EQCHEATSHEET
Frequencyspectrum
Frequency Range Description
20Hz-60Hz Sub-bass
60Hz-200Hz Bass
200Hz-600Hz Lower mids
600Hz-3kHz Mids
3kHz-8kHz Upper mids
8kHz-20kHz Highs
www.musicianonamission.com
Description Frequency Range
Rumble 25Hz 40Hz
Bottom 60Hz 90Hz
Boom/Punch 100Hz 170Hz
Warmth 130Hz 220Hz
Fullness/Mud 250Hz 450Hz
Honk 450Hz 1kHz
Tinny 1kHz 2kHz
Crunch 2kHz 4kHz
Edginess/Brittleness 3.5kHz 6kHz
Sibilance (in voice) 4kHz 10kHz
Definition 6kHz 10kHz
Piercing 8kHz 12.5kHz
Air 15kHz 20kHz
IMPORTANT:Dontusethesechartswhenyouremixing,ortrytoavoidit.
Theyarejusttheretogiveyouanideaofhowdifferentfrequenciessound.
Everynowandthenitsokay,butdontbecomereliantonthem.Instead,useyourears
andsweeparoundwiththeEQwhenmixingifyoucantfindtherangeyouarelooking
for.
www.musicianonamission.com
4KeyApproaches
1. Removenastyelements
a. Narrowcutstoremoveroomresonances
b. Highpassfilter(onlyifneeded)toremovelowendnoise
c. Dothisinsoloaspartofthepreparationphase
2. Enhancepleasingelements
a. Widercutsandbooststoshapethetone
b. Beboldifnecessary-butonlyifyouknowwhatyouaredoing
3. Makethingssounddifferent
a. Forexample,filteringallthelowsandhighstocreatethetelephone
soundonvocals
4. Createspaceinthemixusingrangeallocation
a. Dontboosttwodifferentchannelsinthesamefrequencyrange
b. Instead,carveoutspaceforimportantpartse.g.vocalsorleadguitar
10EssentialTipstoTryToday
1. Haveanintention
2. DontrelyonEQalone,especiallytoshapetone
3. Prioritizecuts,butstilluseboosts
4. AvoidapplyingEQinsolo
5. Smallchangessoonaddup
6. BemoresubtlewithstockparametricEQs
7. Dontobsessoverpluginorder
8. Getitrightintherecordingphase
9. Createinstantclaritybyremovingmuddiness(200-500Hz)
10. Mixinmono
www.musicianonamission.com