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Leonard Cohen|I'm Your Man

I'm Your Man by Leonard Cohen

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A stunningly sophisticated leap into modern musical textures, I'm Your Man re-establishes Leonard Cohen's mastery. Against a backdrop of keyboards and propulsive rhythms, Cohen surveys the global landscape with a precise, unflinching eye: the opening "First We Take Manhattan" is an ominous fantasy of commercial success bundled in crypto-fascist imagery, while the remarkable "Everybody Knows" is a cynical catalog of the land mines littering the surface of love in the age of AIDS.

© Jason Ankeny /TiVo

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I'm Your Man

Leonard Cohen

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1
First We Take Manhattan
00:06:01

Leonard Cohen, Associated Performer, Composer, Lyricist, Main Artist, Associated Performer, Composer, Lyricist

(P) 1988 Sony Music Entertainment

2
Ain't No Cure for Love
00:04:51

Leonard Cohen, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - Jeff Fisher, Arranger, Keyboards - Anjani - Jennifer Warnes - Bob Stanley, Guitar - Vinnie Colaiuta, Drums - Peter Kisilenko, Bass - Richard Baudet, Saxophone - Roscoe Beck, Producer - Ian Terry, Engineer - François Deschamps, Assistant Engineer - Leanne Ungar, Mixing Engineer - Fred Echelard, Mixing Engineer

(P) 1986 Sony Music Entertainment (Holland) BV

3
Everybody Knows
00:05:36

Leonard Cohen, Arranger, Associated Performer, Composer, Keyboards, Lyricist, Main Artist, Producer, Arranger, Associated Performer, Composer, Keyboards, Lyricist, Producer - S. Robinson, Composer, Lyricist - Anjani - Jennifer Warnes - Michel Robidoux, Producer - Roscoe Beck - Roger Guérin, Engineer - Fred Echelard, Assistant Engineer - Leanne Ungar, Mixing Engineer

(P) 1988 Sony Music Entertainment

4
I'm Your Man
00:04:26

Leonard Cohen, Arranger, Associated Performer, Composer, Lyricist, Main Artist, Producer, Arranger, Associated Performer, Composer, Lyricist, Producer - Anjani - Tom Brechtlein, Drums - Michel Robidoux, Producer - Roscoe Beck - Roger Guérin, Engineer - Leanne Ungar, Engineer, Mixing Engineer - Fred Echelard, Assistant Engineer

(P) 1988 Sony Music Entertainment

5
Take This Waltz (Paris Version)
00:06:00

Leonard Cohen, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - Federico Garcia-Lorca, Lyricist - Jean Philippe Rykiel, Arranger - Jennifer Warnes - Evelyine Hebey - Mayel Assouly - Elisabeth Valletti - Raffi Hakopian, Violin - Jean-michel Reusser, Producer - Roscoe Beck, Producer - Jean-Jacques Peruchon, Engineer - Leanne Ungar, Engineer, Mixing Engineer - Kevin Beachamp, Engineer - Frank Wolf, Mixing Engineer

(P) 1988 Sony Music Entertainment

6
Jazz Police
00:03:53

Leonard Cohen, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - Jeff Fisher, Arranger, Composer, Lyricist - Anjani - Vinnie Colaiuta, Drums - Ian Terry, Engineer - François Deschamps, Assistant Engineer - Fred Echelard, Assistant Engineer - Leanne Ungar, Mixing Engineer

(P) 1988 Sony Music Entertainment

7
I Can't Forget
00:04:31

Leonard Cohen, Arranger, Associated Performer, Composer, Lyricist, Main Artist, Piano, Arranger, Associated Performer, Composer, Lyricist, Piano - Jennifer Wames - Roscoe Beck, Arranger, Producer - Jude Johnstone - Sneaky Pete Kleinow, Steel Guitar - Lenny Castro, Percussion - Vinnie Colaiuta, Drums - Billy Youdelman, Engineer - Leanne Ungar, Mixing Engineer - Fred Echelard, Assistant Engineer

(P) 1988 Sony Music Entertainment

8
Tower of Song
00:05:38

Leonard Cohen, Arranger, Associated Performer, Composer, Lyricist, Main Artist, Producer, Arranger, Associated Performer, Composer, Lyricist, Producer - Ian Terry, Engineer - François Deschamps, Engineer - Leanne Ungar, Engineer, Mixing Engineer - Fred Echelard, Assistant Engineer

(P) 1988 Sony Music Entertainment

Review: I'm Your Man - Leonard Cohen

A stunningly sophisticated leap into modern musical textures, I'm Your Man re-establishes Leonard Cohen's mastery. Against a backdrop of keyboards and propulsive rhythms, Cohen surveys the global landscape with a precise, unflinching eye: the opening "First We Take Manhattan" is an ominous fantasy of commercial success bundled in crypto-fascist imagery, while the remarkable "Everybody Knows" is a cynical catalog of the land mines littering the surface of love in the age of AIDS.

© Jason Ankeny /TiVo

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(P) 1988 Sony Music Entertainment

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