The A Plague Tale series has become one of the finest in video games since the first game, A Plague Tale: Innocence, released back in 2019.

Its historical background, immersive and deeply compelling yet bleak and miserable narratives, as well as its memorable characters and robust mix of stealth action and survival, are perfect for thoughtful, enjoyable, and deeply memorable experiences.

As a result, with the third and latest game now out in the wild in the form of Resonance: A Plague Tale Legacy — there's never been a better time to celebrate the bleak and gripping series with a quiz.

As a long-time A Plague Tale fan, I've crafted the quiz below just as Amicia did with her ammo: deliberately and with great thought and care. It's somewhat hard to get three excellent video games' worth of trivia into a short quiz, but I think I've picked some more straightforward teasers and some deep-cut brain ticklers to appeal to fans of all kinds of the series.

Best of luck, and let us know how you get on!

What did you make of our A Plague Tale quiz? The right balance of more obvious questions and tougher ones? Let me know in the comments, and come back for more quizzes soon — and also let me know what other video game quizzes we could do!

It’s been eight years since I last played a match in Heroes of the Storm.

For the majority of my late twenties, though, it was the MOBA my group of friends and I played night after night. Sure, everyone else was on League of Legends or Dota 2 as they were deemed to be the superior games in the genre, but we enjoyed our home in Blizzard’s crossover brawler, battling away as iconic faces such as Thrall, Jim Raynor, Tracer, and Diablo himself.

I fondly remember the nights spent playing HOTS, and our group would regularly reminisce about the hours we spent together on the game. We’d retell the same stories of the incredible plays and frustrating losses that we would experience every session — and never tire of joking about all the times someone would overextend in mid lane.

However, in that time between my last game and now, and following Blizzard’s decision to put the game into maintenance mode in July 2022, I had fully moved on.

But suddenly, that all changed. At this year’s BlizzCon, the opening keynote presentation kicked off with a surprise that no one could have anticipated. Heroes of the Storm is getting a new hero: Xal’atath, the Harbinger of the Void.

Cue a flurry of messages in the group chat, a Robin Williams ‘what year is it?’ gif, and exclamations of “we’re so back.” The game’s subreddit, a near-dormant sanctuary for players still fighting away in the Nexus, exploded back to life as well. The passion and excitement were reactivated in an instant — and I felt the same too.

A surprise return

Naturally, I had to reinstall the game, and over the past week I’ve dived in for a couple of hours nearly every night. I’ve amazed myself at how quickly I’ve picked it up again and how much I’ve remembered about each map, hero, and the flow of a game. It’s felt so good to be back, and it’s reminded me why I think it’s such an unsung hero in the MOBA genre.

See, Heroes of the Storm strips out a lot of the more, let’s say, hardcore aspects that were found in a lot of the top MOBAs of the time.

There’s no last-hitting creeps to get extra resources, no shop at which to spend gold to build your character, experience is shared team-wide to (theoretically) keep everyone on a level playing field, and there are generally fewer secondary features to think about during a match.

That led to some thinking that Heroes of the Storm is a ‘dumbing-down’ of the MOBA, but I’d argue that the game isn’t lacking in complexity.

One way is with the talents that are earned as you level. These allow you to build your character in a chosen way, adapting your strategy to your strengths and countering the team composition you’re facing.

Surprising depth

The main gimmick, though, is that rather than playing in a single arena over and over again, HOTS offers several maps that feature different main objectives. These require you to prepare and be ready for those moments when you need to defend an area, escort a payload, or gather scattered resources.

Achieving these gives you a temporary boon that works towards destroying your opponent’s home base, or Nexus. That might be a giant bone golem that lays siege to any structures in its path, or a barrage of missiles that directly attack buildings. At one point, a player could take control of a massive plant abomination to root enemies in place and smash up the other team’s defences.

These objectives add dynamism and give players a direction to move towards at regular intervals throughout a match. They also encourage more teamfighting, which I find is the most exciting and enjoyable part of any MOBA, where positioning and smart engagements are rewarded over repeatedly clicking on a creep at just the right time to build a pot of gold.

While I can appreciate there’s a skill to farming creeps efficiently in the opening phases of a Dota 2 or League of Legends game, I’d rather not be spending my time doing that. I’m also not a huge fan of the downtime in those games, going back to buy items and fiddling around in menus to buy a bigger sword or stock up on wards that you scatter across the map to give vision.

In comparison, Heroes of the Storm is a game of near-constant action, with matches that generally last a glorious 20 minutes or so. Sometimes shorter if you go on a tear, and sometimes longer if things are tight, but rarely too long that it starts to feel like a slog — especially in those painful situations where you can see the writing’s on the wall in the first 15 minutes.

This is all before I’ve even dug into the roster, which is a joy for any Blizzard fans and anyone who loves to have a diverse range of fighting styles at their fingertips.

As well as its satisfying selection of tanks, assassins, brawlers, and supports to master from across WarCraft, StarCraft, Diablo, Overwatch, and more, Heroes of the Storm has fun experimenting with all sorts of characters.

Abathur is a classic: a creature of the Zerg who hides in the backlines, but can assimilate with other players anywhere on the map to provide support. There’s Cho’Gall: a two-headed ogre who has its movement controlled by one player and abilities controlled by another — cue chaotic attempts to work together. And there’s the Blizzard deep cut, The Lost Vikings, who challenge you to control three different characters at once, almost bringing the stress of a full RTS experience to the game.

It’s these new and fascinating ideas in its map and hero design, as well as a focus on the more thrilling aspects of a MOBA, that make me think Heroes of the Storm has always been such an underrated gem.

I’m hoping this new spotlight on the game not only brings back a lot of old fans like me, but also introduces it to an entirely new audience so Blizzard sees reason to release heroes and updates in the future.

For the past couple of weeks we’ve been seeing how Reality Fracture will conclude the multiverse-tearing Omenpath saga of Magic: The Gathering’s story. Jace’s domination of his Echoverse rings through his presence on seemingly every other card as the Empower Jace mechanic — which brings forth a Planeswalker token of himself, as a sort of simulacrum of the popular Amass mechanic.

But before Jace attempted to break the multiverse, Wizards of the Coast was already dabbling in powers beyond their control with Universes Beyond. This sees non-native IP break into the Magic: The Gathering game, and it has proven itself both incredibly popular and divisive.

One setting that has managed to unite both sides of the aisle, however, is Middle Earth: the land of hobbits, elves, dwarves, and dark forces attempting to enact Sauron’s corrupting plans on the world.

We recently returned to this setting through The Hobbit set, a return which felt much more like a return to a classic Magic world such as Ravnica, Lorwyn, or Dominaria rather than a return to a UB world like… New York City, which we experienced through both Marvel Super Heroes and Teenage Mutant Ninja Turtles after first swinging through with Spider-Man.

Through his YouTube channel Good Morning Magic, Gavin Verhey (Principal Magic Designer at Wizards of the Coast) details the design philosophy and origins of cards from throughout Magic’s history, including its most recent releases. At Gamescom, I got some time to chat with him, deep diving into Wizards’ approach for The Hobbit — and its approach to Universes Beyond more generally.

A return to a Magic plane normally means the return of mechanics associated with that world. Case in point, after debuting a variant of Amass with Amass Orcs in its Lord of the Rings: Tales from Middle Earth set, another variation appeared with Amass Goblins in The Hobbit — enabling players to assemble a Goblin Army, one of the five armies that battled in the book’s climax.

However we didn’t see the return of The Ring Tempts You, not even as a cameo on a Bilbo or Gollum game piece (a term designers use to denote a mechanic we see on only a couple of cards rather than as a core feature).

Verhey explained the team did look into including it, but ultimately decided against it.

“The Ring Tempts You was a mechanic that did not play out super great, and was quite complicated, and doesn’t make a lot of sense because the Ring is such a small part of The Hobbit,” says Verhey.

He explained that it could have fit as a one-off cameo, but “There’s no reminder text on the card for what The Ring Tempts You does, that’s on an entirely different card you have to track. Maybe it could have worked as a Jumpstart card, but we decided it would be a lot of work for a little gain so we didn’t bring it back.”

At least my Food and Fellowship precon deck got a couple of food token and lifegain support pieces in the set.

There, and back again?

Now that we have returned to Middle Earth, a question I’ve had rattling through my brain is which UB plane could we planeswalk back to next? Gavin Verhey wasn’t about to spoil anything, but I did ask if the possibility of returning meant Wizards of the Coast was more cautious about what it did or didn’t use from a partner’s IP.

The Lord of the Rings set only included one The Hobbit reference through the card There and Back Again, meanwhile The Last Airbender didn’t include any ties to The Legend of Korra — not even as a Secret Lair.

“In general we want our designers to use everything they can, because there’s no guarantee we’ll ever make another set in that world. So you should make as much as you can, and what makes sense. But we’re often making them based on very specific properties.

“So with Avatar: The Last Airbender the set was Avatar: The Last Airbender not Avatar: The Legend of Korra. So Korra was off the table for that set. The same for The Lord of the Rings set, The Hobbit was off the table.

“It’s a bit of preservation for the future, but also just a bit of what we have access to.”

Verhey adds this is contrasted by sets like Final Fantasy or Doctor Who where the designers knew they had access to the whole franchise’s history for one set.

The Marvel collab is also a bit different as Wizards of the Coast knew there would be multiple sets from the get go: “So we actually figured out, before we did anything else, how we were going to divvy all of those sets up to make sure cards ended up in the right place.”

Riddles in the dark

Gavin Verhey explained there are plenty of positives that come from working in a Universes Beyond set — chiefly the distinct characters the worlds are filled with are a delightful design puzzle to bring to life in MtG. But what are the challenges?

“The place that you get into the most trouble is figuring out how the characters translate into colors — because a well-written character is usually many different colors over the course of their lifecycle.”

Verhey explained players have different expectations of the characters. Someone will reasonably see Bilbo as Blue for his riddles expertise, another person sees him as Black as he embraces thievery, another as Green for hobbits’ embrace of food and nature in the Shire — we’ve seen him represented across all five colors in fact across both Middle Earth-based sets.

We’ve seen how the designers solve this: make multiple versions of the same character at different points throughout their story. This prevents every legend becoming five-color soup, and keeps things simple and accessible for newcomers — who are more likely to open a card belonging to a popular character if there’s multiple of them, and cards with fewer colors are usually less complex as they don’t need to mechanically justify why they’re multi-disciplined.

That said, Verhey said there do need to be multi-color legends to encompass other similar legends so folks can play them all in the same deck more easily if they want — “For example, we make sure there’s a Red-White Dwarf lord that all other Dwarves can go into a deck for.” (Note: A lord is a term for a card which offers a static benefit to all cards of a certain creature type).

This doesn’t just account for creatures in The Hobbit. The designers also try to make sure the cards pair well with the Dwarves, Elves, Goblins, and Hobbits they’ve released before.

Universes Beyond can also create almost the reverse challenge for the designers: not having enough characters in each color.

Verhey explained. “You know, this is not the case for The Hobbit but a funny Universes Beyond problem is usually most worlds have heroes — that makes for easy White characters — and they have villains which tend to want to be Black characters. Then there’s usually someone who’s a little aggressive or impulsive, so our Red characters. And there’s always the smart people so that’s the Blue. But Green?”

For The Hobbit Elves, Bears and other nature-aligned figures fill this slot, but that’s not always the case.

“Figuring out what Green means in a world without Elves, growth, or lots of nature is really challenging — that’s what many Universes Beyond can live or die on.”

A Warm Welcome

Universes Beyond has been a standout success for Magic: The Gathering. It makes perfect sense, therefore, that Wizards of the Coast would want to apply this to its other world-famous brand: Dungeons and Dragons.

So far it has announced collaboration plans with World of Warcraft and Star Wars — partnerships which will bring iconic characters, worlds, items and archetypes (as classes and subclasses) into the tabletop roleplaying game.

However no Universes Beyond property has yet to feature in both games, so I asked Verhey if any rivalry or jealousy has developed between the teams — Star Wars fans on the Magic side or The Last Airbender lovers on D&D wishing they could be building inside those worlds.

Unsurprisingly Verhey said there’s nothing but excitement around the office, “It’s honestly very cool to see D&D be like ‘Hey this thing’s been great for Magic, Let’s have us give that a try as well’. I’m stoked to see what they do with it.”

The Last Stage

There’s only a few months left of 2026, but we have a lot more Magic: The Gathering to enjoy. Verhey says reality is “huge. It’s the capstone event of the current story arc, and like nothing we’ve made before.”

Previews have showcased dozens of alternate reality pairings — showing original and Echoverse versions of characters from across Magic’s worlds — and in Verhey’s words the team has done “a heck of a lot better a job than we did with Planar Chaos” in terms of warping Magic characters and mechanics without warping the color pie in ways designers regret later.

We also have Star Trek, another Universes Beyond property. This may seem like an odd inclusion for a fantasy focused game, however space has featured in several sets now — Unfinity, Doctor Who, and Edge of Eternities — and Star Trek actually featured all the way back when MtG was still in early testing. Spock performing a Vulcan salute was placeholder art for a card called Blessing.

Verhey also said we can expect a set filled with the new Dilemmas — a new mechanic for the set related to mimic the tough choices characters face — and for us to “try an experience that’s a little different than normal”. Verhey mentioned combat isn’t a massive part of the Star Trek shows, so perhaps we’ll see Limited games play out very differently when this set rolls around.

Finally, there’s Mystery Booster Commander Edition. This event-exclusive set has been filled with exciting Commander cards, including several brand new game pieces that break the rules of the format, and harken back to Magic’s past in creative ways — Verhey is currently explaining these callbacks on his YouTube channel.

“I cannot wait for folks to start playing it at MagicCon Atlanta, it’s a blast.” As a Commander lover, I can’t wait either.

It's a legendary fantasy franchise, which has influenced pop culture for almost 90 years now. But how well do you know The Lord of The Rings?

Ever since the first-published story back in the 1930s, the franchise has become a giant. We've seen video games, TV shows, board games, radio plays and, of course, one of the most famous movie trilogies ever made. It's safe to say that The Lord of The Rings is something any fantasy fan should know about.

But do you? To figure out, we've compiled a 30-question The Lord of The Rings quiz, to see if you're a smart elf or a bumpkin Hobbit. These won't pick your brain about the story: you don't need to know about the comings and goings in Rhun, what Beregond does, or what Ancalagon the Black did. Instead, it's about the franchise itself; all the media based on the books (and the books themselves).

The questions are organized by difficulty: we'll start with 10 easy ones (to make sure you're not better suited for our Harry Potter quiz), then 10 medium ones, and finally 10 harder ones.

So let's dive in, to see how much you know about The Lord of The Rings.

Need to brush up on your Middle-earth knowledge? Maybe this will help:

Good morning! Let's play Connections, the NYT's clever word game that challenges you to group answers in various categories. It can be tough, so read on if you need Connections hints.

What should you do once you've finished? Why, play some more word games of course. I've also got daily Strands hints and answers and Quordle hints and answers articles if you need help for those too, while Marc's Wordle today page covers the original viral word game.

SPOILER WARNING: Information about NYT Connections today is below, so don't read on if you don't want to know the answers.

NYT Connections today (game #1197) - today's words

Today's NYT Connections words are…

• TWILIGHT
• SNOW
• TORTILLA
• SKATE
• DERBY
• FRIED CHICKEN
• COASTER
• HOVER
• BLADE
• BLU-RAY
• BLUEGRASS
• SAND DOLLAR
• NEAR DARK
• BOURBON
• SURF
• SINNERS

NYT Connections today (game #1197) - hint #1 - group hints

What are some clues for today's NYT Connections groups?

• YELLOW: Circular items
• GREEN: Connected to a southern state
• BLUE: Bloodsucking films
• PURPLE: Add a word the rhymes with “chord”

Need more clues?

We're firmly in spoiler territory now, but read on if you want to know what the four theme answers are for today's NYT Connections puzzles…

NYT Connections today (game #1197) - hint #2 - group answers

What are the answers for today's NYT Connections groups?

• YELLOW: ROUND FLAT THINGS
• GREEN: ASSOCIATED WITH KENTUCKY
• BLUE: VAMPIRE MOVIES
• PURPLE: _____BOARDS YOU RIDE ON

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

NYT Connections today (game #1197) - the answers

The answers to today's Connections, game #1197, are…

• YELLOW: ROUND FLAT THINGS: BLU-RAY, COASTER, SAND DOLLAR, TORTILLA
• GREEN: ASSOCIATED WITH KENTUCKY: BLUEGRASS, BOURBON, DERBY, FRIED CHICKEN
• BLUE: VAMPIRE MOVIES: BLADE, NEAR DARK, SINNERS, TWILIGHT
• PURPLE: _____BOARDS YOU RIDE ON: HOVER, SKATE, SNOW, SURF

• My rating: Easy
• My score: Perfect

I would like to propose a new Connections achievement badge: Yellow First.

I know it doesn’t happen by design but, for me at least, it’s also quite rare that I haven’t managed to spot the so-called easiest group of the game — although today I think any group could have been classified as a yellow on any other day.

There is also the fact that the only thing I was unfamiliar with, SAND DOLLAR, was one of the tiles in ROUND FLAT THINGS. My excuse is that we don’t have this type of urchin in the UK — in my ignorance I thought it was something to do with Las Vegas casinos.

Yesterday's NYT Connections answers (Saturday, September 19, 2026, game #1196)

• YELLOW: WIDEN ONE'S SCOPE: BRANCH OUT, DIVERSIFY, EXPAND, GROW
• GREEN: FEATURES OF A KID'S DRAWING: HOUSE, STICK FIGURE, SUN, TREE
• BLUE: ASSOCIATED WITH SWINGING LONDON IN THE 1960S: CARNABY STREET, MINISKIRT, MOD, TWIGGY
• PURPLE: STARTING WITH ABBREVIATED MATH FUNCTIONS: COS LETTUCE, LOG CABIN, SIN CITY, TAN LINE

Charles Cecil wants to make one thing clear: “I'm not anti-AI.”

The veteran British developer behind the legendary 1996 point-and-click game Broken Sword: The Shadow of the Templars speaks to TechRadar about AI's divisive role in modern game development - and, in particular, how it was used in the upcoming remake of the sequel, Broken Sword - The Smoking Mirror: Reforged, due out in 2027.

The original, a commercial success selling 759,000 copies, sees American tourist George Stobbart team up with freelance journalist Nicole Collard to track a mysterious Mayan stone across Paris, London, and Central America. This remake doesn't use AI, and, according to Cecil, there's a very good reason for that.

AI don’t think so

“I think AI has its place,” Cecil says. “It's just not relevant in our games because we want human animation, human characterization and human expression, and that's much better done by humans.”

A perfect example of that lies in the game's hand-drawn art, all of it redone for Broken Sword - The Smoking Mirror: Reforged.

This hugely labor-intensive process encompassed roughly 55,000 frames of animation, more than the 30,000 of Broken Sword: The Shadow of the Templars’ 2024 remake.

“George opens the newspaper and kind of just glances at the screen,” says Cecil, referring to the actions of the game's protagonist in an early scene. “He's looking at the viewer, and that's what human beings do. That is not something that AI can do.”

In low-res, eyes were just dots on a face. In high-res, eyes are windows to the soul and therefore have to be animated with precision and intent. Where applicable, artists were free to add flourishes, using their own interpretation to fill in the gaps.

For instance, the painting of Professor Oubier hanging on the wall in the rapidly burning study was always too pixelated to see clearly. Now, however, you can make out exactly what he looks like in 4K, at 36 times the original resolution, all while a visibly uncomfortable George jostles his rope bindings.

Developer Revolution Software didn't stop there. The team redrew scores of items that never really made much sense. Take the poison dart, which now looks less like a playing dart and more like something shot out of a blowpipe.

Human revolution

Despite the decision to abstain from AI use for the most part, it wasn't entirely absent. AI was used for the initial round of upscaling before artists added detail by hand, with backgrounds scanned as black-and-white layouts for them to build on using the originals as references. AI was more of a tool than a creative device.

“We experimented with AI for the first one, and we used AI to upscale and then redraw the characters. And as I say, it can upscale, but it can't put any character in.”

That's largely thanks to the luxury of time. The first game needed to be made in a year or risk cancellation. Revolution Software sprinted to the finish line, but made a few shortcuts along the way.

One oversight was 40 voice lines that were recorded and packaged in the game's files but never used. Now, in Broken Sword - The Smoking Mirror: Reforged, fans can finally hear them (one line involves George asking the Parisian waiter about the tequila worm in his pocket).

Another infamous example occurs in the Game Boy Advance version. “You have a choice to go to Spain or Syria,” says Cecil. “If you do one, you can finish the game, and it's fine. If you do the other, it takes you there, but you can't then finish. There's a bug that doesn't allow you to finish…It's an awful, awful bug. I mean, it's absolutely shocking.”

An AI might have spotted such mistakes, but then again, you could argue mistakes are what give art humanity. If nothing else, they make for a great story.

But the remake is far from a bug-fixing exercise. Instead, it's an opportunity to make the game better. Where most remasters seek to preserve the subject, Broken Sword - The Smoking Mirror: Reforged is almost an act of excavation.

“All of these things we now have the time to do,” says Cecil. “Because what Revolution has done for the last 15 years is we've self-published all our games. And I can decide when we’re going to spend a little bit more time getting this, right? Is it worth it?”

The devs found time to add features, too, like a new three-tier hint system that actively monitors your progress and feeds you steadily more obvious tips so you're not stuck for too long. The final tip tells you outright what to do. Thankfully, purists can turn it off.

Meanwhile, Nintendo Switch 2 players get four different control schemes: touchscreen, gamepad, one Joy-Con 2 detached and used as a mouse, or a versatile combination of everything.

Plus, there’s something Cecil has personally wanted to add for 30 years: a beautiful, detailed map of Paris. This is used to aid player navigation instead of having them rely on clunky icons. With everything in the game, these feel like choices made by humans, not AI.

“We've really gone out of our way to produce something that, in my view, is completely future-proof, because people were playing the first one 30 years ago, and millions and millions of people have played that game. And my ambition is that in 20 years' time, a fourth generation will be playing again.”

“Going forward,” he continues, “people are going to seek out human-crafted art. You know, there's going to be that sense, because obviously we all have a human connection with each other.”

Control is easily one of my favorite games of the last decade or so, and I've played through it a few times and secured the Platinum trophy on both PlayStation 4 and PlayStation 5.

As a result, I am incredibly hyped for Control Resonant, the upcoming sequel from the masterminds over at Remedy Entertainment, and have created this short quiz in celebration of the first game — and to test fellow fans' knowledge.

Ranging from, I think, pretty straightforward questions to one or two deep cuts, and with some questions that are bound to revive some brilliant memories of the first game, I've tried to balance my Control quiz for everyone, from long-time fans and re-players to those who played the first one at launch and have patiently waited for the sequel since.

Good luck, and let me know how you get on!

How did you find my Control quiz? Too easy? Too tricky at points? Too short, perhaps? Let me know ion the comments as well as what other quizzes we should do, and check back in the future for more trivia tests on fantastic games.

Pokemon’s Lego Smart Play sets couldn’t be more perfect, even if you hate the Smart Brick. I was convinced of this when I first saw them ahead of their launch, and since their public debut, I’ve only grown more in love with the builds now that I have them in my home.

When Lego first debuted its Pokémon sets, it showcased a few display-focused builds — designs aimed at older audiences to be shown off on a shelf more than to be actively played with. This meant relatively high prices to account for the massive brick counts and complex building techniques applied.

At first glance, the dozen Smart Play sets the duo just launched are the exact opposite. They’re built for play — with two of the sets coming with a Smart Brick (or two) to bring the Pokémon models to life — and generally cheaper and simpler build-wise. But like the Smart Brick, they’re so much more than meets the eye.

From a play perspective, thanks to tiles hidden in each Pokémon’s belly, the Smart Brick can know which creature it is and make distinctive sounds when the critter is being fed, training, sleeping, driving a vehicle, or hiding in the tall grass waiting to be captured by a trainer.

Importantly, two pokémon can know when they’re near each other and engage in a battle — which cleverly takes into account if the Pokémon was recently trained, which types it’s weak or strong against, what innate power it has (third-stage and legendary Pokémon will be stronger than first-stage starters), and what health it has (plus if it has been healed by something like a potion).

It’s very sophisticated but also so incredibly intuitive. Moving the Pokémon like action figures — shaking to charge up attacks, lunging forward to strike, moving away to dodge, and lying down to rest after a busy day — enables every single action the Smart Brick is programmed for. I gave my wife the Pikachu to play with without telling her anything, and she instantly knew what to do.

Smart and simple

At the same time, so many play features don’t require a Smart Brick at all.

While the actions will lack sound effects, Pikachu can still lie down in his fold-down bed, emerge from the tall grass when a pokéball hits the target, battle with the spinning target, and be played with in whatever way you can imagine.

So when you’re waiting for the Smart Brick to recharge, or if you simply decide not to pick up one of the All-in-one sets that comes with a Smart Brick in the box and opt for a merely Compatible set instead, you’ll still have a play set that feels complete — something I couldn’t say for Lego’s first Star Wars Smart Play models.

My only caveat is that the battle-focused sets — Charizard vs. Jolteon Ultimate Battle and Umbreon vs. Garchomp Championship Battle — are a little more dependent on the smart brick to create engaging fights between the blocky pocket monsters.

Perfect for play doesn’t mean perfect for everyone, but as a display build, these models again have so much potential.

Not necessarily out of the box — the background scene elements are always the most visually stunning — but with some creativity and time to build your own, these blocky figures could easily be posed as part of beautiful dioramas.

If you prefer minifig scale designs, you’ll be disappointed, but if you don’t mind something that’ll take up more room on your shelf, I think these sets have so much potential — especially as each Pokémon’s design is so distinct and accurate to its in-game version.

Lastly, I can’t round things off without talking about their best aspect: price.

Simpler, play-focused sets come with fewer pieces and therefore a more affordable price. For kids who love Pokémon but for whom you can’t fork out a lot of cash for a set that’ll sit on a shelf, these Smart Play sets are perfect.

Plus, for the same price as the Eevee build, which was previously the most affordable option, you can grab two or three of the cheaper Smart Play compatible sets that just dropped.

Whether you buy one or all twelve of the new sets, I’m certain Pokémon and Lego won’t disappoint. These sets show how Smart Brick integration should be done, and I’m hoping we’ll see dozens more sets just like these down the line.

All-in-one sets

Smart Play compatible

Good morning! Let's play Connections, the NYT's clever word game that challenges you to group answers in various categories. It can be tough, so read on if you need Connections hints.

What should you do once you've finished? Why, play some more word games of course. I've also got daily Strands hints and answers and Quordle hints and answers articles if you need help for those too, while Marc's Wordle today page covers the original viral word game.

SPOILER WARNING: Information about NYT Connections today is below, so don't read on if you don't want to know the answers.

NYT Connections today (game #1196) - today's words

Today's NYT Connections words are…

• STICK FIGURE
• MINISKIRT
• LOG CABIN
• SUN
• TAN LINE
• BRANCH OUT
• HOUSE
• TWIGGY
• TREE
• MOD
• SIN CITY
• GROW
• COS LETTUCE
• EXPAND
• CARNABY STREET
• DIVERSIFY

NYT Connections today (game #1196) - hint #1 - group hints

What are some clues for today's NYT Connections groups?

• YELLOW: Broaden one’s horizons
• GREEN: Classic early art
• BLUE: Cool Britannia (part 1)
• PURPLE: Beginning formulas

Need more clues?

We're firmly in spoiler territory now, but read on if you want to know what the four theme answers are for today's NYT Connections puzzles…

NYT Connections today (game #1196) - hint #2 - group answers

What are the answers for today's NYT Connections groups?

• YELLOW: WIDEN ONE'S SCOPE
• GREEN: FEATURES OF A KID'S DRAWING
• BLUE: ASSOCIATED WITH SWINGING LONDON IN THE 1960S
• PURPLE: STARTING WITH ABBREVIATED MATH FUNCTIONS

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

NYT Connections today (game #1196) - the answers

The answers to today's Connections, game #1196, are…

• YELLOW: WIDEN ONE'S SCOPE: BRANCH OUT, DIVERSIFY, EXPAND, GROW
• GREEN: FEATURES OF A KID'S DRAWING: HOUSE, STICK FIGURE, SUN, TREE
• BLUE: ASSOCIATED WITH SWINGING LONDON IN THE 1960S: CARNABY STREET, MINISKIRT, MOD, TWIGGY
• PURPLE: STARTING WITH ABBREVIATED MATH FUNCTIONS: COS LETTUCE, LOG CABIN, SIN CITY, TAN LINE

• My rating: Hard
• My score: 1 mistake

I fell straight down today’s trapdoor linking STICK FIGURE, BRANCH OUT, LOG CABIN and TWIGGY.

Had I looked at the board a bit more carefully I would have spotted that TWIGGY had to be connected to the famously skinny model and the other tiles ASSOCIATED WITH SWINGING LONDON IN THE 1960S. Alas, fools rush in.

Fortunately this was a relatively easy game and I was thankfully able to collect WIDEN ONE’S SCOPE and FEATURES OF A KID'S DRAWING, as STARTING WITH ABBREVIATED MATH FUNCTIONS went way above my head.

Yesterday's NYT Connections answers (Friday, September 18, 2026, game #1195)

• YELLOW: SEGMENT OF A PROCESS: PHASE, ROUND, STAGE, STEP
• GREEN: ASSORTMENTS OF FOOD/DRINK: FLIGHT, MEDLEY, PLATTER, SAMPLER
• BLUE: PARTS OF A FLIGHT: BOARDING, CRUISE, LANDING, TAKEOFF
• PURPLE: ____ CASE: BRIEF, PILLOW, STAIR, UPPER

September has been an absolutely mega month for games, and we're barely past the halfway mark!

With the weekend just hours away, you're probably wondering which new games are actually worth your money and attention. That's exactly why I've put together this little personality quiz, which is designed to match you with a recent release that you are almost certain to enjoy!

Of course, this isn't an exhaustive list of all the latest games, and there are sure to be some big releases that I've missed. Still, I've tried to include a wide range of genres from platformers to horror games and open-world adventures so that many different tastes are catered to.

What result did you get? Do you agree with my recommendation? You can let me know in the comments and share what you'll be playing this weekend.

• Creative Assembly says Alien: Isolation 2's exterior setting will force players to adapt to their surroundings
• The game's Xenomorph will also adapt at the same time to both player and environment
• Things like the weather system will impact the cat-and-mouse experience, forcing players to "improvise"

Alien: Isolation 2's exterior setting will increase both tension and danger, according to Creative Assembly, because as the player adapts to the new environment, so will the Xenomorph.

Unlike the first game, where players were isolated in a space station and actively hunted by the Xenomorph, the sequel will have an expanded setting, spanning an outdoor colony world and the confines of the Weyland-Yutani outpost.

Players will once again be caught up in a cat-and-mouse experience as they navigate their new environment, but the alien's intelligence will raise the stakes.

"I think the contrast between claustrophobia and pressure versus vulnerability and exposedness, it will make the player have to think on their feet," said principal UI artist Laura Mouther.

The game's weather system will also affect how players approach the outdoors, since storms will impact the sound of the approaching alien, and players will need to "improvise."

"The alien is the perfect hunter," Mouther added. "It will adapt to those situations, to those environments. And you will have to adapt to our environment."

She added that it will feel like a "new experience," but the game will give players the time to understand the mechanics of the game and the world, even if they didn't play the first game.

"It's not unfair," Mouther said. "This alien is also not cheating. If it can't see you, it can't see you, right? If it can't hear you, it can't hear you. We will give players enough time to get to grips with it. But it is an intense experience and a tough game, and that is what the community loved about [the first game]. And we will stick through to that."

Alien: Isolation 2 is now in development and will launch on PS5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

How do you approach a sequel? Do you refine the predecessor’s mechanics and stick with the main character? Well, Control Resonant chucks those out the window.

Instead of an open-zone map like the first game, Resonant goes full open-world. You play as Dylan Faden, old protagonist Jesse’s brother, who was (mostly) freed from the Hiss’s evil influence towards the end of the last adventure.

Now, Jesse has disappeared somewhere in an otherworldly Manhattan, and it’s his job to find her.

Like brother, like sister

Control Resonant’s story is markedly improved over its predecessor. The sibling bond between Dylan and Jesse provides an emotional anchor to latch onto. Learning about their childhoods through the main missions was engaging enough and made it much easier to follow this time around. It kept my attention in ways that Control didn’t.

The small cast of support characters also smartly keeps the character development focused mainly on Dylan. Zoe De Vera is assigned as Dylan’s handler, and I like how their relationship starts off rocky with her viewing him as just a tool to fight the Hiss. But as the story progresses, Zoe starts considering Dylan as more than that, asking him personal questions about his favorite music.

Emily Pope returns from the first game and acts as an important linchpin for Dylan to discuss Jesse. As Emily helped Jesse throughout the entirety of Control, Dylan can confide in Emily, giving him hope he’ll eventually find his sister. These powerful relationships make Resonant a less lonely trip.

As someone who’s fascinated with sci-fi and the occult, Resonant plays around with common tropes to great effect. In one particularly memorable main quest, Dylan is tasked with figuring out what happened to a missing crew, and its implementation of time dilation and alternate timelines really had a grip on my attention. It’s moments like these that make Resonant’s story emotionally satisfying, but narratively absorbing too.

Go big or go home

Going from Control to Control Resonant feels similar to how Final Fantasy 7 Remake transitioned to Final Fantasy 7 Rebirth. It’s a high-risk endeavor, as creating an open world can add a lot of unnecessary bloat compared to a more streamlined experience.

Thankfully, Resonant’s exemplary art direction and traversal mechanics make its distorted version of Manhattan a treat to run around in. Rather than the brutalist architecture of the first game that took place entirely indoors within the Oldest House, Resonant doubles down on the more kaleidoscopic and parallactic aspects in the open world.

As part of the main quests, you’ll also be given objectives to find “Faults,” which are areas where remnants of Jesse could be residing. While they’re not very combat-heavy, they offer a lot of story exposition exploring Dylan and Jesse’s background. At the very end, you’ll be awarded a new way for Dylan to move around.

These include being able to shift his gravitational orientation around so the wall next to him becomes the floor, or the intriguing take on the traditional grappling hook, which looks more like an invisible magnet pulling Dylan by the waist.

Control Resonant is also reminiscent of Elden Ring, in that you’re able to tackle tough side bosses called Resonants all across the Big Apple. By defeating them, Dylan is able to unlock more of his offensive move kit. You’re incentivized to go for it, as it’ll give you more options to fight against the Hiss and other enemies.

You only need to take out a few to advance the story, but afterwards you can actually complete it without taking the rest of them on if you want. This open-endedness comes in handy if you get stuck on a certain story boss. You can explore more, get stronger, and return later.

There are also plenty of other interesting activities to tackle, and these often bring a more down-to-earth tone to Resonant’s paranormal twists. In a multi-part side quest, Dylan is trying to help a girl find her way home from an alternate dimension. And he has to play “spot the difference” with different taxi cabs to take the right one back. There’s another side quest where Dylan helps a colleague find their invisible cat, which ends up in the cat actually helping out against a mini-boss fight in a humorous conclusion.

These side quests reflect Dylan’s altruism and the guilt he harbors for his actions from the first game, allowing him to redeem himself in small, yet meaningful ways. They also reward massive amounts of EXP and useful ingredients to unlock new skills and abilities.

Close quarters combat

As opposed to the first game’s third-person shooter gameplay, Control Resonant is a melee-focused action game. It’s an interesting switch-up that certainly helps this sequel differentiate itself.

The basic gameplay loop you’re going for is to stagger enemies and then perform an execution. Doing that causes Dylan to temporarily enter Dominance, which astronomically ups his attack power and allows him to kill enemies quicker. It’s a gratifying process that’s just as exciting as it looks cool.

The big issue here is that it’s incredibly difficult to falter enemies when you first start out. Dylan’s weapon, the Aberrant, can morph into different forms for both his light and heavy attacks. At the beginning, you can pick one form, and the rest you can create later on with the proper drops and materials.

If you’re like me and picked a heavy weapon choice that didn’t fit your particular playstyle, then you’re going to have a tough time. You can use limited reset points to rechoose your points and abilities, but the fact that it’s not free feels like it’s discouraging experimentation, especially at the start before eventually unlocking everything.

After initially selecting the spear as my heavy weapon and being disappointed, I reset my build and opted for the slow but powerful hammer instead. I found that it fit my approach much better, and suddenly I was enjoying it more. Beforehand, combat felt like a slog as enemies seemed to just be damage sponges, as it took forever to falter them.

A little later on, after defeating the giant fire Resonant, I unlocked the ability to cloak my weapons in flame, increasing both the damage and falter output. Now even my light weapon attacks with the multi-target scythe-like glaive inflicted a decent amount of stagger. I was able to enter Dominance faster, and the combat became more frenetic, explosive, and most importantly, fun.

It just takes a while to get to.

Should I play Control Resonant?

Play it if...

Don't play it if...

Accessibility features

Control Resonant has an impressive suite of accessibility features. These options include text, subtitles, colorblindness adjustments, and toggles.

It also has an Assist mode, which lets you change gameplay parameters to your liking. For example, you can change how fast Dylan’s Power meter replenishes, which lets him fire off special abilities. You can also make him invincible.

There’s even an option to OHKO enemies with just one attack, and it works on bosses too. None of the options disable Achievements either.

How I reviewed Control Resonant

I played 25 hours of Control Resonant on Xbox Series X with the standard Xbox Wireless Controller on my 1080p LG Sharp TV, finishing up the main campaign while completing some side quests.

After witnessing the ending, you can go back into the open world once again to mop up any remaining collectibles and quests.

First reviewed September 2026

• Diablo 4 game director Brent Gibson tells fans not to worry about support for the game ending because of Diablo 5
• He says that even though the team is excited for Diablo 5, "we're going to be making content for a long time"
• Gibson says, "The end is not nigh"

Not to worry, Diablo 4 fans! Despite the announcement of Diablo 5, Blizzard swears it will continue supporting the popular action-RPG "for a long time."

In an interview with TechRadar Gaming at BlizzCon, game director Brent Gibson quickly put concerns to rest and stated outright that players don't need to worry about the game's future, even though the studio is already working on the sequel.

"If you're wearing the sign in the middle of Times Square that says 'The End is Nigh', the end is not nigh," Gibson said. "We have a lot coming," he added before acknowledging the Amazon class pack, coming to Diablo 4 in 2027.

"The train isn't stopping," he continued. "One of the things that I love about our world is we're not a series of games. We are a universe. We are even adding to Diablo 2 with that of the Warlock. It's one of the few franchises where we have the luxury to continue to play, and we know our communities are there multiple communities that make us a whole."

Gibson reiterated that if you're a fan and you're worried, "don't sweat it," because even though the team is excited about Diablo 5, "we're going to be making content for a long time" and "we've got a lot of things coming," including the Netflix adaptation.

"The train is not stopping," he said. "Hold on tight. Gone are the years of waiting 10 years for more content, right? So it's a great place to be at."

Diablo 5 is slated to launch in 2029, so there are few years to wait. In the meantime, Diablo 4 fans can sink their teeth into Season of Hell's Legacy, the game's 15th season, which arrived on September 15.

• The Steam Machine now has a collection of official repair guides
• They're written by iFixit and are commendably thorough
• The only catch is that they highlight the trickiness of some repairs or upgrades, notably the system RAM

The Steam Machine now has a whole raft of repair guides from iFixit, which is great to see – although they have highlighted some fiddly and less-than-ideal aspects when it comes to working inside Valve's compact PC.

TechPowerUp spotted (via VideoCardz) that iFixit published 18 repair guides for the Steam Machine, which cover essential maintenance or the replacement of parts in the device.

It's a thorough set of instructional guides, detailing how to replace parts of the chassis or the Steam Machine's fan, and carry out key upgrades to the RAM and SSD. It even shows you how to replace the motherboard, and how to properly clean and maintain the Steam Machine.

Valve has a partnership with iFixit which has produced a similarly in-depth collection of guides for the Steam Deck, and also sells replacement parts for that handheld, from thumbsticks and bumper buttons through to a new screen or battery. Replacement parts are reportedly coming for the Steam Machine, too, though they aren't on sale yet.

Analysis: easy does it with some of these repairs

This is great, and what I particularly like is the cleaning guide, which is an effective reminder of what a dust magnet PCs can be — and to keep the innards of the Steam Machine relatively dust-free.

However, what this also makes clear, as noted at the outset, is that some of the replacement procedures are relatively tricky — notably upgrading (or replacing) the system RAM.

Okay, so it's nothing too bad if you take your time and work carefully, but there are a lot of steps — 49, in fact, and that's to reach the memory to replace it (then you have to reverse those steps and put the Steam Machine back together). This isn't something that less tech-savvy people will be able to do, at least not without running a serious risk of breaking something else in the process.

Indeed, I'd say you'd need to be pretty confident in your abilities to perform a RAM replacement. Removing the fan is one of most awkward steps, and one method involves heating the glue (with a hair drier if you don't have iFixit's iOpener heat pad) to make the two attached antennas easier to detach. This, and a few other fiddlier aspects, are where I could see something quite easily going awry.

As one of the readers of VideoCardz observed: "Upgrading RAM is super annoying. They should place it near SSD or something in the next revision, because as it is now you have to basically dismantle the whole damn thing. Not that it's particularly 'hard' to do, but it's super annoying and you can actually damage something, like Wi-Fi antennas for example."

Still, I can't knock the quality of the guides, and the thoroughness of the step-by-step instructions, complete with diagrams and information about exactly which way you should orientate the device when moving onto the next step.

Of course, you won't be able to perform repairs until you have the replacement parts, and hopefully iFixit will stock these before long (as it does with the Steam Deck). Right now, parts are obviously thin on the ground, as Valve needs them for manufacturing as many Steam Machines as it can, but that situation will change in time.

• Diablo 4 game director Brent Gibson says it's "liberating" that there are no expansions to work on or have the narrative tied to
• The team will continue the game's story through seasons instead
• Diablo 4 - Season of Hell's Legacy is the game's latest update

Blizzard has confirmed that Diablo 4 won't receive any more expansions, as it will continue the game's story through seasons, something the team is glad about.

BlizzCon 2026 has officially wrapped, and there were plenty of announcements for fans across the board, including the huge reveal of Diablo 5, slated for a 2029 launch, as well as Diablo 4 - Season of Hell's Legacy, the game's 15th season and the centerpiece of Blizzard's 30th Anniversary celebration for Diablo.

"Amid the dead rising from Pandemonium, the lost soul of the legendary Horadrim Deckard Cain returns with dire news," the questline description reads. "Three dark wanderers have returned, each leaving a trail of death in their wake. Confront them and delve into the nightmares of their horrific past. Only there can you defeat the Prime Evils that torment them and lay their souls to rest."

No additional expansions are planned at the moment, and although Lord of Hatred was the big conclusion of the overarching narrative, the team will now use seasons to continue the game's story, presumably until Diablo 5 is ready for launch.

The game will likely be supported for a good few years to come, just like Diablo 3, but the new direction the team is working on removes the constraints it had before.

"I think it's liberating," game director Brent Gibson told TechRadar Gaming at BlizzCon. "So we completed the story, but the butterfly effect can take us anywhere, you know? And we've got season 15 with all the events of pandemonium leading to someone else taking the mantle of death," before teasing, "Who is it? I'm not going to answer that today."

He added, "But it allows us to be really creative with all the pieces that we have, now that we hit the beat that we were all looking forward to with confronting Mephisto. So, I say it's liberating."

• Guild Wars 3 will have "significantly less UI in general" for an MMORPG
• ArenaNet studio head Colin Johanson says it will better showcase combat and the game's open world
• He says combat UI elements, like debuffs, will be represented visually instead

Although it's a massively multiplayer online role-playing game (MMORPG), ArenaNet has confirmed that Guild Wars 3 will have a minimal HUD, partly because the game is also designed for console.

During a guided presentation at Gamescom, attended by TechRadar Gaming, studio head Colin Johanson showcased an early build of the game and its HUD, saying that it is subject to change throughout development and the team intends to have "significantly less UI in general."

In other MMOs, whether it's World of Warcraft or Final Fantasy 14, the main HUD is typically littered with UI elements from quest lists, buffs and debuffs, action bars, and whatever else the player chooses to add for themself.

For Guild Wars 3, ArenaNet will considerably tone down these elements in favor of a cleaner HUD, which Johanson said will better showcase combat and the game's open world. Additionally, console users wouldn't be able to hover over these UI features.

"I think one of the things that you traditionally see in MMOs is there's a huge number of icons all over the screen that are used to communicate combat status and things that are going on," Johanson said.

"And we very intentionally designed this, one, because it's also on console and it's a lean-back experience where you can't hover over icons to read everything, to provide an experience that doesn't require having a massive amount of information in the UI. But two, we also think that's just a better combat experience if we can show more of the things happening in the world."

Adding to this, the studio head said that during battle, conditions traditionally communicated through the UI, such as cold attacks, won't appear as "stacked" debuffs on the HUD, so players will see the effect instead.

"We've built a multiplayer combo system in this game to replace that, where every player is capable of having most professions can have cold in their builds," he explained, "and if you start stacking cold on an enemy, you can see their animations slowly start to slow down, and cold start to spread across them. And multiple players can work together. If you get enough cold stacked on an enemy, depending on its size, it'll freeze into a solid block of ice. And so all of that happens in the world, rather than just a little UI icon down at the bottom of the screen that says frozen or not.

"It's really interesting. In testing, we're seeing people's eyes are now watching the actual combat that's happening on the screen instead of just staring at the UI the whole time, which is just a much better experience."

Johanson added that "the constraint of the controller" has encouraged ArenaNet to "create a version of combat" that's still a better experience on mouse and keyboard as well.

"That's been really, really awesome for us. There's a lot of stuff that just won't be on the UI because it doesn't need to be used," he said.

Guild Wars 3 is in active development, with a beta period scheduled for Fall 2027.

• Diablo 5 senior game director Joe Shely says the team is "trying to make it for everyone who loves Diablo" for specific reasons
• He says the team used "deferred complexity" to help balance the game's systems for endgame players and campaign lovers
• Narrative director Jennifer Hepler says there are like-minded developers on the team who are "passionate advocates" and are creating the content for these fans

Diablo 5 senior game director Joe Shely has said Blizzard is making a sequel for all fans, but it has to find the right balance for players who love the series for specific reasons.

Speaking to TechRadar Gaming at BlizzCon 2026 after the game's reveal, Shely explained that the team isn't trying to make a Diablo game "for every human on Earth" or "literally everyone" but is "trying to make it for everyone who loves Diablo, and people who love Diablo love it for specific reasons, and those reasons are knowable."

He and the team know some fans play Diablo and are most interested in the storylines and exploration, while other, more hardcore players spend time with the complex systems that come with itemization, designing builds, and racing to the endgame.

"We can talk to players and understand why individual players or groups of players love Diablo and what they love about it, and from what game they associate with Diablo," Shely said, "and so that allows us to tailor our systems and experiences, campaign and progression in a way that can be satisfying to different kinds of talent players."

This is where the developer brought up "deferred complexity," an idea the team used to help balance the game's systems for those who enjoy taking their time, while also delivering on "our commitment to have a complete end game for those players at launch." This means that some complex systems have been moved to the endgame.

"By deferring some of the complexity of the systems and itemization later into the endgame," Shely said, "we can deliver the depth and mastery elements that our players who love the endgame enjoy without overwhelming our players who are enjoying spending a lot of time in the campaign and exploring the world."

Narrative director Jennifer Hepler added that all types of Diablo fans are represented on the development team; she said they are like-minded, "very passionate" about the series, and understand what players enjoy most.

"People who love campaign are working on campaign, and the people who love systems are working on the end game," Hepler said. "And so every group of players has passionate advocates on the team who are not only speaking for them but are actually creating the content for them."

Diablo 5 is in development and is slated to launch in Spring 2029.

Good morning! Let's play Connections, the NYT's clever word game that challenges you to group answers in various categories. It can be tough, so read on if you need Connections hints.

What should you do once you've finished? Why, play some more word games of course. I've also got daily Strands hints and answers and Quordle hints and answers articles if you need help for those too, while Marc's Wordle today page covers the original viral word game.

SPOILER WARNING: Information about NYT Connections today is below, so don't read on if you don't want to know the answers.

NYT Connections today (game #1195) - today's words

Today's NYT Connections words are…

• PILLOW
• CRUISE
• UPPER
• STEP
• FLIGHT
• STAIR
• PLATTER
• LANDING
• ROUND
• STAGE
• TAKEOFF
• MEDLEY
• BRIEF
• BOARDING
• SAMPLER
• PHASE

NYT Connections today (game #1195) - hint #1 - group hints

What are some clues for today's NYT Connections groups?

• YELLOW: A part of the plan
• GREEN: A selection of small dishes
• BLUE: Stages of a journey
• PURPLE: Add a word that rhymes with “place”

Need more clues?

We're firmly in spoiler territory now, but read on if you want to know what the four theme answers are for today's NYT Connections puzzles…

NYT Connections today (game #1195) - hint #2 - group answers

What are the answers for today's NYT Connections groups?

• YELLOW: SEGMENT OF A PROCESS
• GREEN: ASSORTMENTS OF FOOD/DRINK
• BLUE: PARTS OF A FLIGHT
• PURPLE: ____ CASE

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

NYT Connections today (game #1195) - the answers

The answers to today's Connections, game #1195, are…

• YELLOW: SEGMENT OF A PROCESS: PHASE, ROUND, STAGE, STEP
• GREEN: ASSORTMENTS OF FOOD/DRINK: FLIGHT, MEDLEY, PLATTER, SAMPLER
• BLUE: PARTS OF A FLIGHT: BOARDING, CRUISE, LANDING, TAKEOFF
• PURPLE: ____ CASE: BRIEF, PILLOW, STAIR, UPPER

• My rating: Hard
• My score: 2 mistakes

I’ve not had the best of Connections weeks and struggled again today.

Falling for the very obvious trap I included FLIGHT instead of CRUISE in what became PARTS OF A FLIGHT.

That particular tile was my undoing later in the game. After getting SEGMENT OF A PROCESS, I decided that the third group must be about serving food so I had MEDLEY, PLATTER and SAMPLER locked in.

Unable to find a fourth tile, I gambled with PILLOW — which makes about as much sense as FLIGHT, although I now know, thanks to Google Gemini, that a food FLIGHT is a curated selection of three or more small-portioned sample items from a single menu category served together.

Yesterday's NYT Connections answers (Thursday, September 17, 2026, game #1194)

• YELLOW: ELASTICITY: BOUNCE, FLEXIBILITY, GIVE, SPRING
• GREEN: THINGS THAT ARE UNDERGROUND: MINE SHAFT, SEWER LINE, SUBWAY STATION, WELL
• BLUE: HUGH JACKMAN MOVIES, WITH "THE": FOUNTAIN, PRESTIGE, SHEEP DETECTIVES, WOLVERINE
• PURPLE: LOVE ____: HANDLES, LANGUAGE, TAP, TRIANGLE

• Guild Wars 3 is the first game in the series to launch on both PC and console
• Studio head Colin Johanson says it will allow the game to "reach a much wider group of players" on PS5 and PC
• ArenaNet wants new players to take their first plunge into Guild Wars with the upcoming game

Guild Wars 3 will be the first game in the MMORPG franchise to launch on both console and PC, and ArenaNet thinks it will encourage newcomers to take their first steps into the Guild Wars series.

"With us bringing the game to console for the first time, [and] with us launching on Steam from day one on our own platform, we can reach a much wider group of players," said studio head Colin Johanson during a guided presentation TechRadar Gaming attended at Gamescom.

Speaking about the game's setting, which takes place 1000 years before the first Guild Wars game in the ancient land of Orr, Johanson explained that the game will appeal to hardcore fans who have been eager to learn more about the lore for years.

Exploring this highly anticipated era means ArenaNet could welcome new players with no Guild Wars experience, since the game is essentially a prequel and newcomers won't be required to play the first two games to understand what's going on.

"Everyone's going to learn it all together, and if you're a big Guild Wars fan, you'll know what some of the species are and some of the characters or some of the locations," the studio head said. "But for the most part, everybody is on equal footing."

The direction also means the studio could draw more players by launching the game on both PC and PlayStation 5; it's unclear right now whether the game could eventually get an Xbox release as well.

"We really wanted to have an invitation for everybody to come play Guild Wars 3 together and feel like this could be their first Guild Wars game that they haven't played before," Johanson added.

Guild Wars 3 is now in development and doesn't have a release date, but a beta is scheduled for Fall 2027.

• England and Chelsea midfielder Cole Palmer was temporarily banned on Twitch this week
• He was streaming the upcoming EA Sports FC 27 ahead of an agreed embargo
• He responded in a light-hearted manner on Instagram, asking the streaming service to “unban me pls."

Cole Palmer, everyone’s favorite straight-talking Chelsea and England midfielder who loves his chippy-chips and a basic builder’s tea, took to Twitch earlier this week to livestream the upcoming EA Sports FC 27. There was just one problem: he wasn’t supposed to be showing off the game this early and was given a temporary ban by the platform.

As spotted by ESPN, Palmer was given early access to the upcoming football sim and decided to livestream it on Tuesday afternoon to a fairly significant audience. However, he was supposed to wait until after an official EA Sports showcase took place later that evening.

After an EA rep popped up in the chat to remind Palmer, the stream ended, and his Twitch account page was updated to show that it had been suspended.

In response to the gaffe, Palmer characteristically posted on Instagram that, ”I was only giving the people what they wanted.” He followed that up with a simple request: “unban me pls.”

Genuine mistake or not, any potential leniency from EA probably wasn’t forthcoming after he started complaining about his rating in-game during the untimely stream. EA Sports FC 27 has given Palmer an overall score of 85 out of 99 in the latest edition. He was 87 in the previous entry.

"I need a word with EA. They took two ratings off me," Palmer said during the stream.

In fairness, he did call out that he spent a lot of last year out with various injuries, which he joked had effectively left him with “one leg for 10 months last season.”

His ego also took another small knock when he saw that long-time friend and Chelsea teammate Morgan Rodgers had been given a pace score of 76. Palmer's pace rating is listed at 75. Savage.

Fortunately, his account has now been reinstated, and he’s already been back streaming as if nothing had happened, bringing an end to another hilarious aside in the footballer’s career that's already been full of meme-worthy moments. This one is my new favorite.

EA Sports FC 27 officially launches on September 25, with early access starting September 18 for those who pre-ordered the Ultimate and Ultimate Plus editions.

• Take-Two Interactive says GTA Online support will continue after Grand Theft Auto 6 has launched
• The publisher's latest comments suggest that an online experience associated with GTA 6 is still a long way off
• Fans speculate that GTA 6 Online could be a separate, paid title

Take-Two Interactive has confirmed that Rockstar Games will continue supporting GTA Online after the launch of Grand Theft Auto 6, suggesting the title's rumored online experience could be a long way off.

During the Take-Two shareholder meeting on September 17 (via ResetEra), it was reported said that "GTA 6 is a single-player title and is due to release this November. We will continue to support GTA Online after GTA 6 release and beyond."

While we already knew GTA 6 is launching as a standalone single-player experience, it's speculated that the game will eventually receive an online mode, similar to how GTA Online released soon after GTA 5.

The language used during the shareholder meeting suggests fans shouldn't expect an online experience associated with GTA 6 anytime soon, if it indeed exists, as Rockstar will continue supporting its current money-making machine for the foreseeable future.

According to Bloomberg reporter Jason Schreier during a discussion about GTA 6's pre-order period and earned revenue, Take-Two "have not talked at all, and they are not planning to talk anytime soon, about what the new GTA Online will look like."

Despite Take-Two's avoidance of the topic, and the publisher's latest comments, fans believe this could mean GTA 6 Online could be a separate, paid service.

"Looks like the next variant of GTA Online is nowhere near ready as Schreier already reported," the original ResetEra poster said. "And it's a high likelihood they will launch it as a big standalone title, whether F2P or for like $30. They will want to give it all the resources and spotlight it will need and not be an "add-on" this time."

Others support the standalone concept, while others believe it could be another $70 experience.

"I wouldn't be shocked if it costs $70 or more lmao," one user replied.

GTA 6 launches on November 19 for PS5, Xbox Series X, and Series S,

• Rockstar Games has announced 'Grand Theft Auto 6: The Album'
• The official soundtrack features 34 original tracks, and the first six can be listened to today on all major streaming services
• The 'Grand Theft Auto 6: The Album' - Limited-Edition Vinyl has already sold out, but a separate exclusive vinyl and CD are still available for pre-order

Rockstar Games has announced 'Grand Theft Auto 6: The Album', GTA 6's official soundtrack that will launch alongside the game.

The upcoming soundtrack album is now available to pre-save on all major music streaming services, and will be released on vinyl and CD, including three exclusives available only for pre-order here.

Featuring 34 original tracks that "capture the electric energy of Grand Theft Auto 6’s world of Vice City and Leonida", the album features "a genre-defying roster of the most exciting artists in the world", with tracks from artists like Yung Lean, Travis Scott, PinkPantheress, Morgan Wallen, Keith Richards, and more.

As a small teaser, Rockstar has also released the first six singles featured on the album. We'll list them below.

• Yung Lean – That's It (feat. Future & Metro Boomin)
• Travis Scott – RHYNO (prod. by Guy-Manuel de Homem-Christo) 
• CA7RIEL & Paco Amoroso, PinkPantheress, Fred again.. & Etienne de Crécy – Sexy Magic  
• Morgan Wallen – Last Thing You Need  
• Rauw Alejandro – Macacoa 2000  
• Keith Richards – Bright Lights, Big City 

Grand Theft Auto 6: The Album - CD costs £10.99 / $19.98, while Grand Theft Auto VI: The Album - Vinyl costs £44.99 / $49.98.

Then there's the more expensive Grand Theft Auto 6: The Album - Limited-Edition Vinyl priced at £108.99 / $124.98, featuring two transparent magenta discs filled with blue liquid, exclusive new artwork, and packaging designs.

Unfortunately, this edition quickly sold out after its announcement, and it's unclear whether more stock will be available. All editions are expected to ship November 20, one day after GTA 6 launches.

Rockstar noted that "exclusive vinyl disc colorways, each featuring unique new art" will also be available at Blood Records, Best Buy, Walmart, Amazon, Barnes & Noble, Target, Urban Outfitters, and indie retailers.

"Stay tuned for more details about the music of Grand Theft Auto 6, including the dynamic score, the next evolution of in-game radio, and more," the studio said.

• The world of Umamusume: Pretty Derby is coming to a major motorsport event in a new collaboration
• Game art will be featured at the MotoGP Japanese Grand Prix
• Voice actor Tomoyo Takayanagi will also wave the chequered flag at some races

The viral horse girls of Umamusume: Pretty Derby will appear at the upcoming MotoGP Japanese Grand Prix thanks to a new crossover with publisher and developer Cygames.

The 2026 FIM MotoGP World Championship Round 16 MOTUL Grand Prix of Japan (to give it its full official title) is a motorcycle race set to take place from October 2 to 4 at Mobility Resort Motegi in Motegi, Japan.

Thanks to this collaboration, the course will be decorated with a gigantic 155-meter display decorated with eight popular characters from the game for fans to appreciate as the racing action unfolds.

There will also be a special display board at the Grandstand entrance featuring art of the game, as well as special character photo spots within the venue itself.

Those attending the Moto2 and Moto3 races will also be able to see voice actor Tomoyo Takayanagi in the flesh, waving the checkered flag at the end of the race. Takayanagi is known for her portrayal of the famous Japanese racehorse Oguri Cap in the media franchise.

Umamusume: Pretty Derby is a hit mobile game where players train and compete in races as anthropomorphized horse girls that has been spun out into multiple anime and manga adaptations. The characters are based on real-life horses, past and present, and its popularity has been credited with reviving interest in the sport.

It's the first video game to become an official MotoGP Japanese Grand Prix event partner, but this is far from the only time Umamusume: Pretty Derby has crossed over with real-world events. Earlier this year, a special Umamusume livery appeared on a Pacific Racing Team BMW M4 GT3 Evo in Japan's Super GT racing championship.

Umamusume: Pretty Derby is available to download for mobile devices with the App Store and Google Play Store. You can also play it on PC via Steam.

• ArenaNet says Guild Wars 3's ancient Orr setting will interest longtime lore fans and newcomers
• Studio head Colin Johanson says the game is "very much for our fans" who are invested in the game's lore
• He adds that the game is also for new players, and they won't need to play the first two games to understand what's going on

ArenaNet has confirmed that Guild Wars 3 takes place 1000 years before the first Guild Wars game in the ancient land of Orr, which it believes will interest both hardcore fans and new players.

Speaking at an exclusive preview TechRadar Gaming attended at Gamescom, where we saw a guided presentation exploring the game's new momentum system, studio head Colin Johanson shared additional details about the game's setting, where players are a Veil Warden.

Johanson explained that much of Guild Wars' history and lore originates from ancient Orr, and he knows fans "care deeply" about it and have been asking ArenaNet for more, so it felt like a natural direction for the sequel.

"Some of the themes from Guild Wars 1 all tie back to moments in this timeline before the gods disappeared from the world," he said. "In Guild Wars 2, the ruins of Orr are raised from the bottom of the ocean by a giant undead dragon, and players get to visit the remains of what Orr was 1000 years in the future, and players have been asking us for over a decade to see what Orr was like before the gods left, before it was destroyed, and so this is very much for our fans to give them something to get excited about."

However, while Guild Wars' setting might seem lore-heavy, the studio head confirmed that "it's also for new fans" and that newcomers won't need to play the first two games to understand what's going on.

"This period of time has about two pages of recorded history that we've ever released outside of the studio," Johanson said. "We have a lot more internally that we haven't shared, but our fans have only seen a tiny amount of info about what actually happened in this timeline and setting, which means it's the perfect time for new people to come join the Guild Wars franchise because you don't have to have played Guild Wars 1 or Guild Wars 2 to understand what's going on in the story."

He continued: "Everyone's going to learn it all together, and if you're a big Guild Wars fan, you'll know what some of the species are and some of the characters or some of the locations. But for the most part, everybody is on equal footing."

Guild Wars 3 doesn't have a release date yet, but a beta is scheduled for Fall 2027. The game is launching on PC and PlayStation 5.

Good morning! Let's play Connections, the NYT's clever word game that challenges you to group answers in various categories. It can be tough, so read on if you need Connections hints.

What should you do once you've finished? Why, play some more word games of course. I've also got daily Strands hints and answers and Quordle hints and answers articles if you need help for those too, while Marc's Wordle today page covers the original viral word game.

SPOILER WARNING: Information about NYT Connections today is below, so don't read on if you don't want to know the answers.

NYT Connections today (game #1194) - today's words

Today's NYT Connections words are…

• SPRING
• SUBWAY STATION
• PRESTIGE
• TRIANGLE
• TAP
• GIVE
• LANGUAGE
• FOUNTAIN
• WELL
• BOUNCE
• SEWER LINE
• HANDLES
• SHEEP
• DETECTIVES
• MINE SHAFT
• FLEXIBILITY
• WOLVERINE

NYT Connections today (game #1194) - hint #1 - group hints

What are some clues for today's NYT Connections groups?

• YELLOW: Stretchy
• GREEN: Found down below
• BLUE: Films starring a well jacked man
• PURPLE: Compound words with added romance

Need more clues?

We're firmly in spoiler territory now, but read on if you want to know what the four theme answers are for today's NYT Connections puzzles…

NYT Connections today (game #1194) - hint #2 - group answers

What are the answers for today's NYT Connections groups?

• YELLOW: ELASTICITY
• GREEN: THINGS THAT ARE UNDERGROUND
• BLUE: HUGH JACKMAN MOVIES, WITH "THE"
• PURPLE: LOVE ____

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

NYT Connections today (game #1194) - the answers

The answers to today's Connections, game #1194, are…

• YELLOW: ELASTICITY: BOUNCE, FLEXIBILITY, GIVE, SPRING
• GREEN: THINGS THAT ARE UNDERGROUND: MINE SHAFT, SEWER LINE, SUBWAY STATION, WELL
• BLUE: HUGH JACKMAN MOVIES, WITH "THE": FOUNTAIN, PRESTIGE, SHEEP DETECTIVES, WOLVERINE
• PURPLE: LOVE ____: HANDLES, LANGUAGE, TAP, TRIANGLE

• My rating: Hard
• My score: 2 mistakes

My first mistake could have been a group of ways to access water — SPRING, TAP, WELL and FOUNTAIN — but drew a complete blank.

Thinking of a different meaning for SPRING helped me find the other words describing ELASTICITY, but I flopped again, adding TAP instead of WELL to the group that became THINGS THAT ARE UNDERGROUND.

Finally, I did not know that I was collecting HUGH JACKMAN MOVIES, WITH “THE” but I knew that PRESTIGE, SHEEP DETECTIVES and WOLVERINE were all films and took a gamble that FOUNTAIN was too.

Yesterday's NYT Connections answers (Wednesday, September 16, 2026, game #1193)

• YELLOW: ENDING IN METAL ELEMENTS: LATIN, LONG JOHN SILVER, MARIGOLD, STEAM IRON
• GREEN: STARTING WITH U.S. COINS: DIMENSION, NICKELODEON, PENNYWISE, QUARTERBACK
• BLUE: POETS' MIDDLE NAMES: BARRETT, CARLOS, ST. VINCENT, WADSWORTH
• PURPLE: SAUSAGES PLUS A LETTER: BORAT, CLINK, FRANK-N-FURTER, WIDENER

• Fable will have a 60fps performance mode on Xbox Series X
• Playground Games associate game director Craig Littler says it didn't want to compare the PC and Xbox versions
• However, he adds that "It will look great wherever you go"

Playground Games is being a bit cagey about Fable's graphics settings across PC and console, but has confirmed the Xbox Series X version will have a 60fps performance mode.

Fable has been in development for a very long time, but fans can finally expect the fantasy role-playing game (RPG) to launch on February 23, 2027, for PlayStation 5, Xbox Series X, Series S, and PC.

While there have been plenty of trailers and, most recently, new gameplay footage showcasing the game, Playground has yet to share the PC specs and how Fable will run on console.

However, during a Q&A session at Gamescom attended by TechRadar Gaming, associate game directors Will Kennedy and Craig Littler did reveal that the game will look "great" on all platforms.

"What we will say is that our approach to all platforms is really the same, in that we want the game to look great wherever you're playing it, and for it to be appropriate for the platform later on," Littler replied when asked to elaborate about the console edition graphics settings.

Without giving away too much, the developer then confirmed that the Xbox Series X version will offer a 60fps performance mode, but said, "I don't really want to get into the like in terms of what PC versus Xbox will be like."

"It will look great wherever you go," he added.

In the same interview, Playground also confirmed that Fable will take up to 20 hours to beat, but promises the game's life systems offer "limitless" replayability.

• Diablo 5 will tell stories of the past, present, and future, the latter of which Blizzard calls "terror forming"
• Players can visit biomes that are taken over by Diablo's Dread Commanders
• Narrative director Jennifer Hepler says these biomes can change depending on who's in charge, and "it's a whole new experience" every time you revisit them

Blizzard has confirmed that Diablo 5 will tell stories involving the past, present, and future of Diablo's takeover of Sanctuary, which will visually affect explorable biomes.

The next installment in the isometric dungeon crawler series has been announced and will find players back in the mortal realm of Sanctuary. However, humanity has fallen into an apocalypse and the land has been conquered and reshaped by Diablo and his army.

Speaking to TechRadar Gaming at BlizzCon after the game's reveal, senior game director Joe Shely shared how different Sanctuary will look to players and said they will travel across the Western continent, seeing all different biomes that have been overrun.

Shely said Diablo 5 has "three stories that we're telling" within this changed world: the stories of the past, the time when Diablo took over and when he and his Dread Commanders emerged into Sanctuary, and the "desolation" of the present.

"There are no people around," he said. "There are very few survivors. Occasionally, you may find a human to add to your caravan, and they can bring something to support you."

There's also the future, which is being actively turned into an outpost of hell by Dread Commanders, something that the team has dubbed "terror forming."

"We call it terror forming because these Dread Commanders will actually transform the environment, transform the biome into a version of hell that relates to personal powers and powers at station," Shely explained.

Players will be able to revisit these occupied areas, and if a different Dread Commander is stationed there, "it's going to look totally different."

"The procedural world gives us a lot of levers to pull for that," added narrative director Jennifer Hepler. "You can go to a place, and it is under the control of the Dread Commander of Undeath, and it's going to be full of zombies and things like that. And then later in the game, you could return there, and it's either been reclaimed by humanity or taken over by a different Dread Commander, and the environment will be totally different as a result of that.

"So each time you go somewhere, it's a whole new experience and just constant new discoveries."

Diablo 5 is in development and is slated to launch in Spring 2029.

When I first saw the IKEA x Xbox collaboration at this year's Gamescom, I was struck by two conflicting ideas.

With its multi-functional side table, TV stand, and decorative controller box, this is some smartly made furniture with some genuinely helpful uses. Then, with a thumbstick stool and a D-pad cushion, it's also one of the silliest things I've seen.

Taken as a whole, you can see it's a mix of the playful and the practical. After I spoke to designers at both IKEA and Xbox at the show, it turns out that was the point all along.

"That was present throughout the journey because it's important," explained Philip Dilé, product developer for IKEA of Sweden. "Playing games is playful; it is fun. Solving people's needs connected to that can be very functional and practical. We tried to balance that, for sure.

"We wanted to make things that are relevant for people who play games. Something that reflects you, or that you feel allows you to express yourself...but the object itself is a beautiful piece of home furnishing."

It's a philosophy echoed by Carl Ledbetter, partner head of design at Xbox: "Just like when we design a console, it can be as quiet as people want it. They can put it back and let it recede into their environment. Or they can pull it forward and have it be very expressive. And I think some of those same qualities are in these products in the YXSTABY collection."

Ledbetter used the controller display box and the TV stand as examples of this. With the former, it's ideal for enthusiast gamers who like to collect controllers and show off their favorite designs in a dedicated gaming space. Meanwhile, with the latter, it serves a "dual life" — whether it's sitting in the corner while you're watching shows and movies, or wheeled front and centre for an intense gaming session.

"That was a big part of our philosophy: how do we make products that can adapt to how people want to use them? Either be as expressive as possible, or just be part of your world," summarised Ledbetter.

You can see that approach clearly in all of the more practical products from the collection.

Take the side table. Closed up and next to your sofa, it could be mistaken for another piece of clean and minimalist furniture you'd find in IKEA. Open up the sliding doors on the front, though, and inside there's space specifically designed to store controllers, headsets, and battery packs — plus the all-important cable management and power connectivity options you need to keep your tech charged between sessions.

"This came up time and time again: cable management, charging stuff — where do you put it when you're done? People don't want it all over the place," said Ledbetter.

And Dilé agreed: "We looked at it from the perspective of: what does gaming throughout the home look like? Because, of course, people play at their desks, in the living room, on the couch. In so many different ways. For us, it was important to cater for a lot of these different needs.

"And there's one never-ending challenge working for IKEA: cable management. It always comes up over and over again. I think it's a very real frustration for people.

"Take the TV stand, for example. Yeah, you need to have the console there; you need to have somewhere to charge the controllers, somewhere to put a headset. That was one of the benefits of working together with someone like Xbox that knows gaming, and the hardware, and the players. That made the brief really, really clear."

And even though designing for gamers was a big part of their brief, both teams were also well aware that they wanted products that a non-gamer would be happy to live in their home. This meant offering something that wasn't bedazzled with RGB lighting and garish colors.

"You need to cater for gamers, but also for non-gamers or people who are living with gamers, or people who want to have the functionality but still want to have a nice home," said Dilé.

"[We wanted to create] things that maybe your spouse or the people you live with also want to put in your home. These aren't just things that you accept because of your hobby. That was an important balance for us.

"There are so many people who play games, so it’s incredibly diverse. We really wanted to showcase that you can have that [gaming] experience and still have beautiful products that blend into your home to create a nice environment that you want to live in."

That led Ledbetter to reminisce about the first meeting between both parties, where they both discovered they shared very similar design philosophies and were keen to get both of their respective design teams together to bounce around ideas.

The result is this YXSTABY collection — nine products encompassing everything from stools, seats and cushions, to TV stands, storage and display cases — set to launch in October later this year. A weird and wonderful mix of items that speak to both the fun side of gaming and the practical needs in the home.

Ledbetter summed up his hopes for the collection as follows: "Think about it: we create these controllers, and we sell millions of controllers, but we're not in charge of the controller’s home. We make the controller, and then where does it go? We don’t know. So, now, there's this opportunity between IKEA and Xbox to build that home. It felt like a completion of that journey."

Indie games have arguably become a cornerstone of PC gaming, even more so with modern-day entries becoming huge hits such as Hollow Knight: Silksong, Hades 2, and a superhero surprise from developer Adhoc, Dispatch.

In comes Blackwood, a cinematic third-person action indie, set in New York in 2012. You play as Anton Blackwood, an ordinary DVD store owner by day and an assassin by night, taking on contracts and dealing with the challenge of balancing two lives at once.

After playing two hours of Act 1 (the only one available so far) during my short preview at Gamescom 2026, I can see Blackwood's promise. It's quite evident what developer AttritoM7 Productions is aiming for with its gun-fu style gameplay, heavily focused on explosive, cinematic enemy takedowns, intense gun fights, and stylish maneuvers.

Blackwood is very clearly inspired by classic martial arts and gun-fu movies, notably John Wick, and even borrows elements from classic games like Dead to Rights and Max Payne. Players can either choose to challenge enemies in a gung-ho play style, rushing out and executing different takedowns you can pick before setting out on a mission.

A more tactical approach is also possible, staying in cover and strictly going for headshots only (fitting for a John Wick-styled game), which would perfectly suit the hardest game difficulty.

Blackwood nails enemy takedowns, which is easily the one aspect that will keep me coming back to replay missions I can once Act 1 is complete. (Video Credit: AttritoM7 Productions)

The takedowns swiftly shifting straight back into gunplay are where Blackwood absolutely shines, and I can't go without stressing how impressed I am with what AttritoM7 developers were able to pull off there. In so many sequences, I was instantly taken back to those iconic moments in John Wick movies, where Keanu Reeves pulls no punches.

Ultimately, what holds Blackwood back is jankiness in combat, especially during hand-to-hand encounters. During multiple scenarios, there are bugs and stiffness in certain animations from Anton and enemies that I couldn't ignore.

Controlling Anton can be a struggle sometimes, as certain button prompts are unresponsive while in cover, and since enemies can flank the player, that unresponsiveness can lead to some pretty frustrating deaths.

The weapon recoil feels great, and I can see that AttritoM7 designed Blackwood's gunplay to have players make every shot count — which is especially important, since preparing for missions requires you to purchase ammunition with dirty money earned from fulfilling contracts.

However, I set aim assist to its lowest level (minimal), and it felt like the reticle was fighting against my control of the joystick — and it also doesn't help that the ultrawide field of view resolution desperately needs adjusting.

The opening street shootout was a great way to kick the game off, and I very quickly learned that enemies are unforgiving, requiring the player to be wary of a gung-ho playstyle. (Video Credit: AttritoM7 Productions)

Some of the audio in both combat and some NPC dialogue feels a bit out of place too, particularly during one of the early contract missions in a subway station. There are many elements like this, especially involving animations (notably Anton's run and other NPCs' movements), that end up impacting immersion.

Fortunately, while Blackwood isn't launching in early access, its remaining Acts will be released later for free (for existing owners), with Act 2 planned for March 2027 and Act 3 in September 2027 on Steam. Hopefully, with the release of the following content, patches can be made to significantly tweak and adjust those pain points.

Blackwood is a very promising game and has plenty of opportunity to shine among some of the best indie games available. However, it's a little rough around the edges at the moment, and a few steps away from realizing its potential.

• The PC Gaming Show Tokyo Direct airs this Sunday, September 20, at 9am PT / 12 noon ET / 5pm BST
• You can catch the show live on PC Gamer, YouTube, Twitch, Steam, and many more places
• It's going to be a 90-minute show with more than 10 world premieres and will feature more than 35 games

The PC Gaming show Tokyo Direct returns later this week and will feature a whole host of gaming announcements, reveals, and developer interviews.

Airing on Sunday, September 20, at 9am PT / 12 noon ET / 5pm BST / 1am JST (Monday), it will be presented by Frankie Ward.

There's a plethora of different places that you can watch the show online, with all of PC Gamer YouTube, Twitch, X, GamesRadar+, Steam, Bilibili, eCLUTCH, Ginx, ESR Network, Kuaishou, plus many more streaming the Tokyo Direct show.

You can use the YouTube link below to set a reminder — as well as bookmark it for later, of course.

In terms of what we can expect to see in the show, we already know that we'll see more than 35 games from the likes of Devolver Digital, Firefly Studios, The Game Bakers, Total Mayhem Games, Veewo Games, and WuselFaktory, and many more.

There's also going to be more than 10 world premieres, a new trailer for Firefly Studios' real-time strategy game Stronghold 4, a release date reveal of Virtue and a Sledgehammer from Devolver Digital, and a deep dive into New Blood Interactive's retro survival horror game Tenebris Somnia.

You can watch the trailer below if you want a visual teaser for the show, too!

It's time for TechRadar's annual tech awards, and this year we're doing it differently. For the first time, we have a complete set of categories where the winners are chosen 100% by you, the TechRadar readers.

The TechRadar Readers' Choice Awards 2026 comprises nearly 100 categories, but we know that not everyone is interested in voting in every one, so on this page you can vote in just our Computing and Gaming categories.

These include laptops, PC gaming peripherals, console accessories, monitors, gaming services and more. You can vote in the survey just below — or follow the links to see other specific categories, or to vote on the full list instead.

The shortlists were chosen by TechRadar's editors based on the best products we've tested or the most popular products of the year. You'll need to vote before 00:01am PST / 03:01am EST / 08:01am BST on Wednesday October 7th 2026 for it to be counted.

• All categories
• Phones & Cameras
• TV & Audio
• Fitness & Home Tech

Once the deadline has passed at 00:01am PST / 03:01am EST / 08:01am BST on Wednesday October 7th 2026, we'll tally your votes to find the winners in each category.

We'll announce the winners in our big TechRadar Awards 2026 Week, starting Monday October 19th. We'll reveal the winners of the Reader's Choice Awards, as well as the winners of our TechRadar Product of the Year Awards, which are chosen solely by our expert judges.

How many products will do the double? We'll be curious to see — but right now, all you can do is vote for what you think should win, so vote away!

• Sony has revealed two new PlayStation headsets
• They're intended to supersede the previous PlayStation Pulse models
• There's no word on pricing yet

Sony has just unveiled the "next line of PS5 audio products" with two new PlayStation Pulse wireless gaming headsets.

Both models are intended to supersede the old PlayStation Pulse Elite, which was released in 2024. The new PlayStation Pulse Edge boasts custom planar magnetic drivers that deliver "studio-inspired" sound and has eight magnets under the hood.

It comes with a detachable boom mic offering AI noise rejection alongside a USB Type-C adapter and premium carrying case.

Major features include built-in volume controls that integrate with the console's operating system, a game audio and chat balance slider, and active noise cancellation.

The upcoming PlayStation Pulse, in contrast, is positioned as a more entry-level model. It cuts the number of driver magnets down to four, which likely means less bass and reduced clarity. There's no boom mic either, so you need to rely on an integrated microphone instead.

It also loses the game audio and chat balance feature, lacks active noise cancellation, and isn't bundled with any kind of case.

Sony has been quite cagey about pricing, with no word on how much either model will cost on the official PlayStation Blog. This makes it hard to determine whether this refreshed line will offer good value, especially given the abundance of excellent headsets currently offered by third-party brands like SteelSeries and Corsair.

We do know that both models will be available in both white and black, however, and will hit shelves early next year.

They will also connect to the PlayStation Portal out of the box, thanks to their native PlayStation Link compatibility.

Every now and then, a game comes along that doesn’t just entertain and engage me — it totally enraptures me. It stands as a pure work of art that reminds me of exactly why I love this medium and captures the essence of a book you just can’t put down. For me, that’s exactly what Fire Emblem: Fortune’s Weave is — an engrossing experience that I simply can’t get enough of.

This Nintendo Switch 2-exclusive tactical JRPG offers a combination of excellent turn-based combat and rewarding exploration, alongside captivating storytelling and a great cast of characters. And its sheer scale cannot be understated — I’ve spent north of 200 hours in Fortune’s Weave, and there’s still so much more I have to see.

I’ve played through each of the four Flame Lords’ paths and taken the battle to the demonic god Balor, and I’ve got a number of thoughts about gameplay, visuals, and narrative to share. So, without further ado, let’s take a look at why Fire Emblem: Fortune’s Weave is one of the best Nintendo Switch 2 games you can play right now.

Four paths converge

I won’t get into the weeds of the premise in Fortune’s Weave, but to sum up, you’re able to play as four heroes, known as the Flame Lords, as they compete in a grand arena event known as the Heroic Games. The champion of the Games will be granted a wish of their choosing by Divine Sovereign, Solel, who rules over the land of Dagda and its capital, Dagsion.

After completing the brief prologue — which acts as a solid tutorial for newcomers — you can select any of the Flame Lords’ paths and play through them in any order you like from a central hub area. This approach works nicely, as you don’t have to replay the prologue each time you start a new journey, and you’re able to dip in and out of each story as you please.

This makes up Part I of the game, which was probably my favorite overall. Although some cutscenes and quests are the same across the four stories, they still feel distinct and gripping in their own right. Each pathway has a distinct tone and feeling to it, with each Flame Lord having a deeply personal ambition and a unique set of close allies. For instance, the vengeful and skilful Leda is joined by the womanizing bard Sirocco and protective warrior Buccar, whereas Dietrich is partnered with the excitable Esmeralda and bizarre and eccentric missionary, Fabio.

The core cast of characters is truly excellent, but you’ll also be able to recruit more allies as you progress the story, including foes you face in the Heroic Games and parties of interest across Dagsion. Many of these units can be recruited across all four stories, though their recruitment requirements often vary, which encouraged me to experiment with different characters across different stories.

What makes the multi-path system click is that you’ll uncover revelations in one story that answer questions — or even pose new ones — about events in one of the other paths. There are plenty of twists and turns — some perhaps more obvious than others — which change the way you perceive certain characters and add substantial depth to units that may seem less significant on some paths than others.

This cross-path storytelling is done really well, and the narrative is strong, more generally. I won’t spoil anything, but it’s got its fair share of shock instances, touching moments, and character development that help it to hit — and if not, exceed — the standards that the series has set thus far.

Gameplay-wise, things are kept pretty fresh too. Each Flame Lord has specific abilities that they can make use of on the world map and beyond, with Dietrich able to battle warriors and learn their combat arts, Leda capable of holding performances to unlock unique materials, Theodora able to recruit warriors to assign battalions, and Cai skilled enough to wrangle mounts for himself and his allies.

And luckily, all of this comes together nicely in the latter parts of the game. While Part I is more individually tailored to each Flame Lord and their journey through the Heroic Games, paths begin to converge in Part II, known as the War Arc. Again, I won’t spoil anything here, but Part II offers far less variation across each pathway, but there are still some interesting differences in dialogue, and the way you approach battles will likely change considerably.

I loved how the enormity of Fortune’s Weave came together in Part III, though. Here, you’ll be able to unite all of the Flame Lords beside the game’s true protagonist, you. It’s awesome that you’re able to make use of all of the heroes’ unique abilities and even re-recruit old units for the final battle against the demonic lord, Balor.

Being able to bring all of your units, inventory, and abilities into a singular, epic finale is incredibly rewarding and makes building the ultimate army even more enjoyable.

I see grids in my sleep

Let’s delve a bit more deeply into gameplay, which, as you’d expect, is outstanding in Fortune’s Weave.

For the most part, you’ll be battling on classic grid-based battlefields. Honestly, I’ve fought on these so many times I’m starting to see them in my dreams. It's that classic turn-based Fire Emblem that you know and love, with some returning features, like Combat Arts (which provide benefits in exchange for weapon durability) and gambits (in Theodora’s path), for instance.

But there are new mechanics too, like Blaze Arts, which are unique to specific units. By sacrificing HP, Blaze Arts enable you to deal more damage, move further, buff allies, and more. The health trade-off means they don’t feel like a cheat code, and they also fill a blaze gauge, which will burst at a certain point, forcing you to work with reduced HP for the rest of the map.

Standard battles feel brilliantly balanced, and I never felt that difficulty spikes were too severe or that I had to grind much to push past my opponent. When you do want to grind, though, you can enter into a skirmish against foes on the world map, or try your luck in a dungeon.

Dungeons work a bit differently, and you’ll move around a 3D area to face foes in Clash Battles. These are a bit different and combine light action segments with more traditional turn-based JRPG combat rather than tactical grid-based battles. I think that they’re a great option if you want a break from the usual maps and want a faster-paced method for gaining experience or class proficiency for your units.

That’s not to say that the standard maps aren’t engaging though; quite the opposite. There’s some excellent map variety, and some battles will ask more of you than just routing the enemy. In some cases, I had to defeat more giants than my opponents, rescue defenseless citizens from a huge serpent, or even collect missing cargo before thieves made off with it. Battlefields are also delightfully diverse throughout the heroic games, and become even grander as the stakes rise towards the back end of the game.

If at any point you’re struggling, you can make use of Blessings, enabling you to rewind to a previous turn, increase your strength, or reduce the cost of Combat Arts, for example. I kept usage of these to a minimum, as I was playing on the slightly more gracious Normal/Casual difficulty. But there’s also a Hard mode, and you can play Classic (where units are permanently lost when they fall in battle), where Blessings will likely feel a bit more necessary.

All in all, combat is incredibly addictive, varied, and offers impressive depth. Building a squad with the right balance in terms of classes and weapons is massively satisfying, and breaking things up with a bit of dungeon crawling keeps the experience feeling fluid and fun for the game’s full runtime. And given that we’re talking about a title that will take you well over 100, if not 200, hours to finish, that’s an impressive feat in itself.

Beyond the battlefield

Before I wrap up, I want to touch on my experience with Fortune’s Weave outside of battle. There’s quite a bit to do, both within the capital, Dagsion, and in the land of Dagda more broadly.

Dagsion has all of the stuff you’d expect. A training ground to boost your aptitude with specific weapons, a shopping district, an inn for viewing support conversations and restoring motivation (which is used for training and increasing your Blessings level), and an area where you can take an exam for whatever class you want to be.

A lot of your time in Fortune’s Weave will be spent using these facilities to increase your weapon levels, boost support with your allies, and acquire better equipment.

If I were to nitpick, I’d argue that the support grind can become a little tiresome for some units. If you want to recruit a new ally who requires a high support level, it can take quite some time to fill the gauge and add them to your team, though some are easier to add to your roster than others.

There are more things to do, though, like going to the Theater, taking a bath at the Thermae spa, and accepting subquests from distressed townsfolk. Perhaps the most unusual option, however, is Bird Time.

Here, you can feed the Pale Raven (the main protagonist in bird form) to increase your support level for later in the game. Is it a bit goofy? Yeah. Does it get a bit repetitive? Sure. But I kinda love the feeling of getting that sweet ‘perfect bird time’ message when you have a successful interaction with your ally.

Outside of Dagsion, you can enter the aforementioned dungeons, search for materials, enter into some smaller hub areas, and speak with wandering merchants. The world map is easy to navigate, but you’ll only have a set amount of time to explore before the day of the Main Quest arrives. This helps the game to maintain good pacing throughout, and while there’s a ton to explore, it’s broken up with main story goodness in healthy intervals, in my view.

On a technical level, Fire Emblem: Fortune’s Weave is pretty solid too. It keeps a lot of the enticing visual style seen in Fire Emblem: Three Houses, but being a Nintendo Switch 2 exclusive, there’s a clear step-up in terms of resolution, and character models look excellent too. Be it Fortuna, whose vibrant hair pops with eye-catching yellow, or the striking, rich reds of Bertrand, the White-Maned Demon’s clothing, I found myself impressed by the visuals pretty consistently.

Some background textures do look a bit basic, however, and while the game runs smoothly, it’s not targeting a silky 60fps (but this never bothered me, personally).

I also want to shout out the game’s excellent soundtrack, which is more eclectic than you may think. There’s the classic orchestral-style stuff, which creates a real sense of grandeur and high stakes, but there are also spacey, synth-led tunes in the temples, which create ambience and intrigue, as well as electronic music with pumping bass in some mysterious hidden areas.

On the topic of sound, the voice acting is exceptional in Fortune’s Weave. You feel each character’s unmistakable personality through just about every performance, and this only makes you feel more attached to your units. The perfect example is Fabio, whose voice acting is just as outlandish and unusual as you’d hope for the character, though he also has some authentic, impassioned emotional scenes that stole the show. Great stuff all round.

To conclude, then, Fire Emblem: Fortune’s Weave is a masterful tactical JRPG that has it all. Addictive, depth-filled combat, fresh mechanics, a well-paced, multi-layered story, and a likeable cast of characters. It hypnotized me from minute one, all the way to the end, and its careful balance of tight turn-based gameplay and exploration really worked for me. As things stand, I consider Fortune’s Weave to not only be among the best Fire Emblem games in recent memory, but also the best game on the Nintendo Switch 2 thus far.

Whatever you do, don’t skip this one.

Should you play Fire Emblem Fortune’s Weave?

Play it if…

Don’t play it if…

Accessibility features

There are a handful of ways to customize your experience in Fire Emblem: Fortune’s Weave. You can make UI adjustments, like altering the size of the battle minimap, toggling the grid display on and off, you can personalize camera controls and sensitivity, and choose from a number of different subtitle languages.

There’s even an Enemy Masking mode that changes the appearances of insectile enemies if you have arachnophobia or entomophobia. There is no colorblind mode, or similar.

How I reviewed Fire Emblem: Fortune's Weave

I spent just over 200 hours with Fire Emblem: Fortune’s Weave, during which time I played through the main story (including each of the Flame Lords’ individual paths), completed just about every subquest, and recruited countless allies.

For the most part, I played in docked mode, with my Nintendo Switch 2 connected to my Sky Glass Gen 2 TV and Marshall Heston 120 soundbar. However, I did dip into handheld mode now and then, and usually had my Sennheiser CX 80U wired earbuds connected when playing on the go.

More generally, I’ve spent years reviewing gaming software, hardware, and accessories here at TechRadar, where I serve as a Senior Reviews Writer. I’ve covered all sorts of titles, from Switch 2 exclusives like Kirby Air Riders and Yoshi and the Mysterious Book to RPGs such as Dragon Quest I & II HD-2D Remake and Final Fantasy Tactics: The Ivalice Chronicles.

I've also played a number of Fire Emblem titles, including Awakening, The Blazing Blade, and Three Houses.

• StarCraft general manager and creative director Dan Hay says the series' stories and characters are "remarkably topical" today
• Hay says StarCraft and the real world are both like a "frontier"
• He adds that while StarCraft is science fiction, its "themes and characters" are very similar to "the headlines in our world"

StarCraft general manager and creative director Dan Hay has compared real-world events to the series' stories and characters, calling them "remarkably topical."

In a sit-down interview with TechRadar Gaming following the reveal of StarCraft, a first-person, open-world shooter slated to arrive in 2030, Hay discussed the CGI trailer that debuted at BlizzCon and explained that the team wanted to portray the "tension" that will come with this new story-driven adventure.

The developer also said that building the "stakes" was just as important; he couldn't dive too much into the narrative details, but Hay touched on the series as a whole and its storylines that explore "imperfect" characters, suggesting the new StarCraft will examine similar topics.

"The way in which you are a hero is that you are going to learn how to become one," Hay said. "The way in which you are a hero is that you are going to learn how to become one. So it's not perfect, right? And that's the thing about StarCraft: a lot of the characters are not perfect; they're imperfect, and even the villains are.

"They have an idea of what you think they are at the beginning of the game, and then by the end of the game, you realize, oh, they were something completely different. And I think what's powerful about StarCraft."

Hay continued, saying that when you look at StarCraft's stories and the characters you meet, they're "remarkably topical" to the events unfolding in the real world.

"When you think about our world today, and you think about what is StarCraft? It's a bit of a frontier," he said. "It's obviously a frontier. There's asymmetry in terms of factions that don't agree with each other. There's brinkmanship going on where one faction is being used against another. [In] a lot of cases, it's just over resources.

"A lot of the cases there's politics, and there's intrigue, and there are people being left behind and betrayed, and when you look at that, and then you look at the headlines in our world, it's not super far [apart] in terms of how it feels sometimes. So you feel that tension, and you felt that tension in the teaser [trailer]."

Hay concluded: "I think what's remarkable about StarCraft is that it feels real, and it feels like it translates quite easily into today. And even though it's science fiction, and even though it has this sense of being in this other universe, it feels very close in terms of themes and characters and moments that you could experience today."

• StarCraft's first-person perspective will offer a new sort of "tension"
• General manager and creative director Dan Hay says the tension is "subtly different" from the original RTS game
• Since the game is in first-person, "You have to protect yourself"

StarCraft general manager and creative director Dan Hay has explained the process of designing a new game in first-person, revealing that "tension" was crucial.

Blizzard's next StarCraft game won't be a real-time strategy (RTS) title, but a story-driven, open-world first-person shooter, which will be a fresh direction for the beloved series.

Hay, who discussed the game's inspirations with TechRadar Gaming at BlizzCon, explained that because of the new perspective, this meant the team had to think carefully about how to manage a combat system, the world, and enemies of StarCraft in a new way, while still being faithful and familiar to the original RTS game.

"The combat has to feel very, very clean and dangerous and mean and dark," Hay said. "I think StarCraft does that well. The mood is dark, but also, in a strange way, hopeful."

Without giving away too many details, the developer said that the team has to make the enemies the player is fighting "feel real" while also balancing the challenge of what it's like being inside 10-foot armour that weighs 1000 pounds.

"It's because the thing that's out there is going to try and shuck me like an oyster," he continued. "The thing that's out there is going to try and just flay me open, and eat my insides. And so we have to build it in such a way that it all makes sense, which means when you move, when you attack, when you shoot, it has to feel real, and then whatever it is that's attacking you — which we all know what's probably going to be attacking you — it has to feel like it's an onslaught where you have to stem the tide, you have to figure out a way to stop that biomass from attacking you, and it has to feel real."

Hay said the "key" to designing this experience was "tension," which players got a glimpse of in the CGI trailer, adding that it's the same tension from the RTS "but it's subtly different."

In the RTS game, players would be confronted with a wall of Zerg enemies, and that would be the tension, but in StarCraft, a first-person experience, the top-down perspective is gone.

"Now your boots on the ground," Hay said. "We have to give you the tension of deployment, and you saw us actually do that in the teaser, and then we have to give you the tension of there not being a whole bunch of marines around that you can just go through. It's you. You have to protect yourself. You have to figure out how to fix your armor. You have to figure out how to push back against it.

"Every shot matters. Everything you do matters. So the tension feels even greater."

StarCraft is currently in development and is set to arrive in 2030.

Wo Long 2: Wings of Ember feels like a massive step up from its predecessor, purely from a combat standpoint. With a large variety of weapons to use, several character and weapon abilities to unlock, and armor to find while exploring, there's so much to look forward to at launch.

I played a demo of Koei Tecmo's upcoming title via the Xbox booth at Gamescom 2026, and was left thrilled by just how approachable Wo Long 2: Wings of Ember feels. As a soulslike, it can certainly be punishing, especially when fighting foes above your character's level.

However, Koei Tecmo has given players more than enough ways to battle, with different deflect combinations, standard blocking, and smooth movement for evading in and out of danger zones during combat.

Using the new nunchucks weapon felt like I was stepping into Bruce Lee's shoes, easily flying through standard enemies and deflecting their unblockable attacks. The finishers and overall speed of combat are very much PlayStation 2-esque, almost reminiscent of the stylish combos and animations in Capcom's God Hand.

Enemies often spam unblockable attacks, but the great thing is the attack patterns are very well designed, as they're easy to react to without unfair or nearly indecipherable movements — which is an issue I've had with most soulslike games over the years.

Similar to many soulslike games, though, Wo Long 2: Wings of Ember encourages players to build a build that caters to a specific play style, specifically based on which weapon one decides to use.

Levelling up different elements like wood, fire, water, earth, or metal virtues increased specific base character stats, element abilities, and ultimately improved proficiency with particular weapons.

Since I used wooden nunchucks throughout my playtime, I chose to upgrade the wood virtue, which aided me with more damage against enemies.

If you're fast enough at deflecting, Wo Long 2: Wings of Ember features some of the most satisfying back-and-forth combat against regular enemies and mini-bosses, and that's right up my alley. (Video Credit: Koei Tecmo)

Wo Long 2: Wings of Ember carries the levelling system from its predecessor and builds upon it, but the additional aspects to combat elevate it to a far more exciting level.

I never finished the first entry, Wo Long: Fallen Dynasty, but I was already very impressed by its fast-flowing gameplay and accessibility, which Koei Tecmo looks to be doubling down on in this sequel.

Story sequences were kept short in my preview, but honestly, gameplay is where the focus is with Koei Tecmo's upcoming entry. If my short demo is anything to go by, I can only expect Wo Long 2: Wings of Ember to deliver for stylish combat fanatics like me when it launches early in 2027 on PS5, Xbox Series X, Xbox Series S, Nintendo Switch 2, and PC.

Good morning! Let's play Connections, the NYT's clever word game that challenges you to group answers in various categories. It can be tough, so read on if you need Connections hints.

What should you do once you've finished? Why, play some more word games of course. I've also got daily Strands hints and answers and Quordle hints and answers articles if you need help for those too, while Marc's Wordle today page covers the original viral word game.

SPOILER WARNING: Information about NYT Connections today is below, so don't read on if you don't want to know the answers.

NYT Connections today (game #1193) - today's words

Today's NYT Connections words are…

• FRANK-N-FURTER
• LATIN
• CLINK
• PENNYWISE
• WADSWORTH
• NICKELODEON
• BORAT
• LONG JOHN
• SILVER
• ST. VINCENT
• STEAM IRON
• WIDENER
• DIMENSION
• QUARTERBACK
• CARLOS
• MARIGOLD
• BARRETT

NYT Connections today (game #1193) - hint #1 - group hints

What are some clues for today's NYT Connections groups?

• YELLOW: Metallic final
• GREEN: Begin with currency
• BLUE: Middling wordsmiths
• PURPLE: Hot dogs etc

Need more clues?

We're firmly in spoiler territory now, but read on if you want to know what the four theme answers are for today's NYT Connections puzzles…

NYT Connections today (game #1193) - hint #2 - group answers

What are the answers for today's NYT Connections groups?

• YELLOW: ENDING IN METAL ELEMENTS
• GREEN: STARTING WITH U.S. COINS
• BLUE: POETS' MIDDLE NAMES
• PURPLE: SAUSAGES PLUS A LETTER

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

NYT Connections today (game #1193) - the answers

The answers to today's Connections, game #1193, are…

• YELLOW: ENDING IN METAL ELEMENTS: LATIN, LONG JOHN SILVER, MARIGOLD, STEAM IRON
• GREEN: STARTING WITH U.S. COINS: DIMENSION, NICKELODEON, PENNYWISE, QUARTERBACK
• BLUE: POETS' MIDDLE NAMES: BARRETT, CARLOS, ST. VINCENT, WADSWORTH
• PURPLE: SAUSAGES PLUS A LETTER: BORAT, CLINK, FRANK-N-FURTER, WIDENER

• My rating: Hard
• My score: Fail

This is the first game of Connections I’ve lost in months, so hopefully I wasn’t the only one to find it confusing.

The main reason for my downfall was the actor Tim Curry, as I knew that he had starred as Dr FRANK-N-FURTER in The Rocky Horror Picture Show and as PENNYWISE in Stephen King's It. After three attempts at forming a Tim Curry group (I have subsequently discovered that he also played a character called WADSWORTH in the film version of Clue) I changed tack and spotted STARTING WITH U.S. COINS.

With just eight tiles left I should have got over the line. Alas, utterly in the dark, I connected four random tiles and accepted my loss.

Kudos if you completed this very hard game.

Yesterday's NYT Connections answers (Tuesday, September 15, 2026, game #1192)

• YELLOW: INSTRUCT: COACH, DIRECT, GUIDE, TRAIN
• GREEN: PARTS OF A WHISTLING KETTLE: HANDLE, LID, SPOUT, WHISTLE
• BLUE: UNDERCOVER OPERATIVE: ASSET, MOLE, PLANT, SLEEPER
• PURPLE: THINGS THAT APPEAR AT THE END: CABOOSE, DECEMBER, DESSERT, EPILOGUE

• Diablo 5 will have features inspired by Diablo 2 and Diablo 2: Resurrected
• Senior game director Joe Shely says the team was able to look at Resurrected for modern inspiration because it's so recent
• He says the team can "look at it through today's lens"

Diablo 5 senior game director Joe Shely has said that the success of Diablo 2: Resurrected has enabled Blizzard to use the game as modern inspiration for the upcoming sequel.

In an interview with TechRadar Gaming at BlizzCon following Diablo 5's announcement, Shely shared how previous games helped the team find modern inspiration for Diablo 5.

Instead of going back 20 years and just looking at Diablo 2, the team used its 2021 remaster, Diablo 2: Resurrected, for ideas. The developer said the game was brought to life thanks to the passionate fanbase, and the continued work on it has benefited Diablo 5's development.

"Certainly we've been very happy with the response to Diablo 2: Resurrected," Shely said. "The reason that Diablo 2: Resurrected exists is because of the continued passion of players in the first place, because of the continued passion of players for Diablo 2, and so both the honor of having a game that players love and the ability to add new content to it has given us the opportunity to look at it in terms of inspiration."

Resurrected's itemization system, from weapons, loot, and armor, is one of the core features that Blizzard used as inspiration; Shely also said the game's modern features were just as important because it was created and released so recently.

"Because Diablo 2: Resurrected exists today alongside Diablo 4, we can look at it through today's lens, and not just have to go back to, you know, 20 years ago, and think about how to bring lessons forward from 20 years ago. We can bring lessons from D2, but lessons from today."

Diablo 5 is in development and launches in Spring 2029.

• StarCraft general manager says that approaching the concept of scale was one of the biggest challenges in switching to the shooter genre
• The shift from real-time strategy to an open world also introduced a huge change in perspective
• But one of the biggest individual challenges was simple

The next StarCraft game will shift to an entirely new genre, jumping from real-time strategy (RTS) to an open-world shooter. The change led to some broad development challenges — as well as some very specific ones.

In an interview with TechRadar Gaming at BlizzCon 2026, when asked about the development challenges in taking the RTS to another genre, StarCraft general manager Dan Hay gave one very particular example: "Was there a specific challenge? Doors."

Yes, doors. Literal doors.

"If you're 10 feet tall and you're wearing something that weighs 1,000 pounds, doors are a challenge, and we had to figure out how to make our doors [work in] that perspective," described Hay. "It's like, how does it all work?"

Hay went on to say that devs need to make "sure that the world feels logical" and that it "doesn't feel weird" to players.

Hay added: "You've got to be able to play with that perspective, and so from the standpoint of building the world and making sure that the world was logical, and that when I walked up to a door it [opened] and also worked for somebody who's in armor or not".

Beyond the simple challenge of doors, however, Hay did add that size and spectacle were a sticking point: "I think you got to think about scale, right? Because the moment you adjust a perspective, [everything] looks completely different to us".

Annalee Hartling, associate manager of development operations for StarCraft, went on to talk about the sense of scale being very impactful.

"When I saw the trailer, the most impactful portion of it for me was the barracks. The barracks flying in and seeing it from the perspective of every nook and cranny, not looking at it from above.

"I'm not seeing just the top of it. I'm looking at it from the point of view of it landing landing [in front of me], and those jets are going to come out, and the feet are going to come out, and they're going to they're going to touch the ground."

That sense of perspective and scale in an open-world shooter game was "incredibly powerful for a player," said Hartling. "It's emotional, it's fascinating, and it's beautiful," they continued.

StarCraft is set to launch in 2030.

Update - Discord now says that it has implemented a fix and that services are recovering. The rest of the story remains as originally published below.

• The gaming chat service Discord appears to have gone down
• Users are reporting that the app is not loading
• Discord says there are problems affecting availability right now

Popular gaming chat service Discord appears to have gone down, with many users reporting that they are currently unable to access the app on social media.

It's unclear which regions are affected right now, but here in the UK, I can no longer open the desktop application. The mobile app seems to be functioning properly, though, and I am able to both send and receive messages for the time being.

Those in the US also appear to be having problems, with many taking to X in order to voice their frustrations.

"Discord went down as soon as I was about to text somebody," wrote one user in a post that has already racked up hundreds of likes.

Another quipped: "This is devastating for people who don't take showers."

At the beginning of this apparent outage, the official Discord status page reported that all servers were operational. It has since been updated to report an issue with "session availability" and states that the team is currently investigating.

It's unclear how long these issues will last, though I would recommend using alternative chat services for the time being until service has been fully restored.

This story is developing and will be updated shortly.

• IGN asked Valve if the RAM crisis would impact the Steam Deck 2
• Valve engineer Pierre-Loup Griffais said "not really", but added: "It's just a matter of looking at the current conditions and seeing how and when we can deliver"
• This is effectively saying that the spec won't be compromised, but the release timeframe might slide

Valve is sticking with its plan for the Steam Deck 2 in terms of ensuring that the sequel will be a proper generational leap compared to the existing handheld.

IGN interviewed Valve engineer Pierre-Loup Griffais (along with Jeff Leinbaugh) and brought up the subject of whether the RAM crisis – which appears to be intensifying in an unpleasant manner as this year rolls on – would affect the Steam Deck 2.

When asked if the memory supply shortage had changed Valve's plans for the sequel of the Steam Deck, Griffais said "not really", adding "We've talked before about how we want to make sure there's a very delineated performance improvement for something like a future Steam Deck, and I think we're still looking at it in the same way."

Griffais continued: "It's just a matter of looking at the current conditions and seeing how and when we can deliver something like that. But from what we're working on, as far as the user experience goes and what the product that we're trying to build goes, it's very similar goals."

In other words, Valve still wants to make the Steam Deck 2 a major leap in handheld performance, and the only thing that pricier components (not just system RAM, but other elements of the device) will mean is that the "when" of the delivery timing might be altered.

So, I read this as essentially hinting that the release timeframe could be pushed back, but ultimately the spec of any Steam Deck sequel is not going to be messed with due to any component price rises.

Analysis: value is more important than timing

I think this is a sensible stance. Having clearly laid out its stall from the get-go, shortly after the launch of the Steam Deck, in terms of making the sequel a considerably more powerful handheld, Valve can't go back on that really.

Well, it could, but it wouldn't be a good look, and I think this is basically what Griffais is getting at with that key "how and when we can deliver" comment. The Steam Machine being released at a less-than-ideal price hasn't done Valve's reputation any favors, and a lot of gamers have been seriously disappointed with the end result in terms of value there. I don't think that Valve can take the risk of a repeat performance with the Steam Deck 2, as that'd further erode the goodwill of gamers.

Personally, I'd prefer Valve to wait until after the RAM crisis has (mostly) blown over before introducing the Steam Deck sequel – even if that means a long delay, and the memory shortage continues for the rest of this decade (as some are predicting). I'd rather have a performant handheld with a palatable price tag – and wait however long that may take – than something that's expensive arriving sooner.

It sounds like Valve is very much thinking along those same lines, perhaps not surprisingly given that RAM-driven price hikes have reportedly had quite a negative impact on Steam Deck sales in recent times.

• PUBG: Dednet was revealed at Gamescom 2026
• The upcoming shooter has roguelike elements and crazy abilities
• Creative director Dave Curd says the game is meant to bring the franchise "to an audience that hasn't historically connected with it."

Upcoming PUBG: Battlegrounds spinoff Dednet is intended to bring the franchise to a whole new audience. Revealed at Gamescom 2026, Dednet is a multiplayer shooter with a smattering of roguelike elements.

Speaking to TechRadar Gaming at the show, creative director Dave Curd explained how Dednet fits into the wider battle royale franchise.

"We're already getting into what PUBG is as an IP and what makes PUBG, PUBG," he said. "For me, it's not necessarily a closing circle or a level three helmet. PUBG is desperate survival. It's a dark sense of humour. It's survival of the fittest.

"Dednet is kind of my attempt at spreading the gospel of PUBG to an audience that hasn't historically connected with it."

Curd also said that the game is being "developed console first" with matches that unfold at a much faster pace. "We're faster, leaner, and meaner, taking more fights and coming back."

Persistence is an important part of the formula too, with each match progressing you in a way that carries forward into the next.

He continued: "Between every match, you're gaining crazy abilities like sliding like a snake or having blade hands, and you're also gaining funny injuries like fumbling your weapon or sneezing in smoke. All on your way to chase a perfect build."

He described the team's overall mission as "to create an unhinged, f***** up adult sandbox" that allows "players [to] tell interesting stories."

In the same interview, the creative director also touched on how the '90s-inspired multiplayer shooter stands out with its zany abilities and unique style.

Although there's no official release date yet, players can pre-register for the closed beta now for an early taste of the action.

• StarCraft will have the same "gritty" vibes as the original real-time strategy (RTS) game
• General manager and creative director Dan Hay says the game was also influenced by the "interstellar western" of the original
• Associate manager of development operations Annalee Hartling says watching the trailer was "emotional"

StarCraft will adopt the same "gritty" atmosphere of the original real-time strategy (RTS) game, according to Blizzard Entertainment.

If you missed it, a new StarCraft game was announced at BlizzCon 2026, but unlike its predecessors, the title will take a new turn for the franchise and is a story-driven open-world shooter.

Speaking to TechRadar Gaming at BlizzCon, StarCraft general manager and creative director Dan Hay discussed the action-packed CGI trailer that debuted at the event and revealed the team's inspirations for the sequel.

"What I loved about StarCraft, the original, was that it was gritty, that it felt like it was on a frontier," Hay said. "It felt like a western. It felt like an interstellar western. That's what it felt like to me."

He continued by reminiscing about his time playing the original RTS game, explaining that he wanted to adapt the experiences he had in the new StarCraft, including the music, characters, and lore.

"From the music, to the characters that I met, to the people that I ran into, to the moments that I had, to the entire lore of it, it felt like a gritty, sometimes dirty, [and] not ] perfect world, and it made the asymmetry of the different factions feel even better because it felt very real. Because our real world has asymmetry to it.

"And so I think leveraging that and putting that into this world was key for us."

Associate manager of development operations Annalee Hartling also shared her reaction to the trailer, saying that the moment you see the barracks flying in and touching down, not from a top-down perspective, but a more intimate angle, was "the most impactful portion of it" for her.

"Living that moment was like my childhood, you know?" Hartling said. "My early days of gaming had come alive. I'm like, 'This is what I've been waiting for.' I wanted to see that and have that emotion of, like, this barracks hitting the ground and then opening up, and I'm able to walk out and look. Oh my goodness, that is incredibly powerful for a player.

"I think, at least from my point of view, it's emotional, it's fascinating, and it's beautiful. So having that perspective of being boots on the ground down there, seeing it all happen, and then whatever else happens to be outside those doors when you come through the barracks."

StarCraft is slated to launch in 2030.

• Tomb Raider: Legacy of Atlantis experience director Jeff Adams confirms "no old code exists" for the original 1996 game
• This meant Crystal Dynamics had to build the game from the ground up on Unreal Engine 5
• Adams says the engine also allowed the studio to create its own custom tech for the "reimagining" of the classic title

Crystal Dynamics has explained why it chose to build Tomb Raider: Legacy of Atlantis from the ground up, instead of doing anything close to a remake of the 1996 game, revealing that no source code exists.

In a Q&A at Gamescom following an exclusive presentation that TechRadar Gaming attended, experience director Jeff Adams discussed what he's previously called a "reimagining" of the original Tomb Raider game and what it meant for the development team, who built the game from the ground up using Unreal Engine 5.

"We are in Unreal Engine 5," Adams said, "no old code exists. We are basically taking it and remaking it, or not remaking, reimagining it. We are bringing it from the ground up."

When asked to talk about how effective Unreal Engine 5 has been for the team, Adams explained that it enabled them to "have our own custom implementation for physics in the engine," which means engineering their own features, custom physics, and general upgrades; this made Legacy of Atlantis a true, modern reimagining.

"Unreal creates a really great sandbox platform for building a game, but when we're making a specific type of experience, we're going to have things that we really want to target and get to a right fidelity level where we're happy with it," the developer continued.

"So while things like Nanite and Lumen [UE5's technologies that offer realistic graphics capability] allow us to make a beautiful game environment, there might be some things that we're saying, 'Hey, we wish it could do this a little bit better.' That's when we'll break out and say, our engineers will create something custom that helps solve that issue, so that we can make sure that we're delivering an authentic Tomb Raider experience on Unreal."

He added that Lara Croft's long braid, which reacts to her movement, is "a perfect example of that."

Tomb Raider: Legacy of Atlantis launches on February 27, 2027, for PlayStation 5, Xbox Series X and Series S, Nintendo Switch 2, and PC.

Good morning! Let's play Connections, the NYT's clever word game that challenges you to group answers in various categories. It can be tough, so read on if you need Connections hints.

What should you do once you've finished? Why, play some more word games of course. I've also got daily Strands hints and answers and Quordle hints and answers articles if you need help for those too, while Marc's Wordle today page covers the original viral word game.

SPOILER WARNING: Information about NYT Connections today is below, so don't read on if you don't want to know the answers.

NYT Connections today (game #1192) - today's words

Today's NYT Connections words are…

• PLANT
• COACH
• WHISTLE
• DESSERT
• HANDLE
• CABOOSE
• DECEMBER
• SLEEPER
• DIRECT
• TRAIN
• LID
• ASSET
• SPOUT
• MOLE
• EPILOGUE
• GUIDE

NYT Connections today (game #1192) - hint #1 - group hints

What are some clues for today's NYT Connections groups?

• YELLOW: Tell someone what to do
• GREEN: Used to boil water for tea
• BLUE: Secret agent
• PURPLE: Tagged on

Need more clues?

We're firmly in spoiler territory now, but read on if you want to know what the four theme answers are for today's NYT Connections puzzles…

NYT Connections today (game #1192) - hint #2 - group answers

What are the answers for today's NYT Connections groups?

• YELLOW: INSTRUCT
• GREEN: PARTS OF A WHISTLING KETTLE
• BLUE: UNDERCOVER OPERATIVE
• PURPLE: THINGS THAT APPEAR AT THE END

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

NYT Connections today (game #1192) - the answers

The answers to today's Connections, game #1192, are…

• YELLOW: INSTRUCT: COACH, DIRECT, GUIDE, TRAIN
• GREEN: PARTS OF A WHISTLING KETTLE: HANDLE, LID, SPOUT, WHISTLE
• BLUE: UNDERCOVER OPERATIVE: ASSET, MOLE, PLANT, SLEEPER
• PURPLE: THINGS THAT APPEAR AT THE END: CABOOSE, DECEMBER, DESSERT, EPILOGUE

• My rating: Hard
• My score: 2 mistakes

I knew that CABOOSE is the car at the back of a train, but it took me three guesses to get the other three tiles for THINGS THAT APPEAR AT THE END.

My error was including LID and HANDLE instead of DECEMBER. Obvious when you see them all together.

Anyway, I was delighted to score my 54th 'Purple first' despite the struggle to get there.

The other groups were then easier to put together — my lifelong tea addiction and current Slow Horses binge being in my favor with PARTS OF A WHISTLING KETTLE and UNDERCOVER OPERATIVE.

Yesterday's NYT Connections answers (Monday, September 14, 2026, game #1191)

• YELLOW: WATERBIRDS: COOT, GOOSE, LOON, TEAL
• GREEN: INFORMANT: CANARY, RAT, SNITCH, STOOLIE
• BLUE: COMMON SINGLE-USE PLASTIC ITEMS: BAG, CUTLERY, STIRRER, STRAW
• PURPLE: ____GRASS: BLUE, CRAB, LEMON, WHEAT

• Apple is reportedly working on Beats-branded game controllers for iPhones
• Mark Gurman says Apple has been working on them for almost a year
• Gurman suggests the Beats team is leading on both 'product engineering and conception'

Apple seemingly continues to show its devotion to gaming with something that's in the pipeline for iOS gamers.

As reported by PC Mag, macOS 26.7 code references two unreleased iPhone game controllers, and Bloomberg's Mark Gurman suggests Apple has been working on them for almost a year. More importantly, though, Gurman says these controllers could launch under the Beats brand.

The controllers are codenamed T6502 and T1057 according to MacRumors (which discovered the references), with different haptic designs alongside a standard game controller's features. Beats, which was acquired by Apple in 2014, is a brand often used for its own popular audio products (of course), but also for USB-C cables and some iPhone cases.

Now, it appears as though Beats may well represent gaming accessories for Apple going forward, and Gurman claims these controllers are being led by Beats executives in both "product engineering and conception".

It's a potential move that comes at a convenient time for iPhone owners intrigued by gaming, as the RAM crisis continues to impact the PC hardware and games console market. Gurman observes that Apple sees gaming accessories such as those for phones as a "growing market and wants in".

Game controller and speaker hybrid?

If this does indeed happen, it seems somewhat bizarre to have Beats producing game controllers, as it's quite a switch from the traditional audio products. Fortunately though, it opens the door to some surprising designs, and I'm thinking specifically of the audio side of the equation when connecting the purported controllers to an iPhone.

Maybe Beats could look to do something similar to Asus and its ROG Phone AeroActive Coolers, which feature shoulder buttons for gaming alongside a built-in subwoofer for a significant boost in bass and audio quality. No, these ROG peripherals aren't full game controllers, but they effectively illustrate what could be realized with a hybrid speaker and controller combo.

Based on the brief design description from the references found in macOS, alongside Gurman's report, it's hard to say that the rumored peripherals will be anything other than simple controllers. But there are presumably opportunities for clever design twists, particularly given the Beats branding.

If this Beats rumor turns out to be true, it's clear that Apple is looking to serve a market that is growing amid the RAM crisis, and hoping to leverage the accessibility that comes with iPhones for gaming.

• Krafton announced PUBG: Dednet at Gamescom this year
• The '90s-inspired shooter features some bonkers abilities
• "We're kind of finding our own way here," explains game director Dave Curd

Players slithering along the ground like snakes, swords for hands, a tiny doll wielding a power drill driving in a toy car — some of these wild sights seen in the debut trailer for PUBG: Dednet seem completely at odds with the realistic and reserved approach the defining battle royale series is known for. When I bring this up to the game's creative director, Dave Curd, he tells me that is entirely the point.

"If you want to excite and delight people, you have to give them something fresh," he says me in an interview at Gamescom. "If you want a cool, stoic, mil-sim, take your pick; they're everywhere. But what everyone else can't do, and maybe they don't want to, is my take on this world, this lore, these characters, these abilities."

Curd explains that the tone of PUBG: Dednet is like "my version of the 90s filtered through a meatgrinder," and you can certainly see that from the debut trailer. It's zany, over-the-top, and drenched in color, with gunfights taking place in arcades, car chases through rural towns lit up by neon signs, and a grungy, punk vibe throughout. Safe to say, it stands out.

"The audience will forgive almost anything but being bored," suggests Curd. "So, I think this trailer will get a lot of love and hate.

"As long as they're feeling something passionately, I think we've done a good job," he continues. "But if people look past that and their eyes glaze over, then that would be worrying."

While Dednet is still effectively a battle royale, pitting multiple teams of three against each other in a contest to be the last ones standing, it continues to mix things up not just in the tone and character abilities, but also in how your game progresses over time with several roguelite elements.

It starts with the concept of runs, where you might nominate how many wins or placements you can achieve before you hit a certain number of losses. Win or lose, at the end of a match, you're presented with choices that can alter or upgrade your chosen character's abilities and play style.

Perhaps you'll lean into more of a support role to assist your teammates with heals or protection with a riot shield made out of a car door? Or maybe you'll take that aforementioned doll, who can ride on your back into battle or stealthily sit on your opponent's shoulder and be a nuisance.

"I'm pretty confident this isn't going to be in this year's Battlefield update," jokes Curd, when explaining how they came up with abilities like this for the multiplayer shooter. "I think our internal test is: does it make us laugh? Does it sound like an interesting challenge? And do we think about it the next day? We're kind of finding our own way here."

That neatly summarises how Dave Curd and the team are experimenting for PUBG: Dednet to create something unique and interesting in the space. It definitely caught my eye during this year's Gamescom, and if it got your attention too, you can pre-register for the closed beta now.

• Warlock: Dungeons & Dragons has a smaller spell set, each with multiple uses, for controller accessibility
• Invoke studio head Dominic Guay says this also means the combat won't slow down if there were a spell wheel
• He says there's also a bit of "resource management" to spells, and players will need to blend melee and magic combat

Invoke Studios has confirmed that Warlock: Dungeons & Dragons has a smaller spell set, with each spell offering multiple uses, rather than a large variety, mainly for controller accessibility.

That's according to studio head Dominic Guay, who told TechRadar Gaming in an interview at Gamescom that a smaller spell set opened up new playable opportunities, making combat more approachable on a controller while also keeping the action fast-paced.

This meant abandoning a classic spell wheel and narrowing its spell options, so they're all accessible on the gamepad.

"The breakthrough for us, it started with making direct access to these spells on the controller," Guay said. "A lot of games in the past where you had powers or spells, you had a lot of stuff to select from, and that's cool, and that was even our first reflex. But when you do that, you slow things down, and there's a limit to going through a wheel and choosing powers. There's a limit to that."

He added, "By making everything accessible on a controller, we started playing with our spells a lot more."

During the same interview, Guay explained why the team chose a warlock protagonist, saying "creative magic" was central to the story and gameplay.

The studio head also said it was a challenge to manage the game's magic system because, when you consider Dungeons & Dragons, "it can do everything," and Invoke needed to pick its spells wisely.

"Instead of adding like 100 spells, we thought, let's have less, which makes sense for a warlock also," he continued, "and let's make them more multiple-use cases, connect them, one to another. Connect them with some enemies. The way these enemies behave in a challenge."

Spells, which are anchored to magic objects, tomes, monsters, and more, also have their own upgradeable skill trees and can be used alongside melee combat. This creates a "rhythm," with Guay explaining that players can't just stick to long-range spells and will need to go into close quarters with enemies, which works well for protagonist Kaatri, a warrior-turned warlock.

Players can use spells to set up enemies, giving them an "advantage" for critical hits, and there are various ways to do this with different types of enemies.

"There's a bit of resource management too. You can't just do spells forever," Guay said. "There's a point where you're going to be low on ability to cast spells, so you're going to have to get in there at some point."

Warlock: Dungeons & Dragons launches in 2027 for PS5, Xbox Series X, Xbox Series S, and PC.

• StarCraft is making a shift from the real-time strategy genre to the open-world shooter genre
• The development team realised during early discussions that "we weren't talking about a game from above"
• According to StarCraft general manager Dan Hay, "it was boots on the ground every time" when the team was talking about the game

The process of StarCraft shifting from real-time strategy to open-world shooter emerged naturally from repeated team discussions about "the story we wanted to tell," as well as in-game moments, armor, exploration, discovery, and the desire to experience the world from ground level, according to the game's general manager, Dan Hay.

In an interview with TechRadar Gaming at BlizzCon 2026 in Anaheim, Hay went on to describe the process that will see the series' perspective change entirely in the next StarCraft game: "Every time we drew a picture or every time we talked about it, it was boots on the ground every time."

These conversations then snowballed, gathering up other game features and elements, it seems, which kept the direction of travel going towards taking StarCraft into being a shooter. "We started to talk about perspective and how that's going to work; we started to talk about the armor, and we started to talk about what could attack that armor and how it could rip it apart if it needed to.

"We would talk about things with the characters [too], and we started to very quickly realize we weren't talking about a game from above; we were talking about a game down on the ground where you felt every inch of the game," described Hay.

He added, giving a nod to the narrative in store for players when StarCraft releases, that it was obvious that the game would be "down on the ground, and that just made sense for the story."

But as well as changing the player's perspective from looking down to looking out and around, the team looked at this change for the series to embrace the open-world exploration and discovery aspects of the upcoming game.

"[We wanted to] make sure that there is an opportunity to explore. Make sure that there's an opportunity to discover. See a thing off in the distance and go — 'is that something that I saw from the first game? Is it?' And then head off to it."

StarCraft was teased with a cinematic trailer at BlizzCon 2026 and is slated to release in 2030.

Good morning! Let's play Connections, the NYT's clever word game that challenges you to group answers in various categories. It can be tough, so read on if you need Connections hints.

What should you do once you've finished? Why, play some more word games of course. I've also got daily Strands hints and answers and Quordle hints and answers articles if you need help for those too, while Marc's Wordle today page covers the original viral word game.

SPOILER WARNING: Information about NYT Connections today is below, so don't read on if you don't want to know the answers.

NYT Connections today (game #1191) - today's words

Today's NYT Connections words are…

• STRAW
• CRAB
• COOT
• LEMON
• BLUE
• CANARY
• TEAL
• RAT
• LOON
• BAG
• WHEAT
• CUTLERY
• SNITCH
• GOOSE
• STIRRER
• STOOLIE

NYT Connections today (game #1191) - hint #1 - group hints

What are some clues for today's NYT Connections groups?

• YELLOW: Aquatic fowl
• GREEN: Tell-tale
• BLUE: Disposable things
• PURPLE: Add a green word

Need more clues?

We're firmly in spoiler territory now, but read on if you want to know what the four theme answers are for today's NYT Connections puzzles…

NYT Connections today (game #1191) - hint #2 - group answers

What are the answers for today's NYT Connections groups?

• YELLOW: WATERBIRDS
• GREEN: INFORMANT
• BLUE: COMMON SINGLE-USE PLASTIC ITEMS
• PURPLE: ____GRASS

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

NYT Connections today (game #1191) - the answers

The answers to today's Connections, game #1191, are…

• YELLOW: WATERBIRDS: COOT, GOOSE, LOON, TEAL
• GREEN: INFORMANT: CANARY, RAT, SNITCH, STOOLIE
• BLUE: COMMON SINGLE-USE PLASTIC ITEMS: BAG, CUTLERY, STIRRER, STRAW
• PURPLE: ____GRASS: BLUE, CRAB, LEMON, WHEAT

• My rating: Hard
• My score: 3 mistakes

This was a really difficult game for me, although thankfully the frustration didn’t extend beyond the first group.

Seeing COOT and GOOSE I automatically knew we were looking for bird-themed tiles, but I didn’t see that we were looking for WATERBIRDS and kept on trying to include CANARY. I got there eventually though, after remembering that TEAL was a type of duck.

From here, I completed the other groups in difficulty order — although after looking at the four groups afterwards, purple seemed the easiest of the lot.

Yesterday's NYT Connections answers (Sunday, September 13, 2026, game #1190)

• YELLOW: LACKING IN FIRMNESS: DROOPY, FLACCID, SAGGING, SLACK
• GREEN: U.S. PRESIDENTS: CLEVELAND, GARFIELD, GRANT, MADISON
• BLUE: WORDS THAT SOUND LIKE TWO LETTERS: EMPTY, EXCESS, KEWPIE, ODIE
• PURPLE: ENDING IN ELEVATED LANDFORMS: DOUBLESPEAK, HEATHCLIFF, PARAMOUNT, PORRIDGE