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Jazz Sheet Music: Sunshine

This document provides musical notation for a 1 minute and 18 second solo saxophone piece titled "Sunshine" composed by Anne Paceo. The notation includes the instrumentation, tempo, time signature, and musical staff with notes, rhythms, and expressive markings across 14 measures. It credits Emile Parisien on soprano saxophone and includes additional parts for Clav Paeleman, Leila Martial, and Rhodes Paeleman.

Uploaded by

Christophe Bairras
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
198 views8 pages

Jazz Sheet Music: Sunshine

This document provides musical notation for a 1 minute and 18 second solo saxophone piece titled "Sunshine" composed by Anne Paceo. The notation includes the instrumentation, tempo, time signature, and musical staff with notes, rhythms, and expressive markings across 14 measures. It credits Emile Parisien on soprano saxophone and includes additional parts for Clav Paeleman, Leila Martial, and Rhodes Paeleman.

Uploaded by

Christophe Bairras
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 8

Sunshine

Anne Paceo
Circles
Music by Anne Paceo
Emile parisien Sax sop
Standard tuning
 = 90
1'18 min Solo saxophone
  
1 2
  3
          
4

E Parisien  

      
Leïla Martial     

Clav Paeleman
       
         
                

Motif/ rythme libre

               


 
Rhodes Paeleman 
    

  

1/8
  5 6 7
               8
    
Clav Paelem...Leïla Martial E Parisien

               
  
    
 
       
                               
    
Rhodes Pa...

   

  

            


                     
9 10 11 12

       

3
    
 
          
           
                     
    

   

  

2/8
  
               
13
 
14 15 16
E Parisien

            
3
3

 
Clav Paeleman Leïla Martial

  
 

   
    
    
                          
  
    
Rhodes Pa...

   

  

                    
 17
  


18
          19
       
        
20
 
 
    
 
   
              
                  
  
    

   

  

3/8
                            
                  
       
              
21 22 23 24
E Parisien

       


Clav Paelem...Leïla Martial

    

       
             

           

    
Rhodes Pa...

  

   

Outro solo
         
   
               
   
25
     26
  
27 28
       
  
      

     
 
         
                          
    

   

  

4/8
             
 
      
     
         
 29                            
30
 
31 32
E Parisien

                
 3 3 3 3 3 3
3 3
             
Clav Paele...Leïla Martial

       
 
 
                
 
  
   

  
 
   
      
    
Rhodes Pa...

   

Steel Reverb Pick
  

     
                
 33
     34  35 36    3
          
  3
          

     
 

  
 
                    
             
    

   

  

5/8

        
     
      
        
 37    38 39 40
E Parisien

           
 

            
Clav Paele...Leïla Martial

         
    
           
                  
 
    
Rhodes Pa...

   


  

            
 41 42

43

44

 
                
 
        
            
     
          

    

   

  

6/8
   
         
  45 46 47 48
Clav Paeleman Leïla Martial E Parisien

    
      
              

       
                        
    
Rhodes Pa...

   

  

            
  49 50
      51
   52
 
   
           

3

   3

        
 
   

     
           
   

   

  

7/8
3'48
 53 54
E Parisien

        


Clav Pae...Leïla Martial

 
 
  
  
 
Rhodes Pa...

   

8/8

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