PIANO / CONDUCTOR SCORE RAISIN Book by Robert Nemiroff & Charlotte Zaltzberg Music By Jud Woldin Lyrics by Robert BrittanROBERT NEMIROFF * presents t THE TONY AWARO WINNING BEST MUSICAL 1974 EL Based on LORRAINE HANSBERRY’S “‘A RAISIN IN THE SUN” Book by ROBERT NEMIROFF and CHARLOTTE ZALTZBERG Music by JUDD WOLDIN Lyrics ty ROBERT BRITTAN Starring VIRGINIA JOE ERNESTINE CAPERS MORTON JACKSON BEST ACTRESS TONY AWARD 1974 THEATRE WORLD AWARD 1974 THEATRE WORLD AWARD 1974 Featuring ROBERT JACKSON DEBORAH ALLEN HELEN MARTIN LORETTA ABSOTT WALTER P, BROWN HERB DOWNER MARENDA PERRY AL PERRYMAN TED ROSS RICHARD SANDERS with ELAINE BEENER GLENN BROOKS KARIN BURKE PAUL CARRINGTON MARILYN HAMILTON ON JAY EUGENE LITTLE ZELDA PULLIAM RENEE ROSE KEITH SIMMONS CHUCK THORPES GLORIA TURNER and RALPH CARTER THEATRE WORLD AWARD 1974 Scenery Designed by Costumes by Lighting by ROBERT U. TAYLOR BERNARD JOHNSON WILLIAM MINTZER Musical Director and Conductor Orchestrations HOWARD A. ROBERTS AL COHN @ ROBERT FREEDMAN Vocal Arrangements Dance Arvangements Incidental Arrangements JOYCE BROWN @ HOWARD A. ROBERTS by the Composer DOROTHEA FREITAG ORIGINAL CAST ALBUM AVAILABLE ON COLUMBIA RECORDS — Associate Producers Prod. Stage Manager Production Associates SYDNEY LEWIS @ JACK FRIEL —-HELAINE HEAD —IRVING WELZER @ WILL MOTT First Presented by ARENA STAGE in Washington, D.C. Production Directed and Choreographed by DONALD McKAYLE en nn et et ee eeRAISIN APPROXIMATE MBTRONOMIC MARKINGS: Act I A-PROLOGUE; Bar A, J: 2b (but Rubato) Bar t, J-139 1A- UNDERSCORE, J272 (Rubato) 2-MAN SAY; Bar 8, dzi2 3vANGRY MAN: J: G+ 4-RUNNIN' TO MEET THE MAN: dz 108 S-A WHOLE LOTTA SUNLIGHT: Bar A, J:0 Safety preceeding. Bar 1, J: ey (stesso) 6-poozer dz Teataryoy Jz lot A= SUNLIGHT REPRISE: J:%6 B-COLOR SCHEME, J: 94 (All on tape-All tacit) Q-AFRICAN DANCE: Bar B, Jz bo par 1, Jz lo-sweeT Time: Bar 24, J: gy 1iertrst act FinaLe; J> #4 par 19, J: 42 Bar 50, J2 102 Act II 12-HE COME DOWN, = J=/I Bar 109, J =ys2 a3crrta peat: /2 138 A3AsIT'A DEAL TAG: / = ef % 4escurzo, J = 15-SWEET TIME (reprise): J: % Bar2?, Jo yt A6-SrDEWALK TREB: J= 126 17-NOT ANYMORE: Bar 13, Jz /00 1@-ALAIYO (reprise): J: 104 19-27'5 A DEAL (reprise); Bar 7, J =/20 20-MEASURE THE vaLLEYs: J = 97 QteprNaLe uLTIMo: J 2 i aaewcrt mustq, 42 (ab i t —QSZRARHH TDN NANA eeRAIS: GENERAL INFROMATION 10 THE MUSICAL DIRECTOR 1) Pull orchestration is workable with any combination of instruments fer which parts nave been written. Important French Hern and String lin« and/or appear in Conductor/Keybeard parts and 2), very small conbination, use "Bus and Truck" wind parte (1 Trumpet & Plugelhern, 1 Trombone, and 1 Woodwind-playing soprano, Tener & Baritone Saxea, Clarinet & Flute) and rhythe section consisting of P/C, Guitar, and 2 Drun/Percussion books. These "Bus and Truck" parte have been specially revoiced to provide maximum effect from a small bi eliminated by substituting the Trombone IT part (althous ‘they: XZ chair may played by another, using either the tuba book or the Troabone IT and Tuba chairs are to be used, it will be advisable to order an extra Tubs, 4) Although scered fer two keyboard players, (Piano and organ), the book can atfectively by one person, If the two dnatrumente are available and set up so that one person can easily change from one keyboard to the other, the effectiveness will be incre: Tn general, rhythmic nusbers should be played on piano, while slower more sustained number: ‘the organ. Obviously, the organ is better adapted to covering string-like 5) All Base parte may be played on electric (1.0. Fender) Bass. Arco parts, for acoustic bane, may be played en organ and/or the "fender". 2 alternative to the original, accompanies the 8) The percussion parts can be covered by one to three players in addition to the drumer, If using less than two others, select the parts from the multi-line book thet serve your purposes beat. 9) ALL Alte-fute (Gefiute) parts have been given alternative lines for other instrumenta, 10) Woodwind chairs are scored as follews (in full orchestration): WI: sopranc sax, alto sax, clarinet, flute, piccolo & optional G-flute WWII: “alto sax, clarinet, flute & optional G-flute WWIII; “tenor sax, clarinet, flute and optional G-flute WIV! baritone sax and base clarinet 221) ALL Three trumpets call for flugelhorn doubles, If flugels are not available, wi felt-hat mutes or bucket mutes, or play ‘inte stands". An inetune trumpet is better than an outeofmtune flugel. 12) ‘Trumpet IIT 1a an ‘optional’ part, but will add to the sound significantly if used. Rebert M. Freedaan wre 1975coo en DAAKemer Grwwnt — [Pay Rosoout sso | Respro - Slouty hil H [Saeone Sx Sole Copyright © 1975 by Blackwood Music Inc & Raisin. ime? 12 PvEek aa Fae] KeyBoney =I ae é LJ WK = 1B Q) Green tty) y Zinn) (mace fo Bak 2 Wa Saetsicie) heey to ae) a YS (oeraerare apueee Hous Ber ning) “| 2 ge ol sore 6H sove)_, greek Oo bu OF eye) aa4-304 ehhbe cg Ipimmm £ eo = te Pase|eo}3-2-“PRorocuéFrovogve” Sip oa“9 “Fao evaue” @ zee +7227 27 > 2? wa case. ~ = ss SS aaun eee eee ee a snunwe ewe “Paovoave” Aaractpy Py Le Ww y QY 3 y a ow a Ban =—=y aia Mam, d= 1 (RuB#0) ee il : > 1 ym 4 37s 3 BY AS LONG AS NEEDED. -AS- copyrtant ©1975 1978 by ms ahd Reein oe | Bane* a2 pve4, Qorey; Lor hy Eas! i Ear hy Eoes' pic Pemee rang) nnd = lla w. Man Say TGer eA detam (evs tea) : > rma3 TS —_ —_ < an Sty Pass The Chan cele (de. 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