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Aerosmith|Nine Lives

Nine Lives by Aerosmith

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Aerosmith signed a multi-million-dollar contract with Columbia Records before they had completed their deal with Geffen, which meant that a lot was riding on their Columbia debut, Nine Lives, when it was finally delivered in 1997. During recording, the band nearly broke up, and they worked with a number of producers -- including Glen Ballard, the man behind Alanis Morissette -- before settling on Kevin Shirley, an in-house producer responsible for Silverchair and Journey. Perhaps that's the reason why Nine Lives sounds so calculated, as if it was assembled by a band trying to sound like Aerosmith. In a sense, it is -- not one of the 13 songs were written without the assistance of professional songwriters. Of course, some of the best moments of Pump and Permanent Vacation were also written with professionals, but they had an appealing, slick surface that made them infectious. Nine Lives, in contrast, is overlabored, with Aerosmith making a conscious effort to sound hip and vibrant, which ironically simply makes them sound tired. Not only are the performances perfunctory, but the songs aren't catchy -- no matter how hard it tries, "Falling in Love (Is Hard on the Knees)" never develops a hook, and it is not an exception. A handful of cuts approximate the raunchy appeal of prime Aerosmith, but Nine Lives is hardly the triumphant comeback it should have been.

© Stephen Thomas Erlewine /TiVo

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Nine Lives

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1
Nine Lives
00:04:01

Marti Frederiksen, ComposerLyricist - Brad Whitford, Guitar, AcousticGuitar - Rory Romano, RecordingSecondEngineer - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, Producer, MainArtist - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joseph Perry, ComposerLyricist - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

2
Falling In Love (Is Hard On The Knees) Explicit
00:03:25

Brad Whitford, Guitar, AcousticGuitar - David Campbell, RecordingArranger - Rory Romano, RecordingSecondEngineer - GLEN BALLARD, ComposerLyricist - ELLIOT SCHEINER, RecordingEngineer, RecordingSecondEngineer - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, RecordingArranger, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, Producer, MainArtist - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joseph Perry, ComposerLyricist - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

3
Hole In My Soul
00:06:10

Brad Whitford, Guitar, AcousticGuitar - Rory Romano, RecordingSecondEngineer - Desmond Child, ComposerLyricist - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, Producer, MainArtist - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joseph Perry, ComposerLyricist - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

4
Taste of India
00:05:53

Brad Whitford, Guitar, AcousticGuitar - Rory Romano, RecordingSecondEngineer - GLEN BALLARD, ComposerLyricist - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, Producer, MainArtist - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joseph Perry, ComposerLyricist - Ramesh Mishra, Strings - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

5
Full Circle
00:05:00

Taylor Rhodes, ComposerLyricist - Brad Whitford, Guitar, AcousticGuitar - Rory Romano, RecordingSecondEngineer - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, Producer, MainArtist - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

6
Something's Gotta Give
00:03:36

Marti Frederiksen, ComposerLyricist - Brad Whitford, Guitar, AcousticGuitar - Rory Romano, RecordingSecondEngineer - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, Producer, MainArtist - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joseph Perry, ComposerLyricist - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

7
Ain't That A Bitch
00:05:25

Brad Whitford, Guitar, AcousticGuitar - Rory Romano, RecordingSecondEngineer - Desmond Child, ComposerLyricist - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, Producer, MainArtist - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joseph Perry, ComposerLyricist - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

8
The Farm
00:04:28

Mark Hudson, ComposerLyricist, RecordingEngineer - Steve Dudas, ComposerLyricist - Brad Whitford, Guitar, AcousticGuitar - Rory Romano, RecordingSecondEngineer - Harold Arlen, ComposerLyricist - Kevin Shirley, Producer - Herbert Stothart, ComposerLyricist - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, RecordingEngineer, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, Producer, MainArtist - Joe Perry, Guitar, BackgroundVocalist, RecordingEngineer, SlideGuitar, PluckedDulcimer - Joseph Perry, ComposerLyricist - Yip Harburg, ComposerLyricist - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

9
Crash
00:04:25

Mark Hudson, ComposerLyricist - Brad Whitford, Guitar, AcousticGuitar - Rory Romano, RecordingSecondEngineer - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, MainArtist, AssistantProducer - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joseph Perry, ComposerLyricist - Dominik Miller, ComposerLyricist - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

10
Kiss Your Past Good-bye
00:04:31

Mark Hudson, ComposerLyricist - Brad Whitford, Guitar, AcousticGuitar - David Campbell, RecordingArranger - Rory Romano, RecordingSecondEngineer - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, MainArtist, AssistantProducer - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

11
Pink
00:03:55

Richard Supa, ComposerLyricist - GLEN BALLARD, ComposerLyricist - Kevin Shirley, Producer - Steven Tyler, Vocalist, ComposerLyricist - Aerosmith, Producer, MainArtist - Archie Avila, Producer

℗ 1997 Aerodisc Partnership

12
Attitude Adjustment
00:03:44

Marti Frederiksen, ComposerLyricist - Brad Whitford, Guitar, AcousticGuitar - Rory Romano, RecordingSecondEngineer - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, MainArtist, AssistantProducer - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joseph Perry, ComposerLyricist - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

13
Fallen Angels
00:08:16

Brad Whitford, Guitar, AcousticGuitar - David Campbell, RecordingArranger - Richard Supa, ComposerLyricist - Rory Romano, RecordingSecondEngineer - Kevin Shirley, Producer - Leon Zervos, MasteringEngineer - Kevin "Caveman" Shirley, MixingEngineer, RecordingEngineer - Steven Tyler, Organ, Percussion, Piano, Harmonica, Vocalist, ComposerLyricist, Keyboard, PluckedDulcimer - Tom Hamilton, BassGuitar - John Webster, Keyboard - Aerosmith, Producer, MainArtist - Joe Perry, Guitar, BackgroundVocalist, SlideGuitar, PluckedDulcimer - Joseph Perry, ComposerLyricist - Joey Kramer, DrumKit

℗ 1997 Aerodisc Partnership

Resenha do Álbum: Nine Lives - Aerosmith

Aerosmith signed a multi-million-dollar contract with Columbia Records before they had completed their deal with Geffen, which meant that a lot was riding on their Columbia debut, Nine Lives, when it was finally delivered in 1997. During recording, the band nearly broke up, and they worked with a number of producers -- including Glen Ballard, the man behind Alanis Morissette -- before settling on Kevin Shirley, an in-house producer responsible for Silverchair and Journey. Perhaps that's the reason why Nine Lives sounds so calculated, as if it was assembled by a band trying to sound like Aerosmith. In a sense, it is -- not one of the 13 songs were written without the assistance of professional songwriters. Of course, some of the best moments of Pump and Permanent Vacation were also written with professionals, but they had an appealing, slick surface that made them infectious. Nine Lives, in contrast, is overlabored, with Aerosmith making a conscious effort to sound hip and vibrant, which ironically simply makes them sound tired. Not only are the performances perfunctory, but the songs aren't catchy -- no matter how hard it tries, "Falling in Love (Is Hard on the Knees)" never develops a hook, and it is not an exception. A handful of cuts approximate the raunchy appeal of prime Aerosmith, but Nine Lives is hardly the triumphant comeback it should have been.

© Stephen Thomas Erlewine /TiVo

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