Category Archives: Film Noir

One of the reasons I was interested in reading Anna Cale’s recently released biography of the late British actress Diana Dors, The Real Diana Dors, is that I was curious to test out what I thought I knew about Dors and the reality of her life. What I was pretty certain about, and Cale confirms, is that Dors was stereotyped from the beginning of her career as either the sultry femme fatale bad girl or, as she herself once wrote, ‘the flighty, sexy little thing who pops in and out of the story whenever a little light relief seems to be called for.’

What I didn’t know, that Cale’s book taught me, was what a determined, serious, and hard headed performer Dors was. She accumulated a hundred screen credits in a career that began with her first bit part in the 1947 crime drama, The Code of Scotland Yard, to her last film role, Steaming, which appeared in 1985, a year after she died at the age of just 54. She resisted attempts to stereotype when she could, and no doubt like a lot of post war actresses undoubtedly had the talent and drive to be even bigger if not for various factors, of which beginning her career in the morally conservative, sexually hypocritical Britain of the late 1940s and early 1950s, was a major one.… Read more