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Scindia Oriental Series No. 2
ANCIENT JAINA HYMNS
CRITICALLY EDITED WITH
INTRODUCTION, DISCOURSES, NOTES AND INDEX
BY
Dr. CHARLOTTE KRAUSE
UJJAIN
SCINDIA ORIENTAL INSTITUTE
19522
-digtinguished Jain Scholar and Saint Shri Muni Vidya
_ Vijayaji of Shivapuri. When the devotees recite the
hymns, little do they realise what wealth of historical
and geographical facts is hidden in them, and how these
hymns can throw light on many obscure problems of
history, geography and biography of long forgotten saints
and poets, A perusal of the very well written “Remarks
on the Texts” will show how the illuminating analysis and
study reveal many hidden facts, which were little known
to the ordinary devotee. Scholars now universally realise
the need of research in the old sacred literature of the
Hindus— especially the Puranas, in wich numerous _his-
torical facts are buried in a mass of poetic descriptions.
But, few people realise the need of research in the
ordinary old hymns. Dr. Krause is to be thanked for
her pioneer work in this line, It is hoped that the path
shown by her will be followed by some other workers
as well, and systematic and scientific studies of the
numerous hymns—Hindu, Jaina and Buddhist—will be
undertaken, Dr. Krause deserves our hearty congratula-
tions for her very thorough and illuminating study of the
Jaina Hymns.
‘S. N. CHATURVEDI,
Gwalior, Director of Education,
September 9, 1952. ‘Madhya Bharat.CONTENTS
Page
Preface i
Introduction I
Remarks on the Texts I
1. The Munisuvrata-stavana . 1
2. The Devakuladinatha-stavana .. +. 29
3. The Varakdna-Parsvanatha-stavana ‘ .. 34
4. The Saakhesvara-Pargvandtha-stavana +» 42
5. The Tirthamala-caityavandana. . -. 52
6. The Vira-stuti se oe .. 54
7. The Mahavira-stuti .. . -. 83
8. The Simandhara-stavana ‘ ‘ae 85
The Texts—
1, Jfianasagara Sri, Munisuvrata-stavana .. 93
2, Sdrodaya Gani, Devakuladinatha-stavana .. 100
8, Hemavimala Siri, Vatakana-Parsvanatha-
stavana as “a aa 105il ConTENTS
4. Nayavimala, Saakhesvara-Parsvanatha-
stavana
5, Tirthamala-caityavandana os
6. Vira-stuti . “ae
7. Jinapati Siri, Mahavira-stuti
8. Simandhara-stavana «
Critical Apparatus
Notes . a
Bibliography .. o
Page
-. 114
+ 118
. 119
- 120
- 120
- 125
« 129
« 135PREFACE
The Scindia Oriental Institute of Ujjain, well-known
repository of manuscripts of works pertaining to Hindu
Religion and Philosophy, and to Indian Literature in
general, owns a number of manuscripts of Jaina works,
Some of the latter are hitherto unpublished and even
unknown, and deserve to be made accessible not only
to the narrower circle of Jaina specialists, but to indo-
logists in general. A selection of such texts is being
published in the present volume. All of them belong to
the category of hymnal literature, and are of Svetam-
bara origin. Leaving aside their literary merits, some
of these texts are of high interest as the creations of re-
nowned authors, which, by some unexplained chance,
have remained hidden from the light of publicity for cen-
turies. There is a Mahavira-stuti from the hand of
as old and distinguished an author as Jinapati Siriif .
(born in V. S. 1210 and died in 1277). Another text,
“The Munisuvrata-stavana”, so far known from literary
references only, is the creation of that renowned and
erudite Acarya Jianasigara Siri, who died in V. S. 1460.
The author of the “Varakina-Parfvanitha-stavana’” is
Hemavimala Siri, known as a Jaina theologian and as an
eminent ecclesiastic dignitary, who died in V. S. 1583,
and many of whose numerous disciples are, in their turn,
famous for their literary achievements. Nayavimala,
author of the “Satkheévara-Parsvanatha-stavana”, is
identical with the celebrated ‘“‘Jiianavimala Siri”, many
of whose devotional songs, Rasas and exegetical works
both in Sanskrit and Gujarati, are well-known. a
The “Munisuvrata-stavana’”’, moreover, is of historical
interest by its reference to “Asvavabodha” or “Sakunika-
vihara”, that famous shrine of the Jainas at Broach,
which, believed to have been in existence already at the
time of the composition of the Sacred Books, 7. ¢. more
than 2000 years ago, and for the last time directly
mentioned as existing at the time of Vastupila and
Tejapila, i. e. about 700 years ago, is described in
our text as a still flourishing place of pilgrimage of mi-
raculous sanctity. Our hymn thus represents the last
definite record of the existence of that sacred place, its
Requiem, as it were.
Similarly, the Devakuladinatha-stavana extols the
sanctity of Devakula, another famous old place of pil-
grimage, identical with to-day’s Delwara near Udaipur,
which once resounded with the chimes of the bells from
300 Jaina temples, and is now nothing but an insigni-
ficant Village with three Jaina temples, surrounded br
acres of ruins.iii
A whole list of such names of ancient places oby
grimage is contained in the short Castyavandana, an
constitutes its interest.
The Vira-siuii is a striking example of onomato-
poetic expression, and, at the same time, an indirect, but
eloquent testimonial to the important rdle which music
and musical science once played in the Svetambara
ritual.
The Simandhara-stavana, last but not least, is of
linguistic value as another of those not very frequent
specimina of late Gaurjara Apabhrathsa in its transi-
tion to Middle Gujarati. Besides, it is not without poetic
charm, an outcome of both the skill and the devotion
of the poet, who, incidentally, was one of the great
figures of earliest Gujarati Literature, if a conjecture
ventured in the discourses is correct.
The introduction is meant to facilitate the under-
standing of the texts in their hagiographical settings,
The subsequent discourses attempt to define the historical
and literary background, and, so far as possible, to iden-
tify the author, of each individual text.
Thanks are due to my learned colleague at the Scindia
Oriental Institute, Ujjain, Pt. Gopikrishna N. Dvivedi,
as well as to the erudite Controller of the Institute, Dr.
H. R. Diwekar, for going through the Sanskrit texts and
suggesting several improvements.
Difficulty I feel in duly expressing the gratitude I
owe to His Highness Shrimant Jiwaji Rao Maharaja
Scindia of Gwalior, who, during the raging of the
Second World War, graciously granted me sanctuary
in the quietude of his Oriental Institute. In the4
1Vv
following Sanskrit stanzas I have attempted to
express this gratitude in the way of the bards of
yore: .
aaaareanagga = aaa
aqaEMataay emTaAeaa |
qaraegttaaedaegteat
dmaaapnay Rest waa TTF 18
Tas TaMPaMsiey eat aN Panera
gaat we Raraetyleaeareaitiar |
Fa wath qiasagteaedation
ah: Bema Rast aera AMAT URI
Sanaa TATA
welfsaaal a fae ae saraPzar |
stastetaataasaat sare aaa
saa STA HSA ATGART BAT aA
Ujjain, Scindia Ori i
jjain, Scindia Oriental Institute, } CHARLOTTE KRAUSE.
Makara Sankranti, 1947,INTRODUCTION
As the ivnins published in this volume address
thomsclves to Tirthaakaras, and contain allusions to not
iv knewn jdcas connected with the latter and
backssound, a few of the main features which
aphy teaches about them, are memorized
with th
Jaina Viaz
below,
Toommust be remembered that according to Jaina
Cosines y, the world of Tianan beings’, situated
between the worlds of the gods on top, and the hells
below, forms the centre of a pattern of ring-shaped is-
Jands, alternating with oceans, of steadily increasing
circumference, which are concentrically arranged around
the disk-shaped “Jamba-dvtfa". The ocean immediately
surrounding the Jatter is “Lavanoda’, the “Salt-sea’’.
Next comes the ring-dsland of “Dhatakt-hhayda", which
the “Kaloda™ or “Black Sea’’ surrounds. Then follows
the island-world of “Pusharavara-dvtpa", and the further
countless ring-oceans and ring-worlds, up to “Svayam-
bhiiram samudra", the outermost and therefore
largest of the oceans, which is alluded to in the Muni-
suvrata-stavana published below (st. 21) as “carama-
jaladhi", and in the Simandhara-stavana (st. 2) as
“carama-siyara”. The Jatter is immediately adjacent to
the “Aloka”, and thus forms the end of the world in
the horizontal dimensions.
VU) Tatty. 11, 72, Tk, p. 248 f,Ww
following Sanskrit stanzas I have attempted to
express this gratitude in the way of the bards of
yore: .
qa «aT
AAAS SeATTIATaa |
qari ta taaed meget
ahaanginay gst waa wee eI
Fay TeMramsia aa ant Panera
gee wa Beraeleseaeareaiea |
aa Teatoh qissagtaaedaiion
weet: seme Rragt drat aa RI
SAARI TATAAETTA
waa 7 Fast ae sarnPzar |
stastatelataasaat stare aaa
ZAR SATA GHST TVATART BAT NAM
Ujjain, Scindia Oriental Institute, }
Makara Sankranti, 1947. CHARLOTTE KRAUSE.INTRODUCTION
As the hymns published in this volume address
themselves to Tirthaikaras, and contain allusions to not
generally known ideas connected with the latter and
with their background, ’a few of the main features which
Jaina Hagiography teaches about them, are memorized
below.
It must be. remembered that according to Jaina
Cosmography, the world of human beings’, situated
between the worlds of the gods on top, and the hells
below, forms the centre of a pattern of ring-shaped i is-
lands, alternating with oceans, of steadily increasing
circumference, w. vhich are concentrically arranged around
the disk-shaped “ Jambu-dvipa”, The ocean immediately
surrounding the latter is ‘‘Lavanoda’’, the “Salt-sea’’.
Next comes the ring-island of “Dhatakt-khanda”, which
the “Kaloda” or “Black Sea” surrounds. Then follows
the island-world of “Puskaravara-dvipa”, and the further
countless ring-oceans and ring-worlds, up to “Svayam-
bhiramana-samudra”, the outermost and _ therefore
largest of the oceans, which is alluded to in the Muni-
suvrata-stavana published below (st. 21) as “‘carama-
jaladhi”, and in the Stmandhara-stavana (st. 2) as
“carama-sayara”. The latter is immediately adjacent to
the “Aloka”, and thus forms the end of the world in
the horizontal dimensions.
U) Tatty. IIL, 7 £., Tika, p. 248 #.ANCIENT JAINA HYMNS
Human beings inhabit only the central ““Two-and-a-
half-worlds”’, viz., “Jambu-dvipa”, “Dhataki-khanda”,
and the inner portion of “Puskaravara-dvipa”, demarcat-
ed by an insurmountable ring-shaped mountain-range,
the “Manusottara-parvata”, which divides this island into
two concentric parts. The Tirthamala-caityavandana
published below, mentions this mountain-range as
containing places of pilgrimage (st. 3).
“Jambu-dvtpa”, the central island of the “Manusya-
loka”, is traversed, from east to west, by six insur-
mountable mountain-ranges, which divide it into seven
continents, viz., the two segments of “Bharata” and
“Aivavata” in the south and north respectively, and,
between the latter two, following one another from
south to north, the five zones of “Haimavata”, “Hari-
ksetra”, “Mahavideha”, “Ranvyaka-ksetra”, and “Haiva-
nyavata”. The central one of these seven continents,
Mahavideha, is the largest. It is diagonally traversed
by four insurmountable mountain-ranges, radiating,
as it were, from Mt. Meru, the hub of Jambu-dvipa.
“Mahavideha” is thus sub-divided into four parts,
vez., “Devakurn” and ‘Uttarakuru’” south and north of
the Meru, and “Parvavideha” and “Aparavideha” in the
east and west respectively. Devakuru and Uttarakuru
are often grouped together as “the two Kurus”, while
Parvavideha and Aparavideha are referred to as “the
two Videhas”, or as “Mahavideha” in the narrower
sense. Each of the two “Videhas” is again subdivided
into two portions by a huge river named “Sita”, Each
of those portions has eight provinces, which are known
as “Vijayas”, and in fact are independent worlds of their
own, the boundaries of which are untransgressible for
tae human beings and animals inhabiting them. The
whole of Mahavideha has thus 32 Vijayas. Such a
2INTRODUCTION
“Vijaya” is referred to inthe Simandbara-stavana
(st. 16). ‘sta
Three out of the seven continents of Jambu-dvipa,
viz., Bharata, Airavata, and Mahavideha in the narrower
sense, are grouped together as the “Karmabhiamis”.
There, people have to work to earn their livelihood, and
Tirthahkaras appear, creating the spiritual basis from
which salvation can be attained, a feat which is not
possible anywhere else in the universe.
Among the three “Karmabhimis”, again, Bharata and
Airivata occupy a separate position. For only there,
the “Kalacakra”, the “Wheel of Time”, revolves, alter-
nately bringing into play, in never ending crescendo-
decrescendo, periods of evolution, called “Utsarpinis”,
and such of degeneration, or “Avasarpinis’, each of
them being sub-divided into six “Aras” or spokes, ¢. ¢.,
sub-periods of increasing and decreasing duration’,
Each main-period lasts ten “kotakotis of sagaropamas’*,
A “Kalacakra” or “Kalpa”, 7. ¢., the aggregate of one
Utsarpini plus its subsequent Avasarpini, thus lasts
twenty kotakotis of “sagaropamas”.
An “Avasarpint” has the following six “Aras”, the
direction of development {and the order of which is
simply reversed in an “Utsarpini”:
(1) “Susama-susam%", the beginning of which is
characterized by an optimum of physical development
(1) Tattv. IV, 15, and Tika, p. 294 ff.
(2) 1 kotie=1 crore or ten millions; accordingly 1 kotikoti=the square
of a koti or 10,00,00,00,00,00,000. A “sigaropama” is equal to ten kotikotis
of “palyopamas”, and a “palyopama”’ is the number of years which it would
take to empty cylindrical container of a height and circumference of one
yojana (=4 miles), Glled under enormous pressure with the finest body-hairs,
if very 100 years one hair is removed. Vide Tattv. IV, 15, Bhisya, p. 294,
and Prav., Dvira 1 anu 159, p. 302 ff,, where details and further specifie
cations are given,
3‘ .
Mi
ANCIENT JAINA HYMNS
and well-being of :all that breathes. Human beings
have a body-height of six miles, and live up to an age
of three palyopamas, enjoying undisturbed bliss, fed
and clad by wishing-trees, husband and wife being born
together as twins, and dying together when their time
is up. There is neither fear nor pain, neither crime
nor vice, nor worrying about scruples of justice or
religion. But on the other hand, there is no possibility
of spiritual enlightenment. No Tirthatkara is born,
and salvation cannot be attained. As this period pas-
ses, everything slowly deteriorates, till, after four
kotakotis of sigaropamas, a certain limit is reached,
which marks the beginning of the next “Ara”.
(2) “Susama”, at the outset of which the body-
height of man is four miles, and his maximum age two
palyopamas. It lasts three kotakotis of sagaropamas.
Tirthahkaras are not born. Everything deteriorates.
further.
(3) “Susama-dussama”, at the beginning of which
men have a height of two miles and an age of one
palyopama. Towards its end, the first Tithastkara
appears, with a body 500 “dhanu” high, and enters
“Nirvana” after a life of 84,00,000 “pirvas’”’. Three
years and eight and a half months after his “Nirvana”,
this period comes to an end, having lasted two kotakotis
of sigaropamas, and seen the end of the wishing-trees
and of the twinship of husband and wife.
(4) “Dussama-susama”, during which deterioration
ontinues, till at its end, the human body is only seven
rasta” high, and the maximum age 100 years. It
(1) 1 “dhanu’”’=4 “hasta” or cubits.
2) 1 “purva"=84,00,000 “purvaigas”, one “pirvaiga” equalling
$4,00,000 years: Vide Tattv, IV, 15, Tika, p. 293,
B) 1 “hasta”=1 cubit.
4INTRODUCTION
lasts one kotakoti of sagaropamas minus 42,000 years.
During this period, the remaining 23 Tirthattkaras out
of the stereotyped “Tirthahkara-caturvirhgatika”, which,
as a law, appears during an Avasarpini (as during an
Utsarpini), succeed one another in gradually decreasing
intervals, each inferior to his predecessor in height and
duration of life. Thus, the first Tirthankara of this “Ara”
{the second of the Caturvithgatika) is 450 “dhanu” high
and lives 72,00,000 “piirvas” of years, while the last
one reaches a height of only 7 “hasta”, and an age of
less than 100 years.
a”
(5) “Dussama”, during which the body-height de-
creases to two “hasta”, and the duration of life to 20
years. Tirthaakaras no longer appear, religion slowly
lapses into oblivion, and the gate to salvation is closed
again. This period sees the last of the Sddhus and the
last Jaina layman. It lasts 21,000 years.
an
(6) “Dussama-dussama@”, during which the lowest
limit of degeneration is reached. Human beings are, at
the best, 1 ‘hasta’ high, and their span of life does not
exceed 16 years. Religion and civilization are utterly
dead. The world is populated by a miserable horde of
savages, who dwell in caves, troubled by wild beasts,
vermin, disease, and extremes of heat and cold, against
none of which evils they are any longer able to protect
themselves. Having lost the art of using fire, they live
on raw fish and _ tortoises. This ever-increasing
misery lasts for 21,000 years, when the first “Ara” of
-the next “Utsarpini” starts, with fresh hope for a
gradual improvement of things.
While the chain of these six “Aras”, interminable like
an endless band, goes on revolving for ever in Bharata
‘and in Airavata, there are neither Utasarpinis nor Ava-
oANCIENT JAINA HYMNS
sarpinis in the rest of the universe. Even in Parvavidehe
and Afarvavideha, though they too belong to the category
of “Karmabhimis”, time eternally stands still. All the
32 “Vijayas” invariably are in a condition of “Dussama-
Susam@”, with a fair average of development, and a
fair share of both work and pleasure. Tirthahkaras
are always in existence there, pointing out the way to
salvation, Asa rule, each group of eight “Vijayas” north
and south respectively of the river Sita, always has a
Tirthadkara in one or another of its parts, while it may
also happen that Tirthahkaras simultaneously exist in
all the 32 Vijayas. .
Thus much for the Karmabhimis”. The remaining
four of the seven parts of Jambu-dvipa are “Bhogabhi-
mis”, whose inhabitants, exempt from the necessity of
working, eternally ‘‘enjoy” themselves, living in never-
changing Utopian conditions, such as prevail in the
first three “Aras” of an Avasarpini, but being also pre-
chided from having the darsana of a Tirthaikara.
Thus, the first “Ara” always prevails in the two
“Kurus”, the second in Hari-and Ramyaka-ksetra,
and the third in Haimavata and Haivanyavata.
All the above refers to Jambu-dvipa. The remain-
ing parts of the Manusya-loka, wiz. the whole of
Dhataki-khayda and the inner ring of Puskaravara-
dvipa, are likewise sub-divided into a number of
continents, or rather worlds, and further divisions, in
such a way that these ring-islands have each two sets
of exact repliqua of the seven continents described just
now with regard to Jambu-dvipa.
Thus, the whole Manusya-loka has all in all 15
“karma-bhiimis" (viz, 5 Bharatas, 5 Airavatas,'and 5
Mahavidehas) and 30 “Bhoga-bhimis” (viz. 5 Haima~
6INTRODUCTION
vatas, 5 Hari-ksetras, 5 Devakurus, 5 Uttarakuru3,5_-
Ramyaka-ksetras, and 5 Hairanyakas) with 5 dferus,
each with a separate system of suns, moons and
other heavenly bodies’.
We are supposed to live in the Bharata-ksetra of
Jambu-dvipa in the 3rd millennium of the 5th “Ara” of
an Avasarpini, the last Tirthankara of which latter,
Mahavira, expired roughly two and a half millennia ago.
This “Ara” is assumed to have started 3 years and 8%
months after Mahavira’s Nirvana. At present, not only
Bharata, but also Airavata is believed to be without a
Tirthankara, while four Tirthaikaras exist in Mahavi-
deha. Exactly the same holds good for the other two
ring-worlds outside Jambu-dvipa, so that the whole Ma-
nusya-loka has just now 20 Tirthahkaras, the sintmum
number possible’, generally designated as the 20 “Vihara-
ménas.” One of them is the Lord Simandhara, imagined
to exist in the Aparavideha of Jainbu-dvipa, to whom
one of the stavanas published below’ is addressed.
The maximum number of simultaneously existing
Tirthankaras, on the other hand, is 170. It is reached
at periods when there is one Tirthahkara in each of the
$2 ‘Vijayas” of each of the 5 Mahavidehas, and one in
each of the 5 Bharatas and the 5 Airiivatas®’, This
figure is considered not only as sacred, but as endowed
with magical potentialities, and plays an important
part in Jaina-Tantra-Sastra, as exemplified by the
popular “Tijavapahutta”-stotra, which is one of the
“Smaranas” of the Svetambaras supposed to be daily
recited’.
(li Tatty, IIT, 12-13.
(2) Vide Pravac., Dviira 15, st. $27 (where, as an alternative, 10 is
also given as the minimum number),
(8) Pravac. loc. cit.
(4) Paficaprat., Bh., p. 431 and elsewhere,
7ANCIENT JAINA HYMNS
Best known among the Tirthaikaras of all the 15
“Karmabhimis”, past, present, and future ones, is na-
turally the past “CaturvitSatika” of the world in which
we live, 4. ¢., those 24 ones who appeared during the
past two “Aras” of the present “‘Avasarpini” in the
“Bharata-ksetra” of Jambu-dvipa. They are: (1) Rsabha
(Adinatha), (2) Ajita, (3) Sambhava, (4) Abhinandana,
(5) Sumati, (6) Padmaprabha, (7) Suparsva, (8) Candra-
prabha, (9) Suvidhi (Puspadanta), (10) Sitala, (11)
Sreyarhsa, (12) Vasupiijya, (13) Vimala, (14) Anania,
(15) Dharma, (16) Santi, (17) Kunthu, (18) Ara, (19)
Malli, (20) Munisuvrata, (21) Nami, (22) Aristanemi
(Neminatha), (23) Pargvanatha, (24) Mahavira (Vira,
or Vardhamana). Out of them, the first, the 17th,
the 18th, the 20th, the 21st, the 23rd, and the 24th are
referred to in the hymns published in this volume.
The main data which Jaina tradition has handed
down with regard to this group of Tirthankaras, have
been presented in poetical form by Somatilaka Siri in his
“Saptatisata-sthana-prakarana”’, composed in V. S. 1387'.
As the name indicates, these data are 170 in number.
Some of them are mentioned in our stotras too
(sometimes slightly4 eviating). Such data are, e.g. :
(1) The “Kalyana-pancaka”, 7. ¢., the dates of the
five main events of a Tirthankara’s life, viz., conception,
birth, initiation into monkhood, attainment of
ommiscience, and final salvation. The Munisuvrata-
stavana mentions these five “Kalyanaka” with regard to
the 20th Tirthahkara (st. 15)
(2) The “antarani”, i. e., intervals between the
Nirvanas of two Tirthankaras succeeding one another.
(1) Publ. by the Atmananda Jaina Sabha, Bhavnagar, V. S. 1975 (wi
the Commentary of Devavijaya). gar, V. S. 1975 (with
8INTRODUCTION
According to the law of the “Kalacakra”, these intervals’
are on a steady decline, as this Caturvimhéatika bétongs
to an Avasarpini. Thus, 50 laksa-koti of sagaropamas
of years intervened between Rsabha and Ajita, the two
first ones, but only 250 years elapsed between Parsva
and Mahavira, the two last ones.
(8) The spans of their lives, which likewise steadily
decrease, as the Avasarpini progresses. Thus, 84 laksa
pirvas of years is given as the age of Rsabha, 30,000
years as that of Munisuvrata (mentioned in st. 6 of the
pertinent stavana), 100 as that of Parsva, and 72 as
that of Mahavira.
This set of data, combined with the previous one,
allows a kind of chronology to be established. Rsabha,
the first Tirthaakara’s birth took place 84 laksa piirvas,
3 years and S$ months before the beginning of the 4th
“Ara”, and his death 3 years and 84$ months before the
same. As we are supposed to live in the third millen-
nium of the 5th “Ara’”’, and the duration of the 4th “Ara”
is 1 kotakoti of sagaropamas minus 42,000 years, this
‘leads down into mythological ages! Munisuvrata, an-
other of the Tirthankaras mentioned in our texts, is
supposed to have been an approximate contemporary of
Rama and Sita, and to have died 1 laksa and 84,000
‘years before Vira, or roughly 11,84,500 B.C. As he died
at the age of 30,000 years, he would have been born
12,14,500 B. C. It is “also interesting to realize that
Neminatha, the 22nd, is believed to have been contempo-
rary with Krsna, and to have died 84,000 before Vira,
ze, roughly $4,500 B. C. As he was then 1,000 years
old, he would have been born 85,500 B. C. With
Parévanatha, the 23rd, the dawn of history is reached.
As he is stated to have died 250 years before Vira, at
the age of 100 years, the date of his birth roughly comes
9ANCIENT JAINA HYMNS
+0880 B. C. and that of his death to 780 B.C. He is
generally admitted to be an historical personality. Ma-
havira’s well-known data are, of course, history, though
their accurate placing is still an object of discussion.
(4) The names of the Tirthatkaras’ fathers and
mothers, out of which those of Munisuvrata are quoted
in our texts (st. 5 of the pertinent stavana).
(5) The dynasties to which they belonged (loc. cit.).
(6) Their birvth-places (loc. cit.).
(7) The countries to which they belonged (loc. cit-).
(8) Their colour: 16 being of brown, and each two
of white, black, red, and bluish complexion.
Munisuvrata’s “‘Syama-varna” is referred to in the text
just quoted (st. 6).
(9) The characteristic body-mavks, such as
Munisuvrata’s tortoise mark (loc. cit. st. 6) or Parsva’s
snake mark,
(10) The body-height (for Munisuvrata loc. cit. st.6).
(11) Biographical items of their previous existences.
In our texts, nine previous existences of Munisuvrata
are mentioned (loc. cit. st. 3-4), re. which the individual
treatise infra may be referred. The Saikhesvara-
Parévanatha-stavana (st. 3-4) contains an allusion to
Parévanatha’s former lives in the shape of a reference to
‘Kamatha”, Parsvanatha’s hostile brother in his exist-
ence as Marubhiti, a minister’sson. In that existence,
which happened aeons ago, Kamatha killed Marubhiti.
Subsequently, both brothers were reborn in various
parallel existences, and each time, the incarnation of
Kamatha hated and finally killed that of Marzbhiti.
In Marubhiti’s final existence as Perévanatha,
Kamatha was incarnated as Katha, a Hindu ascetic,
10INTRODUCTION
who, while practising the five-fire-penant®>.ciice”
very nearly burnt a. snake, which was hidden in
one of the logs. By chance, Paréva, then Prince
of Benares, appeared, and, awate of the plight of
the snake by his supernatural knowledge, rescued.
the latter. Matha resented the interference, and his age-
old hatred was re-kindled. This hatred followed him
into his next existence as the Asura Meghamalin, who.
again tried to worry Parsva. Parsva had, in the mean-
time, become an ascetic and was wandering about
in the wilderness. Meghamalin caused him to ‘be at-
tacked by ferocious beasts, nearly suffocated by dust-.
storms, and drenched by cloud-bursts, but did not suc--
ceed in disturbing the concentration of the Lord.
In the end, the snake, whom the Lord had saved, and
who had become re-incarnated as Dharana, King of the
serpent-demons, appeared with his consort Padmavatt,
and beth protected the Lord, forming baldachins over:
him with their hoods. Reproached and enlightened by
Dharana, Meghamalin repented, asked the Lord’s par--
don, and, having attained spiritual enlightenment, found |
the path to salvation’. Dharana, or Dharanendra,
however, kept serving the Lord Parsva, and is still
worshipped as his divine attendant and devotee, along
with his spouse.
(12) Names of the male and female deities believed
to be in attendance, each couple on one of the
Tirthaikaras or his places of worship, as Dharanendra
and Padmavati, mentioned just now, in Parsva’s case.
Both are referred to in the Sankhe¢vara-Parsvanatha-
stavana published below (st. 9 and 10). These divine-
(1) Cp. M. Bloomfield, The Life and Stories of the Jaina Saviour Par-
gvanitha, Baltimore, 1919, Introduction, and the original works mentioned
therein.
ilANCIENT JAINA HYMNS
‘Attendants of the Tirthaikaras are generally known and
worshipped as the Yakgas and Yaksints, or the
Sasanadevas and Sasanadevis, and are often found re-
presented at the side of images of the Tirthaikaras.
References to these divinities in this particular
function are obviously restricted to post-canonical
literature: the earliest being contained in Padalipta’s
“Nirvanakalika’? (according to Winternitz’, prior to
the 5th century) on the Svetambara, and in Yativrsa-
bha’s Tiloyapannatt? and Vasunandin’s Pratisthasa-
xoddhara‘ (both about contemporaneous with the former)
on the Digambara side. In Svetambara canonical lite-
cede
rature, the very expressions “Sasenadeva” and ‘Sisa-
nadevi" do not occur, and the word ‘“Yaksa” has a
different sense. Generally, it stands as a denomination
of one of the eight sub-classes of Vyantaras, which
Jatter, in their turn, are one of the four main categories
of gods’ known to Jaina dogmatics. But that at
(1) Nimavasigara Press, 1926; p. 94 ff.
(2) M. Winteritz, A History of Indian Literature, Vol. II, Publ. by the
University of Caleutta, 1933, p. 478.
3) Part I, Publ. by Jaina Sashskyti Sarhraksala Sathgha, Sholapur,
1943, p. 266 (IV, st. 934 fi.).
(4) As quoted in Vastusira-prakarana, Jaipur City, 1036, “Pariéista”,
p. 169 fi.
(3) 1. Bhavanapatis, whose realm lies 1,000 yojanas below the surface
of the earth, stretching thousands of yojanas into the depth, and who are
-divided into the 10 sub-classes: Asura-, Naga-, Vidyut-, Supama-, Agni-,
Vata-, Stanita-, Udadhi-, Dvipa-, and Dik-kumiras;
II. Vyantaras, whose abodes tie 100 yojanas below the surface of the
earth, and who are divided into the 8 sub-classes: Kinnaras, Kimpurusas,
Mahoragas, Gandharvas, Vakgas, Rikgasas, Bhittas, and Pidicas;
III. Jyotigkas, located high up in space, and represented by the several
suns, moons, planets, fixed stars, etc.;
IV. Vaimanikas, residing in vimanas in a layer of space high above the
realm of the Jyotiskas, and represented by divinities of the highest degrees
of perfection, which increases in proportion to the elevation of their abodes
rom the ground.
Vide Tattv. IV, 11 fl; Praja. II, Stitra 46 ff., Tiloyap. IIL, Devendrasta-
~vaprakimaka st. 15 ff. etc.
12 :INTRODUCTION
least Dharana, or Dharanendra, the most popular oxthe*”
Sasanadevas, cannot be meant to belong to the Yaksa—
sub-class of the Vyantaras, is clear from the facts (1):
that this Yaksa sub-class of the Vyantaras is stated to
be ruled by two Indras only, viz., Piirmabhadra and
Manibhadra!, not leaving room for a third Indra
“Dhatana”, and, (2) that they are not snake-deities*,,
while the Sisanadeva Dharana is most decidedly a
snake-god. Obviously, he is identical with the
Dharana whom Jaina dogmatics mention as the Indra
of the southern section of the Naga-kumaras, the
second sub-class of the Bhavanapatis’, whose emblem
is the snake‘. Yet if this identity is assumed, the
difficulty arises that the Sisanadeva Dharana is unani-
mously described as being accompanied by his mate
Padmiavati, while a list of the names of the chief-queens.
of the Naga-kumara ruler Dharana* does not contain the
name of “Padmiivati’’, as Professor H. R. Kapadia has.
pointed out®. If the Senaprasna is correct in insisting
on the identity of both, as well as on Padmavati being
Dharana’s chief queen’, the name of “Padmavatt” would’
have to be taken as an original epithet or apposition:
to any one of those Indranis, replacing, later on, the
actual name.
As thus Dharanendra, anyhow, does not belong to
the Yaksa sub-class of the Vyantaras, the now prevalent
technical meaning of the word ‘Yaksa’” as “divine
(1) Cp. Tattv. IV, 6 and Devendrast. st. 15 ff. and 66 ff.
(2) Vide Tattv. IV, 12, p. 284, Bhasya, where these Yaksas are called
“vata-vEksadhvaja”, i, ¢., having the banyan tree as their emblem.
(8) Vide Prajfi. loc. cit; in Tiloy. the name is “‘Dharangnanda”,
(4) Tatty. IV, 11, p. 282, Bhisya (\phani-cihna”).
(5) Bhagavati-sitra X, 5; Jhatadh. II, 1, etc.
(6) Sobbana Muni, Stuti-caturvichéatika, Agamodaya-samiti, 1926, p. 279.
(.) 4, 112, as quoted loc. cit.
13ANCIENT JAINA HYMNS
attendant on a Tirthaikara” cannot directly be con-
nected with the former meaning. There is more
ikelihood of its being based on the meaning which
the word “jakkha” bears in two isolated passages of
the Uttaradhyayana-siitra’, where it serves as a
ssynonymon for “deva”, and refers to gods of higher
-categories, who reside in “Kalpas”, thus proving that
it is not restricted to the sub-class of the Vyantaras
called Yaksas.
The idea that each couple of Yaksa and Yaksini
serving one and the same Tirthankara, are husband
and wife, as assumed by B. C. Bhattacharya’,
certainly holds good in the case of Dharana and
Padmavati. There is, however, no indication which
would confirm this as a general principle. Nor is
‘the idea of the same scholar tenable that originally,
every Yaksa was the leader of the disciples of his
‘resp. Tirthatkara, and each Yaksini his first female
convert®, The very life-story of Parsva suffices tc
-disprove this, as he was attended by Dharana and
Padmavati before he attained omniscience and began
his teaching activity.
Over and above the 170 stereotyped data, out of
which the above ones have been culled, tradition has
handed down life-stories and legends of those 24
Tirthaakaras. Most of the latter are found collected
in Hemacandra Siiri’s famous compendium ‘“Trisasti-
salakapurusa-carita”. It is seen that the details
available for the majority of those Tirthahkaras are
(1) IHL, st. 14 and 16.—This important meaning is not given in Pt, Har-
govind Das T. Sheth’s generally useful Prakrit Dictionary ‘Paia-Sadda-
-Mahannavo |”
@) “The Jaina Iconography”, Punjab Oriental Series, Lahore, p. 163.
(3) loc. cit. p. 93,
14INTRODUCTION
scanty, while there are elaborate biographies,-of afew
of them, who enjoy special popularity. Their“ lives,
including previous existences, form also the “subjects
of individual monographs in Sanskrit, Prakrit, Apa~
bhramga, and Gujarati. Adinatha, Munisuvrata,
Parsvanatha, and Mahavira, to whom some of the hymns
published below are dedicated, belong to that category.
Much less attention than to this last Caturvim-
Satika of our Bharataksetra has naturally been paid to
the 24 Tirthankaras who were contemporaneous with them
tn Airavata, Their names, however, are handed down’.
The same must be stated with regard to the Caturvim-
4atikas who appeared previous to the latter, 7. e., in the
dast Utsarpint both in Bharata? and in Airavata’, It
seems that a certain tradition exists regarding the five
“Kalydnakas” of those three groups‘.
Lists of the names of the Tirthatkara-caturvim-
Satikis destined to appear in Bharata’ and Airavata® in
the coming Utsarpint are likewise handed down. These
future Tirthatkaras are of somewhat stronger interest,
‘since they are linked up with the past by certain pre-
dictions found in the Sacred Literature with regard to
those personalities in whom they were once incarnated.
Thus, Sulasa, a loyal lady-devotee of Mahavira,
is to be reborn as the 16th Tirthafkara of the coming
Utsarpini of Bharata. In the same way, King
Srenika, the ruler of Magadha during Mahavira’s time,
(1) Samav., Sittra 159, st. 66 ff. (p. 153) and Pravac.,, Dvira 7, st.
296-259,
2} Pravac., Dvira 7, st. 28$-290, and Abhidhin. I, st. 50 ff.
(8) loc. cit.
(4) Pirna-kgema-vallabha-vilisa, Saiigraha-kartt® Sri-Vallabhasigara
‘Gani, Necmach, V. S. 1990, Bhiga 3, p. 28.
(5) Samav., Stra 159, st. 72 ff.; Pravac., Dvira 7, st. 293-295; Abhidh.
a, st. 53 ff.
(6) Samav., Sutra 159, st. 87 ff.; Pravac., Dvara 7, st. 159, $7 &.
15ANCIENT JAINA HYMNS
and one of his laymari-followers, is to be the first, and
Sri-Kixsna, cousin and layman-follower of Nemi-
natha, the past 22nd Tirthatkara of Bharata, is to be
the 2lst Tirthaikara of the future’. 1
At present, anyhow, those future Tirthankaras
are assumed to be still roaming about in a state of rela-
tive imperfection, and are, therefore, little satisfactory
objects of worship. The past ones, on the other hand,
are supposed to have shed their human shape, and,
having attained finai salvation, to be no longer capable
of action nor of interest in mundane affairs, and, there-
fore, utterly out of reach of the worshipper’s imagination.
Still, Térthatkava-worship forms one of the six-Avasya-
kas or daily observances of every Jaina, meant to effect
internal purification. In view of this aim, all the
Tirthankaras are considered equal, and full scope is left
to the personal liking of the worshipper in addressing
his hymn or his prayer to any one out of them, or even
to a particular statue at a particular place of pilgrimage,
imagined to represent the Tirthaikara by “sthapana”’,
What is more natural than that the worshipper should
turn his mental sight towards the distant world of Maha- ~
videha, or rather of the several Mahavidenas, where at
this very moment, the twenty “Vihavamianas” are wander-
ing about in actual human shape, and yet perfect in their
supernatural knowledge and their absolute purity oi
thinking, feeling and acting, apparently much nearer
in approach for the naive type of bhakti than those
past and future Tirthaikaras, Both the Digambaras
and the Svetimbaras have lists of names of those twenty
“Vibaramanas”’, as well as a number of hymns address-
(1) Samav., Sutra 159, st. 77.
(; Bor the Digambara Tradition, vide “Jaina-vini-sahgraha”
n VEN a’, Calcutta,
V. S. 1982, Adhy3ya 7, p. 66; for the Svetsmbara one: get Hindi-Pafica-
Pratikramana”, Indore, A. D. 1927, p. 523,
16INTRODUCTION
ed to one or the other or to all of them. A Special fa-
vourite among them is the Lord S#nandhara, to whom
one of the hymns published below, is addressed. He is
believed to live at present, in the full possession of
omniscience, in the Vijaya “Puskaravara”’ of the Pirva-
yideha of Jambu-dvipa, having a body-height of 500
dhanu (=2,000 cubits). As our poem recalls to mind
(st. 16 ff.), he was born in the city of Pundarikini in
the period intervening between the Nirvana of Kunthu’,
the 17th, and that of Ara, the 18th Tirthankara, which
' latter is supposed to have taken place about } of a
palyopama of years, i. ¢, aeons, ago. He re-
nounced the world in the interval between Munisuvrata,
the 20th, and Nami, the 2lst Tirthaikara, obtained
omniscience subsequently, and is destined to attain
Nirvana by the time when the 7th Tirthaakara of the
coming Utsarpini of the Bharata of Jambu-dvipa,
Udaya, will have attained salvation, 7. e., millions
of years hence’.
Thus much about the Tirthaikaras ccliectively.
As regards the individual Tirthankara (also designated
as Arhant or Jina), he is, as has already been hinted
at, so free from passion that not even traces of the four
“kasayas’’, viz., anger, deceit, pride and greed, mar the
perfect peace of his mind. The omniscience which he
has achieved, in fact presupposes the complete annihila-
tion of the four types of “obnoxious karman” (“‘ghati-
karman”) which Jaina metaphysics assumes, viz., (1)
karman obscuring knowledge, (2) karman obscuring
vision of mind, (3) karman preventing ethically correct
(1) Kunthu is believed to have been born 3 palyopama, 66 lakga, 79
millennia of years and §9 fortnights previous to the beginning of the 5th
tara”,
(2) For further data re, Simandhara vide ‘‘Ratnasamuccaya-grantha’?
Publ. by Seth Manekchand Pitambardas, Hubli, V. S. 1985, p. 202, st. 517 #,
17ANCIENT JAINA HYMNS
acting, and (4) karman which produces obstruction in
general. Consequently, the four infinite qualities
which in fact inhere, in latent form, in every soul
(the “ananta-catusha”), viz., infinite knowledge, infinite
mental vision, infinite bliss, and infinite power, are.
fully manifested in him. Nothing separates him from
final emancipation but remnants of the four types of
“non-destructive karman” (“aghati-karman”), viz., (1)
karman pre-ordaining pleasure and pain, (2) karman
pre-ordaining the duration of life in the respective
incarnation, (3) karman pre-ordaining the characteris-
tics of body and surroundings, and (4) karman,
pre-ordaining family, social rank, etc. So long as
particles of these four categories of karman remain
unconsumed, the Saint retains his human body, and
wanders about, passionless, perfect, preaching the true
religion, adored by mortals, immortals and animals,
Innumerable beings gain spiritual enlightenment and
follow in his path, both in the figurative and the literal
sense. In this way, a “Trtha” is formed, 7. e., the
prototype of the fourfold community, consisting cf
ascetics and laymen, both male and _ female,
professing the newly revived eternal Jaina Faith, which
had been dormant since the Nirvana of the preceding
Tirthahkara. Many members of this Tirtha become
“Kevalins", i, €., ommiscient saints, and precede the
Tirthaakara to final salvation (“Moksa” or “‘Siddhi”) as
Siddhas, z. ., emanzipated, perfect souls, to reside for
ever at the tup of the universe, from where there is nce
return into the Sathsara or circle of metempsychosis.
A time comes when the Tirthaikara himself enters
Moksa, his store of karman being exhausted. From .-
that time onward, omniscience again becomes unattain-'
able for all, excepting a few sporadic cases happening
18INTRODUCTION
in the immediately following decades. The existing
“Kevalins” enter Nirvana. Then, Moksa too can no
longer be attained, till, after aeons over aeons, another
Tirthahkara appears.
The only feature which distinguishes a Tirthankara
from the infinite number of likewise perfect ‘“‘Kevalins”,
is the fact that the former initiates a period of religious
revival, founds a ‘‘Tirtha”, whose supreme leader he
remains during his lifetime, and gives, as it were, the
signals for the opening and closing of the gate to salva-
tion by the beginning and end respectively of his
Tirthaikara activity, as pre-ordained by a peculiar
type of karman, a variety of “punya” of the most
exalted degree, named “Tirthatikava-nama-karman”.
Not content with this definition of the personality
of a Tirthankara, Jaina hagiography describes him as
invariably distinguished by a number of stereotyped
“eminences’. Thus, every Tirthahkara belongs to a
royal dynasty, and some are ruling princes or emperors
themselves, before renouncing the world. His imminent
birth is announced to his mother by a chain of stereo-
typed auspicious dreams. His five “Kalyanakas” are
celebrated by the gods with divine pomp. From his
very conception, he is equipped with supernatural
knowledge, and from early childhood possesses extra-
ordinary physical strength. When he prepares to re-
nounce the world, he distributes, for a year, valuables
of all kinds, which are continuously replenished by
devoted genii. Then, seated in his royal palanquin,
he moves into the wilderness, with a huge ‘retinue or
mortals and immortals, halts under some tail tree, and
removes, along with his royal robes and ornaments, his
hair in five handfuls. Leaving his followers behind, he
wanders about from place to place, a homeless ascetic,
19ANCIENT JAINA HYMNS
practises severe penance, and patiently suffers hard-
ships and persecutions, till he obtains omniscience.
Only then, his activity as a Tirthaikara begins, in which
he perseveres till his karman is consumed. Wherever
he goes, gods and genii produce miraculous phenomena
to his glorification.
Generally, 34 miraculous phenomena! of this kind
are described in Jaina texts under the name of “the 34
atisayas”, which are also referred to in some of our
hymns. They are as follows:
(a) 4 innate atisayas :
(1) His body is of exquisite beauty, always
clean, fragrant, and free from perspira-
tion.
(2) His breath has the fragrance of lotuses.
(8) His flesh and blood are the colour of milk
and free from odour.
(4) The actions of eating and of evacuating
are imperceptible to the human eye (or:
do not take place according to Digam-
bara doctrine).
(6) 11 atigayas produced by exhaustion of “ghati-
harman”:
(1) One kotakoti of gods, men and animals find
place within the space of one mile around
him, to listen to his words.
(2) Every living being listening to him, can un-
derstand his teachings in his or her own
language within that space.
(3) A sun-like halo surrounds his head
(1) Abhidh. I, st 57-64; Saptat., Sthina 97,
20