TV
Vox’s coverage of television shows, from runaway hits to streaming content to obscure titles.
The real dark heart of the HBO anthology series.
The real dark heart of the HBO anthology series.
Gabby Windey, lethargic ciggy mommy, explained.
Pixar’s Win or Lose and Disney’s shifting stance on diversity.
She’s not an expert like Martha Stewart. She’s not an icon like Princess Diana. Where does she go from here?
The latest in TV
Casey Anthony has started a Substack and TikTok touting her role as a “legal advocate.”
Reintegration, worker alienation, and the deeper meaning of that Chinese food feast.
Buddhism warns of greed, hatred, and delusion. Resort-goers in the latest season of the HBO hit should be concerned.
Prepare for a 50th anniversary season full of self-mythologizing.
Salt Lake City has “high body count hair” and games, while New York City has pranks and lies.
From Aaron Rodgers to Industry, this psychedelic brew is having a cultural moment with dudes — here’s why.
The cult reality show offered a darkly comic look at the American dream. Can a reboot recreate the horror?
The former Sinn Fein president’s IRA denial is an inadvertent gift to the show.
The latest attempt to find love in the pods was good for Netflix, but bad for everyone else involved.
Lying, cheating, and dark pasts are a feature — not a bug — on TV’s biggest shows.
The Menendez murders seemed inexplicable. They’re not anymore.
Monsters could have been a nuanced look at abuse. Instead, it’s sleazy tabloid drama.
The network has lost its way. So has its biggest franchise.
Why is Utah the epicenter of reality TV?
A minor upset for Best Comedy Series couldn’t keep the rest of the night from feeling predictable.
The Bachelorette finale was riveting TV — and unfathomably cruel.
The pods across the pond feel a lot less toxic.
How is a show about banking more fun than anything else?
Writer-star Richard Gadd denies that Fiona Harvey is the basis for the complicated character.
With Kamala Harris’s ascendancy, the series is on everyone’s mind — and the reason it resonates goes deeper than you might think.
Americans are finally falling in love with the US version of the British reality hit. Fancy that!
Netflix’s America’s Sweethearts is a convincing argument that the organization shouldn’t exist
Every dish is beautiful and no one is hungry.
Critic Emily Nussbaum makes the case for the guilty pleasure as an art form.
Why fans keep missing the point of The Boys.
The show’s first queer storylines have been met with backlash, homophobia, and misogynoir.
HBO’s Game of Thrones prequel reveals a period of turbulence and upheaval for Daenerys’s formidable family.
Alicent’s green dress gives us the skeleton key to the Targaryen schism.
Untangling one of Games of Thrones’ biggest secrets.
2024 is the year TV went quiet.
Forgotten shows, chaotic release schedules. It seems like the root of our TV dissatisfaction might be the way we watch.
They span nearly half a century and paint a picture of a serial predator.
It’s okay, we don’t remember who all these characters are either.
HBO’s new miniseries centers Vietnamese voices — and reframes the consequences of war.
Following the Bud Light backlash and inflation fears, the revolution will not be advertised.
The “woke mob” finally comes for Deborah Vance (sort of).
On the financial anxiety dominating the post-Scandoval season.
Bridgerton’s third season is gauzier than ever. Should we still be holding it accountable?
Politics on Eurovision isn’t new. It’s been part of it almost from the start.
What a post-nuclear aftermath could really look like.