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Peter Hammill|Typical  (Live)

Typical (Live) by Peter Hammill

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Drawn from a collection of 1992 solo recordings made in venues across northern Europe, this double-CD release is an intriguing mix of the spontaneous and the meticulous -- the one on the night, the other coming with the preparation of the release eight years down the line. Peter Hammill is known for being a quirky fellow; this is yet another of those quirks. As he points out in the liner notes (another surprise, as Hammill is not precisely known for carrying on at length in booklets), the title of the release is a misnomer -- there is no such thing as a typical show for Hammill, who likes to choose his weapons, so to speak, at the last minute. Even then, in the course of a concert, the songs will be twisted and turned, often approached in different ways, expanded, contracted, approached softly instead of full-tilt, or approached full-tilt where cautions and softness used to be the watchwords. The idea is to keep bringing something new to the table each time, something other than a rote version of the familiar. This can have its problems, of course, and Hammill is upfront about the stumbles and outright collapses that occur; a few are heard loud and clear at various places during this recording -- a line dropped or a keyboard passage screwed up because Hammill was well away with the passion of the moment as far as the vocals go. The mistakes are far outweighed by the opportunity to hear different and fascinating things occurring with many of the songs; Hammill's use of electric guitar in these concerts (as opposed to his usual acoustic) allowed him to explore a song such as "Modern" in this context, and expand upon the original in interesting ways (in this instance, by using guitar to control keyboards during the bridge section, among other touches). Typical brings in very deliberate elements of the actor's stage throughout, and is extremely effective as a result; sequenced as it is, the flow of the album is incredibly magnetic. One last intriguing note is the "secret encore" element that Hammill has included here -- following "The Future Now" there is quite a bit more, including songs from the first two Van Der Graaf Generator albums. A nice touch (the encore track runs over 26 minutes), although a quirky one. As noted before, though, that's Peter Hammill.

© Steven McDonald /TiVo

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Typical (Live)

Peter Hammill

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1
My Room (Live, Rovereto, 1992)
00:07:30

Peter Hammill, Composer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

2
Curtains (Live, Bochum and Den Haag, 1992)
00:06:05

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

3
Just Good Friends (Live, Den Haag and Utrecht, 1992)
00:04:54

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

4
Too Many Of My Yesterdays (Live, Amsterdam, 1992)
00:04:23

Peter Hammill, Composer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

5
Vision (Live, Den Haag, 1992)
00:04:31

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

6
Time To Burn (Live, Amsterdam, 1992)
00:04:57

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

7
The Comet, The Course, The Tail (Live, Hamburg, 1992)
00:09:12

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

8
I Will Find You (Live, Hamburg, 1992)
00:03:55

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

9
Ophelia (Live, Hamburg, 1992)
00:04:13

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

10
Given Time (Live, Amsterdam, 1992)
00:04:45

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

11
Modern (Live, Amsterdam, 1992)
00:09:30

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

12
Time For A Change (Live, Amsterdam, 1992)
00:04:14

Peter Hammill, MainArtist - Stephen Robshaw, Composer - Chris Judge Smith, Composer

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

13
Patient (Live, Rovereto, 1992)
00:08:43

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

14
Stranger Still (Live, Den Haag, 1992)
00:05:51

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

15
Our Oyster (Live, Hildesheim, 1992)
00:05:46

Peter Hammill, Composer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

16
Shell (Live, Rovereto, 1992)
00:04:44

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

17
A Way Out (Live, Salzburg, 1992)
00:09:06

Peter Hammill, Composer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

18
Traintime (Live, Hildesheim, 1992)
00:06:09

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

19
The Future Now (Live, Utrecht, 1992)
00:04:04

Peter Hammill, Composer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

20
Afterwards (Live, Europe, 1992)
00:05:49

Peter Hammill, Composer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

21
Darkness (11/11) (Live, Europe, 1992)
00:04:38

Peter Hammill, Composer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

22
Central Hotel (Live, Europe, 1992)
00:06:04

Peter Hammill, Composer, Writer, MainArtist

© 1999 Cherry Red Records Ltd ℗ 1999 Cherry Red Records Ltd Cherry Red Records Ltd

Album Review: Typical (Live) - Peter Hammill

Drawn from a collection of 1992 solo recordings made in venues across northern Europe, this double-CD release is an intriguing mix of the spontaneous and the meticulous -- the one on the night, the other coming with the preparation of the release eight years down the line. Peter Hammill is known for being a quirky fellow; this is yet another of those quirks. As he points out in the liner notes (another surprise, as Hammill is not precisely known for carrying on at length in booklets), the title of the release is a misnomer -- there is no such thing as a typical show for Hammill, who likes to choose his weapons, so to speak, at the last minute. Even then, in the course of a concert, the songs will be twisted and turned, often approached in different ways, expanded, contracted, approached softly instead of full-tilt, or approached full-tilt where cautions and softness used to be the watchwords. The idea is to keep bringing something new to the table each time, something other than a rote version of the familiar. This can have its problems, of course, and Hammill is upfront about the stumbles and outright collapses that occur; a few are heard loud and clear at various places during this recording -- a line dropped or a keyboard passage screwed up because Hammill was well away with the passion of the moment as far as the vocals go. The mistakes are far outweighed by the opportunity to hear different and fascinating things occurring with many of the songs; Hammill's use of electric guitar in these concerts (as opposed to his usual acoustic) allowed him to explore a song such as "Modern" in this context, and expand upon the original in interesting ways (in this instance, by using guitar to control keyboards during the bridge section, among other touches). Typical brings in very deliberate elements of the actor's stage throughout, and is extremely effective as a result; sequenced as it is, the flow of the album is incredibly magnetic. One last intriguing note is the "secret encore" element that Hammill has included here -- following "The Future Now" there is quite a bit more, including songs from the first two Van Der Graaf Generator albums. A nice touch (the encore track runs over 26 minutes), although a quirky one. As noted before, though, that's Peter Hammill.

© Steven McDonald /TiVo

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