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Cassidy Pham
Writing 39C
Professor Broadbent
4 May 2018
The Idolization of White Skin: How Colorism in China is Normalized
“There is nothing more frightful than ignorance in action.”
― Johann Wolfgang von Goethe
Fig 1. Qiaobi Detergent Advertisement that sparked controversy of racism.
Introduction to Colorism in China
In 2016, an advertisement run in China for Qiaobi laundry detergent sparked controversy
worldwide. The advertisement featured a Asian woman doing laundry as a black male (covered
in paint) approaches her; the advertisement then depicts her tossing detergent in his mouth and
putting him head first into the washer, only to come out as a light-skinned Asian male
(Bromwich). Qiaobi’s advertisement had people worldwide challenging the thoughts and ideals
that were expressed through this advert: that lighter skin is more preferable than darker skin in
China. Many people took to notice the different connotations each male character played in the
advert, as it portrayed the black male as ‘dirty’ or ‘unclean,’ and the light-skinned Asian male as
‘clean’ or ‘untarnished.’ As this advertisement sparked controversy, it opens the conversation to
a growing, yet deeply rooted in history, problem in China. The advertisement shines light on the
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problem that has been prevalent in China for centuries: colorism; defining social class and
social worth based off of skin color, the colorism problem causes discrimination to run rampant
around China, for its long history in China creates the illusion that it is normal.
“ China’s obsession of ‘milk-white skin’ affects more than just the
discriminated dark-skinned, as most Chinese believe in the
phrase “one white covers up three uglinesses (Li).””
China’s Role in the Normalization of Colorism
Dating back centuries ago, the connotation of light skin in
Asia first revealed itself years before Western cultural
influences could take place. Elysia Pan, “Beautiful White:
An Illumination of Asian Skin-Whitening Culture,” talks of
how China was mainly an agrarian society until the most
recent century; the social classes of the Chinese were
determined by their job, either conducting business inside
or doing manual labor outside, which correlated to the skin
color they would then take on. A significant power figure in
Chinese culture and the only female to take the throne,
Fig 2. Portrait of Empress Wu from 690-705 A.D. Empress Wu, was glorified in paintings with white paint
the painter described would be so that the “...illustration of her beauty and status would stand
the test of time (Pan).” The artist, knowing that the medium they painted on would brown over
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time, took the measure to paint Empress Wu’s face white: to ensure that her prestige was
known, even in the future. In most paintings of royal families, strong leaders, and other
prestigious people in ancient China, the depiction of white skin was all that was needed for
others to understand their class. The adoration of white skin created a rift in Chinese society,
one that would sustainably divide the social classes and cause discriminatory behavior for
centuries to come.
Outside Influences on the White Skin Phenomenon in China
Although some scholars, like Trina Jones, believe the tensions of skin color were only
influenced by the vast background of agrarian China, other scholars believe that the influences
of Westernization also put pressure on the ‘moon-white skin’ ideals. As Western influences
began to flow into China in the 19th and 20th centuries, according to Eric Li, “Skin Lightening
and Beauty in Four Asian Cultures,” it brought along strong notions of Western beauty
standards and fashion, changing the perceptions of white skin in China to a beauty ideal.
Through movies and propaganda, it strengthened the ‘differences’ between light skinned and
dark skinned people, creating a rift that categorized their person based on their skin color. Pan
makes the argument, however, that Western influences of beauty and fashion standards didn’t
change Chinese perceptions, rather their “fascination with whiteness” and the many light-
skinned conquerors they faced throughout the years reinforced their ideals. Through the
influences of both Westerners, and their own culture, Western women donned white-lead
powder makeup to give them that ‘deathly pallor’ they wanted to achieve and Chinese women
“swallowed crushed pearls in their pursuit of a milk-white complexion (Naidoo).” The cultural
ideals of both the white-skinned conquerors from the West, as well as the social ideals held by
the Chinese, pushed women and men alike to move away from the norm of natural skin tone
and move towards the path of light skin.
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The Connotations Behind Skin Color
Skin color in Chinese culture has many underlying connotations, as people with light skin are
more likely to be seen as, stated by Levashni Naidoo, “A Fairer Face, a Fairer Tomorrow? A
Review of Skin Lighteners,” ‘good,’ ‘pure,’ and
‘virtuous,’ whereas darker skinned people were
seen as ‘wrong,’ ‘unfair,’ or ‘dirty.’ The ideals set
forth by Chinese culture in regards to skin color
pushed many to try to achieve the ‘milk-white
skin,’ mainly women as white skin became a
beauty standard, in order to “stand out in a
competitive job and marriage market (Pan).” Pan
also addresses the issue of colorism and how it
affects the lives of women specifically, stating
that skin color could affect the prospects for a
job or marriage partner. In this pursuit to white
skin, the colorism problem also pushes the
discrimination of darker skin tones, as Naidoo
states that the bad connotations with dark skin
Fig 3. A ‘simplistic’ chart defining ‘white/black’ groups lead to discrimination against dark skinned
people, which is a problem that China needs to fix. Splitting the country in parts, colorism
creates barriers that one cannot fix alone; discriminating against darker skin tones, China
creates a system of ‘black’ and ‘white’ inside its monocultural society. This social problem
creates many barriers and boundaries that people must jump in order to feel included, or not
discriminated against. By continuously leaving the problem unfixed, China essentially
strengthens the ideal’s holds on China’s society, creating rifts that can only be fixed through the
destruction of colorism.
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How the Colorism Problem in African Americans Compare to China’s
Through her comparisons of African-Americans and Asians, Trina Jones, “The Significance of
Skin Color in Asian and Asian-American Communities: Initial Reflections,” strengthens her
thoughts and ideas about how strong the bond between an Asian person’s social standing and
their skin color is, due to the many similarities Asians and
African-Americans have with one another on this topic. She
relates the tensions both Asians and African-Americans feel:
that skin tone matters, and how that affects even light-skinned
people. As African Americans strive for a lighter skin tone, so
do the Chinese. China’s obsession of ‘milk-white skin’ affects
more than just the discriminated dark-skinned, as most
Fig 4. Women wearing facekinis in China Chinese believe in the phrase “one white covers up three
uglinesses (Li).” Li explains the colorism problem in the light of beauty, as many women in
China believe that you’re more beautiful if you’re lighter skinned. Going through many lengths to
achieve white skin, businesses have responded to the calls of Chinese women and created
large industries around this growing problem. From ‘facekinis’ to skin whitening products, the
consumer base in China grows with every year, in order to achieve the ‘correct’ skin tone.
White Skin And The Ordeal To Achieve It
As white skin ideals continue to present itself in Asia, the market for skin whitening products
increases in size every year, with its main consumer base in China. The issue of colorism in
China puts pressure on both light skinned and dark skinned people, where light skinned people
want to retain their light complexion and darker skin wanting to obtain a lighter complexion. The
skin whitening industry is growing hugely in the past 20 years, signaling the strongly apparent
issues that China has yet to address regarding colorism. Adding onto the ideals of white skin
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China has held for centuries, the growing industry of skin whitening products creates a new form
of pressure on women in China. Li talks of the constant imagery of milk and pearls that surround
the ads of skin whitening products, as well as international superstars or Western women as the
model, as a way to remind Chinese women of the ideals.
As Naidoo compares the connotations brought upon by the skin whitening advertisements, with
good connotations referring to light skin and bad connotations
referring to dark skin, it brings forth the insecurities consumers
have: to be ‘dirty’ or ‘poor’ like the dark skinned. Models used
for ads by international companies either refer to the ideal white
skin of ‘Westerners,’ such as successful light skinned actresses
or celebrities, or actually is a Westerner, portraying the deep
roots of history that China today has yet to diminish (Li). The
use and abundance of the skin whitening culture is a sign of
colorism, pushing forwards the ideals that light skin is better
Fig 4. China’s Skin Care Industry Sales than dark skin, and that showcases the effects of China’s history
that is still not dealt with. The adoration of white skin, and the problem of colorism in China, is a
shackle that holds down China from expressing, and accepting, free forms of beauty. Colorism in
China is an issue as it is a huge social problem that has been continuously affecting the lives of
Chinese people for centuries.
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Works Cited
Bromwich, Jonah. “Chinese Detergent Ad Draws Charges of Racism.” The New York Times. 27
May 2016. https://www.nytimes.com/2016/05/28/world/asia/chinese-detergent-ad-race-
qiaobi.html.
Fuller, Thomas. “A Vision of Pale Beauty Carries Risks for Asia’s Women.” The New York
Times. 14 May 2016. https://www.nytimes.com/2006/05/14/world/asia/14thailand.html.
Jones, Trina. “The Significance of Skin Color in Asian and Asian-American
Communities: Initial Reflections.” UC Irvine Law Review. 2013.
https://scholarship.law.uci.edu/cgi/viewcontent.cgi?article=1108&context=ucilr.
Li, Eric, et al. “Skin Lightening and Beauty in Four Asian Cultures.” Association for
Consumer Research. Jan 2008.
https://www.researchgate.net/publication/283857701_Skin_lightening_and_beauty_in_fo
ur_Asian_cultures.
Naidoo, Levashni, et al. “A Fairer Face, a Fairer Tomorrow? A Review of Skin
Lighteners.” Cosmetics. vol. 3. iss. 3. Sep 2016. http://www.mdpi.com/2079-
9284/3/3/33/htm.
Pan, Elysia. “Beautiful White: An Illumination of Asian Skin-Whitening Culture.” Duke
University. Apr 2013.
https://dukespace.lib.duke.edu/dspace/bitstream/handle/10161/7559/Elysia%20Pan%2C
%20Beautiful%20White.pdf?sequence=1.