51st Season 491st Production

SEGERSTROM STAGE / MAY 8 - JUNE 7, 2015

Marc Masterson Paula Tomei

ARTISTIC DIRECTOR MANAGING DIRECTOR

David Emmes & Martin Benson

FOUNDING ARTISTIC DIRECTORS

presents

PETER AND THE STARCATCHER

a play by Rick Elice
based on the novel by Dave Barry and Ridley Pearson

music by Wayne Barker

Michael B. Raiford Angela Balogh Calin Jaymi Lee Smith Michael K. Hooker
SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

Philip D. Thompson Jackie S. Hill Jennifer Ellen Butler*

ACCENT COACH PRODUCTION MANAGER STAGE MANAGER

musical direction by David O

directed and choreographed by

Art Manke
Bette and Wylie Aitken Alan and Olivia Slutzky
Honorary Producers Honorary Producers

Corporate Associate Producers

Originally produced on Broadway by Nancy Nagle Gibbs, Greg Schaffert, Eva Price, Tom Smedes and Disney Theatrical Productions.

PETER AND THE STARCATCHER is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI.
421 West 54th Street, New York, NY 10019 Phone: (212) 541-4684 Fax: (212) 397-4684 www.MTIShows.com

Peter and the Starcatcher South Coast Repertory P1

 CAST OF CHARACTERS
Mrs. Bumbrake/Teacher . ........................................................... Tony Abatemarco*
Grempkin/Mack/Snchez/Fighting Prawn . ............................... Christian Barillas*
Captain Scott . ................................................................................ J. Paul Boehmer*
Boy . .................................................................................................... Wyatt Fenner*
Ted . .................................................................................................... Miles Fletcher*
Lord Aster . ........................................................................................ Allen Gilmore*
Alf . ................................................................................................. James MacEwan*
Smee . ................................................................................................ Kasey Mahaffy*
Molly ....................................................................................... Gabrielle McClinton*
Black Stache ....................................................................................... Matt McGrath*
Slank/Hawking Clam .......................................................................... David Nevell*
Prentiss ................................................................................................. Paco Tolson*
Musicians . ............................................................................... Joel Davel, David O*

PRODUCTION STAFF
Casting . .................................................................................... Joanne DeNaut, CSA
Assistant Stage Manager ...................................................................... Kristen Cruz*
SDC Foundation Observer/Assistant Director . .................................. Justin Lucero
Associate Accent Coach ................................................................... Andrea Caban
Costume Design Assistants ......................... Kaitlyn Kaufman, Adriana Lambarri
Assistant Lighting Designer . ................................................................... Kristin Neu
Assistant Sound Designer ................................................................. Brian Svoboda
Costume Design Interns .......................................... Julie Ann Carr, Elissa Forsyth
Stage Management Interns ............................................. Emily Burst, Ciara Heaps
Light Board Operator .................................................................... Andrew Stephens
Follow Spot Operator . ........................................................................... R.J. Romero
Sound Board Operator . .................................................................... Jacob Halliday
Wardrobe Supervisor/Dresser ............................................................... Bert Henert
Wig and Makeup Technician ............................................................... Jenni Gilbert
Additional Costume Staff ............. Mary Bergot, Bronwen Burton, Lesly Ceballos,
Pauline Good, Lalena Hutton, Ashley Rigg, Sarah Timm, Helen Ton

*Member of Actors Equity Association, the Union of Professional Actors and Stage Managers in the United States.

P2 South Coast Repertory Peter and the Starcatcher

 LENGTH
Approximately two hours, including one intermission

The use of cameras, videotaping or other video or audio recording of this production is strictly prohibited.
Electronic devices should be turned off or set to non-audible mode during the performance.
Please refrain from unwrapping candy or making other noises that may disturb surrounding patrons.
Smoking is not permitted anywhere in the theatre.

Media Partner

Peter and the Starcatcher South Coast Repertory P3

 Many Ways to Look at Peter Pan
A
Wikipedia article entitled List of Works Based on Peter Pan itemizes scores of adaptations, reinterpretations,
sequels, prequels and spin-offs tied to J.M. Barries storyin books, plays and musicals, movies, television
series, video games and other media. Theres even a pop-psychology concept called the Peter Pan Syndrome,
referring to older men whose emotional lives have remained at an adolescent level. Having spawned so
many cultural offspring, Barries tale of the boy who wouldnt grow up might reasonably be said to have
entered the realm of myth in modern-day Western society: a figurative story that helps us explain to ourselves who we
are and what we value.
Here is a selective overview of some of the more notable iterations of Peter Pan, his story and the subsequent
stories he has inspired.

*
ORIGINS PETER PAN ON STAGE

A T
lthough he appeared as a sec- here have been dozens of stage
ondary character in J.M. Barries versions of the story since Barries
1902 novel, The Little White Bird, original, most of them written
Peter Pan came into his own in Bar- and produced after the copyright ex-
ries 1904 play, Peter Pan, or The Boy pired. Among the most noteworthy:
Who Wouldnt Grow Up, which Barrie
later turned into a novel called Peter J The 1954 Jerome Robbins-direct-
and Wendy (1911). (After the success ed musical may have become the
of the play, the Pan chapters from The best loved stage version, but it was
Little White Bird were republished as preceded by an earlier musical ad-
Peter Pan in Kensington Gardens.) aptation that played on Broadway in
During the first 50 years after it was 1950. Although originally intended
written, the play appeared on a Lon- as a full-scale musical, it was finally
don stage more than 10,000 times. At presented as a straight dramatic ver-
the end of the novel, in a final chap- sion with five songs, whose music
ter called An Afterthought, Peter be- and lyrics were written by Leonard
friends Wendys daughter, Jane (and Bernstein. Frankenstein actor Boris
Janes subsequent daughter Marga- Karloff played both Mr. Darling and
ret), and it is suggested that this pat- Barrie describes Peter as a beautiful Captain Hook. Bernsteins original
tern will go on forever. boy with a beautiful smile, wearing score, including 45 minutes of mu-
an outfit made of autumn leaves and sic that was cut for the 1950 staging,
cobwebs. The character had two real-
...after the first production I life inspirations: Barries older broth-
had to add something to the er, David, who died at the age of 14
play at the request of par- and thus never grew up; and Michael
ents about no one being Llewelyn Davies, the second-young-
able to fly until the fairy dust est of the five boys born to Barries
close friend, Sylvia Llewelyn Davies.
had been blown on him; so
Barrie became guardian to the boys
many children having gone
after the deaths of their father in 1907
home and tried it from their and their mother in 1910. A famous
beds and needed surgical statue of Peter Pan in Londons Kens-
attention. ington Gardens was reputedly based
- J.M. Barrie on photos of Michael Llewelyn Davies
taken when he was six years old.

P4 South Coast Repertory Peter and the Starcatcher

 miere at the Dallas Theatre Center
in 2013 and is now being groomed
for a possible Broadway run. I felt
the darker elements of the original
novel had always been leached out
of the theatrical and cinematic ver-
sions of the story, Joseph said in an
interview. Fly brings those back. Its
a story about how every child but one
grows up. Which is fun, scary, sad and
magical. Thats what were playing
with here. The adaptation, whose
music was written by Bill Sherman,
has an Afro-Caribbean flavor, with
bamboo treehouses and hip-hop
dance moves.

PETER PAN ON FILM

F
rom straight adaptations of his J Walt Disney made the character of
was restored in 2000 and has since story to liberal re-inventions, Peter Peter Pan his ownand even more
been performed in its entirety several Pan has been a fixture on film for so, Tinker Bell, who became a Disney
times. almost as long as movies have been emblemwhen he created his autho-
around. rized animated adaptation in 1953.
J The Bernstein musical lapsed Disney had planned to make Peter
into obscurity upon the debut of the J J.M. Barrie himself was involved in Pan right after his success with his
better-known 1954 musical version, the first film adaptation, a 1924 silent first animated feature, Snow White,
staged on Broadway by legendary di- movie made by Paramount. He wrote in 1937, but was delayed by rights
rector-choregrapher Jerome Robbins. a screenplay, but Paramount decided negotiations. He originally intended
With music by Mark Moose Charlap to use the original stage script and to begin the movie with the origin
and lyrics by Carolyn Leigh (as well took dialogue from it for the inter- of the character, Peter Pan, but in a
as additional songs by Jule Styne, titles. 1940 story meeting he changed his
Betty Comden and Adolph Green), mind, saying, We ought to get right
this is the version that baby boomers into the story itself, where Peter Pan
will remember from its several live comes to the house to get his shad-
TV performances during the 1950s, ow. Thats where the story picks up.
and todays youth may have encoun- He finished by observing, How Peter
tered in its December 2014 television came to be is really another story,
broadcast (when it was presented as thus anticipating the book, Peter and
Peter Pan Live!). It was also staged the Starcatchers by some 54 years.
by SCRs Summer Players in 2014. (Disneys publishing arm, Hyperion
Books, publishes the Starcatchers se-
J Rajiv Joseph, known at SCR as the ries.) In 2002, Disney released an ani-
author of the recent Argyros world mated sequel, Return to Never Land,
premiere, Mr. Wolf, has written the in which Wendys daughter, Jane, be-
book and lyrics for a new musical comes involved with Peter Pan against
called Fly, which had its world pre- the backdrop of World War II, and has
also created a series of seven direct-
Opposite page: The front cover of J.M. Bar- to-video films starring Tinker Bell.
ries Peter and Wendy, published in 1911,
and Boris Karloff as Captain Hook in the 1950
production. This page clockwise from top left:
J In 1991, another master architect
The 1954 Broadway poster; the original re-
of film fantasy, Steven Speilberg, re-
lease poster from the 1954 animated movie; leased his Peter Pan movie, Hook. The
the original poster from the 1924 film. story focuses on a grown-up Peter

Peter and the Starcatcher South Coast Repertory P5

 tion of the play. A stage musical adap- terview, and she looked up into my
tation of Finding Neverland is due to eyes and said, Yeah, Dad, but how
open on Broadway later this year. did Peter Pan meet Captain Hook in
the first place?

Pan (renamed Peter Banning), a suc-

cessful corporate lawyer who has lost
touch with his childhood self, until
his ancient enemy, Captain Hook, kid- J Pan is an upcoming film (due out
naps his two children and spirits them this summer), starring an Australian
away to Neverland. Peter returns to boy named Levi Miller in the title role,
the island of his childhood and ends with Hugh Jackman as Blackbeard, About a week later Dave and I were
up reclaiming his youthful spirit. The Rooney Mara as Tiger Lily, and Aman- playing a gig down in Miami where he
movies all-star cast included Julia da Seyfried as Mary Darling. Like Peter lives, Pearson continued. We were
Roberts as Tinker Bell, Dustin Hoff- and the Starcatcher, it presents an talking about projects, and I said, Im
man as Hook, Bob Hoskins as Smee origin story of Peter Pan and Captain seriously considering writing a pre-
and Maggie Smith as Granny Wendy. Hook. quel to Peter Pan. He kind of looked
(If you dont know who played Peter, interested, so I gathered my courage
see accompanying feature.) and asked, Would you ever think
PETER PAN IN BOOKS about co-writing it with me? And
J Finding Neverland was a 2004 film here we are.
that starred Johnny Depp as J.M. Bar-

A
rie and Kate Winslet as Sylvia Llewelyn great many authors have written
Davies, the mother of the five boys fictional accounts that retell or Because were telling a story,
who would become Barries wards. spin off from the Peter Pan story, thats the thing. Were not
Based on the play, The Man Who Was some for young readers, others for an trying to write for children.
Peter Pan, by Allan Knee, the film adult readership. But none has been Were just telling a story.
offers a fictionalized account of the more successful than the series of Ridley Pearson
relationship between Barrie and the Starcatcher novels written by humor-
Llewelyn Davies family. Following the ist Dave Barry and suspense author
death of their father, the boys find a Ridley Pearson. The two longtime In discussing how their version differs
playmate and surrogate father in Bar- friends had never collaborated on a from the original, Pearson observed
rie, who enjoys indulging in make-be- book, although they had been mak- that the female characters in Barries
lieve adventures with them, which he ing music together for years in a band story were all kind of weak. Barry
later incorporates into his play about called The Rock Bottom Remainders added, We both have daughters, and
boys who dont want to grow up. The (other members have included Ste- we wanted there to be a girl charac-
movie includes scenes from a produc- phen King, Scott Turow and Amy ter who was strong and brave. So we
Tan). ended up creating what turned out to
The 1991 movie poster for Hook; the Finding be my favorite character, this little girl
Neverland poster from 2004; the book cover I was reading Peter Pan to [my named Molly who really is the hero of
for Peter and the Starcatchers in 2006. daughter], Pearson recalled in an in- the book.

P6 South Coast Repertory Peter and the Starcatcher

Make a Peter Pan Match
Match the performer to his or her contribution to the legacy of Peter Pan. If you need a hint, turn your program upside-down.

A. Allison Williams B. Robin Williams C. Jeremy Sumpter D. Cathy Rigby E. Mary Martin F. Robbie Kay

G. Michael Jackson H. Mia Farrow I. Sandy Duncan J. Bobby Driscoll K. Nina Boucicault L. Maude Adams

1. _____The very first actor ever to play the role of Peter on 7. _____One of the first real boys to play the role on screenin a
stage, when it premiered at the Duke of Yorks Theatre in Lon- 2003 live-action moviehe grew several inches during produc-
don on Dec. 27, 1904. Her father, Dion, was one of the most tion, requiring the filmmakers to twice enlarge the window he
successful actor-playwrights of the 19th century. flew through. Hint: The letters of his name, rearranged, spell my tree jumpers.
one of Columbus ships.
Hint: Her first name, which means little girl in Spanish, was also the name of
8. _____He played a grown-up version of Peter (renamed Peter
2. _____First to play the role on Broadway, beginning on Oct. 16, Banning) in a 1991 Steven Spielberg moviethe first Peter Pan
1905, she co-designed her costumes distinctive collar, which to have a cellphone. Hint: He was the voice of the genie in Disneys Aladdin.
became a fashion sensation called the Peter Pan collar.
Hint: She is related to the second and sixth U.S. presidents and shares their last name.
9. _____He played the character in televisions Once Upon a
Time, in which Peter was revealed to be the father of Rumpel-
3. _____The first male performer to play Peter on film (when he stiltskin.
adaptation).
was 15 years old). He was never actually seen in the role, because Hint: Like Sandy Duncan, he played both Peter Pan and Pinocchio (in a TV
he only supplied the voice for the 1953 Disney animated movie.
10. _____An Olympic gymnast, she played Peter in four successive
Hint: His first name is also a word for a British policeman.

Broadway revivals of the musical during the 1990s and contin-

4. _____She won a Tony Award as the first to play Peter in the Je- ued to reprise the role periodically until 2013.
rome Robbins Broadway musical in 1954, later reprising the role Rigby, is based at the La Mirada Theatre.
Hint: She was born in Orange County, and her production company, McCoy
in live television broadcasts in 1955, 1956 and 1960.
Hint: Her last name is the first name of one of SCRs founding artistic directors.

11. _____Shes the most recent actress to play Peter, in a live TV

5. _____She played Peter in a new musical version televised in broadcast of the musical that aired in December 2014.
1976 on the Hallmark Hall of Fame program, and also ap- Hint: Her father is TV news anchorman, Brian Williams.
peared in a London staging of J.M. Barries Mary Rose.
12. _____He never actually played Peter on film or stage, but was
who had an unusual baby.
Hint: She first gained fame playing a horror-movie character named Rosemary,
originally cast to play him in Spielbergs Hook; he once said I
6. _____The girl who put the pixie in pixie haircuts, she played am Peter Pan in my heart, and his ranch was called Neverland.
Peter in a 1979 Broadway revival of the musical.
Hint: Although he died in 2009, to many he is still the King of Pop.
Hint: She also played Pinocchio in a 1976 TV movie with Danny Kaye.
Answer Key: 1-K; 2-L; 3-J; 4-E; 5-H; 6-I; 7-C; 8-B; 9-F; 10-D; 11-A; 12-G

Peter and the Starcatcher South Coast Repertory P7

 From the Playwright
To have faith is to have wings ...

T W
hen I came on board as playwright, [directors]
his new play about our hero of old, this boy Peter, Roger Rees and Alex Timbers, and Disneys bril-
resonates with us all, and with the glorious actors liant dramaturg, Ken Cerniglia, had already hit
and clever designers who gave it life, first of all, on a great organizing principle. Act One would
in La Jolla, California, then at New York Theatre take place on board two ships at seaall cramped quar-
Workshop, and now on Broadway. I see the characters ters, tiny cabins, claustrophobic, dark, wet, sinister. Act
emerging out of our island, our Neverland. Wendy has Two would take place on a tropical island, with bright
not yet appeared. Instead, we have Molly, sky and big, open spaces. In order to create a simple,
our hero, in a time before girls were en- stark environment in which to tell a young persons
couraged to be heroes; a generation story in an adult, muscular and surprising way, the direc-
before Wendy, name or girl, is born. tors embraced the style of Story Theater, or Poor The-
We have no Captain Hook either, or atera favorite technique of Alexs and the trademark
rather, we have no Hook yet. Instead, of Rogers great Royal Shakespeare Company triumph,
we have the pirate who shall become The Life and Adventures of Nicholas Nickleby. The
Hook, but not until were through with him. He, dozen actors would play everyone and everything
whom the pitiful pirate kingdom calls Black Stache. sailors, pirates, orphans, natives, fish, mermaids, birds
We have our orphans, perpetually lost, though not ... even doors, passageways, masts, storms, jungles.
quite yet Lost Boys. We have natives and mermaids They would also narrate action and memory, giving
and a perilously hungry crocodile. Even Tinker each of them a privileged relationship with the audi-
Bell reaches our island before we leave it, ence. This would encourage the audience to be
because she could not stay away. more than spectators; it would invite
And we have a feral crea- them to play along, to partici-
ture, bent low from inces- pate, to imagine I aimed to
sant beating, afraid of his write a play seasoned with the
own shadowthe nameless boy contemporary, irreverent tone of Dave
at the center of our story. How ironic and Ridleys Peter and the Starcatchers and
that he learns what it is to be a man the stylistic flourishes employed by J. M. Barrie a
over the course of our play, when hundred years earlier for the original Peter Pan
hes destined to stay a boy forever high comedy and low, alliteration, puns, broad
When I was a boy, I wished I physical gags, songs, meta-theatrical anachro-
could fly, and the notion of being nisms, sentiment delivered so deftly that the
a boy forever was pure delight. No home- end of the play breaks your heart. My challenge
work, no chores, no responsibility, no sorrow. Now would be to write this new play in such a way that it
that Im in the middle of my life, I understand what Id merged the two disparate styles The marriage of clas-
have missed had I never grown up, or fallen in love, or sic and modern in the writing brings the Story Theater
stood my ground, or lost a battleor written a play aspect of the play into sharper focus. And the Story
James Barrie found his character by embracing the no- Theater style gave me the freedom to create a vast land-
tion of never growing up. I found mine by realizing I scape of far-flung places, physical and emotional. And
had. the wings to take you there.
Rick Elice, 2012 Rick Elice, 2014

P8 South Coast Repertory Peter and the Starcatcher

Artist Biographies
Tony Abatemarco Laguna Playhouse, Center Theatre Groups A Very Old
Mrs. Bumbrake/Teacher Man with Enormous Wings and Cornerstone Theater
Companys As You Like It presented at Pasadena Play-
is co-artistic director at Skylight house. His other television credits include a recurring
Theatre Company. His awards in- role as a transgender informant on The Bridge, Mar-
clude an Ovation Award for lead vels Agents of S.H.I.E.L.D. and Without a Trace.
actor in a play, The Mystery of Irma He was a series regular on the CBS pilot for The Jim
Vep at Tiffany Theatre. He is a Gaffigan Show and also appeared in the pilot for ABC
three-time Los Angeles Drama Crit- Familys Bunheads, opposite Sutton Foster. His film
ics Circle (LADCC) nominee for lead performance, in- credits include Martin McDonaghs Seven Psychopaths,
cluding SCRs Bach at Leipzig, and most recently for Red Best Night Ever, Boscos Guitar and the upcoming
at International City Theatre, Long Beach. Last spring, he Two Man Job. Barillas attended the University of North
appeared in Long Beach Operas The Soldiers Tale by Carolina and received his MFA from UCLA, where he
Igor Stravinsky. He received two National Endowment was the recipient of the George Burns Fellowship in
for the Arts Directing Fellowships and has founded two Comedy. christianbarillas.com
seminal L.A. theatres: The Accident Theatre and The
Night House. He is a member of several theatre groups, J. Paul Boehmer
including The Antaeus Company and Rogue Machine. Captain Scott
He has directed on Broadway (Julie Harris in Lucifers
Child), The Arts Theatre in Londons West End (Robyn is making his first appearance at
Petersons Catwalk Confidential), regionally and in South Coast Repertory. He has
Paris. His on-camera work totals 63 appearances includ- appeared on Broadway in Sir
ing Beverly Hills Ninja 2, Town & Country, Sleeping Peter Halls An Ideal Husband
with the Enemy, HBOs Sacrifice, The L Word, E.R. and in the New York and off-
and Frasier. He has had five national commercials run- Broadway premiere of Miss Evers
ning in the last two years. He teaches at USC and Santa Boys. Regionally, he appeared in I Hate Hamlet, di-
Monica Colleges Emeritus College. As a playwright, he rected by Art Manke at the Pioneer Playhouse; played
has won LA Weekly and Drama-Logue awards. His play, Hamlet at the Dallas Shakespeare Festival; and ap-
Beautified, had its world premiere at Skylight Theatre, peared in two summer Shakespeare seasons and The
2012; and his latest, Forever House, will premiere there Constant Wife at The Old Globe. He has worked at
this fall. tonyabatemarco.com theatres including Arena Stage, A.C.T., Walnut Street
Theatre, Missouri Repertory, Laguna Playhouse and
Christian Barillas Cleveland Playhouse. His film and television credits
Grempkin/Mac/Snchez/ include Skyline, The Thomas Crowne Affair, The Good
Fighting Prawn German, Star Trek: Voyager, Star Trek: Deep Space
Nine and Star Trek: Enterprise, Frasier and AMCs
appeared at SCR previously The Lot. Boehmer is also a well-known Audiobook
in A Christmas Carol and The narrator with more than 400 titles available.
Motherf**ker with the Hat, for
which he received an LADCC Joel Davel
nomination. On Modern Family, Musician
he recurs as Ronaldo opposite Nathan Lane. His recent
theatre credits include Romeo in Romeo & Juliet and made his SCR debut earlier this
Richard III (Utah Shakespeare Festival), Pride and season in The Tempest. With a
Prejudice and Twelfth Night (Oregon Shakespeare focus on creative original music,
Festival) and Lydia (Yale Repertory Theatre and Den- Davels percussion career in-
ver Center Theatre). His other theatre credits include cludes performance and record-
Macbeth with The Antaeus Company, Sonia Flew at ing credits of jazz, rock and con-

Peter and the Starcatcher South Coast Repertory P9

 temporary classical with groups led by Amy X Neu- Allen Gilmore
burg, William Winant, Kaila Flexer, Jack West, David Lord Aster
Tanenbaum and John Duykers. Davel collaborates
most often with composer Paul Dresher and, for 16 is happy to make his SCR debut
years, has been part of his electro-acoustic band, the in Peter and the Starcatcher with
Davel/Dresher Duo, and the international touring his friend, director Art Manke. He
Double Duo Jazz Quartet. This includes performances has previously been seen on the
at Disney Hall, Carnegie Halls Zankel Hall and tours West Coast at Santa Cruz Shake-
of Australia and Russia. As a composer, music direc- speare in Bach at Leipzig and The
tor, soloist and improviser, Davel has appeared solo Three Musketeers (both directed by Manke); Alls Well
on-stage for numerous productions for choreogra- That Ends Well; Henry IV, Pt.1; As You Like It; and The
pher Claudine Naganuma, the Cream City Semi-Circus Merry Wives of Windsor. He has performed at Berke-
and the California Shakespeare Theater. Known for ley Repertory Theatre in Accidental Death of an An-
his use of electronics, Davel has 20 years of design ex- archist, Arabian Nights, A Doctor in Spite of Himself
perience with music synthesizer pioneer Don Buchla. and Argonautika. This season in Chicago he has been
The Buchla Marimba Lumina employed for Peter seen at Court Theatre in Waiting for Godot and the
and the Starcatcher is now built exclusively by Davel world premiere of The Good Book by Lisa Peterson
for himself and others to play. joeldavel.com and Denis OHare. In 2014, he became the first black
actor to play Scrooge in Goodman Theatres nearly
Wyatt Fenner 40 years producing A Christmas Carol. Gilmore is an
Boy army infantry veteran and a 2015 Lunt-Fontanne Fel-
low, originally from Houston, Texas.
appeared at SCR previously in
Rest, The Whale, Misalliance, the James MacEwan
Pacific Playwrights Festival read- Alf
ings of The Few and Happy Face,
the NewSCRipts reading of Going was born and raised in Johannes-
to a Place where you Already burg, South Africa. He is a gradu-
Are and Spirit Control and the Theatre for Young ate of South Coast Repertorys
Audiences productions of James and the Giant Peach Acting Intensive Program and is
and The Borrowers. His recent credits include Stevie thrilled to return to SCR after ap-
in Good People at La Mirada, Puck in A Midsummer pearing in A Christmas Carol and
Nights Dream with the Shakespeare Center of Los in Tartuffe in 2014. Some highlights from his South Af-
Angeles, Slipping with Rattlestick West and perfor- rican credits include Mamma Mia, The Rocky Horror
mances at the Geffen Playhouse, Ahmanson Theatre, Show, Grease, Dont Drink the Water and The Beauty
Fords Theatre, Folger Theatre, The Shakespeare Queen of Leenane. He has appeared on international
Theatre Company, Arena Stage, The Theatre @ Bos- television in Wild at Heart and the HBO series Gen-
ton Court, A Noise Within and The Antaeus Company, eration Kill. jamesmacewan.com
among many others. His television credits include
Veronica Mars and Bones. He is a graduate of Kasey Mahaffy
USC. Smee

Miles Fletcher appeared previously at SCR in

Ted Crimes of the Heart, You, Nero,
An Italian Straw Hat and Tak-
is thrilled to be making his SCR ing Steps. His theatre credits in-
debut. His credits include Into clude The Best Brothers and The
the Woods (Wallis Annenberg Violet Hour at Ensemble Theatre
Center for the Performing Arts); Company; The Tempest at A Noise Within; the world
The Tempest (Steppenwolf The- premiere of Partners at the 2014 Humana Festival;
atre Company); and four seasons Clybourne Park and Metamorphoses at Pioneer The-
with the Oregon Shakespeare Festival with roles in atre Company; You, Nero at Arena Stage and Berke-
numerous productions including The Cocoanuts, ley Repertory; The Miracle Worker and Assassins at
Into the Woods, My Fair Lady and Romeo & Juliet. Berkshire Theatre Festival; The Merchant of Venice at

P10 South Coast Repertory Peter and the Starcatcher

Portland Center Stage; The Last Night of Ballyhoo and Men, Boys Dont Cry, The Notorious Bettie Page,
The Winters Tale at PCPA; and Tartuffe and Much The Anniversary Party, The Broken Hearts Club, The
Ado About Nothing at Sonnet Repertory Theatre in Impostors; and on television in Law & Order: Crimi-
New York City. His television credits include playing nal Intent, Little Britain U.S.A., Cruel Doubt and
Rick Joy on HBOs Getting On, American Hor- Modern Family.
ror Story: Asylum, Castle, Franklin & Bash, Bad
Teacher, CSI, Bones, Law & Order: LA and ER. David Nevell
Many thanks to Actors Equity Association, Patty Woo Slank/Hawking Clam
and everyone at BRS/Gage for their tireless support.
previously appeared at SCR in
Gabrielle McClinton Arms and the Man. He just fin-
Molly ished playing Vinnie in The Odd
Couple at Laguna Playhouse.
is making her SCR debut. Her Other recent appearances in-
Broadway credits include Pippin clude Orsino in Twelfth Night at
(understudy: leading player), the New Swan Shakespeare, Brian in The Morini Strad at
first national tour of Green Days The Colony, Alan in God of Carnage at International
American Idiot (Whatsername), City Theatre and Charlie in The Scene at Ensemble
numerous regional productions Theatre Company of Santa Barbara. He has also ap-
at the Alliance Theatre, The Muny in St. Louis, Pitts- peared at Shakespeare Center of Los Angeles (Com-
burgh Civic Light Opera and Merry-Go-Round Play- edy of Errors, Twelfth Night, Romeo & Juliet), Hun-
house. Her television and film credits include The tington Theatre Company (Amphitryon), Pittsburgh
Mentalist, Wont Back Down, and Fun Size. She Public Theatre (The Crucible), Utah Shakespeare
earned her BFA at Carnegie Mellon School of Drama. Festival (Henry VIII, The Tempest), Geva Theatre (A
GabrielleM.com Christmas Carol), La Mirada Theatre (Crazy for You,
On Borrowed Time, My Fair Lady), San Jose Reper-
Matt McGrath tory (The Game of Love and Chance) and at Pacific
Black Stache Conservatory Theatre/PCPA (Light Up the Sky, The
Winters Tale, Arcadia, Macbeth, Amadeus, Anything
has appeared at SCR in Putting it Goes, A Midsummer Nights Dream, Cinderella and
Together, Ridiculous Fraud and Twelfth Night). Nevell earned his MFA in drama at UC
Raised in Captivity. He most re- Irvine, and his BA in political science at Cal Poly San
cently appeared in Verite by Nick Luis Obispo. He is head of voice/movement in the De-
Jones at LCT3 (Lincoln Center partment of Theatre and Dance at Cal State Fullerton,
Theater), The Legend of Georgia an associate teacher of Fitzmaurice Voicework, and
McBride (Denver Center for the Performing Arts), has served as consultant to Walt Disney Entertainment
His Girl Friday by John Guare (La Jolla Playhouse) Productions since 2008.
and The Rocky Horror Show (The Old Globe). He
starred in The Black Rider at Ahmanson Theatre in David O
Los Angeles, San Francisco, London and Sydney. His Musical Director/Musician
Broadway credits include Cabaret (Emcee) and A
Streetcar Named Desire. His off-Broadway credits is a music-theatre artist who spe-
include Hedwig and the Angry Inch, A Fair Country cializes in contemporary music
(Lincoln Center Theater); Collection/A Kind of Alaska for the stage and concert hall. His
by Harold Pinter, Minutes from the Blue Route and compositions include the Ova-
The Dadshuttle (Atlantic Theater Company), Fat Men tion Award-winning score for Ubu
in Skirts, The Old Boy, Life During Wartime, Amu- Roi (A Noise Within, 2006) and
lets Against the Dragon Forces and Daltons Back the choral piece A Map of Los Angeles (Los Angeles
(Drama Desk nomination). His regional appearances Master Chorale, Walt Disney Concert Hall). His musi-
include Romance, Japes and Bell, Book and Candle cal direction credits include the world premieres of 13
(Bay Street Theatre); Caroline in Jersey and Loot (Wil- (Mark Taper Forum), Toy Story: The Musical (Disney
liamstown Theatre Festival); Loot, His Girl Friday (La Creative Entertainment) and Songs & Dances of Imag-
Jolla Playhouse); Distant Fires (LA Weekly Award); inary Lands (Overtone Industries), as well as the West
and Snakebit. He appeared in the films Full Grown Coast premieres of (LaChiusas) The Wild Party, Little

Peter and the Starcatcher South Coast Repertory P11

 Fish, and See What I Wanna See (The Blank Theatre). television and Mark Bennetts A Midsummer Nights
His film compositions include the score for the docu- Dream (orchestrations), Chicago City Limits, the Ray-
mentary Bronies: The Extremely Unexpected Adult mond Scott Orchestrette and orchestras worldwide.
Fans of My Little Pony. He was the recipient of the His upcoming projects include I Heart Bob. He is a
2013 Los Angeles Drama Critics Circle Joel Hirschhorn member of the Dramatists Guild and artistic associate
Award for Excellence in Musical Theatre and has re- for new musicals at New York Theatre Workshop.
ceived numerous accolades for his work in L.A. the-
atre, including most recently an LADCC Award for Art Manke (Director/Choreographer) has directed
musically directing Floyd Collins (La Mirada Theatre). a wide variety of plays during more than a decade of
He is the ongoing Music Supervisor and Arranger for work with SCR, including the West Coast premiere of
Home Street Home, the new punk musical by Fat Mike, Itamar Moses Bach at Leipzig (for which he received
Goddess Soma and Jeff Marx. his fifth LADCC Award), hit revivals of Noises Off, Tak-
ing Steps, the musicals Lucky Duck and The Wind in
Paco Tolson the Willows, as well as numerous new play readings
Prentiss and workshops. His work has been seen at the Pasa-
dena Playhouse, Denver Center Theatre Company,
recently appeared in SCRs 2015 Mark Taper Forum, Oregon Shakespeare Festival, Mil-
Pacific Playwrights Festival read- waukee Repertory Theater, Seattle Repertory Theatre,
ing of Vietgone, the latest in a de- Chicago Shakespeare Theater, Laguna Playhouse and
cade-long collaborative relation- American Players Theatre, among others. Manke is a
ship with playwright Qui Nguyen. co-founder and former artistic director (1991-2001)
He is a graduate of Brown Uni- of A Noise Within, L.A.s acclaimed classical theatre
versity and a member of Ensemble Studio Theatre. company. A frequent guest lecturer at theatre schools
Tolson has developed new work with Ma-Yi Theater across the country, he also directs for television, and
Company, Vampire Cowboys, Studio 42, The Public holds a BFA from the University of Illinois and an
Theater, EST, The Play Company, Center Theatre MFA from the American Conservatory Theater. His
Group and SCR, among others. He trained at the Wil- upcoming projects include The Liar for Santa Cruz
liamstown Theatre Festival and the Chautauqua Con- Shakespeare and Amy Freeds The Monster-Builder at
servatory. Find out more at www.pacotolson.weebly. Berkeleys Aurora Theatre Company. He is currently
com. Love forever to Kate and my amazing family. writing a new musical about Pearl Bailey, entitled
Pearls in the House.
Playwright, Director and Designers
Michael B. Raiford (Scenic Design) is a scenic and
Rick Elice (Playwright) wrote the Broadway produc- costume designer based in Austin, Texas. He previ-
tions of Peter and the Starcatcher and Jersey Boys ously designed Death of a Salesman at SCR. His na-
(with Marshall Brickman, Bob Gaudio and Bob Crewe, tional/regional theatre and opera credits include Geva
directed by Des McAnuff, Tony Award, Best Musical) Theatre (Rochester, NY), The Cleveland Play House,
and The Addams Family (with Marshall Brickman and Opera Boston, Kansas City Repertory Theatre, Central
Andrew Lippa, directed by Jerry Zaks). His regional City Opera, Aurora Theatre Company, PlayMakers Rep-
theatre credits include Turn of the Century (with Mar- ertory Company, Maltz Jupiter Theatre, Fords Theatre
shall Brickman, directed by Tommy Tune); Double (Washington D.C.), The New Victory Theater (New
Double (directed by Roger Rees), Dog and Pony York) and Actors Theatre of Louisville. At Actors The-
(with Michael Patrick Walker) and Studio 54 (with atre, Raiford designed over 20 shows including a dozen
Stephen Trask and Peter Yanowitz, directed by Chris- world premiere productions at The Humana Festival of
topher Ashley). New American Plays. In Austin, he has designed at Bal-
let Austin, Austin Lyric Opera, Rude Mechanicals, ZACH
W ayne B arker (Music) was awarded the 2011 Theatre and Hyde Park Theatre. In addition, Raiford
Drama Desk Award for Peter and the Starcatcher. works as a creative consultant in many fields includ-
His Broadway credits include Dame Edna: Back ing architecture, interiors, advertising and yes, even
With a Vengeance (composer, co-lyricist with Barry marching band/DCI and WGI. Raiford received his MFA
Humphries). His regional theatre credits include The from University of Texas at Austin where he also taught
Great Gatsby (Guthrie Theater) and Twelfth Night design for ten years. He is a member of United Scenic
and The Three Musketeers (Seattle Repertory The- Artists Local 829. To see more of his work visit: flickr.
atre). His other credits include A Little Curious for com/photos/michaelraiford/sets.

P12 South Coast Repertory Peter and the Starcatcher

Angela Balogh Calin (Costume Design) returns Cheese Man, Top Dog/Underdog, Lucky Duck and
to SCR where she has designed costumes and/or sets Junie B. Jones and a Little Monkey Business. She
for more than 40 productions, including The Whip- has been designing around the country for the last
ping Man, Rest, The Whale, The Trip to Bountiful, The 16 years at theatres such as Oregon Shakespeare
Weir, Circle Mirror Transformation, Crimes of the Festival, Dallas Theater Center, Steppenwolf Theatre
Heart, Ordinary Days and The Happy Ones. She has Company, La Jolla Playhouse, Goodman Theatre,
designed more than 60 productions for Chautauqua The Court Theatre, Pasadena Playhouse, Hartford
Theater Company, Milwaukee Repertory Theater, Den- Stage, Alliance Theatre, Getty Villa, Utah Shakespeare
ver Center Theatre Company, The Old Globe, Pasa- \Festival, Milwaukee Repertory and Lookingglass
dena Playhouse, Georgia Shakespeare, A Noise Within Theatre Company. Her work has also been seen in
and many local theatres. She has worked extensively China, Italy, Spain, Scotland and Ireland. Her previ-
in film and television in the U.S. and Romania and has ous awards have included the 2003 Michael Merritt/
design credits with I.R.S. Media, Cannon Films, PBS, Michael Maggio Emerging Designer Award and a 2010
Full Moon Entertainment and Romanian Films. Calin is Joseph Jefferson Award. She is currently an associate
a resident artist at A Noise Within Theatre. She gradu- professor of lighting design and associate head of
ated with an MFA in set and costume design from the design at UC Irvine. Her website is available at jaymi-
Academy of Arts in Bucharest, Romania. smith.com

Jaymi Lee Smith (Lighting Design) is thrilled to be Michael K. Hooker(Sound Design) is thrilled to
working at SCR again after working on The Stinky return to SCR, having previously designed A Light in

Honorary Producers and 2009 Galas. According to Wylie, It is an honor

for Bette and me to produce new and exciting plays.
It is a greater honor to receive the thanks of the play-
Bette and Wylie Aitken (Honorary Producers) wrights, directors, actors and staff of this great insti-
are among SCRs most enthusiastic supporters and tution who sacrifice give so much to enrich all of us.
have been actively involved in the life of the theatre
since 1998. Honorary Producers of last years 50th Alan and Olivia Slutzky (Honorary Producers)
season production of Tartuffe, the Aitkens have are second-generation SCR supporters who served
also been Honorary Producers of six SCR world as Honorary Producers of Arthur Millers Death of a
premieres, including Lucinda Coxons Nostalgia, Salesman last season and Suzan-Lori Parks Topdog/
Julie Marie Myatts My Wandering Boy (as mem- Underdog in 2012. Alan was introduced to SCR at
bers of The Playwrights Circle), Lauren Gundersons a young age by his parents, Joel and Judy Slutzky,
Emilie: La Marquise du Chtelet Defends Her Life who became involved during the Second Step days
Tonight, Itamar Mosess Completeness, Catherine in the late 1960s. After returning to Orange County
Treischmanns How the World Began and Smokefall from Chicago in 2009, Alan and Olivia joined Plati-
by Noah Haidle. They also supported the West Coast num Circle and became First Night subscribers on
premiere of Haidles Saturn Returns, in addition to the Argyros Stage. Alan has served on SCRs Board
the 2008 Pacific Playwrights Festival. The Aitkens of Trustees since 2010 and is currently the Boards
are First Nights subscribers, Gala underwriters, and vice president of development. He and Olivia gen-
Platinum Circle members, as well as major contribu- erously support SCRs Gala every year and, as
tors to SCRs Next Stage Campaign and Legacy Cam- members of The Playwrights Circle in 2013, they
paign. Wylie served 10 years on the Board of Trust- helped underwrite the world premiere of The Pa-
ees (2000-10), with two years as president (2009 risian Woman. SCR is an asset to our community
and 2010) and served as chair of the California Arts and, on a personal level, an additive to our lives,
Council. Now in her fourth year as an SCR Trustee, Alan says. For us, one of the great things about
Bette serves as vice president, community relations. SCR is experiencing the variety of works; whether a
Last season, Bette served as vice chair of SCRs 50th classic or a new playits an opportunity to stretch
Season Gala Ball, having previously chaired the 2006 your brain.

Peter and the Starcatcher South Coast Repertory P13

 the Piazza, Becky Shaw, Goldfish and Our Mothers house, Utah Shakespeare Festival, California Shake-
Brief Affair. On Broadway, he designed Looped, star- speare Theater, TheatreWorks, Perseverance Theatre,
ring Valerie Harper, as well as the Looped national Spoleto Festival USA and Shakespeare Santa Cruz. She
tour, starring Stephanie Powers. His regional credits also has stage-managed operas for Long Beach Opera
include Sunday in the Park with George at The Rep- and Pacific Repertory Opera. Butler has a BA in the-
ertory Theatre of St. Louis, Sweeney Todd at Opera atre arts from UC Santa Cruz and has been a member
Theatre of St. Louis, as well as shows at Pasadena of Actors Equity since 2007.
Playhouse, Arena Stage, Cincinnati Playhouse in the
Park and Kirk Douglas Theatre. Recent local shows in- Kristen Cruz (Assistant Stage Manager) has been
clude the world premieres of Backyard and Better at part of the stage management team at SCR for five
The Echo Theater Company in Los Angeles. He spent seasons. She holds an MFA in stage management from
six years as senior media designer for Walt Disney UC Irvine and a BA in theatre arts and minor in music
Imagineering, where he produced sound for Disney from Vanguard University. She is also an adjunct pro-
theme parks worldwide, including Hong Kong Dis- fessor at Azusa Pacific University. Her other theatre
neyland, Tokyo Disney Sea and Walt Disney Studios credits include work at Pasadena Playhouse (Lythgoe
Park in Paris. Recent Disney projects include music Family Productions), Laguna Playhouse, Irvine Bar-
production for the Disney Dream cruise ship and an clay Theatre, The Wooden Floor, Little Fish Theatre,
upcoming show at Shanghai Disneyland. Currently, The Actors Fund, American Coast Theater Company,
he serves as head of the sound design program at UC Chance Theater and numerous dance companies in
Irvine. Southern California. Cruz is a proud member of Ac-
tors Equity.
P hilip D. T hompson (Accent Coach) is the head
of the MFA program in acting at the UC Irvine, and Marc Masterson (Artistic Director) is in his fourth
works as a voice and dialect coach for professional season with SCR. His recent directing credits include
and university productions. He is certified as a mas- Zealot, Death of a Salesman, Eurydice and Elemeno
ter teacher of Fitzmaurice Voicework and is the co- Pea at SCR, As You Like It for the Houston Shake-
founder of Knight-Thompson Speechwork. He is speare Festival, The Kite Runner at Actors Theatre of
the past president of the Voice and Speech Trainers Louisville and the Cleveland Play House. He served
Association. He is the head of voice and text at the for 11 years as artistic director of Actors Theatre of
Utah Shakespearean Festival and has served as resi- Louisville and produced the Humana Festival of New
dent coach there for 15 seasons and more than 100 American Plays. During his Actors Theatre tenure, he
productions. He has coached at Pasadena Playhouse, produced more than 100 world premieres, expanded
Denver Center Theatre Company and Alabama Shake- audiences and the repertoire, deepened arts educa-
speare Festival, among others, including numerous tion programs and spearheaded numerous communi-
productions at Cincinnati Playhouse in the Park. This ty-based projects. His other Louisville directing credits
is his 24th production at SCR. include A Midsummer Nights Dream, Shipwrecked!
An Entertainment, Glengarry Glen Ross, The Tem-
Jennifer Ellen Butler (Stage Manager) has been pest, Marys Wedding, The Crucible, Betrayal, As You
a part of the stage management team at SCR for 12 Like It, The Importance of Being Earnest and Mac-
seasons and more than 45 productions. Her other beth. The world premieres he directed at the Humana
theatre credits include productions at Laguna Play- Festival include works by Lisa Dillman, Wendell Berry,

P14 South Coast Repertory Peter and the Starcatcher

Craig Wright, Eric Coble, Adam Bock, Gina Gionfrid- thur Millers The Crucible; Sally Nemeths Holy Days;
do, Melanie Marnich, Charles Mee and Rick Dresser. and Margaret Edsons Pulitzer Prize-winning Wit,
He served as artistic director of City Theatre in Pitts- which he also directed at Seattle Repertory Theatre
burgh for 20 years and was founder and chairman of and Houstons Alley Theatre. He has directed Ameri-
the Greater Pittsburgh Arts Alliance, and as a theatre can classics such as A Streetcar Named Desire and has
advisory panel member for the National Endowment distinguished himself in staging contemporary work,
for the Arts as well as numerous foundations. He won including the critically acclaimed California premiere
the Man of the Year Vectors Award, and received the of William Nicholsons Shadowlands. He directed a
Lifetime Achievement Award from the Pittsburgh New revival of Horton Footes The Trip to Bountiful and
Works Festival. Samuel D. Hunters The Whale and Rest (world pre-
miere) and The Whipping Man by Matthew Lopez.
P aula T omei (Managing Director) is responsible Benson received his BA in theatre from San Francisco
for leading the overall administration of SCR. She has State University.
been managing director since 1994 and a member of
SCRs staff since 1979. She is a past president of the D avid E mmes (Founding Artistic Director) is co-
board of Theatre Communications Group (TCG), the founder of South Coast Repertory. He received the
national service organization for theatre. In addition, Margo Jones Award for his lifetime commitment to
she served as treasurer of TCG, vice president of the theatre excellence and to fostering the art of Ameri-
League of Resident Theatres (LORT) and as a member can playwriting. In addition, he has received numer-
of the LORT Negotiating Committee for industry-wide ous awards for productions he has directed during his
union agreements. She represents SCR at national SCR career. He directed the world premieres of Amy
conferences of TCG and LORT; is a theatre panelist Freeds Safe in Hell, The Beard of Avon and Freedom-
for the National Endowment for the Arts (NEA) and land, Thomas Babes Great Day in the Morning,
the California Arts Council; site visitor for the NEA; Keith Reddins Rum and Coke and But Not for Me
and has been a guest lecturer in the graduate schools and Neal Bells Cold Sweat; the American premieres
of business at Stanford and UC Irvine (UCI). She of Terry Johnsons Unsuitable for Adults and Joe
teaches a graduate class in nonprofit management Penhalls Dumb Show; and the Southland premiere
at UCI and was recently appointed by the chancellor of Top Girls (at SCR and the Westwood Playhouse).
to UCIs Community Arts Council. She is also on the Other productions he has directed include New Eng-
board of Arts Orange County, the county-wide arts land, Arcadia, The Importance of Being Earnest,
council, and the board of the Nicholas Endowment. Woman in Mind and You Never Can Tell, which he
She graduated from UCI with a degree in economics restaged for the Singapore Festival of Arts. He has
and pursued an additional course of study in theatre served as a theatre panelist and onsite evaluator for
and dance. the National Endowment for the Arts, as well as a
panelist for the California Arts Council. After attend-
Martin Benson (Founding Artistic Director), co- ing Orange Coast College, he received his BA and MA
founder of SCR, has directed nearly one-fourth of from San Francisco State University and his PhD in
SCRs productions. In 2008, he and David Emmes re- theatre and film from USC.
ceived the Margo Jones Award for their lifetime com-
mitment to theatre excellence and fostering the art Music Theatre International (MTI) is one of the
and craft of American playwriting. They also accepted worlds leading theatrical licensing agencies, granting
SCRs 1988 Tony Award for Outstanding Resident schools as well as amateur and professional theatres
Professional Theatre and won the 1995 Theatre L.A. from around the world the rights to perform the larg-
Ovation Award for Lifetime Achievement. Benson has est selection of great musicals from Broadway and be-
received the Los Angeles Drama Critics Circle Award yond. MTI works directly with the composers, lyricists
for Distinguished Achievement in Directing an unpar- and book writers of these shows to provide official
alleled seven times for George Bernard Shaws Major scripts, musical materials and dynamic theatrical re-
Barbara, Misalliance and Heartbreak House; John sources to over 60,000 theatrical organizations in the
Millington Synges Playboy of the Western World; Ar- U.S. and in over 60 countries worldwide.

The Actors and Stage Managers em- The Scenic, Costume, Lighting and The Director is a member of the Soci-
ployed in this production are members Sound Designers in LORT theatres ety of Stage Directors and Choreogra-
of Actors Equity Association, the Union are represented by United Scenic phers, Inc., an independent national
of Professional Actors and Stage Man- Artists Local USA-829, IATSE. labor union.
agers in the United States.

Peter and the Starcatcher South Coast Repertory P15

 PATRONS
The following donors have contributed $150 to $299 to the Annual Fund this season.
We gratefully recognize the vital role they play in supporting the highest quality of artistic production at SCR.

Anonymous Pat & Art Adair Barbara Stephen A. Gigliotti Alan Goldin Mr. Mr. & Mrs. Ira G. Rivin Donal Ruth
& Bill Adams The Agrela Family Mar- Lotte Gopalakrishnan Mr. & Mrs. David Robison Eduardo & Teri L. Rodriguez
git & John Allen Frances & John Apple- Gorevitz Mrs. Robin Gotterer Alan Harriet Roop Art & Alice Rose Rich-
gate, MD Ms. Barbara R. Archer Mr. & Sharon Graves Mr. & Mrs. Thomas ard & Karen Rosenberg Elena & Toby
Mark Archer Mr. Donald H. Astle Ms. Greeley Esther H. Gressard Debby Rothschild Mr. & Mrs. Robert D. Rude
Jennifer Bainum Ms. Barbara Baranski & Don Griffin Ms. Pamela R. Gross Michael Rudolph Joan Rutledge Dr.
Mrs. Suzanne Barker Ms. Mary Bassett Mark Guillod & Alan Miller Timothy John Santaniello Fran Sawyer Wayne
Joe & Yolande Bati William & Jane F. Guth Ms. Sharon Harrington Jim & Madonna Saxton Mr. & Mrs. James
Bauer Mr. & Mrs. Art Becker Les & & Berri Harris Diane & Jack Hecht W. Schenold David & Jean Schlesinger
Susan Bender E. Kenneth Bennett & Mr. & Mrs. Stacy Holmes Sheri Horn Dr. Martin & Suzanne Serbin Mr. &
Richard P. Wagner Mr. & Mrs. Emmet & Dr. Thomas & Janet Hryniewicki Alan Mrs. Harold Sharp Claudette Shaw
Ann Berkery Dr. & Mrs. Thomas Besley Jackson & Lila Clay Mr. Douglas Jones Linda Shepard Linda Silverman / Ercil
Mr. & Mrs. Bharat John & Dixie Bliss Sondi & Norman Townsend Peg Jordan Brown Ms. Lynna Silverstein Mr. &
Patricia Boatright Dr. Maureen Bo- Dale A. & Helen Juliar Fran Jutzi Mrs. Howard D. Simpson Jack & Rita
cian Hans Bode The Bower Family Dr. & Mrs. Stanley Kaplan Mr. & Mrs. Sinder Dr. Karl Skindrud Stephen &
David & Harriet Boyarsky Dennis & Dan L. Kelly Maria Kennedy Hedy Judith Slagle Mrs. David Smiley Mrs.
Sandra Bradley Mr. & Mrs. James E. Kirsh Dorothy Kisling Dr. Susan J. Barbara Smith John W. Smith Dave &
Brewer Shirley D. Brisacher Dr. & Knight Miriam & Len Kranser William Mary Solomon Ms. Louise Sperr Gai
Mrs. John Carlisle Brown Mr. Lawrence Kuehl Michael A. Kuhn Lakewood L. Spickard Steven & Phyllis Spierer
Browne Flo Buchanan Mr. & Mrs. High School Theatre Students Dennis Sid & Carole Spinak Mr. William Spur-
Sydney E. Buck Marshall R. Bull Mr. & Bridget Lambert The Landa Family geon Jeannine & Roy Stake Mr. &
& Mrs. Richard J. Burdge David Taussig Mr. & Mrs. Michael Lanphere Kevin & Mrs. Ron Stein Mr. Roger Stewart
& Cecily Burke Ronald & Linda Calkins Jeanne Lewand Glenn Libby James & Daniel & Jeanne Stokols Harris & Eileen
Mr. & Mrs. I. Douglas Campbell Val- Marsha Lindsey Michael & Robin Lingle Stutman Tad and Christine Sullivan
erie Cantwell Mr. Robert L. Chamness Rob & Cris Linn Mr. & Mrs. Robert W. Mr. & Mrs. Thomas Summerfield Robert
Mary B. Coates Mr. & Mrs. Walter Little Margaret M. Lord Corinne Lun- & Betty Taylor James & Pamela Taylor
Cochran-Bond Mr. $ Mrs. Joseph Cole- sford Ms. Patricia Lynch Mr. & Mrs. Mr. & Mrs. Keeler Thompson Dr. & Mrs.
man Sandy & Carl Collier Joe W. Col- John Maglione Bill & Karen Mangold Jeremiah G. Tilles Tom & Patti Tisone
lins Leni & Roger Cook Ellie Cortese Stephanie Marotta Don, Marcia & Edna Tony Urbano John & Penny Valenzuela
Donald A. Cox Barbara Cronin Marsey Ms. Penelope May Dr. John Joan Leb & Ted Van Boemel Dr. &
Janeen & Roger Cunningham Chantal & L. & Therese McAndrew Judge & Mrs. Mrs. Samuel Vickery Henry & Susan
Juliette Daitch Claire Davis Dr. David John McOwen Glen & Sylvia McWilliams Vierregger Frank Wagner Dr. & Mrs.
M. Davis & Dr. Robin Mintzer Mr. Jon Mr. & Mrs. Juan A. Mendoza Elliott Gerald A. Wagner Dorothy & Arthur
Davis Dr. Daniel & Emma Dennies & Joanne Mercer Ramona W. Merle Wahlstedt Bill & Maria Wallace Phyllis
Mr. & Mrs. Gary Des Rochers Brian & Mr. Jess Meyers Dr. Sallie Mitchell & Cal Wallace James & Laura Wantz
Mary Donnelly Shirley & Tom Donovan Dr. Houchang & Barbara Modanlou Virginia Warren Henry G. & Margaret A.
Ms. Jessica Dorman-Davis Andrea Richard & Kathryn Moore Mr. & Mrs. Weber Drs. Gerald & Eleanor Weinstein
Drakeford Gail Dufour Ralph & Janet Richard Moore Drs. Huguette & Edgar Dexter Welton Mr. & Mrs. James M.
Dunham Reva & Norman Einhorn Moran Beth & Richard Moran Mr. White Susan White Wendy Wickner
June & Jeff Elsten Don & Karen Evarts & Mrs. Harry W. Myers Ms. Laura A. Ann & Donald Williams Dan Willoughby
Dr. & Mrs. Michael S. Fabricant Mr. Myers Dr. Norman Myers Mr. & Mrs. Ms. Kathy Wilson Mr. & Mrs. Mark E.
Eugene H Felder Jr Mr. & Mrs. Ferdi- Mitsuhiko Nakano Keith & June Nelson Wilson Royce & Darlene Wise Amy
nand F. Fernandez William & Cindy Matthew Nelson Mr. Brad Newell Wisneskie Max & Marilyn L. Wolfsberg
Fisher Glenn & Jane Fowler Laila & Catherine Nordbak Alice A. OKeefe Priscilla F. Wolz Woody & Flo Wood-
Dudley Frank Jeff & Sheri Frankston Engin & Honorata M. Oktay Charlotte ruff Ms. Marjorie Stanford Benjamin
Steven & Janice Frates Carole Fritz Oliva Robert Ooten Ms. Ginger Os- & Sandra Wright Mr. & Mrs. Robert
Dr. & Mrs. Stanley Galant Ms. Linda borne Ms. Rina Paterno Mr. Don Pat- Zaitz Bunny & Sol Zechter Dr. Allen
Galloway Keith & Cheryl Garrison tison Deborah Paull Frances J. Pedley Zeltzer Dr. Gilbert & Elaine Zuker
Mrs. Justine Gentile Michael J. Gentile Ms. Nancy Pugh Renate Rados Drs.
& Denise C. Harden James & Roberta Julia & Irv Rappaport Richard Rawe Recognition based on gifts received on and
George Suzette Giannini Mr. & Mrs. Dagmar & Walter Rios Ms. Julie Rivera before April 20, 2015.

P16 South Coast Repertory Peter and the Starcatcher