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McCoy Tyner|Expansions

Expansions by McCoy Tyner

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Of pianist McCoy Tyner's seven Blue Note albums of the 1967-1970 period, Expansions is the most definitive. Tyner's group (comprised of trumpeter Woody Shaw, altoist Gary Bartz, tenor saxophonist Wayne Shorter, Ron Carter on cello, bassist Herbie Lewis, and drummer Freddie Waits) is particularly strong, the compositions (four Tyner originals plus Calvin Massey's "I Thought I'd Let You Know") are challenging, and the musicians seem quite inspired by each other's presence. The stimulating music falls between advanced hard bop and the avant-garde, pushing and pulling at the boundaries of modern mainstream jazz.

© Scott Yanow /TiVo

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Expansions

McCoy Tyner

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1
Vision
00:12:17

Ron Carter, Cello, AssociatedPerformer - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Duke Pearson, Producer - Wayne Shorter, Tenor Saxophone, AssociatedPerformer - McCoy Tyner, Composer, Piano, MainArtist, AssociatedPerformer - Woody Shaw, Trumpet, AssociatedPerformer - Freddie Waits, Drums, AssociatedPerformer - Gary Bartz, Alto Saxophone, AssociatedPerformer - Herbie Lewis, Bass, AssociatedPerformer

℗ 1969 Capitol Records, LLC

2
Song Of Happiness
00:11:59

Ron Carter, Cello, AssociatedPerformer - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Duke Pearson, Producer - Wayne Shorter, Tenor Saxophone, AssociatedPerformer - McCoy Tyner, Composer, Piano, MainArtist, AssociatedPerformer - Woody Shaw, Trumpet, AssociatedPerformer - Freddie Waits, Drums, AssociatedPerformer - Gary Bartz, Flute, AssociatedPerformer - Herbie Lewis, Bass, AssociatedPerformer

℗ 1969 Capitol Records, LLC

3
Smitty's Place
00:05:19

Ron Carter, Cello, AssociatedPerformer - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Duke Pearson, Producer - Wayne Shorter, Tenor Saxophone, AssociatedPerformer - McCoy Tyner, Composer, Piano, MainArtist, AssociatedPerformer - Woody Shaw, Trumpet, AssociatedPerformer - Freddie Waits, Drums, AssociatedPerformer - Gary Bartz, Alto Saxophone, AssociatedPerformer - Herbie Lewis, Bass, AssociatedPerformer

℗ 1969 Capitol Records, LLC

4
Peresina
00:10:20

Ron Carter, Cello, AssociatedPerformer - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Duke Pearson, Producer - Wayne Shorter, Tenor Saxophone, AssociatedPerformer - McCoy Tyner, Composer, Piano, MainArtist, AssociatedPerformer - Woody Shaw, Trumpet, AssociatedPerformer - Freddie Waits, Drums, AssociatedPerformer - Gary Bartz, Alto Saxophone, AssociatedPerformer - Herbie Lewis, Bass, AssociatedPerformer

℗ 1969 Capitol Records, LLC

5
I Thought I'd Let You Know
00:06:28

Ron Carter, Cello, AssociatedPerformer - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Duke Pearson, Producer - Wayne Shorter, Tenor Saxophone, AssociatedPerformer - McCoy Tyner, Piano, MainArtist, AssociatedPerformer - Woody Shaw, Trumpet, AssociatedPerformer - Freddie Waits, Drums, AssociatedPerformer - Gary Bartz, Alto Saxophone, AssociatedPerformer - Herbie Lewis, Bass, AssociatedPerformer - Calvin Massey, Composer

℗ 1969 Capitol Records, LLC

Review: Expansions - McCoy Tyner

Of pianist McCoy Tyner's seven Blue Note albums of the 1967-1970 period, Expansions is the most definitive. Tyner's group (comprised of trumpeter Woody Shaw, altoist Gary Bartz, tenor saxophonist Wayne Shorter, Ron Carter on cello, bassist Herbie Lewis, and drummer Freddie Waits) is particularly strong, the compositions (four Tyner originals plus Calvin Massey's "I Thought I'd Let You Know") are challenging, and the musicians seem quite inspired by each other's presence. The stimulating music falls between advanced hard bop and the avant-garde, pushing and pulling at the boundaries of modern mainstream jazz.

© Scott Yanow /TiVo

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