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Grind - Act I

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Grind - Act I

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OPENING NIGHT, APRIL 16, 1985 MARK HELLINGER THEATRE UNDER THE DIRECTION OF THE MESSRS. NEDERLANDER KENNETH D. GREENBLATT, JOHN J. POMERANTZ. MARY LEA JOHNSON, MARTIN RICHARDS. JAMES M. NEDERLANDER. HAROLD PRINCE, MICHAEL FRAZIER Tn association with SUSAN MADDEN SAMSON aad JONATHAN FARKAS present BEN VEREEN LEILANI JONES TIMOTHY NOLEN STUBBY KAYE ERUND sooty FAY KANIN vwiety LARRY GROSSMAN re »r-ELLEN FITZHUGH JOEY FAYE LEE WALLACE SHARON MURRAY CAROL WOODS, RUTH BRISBANE, DONALD ACREE MARION WYNONNA, CANDY HOPE VALARIE RAMSEY SMITH BROWN CLARKE, PETTIFORD Scanary Designed by Costumes Designed by Lighting Designed by CLARKE DUNHAM FLORENCE KLOTZ KEN BILLINGTON Musical Director Orchostralion Dance Music Arrangements Executive Producers PAUL GEMIGNANI BILL BYERS TOM FAY RUTH MITCHELL SAM CROTHERS Arsiton! Choreographer Hale and Make-up Musle Publisher Production Stage Manager TARRY VICKERS “RICHARD ALLEN TOMMY YALANDO BEVERLEY RANDOLPH Choreographed LESTER WILSON Directed ° HAROLD PRINCE ‘The Producers and Theatre Management are Members of The League of New York Theatres and Producers, inc. —_—_—_—_— CAST (in order of appearance) oy gacdau5ou : < +14: BEN VEREEN Harry <1). LEE WALLACE, Gus STUBBY KAYE Solly . ae Sodbnd : .:. JOEY FAYE Vernelle 2. isis ee: : “MARION RAMSEY Ruby ee eee oe -. HOPE CLARKE Flea oo os - VAUARIE PETTIFORD. Kiuy CANDY BROWN Linette 1° eee eee : IL WYKONNA SMITH Maybelle .- CAROL WOODS Mechanical Man BaD eu SEuScbObHDDEUOEEO - JACKIE JAY PATTERSON nocketom eee eae ee VLVVULY LEONARD JOHN CROFOOT Knockabout | Bee 3 RAY RODERICK Knockabout | : KELLY WALTERS Knockabout 11. STEVE OWSLEY Knockabout \/MALCOLM PERRY Romaine Sapa Gpsposnpsoosoaenopaaed oS” SHARON MURRAY Sat fons LEILANI JONES. Louis, the Stage Manager . BRIAN McKAY Mike, the Doorman OSCAR STOKES Stooge «2.22... LEONARD JOHN CROFOOT Doyle 002. ee veersss TIMOTHY NOLEN Grover . pdoodonceocdn ceoveseeestesteeses DONALD ACREE Mrs, Faye 5 : : RUTH BRISBANE Tough .... LEONARD JOHN CROFOOT Tough we qbscd cessse RAY RODERICK Tough : KELLY WALTERS Tough ‘STEVE OWSLEY Tough MALCOLM PERRY The action takes piace in and around Harry Earle’s Burlesque Theatre, Chicago, 1933. MUSICAL NUMBERS ACT I THIS MUST BE THE PLACE ... re CADAVA| ASWEET THING LIKE ME : =... Company 220000207 Sotiy, Gus and Romaine : ~ Satin and Earle’s Pearls 1 GET MYSELF OUT <2 Gus MY DADDY ALWAYS TAUGHT ME TO SHARE 2000000700, 220 Lerey ALL THINGS TO ONE MAN ....- f0300 22. Satin THE LINE JO Leroy and Bart's Pears KATIE, MY LOVE... Bgss0nd0e60 : 2 Doyle THE GRIND peo JO Gus and’ Company YES, MA'AM Spacs0ds03 ! Doyle WHY, MAMA. WHY Satin and Leroy THIS CRAZY PLACE - Leroy and Company ACT IL FROM THE ANKLES DOWN a Leroy and Earle’ Péarls WHO IS HE? sees Satin { NEVER PUT IT IN WRITING| Gus I TALK, YOU TALK wee i Doyle TIMING \Romaine’and Solly ‘THESE EYES OF MINE aybelle and Company NEW MAN . seee+ Leroy DOWN, Doyle A CENTURY OF PROGRESS Leroy, Satin and Earle’s Pearls FINALE . : : a eeeette Company, UNDERSTUDIES Understudies never substitute for listed players unless a specific an- nouncement for the appearance is made at the time of the performance. Leroy—Jackie Jay Patterson: Satin—Candy Brown; Doyle and Doorman—Brian McKay;Gus, Harry and Solly—Oscar Stokes; Romaine—Dana Lorge; Ruby, Kitty, Vernelle, Fleta, Linette— Gayle Samuels. Maybelle—Ruth Brisbane, Mrs. Faye—Carol Woods; Grover—Raymond Rickman; Mechanical Man — Dwight Baxter; Stage Manager and Swing — David Reitman. Additional Orchestrations ........22266+ : Jim Tyler and Harold Wheeler Dance music for "New Man” Soooa0000 arranged by Gordon Harrell Ygeraarprggre 10. i. WA. 1B. 12. 1B. BA. 4, 14a. 14c. 15. 16. 17. 18. 19. 18A. 20. 21 2. Piano-Vocal Score ACT ONE Overture. This Must Be the Place. Strip Music. First Cadava Scene. A Sweet Thing Like Me Vaudeville Chaser 1 Get Myself Out. My Daddy Always Taught Me to Share.. All Things to One Man. “The Line”. (Into) Katie My Love Katie My Love. Grin “Yes Ma'am” ‘Why Mama Why. Why Mama Why —Reprise .. Mechanical Man (“Tuff”— Utility).. Finale Act I ACT TWO Entr'acte .. 209 From the Ankles Down .... Never Put It in Writing The One I Want Is Always on the Bottom. I Get Myself Out—Repris« Timing These Eyes of Mine. New Man Down.. A Century of Progress. Katie—Reprise.. ‘A Sweet Thing Like Me—Reprise.. Finale Act Il.. 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A B S Sy all] oN 4 | tT 7 ih 7 | Lall]|| si} x Hil | up 5 | | a | call! ay yea | ( ( | ail) > - i s\\ f th as fou y A 2 (ses) lh? Ne way v Ie BH wwoyny|| v & ( { { Aisa PL se o Fu? BOF “Be rece ta) onl 208 at mom, Ge ve oH aw 2g *) Qo lal ' es tf’ i 1 Pvc =13- . [Eras > BELT | On aie? aay 330 B. > ae ——S bem = — tt: t+ Frat by : = — aw. b i Oe: 2a Brae eee Y a al « oo be Pombucto - this usr sefiiene (TERY BRIGHT Siow fearo ? 4 6) Gl NY hp 1 Pi BI a) [HiReY a o (a) this must We Puce You, HeagD i 4 HE WoRD. foul) 1g out, (4) WHAT'S — BLACK ap WHITE Wit = GIRLS. Gikis GIRLS 7. Cond. 5 This Must be the Place (a) (za) @) 4) Tips gps, Wn > S ves fi J Rot fess a Het z png, 6 PE agent? _|® ~T i os wa HAR. RY EARLES— GH Wig yng) > * Ft joa BE ) (G03) a ‘ee ‘p6uti? 6) os) 60) Tis Must PACE HeVRE Faun’ - N ” “Up, {WEVRE WALK-IN? UP Here Deoves Pav, g Love Fis waite Tel BLACK Cond. 5: This Must be the Place 48) ws) a) (a) Par x é 2 fddd peg B venee 36 Be Fr Fees Popns : # > f (Sarr a) Rigi? 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GET OUR-SELVES. OUT WELL MAKE USA TEAM LIKE NO ONE'S SEEN BE~ FORE. Wis come 4 es cs 16 Sa WAIT, Tut WAIT FoR You HERE, —— == One kt vases Sa = === % = n RI a3 SE loca cee = a ee funee, Youlk HAVE Yau SomE DouGH, YouLL GET YouR- SELF O¥7, Tu GET MY- SER Ra 2 a e a astosf 2 Is aes rw ; iD SS i SEGUE: “KATIE MY Ld out, HEY, THINGS WILL Look efH Pvc - {307 7 CONDUCTOR = varie MY LOVE sles = *"? | ea © oe o (7) A) Katie, MYLOVE, TIN MN,MY LAD, Lu, TARA Lee, A- Celestia 2) oa fa) ‘Glow _T PRo-MiseD Y” I'D BE DEAD BUT SoME‘Hn” oR OTHER 7 REAR ITS HEAD panes SONAR aM ceMN ts caMeascaassenanaaaaaaaaaaaaiaaas |, TARA LEE, A __ Hat Ht +13 rack ns ie Se tt Bain Yo Yo 0023 Cond. “3 neue my wwe Ga) (a3) oq RAPIENN Pet, IMM BOY, zy TRALEE, A Lo. a : eo a9) (a (27) an, ‘DOWNREATEM-BAR-RA-SIN? STATE WHEN I7VE DONE CAUGHT A-GAIN Be-IN? STILL A- LIE. A oa) @ e) Ev=/QY-fHlG “T | KNow = TARA Lee, A- oh (on moto a 3 es fl == Porson 1 DRWK, HOW = =e = + BO 5 (gtalit) e- ae) Ate = e228 Rall... 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