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Voice Modulation

This document discusses various techniques for modulating one's voice, including pace, pitch, pause, power, volume, emphasis, and inflection. It provides guidance on using each technique appropriately, such as maintaining a pace that listeners can understand, keeping pitch at a comfortable level, pausing for punctuation and emphasis, generating intensity from the abdomen for power, matching the listener's volume, emphasizing key words, and using ups and downs in inflection to link meaning and feeling. The document concludes with a poem about feeling less troubled by a friend's problems from a distance but recognizing the potential to withdraw care upon closer involvement.

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Tan WeiShean
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160 views14 pages

Voice Modulation

This document discusses various techniques for modulating one's voice, including pace, pitch, pause, power, volume, emphasis, and inflection. It provides guidance on using each technique appropriately, such as maintaining a pace that listeners can understand, keeping pitch at a comfortable level, pausing for punctuation and emphasis, generating intensity from the abdomen for power, matching the listener's volume, emphasizing key words, and using ups and downs in inflection to link meaning and feeling. The document concludes with a poem about feeling less troubled by a friend's problems from a distance but recognizing the potential to withdraw care upon closer involvement.

Uploaded by

Tan WeiShean
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd
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VOICE MODULATION

PHANUEL CHEW, TAN WEI SHEAN, TING TION SIEW

THE LATIN ROOT, MODULATIONEM, HAS A


MUSICAL MEANING: "RHYTHM, SINGING
AND PLAYING, OR MELODY."

MODULATION IS WHEN YOU CONTROL OR


ADJUST SOMETHING, LIKE WHEN YOU
LOWER YOUR VOICE TO A LOUD WHISPER
IN ORDER TO MAKE WHAT YOU'RE SAYING
MORE DRAMATIMYSTERIOUS.

THE NOUN MODULATION HAS SEVERAL


MEANINGS, INCLUDING A CHANGE OF KEY
IN MUSIC OR OF THE SOUND OF A
PERSON'S VOICE. IT ALMOST ALWAYS
INVOLVES SOME KIND OF DELIBERATE
MODIFICATION OR SLIGHT CHANGE, LIKE
AN ACTOR ADJUSTING HIS PITCH OR
VOLUME DEPENDING ON THE ROLE HE'S
PLAYING OR THE MOOD OF THE SCENE.

PACE OR SPEECH SPEED


It must always be at a speed that the listener can understand.
Put the pace at that speed where the listener can understand
you properly.

PITCH OR DEPTH OF VOICE

Keep it at a level that is comfortable for


you and dont strain your vocal cords.

PAUSE

Pauses should be given at required


intervals like where there is punctuation.
It is given to let the listener absorb your
information. It is given for emphasis and
dramatic effect.

POWER

In order to create power in your voice


you should not speak from your mouth
but from inside from the abdomen, make
it commanding by generating intensity
in your voice

VOLUME

Try and match your listeners speech volume,


unless they are shouting. Try dropping your
volume so that they have to drop their
volume to hear you. Maintain your volume
according to the listener decrease or increase
(do not shout to increase it be loud).

EMPHASIS
Put emphasis by putting some pressure or

focus on the key words or syllables in order to


provide contrast to your words bring out their
desired meaning

INFLECTION

Inflection means ups and downs of


words. In combination inflection links
meaning and feeling with your words.

A Confession to a Friend in Trouble


By: Thomas Hardy, 1840 - 1928

Your troubles shrink not, though I feel them less


Here, far away, than when I tarried near;
I even smile old smileswith listlessness
Yet smiles they are, not ghastly mockeries mere.
A thought too strange to house within my brain
Haunting its outer precincts I discern:
That I will not show zeal again to learn
Your griefs, and, sharing them, renew my pain.

It goes, like murky bird or buccaneer


That shapes its lawless figure on the main,
And each new impulse tends to make outflee
The unseemly instinct that had lodgment here;
Yet, comrade old, can bitterer knowledge be
Than that, though banned, such instinct was in me!

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