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Wolf Alice|The Clearing

The Clearing von Wolf Alice

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Für eine Band wie Wolf Alice, die über ihre gesamte Karriere hinweg schon immer viel mit Texturen und Klangfarben experimentiert hat, ist es ein gewagter Schachzug, ihrem neuen Album einen so klar vom klassischen und pompösen Rock’n’Roll inspirierten Stempel aufzusetzen. Ellie Rowsells kraftvolle Stimme schien schon seit der Single Moaning Lisa Smile aus dem Jahr 2014 danach zu verlangen, voll aufgedreht zu werden – und auch die Riffs von Gitarrist Joff Oddie waren schon immer mindestens so ausladend wie elegant. 

Nach dem fulminanten Auftakt mit Thorns und Bloom Baby Bloom richtet sich The Clearing entschieden im Midtempo-Trott ein. Auch wenn es ein rockiger Midtempo-Trott ist, sind die meisten der Tracks in der Mitte des Albums überraschend ruhig. Just Two Girls kommt dem Sound einer Paramore-Ballade deutlich nahe, woraufhin Leaning Against the Wall mit seinen psychedelischen und countrylastigen Klängen etwas Kontrast bietet.

Am Ende der pianolastigen Melancholie von Play It Out geht die Englische Band auf Bread Butter Tea Sugar in einen Queen-artigen Stomp über – das Tempo wird jedoch nicht vor dem skurrilen, leicht funkigen vorletzten Track White Horses wieder angezogen.

Auch wenn The Clearing vielleicht nicht das “große Rockalbum” ist, als das es zuerst erschien, erkennt man doch klar seinen weiterentwickelten und kohärenten Songwriting-Ansatz. Die interessantesten Stellen sind in den vielleicht sanftesten Songs zu finden: Der wunderschöne Midnight Song vereint Zeppelin-artige Akustikgitarren und Harmonien mit einer filigranen und kunstvollen Struktur, die sowohl robust als auch erhaben ist. Der Track beweist, dass „Rock“ für verschiedene Menschen eben sehr unterschiedliche Bedeutungen haben kann, und erinnert daran, dass Wolf Alice nach wie vor eine der interessantesten Bands unserer Zeit ist. © Jason Ferguson/Qobuz

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The Clearing

Wolf Alice

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1
Thorns
00:03:14

Charlie Bisharat, Violin - Greg Kurstin, Composer, Lyricist, Producer, Arranger, Percussion, Piano, Recording Engineer, Synthesizer, AssociatedPerformer - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Songa Lee, Violin - Charles Tyler, Cello - Zach Dellinger, Viola - Theo Ellis, Composer, Lyricist, Bass - Joel Amey, Composer, Lyricist, Drums, Vocal - Julian Burg, Recording Engineer - Wolf Alice, Arranger, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Jacob Braun, Cello - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Synthesizer, Vocal - Joff Oddie, Guitar - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

2
Bloom Baby Bloom Explicit
00:03:47

Greg Kurstin, Producer, Percussion, Recording Engineer, Synthesizer, Moog - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Theo Ellis, Composer, Lyricist, Bass - Joel Amey, Composer, Lyricist, Drums - Julian Burg, Recording Engineer - Wolf Alice, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Piano, Vocal - Joff Oddie, Guitar - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

3
Just Two Girls Explicit
00:03:49

Greg Kurstin, Composer, Lyricist, Producer, Percussion, Piano, Recording Engineer, Strings, Mellotron - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Theo Ellis, Composer, Lyricist, Bass - Joel Amey, Composer, Lyricist, Drums - Julian Burg, Recording Engineer - Wolf Alice, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Vocal - Joff Oddie, Guitar - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

4
Leaning Against The Wall
00:04:11

Greg Kurstin, Producer, Percussion, Recording Engineer, Synthesizer - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Theo Ellis, Composer, Lyricist, Piano, Bass, Background Vocal - Joel Amey, Composer, Lyricist, Drums, Synthesizer, Background Vocal - Julian Burg, Recording Engineer - Wolf Alice, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Programmer, Vocal - Joff Oddie, Guitar, Background Vocal - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

5
Passenger Seat
00:02:52

Greg Kurstin, Producer, Percussion, Piano, Recording Engineer - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Theo Ellis, Composer, Lyricist, Bass - Joel Amey, Composer, Lyricist, Drums, Background Vocal - Julian Burg, Recording Engineer - Wolf Alice, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Vocal - Joff Oddie, Guitar - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

6
Play It Out Explicit
00:04:11

Charlie Bisharat, Violin - Greg Kurstin, Producer, Arranger, Keyboards, Recording Engineer, Synthesizer, AssociatedPerformer - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Songa Lee, Violin - Charles Tyler, Cello - Zach Dellinger, Viola - Theo Ellis, Composer, Lyricist, Bass - Joel Amey, Composer, Lyricist, Drums - Julian Burg, Recording Engineer - Wolf Alice, Arranger, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Jacob Braun, Cello - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Piano, Vocal - Joff Oddie, Guitar, Programmer - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

7
Bread Butter Tea Sugar
00:03:28

Charlie Bisharat, Violin - Greg Kurstin, Producer, Arranger, Guitar, Percussion, Recording Engineer, Synthesizer - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Songa Lee, Violin - Charles Tyler, Cello - Zach Dellinger, Viola - Theo Ellis, Composer, Lyricist, Bass - Joel Amey, Composer, Lyricist, Drums, Vocal - Julian Burg, Recording Engineer - Wolf Alice, Arranger, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Jacob Braun, Cello - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Piano, Programmer, Vocal - Joff Oddie, Guitar - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

8
Safe in the World
00:03:31

Charlie Bisharat, Violin - Greg Kurstin, Producer, Arranger, Piano, Recording Engineer, Mellotron - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Songa Lee, Violin - Charles Tyler, Cello - Zach Dellinger, Viola - Theo Ellis, Composer, Lyricist, Bass - Joel Amey, Composer, Lyricist, Drums, Percussion, Background Vocal - Julian Burg, Recording Engineer - Wolf Alice, Arranger, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Jacob Braun, Cello - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Guitar, Vocal - Joff Oddie, Guitar - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

9
Midnight Song
00:02:50

Charlie Bisharat, Violin - Greg Kurstin, Producer, Arranger, Recording Engineer - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Songa Lee, Violin - Charles Tyler, Cello - Zach Dellinger, Viola - Theo Ellis, Composer, Lyricist, Bass - Joel Amey, Composer, Lyricist, Drums, Percussion - Julian Burg, Recording Engineer - Wolf Alice, Arranger, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Jacob Braun, Cello - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Vocal - Joff Oddie, Guitar - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

10
White Horses
00:04:29

Greg Kurstin, Producer, Recording Engineer - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Theo Ellis, Composer, Lyricist, Bass - Joel Amey, Composer, Lyricist, Drums, Guitar, Vocal - Julian Burg, Recording Engineer - Wolf Alice, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Vocal - Joff Oddie, Guitar, Programmer - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

11
The Sofa Explicit
00:04:26

Charlie Bisharat, Violin - Greg Kurstin, Composer, Lyricist, Producer, Arranger, Percussion, Piano, Recording Engineer - Emily Lazar, Mastering Engineer - Mark 'Spike' Stent, Mixing Engineer - Songa Lee, Violin - Charles Tyler, Cello - Zach Dellinger, Viola - Theo Ellis, Composer, Lyricist, Bass - Joel Amey, Composer, Lyricist, Drums, Background Vocal - Julian Burg, Recording Engineer - Wolf Alice, Arranger, MainArtist, AssociatedPerformer - Jonathan Oddie, Composer, Lyricist - Jacob Braun, Cello - Matt Tuggle, Recording Engineer - Ellie Rowsell, Composer, Lyricist, Flute, Programmer, Strings, Vocal - Joff Oddie, Guitar - Matt Wolach, Assistant Mixing Engineer - Kieran Beardmore, Assistant Mixing Engineer

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

Albumbeschreibung: The Clearing - Wolf Alice

Für eine Band wie Wolf Alice, die über ihre gesamte Karriere hinweg schon immer viel mit Texturen und Klangfarben experimentiert hat, ist es ein gewagter Schachzug, ihrem neuen Album einen so klar vom klassischen und pompösen Rock’n’Roll inspirierten Stempel aufzusetzen. Ellie Rowsells kraftvolle Stimme schien schon seit der Single Moaning Lisa Smile aus dem Jahr 2014 danach zu verlangen, voll aufgedreht zu werden – und auch die Riffs von Gitarrist Joff Oddie waren schon immer mindestens so ausladend wie elegant. 

Nach dem fulminanten Auftakt mit Thorns und Bloom Baby Bloom richtet sich The Clearing entschieden im Midtempo-Trott ein. Auch wenn es ein rockiger Midtempo-Trott ist, sind die meisten der Tracks in der Mitte des Albums überraschend ruhig. Just Two Girls kommt dem Sound einer Paramore-Ballade deutlich nahe, woraufhin Leaning Against the Wall mit seinen psychedelischen und countrylastigen Klängen etwas Kontrast bietet.

Am Ende der pianolastigen Melancholie von Play It Out geht die Englische Band auf Bread Butter Tea Sugar in einen Queen-artigen Stomp über – das Tempo wird jedoch nicht vor dem skurrilen, leicht funkigen vorletzten Track White Horses wieder angezogen.

Auch wenn The Clearing vielleicht nicht das “große Rockalbum” ist, als das es zuerst erschien, erkennt man doch klar seinen weiterentwickelten und kohärenten Songwriting-Ansatz. Die interessantesten Stellen sind in den vielleicht sanftesten Songs zu finden: Der wunderschöne Midnight Song vereint Zeppelin-artige Akustikgitarren und Harmonien mit einer filigranen und kunstvollen Struktur, die sowohl robust als auch erhaben ist. Der Track beweist, dass „Rock“ für verschiedene Menschen eben sehr unterschiedliche Bedeutungen haben kann, und erinnert daran, dass Wolf Alice nach wie vor eine der interessantesten Bands unserer Zeit ist. © Jason Ferguson/Qobuz

Informationen zu dem Album

(P) 2025 Columbia Records, a division of Sony Music Entertainment UK Limited, and RCA Records, a division of Sony Music Entertainment, under exclusive license from Wolf Alice.

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