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Handel: Cantate 01

Roberta Mameli (soprano)

Contrasto Armonico, Marco Vitale

Handel: Cantate 01
Mameli's conversational story-telling is maximised by Contrasto Armonico's correct use of low Roman pitch, and Vitale's unobtrusive direction places the limelight on the singer's declamation...

Handel: Cantate 01

Roberta Mameli (soprano)

Contrasto Armonico, Marco Vitale

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Mameli's conversational story-telling is maximised by Contrasto Armonico's correct use of low Roman pitch, and Vitale's unobtrusive direction places the limelight on the singer's declamation...

About

Handel’s cantatas represent an important musical repertoire that until recently has been little known. Consisting of about 100 separate works, most were written over a period of a few years for private performance in Italy.

They range from musical miniatures containing only two arias connected by recitative and accompanied by continuo to larger works with named characters, a dramatic story, and rich instrumental forces. Telling more often than not about the pangs of love, these are intimate works, with texts frequently written by (and sometimes about) members of the privileged audience for which they were composed.

The project of Marco Vitale to record all of Handel’s cantatas is thrilling. The continuo cantatas have never been recorded in full and many have never been recorded at all. Thus, this project will bring to life largely unknown music by one of the world’s greatest composers. This CD features the great soprano Roberta Mameli, an acclaimed specialist of the Handel repertoire and it includes the wonderful cantatas “Notte placida e cheta” and “Armida abbandonata”.

Contents and tracklist

I. Recitativo - "Notte placida e cheta"
Track length0:59
II. Aria - "Zeffiretti, deh venite"
Track length7:14
III. Recitativo - "Momento fortunato"
Track length0:38
IV. Aria - "Per un istante"
Track length2:17
V. Accompagnato - "Ma già sento che spande"
Track length1:15
VI. Aria - "Luci belle, vaghe stelle"
Track length3:25
VII. Accompagnato - "Oh delizie d'Amor"
Track length0:41
VIII. Aria - "Che non si dà qua giù"
Track length1:58
I. Recitativo - "Qualor l’egre pupille"
Track length1:10
II. Aria - E' il pensier nella mia mente
Track length3:51
III. Recitativo - "Lungi del caro oggetto"
Track length0:37
IV. Aria - "S’altri gode pensando al suo bene"
Track length2:33
V. Recitativo - "Chi chiama amor tiranno"
Track length0:43
I. Aria - "Ne’ tuoi lumi, o bella Clori"
Track length7:01
II. Recitativo - "Credi che quanto dolci"
Track length1:06
III. Aria - "Superbetti occhi amorosi"
Track length4:42
IV. Recitativo - "Sul pallido mio volto"
Track length0:51
V. Aria - "La mia piaga, se v’appaga"
Track length2:59
I. Accompagnato - "Dietro l’orme fugaci"
Track length1:17
II. Aria - "Ah! crudele"
Track length5:45
III. Recitativo - "Per te mi struggo, infido"
Track length0:30
IV. Accompagnato - "O voi, dell’incostante"
Track length0:59
V. Aria - "Venti, fermate, si"
Track length2:46
VI. Recitativo - "Ma che parlo, che dico?"
Track length1:12
VII. Aria - "In tanti affanni miei"
Track length4:37

Awards and reviews

September 2013

Mameli's conversational story-telling is maximised by Contrasto Armonico's correct use of low Roman pitch, and Vitale's unobtrusive direction places the limelight on the singer's declamation of poetry.

28th January 2014

The recitatives are taken with the rhythmic flexibility expected from performers, and Roberta Mameli's diction is outstanding. The performers also pay attention to the ornamentation; Mameli adds plenty of it, but never in an excessive way and always stylish and tasteful...No lover of Handel's music should miss it.
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