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Dorothy|ROCKISDEAD

ROCKISDEAD par Dorothy

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Langue disponible : anglais

Rock & roll rebels have been declaring rock & roll dead for a long time -- Lenny Kravitz sang a song about it in 1995, about two years after Elastica said something similar on a B-side -- so, in a sense, calling their full-length 2016 debut ROCKISDEAD is merely another sign that the L.A. quartet DOROTHY pride themselves on being traditionalists whose intent is keeping the fire burning. ROCKISDEAD carries some modern production flare -- all the fuzz guitars are compressed into thin gruel, the rhythms follow a tight sequence, the vocals of Dorothy Martin are tastefully pushed into the red -- but the aesthetic is vintage Sunset Strip sleaze channeled through the blues bluster of the White Stripes and Black Keys. Because Dorothy Martin, a self-styled rock & roll badass, fronts the group, DOROTHY can also recall the Kills or, perhaps more accurately, the canny commercialism of Elle King, who blended Jack White's retro-rock with Amy Winehouse's retro-soul. Apart from the bare-bones closer "Shelter," DOROTHY don't even flirt with soul, but their eager hooks and bad girl pastiche are certainly designed to please crowds in a fashion similar to King's and, as a whole, ROCKISDEAD satisfies precisely because it is so shameless in how it strives to embody everything junky in rock & roll. Despite DOROTHY's desire for authenticity, what's good about the band is how they never feel real: they're a studio band backing a self-styled star, a group creating aspirational rock that delivers cheap thrills because their ambition is so low and their execution so high. This isn't a garage band, this is a group of pros writing songs about raising hell, drinking whiskey, living after midnight, seeking shelter and guns -- cliches one and all, but it works because it's transparent trash so desperate to be dirty, it'll often get silly. Advertent or not, that silliness gives Rockisdead some lightness, helping it to become the riotous good time it so desperately wants to be.

© Stephen Thomas Erlewine /TiVo

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ROCKISDEAD

Dorothy

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1
Kiss It
00:02:33

Dorothy, MainArtist - Mark Jackson, Producer, ComposerLyricist - Ian Scott, Producer, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2016 Roc Nation Records, LLC

2
Dark Nights
00:03:10

Dorothy, MainArtist - Mark Jackson, Producer, ComposerLyricist - Ian Scott, Producer, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2016 Roc Nation Records, LLC

3
Raise Hell
00:03:02

Dorothy, MainArtist - Mark Jackson, Producer, Recording Engineer, StudioPersonnel, ComposerLyricist - Ian Scott, Producer, Recording Engineer, StudioPersonnel, ComposerLyricist - George Matthew Robertson, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2015 Roc Nation Records, LLC

4
Wicked Ones
00:02:52

Dorothy, MainArtist - Mark Jackson, Producer, ComposerLyricist - Ian Scott, Producer, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2014 Roc Nation Records, LLC

5
Gun In My Hand
00:03:20

Dorothy, MainArtist - Mark Jackson, Producer, ComposerLyricist - Ian Scott, Producer, ComposerLyricist - George Matthew Robertson, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2014 Roc Nation Records, LLC

6
Medicine Man
00:03:19

Dorothy, MainArtist - Mark Jackson, Producer, ComposerLyricist - Ian Scott, Producer, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2016 Roc Nation Records, LLC

7
Woman
00:03:41

Dorothy, MainArtist - Mark Jackson, Producer, ComposerLyricist - Ian Scott, Producer, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2016 Roc Nation Records, LLC

8
Whiskey Fever
00:02:37

Dorothy, MainArtist - Mark Jackson, Producer, ComposerLyricist - Ian Scott, Producer, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2016 Roc Nation Records, LLC

9
After Midnight
00:02:30

Dorothy, MainArtist - Mark Jackson, Producer, ComposerLyricist - Ian Scott, Producer, ComposerLyricist - George Matthew Robertson, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2014 Roc Nation Records, LLC

10
Missile Explicit
00:03:24

Dorothy, MainArtist - Mark Jackson, Producer, Engineer, StudioPersonnel, ComposerLyricist - Ian Scott, Producer, Engineer, StudioPersonnel, ComposerLyricist - George Matthew Robertson, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2016 Roc Nation Records, LLC

11
Shelter
00:04:33

Dorothy, MainArtist - Mark Jackson, Producer, ComposerLyricist - Ian Scott, Producer, ComposerLyricist - Dorothy Martin, ComposerLyricist

℗ 2016 Roc Nation Records, LLC

Chronique : ROCKISDEAD - Dorothy

Rock & roll rebels have been declaring rock & roll dead for a long time -- Lenny Kravitz sang a song about it in 1995, about two years after Elastica said something similar on a B-side -- so, in a sense, calling their full-length 2016 debut ROCKISDEAD is merely another sign that the L.A. quartet DOROTHY pride themselves on being traditionalists whose intent is keeping the fire burning. ROCKISDEAD carries some modern production flare -- all the fuzz guitars are compressed into thin gruel, the rhythms follow a tight sequence, the vocals of Dorothy Martin are tastefully pushed into the red -- but the aesthetic is vintage Sunset Strip sleaze channeled through the blues bluster of the White Stripes and Black Keys. Because Dorothy Martin, a self-styled rock & roll badass, fronts the group, DOROTHY can also recall the Kills or, perhaps more accurately, the canny commercialism of Elle King, who blended Jack White's retro-rock with Amy Winehouse's retro-soul. Apart from the bare-bones closer "Shelter," DOROTHY don't even flirt with soul, but their eager hooks and bad girl pastiche are certainly designed to please crowds in a fashion similar to King's and, as a whole, ROCKISDEAD satisfies precisely because it is so shameless in how it strives to embody everything junky in rock & roll. Despite DOROTHY's desire for authenticity, what's good about the band is how they never feel real: they're a studio band backing a self-styled star, a group creating aspirational rock that delivers cheap thrills because their ambition is so low and their execution so high. This isn't a garage band, this is a group of pros writing songs about raising hell, drinking whiskey, living after midnight, seeking shelter and guns -- cliches one and all, but it works because it's transparent trash so desperate to be dirty, it'll often get silly. Advertent or not, that silliness gives Rockisdead some lightness, helping it to become the riotous good time it so desperately wants to be.

© Stephen Thomas Erlewine /TiVo

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