) Days Of Wine And Roses (F) Do You Know What It (C) Don't Take Your Love (©) Don't Worry ‘Bout Me (Ab) Dream A Little Dream (G) Easy To Love (G) Ebb Tide (©) Fine Romance, A (C) Fy Me To The Moon (C) Gee Baby, Ain't 1 Good (Cm) Giory of Love, The (G) Harlem Noctume (Om) Heart And Soul (F) Hey There (Eb) How About You (C) {Cant Give You (Ab) | Could Write a Book (C) | Dida't Know What (G) | Don't Know Why (8b) 1 Get Along Without You (Bb) | Hadn't Anyone Til You (F) | Hear a Rhapsody (Eb) Let A Song Go Out OF (Eb) 1 Love Pacis (©) | Thought About You (Eb) Won't Dance () 11 Be Seeing You () 1M Get By 'm Gonna Sit Right (C) ve Got My Love to Keep (F) In A Mellow Tone (Ab) It Wad To Be You (AB) {ts Only a Paper Moon (G) Ws Been a Long, Long (A) Just In Time (8B) lust Squeeze Me (F) LOVE Love ® Lets Do i (Bb) Lets Fallin Love (C) Lets Get Away From (Eb) Uke Someone In Love (Bb) LP Dattin’ (eb) Love Walked tn (Eb) Lovely To Look At (F) ne 143 no 126 152 148 108 1682 na 130 127 156 107 133 nm 14s v2 tos 1s 109 150 vat 130 103 129 164 163 ns 120 164 146 46 ns 131 ns 140 121 13s 154 139 127 18 101 137 3 u7 162 12 120 156 m2 106 108 123 ut 153 126 us 188 187 Lullaby of Birdland (Fm) ‘Make Someone Happy (F) Makia’ Whoopee (®) Manhattan (®) Mean To Me (®) ‘Memphis in june (C) Moonglow (G) ‘Moonlight Becomes You (F) ‘More See You, The (Eb) Moten Swing (AB) Me, chy (G) My Blue Heaven (Eb) My Romance (©) Nice ‘N' Easy (Eb) Nice Work f You can Get (©) No Moon At All (Om) ‘Oh You Crazy Moon (C) (On A Clear Day (©) ‘On a Slow Boat To China (8b) ‘Out OF Nowhere (G) Paper Doll (F) Peg'O' My Heart (Bb) Rose Room (Ab) Satin Doll (C) Sentimental Journey (C) Some Enchanted Evening (C) Sound of Musi, The (F) Star Eyes (Eb) Stormy Weather (Ab) Stranger in Paradise (F) Summer Wind (Eb) ‘Sweet and Lovely (C) ‘Sweet Loraine (©) Swinging Shepherd Blues (C) Teach Me Tonight (C) Tender Tap, The (Ab) ‘That Old Black Magic (Eb) That Old Feeling (Eb) That's Lite (G) There's A Small Hotel (C) ‘They Can’t Take That (Eb) Three Little Words (C) Time After Time (Bb) Weaver of Dreams, A (C) What Now My Love (F) When Lights Are Low (F) When Your Lover Has (Ab) Will You Stil Be Mine (Ab) Witcherat () With A Song in My Heart (Eb) Yesterdays (Om) You Made Me Love You (C) You Make Me Feel So (8b) You Stepped Out of a (C) You'd Be So Nice to (C) You're Getting to be» (F) You're My Theil! (Fm) You're Nobody Til (F) NEWEREASY. Everybody Loves () | Say A Lite Prayer For () ‘Moments To Remember (Ab) 186 186 18s 187 203 2a 204 25 247 240 244 22 233 228 248 26 29 205 27 202 245 201 230 220 209 246 239 224 228 203 22 227 207 29 223 210 2s 26 224 206 210 22 27 204 230 209 22 237 235 243 208 248 236 mm 228 216 205 201 207 27 Raindrops) Sing (8b) Song Sung Blue (F) This Guy's in Love (6) (MEDIUM/UP SWING All Of Me (©) Al Or Nothing At All (C) All The Things You Are (Ab) ‘Almost Like Being In (8b) Aight, Olay, You Win (€b) Between The Devil and (F) Breeze And |, The (F) But Not For Me (Eb) CChattancoga Choo Choo (C) Cherokee (Bb) ‘Choo Choo Ch'Boogie (F) Come Fly With Me (©) Crazy Rhythm (F) Day By Day Dearly Beloved (©) Do Nothing Til You (F Don't Be That Way (E>) Dorit Get Around Much (C) Exactly Uke You ( Fascinating Rhythm () Foggy Day, A (F) From This Moment On (AB) Give Me The Simple Life (Eb) Gone With The Wind (Eb) Green Dolphin Street (C) Have You Met Mis Jones (F) How High The Moon (6) {Get A Kick Out OF You (Eb) 'tove You © FU Remember April (C) 11m Beginning To See (C) (ld Fashioned (F) Ive Got The World on a (Eb) Ie Got You Under My (Eb) In The Mood (Ab) Invitation (Cm) Could Happen To You (2) Don't Mean a Thing (Bb) Ws You Or No One () Jersey Bounce (C) Just Friends (G) Just One Of Those Thing: (F) Lady Is A Tramp, The (©) Long Ago And Far Away (F) Lot OF Living To Do, A (C) Love For Sale (Bb) Lover, Come Back To Me (Ab) Mac The Knife (C) Mountain Greenery (©) My Baby lust Cares For (G) ‘Night And Day (Eb) ld Devil Moon Opus One (6) ‘Our Day Wil Come (6) (Our Love Is Here To Stay (F) Pennies From Heaven (C) Pennsylvania 6-5000 (C)28 24 m 26 2s 23 237 231 23 27 29 242 206 as 202 242 238 232 238 239 28 220 236 22 26 26 247 245 240 302 306 302 305 306 327 301 327 301 31 309 328 307 308 an 308 304 305 303 303 310 328 326 310 325 327 325 304 307 Perdido (8b) Red Roses (for A Blue (C) SWondertul (Eb) San Francisco (©) Secret Love (ED) Shiny Stockings (Ab) Somebody Loves Me (G) Somewhere Beyond the (Eb) Song is You, The (C) ‘Stars Fell On Alabama (C) ‘Stompin’ At The Savoy (2) String Of Pears (Eb) Take The °A" Train (C) Tangerine (®) ‘There Is No Greater Love (Bb) There Will Never Be (Eb) ‘There'l Be Some Changes. (8b) This Can't Be Love (AD) ‘This Could Be The Start (©) “Too Close For Comfort (©) ‘Too Marvelous For Words (C) Tuxedo Junction (8b) Undecided (©) Walkin’ My Baby Back (Eb) Way You Look Tonight, (Eb) ‘What ts This Thing (©) ‘Without a Song (Eb) Woodchopper’s Ball (C) Wrap Your Troubles (C) You and the Night and (Eb) You Do Something To Me (Eb) SOCIETY/MISC. Alley Cat (© Anything Goes (©) Cabaret (€2) Cecilia © Fine And Dandy (F) Get Me to the Church on (G) Give My Regards To (8b) Hello Dolly (Bb) Hooray For Hollywood (F) {Got Rhythm (Bb) | Uke The Likes OF You (Eb) It Al Depends On You (C) Ws Alright With Me (F) Wes Delovely Lagy Be Good (G) Late, Late Show, The (F) Mame (©) New York, New York (F) ‘On The Street Where You (C) ‘On The Sunny Side Of (©) One (Eb) Puttin’ On The Ritz (Fm) Rosetta () So Whats New (C) Surrey With The Fringe. (G) Sweet Gypry Rose (©) That's Entertainment (Bb) Tie A Yellow Ribbon (Eb) ‘When You're Smiling (Bb) Whispering (@) 358 357 364 362 as a3 403 402 a0 a4 403 an 401 a2 a6 408 a a3 401 as a2 408 408 a4 401 402 410 DIXIE ‘Ain't She Sweet (C) ‘Alexanders Ragtime Band (7) Avalon ©) Baby Face (C) Basin Street Blues (©) Bill Bailey Birth Of The Blues (C) Bourbon Stret Parade (Ab) Bye Bye Blues (©) Charleston, The (Bb) Chicago ) Darkzown Strutters Ball (C) Five Foot Two (C) Honeysuckle Rose (F) Ive Found A New Baby (0) Indiana) ada © Limehouse Blues (Ab) Midnight In Moscow (©) ‘Muslrat Ramble (Bb) Rock-A‘Bye Your Baby (C) ‘Sheik of Araby, The (Bb) St.Louis Blues (6) Sweet Georgia Brown (C) Tiger Rag (8D) Tin Roof Blues (Bb) Toot Toot Tootsie (C) Up A Lary River () Way Down Yonder In (6) Yes Sit, That's My Baby (Eb) Gravy Waltz (Q) WALTZ Alice in Wénderland (©) Always ‘Around The World (C) Baubles, Bangles and (Ab) Bluesette (Bb) Dear Heart () Edelweiss (Bb) Emily © Falling tn Love Again (&b) Falling tn Love With (8b) Fascination (©) Greensleeves (Om) Hello Young Lovers (Eb) 1 Could Have Danced All (C) Take Romance (F) Lover (©) Mademoiselle de Paris (0) Merry Widow Waltz (F) Moon River (C) My Buddy (G) My Favorite Things (Em) Pigalle (C) (Que Sera, Sera (EE) Scarborough Fair (Om) Someday My Prince Will (F) Somewhere My Love (G) Tennessee Waltz (C) 407 405 a4 407 406 aus 407 406 404 a 432 432 461 432 434 433 433 43 4s 482 482 452 431 456 455 456 456 455 456 462 462 465 463 464 466 Two Hearts In 3/4 Tine (©) Under Paris Skis (Fm) Up limped Spang (88) Vienna Lite (6) Vienna, My Cay OF Whattl Do? (&) ‘Wheres Your Heart 2) ‘Wonderul Copenhagen (C) Wunderbar (C) POLKAS Beer Barrel Pola (C) Clarinet Polka (C) Happy Wanderer, The (Bb) Hawaiian Wedding Song (C) Helena Polka (F) Hoop-Dee-Doo (Eb) Ueehtensteiner Polka (F) Pennsyivania Polka (F) ‘Too Fat Polka (C) ITALIAN ‘Ah Marie (Cm) ‘AIDi La Bb) ‘Anema E Core (6) ‘Arivederci Roma (6) Cito, Ciao, Bambina (©) ‘Come Back To Sorrento (Cm) Godfather There (Cm) Mala Fermmena (Bb) Maria lena (©) My Love Forgive Me () (0 Sole Mio (Eb) Tarantella (Am) Thats Amore (F) Volare (8b) IRISH Danny Boy (Londondeny (C) Wish Washerwoman (G) MacNamara's Band) My Wild trish Rose (Bb) ‘When ish Eyes Are (C) JEWISH ‘Ansa Alinw (Om) Hava Nagilah () Mayim Mayin (Co) Misirlou (Gm) Sunrise, Sunset (Gm) Taena MISC-SPECIAL, ‘Anniversary Song (Em) Anniversary Waltz (C) ‘Auld Lang Syne (P) Bridal Chorus (8B) Bunny Hop ¢) Chicken Dance (©)469 466 469 463 464 468 468 464 467 465 465 467 463 485 492 492 486 485 491 491 490 47 487 409 485 486 490 508 312 509 313 su 319 sis 504 01 316 506 520 310 50s sn 317 322 sie 503 520 sis 07 504 505 319 506 503 317 522 501 sis Cielito Unde (0) Daddy's Litle Gi (C) ‘Guantaramara (0) Hail To The Chief (©) Hokey Pokey (8) La Vie en Rose (©) Limbo Rock () Mexican Hat Dance (F) Russian Dance (G) Star Spangled Banner (Bb) Stripper, The (®) Those Were The Days (Am) Wedding March (Om) (CHRISTMAS ‘Christmas Song (Eb) Christmas Time is Here (F) Frosty the Snowman (C) Have Yourself a Merry. (©) Be Home For (C) Jingle Bells (@) Jinglebell Rock (C) Let it Snow (F) Rudolph (C) Santa Claus is Coming Silver Bells (C) Sleigh Ride () Write Christmas (C) Winter Wonderland (Eb) -BOSSANOVA Black Orpheus (Am) Call Me (Bb) Desatinado (F) Dingi (©) Don't Misunderstand (F) Enate Felicidade (Cm) Gentle Rain. (Am) Git From Ipanema (®) Going Out OF My Head (Bb) How Insensitive (Om) ItYou Never Come To Me (Eb) Uke & Lover (©) Little Boat (C) Look Of Love (Om) Look to the Sky Lujon (Om) Man And A Woman, A (C) Meditation (©) Never Let Me Go (Ob) No More Blues (Chega De (F) Grande Amor (Am) Once I Loved (F) (OneNote Samba (Bb) Only Trust Your Heart Pretty World (G) Quiet Nights (©) Recado Bossa Nova Sabor A Mi (Eb) Shadow OF Your Smile (G) So Many Stars (C) 507 540 508 502 502 sz 512 539 535 337 337 539 $40 536 336 538 556 358 554 582 3s 353 553 355 554 357 551 555 357 556 358 565 367 566 567 565 375 378 576 7 7 568 568 602 601 601 So Nice (Summer Samba) (F) Theirs Tears Triste (6) Watch What Happens (EB) Wave (0) Where Do You Star (Eb) Yellow Days (F) SAMBA Bim Bam Bum (8b) Brazil (Ab) 1Go To Rio (Bb) Jazz Samba (Eb) ‘Mas Que Nada Menina Flor (Eb) ‘Quando, Quando (8b) ‘Samba de Orfeu (©) Tico Tico (Am) RHUMBA ‘Abways In My Heart (8b) ‘Amapola (Bb) ‘Amor () Begin The Beguine (C) Besame Mucho (Om) Green Eyes (Eb) More (@) Perfidia (C) Poinciana (G) Softly As In A Morning (Om) Spanish Eyes (C) Speak Low (F) Strangers In the Night (F) You Belong To My Heart (Eb) Yours (0) CHA CHA Chery Pink and Apple (Eb) Dansero (F) Frenesi (Ab) Never On Sunday (€2) Tea For Two (AB) TANGO Blue Tango (0) Ialousie (8) Kiss OF Fire (Om) a Cumparsita (Cm) 1 Paloma (©) ‘OTHER LATIN Caravan (Fm) Moming (Bom) 1AZZ_ BALLAD Blue in Green (Bb) Chelsea Bridge (Ob) Child ts Bor, A (Bb) 607 608 608 607 608 602 606 603 602 602 605 603 601 693 60s 604 ou 6 613 637 613 6 64 612 616 613 614 as 612 ois 6 25 632 64 630 635 633 69 24 ou 633 628 626 637 6a as 630 628 627 353 625 639 639 630 625 635 6 632 Django (Fm) Remember Cilford (F) I¥You Could See Me Now (Eb) Infant Eyes (Eb) Kids Are Pretty People (F) Lament Lush Lite (0b) Naima (Fm) Passion Flower (6) Peace Bb) Quintessence (F) Round Midnight (Eom) Search For Peace Soul Eyes (Eb) Turn Out The Stas You know i Care (8b) IAZZEASY Bemie's Tune (Om) Dolphin Dance (€) Doxy (8b) Falling Grace (Ab) Haunted Ballroom (F) In Your Own Sweet Way (Bb) Killer Joe Stolen Moments (Cm) Stroll’ (Ob) Sugar (Cm) Take Five (Cm) Things Ain't What They (F) Whisper Not (Cm) Work Song (Fm) ‘Airegan (AD) ‘Anthropology (8b) Daahoud (E) Dig (Ab) Four (Eb) Groovin’ High (Eb) Half Nelson (©) Impressions (Om) Jeanine (Ab) Joshua (Om) Jey Spring Lady Bid (©) Milestones (Old) (8b) Narais (Em) ‘Nias Dream (Bb) Night in Tunesia, A (Eb) leo (6) Ornithology (6) Quasimodo (Eb) Robbin’s Nest () Scrapple From The Apple (F) Serpent’ s Tooth (6b) Seven Steps To Heaven (F) ‘So What (Om) Solar (Cm) Theme, The (8b) Tune Up (0) Well You Neednt (F) Yardbird Suite (©)24 636 643 643 642 oan 61s eat a7 626 627 68 642 629 636 29 638 629 659 658 635 660 659 658 659 656 658 657 655 658 655 656 655 660 657 659 655 656 ors 676 674 or 677 677 678 67s 673 675 674 678 676 IAZZ MED/UP Bebop (Eb) Bolivia (G) Con Alma (€) Confirmation Donna Lee (Ab) Epistrophy (C#) lant Steps (8) 'Mean You @ Lazy Bird (6) Moanin’ (Fm) ‘Moment’s Notice (Eb) [Night Has 1000 Eyes, The (G) Salt Peanuts (F) Serenity (Eb) ‘Smarter (278) Speak No Evil (Crm) ‘This Is New (Cm) Witch Hunt (Cm) 1AZZBLUES ‘Ay Privave () Bessie’s Blues (Eb) Bilie's Bounce (F) Bittersweet () Blue Monk (8b) Blue Trane (Cm) Jes For Alice (F) Byralike (F) Equinox (Cm) Gingerbread Boy (6b) luotope (C) Me. Sims () ows The Time (F) Perhaps (€) Relaxin’ at Camarillo (Bb) Solis (6b) Some Other Blues (F) ‘Speedbali (C) ‘Staight No Chaser (F) Tenor Madnest (Bb) Vierd Blues (Bb) 1AZZ WALTZ, Ea (eb) How My Hear Sings (C) Ws A Raggy Waltz (G) jou Night Dreamer (G) Simone (F) Sometime Ago (2) Valse Hot (AD) Very Earty Wate For Debby (F) West Coast Blues (Bb) What Was (C) Windows (8b) 1AZZ_LATIN 639 694 1 689 692 61 686 688 687 687 688 694 693 685 694 685 690 687 696 696 695 695 ‘Armando's Rhumbs. (Cr) Bive Bossa (Cm) Ceora (AB) Forest Flower (C) Friends (C) Gaviota (Cm) Gregory i Here (Bb) eld You So. (F) Liberated Brother (Gm) Little Sunflower (Om) Lucky Southem (D) Manteca (8b) My Uttle Suede Shoes (Eb) Pensativa (Cb) Recordame (Am) Sitve's Serenade (Em) ‘Song For My Father (Fm) Song For Strayhorn (Eb) Spain (0) St Thomas (C) Think On Me (0) Groove Merchant (8b) Mercy, Mercy, Mercy (Bb) Sidewinder (Eb) Sister Sadie (C) Watermelon Man (F)I LEFT MY HEART IN SAN FRANCISCO (Tony Bennett) Cross/Cory 54 Vers - Quick Runa C7 FT D-7 G-7C-7F7_BbaT. 75 D9 GT T The lov-li-ness of Par-is is some-how sad-ly gay. The glo-ry that was Rome was of another F7 Eb-6 C-755 G-75 be FIC_D7 G7 C7 F Gay. Ivebeen ter- tly a-lone and for -gotten in Man-hat-ten, I'm go-ing home to my ci- ty by the bay. serenoe Al ph gbarmp-7 pbor c7 ow [os can C1 FT ——— = 2b SeS = = SS IF 7 ° T left my» hear in San Fran- cis-com high ahi itealls to My love waits there. in San Fran cis- eo. ‘a= bove the Bho? c-7 7 [Bpbar E-7 a7 per apa pr me—— To be where lit-tle cab-le cars climb half-way to the stars, the morning G-7 Db7 C7 C7 BeT C7 FT *C-7 FT F/Eb A-71D blue and win-dy sea. c-7 FT Bb fog— T dont care. My love waits b? Clo+7 D- G7 C7G-7¢7 may chill the air, When I come home to you San Fran -cis-co your golden sun will shine on me. MOONLIGHT SERENADE Glenn Miller 1939 Al rs, aber o7 cl ct oF FE A-TYBb D7 GF G D- G-G G- ci ce 'F D79G-7C7|2F FT Bb E-7 AZ, Foe ans - - - - ATS p79 B75 BT B75 BT ACTS D7 G2, C™ pc vem‘On my ownwouldI wander thru this wonderland a-lone, nev-erknowing my rightfootfrom my left, my Bey, C-7-_ FT Bhs F-7 pbs G-7 C9 cant un der-stand, I get’ mis-ty just hold - ing your hand. Walk my mus - ic I bea, I get mis-ty the mo- ment youre 2 MISTY . Sere ee ee AI pher Bb-7 BA Aber Ab? pb — cee connec ee he free eye ‘Walkmy way, and a thou-sand vi - o-lins be-gin to play, or itmightbe the sound of your hel-lo, that hat from my glove, I get__mis-ty and too much in love. *Eb abe Bb, _, 8 Bb-7 Babar neat. ‘You cansay that you're lead-ing me on, but it’s just what I want you to do. - - 15 C79 Re AbG a AT D7. C-7 EL, G-75 C79 F-7 Bb — De wsere Don't you noticehow help-less-ly I'm lost, that's why Imfol-lowing you. On my GEORGIA Hoagy Carmichael/Stuart Gorrell 1930 [Al -F E-75 a7 D-7 D-7C G7B BbH6 RAT D7 the whole day through, just an old sweet song. keeps a song of you, comes as sweet and clear as no peace I find, just an old sweet song. keeps A-T AMT G-7 c+ [2 G7 C7 F6 Geor- gia on my mind (Geor- gia on my mind) 2. moon light through the pines 3.Geor - gia on my mind, D-7 G7 D-7 By D-7 G7 D-7 G7 Oth-er arms reach out to me, oth-er eyes smile ten- der- ly, D-7 G7 D7 E7 AT p79 G7 C7 DG. al 2nd End Fine still in peace - ful dreams I see the road leads. back to you.AS TIME GOES BY 3 Herman Hupfield 1931 (Casablanca) (Ab? G-7_C7) Al 7 BY F-25 BYTE F-7_ Ffo7 EWG C-7 You must re-member this, a kiss is still a kiss, a sigh is still a sighs the when two lov-ers woo, they still say “T love you", on that you can re Iy: No Stil the same old story, a fight for love and glory, a case of do or die; the FT Fie? @ 7 Bb79 [* ba? EMG Eo?) [* Eb BE/F Fto7 ELIG fun-da-ment-al things ap - ply as time goes by. ‘And by. mat-ter what the fare bringsas time goes by. BB) voviswit ale ways, we: come Ab, G-75 cm FT A-75 D7 C-/G “AbT/G> ‘Moon-lightandlovesongs nev er out of date, heartsfull of pass- ion, jeal-ous-y and hate; wonran needs man and FT BYE FB pcwcaG-7 C7 F-7BH3 BD ‘man must have his mate, that no one can de - ny. ‘It's loveers, as time goes by. TENDERLY Otten played as a wake Walter Gross /Jack Lawrence 1946 Al Eba7 Ab7# Eb7 The eve- ning breeze. «ea vessed the = ees ten = der = Wy The shore wae seed by “Sex and st tn. er > Ab7 F-9 Ab-6 EAT ‘The wem-bling trees em- braced the breeze wa ke. 5 TY cant for - ‘get how “two hears “met” reath= fess > c7 FF Bh Fam BY BeTC-7 FT Then you and. «I came Wan - der-ing Te oy 2 FS and BT lost. in a sigh were Bo C7 The shore was G7 cH opened wide and closed me in - F-7 Fhe? you took my lips, “you Took-my love —so ten-der ~ ly.MY FUNNY VALENTINE Rodgers/Hart 1937 Cc c-8 c-7 c-6 ‘Abs? AIG F-7 F-/Bb My fun-ny val en-tine, sweet com-ic val-en-tine, you make me smile with my D-75 G7 c- (ee C7 C6 hear,___ Your looks are laugh - a - ble, un - pho- to - graph - a- ble, Abs7 AbIG = F-7 = F-/Eb —Ab-6 B79 ‘Bba7 Fd G-7 F-7 yet you're my fav-'rite work of ant Is your fi - gure Jess than greek, is your Eba7 F-7 G-7 F7 Bb? G7 C- Bh A7 Abs? -D-755 G79 mouth a lit- tle weak, when you o - pen it to speak, are you sman?____But c- c-47) C7 C-6 AbAT D-75 G7 dont change a hair for me, not if you care for me, stay fun-ny val - en-tine C-7 B9 Bb-7 A7 AbAT7 F-7 Bb79 ED stay,_____ each day is val - en - tine’s day. SUMMERTIME G. Gershwin/DuBose Heyward 1935 A-6 B-6 A-6 B-6 A-6 B-6 A-6 B-6 D- F Summer - * time. and the liv-in' is ea - sy— fish are jump - in’ One of these mom- in’s. you goin'to rise up sing in, then you'll spreadyour wings D- Ee E7 FT E7 A-6 B-6 A-6 B-6 andthe cot-ton is high Your _—dad- dy's rich and your mamr-my's good and you'll take to the sky. But till that mom in. there's a no- thin’ can A-6 B-6 A- D7 cIG AT D7 D7 A- so bush lit- de ba = by dont you ary, with dad - dy and mam- my — stand-in’ by.EMBRACEABLE YOU tea /ceoege Gershwin oD Bbo7 AT D7_F7 E7 AT G6 Em- brace me, my sweet em- brace - a- ble you.——____ Em- brace me, 1 love all the _ma-ny charms a- bout you,—__ a- bove all ME Dm ["Ge a7 GB Bt [BlE- E-7D CHS FYI you ir-te- place - a-ble you———____ Just one look at you, my heart grew T want my B- B-7A G#75 G-6 FE? B79 E-7_— AT D7 BT A-7 Abr tip sy in me________You and you a - lone bring out the gyp - sy in me. =G7 a7 Bho G7B I ce FOS B79 B- B-a7) arms a-bout you,—___ Dont be a — naugh-ty ba-by, come to pa-pa, come 10 E7_ A? GD_E7 18 D7 G6 pa- pa do.—_ My sweet em- brace - a- ble you.. UNFORGETTABLE Gordon Irving 1951 Wat Cole) ces G_ G6 G47 G6 FC CAT C6: that's what you are. in ev-'ty way. Un- for- get-ta- ble, tho’ near so And for “e-ver-more—— thas how you'll FT Bb7 CBT E-7 AZ 7 B- CoTATCK" FA7 far Like asongof love that clings to me, how the thoughtof you does things to me, say, cI D9 Eb D9 AbT 2 FAT F-6 nev-er be-fore a7 has E7 some-one been more, AQ That's why darling, i's in-ere - di-ble, B79 D7 D7 G7 C6 (A-7 D7) that some- one soun-for-get - ta-ble, thinks that I am un-for- get - ta-ble too.6 STARDUST Hoagy Carmichael 1929 Verse F9 Ev And now the pur~ ple dusk of twi-light time, steals cross the mea-dows of my ‘You wan-dered down the lane and far a- way. Leav-ing_ me a song. that will not E- A- [*B7 High up in the sky the lit-tle starsclimb. al - ways Love is now the star-dust of yes-ter- da 2 G7 re - mind-ing me that cé Cc we're a - pan. the mus- ic of the years gone by. Some-times 1 Be F-6 Bb7 won-der why I spend the lone~ ly night dream- ing of a song. The side a gar- den wall when stars are bright, you are in my arms. The Cc D7 £7 ATM D: “D-— D-TYab AR me-lo-dy hauntsmy Fewer - ie, and Tam once a- gain with you. When our night-eo-gale tells his fai- ry tale of par-a- dise, where ros - es G7 G G7 Gt c D7 Bbe7 CE love was new, and each kiss an in- spi - ra - tion ____ but A? D9 Az D9 G7 Da G7 Gt o that was long-a- go, now my con- so-la - tion is in the star dust of a song—__Be - 2 D-7 F6 F-6 C E-BA- C/IG grew. Tho 1 dream in. vain,__ in my heat it will re - BYF¢ F7 E7 Bb13 D= ATS D7 G7 c main, the mem-o-ry of love's re- frain. my star-dust mel- o- dy,SEPTEMBER SONG 7 Al Kurt Weill 1938 cs Ab7 cy D-7 B76 AT O = Oh it's a long, long time, fromMay to Dec - em- ber, but the days grow the au-tumn wea - ther, tums the leaves to. flame, fone has-n't got Andithese few _pre-cious days, TH spendwith —you,. these pre- cious D7 D745 CAT Gisust CAT 2 D-75 Gn GT e oe shor when youreachSep- tem- ber Whenthe autumn “time for the wait- ing Cc Giatce |B] F-6 Fhe? x F-6 game. Ohthe daysdwindle down to a prec-iousfew,____Sep- tem ber, #7 CATG 0c. a1cosn @ Dius! D7_D-75 pha? C6 Nov- em - ber, andthesefew days I'll spend with you. POLKA DOTS AND MOONBEAMS ‘Van Heusen Burke 1940 G7 c7 BY AT D2 F47 D2 ‘A county dance was be- ing held ina _gar- den, T felt a bump and heard an The mus-ic start-ed and was "I the per-plexed one, T held my breath and said “may Now in a cot-tage built of li- lacs and laugh- ter know the mean-ing of the G7 E7 AT D7 EDT EF Bb A-7 AMT “ob, beg your par- don.” sud-den- ly oT saw Pol-ka Dots and Moon - beams I’ have ‘the next one?” In my frightened arms Pol-ka Dots and Moon - beams words “ev- er af - ter,” and Till al - ways see Po-ka Dots and Moon - beams G7 c7 A- Ab7G-7Gb7 2 G-7 c7 F6 ET spark-led on a pug-nosed dream. me ‘There were when I” kissmy pug-nosed dream, AAT FEZ, B~ all a-round a pug- nosed. dream. AAT Be B-7 E7 E7 ques-tions in the eyes of oth-er dan-cers as we float-ed ov-er the floor. There were AST Be B-7 E7 AT D7 G7 c7 ‘D.C. and Encing Ques- tions but my heart knew all the ans-wers, and per-haps a few things more8 EVERYTIME WE SAY GOODBYE Cole Porter 1944 Bbe7 FT G-7_—ADAT.-—« ss G-7_ C79 F+7_@BHT Bbs7Gh7 Ev - ‘ty time we say good- bye, I die a ‘lit-de, ev ty time When you're near there's such an air of spring a-bout it, Tcan_hear B47 B7 Bb-7 749 “ab-7 bo EWG Gbe7 BT F-7 we say good - bye, I wonder why a litte, why ‘the gods a- bove me who a lark some - where be- gin to Bb7 Eb, Aba7 Ab7 Db G+? C-7_—Ghe7,_sé&BT ° SS must be in the know, think so lit-tle of me, they al - low you to go BG Bhat Bb! [Zaba7 pho Get 7B) BD-7 BT AbAT sing a-bout it, There's mo love song. fin-er, but how strange the change from Ab, Db9 Bb? C79 F~7_—_ Bb BOTS EG © — ma-jor to mi-nor, ev “ry-time_____ we sty good - bye WE'LL BE TOGETHER AGAIN Fisher/iaine 1945 cé Ab D7? G7_A- AZ, p7 No tears, no fears, re -mem- ber there's al- ways to - mor - row, 0 Your kiss, your smile, are_—smem-"ries. ‘I'll tea-sure for - ev - er, 30 Some day, Some way, © we_~——both have a_life-time be - fore us, for Bh? BY Aba7 D-75 Ab7, “Glut G7 |*C6 what if we have to par, we'll be to-geth-er 2 - gain. Your gam. ™ wy think-ing with your heart pan ing is not good - bye, Ab7_ 5, G79 c-6 ALL, G+7 c-6 Times when I know you'll be — lone- some, times when I know you'll be sad, ADT G7 Gb FT evs, ADT Glut G9 don't Jet temp-ta- tion sur - round you, don't let the blues make you bad. Some 1. sand End Fe)THE VERY THOUGHT OF YOU 9 Ray Noble 1934 Eh Aber Eb7 AbsT be? Ab Bbe7 The ve-ry thought of you,. and I for- get to do. ‘Themere i- dea of you,_—the long-ing here for you. Bo? ANIC, the little or - din- ar- y You'll nev-er know how slow the F-7_ F-1Eb F-9 Bb Bb7 Eb7 G-75 C7 things that ev-‘ry-one ought to do. I'm liv- ing in a kind of day-dream, I'm hap-py asa mo- ments go til Im near to you. I see your face in ev-'ty flow- er; your eyes in stars a- Bb Eb7 “D-715 G79 C-7 F-9 Bb7 ) ‘king, and fool- ish tho’ it may seem, to me that's ev-‘ry- thing. ~The mere 1 - c-7 F7 Bb-7 Eb79 abs 2 D-75 Dba7 bove It's just the thought of you, the ve-ry thought of you, my love. I'M IN THE MOOD FOR LOVE Jimmy McHugh/Fields 1935, Av D7 G7 D7, G7 c7 oc Tm in the mood for love, simply be - cause youre near me. Hea- ven is in’ your eyes, bright asthe stars were un - der If there's a cloud “a - — bove, if it should rain well let it Ebo7 D-7 G7 SC Gia |*C © Fre love. but when youre near me, Tm in the mood for love. it an = y ‘won - der, Tm in the mood for to- night for - get it, Tm in the mood for G7 C ESA79 pens Gn c Why stop to think of wheth - er, this lit- tle dream might —_ fade. FES B7e E-7 A? D7 D-75 G79 We've put our heans to - geth - er, now we ar one, Tm not a - fraid. Dc al 2nd ening Fine)10 HERE'S THAT RAINY DAY Johnny Burke/Jimmy Van Heusen 1949 G DF BYYF oB7™ Bb? 3, Abs? AT D7 s~p7 May-be- I should have saved those left ov- er dreams, funny but here's that rain-y Where is that wom out wish that I threw a- side, af-ter it brought my lov-er Gs? p-7G7 F%ust F9 Bba7 Eba7 -7 day, Here's that rain- y day they told. «me a - dou, and I near? AT D9 c7 B+ ES A-7 p79!* Caz Jaughed at the thought that it might tum out this way.___ Fun- ny how D9/C B-7 B-7 AB A-7D D7 D7 G6 Tove be-comes a cold rain-y day, fun-ny that rain-y day is here—__ I REMEMBER YOU Johnny Mercer 1942 G6 CHTSFI7. G6 D7 ~~ G7 car C7 FT, I remember you, you're the one who made my dreams come tue, a few kiss-es a- I remember you, you're the one who ‘said "I love you too", I do, did- ant you B-7 Bb7 |‘A-7 D7 FT B? Ea? =p7 G7 Bhar o— 1 re-mem-ber too a dis- tant bell, know’ FR7 BT E47 E-7 AZ Da? A7_ D7 G6 and fell like rain out of the — blue. a7 B-75 B79 AT C6 F7 stars that When my life is CHT FH? G6 2s through and the an gels ask me to re - call__ the thrill of them Ge? E-7 CHS C-6 B-7 Bova A-7 D7 Gé all, then 1° shall tell them =I re - mem - ber you.MY ONE AND ONLY LOVE 11 Wood /Melin 1953 A car At D-7 G7 Gh? AT Far = Ye - ry thought of you makes my heart sing like an Ap- ril breeze onthe The sha-dows fall andspread their mis - ty charms, in the hush of light —_whileyou're You fill my ea ger heart with such de sire, ev-'ry_ kiss you give, sets my E-7 Alas AT D-7 G7 E/Gt AT v7 Op7 G7 ‘wings of Spring, and you ap- pear in all your _splen-dor: my one and on-ly in’ my arms, I feel your lips so warm and ten- der my one and on-ly soul on fire I give my- self in sweet sur - — ren- de E-7A7D-7G7 |? C6 FH-75B B- —— «CHS —s—, FETS B79 love. love. The touch of your hand is like heaven E- 3 CH75_,_, FETS B79 E- E-/Dt E-D,—3s— CH’ 15 hea - ven thatI've nev-er known. The blush on yourcheeks when ev - er I speak D7, AM, GI G7 ocacan =— & D-T G7 C6 + tells me that you are my own. my one and on-ly love. THE NEARNESS OF YOU a Hoagy Carmichael/Washington 1937 Fa7 ca F7 ‘BbAT Bbo7 It’s not the "pale moon that ex - cites me, that thrills and ex - cites me, oh It is- n't your sweet. con- ver - sa - tion, that brings this sen - sa- tion, oh T need no ‘soft’ lights to. en - chant me, — if you'll, _on- ly _ grant me — the AT D™® G7 G1, OAT AW GT Clat |e F6 F no it’s just the near-ness of you. It is-n'’ you_____whenyou'rein my Do it's just the near-ness of B) hold you"ev- eso G7 cn FAT) Flust C-7 BT Bba7 B79 A-7 D7 arms, and [feel you so close to me, all my wild - est dreams come G-7 DPC Tat Choo, srcoac? A-PSEDT D9 _|_ Glaus G9 G-7 C7 F6 Clu! F6 a SS tue I need no tight, and to feel in the night the near-ness of you.12 WHAT'S NEW? ‘Burke/Haggart 1938 al C6 ‘Bb-7 7_,, Bb? ‘Aba7 D-75 Gn" Gis ‘You have-n't cHanged a ‘We have-n't met since "t How is theworld treating you? What's new? How did that mance come ihrough A= dieu Par-don my ask ing what's new Of courseyou could C- EbyBb Aba7 Gn ce "D-7 G79 FG-7C79 bit, love-ly ase = ver, must ad- mit What's new? “ What's new? then, gee but it's nice to see you a- gain. know, I have-n’t changed, I love you so. B F6 Eb-7 ——3—_ Ab7 Dbs7 GG -75 cr Prob - a- bly I'm bor- ing FE you but see - ing you is F-_AbVEbDb47 79 Bb? op-75 Gm Dc. Fe grand—__ and you were sweet to of-fer your hand‘ un- der - stand. BODY AND SOUL EH? D9 Hetman/Sour/Byton/John Green 1930 G7 F7 Eo? Eb Bb79 Db I sigh, for you My hear is gad and Jone - for you, for dear nm 5 ant den ‘fi ‘me wrong ing, My “Bie "2 waeck you're maf > ing! you Know ‘Tine yous for jos “the” “Eee ET EbIDb c-75 79 phy Bh P2s— [+ pb Bh [2 pia7 Why fave. n't yu seen it? I'm all for you, Bo-dy and Soul. T tell it Bi Va gad "iy sur- “ren der fe D E7 D/Ft G-7 | C7 FE7 B-7 E-7 AT Ds? 1 hard to con-ceive it, that E7 Ebe7 D7 you'd tum a- way ro- mance. G7 C7_BTBHT pc arn can't believe it, it's D7 G7 ‘Are you pre-tend-ing, it looks like the end-ing, un - less I could have one more chance to prove dear,Ree es Sa SS SS SS SS SS SSSR ES 13 Johnny Burke/ Jimmy Van Heusen CHT5FH79 B-7 CAT BUT BEAUTIFUL G6 c7m B75 EN A-7 fe is fun-ny or is sad, or it's qui- et or mad, its a good thing or it's Love is tearful or it's gay, is a problem or play. It's a heartache eith - er B-75 B79 A7 -B-7B C-4) CH-715 DZ DIC B-7 E-7 bad, but beau - ti full way but beau - ti ful. \A-7 D7 Geo B79 Beau-ti-ful to take a chance_ and And Im think - ing if you were mine Td E- E-¢) E7 a7 if you fall you 2a-7 BT I wouldn't mind at A-7— AbT7 and T'm think ing F7 G6 Bb7 nev-er Jet you go, and that would be but beau-ti-ful I know—__ SCOTCH AND SODA Db Dave Guard 1959 Aba Bs a Gc Scotch ‘n’ so - da, ud in your eye, ba-by do I feel high, oh me ob Dry mar-ti - ni, jig-ger of gin. ‘Oh what a spell you've got me in, ob All All I need is one of your smiles, sun-shine of your eyes oh me oh my F-7 Bb7 | "Bi7 ET AT «|? Bb7 Bb-7 «Bb? BHT my— do feel high —____ B high. F- Bb7 Eba7 Peo- ple don't be - lieve me, they say that I'm just brag - gin’. F9 C7 F9 ce F-7 Bb7 But 1 could feel the way 1 do and still be on the wag - n> ® Ga c7 Fa Bb7ab7 B coe high-er than a kite could fy. ba-by I feel high Give me lov- ing14 WHAT ARE YOU DOING THE REST OF YOUR LIFE Legrande/Bergman 1969 At A-IGE AIG A-/Ft What are you do-ing the rest of your _ life? North and South and Bast and ‘All the seasons and the times of your days all the nick - les and the ‘Those tom-mor-rowswait - ing deep in your eyes, in a world of /—_ love you FAT E7 D7 o West of your life—_____I_ have on - ly ones re = ~— quest for your _iife, dimes of your days, let the rea- sons andthe ~=— rhymes of your days keep in your eyes, I'll a - wa-ken what's a - sleep in your eyes, B-75 ® [Eine a] ZAaT I want to that you spend it all with me. Allthe seasons and the “ ime all ‘be ~ gin and end with it may tke a kiss or Bes #7 Aer Bens E7 see your face in ev-'ry kind of light, —in_— fields. of dawn and for-ests of the AAT ADT p79 Gba7 night. And when you stand be- fore the can-dles on the cake, Oh let me be the G7 c79 FA7 Coda one to bear the si- lent wish you make. Those femi"-“itor - rows wait - ing @ — Etnt E7 F9 Be7s E7 two.___ Thr all of my life, ‘Sum- mer, Win-ter, Spring and Fav Fam A-IE B-7 E7 Ay Fallof mylife, all Tev-er will re call in my life, is all my life with .youI ONLY HAVE EYES FOR YOU 15 ‘Warren/Dublin 1934 D-?_ G+, Are the = stars. out to -night? I don't care if it's clou-dy or bright, cause I moon may be high, but I cant see a thing in the sky, cause T hee sam 1 may- be mill-ions of peo-ple go by, but they Dz. D-7_A%% D-7 G7, ATR, PE-7 Bb AI3 BB? cH, D-7D$e7|'E-7 piece AT Eb-7Ab7 con-ly have eyes. for you dear. The for you. on- ly have eyes all dis - ap - pear—— from Ba G7 Fe7?_~—E-7 A-7_ G-7_ C79 F-6 Bb7 E-7 A-7 T dont know if Tm in a gar- den,—___ ron a crowded a-ve - nue. BHT Ab7 occ phy 47 D-7 D-75 G7 oC You = ae view. and I on-ly have eyes for you. THAT’S ALL ‘Alan Brandt/Bob Haymes 1952 Bba7 C-7 F7 Bba7 Bb, C2 D-7 I on-ly give you love that lasts for- ev- er, and the pro-mise to be neareach time you can can on-ly_ give you country walks in spring-time, and a Hand’ to hold when leaves be- gin. to I If you're won-d'ring what I'm ask-ing in re- tum dear," you'llbe glad to know that my de-mands are D-7 G7_ E-75 Eb7 D2 G7ant Cc-7 G7 call; and the on - ly heart I own, for you and you a- lone that’s all, that’s fall, and a love whose bum- ing light will warm the Win-ter night, that’s all. that's small; say i's me that you a’ dore for now and ev-er- more, that’s all, that's BI -- 19 2 Bl es py = BT C7 F-7 Bb , = fee === + = SSE SS oe 3 Z a, Tecan “ ail “Tere are those, Yam sure, who have told you, tity would give yu theworlditr a Bb G7 C7 Fa] D7, G-7 C7) Flu FT 0G.arm toy. All I have are these arms to en- fold you and a love time can nev-er des- troy, If you're16 MY SHIP Kurt Well/ira Gershwin 1941 Al Fe op7 G9 = C7mst C7 FS p79 G7 C7 My ship has sails thar are made of silk, the decks are trimmed with gold, and of My ship's a-glow with a mil-lion pearls, and rub- ies fill each bin. The T do not care if that day ar-rives, that dream need nev - er be, _—if_the F6Bb7 p79 -@ G-9 E-75 AT |“D-7 G7 G-7 C7 |2D-7 G-7C79F6 jam and spicethere’s a par-a-dise in the hold My ship. comes. in, = Tcan sun sits high in a sapphire sky when my ship I sing does- n't ! 1 I 1 | J Bl oac cr G7c c7 G7 Bhs Fa BET AT D7 f ! I | | | | | | wait the years ill it ap-pears, one fine day one spring. But the pearls and such, they A- D-7 A-TD7 G7usG9 Cus! CJ geo? G-7_E-75A7 D-7__ C7 ‘won't mean much if there's miss-ing just one thing, 7 al-so bring my own me love to FA7FE7G-7C7 Fa9 BB 7H BbAD_EbJaustb7 A-7 Ab7 Dba C79 FS me, If the ship Ising doesn't al-so bringmy own tue love to me. ‘Suessdorf/Blackburn 1939 MOONLIGHT IN VERMONT Als cr F-7 Bb7 Bb6 C7 Db F-7 BT — K a = SSS v ¥ 7 E. \-nies in a stream, fall - ing leaves, a sy - ca. Moon- light in Ver ‘mont. I- cy fin- ger waves, ski trails on a moun-tain- snow- light in Ver mont. B Ev'-ning sum-mer breeze, warb- ling of a mea-dow a Moon-light in Ver . Ad, D7 Gel. E7 AZ abn Gar Te-le- graph ca-bles, they sing down the high-way and tra-vel each bend in the road. Bb7 . Bb? Aba7, . F7 , Bb-7 : ATM Aba7 BbT, Peo- ple who meet in this ro-man-tic set- ting are so hyp-no-tized by the love - ly, Eb F7 E7 EMG ‘mont. ou and I and moon- light in Ver- mont6 f OVER THE RAINBOW 5j.:cta arientiarburg 1938 1 BB C7 G7 Eby abe? D7 «G-7_oc79FT_ODBT Some - where, ov-er the rain-bow, we uf high, there’s a Some - wher’ ov-er the main-bow, skies ge blues andthe Some = where ov-er the rain-bow, blue - birds fl birds Hy Eba7 c7 F7 F-7 Bb7 |“Eb6 F-7 Bb7!9|* Bb6 Jand that I heard of once in a ul - la - by. uue. ‘Some- dreams that you dare to dream real-ly do come Fine Bo 7 te rain- bow, why’ then, oh why can't 1? Eb F-2 b7, Eb6 Ee? +7 Bb7 Where F-7 Bb+7 day I'l wish up-on a star and wake up where the clouds are far be - hind me, EbA7, A-75 p79 G-7 Gbeo7 Dial Fine trou- bles meltlike le-mon drops, a - way a-bove the chim-ney tops,that’s where you'll find. me. Fl Bb7 ee raptastxooy Eb If hap-py lit-tle blue-birds fly be - yond the rain-bow, why oh why, can't 1? ONCE IN AWHILE Green/Bdwards 1919 Eb Eb6 ba? Eb G7 co G7 Cc a Once in a- while will you ty to give one lit - de thought to me? Once in a- while, will you dream of the © mo- ments I sharedwith you? To know that Tl be con- ten-ted with yes - ter - day’s mem-0 - “Wy, Fe c7 F7 Bb, "G-7 C7 F-7 Bb7,?Bb6 Ab-7 Eb6 D7 2. Though some-one else may be near - er your hear. pat——____ In ‘Mo - ments be- fore we two drif- wd a - while. Fw know - ing you think of me once in a : GaTE7, AOD Ga? AT D7 love's em - ber, one spark may re - = main, if GB cn F-7 Bb7 De. aand End love still, can re - mem~- ber, the spark may bum a - gain.18 LAURA D. Raskin 1945 AT D7 (c9) G6 (C9) G7 — 3, GA Lau - ra is the face in the = mis- ty —_light_ foot - steps Lau - ra—— on the wain that is pass- ing through, those eyes c7 Fe? (Bb13) Fe (Bb13))-F-7 — Bbiat Bp72, ba that you hear down the hall ‘The laugh that floats on a sum-mer night, how fam- il - iar they seem. “15 D7a D7. «G47 B77 EW 2E7 that you can never quite re = cal. ‘And you see She gave 65719) (A-7) (07) (ab7) D-75_ G7, C47 D-7 E-7 A-75 D7 Glut | GZ, C6 your ver- y first kiss to you, that was Lau-ra___but she’s on-ly a dream_—____ WHAT A DIFFERENCE A DAY MADE Grever/Adams 1934 G7 c Fa7 Bb A-7 abu, a What a diff-'rence a day made, twen-ty-four lit-e ho = urs—— brought the sun and the What a diff-'rence a day makes,— there's a rain-bow be- fore me—— skies _a- bove can’t be G7 c7 EF E7 Alps! At7 flow - ers where thereused to be rain My yes-ter-day was blue dear, to-day I'm pat of stor = my—— since that mo-ment of D- D-7 GTsust G7 C7eust you dear my lone-ly nights are through dear __since you said you were mine. 2F7 3 C-7_ FT B-755 Bb-6 —— What a dif-‘rence a “bliss, that thrill- ing kiss. IT heaven find ro-mance on your AT ‘Abe? G7 c7 F6 when you what a diffrence a day made, and the dif-'rence is youDARN THAT DREAM 19 ‘Van Heusen/De Lange 1939 E7 CHSC B75 ETS Gay Bb-7 Eb? A-7 Ba Dam that dream I dream each night, you say you love me and you hold me tight, Dam your lips and dam your eyes, they lift _me high a-bove the moon- lit skies. Dam that dream and bless it too, with -out that dream I never would have you. Cc. Ba Bbo7 «AT Ab7il Ge p79 AT but when I a-wake you're out of _ sight, oh, = dam ~— that dream. Then I wm-ble out of par - a - dise oh But it haunts me and_ it wont come tue, oh Bb7 2 A-7 Ab7iG6 piel B) C7 G7 FHT F-7 EG dam that dream." Dam that one-track mind of mine, it cant un-der-stand that F-7 Bb? Bb C7 ATSDIG-T AAT D7. sos D7 you don't care. Just to change the mood I'm in, Td welcome anice old night - mare. 2.6. al 2nd End (Fe) SKYLARK EbayBb Hoagy Carmichael/J. Mercer 1941 ATH Aba7 By al BOF? G7 Aba7 ‘Sky - lark—have you an- y-thing to say to me? Won't you tell mewheremy Sky - lark——have you seen “a val-ley green with spring where my heartcan goa Sky ~ lark, T don’t know if you can find these things but_my heart is rid- ing C7 FT FT BIT iB FR Bb love canbe? Jour- ney - ing con the wings, 2 Bb Bh7 Is there a mea-dow in the mist where some-one’s wait-ing to be kissed? ov-er the sha-dows and the : so if you see them_an- y - Bb6 EBT AbAT Ac Bb-7, By — rain, to a blos-somed covered lane? And in your Jone- ly flight haven't you heard the music AbaT AbT G75 c7 F- Db Bb-7 Eb+7 Ab6 in the night, Gar won-der-ful mus- ic, faint as a will-‘o-the-wisp, cra-zy asa loon, 2 D7 GB bcacof” EB Bb-7 Bbrax Eb Gé sad a agyp - sy seren - ad-ing the moon Oh, where, won't you lead me there?20 I CAN'T GET STARTED tm centwin/enon Dates Mil (B-7 E7 Bb-7 Bb7 A-7 D7Ab-7D)7) Oy EY Res SDP AGI? @ x ca? A? D9 G9 Tye flown a- “round the world in a plane, I've settled re- vo-Iu- tions in Spain, the North Pole A-round a golf course I'm un-der par, and all the movies want me to star, I've got a In nine-teen twen-ty nine I sold short, in En-gland I'm pre-sent - ed at court, but you've got AT D-9 G7 -Bb7 AS D9 Glad 2C Gla C FAT car = I have chan - ed, but can't get stat - ed with you. ‘A-round the’ you. You're so. su: house, a show- place,but I get no placewith E-7 A7 E-7 AT D9 G13 Ff-7 E-7 D-7 G7 D7 G7 Preme, _ly-ries I write of you, scheme just for the sight of you, dream both day and night of you, E-7 A9 Diu*D79G Iu 1c aco C47 BOT At D-9 G7nust G79 C6 and what good does itdo?In nine-teen me down-heart-ed'cause I can't get start- ed with you. THESE FOOLISH THINGS a Strachey/Linck 1935 Eb c- F7 Bb? EP C7 A’ cig- a~ rete that bears a lip-stick's tra-ces, an air- line tick-et i ro - A tink-ling pia - mo in the next. a- part-ment, those stumbling words that told you ‘The winds of March that make my heart a dan-cer, ate ~ le-phone that rings but Fo Bb7 @ Bh7 Eb Abs? C7, | F9 =: man-tic pla- ces, and sull_my heart has wings, these fool-ish things ie-mind me of what my heart meant, a fair- ground’s paint - ed wings, these foolish who's to_ans- wer, F-7 Bb7 |? F9 Bb? Eb p Bl G- E-75 A-75 D7 you. c7 things re-mind me of you. — * ‘You came, you saw, Bba7G-7 C7 FT G7 79 you conquered BbT F-2 zi me, when you did that to me, Caco @ Bh? Es Ab C7 I knew some-how this had to be. F9 Bb7 Eb OR How the ghost of you clings, these fool-ish things ie-mind me of yougag fi SBS Ss SS SS BS SS SE SE SESE SE SE SS SS 21 p-5, Bar ca? C6 D-75 Ab? G3 ca BICC APRIL IN PARIS vernon duke/tiarburg 1932 ‘A-pril in Par- is, chest- nuts in blos- som__________hol- i-day uab-les car G- G-8? G7 Gm Fe E47 Fa? F6 B-75 B79 under the trees___ Ac pril in Par-is,_______this is. a feeking AT A-WG FRR7S Bw E+7 E7 E-75 ATG no one can ev- er. reo = prise —__ FR-75 Fe7 C/E BT ~—D-7 Db7 C6 A-7-B-75 E719 1 nevverinew the charm ofspring, never merit face to face 1 nevrer newmny A> AWG FATS 79 E47? G7 D-5,_ BaTCAT C6 heart could sing, nev - er missed a warm em- brace; ‘till A-pril in Par-is—___ E-75 — Bb7M ais. BTM D3 cH D-75— G79 C$ 2 3 whom can I wm to, what have you done to my _—heant?. TILL THERE WAS YOU Meredith Wilson 1950 B Ev F7 Ab-6 Db7 Bb Ge There were bells on the hill, but I nev-er heard them ring-ing, no I nev-er heard them at There were birds in the sky, but I nev-er saw them wing-ing, no I nev-er saw them at There was love all a- round, but I never heard it sing-ing, no I nev-er heard it at F-7 Bb79 ‘E> Ee? F-7 pb7* 2—> AD Bba7 Bl abe And there was mus-ic and all ‘tll there was you.—____ Therewere you. AT 1, Bs B7C7 F7 F7 Bb7 Bb+7 oc smsend there were won-der-ful ros-es, they tell me, in sweet fra-grant mea-dows of dawn and dew. There was ra22 MORE THAN YOU KNOW rese/ruscuvoumans 1929 Vose C- A-75 B+? Cc Aq75 Ab7 G79 Wheth-er you are here or —yon-der, wheth-er you are false or true, E - ven though your friends for - sake you, € = ven though you don’t suc- ceed, Bb-7 Bb7 Aba? G79 Dp. Ab7 G79[ C= ATS D-7 pause 2 Cc whetiver you re-mainor wander, I'm grow-ing fonder of you. break you need, wouldn't I % fal. take you, giveyouthe Al -9 C7 \ o_,_% Alcs ge, G-9 C7 Fal E-7A7 D-7_F-7,_ BIT More than you "know, more than you know, man of my heat I love you 50, late-ly I Whether you're right, wheth - er you're wrong, man of my heart I'll sting a - long, you need me Oh how I'd cry, oh bow Td cry, if you got tired and said good - bye, more than I'd + D-9 Abr D-9G_ G7 E-7 A7™D-7 G7 _, 2 E-7 _A79 find, you're on my mind, more than you know Wheth- er you're © so, more than you'll show, more than you'd D-7 G79.C6 F9. C6 FETS B79 LB) E- cie75 FH-715 Bw ES noth-ing I can do a- bout it. — I do, there's DiusD7 D-9 G7sust Lov-ing you the way that Al E-7 — ATwust Gs7 Lov-ing may be all you can give, but hon-ey I can't live with- out it on bow er COME SUNDAY Duke Bingen 1046 Ar Ebi FT D+7 G9 c-9 Lord dear Lord a - F9 Bes bove, God Al - might- Eb6/Bb Bb7 Bb6 of love, please look down and B 7 BT D7 G7 Fe F7 1 be-lievethat God put sun and moon up in the D7 GT C9 FA7 see my peo - ce ple through. F7 C7 DC. alFne sk I don't mind the gray skies, ‘cause they're just clouds pass-ing by. i nRnkknkhkEEEEEeEeEeEeEeEeee |YOU GO TO MY HEAD oy. 4-jcoois 1938 ed Al ghz G-7abe7—ob78 Ghar C-7'5, Baz Bbran You » go 10 my head and you lin-ger like as haunting re-frain, and I find youspin-ning You go to my head Tike a sip of + —bur-gundy brew, andthe ve - ty ‘You go to my head, with a smilethatmakesmy tem-pra-ture rise, like a summer with a EDT C75 BTS BbTa @ Bbs7 C7 "TEM BTA? ‘round in my brain, like the bub-bles in a glass of cham-pagne. ‘You ‘The ‘men tion of you, like the kick-er in a ju-lep or two thou- sand Ju ys, you in~ tox - i- cate my BI ay b 1.02 Ab6 AST BbA7B! G-7C-7 thrill of the thought that you might give a thought to my plea casts a spell o-ver me. Sdll T Av, D7, B-7 Bb, AL, Ab G Gh F6 E70 say to my-self "get a hold of your-self, can't you see that it nev-er can be” You @ Bhar C-7 BET E79 bar abe phy Bba7, G-7D. — soul with your eyes. ‘Though Tm cer-tain that this heart of mine has-nit a ghost of a A-75 D7 G-7C7 F-7 Bb7 Gba7Gb7 F-7, B7H Bb 3 2 3 C7, chance in this cra-zy ro- mance, you go to my head, you go to my head, DON’T BLAME ME Flelds/McHugh 1932 C6 B75 79 D-75 | G7 cé D-75__ G7 Dont blame me for fall ing in love with you, Tm un - der 7 Cant "you. see, when you do. the things you “or iT ‘ton - ‘ea Blame your kiss, “as” sweet a ‘a Kiss) Gan be, and blame E75 AT “D7 G+ COG? [2D-7 G7 Fw how 1 hel don't . 7 : ; yk tee blame — me. don't blame me. T cant help it melt in my ams but E7 AT D7 D-7 D-75._ G79 if that dog- gone moon a-bove makes me need someone like you to —_ love.24 WHEN SUNNY GETS BLUE Fisher/Segal 1956 G7, c7 Bez By? Fa? G7 Al When Sun-ny gets blue, her eyes get gray and cloud- y, then the rain be gins to When Sun- ny gets blue, she breathes a sigh of sad- ness, like the wind that stirs the But mem 'ries still fade, and pret - ty dreams will rise up, where her oth- er dream fell AT? D7 B-75 Bh? EBT Av Ab? Db? fall Pit - ter, pat- ter, pit- ter, pat- ter, love is gone so what can mat- ter, trees. Wind that sets the tree to sway-ing, like some vi - 0 - lins a - play-ing, through. Hur- ry new love, hur- ry here to kiss a - way each lone-ly tear, and G7 c7 Bb AT D7 2 By Am no sweet lov - er man comes to call. When dies wierd and haunt ing mel - 0 : [B) pa E7 FT B E-7 Av! Dar Peo-ple used to love to hear her laugh, see her smile, that's how she got her name. D-7 Gear Ag Fa7 D- G7 G-7.c7 Since that sad affair, she's lost her smile, changed her style, some-how" she's not the same. But G7 Chu, ES Fa) Gh G7 Gh Fa” Lasix goon ‘hold her near when Sun-ny gets blue hold her near when Sun-ny gets blue IN A SENTIMENTAL MOOD Duke Elington 1935 D-_D-#) D-7 D-6 G- G-“) G7 GS A7 G-7 Gham fRa7 F47Ab7 Eb? AMT Des? BT EAT ADT Dba? Bb7 ET AZ G7 C7 oc.atandnd Fine) BpEEBhBBaBEhBhEB BEBE BEER EBB BSE:GOOD MORNING HEARTACHE 25 Higginbotham /Drake/Fisher 1945 Ac =F G7 ——— & f aS = ae = —— Good morming heart-ache you old gloom-y sight Good _mom-ing hearvache, tho’ we Wish I'd for- get you, but you're here to stay. It seemed I met you. when my Good morming heart- ache, here we go a-gain—— Good mom-ing heartache, you're the ATS EBT p79 G7 Bb-6 AT Ab? @ said good-bye last night I tumed and tossed un-- til it seemed you had gone, Jove went a- way. Now ev-'ry- day I stat by say - ing to you, fone who knew me when, Might as well get used to you hang- ing a- round, * G-7 C7 F co |? G7 C7 cw F6 ——- but here you are with the dawn.—__ Good morm-ing heart-ache, what's new?. At D- AW D4? G-6 D-7 G7 a7 C7 Stop haunt-ingme"now,—_can’t shake you n0- how. Just leave me a- lone I've Ab7 Gh C7 F? pcwcon G7 hrm F6 got those mon- day blues, straight thru sun- day blues. ‘Good mom-ing heartache sit down. GOD BLESS THE CHILD Herzog Jr/Billie Holiday 1941 Eba7 Bb7 Abo Eba7 Eb7 Aba7 Bb7 ET Bb-7 Bb7 ‘Them that's "got shall get, them that's not shall lose, so the Bi- ble said.and it still is news Yes the strong gets more, while the weak ones fade,emp-ty ets don’t ever makethe grade Rich re - Ia tions give, crust of bread and such, youcan help your-self, but don't take toomuch. AbaT Ab-6 G7 c7s F-7_ Bb7 Bb Fine Ma-ma may have, “F-7 | Bb7 Pa- pa may hive, but 2 D-75G79 C- Godless the child thas got his own, cay c-6 fats got his own, G7 Yes. the D-7'5 G79 C- Mon-ey, you got ce C7 C6 tas oF ends wea ine de G7 C7 FT BD som door When you're gone and spend-in’ ends, they don’t come no more. Rich re-26 MY FOOLISH HEART ‘Young/Washington 1850 Bhs? EbA7 D7 G7 C7 C-7Bb Aleut AT The night’ is like a _—tove- ly tune, be - ware my fool-ish heat. How Her lips are much too close to mine, be - ware my fool-ish heart, but pi G7 Db C-7 C-75 R79 D-7 white the ev-er con stant’ moon, take care my_ fool ish hea. There's should our eag-er lips com - bine then Bba7 F-7— Bb7#9 BbA7 A-75 D7 line be-tween love and fas-ci- na- tion that's hard to see on an ev-en- ing such as this, for they G7 Dye G7 cz c-7 GH C7 FT both givethe ve- ry samesen - sa - tion when you're lost in the magic of a kiss. Her 20-7 —TB> A-75) D799 G7 Eb? Ab7 det the fi - re ‘start. For this time it is- n't fas-ci - na- tion, or a Bba7 Bba7 Ab7 G7. G-7 _G7. C13 C#7 Flat F79 Bba7 ream that will fade and fall a - part, it’s love, thistime it's love, my fool ish hea SOMEONE TO WATCH OVER ME George/tra Gershwin 1926 Eb A-75 Ak BWG Ge GF OE? There's a some-bo- dy I'm long-ing to see, I hope that he, tums out to be, I'm a lit- tle lamb who's lost in’ the wood, I know I could, al-ways be good, Won't you tell him please to put on some speed, fol-low my lead, Oh how I need, 2B Ab Eb EBT BB) ab ababab FVA_Bb/ab|"G+7 C9 F+7 Bb9 F7 some-one who'll watch ov-er me,—___ me. ‘Al-though he may not be the to one who'll waich ov-er some-one 10 watch ov-er me. Av EbBb GIB C-7 A-75 D7 G7 ce F9 Bb79 i D.C. al nd End Fine) man some girls think of as hand-some, to my heart he car-ries the key. 7.2.2. 22... lS: SESE RSET R22 eeIMAGINATION Van Heusen/Burke 1939 27 F-7 Bby a7 Aba G5 C7 Eb? B07 na-tion is- fun-ny, it' makes a cloud- y day sun - ny, na-tiom is- cra- zy, your whole per- spec- tive gets ha - zy, na-tion is- sil- ly, you go a- round wil- ly - nil-- ly, - OF7 G7 C7 F-7 Bb makes a bee think of hon-ey, just think of you T- magi starts you ask- ing a dai- sy what for ‘ex-am- ple, I go a- round 2BbA7 By? B7 [Bhbaz 7 D7 G7 AT what. to do?- Have you ev-er felt a gen-tle touch and then a kiss and E75 A479 -D-7 G2 C7 EL, | Bblast — Bb+7 DC. al Code then, and then find it's on-ly your i -ma-gi-na-tion a - gain? Oh well, I- ma- gi- ® p71 Re, G7 pbmc7 F-9 B7tl | Bhat Bb7 EG g0 a-round wanting you and yet I can't i- ma-ginethat you want me too—___ EASY LIVING Robin/Granger 1937 Al Gte7 Av F7 BbaT BT Fal, Fhe? G-7 ny Liv~ ing for you iS ea- sy liv-ing. It's éa-sy to live, whenyou'rein love a Tilnev- er re- gret_ the years I'm giv-ing, they're ea-sy to give, when you'rein loveand I'm FAL; D-7 G7 c7 + A-7 D79 G-7 C7912 F Bb-7 B-7 Ab7 you For I'm so in love, there’s noth- ing in life but you. a” what - ev-er-I do for Fine Dba7_Bb-7 Pets Ab7_, F7 BT Amt . fb7 - me — = = = SS a you may-be a fool but it’s fun, peo-ple say you rule me With Dba? Bb-7, Bb-/Ab G-7I5 C7 ch A-75 p79 G-7 C7 De aFine ee == = SS ° one wave of your hand, dar- ling il’s grand, they just don’t un- der - stand. Repeat 1st verse28 I'M GETTING SENTIMENTAL OVER YOU sBassman 1933 F9 E9 9 D+ G7 C7 a7 C79 |/*G7 C7 CIE 1 was justa notherwho laugheditro-mance, I said it was not for me— meant to be a ‘Thenyoumadeyouren- tranceand rightat a glance. I knew this was % F oS BS ET A-TS (ETH), D7 G7 e ae +5 + =F = as ra SS 7 Nev- er thoughtI’d fall but now O_hear you call 'm_fet- tin’ sen - ti- Things you say and do just thrill_me through and through I'm get- tin’ sen - ti ‘Won't you please be kind and just. make up your mind _—_that you'll besweet and 'G-7 C7 F c7 *G-7_ CIB F Bb FE? [B] me2- ov - er you ——___ men- tal ov - er you—___ At FETS B79 E7 I thought I was hap - -py, - I - could live with- out love, B-7 E7 Av p79 G7 C7 DS al Code now I must ad -mit, -love- is alls T'm think’- ing of @ C7 F B D7 G7 G7 cB F “Be hse I'msen --ti -men-tal -ov --er you. gentle, be gentle withme. EARLY AUTUMN ‘Woody Herman /Ralph Burns 1949 Ab ABB B7 Bba7 AT AbaT Bos .Cs7 BY D-9 Ab A Bb B 2CA7 Aba7BbA7 C47 Bb? G7 Ex C7 Fo AIB> Bb DA47 Db7 C9 B7#9 Bb7 AATADTI9G 13 D.C. alFinevon watus, | SMOKE GETS IN YOUR EYES 29 Jerome Kern/Habach 1933 A BS G-7 Gb BEB Ab p13, AT They asked me how 1. knew my tue love was tue? 1 of course re- They said some day, you'll find, all ‘who love are blind, when your hears on, Now laugh- ing friends de - ride-tears- I can-not hide, so I smile and EbA7Bb _C-7 F7 BY 1. G-7 C7 F-7 Bb7 2Eb6 G7 plied,something here in -side,- can- not-be de - nied. eyes. Fine fire, you must re - a - lize,-smoke gets-in your eves Say, when lovellame” dies, smoke gets in Your Ba7 Gf-7 5 FARCE Co? C7 AT So Ichaffed them and I gaylylaughed, tothinktheywould doubt my love. BAT Gi-7 F-7 — Bb7 Bb c7 F-7 Bb7 Yet to-day my love has flown a-way, I am with - out- my - Tove. 1 tEn8e MONA LISA Livingston Evans 1949 Mo-na —_Li- sa, Mo- na_Li-sa men have named you, you're so like the la- dy withthe mystic Do you —smileto tempt a loverMo-na —Li- sa, or is __thisyourway to hide a broken 'G-IF C7 G-7 c7 smile. Is_ it on-ly ‘causeyou’relone- ly they have blamed you, for that Mona Lisastrangeness inyour F Fe G-7¢c13 [*Bb BL F c7 smile? Do you heart? Man-y dreamshavebeen brought to your doorstep, they just lie there,andthey F F7 Bb Bo FIC F die there, are youwarm are you real Mo-na Li-sa, or just a cold and lonely, love-ly work of art?30 WILLOW WEEP FOR ME ‘Ann Ronel 1982 Verse D9 GB co F7 os —— —-, Oh Lord, why did you send the darkness to me? Are the sha-dows for - ever to BIS BS cH F6 c7 BT be? ‘Where's the light I'm long-ing to _—_ see? Oh E9 Al D9 GB = =: —=—— love, once we met by the old wil-low tee, ‘now you've gone and left nothing to c7 F9 D+7 G6 A? D7 me, noth - ing but a sweet mem - 0 - 1. Ob g Alc 7 G c7 G_ GF A-7 Bho? on —= Wil-low weep for me, wil-low weep for me, bendyoubranches green a long thestream Gone my lov-er's dream, overly sum-merdream, gone and left me here to weep my tears ‘weep- ing wil-low tree, ‘weep in sym- pa- thy, bend yourbranch-es down a long theground GB D7 Ctust co C8 abs —=— = that runs to sea. Lis- ten to my plea, lis- ten wil-low and weep for me. in- to the stream, Sad as I can be, hear me wil-low and weep for and cov - er me. When the sha-dows fall, bend oh wil-low and weepfor me. G47 co f-GiD* = G Dr IBIC- Abo G7 sy G7 :. Fe me. Whisper to the wind and saythatlovehas sinned, to C7 FT Bb7 Eb7 Ab7 . G7 c- Abo = leave my heart a break-ing and mak-ing a moan, Mur - mur to the night, © G- G7 c-7 Fv Bb7 EDT Ab7 A-7 Ab7 = sD S.alFine hide her star- ry light, so none will find me sigh-ing and crying a - lone. Oh Dp EnRe.RBReo:SERlC.:SERO:;SERO:R SE BRE OBR SEe SER BRE EASE a EeBb C7) OF+7 Bb7 Bba7 G-75 C79 [RF man- tic, mom-ing sha-dows write the old - est mag - ic word. I man - tic, Evry note that's sung is like a lov ers Kiss. c- G7 Bb7Eb7 AbA7C7—F- D-75 G7 p-75 G7 hear the breozes play-ing in the wees a- hove, e F F-WE p-7s Gmc while all the word issaycing c-7Bb c- F9 A7! Bb7 youweremeantfor love. Is - n't it ro - Sweet sym-bols in the moonlight, do you mean that G7 Gb? F-7_ Bb? Eb Abe Bb C-6/A ALG Twill fall in love per chance?_____ Is - n't it ro- man = tich__ FOR SENTIMENTAL REASONS wiatson/nest 1045 7 G7 CZ 7 G~ Fo D7 G7 ¢ E D7 G7 C7 & E ===! === for sen-ti-men- tal rea sons_______ | hope you do ie- and you alone were meant "forme, please ‘give jour lov-ing 1 love you, I love you, D-7 G9 c7 F D7 G-7 C78 |? F G-7Gr F/A TH give you my heat? __ hea "Tome, and Say we'll nev-'ey Tve given you my heart Gi, c7 F Ab I G-7 c7 think of you ev - ‘ry mom - ing, dream of you ev- ‘ry night, EWS a7 D7 G9 Cc?) cH ee a a ISN’TITROMANTIC —icepcsess OL Bb7 EMG C- F-7 Bb7 Eba7 Ee F-7 Bb7 Tat Rio marie, mus-ie muse aight 4 damit ca e teas ho PO Kelme tm mide, mew-iy Wo be seeeg on Sear Mat aa be Mead Is ot i ro.32 CHANCES ARE Stillman Allen 1957 cé GH CAz F7 G B-7 E’ué E7 Chances are, ‘cause I wear a sil-ly grin, the mo-mentyou come in- to view, Just be- cause my com = po- sure sort ofslips, the mo-ment that yourlips meet mine, AICH |'Diust D7 G D-7G+7 2.7 G By AT chances are you think that I’m in love with you———— chances are you think my D7 G+? C7 A-75 p79 G- Just be-eart's your val-en - tine. E-75 In thema-gic of moonlight, when I sigh“hold me close dear”, chan-ces are you be lieve thestars that AToust AT Eb D9 GTust #7 C6 Gt7 CA Fo fill the skies are in my eyes. Guess you feel you'll always be theone and only one for me, and Gao c7B-9 E7 A- GiB C6'A/CH D7 G Gt D.C (Coda aX) if you think youcould,___well, chan-ces are yourchan-ces are aw'fly good Chances e Diu*D7 — B-755 E79 AT DiatD7 G6 are aw'fly good, the chances are your chan-ces are aw'fly good. SOPHISTICATED LADY Dule Elington/Milis/Parish 1933 Ab7 G7 Gb7 F7 A 7 7 E7 Eb? Aba7 Bhyj_ EH [eaba7 C75 F7® |2aba7 As7S DIS — B Gar E-7 AT Db? B-75 B79 = a-2,o7 = === == 3 se yo ae oe i Gar D7 G47 Be? C-7 Bb-7 75 ETO D.C. ald End Fie) ZTreeBaeReeBHEHEBEeEeheEekheEHEHEeEHBRteBEBinhtuaunTmTWILIGHT TIME are ees 33 BT G E-= 3 3. Hea-verrly shades of nightare falFing, it's twi-light time, out of the mist yourvoice is calbing, Deep-en-ing sha-dows ga-thersplender, as day is done, _fin-gers of night will soon sur-ren-der, Deep in the dark your kiss willthrillme, like days of old,’ lighting thespark of love thatfllsme, G7 Cc c- G E7 it's twi- light time. When pur- ple col - ored cur-tains mark the end of day, the set - ting sun. I count the mo- ments, dar- ling, till you're here with me, to- with dreams un- told. © Each day I pray for ev- ‘ning just to be with you, to- AD A? D7 2a7 D7 GCG ‘ge- ther, at at twi- light time. E- Cc E- jear you, my dear, at twi-light time. BT E- Cc: Here, in the af-ter- glow of day, we keep our ren-de-vous be-neath the ‘blue. Al D7 c 7. Here, in the sweet and same old way, I fall in love a-gain as I did then. DON’T GO TO STRANGERS kent/mason/evans 1954 A car F9 C47 BHT a EATS aT Build your dreams 10 stars_a-bove, but when you need some-one true to love, Play with fire till your fin gersbum, and when there’s no place for you to tum, Make your mark for your friends to see but when you need more than com- pa- ny, D7, F6 = ["G7ast G7 E-7 A7D-7G7_ FG Teast G7 C6 G7mstC6 ‘dar-ling cometg mé——————~ ** For when G-7_,__ C9 Gi, © Fa7 Bb Fa7 don'tgo to strangers, dar-ling come to me—____» you hear a call {0 follow your heart, you'll fol-low your heart I know. I've AT D9 AcT D9 Diaust D9 Glust G9 —s— —— — D.C al2nd End all for Tm an old hand and I'll un-der- stand ‘you go. So34 I GOT IT BAD Duke Ellington 1941 Ga C7 B77? E F741 £7 E7! D7 Alas AT AT iev-er teats me sweet and gen-tle the way he should, ‘I got it bad and. that ain't My poor heart is sen - ti-men-tal not made of wood, He don't love me like I lovehim, no- bo- dy could, E-7A-7 D7? .|2G6 Db7 car G ood. g00d. But when the week - end’s o- ver and C-6 F7 Ga7_F7 CHS FY -B-7_ BT. A-7 D7 ist woaend mon-day rolls a- round, I end up like I start out just cryin’ my heart out Like a lovely weeping willow, lost in the wood, I got it bad and that ain’t good. ‘And the wings I tell mu pillow, no woman should, I got it bad and that ain't good. ‘Though folks with good intentions tell me to save my tears, I'm glad I'm mad about him, I can't live without him. Lord above me make him love me, the way he should, I got it bad and that ain't good. MOOD INDIGO a viits 1991 ‘Bba7 Bba7 c7 Bba7 c7 F FH You ain't been blue, No, no, no. ‘You ain't been blue, a7 F7 Bb Bb7 EG AbT ‘til you've had that mood go. That feel-in’ that goes steal-in' down to my shoes, while ‘Bba7 c7 FT P47 Bb B Bbs7 G7 T sit and sigh "Go tong blues". Al-ways get that F7 Bb F7 Bb G7 Cc In the ev- ‘ning when lightsarelow, Bi Bb7 said good- byes Bb G7 Tm so lone-some I could cry. "Cause there's no-bo-dy who cares a- bout me, ‘Tm just a soul who's Ab7 Bba7 G7 CL c7 F7 Bb blu-erthan biuecan be. When I get that moodin-di-go, I coulT Taine down and die.STELLA BY STARLIGHT 35 Vietor Young/Ned Washington yay E-75 A719 C-7 FT +7 Bb79. Eb Ab7 The song ro-bin sings, through years of endless springs the Bb6 E-75 A79D-7 Bb-7 Bb7 FA? E-75 A7 ATS p79 mur-mur of a brook at ev-en-tide-__ that ripples by a nook where two lov-ers hide. A G78 C7 Abr Bba7 and not a dream My 79 ‘Bba7 ‘great sym-pho-nic theme, that’s Stel-la by E75 4719 D-75 G79 starlight coms heart and I a- gree, she's ev-'ry- thing on earth to = me____ PRELUDE TO A KISS Duke Elington If you hear a song in blue, like a —flow-er cry- ing forthe dew, If you hear a song that grows from my sen ti- men- tal woes, that was How ‘my love song gently cries for the ten- der-ness, with - in” your eyes, my D-7 G+7 Av pv cay AST rt that was my heart ser-en - my heart try-ing to com- pose, love is a pre-lude that nev- er dies, ad ing you, my pre-lude to a kiss. G+7 2D7 C6 B7 BAT CH FS BT Gh? Ger fe with apre-lude to a kiss, a F700 B74 Baz ce? 7 Though its just a sim-ple — melo- dy, nothing fan-cy, FHS B7 E47 ATS D-7D§-7E-7Eb70 2G, sag Ed (a) nothing much, you could tum it to a sym-pho-ny, "a Shu-bert tune with a Gersh-win touch, Oh!36 HOW LONG HAS THIS BEEN GOING ON? eee al AD Gie7_ Dust D9 D7 G7 C7. ¥F9 T could cry———_sal-ty tears where have you been allthese years?. ‘Therevere chills up my spine and some thrills. I can'tde - fine. Kiss me once, thenonce more what a dunce I was be - fore Be A? D7_—G7_=sé'c7 B7 D7 GB Gar lit-tle wow tell me now, how long has this been go-ing on? Listen sweet I re- peat how what a break oaven's sake,__ how B7 2 (B) G6 G7 C47 c7 D7 F7 CAT F7 Ca? FT long has thisbeen going on?- C47_CH-7/5FH7 B-_E-6 Oh T feel that I couldmelt,__ in-to Hea-ven I'm CHTSFI7 B- E-6 B-7 Bb7 DG. ald End Fine) hurled. I knowhow Col um-bus felt~— - finding anoth - er world. #2) Icould cry salty tears, where have I been all these years? Listen you, tell me do, how long has this been going on? Whata kick! how I buzz, Boy, you click as no one does, hear me sweet, I repeat how iong has this been going on? ‘Dear when in your arms| creep, that divine rendevous,don't wake me if 'm asleep, let me dream that i's tue. Kiss me twice, then once more, that makes thrice, let's make, it four, whata break, for heavens sake, how long has this been goil IN MY SOLITUDE Bllington/DeLange/Mils 1934 A BT F-6 = G-7 C-7_ +7 (F7 2ndX) Bbtust Bb7 In my sol you haunt me, with —re- ver- ies In my sol-i- tude you taunt me, _—with_—mem- or ies. Inmy —sol- i- mde Tm Pray—-——= ing, - Dear Lord a-bove Bint BI =p Bly Ae Fine ‘of daysgone by Inmy I sitinmy chair, 'm filledwithdes pairshere’s that nev-er die sendback my love. Bb7 Bb-7 Bb7 ByBb AbaT ACT B/Bb Gbe7?—F-7 Bb7 no onecould beso sad. Withgloom ev."ry- where, I sitand I stare, know that I'llsoon go mad. Inmy ‘D.C. al 2nd End (Fine)THINGS WE DID LAST SUMMER, THE 37 ‘Sammy Cahn/Sone 1946 G ET AZ D7 cam The boat rides we wouldake, the moonlight on the lake, the way wedancedandhummedour fav-'rite The mid-way and the fun, the kew-pie dollswe won, the bell you rang to prove that you were The leaves be-gan to fade,like pro-mis-es wemadehow could a love thatseemed so right go B-75 £79 A-7 D7 @B-7 E-7 .A-7 DT G GRA-7D7 song, the things we did last sum-mer, Till re -mem-ber - all -win-ter long. The strong, wrong? G7 G D7 G7 D-7 G7 rent-ed dou- ble bike, the E7 AT ear-ly mom- ing hike, the E7 AT mem-ber all win-ter long. The Cc Gt7 c lun-ches that we used to pack, we nev-er could ex-plain, that sud-den sum-mer rain, the D7 Ge D7 peace @B-75 EN GhA-7 D7 G looks we got when we got back. The summer, I'll re mem-ber all winter long. I FALL IN LOVE TOO EASILY Styne/Cahn 1972 FT Bb7 BpAl, c7 D-75 G7 C- C-/Bb I fallin love too eas-i- ly, I fallin love too fast. D-7YAb 3s, G7 Cc C-7Bb A745 : p79 D-75 G79 1 fall in love too ter-ri-bly hard, for love to e-ver last. C7 A-5 D7 G7 cé6 Cc? F. F-@n Myheartshould be well schooled, ‘causel’vebeen fooled in the past. Andstill I F-7 Bb7 G1, c7 F-7_,__ Bb79 Bb fall in love too eas-i- ly, I fall in love too fast.38 ALL OF YOU cate Peter 1964 Bb79 ADS ‘pba7 Eba7 AbG F-75 looks of you, the ture ~—of-you, the sweet © of you, the gain com -plete con- trol ~—of you, and han - dle Eb/G — Gbe7 F7 Bb Ebs7 Eb/D G-7Db C7 Love the F715 Bb7is Pure of you, the eyes, the arms, the mouth of ‘you, the East, West, North and the ? pba7 G7 c7 AbAT Fu Bb7 ev-en the heart and soul of you. So. love at least, a C7 F-7Bb7 Eb6 T'd love to G7 South of you. AS pT cn F- small percent ofme, do, for I love all of you. IN THE STILL OF THE NIGHT Cole Porter 1937 F BbS F * Bbo G7 ‘at the moon in it's In the still of the right,_ I from: ~ dow, 1 the sill of the night whilethe don gO c7 F Ab? G-7_C7 |?Bb9 ET A- FHS flight, my thoughts all stray to you,—___ slum - ber the times with- out B-7 E7 A-_ Ab G-7C7, F F+7 Bb G7 c? [fF number, dar-ling when Tsay to you. Do you love me. as I love you? ‘sAre you my life to be, my dream come 2 Be? Eb7 A-75 D7 G- Bb-6 Eb? EW/D> FIC Bo? tue? or willthis dream of mine fade out of sight, like the moon, grow - ing corBh FIA Abo? G7 c7 F dim on the rim of the hill, inthe chill, still of the night?39 I WISH YOU LOVE ‘Trenet/Beach (French) 1946 Dm, "G7 CL. G7 CFA Bb13 A7 Abe7 I wish you» blue-birds in the spring, to give your heart a song to sing, and then 2 And in Ju- ly a lem-o ~ nade, to cool you in some leafy glade, 1 wishyou 1 wish you shel - ter fromthe storm, a co- 2y fire to keepyou warm, but most of @ [*c7_,F6 Fe, Ci F7 G7 kiss, but more than this, I'wish you love. And in Ju- wealth, I wish you love health and more than all, when snowflakes Bba7 My ach-ing heart and Ia - gree, thatyouand I could nev-er be, so with my best, my ve-ry G7 c7 —s—PGalcods C7 5. F6 Bb-6 G7 ao best, I setyou free. I wishyou fall I wish you love. ANGEL EYES Matt Dennls/Brent 1948 c7 D7 G79 C- Abo. G7°C-7 C-71Bb A-715 D7? G7 Try to think that love's not a-round—___still it’s un-com- fort bly Tear. Argel eyes that old dev- il sem _they glow un-bear-a- bly bright Par-don me, but got-ta run _ the facts un-com- mon-ly_ clear. D7G79 C- Ab7 G79 C- AbIGTEC- C7 My old heart ain't gain in’ no ground be- cause my an-gel eyes ain't here——— So Need I say that my love's mis- spent, mis- spent with an-gel eyes to- night Got-ta find who's now num-ber one "and why my an-gel eyes ain't here B) Bho Bb79 Abs7 C-7 F79 Bb-9 B79 bag Ao p79 drink up all you peo - ple, G47 GED CHT FSD? G7 or-der an-y-thing you see Have fun you happy abo G7 co S Die al Coda peo-ple, the drink and the laugh's on me.. ‘scuse me while I dis- ap- pear.40 I CONCENTRATE ON YOU Cae Foe 1999 Bba7 Ab7m Bro 3, Ch? FIT B6 Whenev-er skies ook grey tome, andtovblebe- gins to brew, Whenformme cries “nay, nay” tome and people de- clare “you're through" C7 FR? BTA ft R-7 Bb7 Eb9 ren! when ev-er the — win- ter winds be-come to strong, T con-cen- Ab6 Dis Gheust Gb Eb6 2ab-7 ‘wate on you when ev-er the blues be-come my on-ly E-7 FT Bb? Eb6 Ab6 Bb ‘Aba song, Tcon-cen- wate on you—___ On your smile so Ab? Db7 Ghat Gha7 BHT FT Bb7 Eba7 when at first my kiss you de- cline,___ b7 Gheus*GbA7Eb-7 C7 sweet, 80. ten ~ der, Ab7 BT AbA7 on the light in your eyes when you sur- ren - der—___ and once a- gain our F7 ‘BbA7 Bb7 EDS Ab7in G-7 ams inter = twine —__ ‘And so when wise men say to me, Cirust Gb7U F-7 Bbiast AbT, G7 Cust C79 BbYD) that love's young dream nev-ercomes true,—___ to prove that ct F-9 Flat F9 B7H Bb7 Bb6 ev = en wisemen can be wrong, Tconcen- trateon you.POOR BUTTERFLY cotaentutoe i916 41 Dis C7 B7 BE Bb7 B79 bar Ab6 Poor but-ter- fly ‘neath the blos-soms wait - ing, poor ter = The moon and know that she is faith - ful, Tm sure he Gn Bb EH cw 1C-7 fy, for she loved him 30. ass in-to hours, the hours come to me bye and Ee F- F-7 BY7 By? Db CTBT pass in-to years, and as she smilesthruhertears, she mur-murs low. ‘The moon and 2 F9 Bb-7 Bb-7I5 Absst Ab Db7 bye. But if he don't come back, then ‘I nev-er sigh or cry, C7 BLT Eb79 AbS T just’ mus’ die, Poor but- ter fly. OLD FOLKS Robison /Hill 1938 D-75,__ G79 C-7 B-7 Bh7 A7 ~~ Aba7 Db7 G-7 C7 old folks, like the _sea-sons he'llcome andhe'll go, just as cof- fee, puts his nap-kin up un- der his din ‘and that quite un-der-stand a-bout old folks, did he fight for the blue or the grey? For he's F-7 Bb7 Eba7 + 79 Z C7 F7 F-7 Bb7 2 —e = free as a birdand as good as his word, that's why ev- 'ty- bo- dy loves him so. Al-ways yel-low cob pipe, i's so mel low its ripe, but * 80 dip-lo- ma-tic and so dem-o - cra - tic, ET pes LB) ears BhT Bb7 aba youneed-n’t be. a-shamed of him. ‘we al-ways let him have his way. Db7 —Bba7 EIT Abs? DIS C.F F-7 Bb7 — 3. In the evening af-ter sup-per, what stor- ies he would tell, how he held the speechat Get-tys-burg for Lin-coln that 43Y, I know that one sowell Don't 0. al 2nd End.42 A NIGHTINGALE SANG IN BERKELEY SQUARE Sherwin/Maschite 1940 BAT C-7—G-7_—BRY BAT ADAT,_D-75. G7. C- ARS ‘That cer-tainnight, the night we met, therewas mag-ic a-broad in the air, there were I may be right I may be wrong, but I'm per-fect-ly will-ing to swear, that The streets of town were paved with stars, it was such a ro-man-tic af- fair, and EbAyBb F-7 Bbs7G = Ab-7 Db? BbAT C-7 FT Bb? BAT C-7 an- gels din - ing at the Ritz, and a night-in-gale sang in Ber-k'ley square. when you tumed and smiled at me = & as we kissed and said good-night, a 2 A-75 D7 GAT D7-~—sOB-7__—« Bb? Av R-7 BbT EZ i ‘The moon that lin-gered o-ver Lon-don town, poor puz-zled moon, be A-7 D7 Ga7 E-7 A7 D7 B-? E-7 F-7 Bb? wore a frown, how could he know we two were soin love, the whole dam worldseemedup- side down. FLAMINGO Grouya/Anderson 1941 Fa] D-7_—G-7 c7 F7 Bb Fla - min - go. ike a flame in the sky, fy - ing 0 yer the Fa - — min- go. in your to - pi-cal hue speak of pas-sion un - Fla - — min- go when ‘the sun meets the sea ‘say fare-well to my c7 Fa? D7 G-7 C7 /F F6 BbS is- land to my lov-er near by. Fla - tue. yas and "t) love that “is F47 B74 Bb-7 Bb bar BT 0-7 FR Bh The wind sings asong to you as you go, a song that l hear be-low Bb G7 C7 pewcm © G7 C7 ‘wrpestFA7 G-7C7 2 the mur-mur- ing palms Fla - and hasten to me——_ exFay 73 RAT G-7 ab? G-9 79 Gham FEMY OLD FLAME 43 Coslow/Johnston 1994 oa ATS Dm G co Fo G47 F9 B-75 E79 A-7 My Old Flame, can't eventhink of his name. Butit's_ furenynowandthen,how my My Old Flame = my new lov - ersseemso tame. For I haven'tmet a gent so mag- My Old Flame, I can't. even think of his name, but I'll neveer be thesame un- ti BbS B99 —2— = 4-77 |"A-75D79|*C-7 FT BbAT thoughts go flash-ing back a-gain to my old flame. flame. T'vemet so man-y whohad ni - fi- cent or el-e-gant as my old flame. I dis-co-ver what be-came of my old flame. A-7T5 | D79 —Ab7____G+7 Clout C7 F7sust —s— F9 fas-ci-na-ting ways, a fas-ci-na-tin’ gaze fn their eyes. Some who tookme up to the skies, D7 G7 E-7 AT A-7 Dz De. acon | A-7D+7 G6 but their at-tempts at love were on-ly im-i- tations of My Old Flame. LOVER MAN Davis/Ramirez/Sherman 1941 D-7 G7 D-7 G7 G7 c7 C7 I don’t know why, but I'm feel-ing so sad I long to uy some-thing I'venev-er had The night is cold and I'm so all alone __ I'd give my soul just to call you my own Some day we'll meet and you'll dry all my tears,—— then Whis-per sweet lit-tle things in my ears R79 Bb7 Bh7 Bb7_ G-7 C7 |" Fa7 A7 Nev-er had no kiss-in’ ob, what I've been miss-in’ Lower Man oh where can you be? Got a moon a-bove me, but no one to love Hog-gin’ and a- kiss-in’,” oh what I beep miss-in', *Fa7 Bb] A- D7 A-@D Aa Gar BAT Ad, be? G- T've heard it said thatthe thrill of ro-mance can be like a hes-ven-ly dream. G- G7 cz ae a T goto bed with a prayer that you'll make love to. me, strange as it seems. DO#F™44 BLUE VELVET ‘Wayne/Morris Bb D- CG, F2_,____ Bb She wore blue—___vel-vet, blu-er than vel - vet was the night, She wore blue. vel-vet, blu-er than vel - vet were her eyes, Bie vel-ver, but in my heart there'll al- ways be, F7 Bba? G79 C-7_ F7 20-7 F7 soft - er than sat - in was the light from the stars She wore sighs, love was warm - er than May her ten- der Pre- cious and warm, a mem-o - F7 Bb Bb Eb7 — Bb ours. Ours, love I held tight-ly, feel- ing the rap- ture Bb? Eb ELT D7, cz FT nc sscode but when she left, FuB like F- a flame bum-ing bright-ly, Bb = Bb gone was the glow of Bb6 ow, %c-7 FT ry throughthe years and I stillcanseeblue velvet through my tears. I SHOULD CARE Cahn/Stordahl/Weston 1943 Giwst E-7 AQ D-7 C47 E-7)5 AT Gas, should care, I should go around weep-ing. should care, T should care, I should let it up- set_me, I should care, F-7 Bb Caz 1. B-75 B7 7. c7 —— Gt, ‘cept for a dream or DL. G 1 should go without sleeping. Strange-ly e-nough I sleep well, but it just doesn't get me. May be I won't find Fa7 Bo? E7 Av A, D9 2 sheep well, ull you to sleep. So D-7 fun-ny how sheep can G7 ce two, 2 B-75 but then I count my E7 A-7 D7 some-one as love-ly as you, but_-I_— should care = and Ido.SPRING CAN REALLY HANG YOU UP THE MOST 45 Landesman/Wolf 1955 D7 G7 Cal__A-7 Bbs7 car Bba7 ca7 1.Spring this year has got me feel__= ing like a horse tat nev-er eft the Mom = ing’s “kiss, wakes trees and flo wers, and to them I'd like to. drink a 2.Spring is here, there's mo mis-tak = ing, ~bins buid-ing nests from coast 10 Col" lege boys ae wating son—— nets, Im the ten- det pas sion theyre en- E-7 ATS BH-715 F-7 E-7 A7 D7 at the ceil = ing, 7 1 tie tomy room sar ing toast, 1 walk in the pak © just 0K the done - Ty hows, cout, my _—sea’ ies) to. sing so they wont hear it” break ing, posed, but im onthe shelf with lat years Easter ‘bom ae, Gia! G7 Ba’ _(? D7 G7 car Spring canreal-ly hang you up the most Spring can really hang you up the most. B) G-7C ca7 G-7C C47 G-7C caT G-7C car All af ter-noonthose birds twit- ter twit, I know the tune, this is love, this is it” Love camemy way I” hoped it would last) we had our day, nowthat’s all’ in the past. C-7 F47 C7 Fa7 FE7_,_B7 B47, AT, D7? Heard it “be-fore and I know the score and I've de - cid - ed that Spring is a bore. Spring came a-long, a sea-son of song, full of sweet prom- ise but some- thing went wrong. Gar Fa7 C47 ‘BbA7 C47 A-7——D-7_—«G7 E-7 a7 Love seemed sure a - round the New ‘Year, now it's A-pril, love is just a ghost, Doc - tors once pro scribed a ton = ie,” ‘sul pha. and ‘mo'- lasses Was the dove, FR-7S F-7 ® E-7 A? D7 D7 G7 E-7 A79 ‘Spring can real- Ab7 D7 G7 Spring ar-rived on time, on- ly hig you up the most, did= n't help a bit,’ my con D-7 Gust G7 what be-came of you dear?, C Bbay 7 Spring canreably hang you up the most. ETAT D-7 Ca? D7 di- tion must be chron - ic, B-75 BbTOA-7 Spring can really hang you up the car Dias D7, mos. All’ a= lone, the par-ty's0- ver, oldman Win-ter was & grac-ious host, but when D7 BT EZ AT D-7 D7 car you keep pray-ing for snow to hide the clo- ver, Spring can real-ly hang you up the mest.YOU DON'T KNOW WHAT LOVE IS payesperat 1941 Al F-7 pbs Dba7 c7 Fe C79, G-75 You “don't know what love is, un _il_ you've leamed the mean-ing of the blues, un- You don’t know how lips hurt, until you've kissed and had to pay the cos.’ um. You don’t know how hean’s bum, for love that can- mot live yet nev-er dies, un G75 79 F-6 = ab7 {- Dba7 G-75 C79 {il you've loved a love you've had to lose, you don't know what love is, You til you've flipped your heart and you were ost. you Uil you've faced each dawn with sleep-less eyes, you 2Dba7___ C79 F-6 (Blaby) Babar BLT Bhat the thought of rem-in- C7 ocamwens don't know what Aber Do you know how a lost heart fears G7 C47 Db love is. D7 is- ing, and how lips that taste of tears, Jose their taste for kissing? You SOME OTHER TIME Bernstein /Comdon/Green 1944 A car GInst CAT GTuust ca? Gout ‘Where has the time all gone to, have - n't done half the This day was just a tok = en, ma- ny words are There's so much more em- brac - ing sill tobe done but G7 D/FE F-6 E-7 ATs, D-7 _E-7_ FA? Gait C47 Gust ——— Qh Well, we'll catch up some oth-er time. things we want to, Ob still un - spo - ken time is rac - ing "C47 Gin J*Ca7 Bb-TEb7 Bb Teast “Aba7 Eb7aust — Aba7 Aba Eb he Just when the fun is stan - ing comesthe time for G+7 C47 E-7 A-7 Eb7 Dust D7, Glaus! Dc. alFne Aba7— Aa7tl baz an - ing, but let's be glad for what we've had and what's to come.47 AUTUMN IN NEW YORK Vernon Duke 1994 Gz. A-7—— Bb6 C7 #7: FA?) G7 a7 D789 Autumn in New York, why does it seemso in - vit ~ ing? ‘Au-tumn in New York, the gleaming rooftops at sun - down. G-7 AT Bb6 c7 ATs p79 ‘Av-tumn in New York, it spells the thrill of first night - ing. ‘Autumn in New York, it lifts you upwhen you're run down. G7 BY7 BT AbAT Bh? C-7_-D-75. G79 Glit- ter - ing crowds and shim-mer-ing clouds in cam} of steel, they're Jad-ed rou- es and gay di- vor-cees who lunch at the Ritz, _—will C7 ATS DT G78 car G7 cH mak-ing me feel___ at home. Irs tell you = that “it’s_____ di - vine!” ‘This Gz A-7 BMG C7 C+? Fal G7 A-7 D7Db7 Au-tumn in New York, that brings the promise of new love, ‘Au-tumn in New York transforms the slumsin - t May - fain, c-7 D7 EG Fu Bb BhAb G-75 C79 Avumn inNew York is of-ten mingled with pain. ‘Autumn in New York, you'llneed no castles in Spain. AbT Dba7 ADT ‘Dba? Ghar F-7 cH Dreamers with emp-ty hands, may sigh forex - ot - ic lands, it’s Lov-ers that bless the dark on benches in Cen-tral Park greet G27 A-7 Bb-6 7s Fe au-tumn in New York, i's good to live ‘Au-tumn in New York, it’s good to live it a - gain,48 WHERE OR WHEN FAa7 Rodgers /Hart 1937 F F6 Bb BHA It seems we stood and talked like this be - fore, we looked at each oth- er in the The clothes you're wear-ing are the clothes you wore, the smile you are smil- ing you were BF Bb BWA G-7 Cnt ‘G7 C78 |*E-7 47 BIG FA7 same way then, but I can’t re-mem- ber where or when. smil - ing then but I can't re-mem-ber where or when, D7 G7 E7 AT D7 G7 ‘Some things that hap-pened for the first time, seem to be —hap-pen-ing a- Gm cm F F6 E-75 47 D-7 F7_— BbAT gain. And so it seems that we have met be - fore, and laughed be - A-75 D79 G-7 A-75 D719 -G-7 c7 chm 6 fore, and loved be - fore, but who knows = where «or ~—when. FOR ALL WE KNOW Coots/Lewis 1934 F G9 C7 —3— G-7 C7 Fa7 D7 For all we know we may nev-er meet a- gain Be - fore you go makethis For all we know, this may on-ly be a dream, we come we go, like G7 c7 FIA @ Ab? G7 mo-ment sweet_a- gain. We won't say good - night un - til the last np-ple on a. stream. so, love me ‘to : E-75 A479 D- D-@) ~=—-D-7G7_ G7 c7 Gh © B75 E79 min-ute, TM hold out my hand and my heart will be in it. For night, 10 - s—, Ev Diu D7 G-7 c7 F6 mor-row was made for some, to -mor- row may nev-er come for all we know.EAST OF THE SUN 49 Brooks Bowman 1934 CT BZ E7 Azz 3-7, — Gat, East of the sun and west of the “moon, we'll build a dream- house of c7 oF? AZ. — a D7 FEDS, B7 E-7 Near to the sun in the day, near to the moon at night, we'll Ad D7 Ga, c7 love dear. AL E-7 a7 live in a love-ly way dear, liv-ing on love and pale moon- light. Just you and L—— for - B-7 E7 AZ, qe FT love will not die, we'll keep it that way, E7 Al Ad — AT FS BT A-75 D7 stars we'll find, a har-mo-ny of life to a love-ly tune, east of the sun and west of the G up among the B77 E7 Bb? BT Ar, D7 moon,— dear east of the sun and west of the © moon—__ SPRING IS HERE edger tart 1988 Abe7 Ab6 Abo7 _. Abe C-75 R79 Spring is bere, why does-m't my heart go danc- ing? Spring is Spring is here, why does-m't the breeze de - light me? Spring is BLT C-79Gb_,_F7 —Bh7 Glo aba? AWG =F Fit here, why is~ n't the waltzen- tranc - ing? No de-sire, no_am- bi - tion here, why does-n't the night in- vite me? May-be it’s’ be - cause no- bo - dy Dba7 c+ F-6 B-7 E7 Bh7 #b7 Jeads me, maybe it’s be - cause no-bo-dy needs me. *B-7 ET Bb? Bb7 C7 FT Bb7 BT Ab6 loves: me, Spring is here, 1 bear.EASY STREET B7 ‘Alan Jones 1941 Ab-7 Bb? Eb? C7 F+7 Bb? Ea-sy steel ‘I'd love to liveon ea-sy suet No- bo dy works on Life is sweet for folks who live on ea- sy street no week- ly pay- ments Ea-sy street T'm tell- in’ ev-"ry - one I meet iif, ‘I could live on OF. BIT * Bhar F7 F BH eae sy just sit around all day Gust sit and play the horses) you must meet that make your hair tum Ea- sy street. would- n't’ want n0 Ab7 Dbz 2 Eba7 Bb? Bb7 Aba ‘When op- por- tun-i-ty comes knock-in’,you just keep on with your rockin’, ‘cause you Bb7 BT Aba7 Ab-7 Db. grey. bar know your for-tune’s made and if the sun makes you per- spire, there's a man that you can hire to plant C7 FW F-7_ Bb ® B7 BHT B py Bb ical Cooe trees, 50 you can have shade on 1 would-n't want no job to - day, so please go way. WHEN YOU WISH UPON A STAR Harline/Washington 1940 C CE Bey c AT D7 G7 c you wish up - on a star, makes no diff-‘rence who you are. An - y-- thing your If your heart is in your dream, no re-quest_ is. too. ex-treme, when you wish up - Lika 2 bolt out of “the blue, fate steps in and sees you thru, when you wish up- D7 Gtust G7 |*C6 eC D-7_ G7___E-7_A7 heart de-sires will come to you. do. Fae is ‘kind, oo a sar as dream- ers on a star your dream comes ‘tue, D7 G7 Cc Cc A-7 D7 D-75 G7 Dea Fine she brings to those who love, the sweet ful -fill- ment of their sec-ret long - ing.THE SECOND TIME AROUND 51 ‘Van Heusen/ Cahn 1945, GTus* C47 F13- E-7_—Bbe7 D-7 G7 car Love is love-li-er the se-cond time a- round just as. wonder ful with Love's more comf’-ta-ble the se-cond time you fall, like a friend- ly ‘home the AT D7 B-75 E79 A-7 G7 c7 o both feet on the ground It’s that se- cond time you hear your love song se - cond time you call__ Who can say. what led “us to this. “FAT Db7 FIC A-7 D7 G7 sung,—— makes you think per-haps, that love like youth is wast- ed om the young. Love's more *Fa7 EbO D9 D-7 G7 East Bbi3 mir-a-cle we found? There are those who'll bet Jove comes but once and yet, AT A-7 D7 GTeust c = > Tm oh 80 glad we met the se- cond time a - round DEEP PURPLE De Rose/Parish 1934 F FET G7 c7 When the deep pur-ple falls, ov - er sleep-y gar-den walls, andthe In the still of the night, once a - gain I'll hold you tight, though you're Fa7 Aas D7 CE F? DIFR — G-7 srs be- gin to flick- er inthe sky, through the mist of a one, your love lives on when moon-light beams and as long as my BY6 AT G-7 C7 (CH 1 Ape7 mem - 0 - ry you wan-der back to me, breath - ing my name with a hheart will beat, lov = er we'll FFP G-7c7) [*abe7 G7 C7nust C+7 F sigh Inthe al- ways meet, here in my deep pur-ple dreams__52 OLD CAPE CoD Rothrock 1956 B Bbh7 Bb? Ab D9 If you're fond of sand dunes and salt-y air, quaint lit-e vil-lag-es here and there, If you like the taste of a — lob-ster stew, served by a win-dow withan o-cean view, If you spend an eve- ning, you'll want to stay, watch-ing the moon- light on Cape Cod. bay, Or 2b Bb7 ET Ab BbT “B-7) Bb EDAT you're sure to fall in love with old Cape Cod. Cod Wind- ing roads that seem to B7 EbBb C7 Eb Ab F-7 Bb79 Eb Ee beck-on you, miles of green be-neath the skies of blue, church bells chim-ing on a Sun- day mom, re- Fi F7 Bhat Bb pc.wca® F7 Bb7 Bb mind you of the town where you were bom. old Cape Cod, MOON OVER MIAMI Burke/Lesiie 1985 Gat_,__, _C/G shine on my love and mer so we can ‘Moon shine on as we be - gin, a dream or ‘Moon you know we're wait- ing for ao lit - de c B7 |'G FT stroll be- side the roll of the roll - ing sea, in, two that may come tue when the tide comes ove, adit de kiss, on Mis a = mis) shore B- E- B- ¥___ BB? DF. B- FR ‘Hark to the song of the smil-ing trou - ba- dours, shark to the throb-bing gui- tars, B- E- B- ,_G-/Bb DA, BY? A-T_D7 3 Dale hear how the waves of-fer thun-derous applause after each song to the stars53 I WILL WAIT FOR YOU Michel Legrand/Gimbel 1965 D-7 D7 G-7 G7 ¢7 If it takes for -ev- er I will wait for you, for a _thou- sand An-y- where you wan-der, an- y - where you BO, ev-"ty - day re = it takes for -ev- er I will wait for you, for a thou - sand G-7 c7 Fast F E-75 AT D-7 D7 sum-mers I will wait for you, “Til you're back be - side me, ‘til I'm mem= ber how I love you so, in “your heat be © lieve what in my sum- mers I will wait for you, “Til you're here be - side me, ‘tl I'm E-75 A479 = -D-7 E-75 479 D-7G-7| *D- *D-7 G7 hold-ing you, ‘til_T hear you sigh here in’ tly arms. Any The heat T know that for - ev-er-more Til wait for you. touctring you, and for - ev-er-more —shar-ing your love. Bba7 G7 Dz Bba7 clock will tick away the hours one by one and then the time will come when all the wait-ing’s done. The E-75 ATS B-75 BLT ATsst AT D¢.aFne time when you re-tum and find me here and rn straight to my wait- ing arms, If it FOOLS RUSH IN ca7 CE, Be Bloom/Mercer 1940 D7 At D-7 G7 Fools rush in where an- gels fear to tread and. oI come to you, my love, Fools rush in where wise men nev-er go but wise men nev-er fall in love, D7 GZ Ca7 AT D-7 B-75 E7 A- A-@A-7 my heat a-bove my head—— though I see the dager ther if there's a 80 how are they to . D9 A? D7 D-7 G7 A7\?Bb7 AT D-7 chance for me—— then I don't — care—_ know? When we met F-6 cIG A-7 D-7 G7 Cc I felt my life be-gin, so op-en up your heart, and let this fool rush in.54 IT MIGHT AS WELL BE SPRING Rodgers /Hammerstein 1945 G co G D+7 Tmas restless as a wil-Jow in a windstorm, I'm as jump-y as a puppet on a Tam starry eyed and vague-ly dis-con - tent- ed, like a nightingale with-out a. song to i Tmas bu-sy asa spi-der spinning daydreams, I'm as gid-dy asa ba-by on a & o7® ca7 DIC GB Bb “A-7 D7 -B-7 EB A-7Ab rn D-7 swing, I'd say that I hadspring fev-er, but I know it is-m't Spring. I am t sing, Ob whyshouldI havespring —fev-er, when it s swing, I a7 DT o7 ' G G7 C AT D-7 G7 D7 isn't ev-en Spring? keep wish-ing Twere somewhere else walk- ing down a strange new i C’E7 A? AWG FETS B7e E7 A? Dat D7 Street, hear-ing words that I have nev-er heard from a girl I've yet to. meet. I'm as i o c B7 E- AT D7 B7 E79 = A7 have-n't Seen a cro-cus or a rose-bud, or a ro-bin on the wing, but I feel so gay in a AT D7 G_E-7 Ct C-6 G/B E-7 A-7 D7 G ly way, that it might aswell be Spring, It might aswell be Spring. nebam DREAM Johnny Mercer 1944 c FHT B7 cs E7 Dream,— when you're feel - in’ blue, dream__ that’s the thing to do Dream when “the day is thr dream___and they might come ue Are D7 Fa Bb7 a7 D7 f Caer yerll tnd tow ae things never are as bad as they G7 D7 2B79 A-7—-D-7 G7 C6 of mem -0- ries there So 50 dream— dream dream___THE PARTY'S OVER 55 ‘Styne/Comdon 1956 : Eb F-7 Bb7 Eb F-7 Bb7 = eae SS SSS = ° The party's o- ver it's time call it a day, thebve ban your the can-dles flick-er and dim, you danced and The par-ty’s 0 - ver, ADIE> “Bh7 Eb? Ab Eb pret - ty bal-loon and ta - ken the moon 2 - way Its time to wind up dreamed thru the night, it seemed to be right just Ab-6 Eb D-7 eT C7 F7 Bb? the mas-quer- ade just make your mind up, 2Bb-7 B7 AbD the pi-per must be paid. The par-ty's F-7 Bb7 G75 ¢7 be- ing with him. F-7 Bb7 Now you must wake-up, Eba7 C7 F-7 all dreams must end take off your BT EB make-up— the Party's o- ver it's all o- ver. my — friend GOODNIGHT SWEETHEART Ray Noble/Rudy Vallee 1931 c BC BoC BC FCC D-7_ G7 Good - night sweet - heart, til = we = meet. tom - mor - row, ‘g00d - night Good = night sweet - heart though I'm not be - side you, good - night G G7 GG G G pz a7 [A A AT a6 sweet - hear, sleep will ba - nish | sor - row tears and part ing may sweet - heart sill my love will * guide you, D-7 G7 ca7 AT? D7 G7 z we make us for-lomn, ‘but with the dawi,— A-®) A-7 D7 ‘Ebe7 anew day is bora E-7 A? D-7 G7 So T'llsay ” dreamsen - Cc fold you, in each one I'll hold you, good- night sweet-heart, good - night.Harold Arlen/J. Mercer 1943 56 ONE FOR MY BABY ‘Bba7 BLT Eba7 Bb%us4 — EbA7 BD-7 |'Eb7sus4Bb7, It’s quar- ter to three, there's no-one in the place ex-cept you and — so So, set ‘emup Joc T've got a little sto-ry you ought-a know. EMD Aber Gba7 pb Bba7 Aba? * Bbtaast Eb We're drink-in’ my friend to. the end_ of a brief ep - i- sode___ pb7c79 G+7 cs F-7G-7 Ab6 BbIust Eb6 A-75 D7 make it one for my ba- by and one more for the road. 1 Well, Gaz D-7 Gar Dat GAL D-7_—GlatD Jat got the rou-tine, so drop an-oth- er nick-el in. the ma-ching______ I'm that’s how it goes and Joe, I know you're get-ting anx-ious to close, % GAZ. D7 Ga7 Dia GAL, D-7 Glaus G7 feel- in’ so bad “I wish you'd make the mus- ic dream-y and sad Could thanks for the cheer I hope you did- n't mind my bend- ing your ear ‘This car Bba7 C47 F9 G47 G47Ft FT B79 tell you a lot but you've got to be true to your code, make it torch that I've found must be drowned or it soon might ex-plode—_______ make it BY? EW AT BT C6 Dint® G6 D-? G7 [CE] om fy be by and one more forthe road. ‘You'd Cust C7 CTeust c7 Bt E7 — A7 Diss G6 G7 never know it, but bud- dy I'm akind of poreTAM—I've got a lot-ta things to say, and Clu! = C7 Crust c7 G7 AT Eb? D+7 when I’m gloom-y you sim- ply got-ta lis-ten to me, un - til it's talked a - way. Well, ® B+ B7 EAT At D9 G6 é : z = j road, that Yong. ong roadMIDNIGHT SUN 57 Burke/Hampton/Mercer 1947 Cc a7 Cc-6 Your lips were like a red and ru-by — chal-ice, warm- er than the sum- met night 1 can't ex-plain the sil~ ver rain that found me, or was that a moonlight veil?. The flame of it may dwin-dle to an em-ber, and the stars for - get to shine Fri Bb Bba7 the clouds were like an al - a - bas ~ ter pal- ace ris-ing to a ‘The mus - ic of the un - i - verse a - round me, or was that a and we may see the mea-dow in Dec - em- ber, ic- y white and Bb-6 ET Ab snow = y — each sur its own m-mo-m bo-r- night - in = gale? And then your ams mi - rac - u - lous-ly ey = stal - ine, but oh my dar ling al- ways TU re- AbS7 Ab-6 pb a+ lis, sud - den - ly you held = me tight,___ TI could see the found me, sud - den - ly the sky tumed pale. IT could see the mem - ber when your lips were close to mine, and we = saw the A-7 D7 G79 * Caz AT FRI B7 Mid - night Sun_____f?*_ I Mid - night Sun. E47 E2 AT pe? E7 AT Was there such a night? it's a thrill I still don’ quite be - —_ lieve, Day D7 G7 E7 67 p-7 Dbz 2. a Fre af-ter you were gone, there was still some stardust on my sleeve _ The58 PENTHOUSE SERENADE ee cs, Ebe7_,. D7. Just picture a penthouse way up in the sky, with hing- es on chim-neys for From all of so-ci - e - ty we'll suy a-loof, and live in pro- pri - e - ty In our it~ tle penthouse, we'll al’- ways con-trive to keep love and ro mance for Gz. G7 D=7_,, G7? Ol ce ae Dw, go by, a sweet slice of hhea-ven for just you and 1, when we're a - the roof, two hea-ven-ly her- mits we will be in truth when a- live, in view of the Hud-son just 0 - ver the drive, when stars there to on ver car Ans D-7G+ Jone. From we're a= done. ‘We'll see life's mad pat - tem, c E7 A> AT D7 as we view Man - hat - G7 D-7 tan, then = we can thank our luck = y stars, G7 Dc atcods @ cB Cc that we're liv- ing as we are, In MY MELANCHOLY BABY Burett/Norton 1911 BP OF- FR OG- Be? 7 D7 DIS C7 F-7 C7 Come to me my mel-an-chol- y ba - by, cud-dle. up and don't _be Ev- "ty cloud must have a sil - ver lin - ing, wait un - il the ‘sum. shines F-7 Bb? Cc F7 Bb7 F7 Bb7 1. F- all your fears sare fool ish fan- cy, may be, z c7 F7 F7 Bbius¢ Bb7 Ab Ag you know dear that Eb/Bb Db I'm in love with you. dear, while I c7 F-7 Bbinst BbT EP Smile my bon-ey kiss a-way each tear, or else‘ shall. be mel- an-chol-y LnRnoanRateRHREeeEeEHEeHeEeEe eke see eTYOU’VE CHANGED 59 Fisher/Carey 1942 BbA7 A-THS D+ Db7 G-75 c+ You've changed, that spar-kle in your eye is gone, your smile is just a care-less You've changed, your kiss-es now are so bla- se, you're bored with me in ev- ‘ty ‘You've changed, you're not the an- gel I once knew, no need to tell me that we're Ol B9 E> C7 FT oBhr BbS F9 yawn, you're break-ing my heart, you've chany ‘way, I I through, it's Bo Bb Bb BT AbAL can’t un-der- stand, you've changed__________ You've for- got- ten the words “I love you”, G7 BbAT Bb? &b7 ADAT Ab7 Db7 each mem-o-ry that we shared You ig- nore ev'ry star a-bove you, I can't G2 Gh7 FT BY Toc wea BS Bb - EDS re- aclize you ev- er cared You've all ov-er now, you've changed. BLUE GARDENIA Russell/Lee 1953 AT D7 GAT CHS FT Fa7 B-7 E7 Blue Gar - den- ia, now I'm a-lone with you, and Tam al- 30 blue, you, Gar = den-ia, once I was near her heart, after the tear-drops start AT DI_s__ |'Ga7 B79 |*A-7DG she has tossed us a - side. And like | hide? I lived for an ho-ur, what more can I where are tear~ drops to CHTFI7 Ba7 GH ch? FY B7 OB) By a7 AT Ds tell, love bloomed like a flow - er, then the pe-tals fell. Blue Gar - den-ia, Ga7 Cc B-75 E79 A-7 Dieu Ab7 G6 thrown by a pass-ing breeze, but pressed in my book of mem-o - ries.60 BLUE HAWAI Robin /Ratnger 1897 Bb By BD Bb Ab Gs7 c7 % Night and you md blue Ha- wa = i, the night is hea-ven- ly Love - ly you and blue Ha- wa - ii, with all this love- li- ness, Dreams come true in blue Ha- wa - ii, and mine could all come true G7 C-7 FIR Bb Bb-/Bb BbBb7 F7 RL, *C7 FT and you are hea-ven to me. Eb E there should be love. Bb Bb7 c7 By Come with me——__ while the moon is on the sea,___ the night is young C-7 FT nc.acoe C-7 F7 Bb Ebb Bb and so are we._ this mag-ic night of nights with you. HARBOR LIGHTS Kennedy 1937 Bb7 F-7 Ee they only told me we were pat - ing, how could 1 help if wars were Start - ing? for all the while my heart is whis - pring, ° BHT B = je same old har bor lights that once brought you tome. Twatchedthe Good-bye to ten = der nights some oth - er har bor lights = . B 2 Bb7 EP 7 Ab Ab7 pb7 be- side the sil-vity sea T longed to hold you near and — kiss you just once will seal your love from me. FP a me e EB C7 F7 Bb7 0. al 2nd Ene (Fine) more, but you were on the ship and I was on the shore, Now Iknowwo dwell. iat kind of alone - ly cell im which an emp-ty heart must What car a7 D-7 Glas car fips are these? THlat lied with ev - ‘ry kiss_ whis-pered emp- ty words of clown am I? What do I know of ‘life? Why can't. I cast a- way the ‘Bba7 A79 ATG Ff-75 F-7 GB A? D7 B-7 E-7 AT D7 Gust G7 love that left me a - lone like this why can't I fall in love? like oth - er mask of play and live my life? Why can’t I fall in love, wll don't CIE Ebe7 D7 D-7 Giust G79 c peo- ple can, and may-be then I'll know what kind of fool I am—_____ give a damn RED SAILS IN THE SUNSET Williams 1935 D-7 G7 Ca7 G Ga7 Fl; GA7Gf7A-7_Gfe7, A-7D7 Red sails in the sun- set, way ut on tea oh car-ry my loved one He sailed at the dawn-ing, a ie dy te been Oh, red sails in sun set, AT D2, |"G D+] Cc FT; lg A? Dut, | G G7 home safe-ly to me. Swift wings you must bor-row make straight for the shore, Tm tust-ing in you, Cc Ev, G 57 «Ar D7 OC. al Fine we oo mar- ry to - mor - row and he goes sail - ing no more. WHAT KIND OF FOOL AM I? 61 ee Giust G79 CA7 FA? E-7 Atlus! D-7 GTeus* E-7 fat kind of fool am Who never fell in Jove seems that I'm the on - ly ATS D7 G7 car AT D? é = : + SS one that I have been think-ing of What kind of man is this7—— An emp-ty ‘shell___62 ALL MY TOMORROWS ‘Van Heusen/Cahn 1959 (CH-755 sax ) AT C6. GB Bbo? To-day I may not have a thing at all, ex -cept for just a dream or fwo, but Right now it may not seem like spring at all, we'e drift-ing and the laughs are few, but As Jong as I've got arms that cling at all, it's you that I'll be cling-ing to, and FHI B-7 E79 AT p79 @['B-75 B7 AT Tve got lots of plans. for to- mor-row and all my to-mor-rows be-long to you. Right Tve got rain- bows planned for to- mor-row, and all my to-mor-rows be- long to all_the dreams I' dream, beg, or bor-row, on some bright to-mor-row they'll all come *D-7G7C cz FZ E-7 cers c-@n you. No one knows bet-ter than I, that love keeps pass-ing me by, that’s fate. GB E7 AT D7 Bat E7 AT D7 pe wcoas T'll soon be turm- ing the tide, just wait. As 15-7 G But with you ® pas pe at here at my side, E79 tue, and all my bright to- mor- rows be- long to you. HOW DEEP IS THE OCEAN? Irving Berlin 1982 c- Cc-B c-7B AMS G7 A-75 D7 How much do I love you? Tiltell you no lie, how deep is the 0 cean, How far would] ta- vel to be where you are? How far is the jour-ney, F7 Bb7 ft Eb7 Bb-7 Eby ab? Bb? Ab7 G7 do T think of you?. *Bb7 Bb7 how high is the sky? from here to a stat? BS Gb7 How many times a day, Fs BT G7 Gas cm B7 ev-er lost you, B How many ros - es, are sprinkled with dew? And if 1 F7 —:—— Ab-7 Db7 BhyBb C7 Fo FT Bb, how much would I cry? How deep is the 0- cean, how high is the sky?WHO CAN I TURN TO? 63 Bricusse/Newley 1964 BS c7 F-7 Bb7 . 7. Who can I um 1, when no - bo - dy needs me7==" My may - be to- mor- row. rl find what I'm af - ter_____ rl Eba7 F7 G7 Aba7 Bb-7 Bb7 heart wants to know and so I must go where des - ti- ny leads me—__ With throw off my sor- row, beg, steal or bor- row, my share of laugh-ter— With ‘AbaT ATD79 G7 c7 Fv D-75 and no-one be-side me, no star to guide me, Til go on my way and D-75g79 G7 c7 F7 Bb7 abaT af-ter the day the dark-ness will find me.___ ‘And you I could leam to, c-9 __F7 FAT EWG — Ghe7 F-7 Bb7 BS with you on a new day. but who can I'tum to if you tum a- way? BEWITCHED Rodgers /Hart 1941 Cc Che? D-7_ Die? CE, + Fo__ F-6 Tm wild again, be - guiled a- gain, 2 sim-per-ing, whim-per- ing child a- gain, be- rT sing to him, each spring to him, and long for the day when I'll cling to him, Couldn't sleep, would- n't sleep, when love came and told me I should n't sleep, be- CE D7 am p72 cg? [*Gmp c7 FOBT AT witched, both-ered and be - wild-ered am Dz A; wild-ered am = L_____ D7 G7 Lost my heart but what of it? He is cold I a- gree, he can laugh but I D7 G7 E7 Be? D-7 G7ocwcoe@ D-7 G7 C love it, al- though the laughs on me. I'll wild-ered am = L_____64 ALL THE WAY Van Heusen Cahn 1987 FAZ E-25 AT D-7 Ge When some-bo-dy loves you, it's no good un-less they love you, all the way. When some-bo-dy needs you, it's no good un-less she needs you all the way. c7 Bi Die? CIE Fa7 C-7 FT Hap - py to be near you, when you need some-one to cheer you, all the way. ‘Through the good and lean years and for all the in _be-tween years, come what may. Bba7 c7 G7 E-75 Ane ‘D-7 G7 C-1 F7 Tall - er than the tall - est’ tree is, that’s. how it's got to feel, Who knows where the road will lead us, © on - ly a fool would Bba7 c7 AT Da __;—,D-7C__ Bb Bb? 2D- Bb-7Eb7 deep-er than the deep blue sea is, that's how deep it goes ifit's real, say, But FAL Ad D79 —-B-745 C9/Bb A-7579G-7 C79 F if you let me love you, it’s for sure I'm gon-na love you all_-the_~=way, all the way. I COVER THE WATERFRONT A John Green Heyman 1933 E-7 AZ AT D™® G GAZ, B-7 Bbo7 A-7 wat- er front I'm watching the sea, will the one I love wat-er- front in search of my love, and Tm cov-ered by a water front I'm watch-ing the sea for the one 1 love must D7 Gav E™ |?G Dat i B-75 me?. oo: me. A, D? to a to B- Bb7 G_,_G6 Here am 1 —pa-tient- ly wait-ing— hop- ing and long-ing—— | Ob, how I yeam, By EZ Che7_,_, FV B27, E7 AL,— D? Eada) where are you’. ‘Are you for-get- ting, do you re-mem- ber, will you re- tum?65 EVERYTHING HAPPENS TO ME ‘Matt Dennis /Adair 1941 A] C7 F7 D-7 Db C7 FT I make a date for golf and you can bet your life it rains, I uy to give a par-ty and the I nev-er miss a thing, I've had the mea-sles and the mumps, and ev-'ry time I play an ace, my Tve te-le-graphed and phoned, sent an air-mail spe-cial too, your ans-wer was good-bye, and there was p-1s Gn C7 aby D7 4p @ guy up-stairs com- plains, I guess I'll go thr life just catchin’ colds and missin” tains, Partner al- ways trumps, I guess Im just a fool who nev-er looks be-fore he jumps, ev-en post-age due, I fell’ in love just once and then it had to be with you, “C7 F7 Bb G7 2 C-7 Fz Bb ev-'ry-thing hap - pens to me. ev-‘ry-thing hap - pens to me. At FT Bb7I9 Eba7 C79 B-7 Bb2o. eS to os —— = = ——— 4 first my heart thought you could break this jinx for me, that love would tum the trick to end des- Bba7 E-7 ATs Da Pair, but_—mow just cant’ fool this bead that thinks forme, —Tve ~ , o7 co C7 FT ac wad? C-1 F79 Bb6 SS SS SSS oS == SS mortgaged all my castles in the ai, ve ev-"rysthing hap - pens to me A SUMMER PLACE Max Stetner/Discant 1959 Bb G-7C-7 Faust’ Bb G-7.C-7 Flt BbAT—C-7 FT Bb? C-7 £7 ‘There’s a sum-mer place where it may rain or storm, yet I'm safe and warm, for with in thatsum-mer place your arms reach out to me and my heart is free from all of a sum-mer place“ is that it's* a - ny-where when two peo - ple share all their Bb G-7C-1F7__Bb G-7C-7 F7_ G7 BYE Bh C-7_BhD G-1_ C-1 Bs care, [rit knows Ty skies when seen thr the eyes of a all their dreams, all their 2c. al Coda Bb BP/F FTsust c7 F9 Those who are blessed with love, se- cret66 LAST NIGHT WHEN WE WERE YOUNG eee GIA Ao B? CD DL: Ga? c7m B77? E*2X Last night when we were young, lovewas a star, a song un -sung.-_Lifewas so To - day the world is - old, you flew a - way and time grew cold, whereis that G6 Gtr A-75 DIS. [HB-7 BDO A-7 AT [2G47 Gfe7 A-7 D7 oS ‘ i new, so real so bright, a-gesa -go- last night go lastnight? To star that seemedso bright «agesa- = 7 B-7!5 E79 BH7 A A799. B47 Bb7I9. A 79 —s— think that Spring had de - pend-ed - on merely this, a look a kiss. To De op, B-75 E75 — a7, Bb D9 Abn think that some-thing so splen-did could slip a - way in onelit-tle daybreak. So G47 A-7 Bbo7 = B-7—sET B-75 E7_, F9 E77 E79 now, let's re-mi -nisce - and re-col -lect - the sighes and- the- kisses, _the arms that ETA 7 Bb? AT pm G clung when we were young last night. ILL WIND Arlen Moeer 1934 Bb6 A-75 D79 D-7G7 BT AbT D-7G7_ C-75 79 BBG G79 Blow, ill wind, blow a way, let merest to - daysyou're blow- in’ me no good, no ill wind, goa way, —skiesame oh so gray a - round my neigh-bor hood no 2Bb6 AT D7 E-7 Fo? D/FE Giuust ‘C-7F7 ‘good. good. You're on-ly misleading the sunshine I'mneed-in’, _ain'tthat ashame?__ G13 D7 E-? Fe7 D/Ft G7 pe7m C-75 79 Irs love's toblame. Sohardto keepup with trovblestheycreepup from out of no - where, when love's. toblPEOPLE Jule Styne/Merzil 1963 67 aT Gast G7 ca7 GTeust CS, GTust_CA7 Peo- ple, peo-ple who need people, are the —_luck-i-est peo-ple—___ inthe Lov-ers— are ver-y spe-cial people, they're the luck-i-est peo- plein. the ‘BT ET At A-TS p79 wor We're children need- ing oth-er chil dren and yet _let- ting our grown-up Gal ACH C-6 GB BbT AT D7 D7 G7 pride hide all the need in - side,-act- ing more like chil-dren than chil- dren. 2G-7_C7 F GiF F- CE G-7 C7 F world With one person, one _ver-y spe-cial per-son,—__—a feel- ing deep in your soul— Gi CE FETS CG, AT D7 ~GZ ‘says you were half, now you're whole— No more hun- gerand thirst, but first, be a person who needs i} c7 F F- Glas D-7G7must C peo-ple_._peo- ple who need peo- ple are the luck-i-est peo-ple in the world____ TIME ON MY HANDS acent youmans/adamson 1830 Fa7 B-7!5 , E7 G7 Gens Time on my hands— you in my ams—— —noth- ing but love— in Then if you fall once and for all TI see my dreams come eA7 ‘C7 G77 Ds7Z_.. D7 ~=«G7 view tue Mo- ments to spare for some- one you care G-7 C7 Faz, D7 G7 G7 c7 Fa7_,__ for, one love af - fair_—_ for two. With time on my hands, D3. (an G-7 C7 F6 and you in my arms and love in my heart, all for —_you.68 I'M GLAD THERE IS YOU FAT 7 Maidera/J Dorsey 1945 G7 In this world of or-di-na-ry people extra-or-dina-ry people, In this world wherema-ny,many play at love-— and hard- ly an-y stay at love Fa7 Ab] G-7 CT FA? A> aby G7 C7 “Tm glad there is you_ In this world_____ of ov-errated plea sures,_ T'm glad there is c7 G7 C7 FT ‘Bbs7 FA7 A-T5 of underrated trea- sures,____ I’m glad thereis you_____ I'll live to _love,— I'll love to Bh7 Bb? FA7 E-75 a#7—-D-7 G7 G7 c¢7 livewith you be -side me thisroleso new, I'll muddle thrwith you to guide me. PBS pT G7 F/A Bhs cn F6 more than ev- er, T'm glad there is you y THANKS FOR THE MEMORY Rainger/Robin 1937 G-7 C7 F6 = C#+7 F6 3 FH CVG ___,__F/A Thanks forthe memory, of can-dle- light and wine __cas-tles on the Rhine, the Thanks forthe memo-ry, of | rain- y af- ter-noons—_—swing-y Harlem tines, and Thanks forthe memory, of sun-bums at the shore nights in Sing- a pore, you Bo? E-75 Ffe7 G7 @ CTeus$C7 Par the- non and mo- ments on the Hud-son Riv- er Line, how lovely it’ was. mot- or trips and bum- ing lips and bum: ing toast and prunes, might have been a head-ache but you nev-¢r were a bore, so Ab Bb-7 Bb7 AD p79 CIG__ AT ‘Ma-ny’sthe time that we feast-ed and ma-ny’s the time that we fast-ed, oh, well it was swell while it D7 G7 G7 c+ @ G-7 C7 F 2. lasted, we did have fun and no harm done. And thank you so much.I'VE GROWN ACCUSTOMED TO HER FACE 6g Loewe /Lemner 1956 B Abs G-7_ +7 F7 Bb?) F-7 Bb T've grownac eus-tomed to her face,__ she al- most makes the day begin, T'vegrownac- T've grownac cus-tomed to her face she al- most makes the day be gin Tye got-ten Ab6 AT BB/Bb c7 Ab6 4&7? F7 Bb7 —s ———==. = See Ss iS <= <= + oS cus-tomedto the tune she whis- tlesnight and noon,her smiles,her frowns,her ups, her downs are sec-ond used to hearhersay, "Good morning” ev- ‘ty day, her joys, her woesher highs, her lows are sec-ond BE AB G7 C7 F7 Bb7 F7 BY Pee = SSS == ‘a-ture to me now, like breath-ing out and breath- ing in.__ I was se- na-ture to me now like breath-ing out and breath- ing in, Im ve-ry Ab6 AT Bby/Bb C+ FZ BZ Db cH SSeS SS at o SSS EES ae Rn, cePendentand content beforewemet, sure-ly I could always be that way a-gainand yetl've grownac- ‘grate-ful she's awo-man and so ‘easy to for- get, rath-er likea ha-bit one can al-ways brealand yet,I've grownac- A-TS Ab-7 G-7 79 F7— BbTast B as, tamed to her looks, ac - cus~tomed to her voice, ac -cus-temed to her face. cus-tomed to the trace, of some- thing in the air,” ac -eus-tomed to her. fae, FOR YOU, FOR ME, FOREVERMORE George/Ira Gershwin 1946 A-7 Abo7 G-7 F6 A-7 Abo7 G-7 c7 “F6 yon, for, me, for ev-er- more it's. bound to be for ev- er- more, Tm yours, you're mine, and in our hearts the. c7 C7 F7 C-7— FTW Bb D7 G7 it's cH Plain to see, we found By find-ing each oth-er, the love we wait- ed 20-7 FT BbA7 Bb7mus+ EST Far. py rm” hap - py FA7 p-7 end- ing starts___ what a G7 G7 CTmus4 love- ly world this C7 F6 G7 c7 World will be, with a world of love in store, for you, for me, for ev-er more.70 —_ GUESS I'LL HANG MY TEARS OUT TO DRY Jule Styne/Cahn 1944 B-7Bb7!A 7Ab7! E7 Eb-7 Dz G7 car Fa7 When I want rain I get sun- ny wea-ther, I'm just as blue as the sky Friendsask me out—— I tellthemI'm bu- sy, must get_a new al - i- bi ‘Some-bo-dy said just for- get a- bout her, I gave that weat-ment a cm Bb @ A-T D?__D-7 Glut “C Glut G2 sincelove is gone, can’t pull my-self to - gether, guess I'll hang my tears outto diy I stay at home, and ask my-self where is she, strange- ly e- nough, *c G7 (oy G7 c7 FA7 Bb7 F6 Dry lit-te tear- drops, my lit-tde tear- drops, hang- ing on a string of dreams. E-7 AT E7 AT D7 AbT Glas, GT ce Fly lit-de mem- ‘ries, my lit-tle mem- ‘ries, re - mind her of our cra-zy schemes. Cc -CA7B A-7 c FH-75B7 E-7 B-7 Dz Gust c then one day she passed me right by Oh well, I guess Tl hang my tears out to ao GHOST OF A CHANCE (viet: young/Washington 1931 E-75 cal Gt7 AT F7 BT 1 need your love so bad - ly, 1 love you oh so mad - iy, but 1 thought “at last I'd found you, but oth - er loves sur - round you, But what's the good of schem- ing, I Inow I must be dream- ing, for ca AAT R72, G+7 “E-7 A7™ D-7 G7 7c F CAM o a T don't stand a ghost of achance with you. I you__ *™* D2, Gt7_,, car If you'd sur- ren- der just for a tn - Kiss or two, FEDS. B7_, E7 AT D7 Gi ‘© you might dis- cov- er that I'm the lov-er meant for you, and I'd be que. But B.C, and nd Fe)miata ae eee eee eee TWO FOR THE ROAD 71 Ree eee eer c7 FETS B79 E-7 E/D C47 aL If you'refeeting fan-cy fres=— come wander thm the world with me, and an-y-placewe Insure ie sani sine in wan-tr well drink sumer wine, and ov dy tt ri AT A-/G_ D/Ft AcVG GAT E-7 = chance to be will be our ren-dez- vous, two for the road, we'll tra-vel down the you are mine will be a love- ly day A’ct D-7 D-iC GIB E-75 pe years, col- lect.ing pre-cious. mem-o- ries se- D-755 G79 ca7 c7 ? t-ing sou- ven - irs_— and_liv- ing GIF E- ED Ch C-6 life thewaywe please In summertime the Aslongas —_lovestillwears a smile, I GB a7 B-7 BbT A? DIS G know that we'll be two for the road, and that’s a_—long, long —_while. NEVERTHELESS Faby amar 1991 Bb Dbo7 FIC Fo D-75 G7 May-be I'm right and may-be I'm wrong, and may-be I'm weak, and may-be I'm strong, but May-be 'll win, and may-beT'll lose," and may-be I'm in ” for cry- ing the blues, May-be I'll live a life of re- gret, and may-be I'll give much more than I get, C7 G7 “c7 FT *c7 F7— Bb Bb G79 C-7 F9 nev-er-the-less, I'm in love fone for you. love with you. Bb7 F7 Bb7 Bat Some- how, I know at aglance, the ter-ri-ble chan - ces I'm tak - __ ing, G7 c7 G7 c7 F7 1.6. al 2nd End (Fine) fine at the start, then left’ with a heart that is break - - ing72 VIOLETS FOR YOUR FURS was dens/acar ion Bh7 E7 AT pW G-7 Che Fe I bought you vi-o-lets for your furs, and it was spring for a- while, re - mem-ber? 1 bought you vi-o-let for your furs, and there was blue in the win-uy sky. Chae Fay Bb? A-7 D7 G7 G7 T bought you vi-o-lets for your furs, and there was A- pril in Dec - em-ber. ‘The ‘You pinned the vi-o-lets to your furs and gave a lift to the crowds pass- ing c7 FA7 G-7 G7 F6 c7 ‘snow looked like dew on the snow drift-ed down on the flow-ers and melt-ed where it lay, the Fa7 G7 G-7_ pb7 | *G-7 ‘BbAT B7 a7 A-75 blos-soms as on a sum- mer‘s day. by. You smiledat meso sweetly, since thenonethoughtoc- D7 Be7,—C+7 F6 G7 (or F6 curs, that we fell in love com-plete-ly, the day that I bought you vi- o-lets for your furs. TRY A LITTLE TENDERNESS ‘Connally /Woods 1932 F-7 Bb7 B D+ Db C9 baz c7 She may be wea-ry, | wo-men do get weary ‘wear-ing that same shab-by dress__ ‘You know she's wait-ing, just an = ti ci- pa-ting things she may nev ~ er pos sess__— ‘You won't -re- gret it, wo-men don’t for- get it, love is theirwhole bap- pi - ness "G79C79F-7 Bb79|*Bb BT Eb7 C7 F7 F-7 Bb7 And when she’s wea-ry, try a lit-te ten-der - ness—___ While she’s with-out them, ty a lit-tle tender - Is all so ca-sy, uy a lit-de ten- der : ‘Aber Ds gn eo Gas cw not just sen i - men - tl, she has her grief and = care, anda Bb7 word that’s soft and gen tle makes it ea-si- er to bearTHIS IS ALL I ASK 73 Gordon Jenkins 1958 “ G7 c7_ G77 For F6 F6 Ffe7 As I ap-proach the prime of my life, I find I have the time of my life, G-7 FRe7 G7 BbZ. 7 FAvA Abe7 leam-ing to en - joy at my lei-sure all the sim-ple plea- sures, and so I hap-pi-ly con- AB B9 a-75 — p7s D-7 G7 pbs cn F6 p79 cede, this is all 1 ask, this is all 1 need. Chorus G7 C7__, 6 FAT -785 D2 G7 c7s Beau- ti- ful girls, walk a litle slow-er when you walk by Wan- der- ing - rainbows leave a bit of col-or for my heart to F6 G27, Far D7 G7 her FATA me. Lin ger- ing sun- sets, stay a lit-We long-er with the lone - ly own. Stars in the sky make my — wish come true be- fore the night has B-75 B79 AD A-7 D7 sea. Chil - dren ev - ‘ry - where, when you shoot at bad men, shoot at me, AT? Dt G7 ch7 D7 G7 c7 land grown- ups sel-dom un-der- B75 B79 take me to that strange, en-chant-ed BG Fame stand, flown. and let the mus-ic play as long as there's: a F6 A- AT DIB G7 CTeust74 THE MASQUERADE IS OVER Wrubel, Magidson 1998, vows Eb Bay G-75 c7 F7 BbTa BST My blue = =ho - fi - zon is tum - ing ‘gray—___ and G7 cn D9 Bb7ust —Bb79 my dreams are drift - ing a= way. ‘Your ‘Your ‘You sl B G7 C7 Bb7 BT Ab D7 eyes don't shine— like they used to shine, and the thrill is words don't mean___ what they used to ‘mean, they were once in- look the = same, youre a lot the same, but my _eart_ says G7 7 F7 F7 By OB OB gone when your ~ lips meet mine, I'm a - fraid the mas-que - rade is spired, now they're just’ © rou - tine, “no, no youre not the ~— same", Ab-6 AbAT ov = er and so is love, 267 C7 F7 Bb7 BS ‘Your love, and so is Jove —____ I F7 Bb7 G-7 C79 F+7 Bb7 Ba guess I'll have to play Pag - liac- ci and get _my-self a clown's dis - guise, and A-75 p7s G47 G7 C7 FB Bb a 5 wcoae leam to laugh like Pag - liac - ci with tears__ in my eyes. ‘You ® By ab pi G7. C79 F-7 Bhat BS rade is ov - er, and so is love and so is love.THEY SAY IT’S WONDERFUL 75 Irving Berlin 1946 G7 G-75 c7 Ay? Abeo7 G75 . ‘They say that —fall- ing in love is won- der- ful____ It’s won- der- ful ‘And with the moon a - bove, it’s won-der-ful____ it's won- der-ful_— A7 D7 = [2e79 F7 FH7 179 FA7 so they say———— so they tell me—____ I Bb-6 ZN AT Ab? G7 A-IG ‘BbA7 can’t re- call who ‘said it, I know I nev- er read it, I on - ly know they F9 E7 A-7 D7 AbT «ODb7. G7 G-75 79 tell me that love is grand, and the thing that's known as ro-mance is Av BS D9 D-7 G7 G-7 C7 F6 won-derful, won-der-ful in ev- ‘ry way so they say. SMILE Chaplin/Turner 1954 F Fa7 Smile, tho’ your heart is ach - ing, smile. ~e- ven tho’ it's break- ing, Light up your face with glad- ness, hide ev- "ry trace of sad - ness, AT Abe? G7 p79 G7 when there are clouds in the sky, you'll get. by. If, you —smile though your al- tho’ a tear may be = € - ver so near. That's the time you must Bb7 + BS F6 fear and sor- row, smile and may - be to- mor-row, you'll see the keep on ty- ing, smile, what’s the use of cry ing, you'll find that Dt G7 C79 2079 F sun come shin- ing thru for = you“ you'll just life is still worth - while, if smile76 THE END OF ALOVE AFFAIR pesersseiing 030 A. cl, Fa a So I walk a lit-tle too fast, and I drive a lit-tle too fast, and I'm So I talk a lit-tle too much, and I laugh a lit-tle too much, and my So I smoke a lit-tle too much, and I drink a lit-tle too much, and the Bb7 BT Ab7 D7 Clas 8)" F D-7 reck-less it's true, but what else can you do at the end of a love af- fair? Sol voice is too loud when I'm out in a crowd, so that peo- ple are apt to tunes I re-quest are not al-ways the best, but the ones wherethe trumpets aR Bp-7 G7 D7 G7 D7 G7 stare. Do they know, do they care, that it's on-ly that I'm lone- ly and low as can D7 G7 car AT D7 D-7 G7 G77 be? And the smile on my face is-n't real- ly a smile at all_____ So I ® on FT Bba7 BS Fa7 el bla. So I go at a mad-den-ing pace, and ‘I pre - tend that it's tak-ing her Abo7 G7 c7 G7 c7 F6 Place. But what else can you do at the end of a love af - fair. WARM VALLEY Duke Ellington 1943 Bar Ee7 FT Bblaudt G7 c7 F-7 Db7 es Bs B7 PB AbAZ. C7, Be7 Be? BBY Ab6 Dbs7_ FHT B7 Bb Ee F-7 Bb, on cFnoaueBtiBtBaeBtitakwewtatawaekauaaeae*ta eA SUNDAY KIND OF LOVE 77 Louis Prima/B Belle 1946 cm 6 pve F6 Az? Abe? G-7 = + IT want a Sun- day kind of love—— a love to last past Sat - ur- day night, T want a love that's on thesquare-____can'tseemto find some - bo - dy to care, My armsneed — some-one to en- fold____ to keepmewarm when Momday'sare cold, G7 B67 AT p7s G7 c7 T want a Sun- day kind of love— T'd like to know it's more than love at first sight—___ T'm on a lone- ly road that leads me no- where a love for all my life to have and to hold "F6 D7 G7 G7 6 GhAD FG c-7 F7 T want a ——_" 1 do my Sun- day dreaning and Fre Bb6 C-7_F9_ Bb6 Ab7iG! D-7 C7. all my Sun-day scheming ev- ‘ry min-ute,ev- ‘ty hour, of ev'ry day. I'm hop-ingto discover a Go Db7 co Fe7 G7 c7 cer tain kind of lov-er, who will show me the way? My ams need SEPTEMBER IN THE RAIN ‘Warren/Dublin 1937 B Ab7 G7 c7 F7 F-7E) Db7 BT «BLT leaves of browncame tumblingdown, re - menber?_ in Sep- tember in the sun went out just like a dy~ing ember thatSep - ‘Though spring is here, to me it’s, still Sep - tember thatSep - Bc? ['F7 Bb 2B Bb-7 By? Bb? BW? rain—__ ‘The AbA7 Db? C7 To ev-'ry word of love I heard you F7 C7 FT F-7 BT whis- per the rain drops seemed to play a sweet re - frain—_____ Though78 PORTRAIT OF JENNIE Robinson /Burige 1948 __A F D-7 DI7C-7 Fel Be BS % 3 A portrait of | Jen-nie______ more love-ly to see, The portrait of | Jen- the por-trait of | Jen-nie, than a is etched on my —heart__where her I nev- er will part____ for there ‘a-T D7 G-7,__G78,__, AX? D9 G7 C79, |*a-7— DT mas - ter-piece, how-ev-er fa-mous it be. The por-traitof fea - tureshave been G-7 cn F6 Bo F6 C7) D7 G7 B-7,_E7 AAT, sketched from the start. Ah the co-lor and beau- ty of line and the glow of her G&,;—, F7 E-7 A799 D-7 Abo G9 G79 G7 79 (De pi coae 6 spi- rit di-vine___ all. cast’ «in Heaven's own _— de - sign. With the por-trait of AT D7 G2, Hs Clast C7 FG is - n't an-y por-trait of Jen-nie, ex - cept in my heart. CRY ME A RIVER Arthur Hamilton 1953 A Cc C6 C7 F7 Bb7 BAT D-7 G7 Now you say you're _lone-|, you cry the whole night thru well you can Now you say you're sorry, for be-ing so un - true well you can Now you say you love me____well just to prove you do, come on and G-75_, C79 Fld Fo BT BoTaast ‘Bs G7 |B p79 cry meariver, cry meariv-er, I crieda riverov-er you. G- = ADS pv Fine A-T5 p79 Gs You drove me, near-ly drove me out of myhead, while you “evershed atear, A-T5__D79 G D-7 G7 0G.alFine - a4 remember? I rememberall that you said; told melovewastoo ple-bian, toldme youwere thru with meandPIECES OF DREAMS 79 Michel Legrande/Bergman 1970 F6 G7 AT D7 G7 GWF CTE c7 Lit- tle boy lost————_____ im searchof Lit- tle boy found=——— you go a- Lit- tle boy false in searchof it~ we boy tue, _will you be Fa7 G7 A-7 B-75 C7 Ce? AICS won-der- ing, wan-der-ing, stum- bl- ing, tum-bl-ing, round, round. ev- er done _tra- vel-ing, al- ways un - rav-el-ing you, you? “D7 D-7C_ B-7S E7 AT Flsust F9 Wheawill you find what’son the tip of your mind? Bba7 FIA G-7 C7 AT D7 G7 c7 Why are you blind to all you ev- er were, nev-erwere, really are, nearly are? *D-7 BYD G-77Db c7 FIC B-75 running a - way __ couldlead you fur-ther a - stray, and as for FIC Class C9 Flast C-7 B74 Bba7 BT EBT fish- ing in streams——___ FA7 D-7 G7 for pie- ces of dreams, c7 F6 G7 those D7 AT pic-ces will nev-er fit, what is the senseof it? Lit-tle boy blue——_ don’t let your G7 GF CYR C7 . FA7 G7 lit - tle sheep roam——— it’s timecome blow your hom, meet the mom, AT B-75 c7 cn F6__Bb6 F6 look and see, can you be far from home.80 THE HEATHER ON THE HILL teewejteme 1017 A se G7 ¢c7 F6 cL Fly The mist of May is in the gloam- in’, and all the cloudsare hold-in’ still The mornin’ dew is blink-in’ yon - der, there's la- zy mus- ic in the rill That when the mist is in the gloam - in’ and all thecloudsare hold-in’ still BST = A-7 D7 G-7 DIA Bb? Be? FIC. C79 BY F6 C7 — so take my handand Te’ go roam-in’ thru the hea-ther on the hill. — and all I want to do is wan-der if you're not there I won't go roam in’ Gba7 B-7 Ab-7 Db7 Bb-7 B7 F6 hill. Theremay be oth- er days asrichand rare, theremaybe oth- er springs as full and AbAT D-7 G7 C47 CH?) =—-D-7 G7 Clas C7 Bical Coe fair, butthey won't be thesame they'llcomeand go, for this = T—know. D-7__G-79Db FIC __D-7_ ~G-7_ C7 F6 ¢ the hea-ther___ onthe. bill MY OWN TRUE LOVE (TARA’S THEME) Steiner/David 1941 F G7 C7 G7 C7 Fast F FIA Bb ly own tue love, my own tue love, at last I've found you, No lips but yours, no arms but yours, will ev- er lead ‘me And by your kiss, you've shown tue love, I'm yours for - ev - er, FA G7 c7 *F G7c7 F Bb tiitu hea-ven's doors.” I roamed the earth my own true love. AT ¢ G7 Av G77 my own tue love. in search of this, Tiknew I'd know you, know you by your kiss.IF EVER I WOULD LEAVE YOU s81 Loewe/Lerner 1960 Bbs7 C7 F If ev-er Y would leave you———— ‘it would-n't be in sum - mer— But if I'd ev-er eave you it. could-n't be in au - umn If ev-er I would leave you how could it. be in spring - time? G7 C7 F7 Bba7 see - ing you in sum - me, I nev = er — would £0. how Td leave in au - tum I nev - er will know know - ing how in spring I'm be - witched by you 50, Your hair streaked with sun - light your lips red as flame__ Te seen how you~ spar - Kle- when fall nips the = air__ Oh No! = not_ = in. spring - time your face with a lus - ter that puts gold to shame. 1 know you in au - tumn Bu if ra &- er and I must be there. Sid could 1 D D+ G47 E-7 A7 D47 D6 Jeave you run- ning == mer-ri-ly thm the = snow2____ a FE FR B E-7 AZT Dé F7 D.C. al Coda win- try eve- ning when you catch the fi- re’s glow. a) a BS C8 F9 sum - mer, win- ter or fall, C7 F79 Bb6 BA7 Bb6 you82 NANCY WITH THE LAUGHING FACE G7 c7 G-7 c7 Fa7 G7 If I don't see hereach day 1 miss her, Gee, what a thrill each She takes the winter and makes it sum - mer, sum- mer couldtake some 1 swear to good-ness you can't re - sist her, sor- ry for you she i A-7 G7 Dp G-7 E-75 A7 |" D-7 Abo7 time I kiss her. Be-lieve me I've got a case on Nan- cy with the laughing fact” les-sons from her. Pic-ture a tomboy in lace, that's hhas no sis-ter. No one could ev - er roplace my G7 p79 2p-7 Bb-7 Bb7 F6 At? D-7 AST She takes the | Nan-cy with the laugh-ing face. Do you D7 AST D7 AAT ev-er hear mis- sion bells ring- D7? G7 CZ When she G7 c7 pm ing? well, she'll FA7 D7 give you the ve - ry same glow. G7 A7 D-7 G7 speaks you would think it was sing - ing, justto hear her say “Hel - 10” I swear to DC. al and End (Fine) THE NIGHT WE CALLED IT A DAY Matt Dennis /Tom Adair 1942 D7 Gaz FH-75 B79 E-7 p75 A-75 . There was a moon out in space, but a cloud drift-ed ov-er its face, you J heard the song of the spheres like a min- or la-ment in my ears, ‘The moon went down, stars were gone, but the sun did-n't rise with the dawn, there GB, Bho? B-7_ BY A? ab _ [Ga Dy GAT G7 3. kkissed me and went on your w. hhad- n't the heart lefi to pr the night we called it a day. I heard the day.THE NIGHT WE CALLED IT A DAY (pg 2) ca op Dfe7 CE ATS, B29, E-7 A7 et z == == oe T T Soft thr the — dark, the hoot of an owl in the — sky, FewS p79 BT BTM Dyadic ace Al, sad tho’ his song, no blu er was be than I. The moon went 6 E7 _E-6 B-7 Bb7 A-7 Ab7 Gaz (47) ee was-n't a thing left to say, the night we calledit a day. IT NEVER ENTERED MY MIND Rodgers /Hart 1940 a Fa7 Bba7 Fa7 Bba7 AT G-7 F6 G7 @ Once I laughed when I heard you say - ing that I'd be play-ing so - li- taint, Once you told me I was mis-tak- en, that I'd a-wak-en with the sun Once you wamed me that if you scomed me, I'd sing the maid-en's pray'r a- gain, AT G7 @ a7 pm [G7 Clast C7 un-ea-sy in my —ea- sy chair and or-der or~ ange juice for one and wish you were 26-7 G7 it nev-er en-tered my mind—_ G-7 C7 F6 G-7 Clas! FAT ‘it nev- er en-tered my mind—____ . You have what___ I Jack my-self,— G-7 C7 Fa7 G-7 AT Ab7 G7 Clust C7 Dial Coda and now even have to. scratchy — back = my- self_ % A-75 D798 G-7 Ciust A-7 D7 G-7 Clauss F6 there a- gain to get in-to my hair a- gain it nev-er entered my mind___84 When the E-7 dusk to car IN THE WEE SMALL HOURS David Mann/Bob Hilliard 1955 Cc D7? ca? DT CA Gast car c7 sun is high in the af-ter-noon sky, you can al-ways find some- thing to do, but from Bre E-7 F-7SB79E-7 Ans D7. «G7 dawn, as the clock ticks on, some- thing hap- pens to you. In the c7 FA7 F+6 Bb7 CAT cho7 D7 G7 wee small ho-urs of the mom- while the whole wide worldis fast a - sleep, you D-?7 G7 GF E75. Avs REDS Br E-7 D-7G7 lie a-wake and think a-bout the girl, and nev-er, ev- er think Of counting sheep. When your a7 c7 Fa7 F-6 Bb7# C7 -7_ C79 FAT ATE @ lone - ly D-7 ‘wee small D-7 time you heart has leamedits lesson you'dbe her's _ if on-ly she would call, __ in the Die? CoB AT = @ D7 Gn C6 Gat hho-urs of the mom-ing— that’s the time you miss her most of all. D7 Gt? + C6 miss her most of aWHAT I DID FOR LOVE cs Asus AZ ee et = — =: Kiss to-day good-bye, Look my eyes are dry, Kiss to-day good-bye, F Cc GB} D9 the sweet-ness and the the dream was ours to and point me t'ward to - F we did what we had to Its as if we al - ways Wish me luck, the same to p-75 what I did for love. what I did for love. A> AIG FA? Est E7 A- A/G FA-75 Bast B7 G GF do, and I can't regret what I did. for love, knew, but I won't for- got what I did for love, * G7 2 E- GD Look my eyes are dry E- GIA AL Gone, loveis never gone, as we travel on, love's what we'll re. D-75 G7 pcuc @A- A-/G DUFLA-IED7 F CE =a =a mem- ber. Kisstoday goodbye you. Won't for-get; can'tre-gret what I did D-7 Glu C C/Bb F-/Ab ccm Fab c for love, G7 Ble F7 what I did for love, ____ what I did for love. LOVE STORY 1970 D7 Eba7 D7~soGaT _BbaT Eba7 Ans pe Bba7 AT ® Diut D7 G- Bhar86 ALL I ASK OF YOU Phantom of the Opera 1987 Ghe Al pbsr No moretalk of dark-néss-* for - get those wideeyed fears, I'm here,nothing canharmyou, my Let me be your shel- ter, Jet me be your light, you're safe no-onewill find you, your AWC Db B. ‘words will warm and calm you. Let me_be your free-ddfm-™ let day- light dry your tears, I'm fears we far be-hind you. All’ I want is free-dom, a __worldtbat'swarm and bright, and bar chs B Bly Bi here with you be-side me, to guard you and to guide you. Say you love me ev-'ty you, al- ways be-side me, to hold me and to hide me. Then say you'llshare with me one Eb-7 AMZ DWF BZ ET. Aboust win - ter mom ing tum my head with talk of | sum-mer-time love, one life - time, Tet me lead you from your sol - i- tude, DBI Bb7 AMZ DF abe say you need me with you mow and al- ways pro-mise me that all you say is say you need me with you, here be-side you an y- where you go, let me go Db/ab Eb-TAb F-7/Ab Db G ee that’s all I ask of you, 00, that’s all I ask of you. BT DF AMT Bb7 All I ask for is one love, one life - time-— say the word amd I will Bb? AbToust Db oBb-7 Bb AbZ fol- low you,_____ share each day with me, each night, each mom- ing DUF G Dbab Ablaust Abo Db say you feel “The way Ido, Jove me, that’s all I ask of you.MEMORY 87 Al Webber/Nunn 1981 Cats 82 F Mid-night, not a sound fromthe pave-ment has the moon losther mem-'ry. She is smiling a- Mem-'ry, all a- lone in the moomlight, I can smile at the old days, I was beau-ti- ful Day-light I must wait for the sun- rise, I must think of a new life and I mustn't give A- E D-7 a lone. In the lamp - light where with-ered leaves col - lect at my feet and the then, I re -mem- ber the time I knew what hap- pi-ness was let the in when the dawn comes to - night will be a mem-0- ty too and a G7 c E- F E- F wind ®%- ghs to moan. Ev - ‘ry sueet lamp seems" to beat : mem - "ty live a- gain. Burt out ends of smok - ey days the new day will be - gin. cD G AT D7 G + ; Fi ta-tin- ic warning. Some one mut-ters and a street lamp sput-ters stale cold smell of the mom-ing. The street lamp dies a - noth-er night is. 0 ven E AT @ Dee tc acum and soon it will be mom - ing. a= noth ~ er day is ® pd Bh Eb c- dawn - ing Touch me. it's so ea-sy to leave me all a-lone with the Ab G F7 mem-'ty of "my days in the sun, If you touch me you'll un-der- stand what Cc Bb7 Eb hap- pi- ness is, look! a new day has be - gun88 A TIME FOR LOVE Johnny Mandel/Webster 1965 sax— Bba7 ams, pm G9 zax- G-9 Abi3/Gb BUF ‘Bba7 ‘Ab9/Bb Bb6 C13, A time “for sum-mer skies for hum- ming birds and but - ter- flies, for A time for climb-ing ills, for lean- ing out of | win-dow sills ad- As time goes drift-ing by, the wil low bends and so. do 1, but EbyBb ® [Dae D7 a7 pm [Faas p79 c7 ten-der words that har - mo-nize with _ love———* dove. Atime for mi-r- ing the daf - fo-dils a - coh my friends what ev - er sky a 5 G7 D7 G7 C9 D-VF AT D-7 p79 F G7 hold- ing hands to - geth-er, atime for rain- bow col-ored weather, a time of make be-lieve that E-5 a7 D&T C-7 FI pe wcee @ 4-7 Avs pie we've been dream- ing of. As ove, Tye mown G7 ce c-7 Fins F79 BG time for spring, a time for fall, but best of all a time for —_—iove. TWELFTH OF NEVER D B- G D A7THE WAY WE WERE 89 Hamlisch /Bergman 1973 C ET Fa A-T A/G FAT E- E7 A- AvG® ‘Mem - ‘ries light the com-er of |my mind mis- ty wa-ter color _memries pic - tures of the smiles weleft be hind, smiles we gave to one an - oth- er - Mem - ‘ries may be beau ti- ful and yet what's to pain-ful to re -member, Fa7 Get [© Ca? B-7 Fa? G7 2Ca7 c7 Scat tered were E7 of the way we were. for the way we ao Alust = A7 FA or has time re-writ-ten ev-'ry line? car GTast sim- ple then, G7 Can it be that it was all so Da G7 0. acoda could we?. E7 If we had the chance to do it all a- gain, would we? O par East ET A- A-/G FAT E-7 FA7 we simply choose to for - gets =. So it’s the laugh- ter we will re -mem- ber, FA7 E-7 A-7 D-7 Glast C47 FA? Glaust car when-ev-er we re mem-ber= the way we were,____—the way we were. WHEN I FALL IN LOVE ‘Young/Heyman 1952 FD? = G-7Clast F797 C79 BBL B7 D7 When I fall in love it will be for - ev-en- - ll nev When I give my heart, it will be com - plete-ly, ne G-7 DOC Iu C79 |"F D7 G7 CTD A-75 D719 FAT love. In a restless world like this, love is end- ed be-fore it's be-gun, and too ma- heart and the G7 ES BM opm G7 c7 "Fay B 7H in the warmth of the — sun, mo- ment I can F D7 G-7 C79 F6 ny moon- light kiss -es seem to cook BbA7 E79 A-75 D9 G-7 Bb7 feel that you feel that way too, is when I fall in love with you.90 EVERGREEN ‘Barbara Stretsand/Paul Williams 1972 DIC D-iC soft as an ca - sy chair Love, c CR A- —— £7 fresh as the mom- ing siz One love that is shared by two D-7 Bb G Gat C T have fod with _you. FIG D-7 Like a rose, tun der the c Nichols /Williams 1970 F/G april snow Twas al- ways cer-tain that love would grow AT oo EW Fa7 Love age-less_ and ev-er- green,_ sel- dom seen by a7 Bic c7 [Bip F6 E7 two.__ You and will make each night a first. Far G/F E-7 BWC C7 FAT Bias! = B7 Evy day 9 a be = gin ning—_ Spir-its rise and their Ebs7 cD DZ FG —s E7 4 dance is un- re- hearsed. They warm and ex- cite us, ‘eause we have the bright - est car BC D7 FIG oo Mom - ing glo - ry and the Two lights that shine as one. love.EVERGREEN (pg. 2) —_ cB Av E7 mid - night sun, ‘Time, we'veleamed to sail a- bove_____ BIC F4l;_, F-47) C — Time won'tchange the mean - ing of, one love agollessand Dic CHC c cH DIC BUC DIC CHC c a WE'VE ONLY JUST BEGUN Nichols /Williams 1970 F Bb A7 D7, G7 We've on- ly just be- gun to live white lace and prom- is - es, ~ fore the “rising sun we fly so ma- ny Foads to choose, And when the eve-ning comes we — smile,___ so much of life a- head, O|'CIat |*CIat FA7 BbA7 FA7 Bbs7 1 G7 a kiss for luck and we're on our way. we start out walk-ing and leam to run, we'll find a place where there’s room to grow, GAZ D47 Gar and yes,we'vejustbe- gun D D GAZ D47 G47 Shar-ing hor-i-zons that are new to us, watching the signs a-long the way, Gba7 BAT Gba7 B47 GY Bw CT east talicing it ov- er just the two of us, working togeth-er day to day, to ~ gether. *Ra7 OF Cust Fa7 Bba7 ‘Bba7 FAT Bba7 AAT we've on-ly just be- gun.92 CLOSE TO You Aba? Hoffman 1933 Glaus! G2 G-7 C7 Ab Why do birds sud- den - ly ap - pear ev-'ry time you are near? ‘Just like me, Why do stars fall down from the sky, ev-"ry time youwalk by? ‘That is why all the boys in town follow you all_a- round, BbJyust EbA7 Ab F7 2 they want t0 be, close to you. Why do (On the day that you were born the G- Clust C7 an-gels got to-geth-er and de - ci-ded to cre-ate a dream come tue, so they Ab AbAT AbG b 2c. al Code sprinkled moon dust in your hair of gold and star-light in your eyes of blue. That is @ ab BbYnust _BbA7 os FT close to you. nBEeREeREREEEREERE ERR EERO ERER RE B BUSEND IN THE CLOWNS 93 Stephen Sondheim 1973 EbTust MAb EbTsust Ab Ebtust Ab Ten'tit rich? = Are we a pair? «== Me “ere at —last_om the ground, you in the Ientit bliss? Don'tyou ap -prove? One who Keeps tear-ing_ a- round, one who can’t Dba? 1. ED/Ab Eb7aus* Eb/Ab Ebjust !2 Eb EbTust air, Send in the clowns. Is- n't it clowns. Send in the move, where are the AD GToust B Cc Gc c- clowns. Just when I'd stopped op - en-ing doors, fim al- ly Cc F7 Cc AbE> _ Bb7/D Db know- ing the one that I wanted was yours, mak-ing my eN-trance a-gain with my u- su- al Cust Bb-1SC-7/Eb EbTust Eb/Ab Eb7aus* EBb/Ab Eblast fait, sure of my lines, no one is there. Don’t you love Is- ot it Ab EbToust Ab Bb Tous! AbD force? == My fault T fear. T thought that you'd. want what Twant. Sor-ry my sich? Is- nit it queer? los = ing my tim - ing this latin my ca~ EW/Ab *BbS/Ab dear, but where are the clowns? Quick send in the clowns, don't both- er they're reer, andwhereare the clowns? There ought to be *EbS/Ab Eb7ust Ab EbToust Ab Eb7sud Ab here. Is-n't it clowns. Well, may-be next year.94 CAST YOUR FATE TO THE WIND = cusraaywever c F c Bb A month of nights, % year of day3 Oc, - to-ber drift- ing in-to Mays, I I shift my course a - long the breeze, won't sail up-wind on me-mo- ries. the There nev-er was, there could-n't be, a place in time for men like me, who'd So now I'm old, I'm wise. I'm sman, T'm just a man with half a heat, 1 c F Bb c F B set my sail when the tide comes _ in aitd T just cast my fate to the wind. emp-ty sky is my best friend, and T ink the dark and laugh at day,’ and let their wild-est dreams blow a- way. won-der how it might have been, had I not cast my fate to the wind. 7 Bb F_ Bb Bb é7 Bb Foc C7 Bb Cc oF F Bb F time has such a way of chang-ing aman through-out the years And now I'm re - ar Bb F Bb Cc HF DC. a'seu4h vere rang-ing—— my life through all my tears -lone. There's STRANGER ON THE SHORE ‘Acker Bik F G7 c7_ OF F7 Bb BE F D7 Here | 1 stand, watch-ing the ude go oul so all a-lone and watched your ‘ship “as” it sailed otf. Sea takeing all ny Why “oh why, must Igo. on ike this shal “I jut bee “G9 G-7 c7 2 BIA F7 sb c7s F Ff? ‘Fine blue, just dream-ing dreams of you. 1, dreams and_—tak-ing all of me. Tone - ly stranger on the shore?. G7 c7 F F7 Bb F ‘The sigh- ing of | waves,______ the wail- ing of the wind— the Bb G7 G77 Dale Ena re) tears in my eyes bum plead - ing, my love, re- tum.