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Walton's Horn in F Score

This document contains musical notation for the second horn part in William Walton's piece "Orb and Sceptre". It consists of 10 labeled sections that provide the horn part music notation across 110 measures. The sections include indications of tempo, dynamics, and expression.

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Joshua Hu
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1K views3 pages

Walton's Horn in F Score

This document contains musical notation for the second horn part in William Walton's piece "Orb and Sceptre". It consists of 10 labeled sections that provide the horn part music notation across 110 measures. The sections include indications of tempo, dynamics, and expression.

Uploaded by

Joshua Hu
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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2nd Horn in F William Walton

Orb and Sceptre


Alla marcia  = 108 circa
 4 3    
                 
 4           
 
10 1 3
 
                           
 
  
18 2 Pomposo
           
                           
 

 marc.
22
         
                       
    
        
     

25 3
  
                    
                      
 
32
     
 
                     
 
 

 
  
 
 


 

 
 
4 cresc.
38
  
    
                                   

43
      
                              

47 5
                   
  
              
52
                      
        
    
 
58 6 Meno mosso  = 92 circa 7 Maestoso
 15 
                    
     
 
79
                         
        

  
86 8 a Tempo I
       
              
  
            
  
93 9
   3
     
                   

102
                 
    

          
 

106
10 Pomposo
                        
                         
 
 marc.
110
          
                  
       
     

114 11
         
      
                    
 
120
       
       
                
  


     

 
125
cresc.
12
                   
   
  
         
        

130 13
           
           
                   

2
135 (Allegro)
        
                                     

   

140
  
                           
3 3

   

144 rit 14 Largamente


           legato
    
                              
      

150
                           
          

156
                                  
     

163 15 Sub vivace  = 126 circa


                       
                
   
    

170 16 rit a tempo rit


marcato a tempo sub.
    2 
                      
3
 

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