Mirando, Mark B.
Eng 23
2013-00862 Prof. Judy Ick
“The Moonlit Woodland: the moon as the regent of A Midsummer Night’s Dream”
One of the most interesting aspects of the MND is Shakespeare’s ability to craft different
planes of spaces in a single play. He begins with Athens in daylight and transitions his play into the
magical realm of the moonlit woodland. This wood has become an integral space for most of the
major scenes in the MND. This woodland elicited magical elements as it inhabits legions of fairies
headed by the long-wedded Titania and Oberon. These two fairies are the parent of disasters and
madness that will stir the lives of the star-crossed lovers namely Helena, Hermia, Lysander, and
Demetrius.
The image of the moon has been a recurring image in the MND. The play begins with the
image of the moon in Theseus’s opening speech and in Hippolyta’s reply as they wait for the day of
their nuptial. The moon has also been an integral tool for Shakespeare’s marking of time. His usage
of the night-time also highlights his theme of the dream with a touch of a nightmare as he makes
one of the fairies utters images of night creatures such as spotted snakes, thorny hedgehogs, and
spiders in the lullaby scene. The moon is not only a part of Shakespeare’s poetry but also suits the
madness to be enacted here.