Updated: 06-Feb-04

STAGE FORMAT

by

Matt Carless

Every script should have If you have an agent,

a title page with one contact the address and number
address only in the bottom can go here.
left hand corner. A draft number or date
Always include a phone number is not required on a
and an e-mail address if you spec script.
have one.
ACT I SCENE 1

ACT AND SCENE NUMBERS APPEAR ON THE

SAME LINE AGAINST THE LEFT MARGIN. THE
ACT NUMBER IS SPECIFIED IN ROMAN
NUMERALS WITH THE SCENE NUMBER
SPECIFIED IN ARABIC NUMERALS.

SCENE ACTION APPEARS UNDER THE HEADING

IN CAPITALS WITH DOUBLE-SPACING BETWEEN
PARAGRAPHS. SCENE ACTION SHOULD ONLY
DEAL WITH SET DESCRIPTION OR WHAT IS
HAPPENING ON THE STAGE AND MUST NEVER
STRAY INTO SUPERFLUOUS NOVELISTIC TEXT
RELATED TO CHARACTER THOUGHTS OR
BACKSTORY.

CHARACTER #1: Character names appear against the left-margin in

capitals. A character is designated by either
their first or last name, but a role designation
may be used instead with personal titles
abbreviated. The designated character name should
remain consistent throughout the entire script.

CHARACTER #2: Dialogue begins on the same line as the character

name in normal upper and lower case text with
single-line spacing.

A CHARACTER'S SPEECH CAN BE BROKEN WITH

A PARAGRAPH OF SCENE ACTION.

And then continue without repeating the character

name.

BUT IF YOU SPECIFY SCENE ACTION BETWEEN

TWO CHARACTERS' SPEECHES...

CHARACTER #1: A character name is always needed each time a new

character speaks.

CHARACTER #2: (PAUSE) Parenthetical instructions appear in

capitals enclosed within round brackets in the body
of the dialogue. (SCENE ACTION RELATED TO THE
CHARACTER WHO IS SPEAKING, LIKE A SPECIFIC MOVE, IS
CONTAINED WITHIN THEIR SPEECH RATHER THAN IN A
SEPARATE PARAGRAPH)

BUT ANY OTHER SCENE ACTION APPEARS ON

ITS OWN.

BLACK-OUT CAN BE USED WITHIN A SCENE,

OR TO FINISH OFF A SCENE OR ACT.

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ACT I SCENE 2

BEGIN EACH NEW ACT AND/OR SCENE ON A

NEW PAGE.

DON'T FORGET TO NUMBER ALL OF YOUR

PAGES - PAGE ONE BEGINS WITH ACT
ONE/SCENE ONE, NOT THE TITLE PAGE.

AND KEEP ALL YOUR PAGES TOGETHER WITH A

SIMPLE PAPER BINDER IN THE TOP LEFT
CORNER. UNFASTENED PAGES CAN BECOME
SEPARATED FROM THE REST OF THE SCRIPT
AND GET LOST!

AS A GENERAL RULE OF THUMB, FINISH OFF

AN ACT AND/OR THE SCRIPT LIKE THIS.

CURTAIN

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