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The author thanks several people and organizations for their help and support in writing and editing the book. Anita Roy and Annie Eagleton provided editorial assistance, while Alison Abel helped with proofreading. Material from courses the author taught informed several chapters. Gillian Skinner provided useful feedback on sections of the manuscript. The author also thanks Steve Dorney for technical assistance and Marian and Tom for periods of study leave. The book is dedicated to the author's mother and in memory of his father. The author welcomes feedback to improve future editions.

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0% found this document useful (0 votes)
221 views2 pages

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The author thanks several people and organizations for their help and support in writing and editing the book. Anita Roy and Annie Eagleton provided editorial assistance, while Alison Abel helped with proofreading. Material from courses the author taught informed several chapters. Gillian Skinner provided useful feedback on sections of the manuscript. The author also thanks Steve Dorney for technical assistance and Marian and Tom for periods of study leave. The book is dedicated to the author's mother and in memory of his father. The author welcomes feedback to improve future editions.

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© © All Rights Reserved
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Acknowledgements

You'd better not look down,


If you want to keep flying

So says the great B. B. King. It is excellent advice, and trying


to stick to it helped me to complete this book. I was also greatly
helped by the advice and expertise of Anita Roy, Humanities
Editor at Manchester Utjiyersity Press. Annie Eagleton was a
meticulous and helpful copy-editor, and Alison Abel provided
valuable help at the proof-reading stage.
Many of the chapters are based on material I used on the
'Introduction to Literature' and 'Concepts of Criticism' courses
atLSU. The former is taught by a 'team-ministry' of various col-
leagues, whose comments and advice I have been most grateful
for over the past few years. In particular, -I must thank Gillian
Skinner for reading sections of the manuscript and m~king a
number of extremely useful suggestions, all of which I have acted
upon. Nicola King supplied the 'What feminist critics do' check-
list, and I have adopted this idea for all the chapters. Of course,
all the faults which remain in the book are entirely my own
responsibility.
Steve Dorney rescued me when my technical expertise proved
unequal to the task of producing hard copy from my (as I
thought) cunningly adapted disks. Marian and Tom enabled me
to write the book by giving me frequent periods of study leave
from Sainsbury's and 'Playdays'. The book is for my mother and
'in memory of my father, Francis Barry.
J :will be most interested to hear from any users of this
book who might wish to write to me (either via Manchester
Acknowledgements xi

University Press, or directly to English Department, UCW,


Aberystwyth, Dyfed SY23 3DY, Wales, UK (ptb@aber.ac.uk).
If anything in the book seems unclear, or unnecessary, or
misrepresented, or wrongly omitted, or fails to acknowledge a
soi1rce, .I will endeavour to improve .or .rectify 111atters in any
subsequent edition.
Sections of Chapter 3 have previously appeared (in a slightly
different form) in The Use of English and The English Review.

Peter Barry
LSU
April 1995

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