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The window-side dining area at Dear Guest features a continuous terracotta banquette upholstered in oversized white polka dots, set against butter-yellow walls articulated by slender timber battens. Three circular mirrors and four raw-silk pendant lights establish a rhythmic composition, while bespoke mahogany-hued chairs with circular cut-outs introduce a playful geometric counterpoint.

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An Experimental Roma guestroom juxtaposes a bed with a reflective metallic headboard and green lacquered bedside niche against a delicate floating writing desk with mirrored drawers. An ornate gilded mirror, vintage-inspired upholstered chair and suspended brass light introduce contrasting decorative references. Tall shuttered windows, sheer curtains and terrazzo flooring lend the warm ochre interior an airy, residential quality.

At Experimental Roma, Rodolphe Parente Filters Roman Grandeur Through 1970s Hedonism

A wider view of Bleu’s communal dining area reveals the interplay of Californian mid-century modernism and Nordic restraint. Walnut-clad walls, terracotta flooring and bespoke wooden furniture establish a warm, earthy palette, while a tiered Japanese-paper pendant and large-scale artworks provide visual interest. Floor-to-ceiling windows open the space towards Brussels’ tree-lined Avenue Louise.

Bleu Is the Warmest Colour: A Brussels Café with Californian Soul

A Victorian Terrace House in London Sidesteps Convention to Double as a Private Art Gallery

The guest bedroom’s headboard wall becomes an exuberant salon-style display of paintings, photographs, drawings, masks and small objects, all set against a muted terracotta ground. Striped bedding and ochre cushions keep the foreground restrained, while the adjacent glass-block wall admits diffuse light and reinforces the room’s layered, collected atmosphere.

Villa 2030: Studio Plutarco Reworks the Great Modernist Villas in a Madrid Apartment

An extreme close-up portrait of an older man with tousled grey hair, bushy eyebrows and a thick white moustache, looking directly into the camera with a faint, mischievous smile. Platon’s high-contrast black-and-white photography accentuates every wrinkle and weathered feature, transforming the expressive face into an intricate landscape of lines, textures and shadows.

PAROS: Platon Pays Tribute to the Cycladic Island of His Childhood

Nestled beneath the elevated structure of OMA House, the Good Times General Store’s timber-clad entrance contrasts with the rugged thatched volumes on either side. A patterned lattice ceiling, cylindrical columns and dark entrance steps articulate the sheltered forecourt, while the pinkish concrete structure and decorative masonry screen above reveal the building’s layered architectural composition.

Potato Head’s New Bali Store by OMA Brings Together Craft, Circularity and Innovation

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