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. Story<br />

NOVEMBER 16, 1957<br />

/he TuAe e^ me m&toon. riciuAe yncLdiiu<br />

ERNEST G^ STELLINGS LEE JONES LEE KOKEN<br />

The second international tradeshow of the motion picture industry opens at the Americano<br />

Hotel, Miami Beach, Flo., Wednesday, November 20, the focal point for the annual conventions<br />

of Theatre Owners of America, Theatre Equipment and Supply Manufacturers Ass'n and National<br />

Association of Concessionaires. Hooding these organizations are Ernest G. Stellings, TOA,<br />

Lee Jones, TESMA, and Lee Koken, NAC . on the tradeshow and conventions on page 6<br />

niortd oi Mcorvl-clau mott«r ol tfw Pott Otiic* o» Koraot<br />

Ity, Mo Publiihcd oeekly t>y Attociotad Publicatiora.<br />

25 Von Brunt Blvd , Koniot City, Mo Subtcription rotM<br />

ictional Edition, tl 00 par y«ar; Notional Edition. VI SO<br />

NATIONAL EXECUTIVE EDITION<br />

Includmi till Sfcliontl N«n Pa|« of All Ultiom<br />

IN THIS ISSUE:<br />

THi<br />

MODIRM<br />

SECTION,


PULSE OF<br />

THE PUBLIC!<br />

DON'T<br />

GO NEAR<br />

WATER<br />

f<br />

M-G-M's<br />

29-CITY<br />

THEATRE<br />

PREVIEWS<br />

FORECAST<br />

BOX-OFFICE<br />

SMASH!<br />

Read Theatre Managers'<br />

Reports! Next Page!<br />

AI-G-Af presents 'DONT GO NEAR THE WATER" staymig GLENN FORD<br />

•<br />

Gm Sca/a E.nl Hollman Anne<br />

•<br />

Francis • Keenan W^ynn • Fred Clark • Eva Gabor • Ri/ss Tamhlyn • Jeff Richarch • Screen Play by Dorothy Kingsley<br />

and George Wells • Based on the Norel by William Brinkley • In CineniaScope and Metrocolor • An Avon Prodaction\<br />

Directed by Charles Walters • Produced by Lawrence Weingarten


"<br />

"<br />

"<br />

YOU KNOW IT'S<br />

A HIT WHEN YOU READ THIS!<br />

Theatre Managers' Verbatim Report of Terrific Audience Reaction!<br />

ALBANY, Palace. "Excellent!"<br />

ATLANTA, Grand. "Nothh/g but raves. Viiuuiest<br />

I ever saw."<br />

BUFFALO, Shea's. "Hilarious, voted 100% excellent<br />

on cards.<br />

Greatest audience picture in years.''<br />

CHARLOTTE, Plaza. "Most outstanding display<br />

of spontaneous enjoyment ever seen. It's money in<br />

the bank."<br />

CHICAGO, Chicago. "Excellent, cards outstanding.<br />

Great comedy."<br />

CINCINNATI, Albee, "Excellent!"<br />

CLEVELAND, State. "Audience in continuous<br />

uproar. Excellent— can't miss."<br />

DALLAS, Majestic. "All ages laughed heartily<br />

throughout. All cards were raves. This is the sort<br />

ofpicture ivhich gives top box-office. "<br />

DENVER, Orpheum. "Outstanding. Best reactio)i<br />

tve've had in many years."<br />

DES MOINES, Des Moines. "Excellent!"<br />

DETROIT, Adams. "Excellent!"<br />

INDIANAPOLIS, Loew's. "Laughs through entire<br />

film beginning to ending."<br />

KANSAS CITY, MO., Midland.<br />

throughout."<br />

"Laughter<br />

LOS ANGELES, Studio. "Invitational Press Preview<br />

0)1 big sound stage of Hollywood correspo)idents<br />

got howls and raves."<br />

MEMPHIS, Palace.<br />

terrific business.<br />

MILWAUKEE, Riverside.<br />

"Hilarious! Should do a<br />

"Outstanding!"<br />

MINNEAPOLIS, State. "Comment cards claimed<br />

'Pix tops MR. ROBERTS as hilarious comedy in<br />

addition to<br />

beautiful girls'."<br />

NEW HAVEN, Poli. "Sensational!"<br />

NEW ORLEANS, State. "A howling success."<br />

NEW YORK, Lexington. "Previeiv scored highest<br />

audie>ice ratiiig in tivo years."<br />

OKLAHOMA CITY, Midwest. "One of the funniest<br />

and best pictures in two years. An outstanding<br />

box-office attraction."<br />

OMAHA, State. "Excellent!"<br />

PHILADELPHIA, Tower. "Exceptionally good.<br />

People in lobby talked about many hilarious<br />

incidents.<br />

PITTSBURGH, Penn. "Terrific. Looks like mortgage<br />

lifter."<br />

PORTLAND, Liberty. "Terrific!"<br />

ST. LOUIS, MO., State. "Terrific. Comment cards<br />

100% rave."<br />

SALT LAKE CITY, Utah. "Hilarious. Audience<br />

enthusiastic.<br />

SAN FRANCISCO, Warfield. "Terrific.<br />

stated this iras better than MR. ROBERTS."<br />

WASHINGTON, Capitol. "A riot.<br />

be talking about it."<br />

People<br />

Everyone will<br />

CAMPAIGN REACHES 141,200,662<br />

READERS<br />

Terrific ad campaign tells the public what Theatre Managers aheady know about<br />

M-G-M's sure-fire comedy! Full-color, full-page ads in three big syndicated Sunday<br />

newspaper Magazine Supplements (This Week, Parade, Pictorial Review and ten<br />

independent supplements)! M-G-M's famed columns in top national magazines!<br />

Full pages in all Fan Magazines! Get ready for a happy, hilarious houseful!<br />

"Use it everywhere! GET MORE OUT OF LIFE .<br />

. . GO<br />

OUT TO A MOV/E"


!<br />

For the information of exhibitors everywhere,<br />

20th ANNOUNCES ITS<br />

RELEASE SCHEDULE FOR<br />

DECEMBER '57<br />

Clip<br />

and<br />

save!<br />

For Special Engagements<br />

PRESENTS<br />

ERNEST HEMINGWAY'S<br />

A Farewell<br />

To Arms<br />

COLOR by OE LUXE<br />

CINemaScoPE<br />

starring<br />

ROCK HUDSON<br />

JENNIFER JONES<br />

VITTORIO DE SICA<br />

Produced by DAVID D.SELZNICK • Directed by CHARLES VIDOR<br />

Screenplay by Ben Hecht<br />

For Selected Engagements<br />

.JERRY WALD'S<br />

COLOR by DE LUXE<br />

CINemaScoP^<br />

HOH^^^P LEE LLOYD<br />

LANQE • PHILIPS • NOLAN<br />

DIANE<br />

ARTHUR<br />

VARSI • KENNEDY<br />

RUSS<br />

TERRY<br />

TAMBLYN • MOORE j<br />

BEm nao • mildred donnock • leon ames • iorne greene<br />

Produced by JERRY WALD • Directed by MARK<br />

Screenplay by JOHN MICHAE HAYES<br />

ROBERT MITCHUM<br />

CURT JURGENS<br />

The Enemy<br />

Below<br />

COLOR by DE LUXE<br />

CiNemaScoPE<br />

Produced and Diected by DICK POWELL<br />

Screenplay by WENDELL MAYES<br />

GENE<br />

RAYMOND •<br />

JEANNE<br />

COOPER<br />

WAYNE MORRIS<br />

Plunder Road<br />

Regauscope<br />

I'rom<br />

Red Rock<br />

Regalscope<br />

starring<br />

BRIAN DONLEVY<br />

Produced by BERNARD 6LASSER • Directed by EDWARD BERNDS<br />

Produced by LEON CHOOIUCK and LAURENCE SILWART<br />

Directed by HUBERT CORNFIELD<br />

Screenplay by STEPHEN RITCH<br />

A REGAL FILMS INC. PRODUCTION<br />

RELEASED BY 20th CENTURV-FOX<br />

A REQAL FILMS INC. PROOUCTION<br />

RELEASED BY aoth CENTURY-FOX<br />

20th has something for everyone for Christmas


.lack<br />

THE NATIONAL FILM WEEKLY<br />

Published In Nine Sectional Editions<br />

BEN SHLYEN<br />

Editor-in-Chief<br />

and Publisher<br />

DONALD M. MERSEREAU.Associote<br />

Publlstier & General Manager<br />

NATHAN COHEN. .Executive Editor<br />

JESSE SHLYEN Managing Editor<br />

HUGH FRAZE Field Editor<br />

AL STEEN Eastern Editor<br />

IVAN SPEAR Western Editor<br />

I. L. THATCHER. .Equipment Editor<br />

MORRIS SCHLOZMAN Business Mgr.<br />

Published Every Saturday by<br />

ASSOCIATED PUBLICATIONS<br />

Pliblicalmn Offices; S25 Van Rnint BItd.,<br />

Knnsn.'; Tltv 24. Mn Nathan rnhcn. F,xpciiflve<br />

Edilnr; .tesse Rtitven. ^tannelnK<br />

Rdltor: Mnrrl'; Sohnl7m.in. Rn-^lnpss Manacfr:<br />

Tliicti Frazp. Flpid Kdltor: T. I,.<br />

Thalfher. Kdltnr Tlie Modern TTieatre<br />

Sprllon. Telephone CHestnnt 1-7777.<br />

Editorial Offices: 4.') Tlnrkereller Plaza.<br />

New York 20. N. Y. Tlonald M. Mersprean.<br />

A^sndnte Piihllsher fi General<br />

Manaper: Al Stepn. T5astprn Editor: Carl<br />

Mos. rri'ilnmpnt Adverflslnn. Telephone<br />

rniiimhiis .')-fi37n.<br />

Central Offices: Editorial— 020 No. MIrh<br />

Icnn Ave.. fTiipaeo 11. TIL, Frances R,<br />

riow. TelPlihnnp Sllpprlor 7-3072. AdtertMnB—<br />

35 R.isl Wacker Drive, Oileaeo 1.<br />

III.. Kfflng TTiilrhl


THE IMMEDIATE AND THE FUTURE<br />

IN TOA CONVENTION SPOTLIGHT<br />

How to Up Business Today;<br />

Attitudes Toward Wire TV<br />

Top TOA Agenda<br />

MIAMI BEACH, FLA—The immediate<br />

job of building stronger attendance and a<br />

look at what the future holds for exhibition<br />

through the cable theatre idea are<br />

the two major topics of interest to occupy<br />

exhibitors from every section of the country<br />

who will be here to attend the convention<br />

of Theatre Owners of America.<br />

TO OPEN ON WEDNESDAY<br />

The convention opens Wednesday (20) in<br />

the Americana Hotel and is tied into the second<br />

annual International Trade Show in<br />

which Theatre Equipment and Supply Manufacturers<br />

Ass'n and the National Ass'n<br />

of Concessionaires are participants. The concessionaires<br />

will hold a four-day convention<br />

to run concuiTently with the TOA sessions,<br />

but the equipment and supply manufacturers<br />

and the Theatre Equipment Dealers Ass'n<br />

will meet both separately and together Monday<br />

and Tuesday.<br />

The major points of discussion at the TOA<br />

convention will be:<br />

• Busine.ss-building. Roger Lewis, of UA,<br />

representing the ad-publicity directors committee<br />

of MPAA, will discuss the various<br />

projects planned for the indu.strywide campaign<br />

to increase attendance. George Seaton.<br />

president of the Academy of Motion Picture<br />

Art-s and Sciences, will reveal plans for the<br />

Oscar Awards telecast which the industry<br />

sponsors for the first time. A .special business-building<br />

roundtable will be held Friday<br />

at which exhibitors will discuss exploitation<br />

and promotional stunts that have paid off<br />

for them.<br />

CABLE AND TOLL TV TALKS<br />

• Cable Theatre. Proponents of both wire<br />

TV and toll television will get a chance to express<br />

their opinions at a special session<br />

Thursday, with Phil Harling, co-chairman of<br />

the Committee Against Pay-As-You-See TV,<br />

as moderator. Participants will include Herbert<br />

Bamett, of General Precision Equipment<br />

Corp.; Louis A. Novins and Paul Mc-<br />

Namara of International Telemeter Corp.,<br />

and Milton J. Shapp of Jerrold Electronics<br />

Corp.<br />

• Group in.surance for members of TOA<br />

will be considered by the board of directors<br />

and then presented to the general membership.<br />

The Men Who Are Directing Miami Conventions<br />

THE.^TKE OWNERS OF .\MEKIC.\: Virtually all of the top figures in TOA arc<br />

represented in this photograph. They include officers, board members and chairmen of<br />

important committees. Left to right: (seated) Carl Anderson, Kalispell, Mont.; Nathan<br />

Greer, Santa Fe; Ernest G. Stellings, Charlotte, president; Myron Blank. Des Moines,<br />

board chairman; Horace Denning, Jacksonville, Fla.; K, M, Kennedy, Birmingham; (standing)<br />

Mitchell Wolfson, Miami, convention chairman; Walter Keade jr., Oakhurst, N. J.<br />

Albert Pickus, Stratford, Conn.; J. J. Rosenfield, Spokane Wash.; Burton Jones. San Diego<br />

Roy Cooper, San Francisco; Robert Livingston, Omaha; C. E. Cook. Maryville. Mo.<br />

Sam Pinanski. Boston; Herman Levy, New Haven; Joseph Alterman, New York. TOA's<br />

headquarters director, and E. D. Martin, Columbus, Ga.<br />

THEATRE EQUIPMENT AND SUPPLY MANUFACTURERS ASSN: The trio which<br />

has been directing TESMA's role in industry affairs this year consisted of deft to right)<br />

Tom LaVezzi, Chicago, vice-president; Lee Jones, New York, president, and Merlin Lewis,<br />

New York, executive secretary.<br />

• Arbitration. Herman Levy, general counsel<br />

for TOA, will di.scuss progress in the<br />

industi-ywide arbitration conferences, and the<br />

conciliation program which went into effect<br />

November 1,<br />

A number of top industry figures will be<br />

speakers at the various sessions. Elmer<br />

Rhoden, president of National Theatres, will<br />

deliver the keynote address and Eric Johnston,<br />

president of the Motion Picture Ass'n<br />

(Continued on page 10)<br />

N.VTIONAL ASSOCIATION OF t ONt'LSSlONAIKES; Otliiirs and directors who<br />

head the tliree-day meeting of the N.'iC group, left to right: (seated) Bert Nathan, Brooklyn,<br />

chairman of the board; Lee Koken, New York, president; Harold F. Chcsler, Salt<br />

Lake City, second vice-president; (standing) Thomas J. Sullivan, executive director; Irving<br />

Rosenblum. Paterson. N. J.; Robert Condon. St. Cloud. Minn.; Charles .\. Darden. Dallas;<br />

Theodore >Ieland. Chicago; ;>Ielville B. Rapp. New York; Nathan Buchman. Cambridge,<br />

Mass.; Lester Grand. Chicago. N.-\( "s tradeshow chairman.<br />

BOXOFFICE November 16, 1957


—<br />

RKO TELERADIO PLANS TO TEST<br />

TOLL TELEVISION VIA THE AIR<br />

Negotiations in Progress,<br />

President Says; Attacks<br />

Cable Theatre System<br />

NEW YORK—RKO Teleradio Pictures is<br />

filing for Federal Communications Comm.ission<br />

authorization to participate in toll<br />

TV tests. Thomas F. O'Neil. president, said<br />

November 10 that the company already is<br />

negotiating with developers of subscription<br />

TV systems with the aim of using one or<br />

more of the RKO broadcasting and motion<br />

picture facilities in trial demonstrations.<br />

A TIRE COMPANY SUBSIDIARY<br />

O'Neil is also board chairman of RKO<br />

Radio Pictures, which was purchased from<br />

Howard Hughes by General Teleradio for<br />

$23,000,000 in July 1955. GT is a wholly owiied<br />

subsidiary of the General Tire and Rubber<br />

Co.. owner of the Mutual Broadcasting Corp.,<br />

the Don Lee Network, the Yankee network<br />

and five TV stations.<br />

O'Neil said GT will promote development<br />

of a compatible pay TV system operating on<br />

the regular TV broadcast band. He said the<br />

move will give the public a chance to choose<br />

between free and pay TV programs. He said<br />

that opposition to pay TV was characterized<br />

by "arm-waving and shouting."<br />

"Two things will regulate the progress and<br />

impact of pay TV," he said. "One is the economic<br />

ceiling set by the amount people are<br />

willing to pay for home entertainment: the<br />

other is the body of government controls<br />

finally established to regulate this commerce.<br />

"Certainly there is no sound economic reason<br />

to connect the homes of this country with<br />

another set of wires when an efficient system<br />

of air broadcasting already exists. Tlierefore,<br />

the airlink system, because it is far less expensive<br />

and because it already has established<br />

a sound and workable relationship with government<br />

through the FCC. is the obvious<br />

route to a fully integrated and effective compatible<br />

pay TV system."<br />

ARGUES AGAINST MOVIE COSTS<br />

Without mentioning theatres. O'Neil argued<br />

that the public is paying too much in time<br />

and money for out-of-home entertainment.<br />

He said pay TV can eliminate costs such as<br />

baby-sitting, transportation and parking, reducing<br />

entertainment costs for an evening,<br />

including tickets, from S3 to 50 cents or $1.<br />

He also saw a saving in time, meaning more<br />

leisure hours for other pursuits such as reading,<br />

listening to the radio or watching free<br />

TV.<br />

"According to the best estimates of economists<br />

close to the facts," he said, "families<br />

can be expected to buy about as much pay<br />

entertainment by broadcasting in a week as<br />

they now pay for one evening of local outof-home<br />

entertainment."<br />

O'Neil itemized his argument against pay<br />

TV by cable. He said it could result in a direct<br />

burden to the public in two principal<br />

ways:<br />

1. The higher cost of transmitting the programs<br />

by closed-circuit wired system will<br />

Charles Boasberg Named<br />

Warnets Sales Chief<br />

'<br />

^j^^H<br />

NEW YORK—Charles Boasberg, veteran industry sales executive, will be the next<br />

general sales manager of Warner Bros., it was reliably reported Thursday (14). Official<br />

announcement of the appointment is<br />

expected shortly. Roy Haines, western<br />

division sales manager, who has been<br />

serving as general sales manager on a<br />

temporary basis for the last year, will return<br />

to his division post at his own request.<br />

He had agreed to occupy the top<br />

^ sales position until a replacement could<br />

^^^h be made. Boasberg's appointment will become<br />

effective January 1.<br />

CI ^^^^B Boasberg for the last ten months has<br />

f<br />

^^^^^H been with Paramount, serving as sales executive<br />

on "The Ten Commandments"<br />

Charles Boasberg for the last eight months. Prior to his<br />

Roy Haines<br />

affiliation with Paramount he was general<br />

sales manager of RKO Radio. He started with RKO as a salesman in 1936.<br />

result in a much higher price for the entertainment<br />

delivered.<br />

2. Insofar as the control of the transmission<br />

of clo-sed-cii-cuit wired TV will give effective<br />

control of the talent and events which are<br />

likely to be used for either pay or free TV.<br />

the closed-circuit wired system operators soon<br />

will have control of all of the program elements<br />

of telecasting whether they are free<br />

or toll because, free from FCC regulation,<br />

there could be a monopoly.<br />

"It is our belief." O'Neil said, "that the<br />

growth of closed-circuit theatre TV. the<br />

Bartlesville installations and other similar<br />

tests already have heralded the arrival of pay<br />

TV.<br />

"Now it remains to determine how and by<br />

whom this new avenue to finer cultural, social<br />

and intellectual communications will be<br />

administered. RKO Teleradio. for one. intends<br />

to accept this challenge."<br />

Arbifration<br />

Meet Set<br />

In New York Dec. 9<br />

NEW YORK—The next<br />

conference on<br />

arbitration will be held December 9. It<br />

formerly had been set as a tentative date.<br />

It has become a firm date with the following<br />

statement Tuesday (12) by the<br />

Motion Picture Ass'n of America.<br />

"All participants in the arbitration and<br />

conciliation conference have agreed on a<br />

new meeting date of December 9 at 2:30<br />

p.m. in the Motion Picture A.ss'n of<br />

America boardroom."<br />

Chicago Censorship<br />

Upset by High Court<br />

WASHINGTON—The U. S. Supreme Court<br />

this week unanimously and without hearing<br />

arguments overruled movie censors by striking<br />

down a Chicago ban against showing<br />

the prize-winning French film. "The Game<br />

of Love."<br />

The court made no comment on the case,<br />

except to note for reference its decision of<br />

last June upholding federal and state obscene<br />

literature laws.<br />

In that opinion, the high coiu-t held that<br />

"sex and obscenity are not synonymous." and<br />

warned that standards of judging must "safeguard<br />

the protection of freedom of speech<br />

and press for material which does not treat<br />

sex in a manner appealing to prui-ient interests<br />

(tending to incite lustful thoughts)."<br />

"The Game of Love" portrays the seduction<br />

of a teenage boy by an older woman and<br />

his later relations with a teenage girl of<br />

his own background. It has been shown in<br />

150 U. S. cities so far.<br />

The decision laid down no new ground<br />

rules. Previously, the Supreme Court has<br />

held that a state cannot ban a movie on<br />

grounds that it is sacrilegious or tends to promote<br />

crime. It has left open the question<br />

of obscene movies, and this question still is<br />

open, with each case apparently to be based<br />

on the specific circumstances, as also seems<br />

to be true of literature after the court's recent<br />

decision on obscenity in books and<br />

magazines.<br />

It was reported the Justices had a private<br />

showing of the film November 5.<br />

BOXOFFICE :: November 16, 1957


The people of<br />

Jerry Wald's<br />

eyton<br />

ace<br />

i<br />

are on the screen!<br />

Piinis available »ilh magOpticai sound Itie besl in Slefeophonic Sound<br />

COLOR by DE LUXE<br />

STAaRiNG<br />

I"<br />

HOPE<br />

n<br />

L[E<br />

t-<br />

LLOyO \|Di[ 1/ ARTHUR RUSS<br />

n<br />

VJ<br />

p


Peyton<br />

Place<br />

will<br />

never<br />

forget<br />

the day<br />

Constance<br />

found<br />

love!<br />

i-Ni.;


j<br />

on<br />

puUcScat^<br />

COMPO Popularizing Slogan<br />

Through Newspaper Journal<br />

-Get More Out of Life ... Go Out to a<br />

Movie" will per.'uade people to leave their<br />

homes and thereby benefit retail businesses<br />

that advertise in papers, latest ad in Editor<br />

& Publisher says; asks newspaper aid.<br />

*<br />

NTA to Purchase Control<br />

Of Associated Artists<br />

National Telefilm A.ssociates contracts to<br />

buy more than 50 per cent of the 1.639,000<br />

common shares outstanding of Associated<br />

Artists Production Corp., according to Ely<br />

A. Landau, board chairman, and Oliver A.<br />

Unger, president.<br />

Technicolor Nine-Month Net<br />

Is Reported As $591,850<br />

Earnings amounted to 29 cents a share on<br />

2,033,904 shares outstanding, according to<br />

Dr. Herbert Kalmus, president and general<br />

manager; figure compares with $1,026,000 or<br />

51 cents a share for 1956 period.<br />

•<br />

GPE '57 Earnings Double.<br />

Sales Rise 26 Per Cent<br />

General Precision Equipment Coi-p. sales<br />

and earnings showed a huge increase in the<br />

first nine months of 1957: consolidated net<br />

income was $3,616,977, compared with $1,-<br />

768,460 for the 1956 period; consolidated net<br />

sales for the 1957 period totaled $138,627,292<br />

against $109,703,459 in 1956.<br />

George J. Schaefer Is Seen<br />

New Todd-AO President<br />

Election expected at weekend of a successor<br />

to Henry Woodbridge who will return to<br />

American Optical Co.; Schaefer is well-known<br />

industry veteran, who has held executive<br />

posts with Paramount and United Artists and<br />

was RKO president.<br />

Harold L. Friedman Heads<br />

UA Records Company Sales<br />

Will develop national distribution program<br />

under supervision of Alfred H. Tamarin. executive<br />

a.ssistant to Pi'esident Max Youngstein;<br />

is former president of Record Guild of<br />

America and record company executive.<br />

*<br />

Goya's Life Will Be Filmed<br />

Under Three-Way Pact<br />

United Artists, MGM and Titanus of<br />

Italy will finance stoi-y of Spanish artist;<br />

UA will relexse it in U. S. and Canada, Titanus<br />

in Italy and MGM in rest of world;<br />

Titanus will produce in Technirama; Ava<br />

Gardner signed.<br />

Distributors to Increase<br />

Film Exports to Denmark<br />

Annual total per member company will<br />

ri.se from ten to 20 features as a result of a<br />

new deal with Danish government recently<br />

drawn up and formally approved during the<br />

week bv the MPEA board.<br />

10<br />

Rembusch, Para. Clash<br />

Over Conciliation Status<br />

NEW YORK—Paramount this week charged<br />

that Ti-ueman T. Rembusch. secretary-treasurer<br />

of Syndicate Theatres, Inc., of Indiana,<br />

was not asking for conciliation in good faith<br />

when he sought to conciliate certain problems<br />

that had arisen between Paramount<br />

and his circuit. The charge was made by<br />

Louis Phillips. Paramount's vice-president<br />

and general counsel, in replying to Rembusch's<br />

assertion that the distributing company<br />

had placed the industry's conciliation<br />

plan "in serious danger of being destroyed."<br />

Rembusch, in an open letter to the National<br />

Conciliation Committee, claimed that he had<br />

sought unsuccessfully to conciliate grievances<br />

with Paramount. Phillips said that Rembusch<br />

has contradicted the spirit of the<br />

conciliation plan as expressed in Section 1.<br />

which was adopted in "an endeavor to dispose<br />

of such controversies amicably, informally<br />

and quickly, and thereby to avoid<br />

arbitration or litigation wherever possible."<br />

REMBUSCH ISSUES RAISED<br />

"The very issues that Mr. Rembusch raises<br />

in his request for conciliation," Phillips declared,<br />

"are those involved in the litigation<br />

now pending between him and motion picture<br />

companies, as well as in the suit brought<br />

by Paramount against his company arising<br />

out of his innovation which permitted the<br />

public to 'The Ten Commandments' on a<br />

'pay what you choose' policy." Phillips asserted<br />

that Rembusch was not asking conciliation<br />

in good faith, but was trying to<br />

"build a record for himself with an eye perhaps<br />

to the court room."<br />

On November 1, Rembusch and J. P. Finneran,<br />

president of the circuit, jointly wrote<br />

a letter to Howard DeTamble, Indianapolis<br />

branch manager, which asked that the letter<br />

be considered as a request to conciliate Paramount's<br />

"refusal to solicit us locally on Paramount<br />

pictures, condition of traveling to Mr.<br />

Deneau's office (Sidney Deneau, western<br />

.sales manager!, prices and terms of Paramount<br />

pictures offered to our Mr. Finneran<br />

by your Mr. Gellman (Abe Gellman, Indianapolis<br />

salesman<br />

I September 20 last, guarantees<br />

and terms demanded by your Mr.<br />

Lefko (Morris Lefko, sales executive for 'The<br />

Ten Commandments'), for the showing of<br />

'The Ten Conmiandments' in our towns of<br />

Elwood and Columbus, and quotation on 'Ten<br />

Commandments' for Franklin and Batesville,<br />

Ind."<br />

DENE.-VU WRITES LETTER<br />

On November 7. Deneau wrote to Rembusch<br />

and told him that it had merely been suggested<br />

that Rembusch and Finneran visit<br />

the home office "to see if we could resolve<br />

our present difficulties." Citing the pending<br />

law suits between Paramount and Sjaidicate,<br />

Deneau said that Paramount did not believe<br />

"that it was intended that conciliation should<br />

proceed during the course of litigation to<br />

which it is related ... We have, therefore,<br />

come to the conclusion that no useful purpose<br />

would be served by going through the motions<br />

of a conciliation procedure which is intended<br />

to be participated in by both parties in good<br />

faith."<br />

In conclusion. Deneau wrote:<br />

"Finally, there have been no such negotiations<br />

for the licensing of 'The Ten Commandments'<br />

in Elwood. Columbus, Franklin<br />

and Batesville, as could lead you to the conclusion<br />

that a controversy had arisen between<br />

us which the conciliation procedure might<br />

solve; you haven't negotiated at all for 'The<br />

Ten Commandments' in these situations.<br />

"For all the foregoing reasons, to which we<br />

have given serious and considerable thought,<br />

we are constrained to decline to accept your<br />

personal request for conciliation at this time."<br />

In his letter to Paramount, Rembusch said<br />

that the basis for his claim that the company<br />

was putting the conciliation plan in danger<br />

w-as "Paramount's WTitten refusal to conciliate<br />

the differences between Paramount<br />

and this company as set out in a letter of<br />

request dated November . . .<br />

Paramount's<br />

1<br />

refusal to conciUate these items attests to<br />

their lack of good faith when they signed the<br />

conciliation agreement. Such lack of good<br />

faith upon the part of a distributor-signer,<br />

if not corrected, spells the end of national<br />

conciliation within the motion picture industry."<br />

To Release 'Raintree'<br />

On Continuous Basis<br />

NEW YORK — Bookings of "Raintree<br />

County" are being accepted by MGM in<br />

selected major cities to begin in December.<br />

It has had a world premiere and four regional<br />

premieres. The picture will be shown<br />

on a continuous policy judged best suited to<br />

regular theatre showings, according to Charles<br />

M. Reagan, vice-president and general sales<br />

manager.<br />

Between 15 and 20 cities -will be chosen. For<br />

its continuous presentations, the picture will<br />

run two hom-s and 48 minut€s. The present<br />

roadshow version runs three hours and five<br />

minutes.<br />

Reagan said the company had decided that<br />

more of the boxoffice potential can be realized<br />

through continuous presentation than<br />

through an extension of the reserved-seat<br />

policy. He recalled it had successfully handled<br />

"Quo Vadis" in that way.<br />

TOA Convention<br />

(Continued from page 6i<br />

of America, will speak at the opening day<br />

luncheon.<br />

The international tradeshow. drawing exhibits<br />

from 107 manufacturers and suppliers<br />

of theatre and concession equipment and supplies,<br />

will be the pivotal point of the convening<br />

groups. Business sessions have been<br />

so planned as to give delegates plenty of<br />

time to make the rounds of the tradeshow<br />

floor.<br />

The convention closes Saturday night with<br />

the Pi-esident's banquet, at which Coca-Cola<br />

will be the host. Pepsi-Cola will be host to a<br />

big party Friday evening, and National Carbon<br />

Co., as has been its custom for many<br />

years, will be host at a cocktail party preceding<br />

the closing banquet.<br />

BOXOFFICE November 16. 1957


I<br />

BREAKS DOWN<br />

NG TO BREAK TH<br />

I<br />

S DOWN!<br />

MEADLINE-HOT!<br />

Millions of moviegoer. .11<br />

and their women<br />

f°r this expose of .<br />

'n? ^^"^'^^^^<br />

^' '°°^^"^<br />

the trucking industry f<br />

with PATRICK ALLEN . screenplay by KEN HUGHES . Produced by MAXWELL SEHON • Directed by KEN HUGHES • A MAXWELL SETTON PRODUCTION<br />

HAUL YOURSELF DOWN TO THE EXCHANGE<br />

...AND BOOK THE BIG THRILLS FROM


'<br />

BETTER SELLING OF MIDDLE AREA<br />

QUALITY FILMS NEEDED<br />

J^jJjS JohnSlOIl lO ChU<br />

T liJi . t^rxr^r^ DfV+fiKoc Pfoducl Flow Sessloii<br />

I f\f\ ivIOFlV ^J00\J f IWlWf C3 MiLWAUKEE-Eiic Johnston, president<br />

f V^K^ f rl V« '^ ^j^g Motion Picture Ass'n of America. 1-<br />

Undersold: Wallerstein<br />

CHICAGO— Selling the wide, middle aiea<br />

of quality product and not just the blockbusters<br />

and "gimmick" attractions is the priority<br />

challenge confronting exhibitors as well<br />

as distributors today, says David B. Wallerstein.<br />

president of Balaban & Katz. "Too<br />

many good pictures in this category," he<br />

said, "come unheralded and go untapped of<br />

their rightful boxoffice potential."<br />

Wallerstein said further, "More national<br />

penetration and more resourceful local selling<br />

should have been directed to a number<br />

of the quality pictures that proved disappointments<br />

this year." He cited .such random<br />

examples as "Until They Sail," "An Affauto<br />

Remember" and "Twelve Angry Men." According<br />

to Wallerstein, this is the only way<br />

to broaden the base of audience selectivity—<br />

to expand the "want-to-see" now existing<br />

only for the big ones and the offbeat film.<br />

PITCH MADE TO PRESS<br />

His pitch was made primarily to the newspapers<br />

here which are actively participating<br />

in the Golden Jubilee month celebration. The<br />

press was urged to focus attention on all the<br />

November attractions, through direct publicity<br />

as well as through the institutional<br />

angle of the Golden Jubilee.<br />

Starting November 1, the newspapers have<br />

been running institutional ads across the<br />

movie pages daily, urging moviegoers to "enjoy<br />

the finest motion pictures in Hollywood's<br />

50 years." For the Chicago Tribune this represented<br />

a precedent. The Tribune plans institutional<br />

display ads citing the advantages<br />

of movie enjoyment in theatres as well as<br />

the quality of today's attractions. Publicitywise,<br />

all of the papers are giving movie news<br />

unprecedented space and attention. And offpage<br />

promotion ads are being used to attract<br />

readers to the movie page.<br />

PLUG COMPETITORS' FILMS<br />

Wallerstein pointed out that in spearheading<br />

the effort, B&K did not confine attention<br />

to films booked at B&K houses. The State<br />

Street Council's around-the-clock radio announcemenUs,<br />

now devoted to current movies,<br />

covers competitive attractions such as "Raintree<br />

County" and "Les Girls," as well as B&K<br />

attractions. "Pal Joey," "Time Limit" and<br />

"Operation Mad Ball." In planting publicity<br />

layouts and features, B&K publicists even<br />

serviced the opposition's material.<br />

The Chicago effort, Wallerstein stated, will<br />

not stop with November. Selling product, picture<br />

by picture, will continue to be the company's<br />

major effort. And this will not be confined<br />

to the big ones of the Christmas season<br />

like "Sayonara" and "Don't Go Near the<br />

Water." He .said just as much effort will go<br />

into the campaigns for "Bombers B-52," "The<br />

Sad Sack" and "My Man Godfrey."<br />

Fox Ties in Zanuck Film<br />

NEW YORK- The 19.S8<br />

World Wide Travel<br />

Fair at the Coliseum next spring and 20th<br />

Century-Fox will sponsor an all-expense-paid<br />

global de luxe tour for two visitors to the fair.<br />

It will be a promotion for Darryl F. Zanuck's<br />

forthcoming "Deluxe Tour."<br />

12<br />

May Set a Date Shortly<br />

On Orderly Releasing<br />

NEW YORK—A date may be set within<br />

a few days for the industry conference on<br />

the problem of orderly distribution of<br />

quality films urged by Leonard H. Goldenson.<br />

president, and Edward L. Hyman,<br />

vice-president, of American Broadcasting-Paramount<br />

Theatres.<br />

Hyman said early in the week that it<br />

will be held during the month. He had<br />

just returned from a business trip and<br />

had not had the opportunity to complete<br />

arrangements.<br />

"I have been overwhelmed with responses<br />

from all segments of the industry,"<br />

he said.<br />

The original plan called for a conference<br />

only of distribution heads. Exhibitor<br />

interest was so great, however,<br />

that it was expanded to include that<br />

branch of the industry. Exhibitors are<br />

expected to encourage distribution action<br />

by guaranteeing top terms and additional<br />

playing time.<br />

"Widening the interest in motion pictures<br />

generally, not in the blockbusters only, is the<br />

one positive approach to business-building,"<br />

concluded Wallerstein. "Tliis," he noted,<br />

"calls for showmanship more than slogans."<br />

Wallerstein, incidentally, issued a flat denial<br />

to the rumor that B&K is closing more theatres.<br />

He reiterated that the closing of the<br />

Belpark, Senate and Norshore did not denote<br />

panic or a lack of faith in the movie business;<br />

only that B&K is logically observing<br />

such conditions as changes in neighborhoods<br />

and the fact that there aren't enough pictures<br />

to keep so many theatres going. Wallerstein<br />

mentioned that for every theatre which has<br />

closed within the past year or two, there are<br />

still from one to three in the area which are<br />

in operation. In addition, he reviewed the<br />

fact that over the past five years B&K has<br />

done considerable refurbishing, such as putting<br />

up new marquees, theatre fronts, and<br />

installing the best in new equipment.<br />

In emphasizing the plan to continue with<br />

the promotion which was instituted on behalf<br />

of the Golden Jubilee Month, Wallerstein did<br />

stress the importance of making an all-out<br />

effort to revitalize the movie business. "Let's<br />

not kid ourselves," he said, "business isn't<br />

what we would like it to be. and in order to<br />

revitalize it we can't take a lax attitude. We<br />

are going to have to work hard to find ways<br />

and means to promote it and we are going<br />

to have to exert every effort possible to get<br />

business and to keep it going."<br />

Astor Has Xmas Cartoon<br />

NEW YORK— Astor Pictures has<br />

acquired<br />

the Technicolor cartoon. "Rudolph the Red-<br />

Nosed Reindeer." animated by Max Fleischer,<br />

for Christmas release.<br />

been urged to take the initiative in calling a<br />

meeting of presidents and sales managers of<br />

the film companies and exhibitor leaders to<br />

take up the problem of orderly releasing of<br />

top product.<br />

He was so urged by Ben Marcus, president<br />

of Allied Theatres of Wisconsin and one-time<br />

president of Allied States Ass'n, in a letter<br />

made public this week. A conference of this<br />

nature had been suggested several weeks ago<br />

by Leonard Goldenson. president of AB-PT,<br />

and Edward L. Hyman, vice-president and<br />

theatre head of the organization.<br />

Marcus said that at the Allied convention<br />

it was generally agreed that the "alarming<br />

drop in theatre attendance is no longer entirely<br />

due to television or other competing<br />

media, but the unavailability of a steady flow<br />

and orderly supply of good motion pictures<br />

into the theatres of America."<br />

He declared that the practice by most<br />

majors—with the exception of 20th Century-<br />

Fox and Universal—to withhold the release<br />

of good boxoffice pictures on regular availability,<br />

and release them only on a seasonal<br />

or holiday basis, "will destroy not only the<br />

American motion picture theatre as we know<br />

it today, but will also destroy the producers<br />

and distributors at the same time."<br />

He told the MPAA chief that "by not keeping<br />

a steady supply of good motion pictures<br />

flowing through the theatres, we are teaching<br />

our audiences to stay away from the<br />

theatres and keeping them at home near<br />

their television sets."<br />

An industry conference, presided over by<br />

Johnston, Marcus said, could render a gi-eat<br />

service to all phases of the industi-y.<br />

Louis B. Mayer Estate<br />

Valued at $13 Million<br />

HOLLYWOOD—Louis B. Mayer left an<br />

estate valued at more than $13,000,000, with<br />

the bulk of it going to the Louis B. Mayer<br />

Foundation, a charitable organization founded<br />

during his lifetime. The one-time MGM production<br />

chiefs will was filed for probate in<br />

superior court this week.<br />

The largest single bequest of the residue of<br />

the estate was to his widow, the former Lorena<br />

Danker, to whom he left $750,000. Other<br />

beneficiaries were his younger daughter, Irene<br />

Selznick, and his adopted daughter Suzanne<br />

Mayer, who were left $500,000 each: his sister,<br />

Mrs. Ida Cummings, who received a lifetime<br />

income of $400 per month: Mrs. Mitzie<br />

C. Fielding (Mrs. Cumming's daughter), $25,-<br />

000: Jack Cummings. $100,000: Mrs. Mayer's<br />

brother, sister and aunt, $10,000 each: Irene<br />

Selznick's sons, a trust fund of $500,000: Howard<br />

Strickling. head of MGM publicity. $50,-<br />

000: Myron Fox, Mayer's busiiiess adviser,<br />

$50,000: Helene Delson. his secretary, $10,-<br />

000; and six household sei-vants were bequeathed<br />

sums ranging from $2,500 to $5.-<br />

000 each.<br />

There was no bequest for his daughter,<br />

Edith, wife of the producer William Goetz.<br />

Mayer's explanation in the will for this act<br />

was" that during his lifetime he had given<br />

the Goetz family "extremely substantial assistance<br />

through gifts and financial assistance<br />

to my daughter's husband and through advancement<br />

of his career."<br />

BOXOFFICE November 16, 1957


THEATRE OWNERS i|PPROV<br />

^/itenyiatlo/iczl<br />

OPENING 75 THEATRES IN TEXAS including INTERSTATE THEATRES CO., ROWLEY UNITED and JEFFERSON<br />

AMUSEMENT THEATRES on November 28, 1957<br />

OPENING WARNER THEATRE, OKLAHOMA CITY - PLUS 50 VIDEO INDEPENDENT THEATRES, December 12, 1957<br />

OPENING PARAMOUNT and FENWAY THEATRES, BOSTON - PLUS 55 OTHER THEATRES THROUGHOUT NEW<br />

ENGLAND on January 15, 1958<br />

OPENING STANLEY WARNER, ALHAMBRA THEATRE, MILWAUKEE on November 28, 1957<br />

DY OF A BOY! MIND OF A MONSTER!<br />

SOUL OF AN UNEARTHLY THINGI<br />

I WASA<br />

IeEHAGE<br />

/<br />

I<br />

starring<br />

TfflYLirCOATES .<br />

ROBERT BURTON • GARY CONWAY<br />

Sandra HARRISON • Louise LEWIS<br />

Pn)itBce


BETWEEN THE LINES = By AL STEEN<br />

Convention Capers<br />

n S this issue of BOXOFFICE goes to press,<br />

the curtain is about to go up on the<br />

annual Theatre Owners of America's convention<br />

in Miami Beach. The convention<br />

marks the 10th anniversary of TOA. Prior<br />

to 1947, for a brief period, the organization<br />

was known as American Theatres Ass'n<br />

and. before that. Motion Picture Theatre<br />

Owners of America.<br />

Over the years, we've attended the conventions<br />

of all three. And. while in a mellow<br />

mood recently, we delved back in our<br />

memory to past conclaves and to some incidents<br />

thereof.<br />

« • •<br />

There was the time in Oklahoma City<br />

when the MPTOA was about to wind up<br />

its final session. The late Ed Kuykendall.<br />

who was president for more years than<br />

most industryites can remember, asked for<br />

a motion to adjourn. Before a motion<br />

could be made, somebody in the back of<br />

the room got up and said, "Why are we always<br />

feuding with Allied? Why don't we<br />

merge?" The statement came as such a<br />

thunderbolt that Kuykendall was caught<br />

off guard. He stammered, "Well, maybe it<br />

might be a good idea. I wouldn't be opposed<br />

to it. if we could get together." The<br />

trade press played it up and. as far as we<br />

can recall, that was the first suggestion of<br />

a merger. This happened in 1938. The subject<br />

still is being discussed.<br />

» • *<br />

Going back further, the MPTOA once<br />

held a convention in Toronto where the<br />

association officially admitted affiliated<br />

theatres to membership. It was that move<br />

that tired the late Al Steffes. the late H. M.<br />

Richey. Col. H. A. Cole and others and<br />

which led. formally, to the formation of<br />

Allied States Ass'n. although a skeleton<br />

organization had been set up previously.<br />

On the way back, the "rebels" had a drawing<br />

room and as the train reached the Canadian-U.<br />

S. border, customs officers got<br />

aboard for their regular duties. It was in<br />

prohibition days and one officer asked<br />

Steffes if he was bringing over any liquor.<br />

Big. gruff Steffes replied. "Sure, the upper<br />

berth is full of it." The officer was pretty<br />

sure Steffes was joking but. just to make<br />

sure, he pulled down the upr>er berth. It<br />

was loaded with every kind of bottled goods<br />

obtainable in Canada. The roars of laughter<br />

could be heard throughout the train.<br />

It so happened that the Pullman porter was<br />

doing a little smuggling on the side.<br />

• • •<br />

At a convention in St. Louis, the late<br />

Dick Biechele. then the president of the<br />

Kansas-Missouri unit, was late getting to<br />

the wind-up banquet. He finally got<br />

dressed, rushed downstairs and took the<br />

sole empty .seat on the dais. He gobbled up<br />

the fruit cup, rushed through the soup<br />

course and then looked around. He didn't<br />

14<br />

recognize anybody. He pulled the sleeve<br />

of the waiter and whispered. "Is this the<br />

theatre owners' banquet?" The waiter replied.<br />

"No. this is the hardware dealers'<br />

convention. The theatre men are in the<br />

banquet room across the hall."<br />

* * •<br />

At a cocktail party in Chicago's Conrad<br />

Hilton Hotel during a TOA convention a<br />

couple of years ago. we got to talking with<br />

a vei-y genial gentleman. He really was<br />

enjoying himself, but he avoided every<br />

question we asked if it concerned the industry.<br />

Finally he confessed.<br />

"Listen." he said. "I live in Evanston.<br />

It was raining. I stepped under the hotel<br />

canopy to keep from getting wet. A lot of<br />

people were standing around and I got to<br />

talking to them. Suddenly somebody said<br />

something about National Carbon and that<br />

the party was about to begin. A man and<br />

his wife took each of my arms and brought<br />

me here. Who the hell is National Carbon?<br />

I sell diapers. But don't tell anybody. I'm<br />

having fun."<br />

« « «<br />

Shortly after the end of World War II.<br />

TOA, or maybe it was ATA, held a convention<br />

at the Ambassador Hotel in Los Angeles.<br />

One night there was a party at one<br />

of the studios and the delegates and their<br />

wives gathered at the auto entrance where<br />

they were to board buses for the trip to the<br />

lot. One woman was standing alone and an<br />

officer of the association and his wife invited<br />

her to join them, thinking she was an<br />

exhibitor or the wife of an exhibitor. The<br />

lone lady accepted and was shown every<br />

courtesy throughout the evening. When the<br />

party returned to the hotel later that night,<br />

it was learned that the lone wolverine was<br />

a rather well known "lady of the evening."<br />

• • •<br />

At the TOA convention in Houston in<br />

1950. the late Gael Sullivan, then executive<br />

secretai-y of the organization, was watching<br />

a porter cleaning up one of the meeting<br />

rooms. To make conversation. Gael remarked.<br />

"Sweeping out the room, eh?" The<br />

porter gave him a dirty look and replied.<br />

"No. I'm sweeping out the mess you guys<br />

made. I'm leaving the room as it was."<br />

We'll Take Manila<br />

IT'S always nice to report good news, even<br />

it doesn't concern business in our own<br />

if<br />

country. Sebastian C. Palanca. who will<br />

open a brand new theatre in Manila next<br />

month, dropped into our office this week.<br />

Being a sub.scriber. he didn't want to miss<br />

an issue of BOXOFFICE. (We had to get<br />

that plug in.)<br />

Anyway, he reported that the Ever Theatre<br />

in Manila, a 1.500-seat house, took in<br />

$130,000 1260.000 pesos) in eight days with<br />

Paramount's "Gun Fight at the O.K. Corral."<br />

We repeat—$130,000 in eight days in<br />

a 1,500-seater. Man. that's business!<br />

Allied Arlisls Reports<br />

Gross, Net Gain in '57<br />

HOLLYWOOD - Operations of Allied<br />

Arti.sts Pictures Coi-p. and its wholly owned<br />

.subsidiaries for the fii'st quarter of the present<br />

fiscal year, ending Sept. 28, 1957. resulted<br />

in a net profit before federal income<br />

taxes of $90,800, stockholders were informed<br />

at the company's annual meeting at the<br />

studio Wednesday (13).<br />

This amount compares with a net loss before<br />

federal income taxes of SIOO.OOO for the<br />

corresponding quarter of the previous year.<br />

No provision for federal income taxes was<br />

made in the quarter ended Sept. 28. 1957. because<br />

of a loss carry forward credit of approximately<br />

$775,000 which can be applied<br />

against profits of the current fiscal year. The<br />

gross income in the respective quarters<br />

showed $4,894,000 in the quarter ended Sept<br />

28. 1957. compared with $4,552,000 in the corre.sponding<br />

quarter in 1956.<br />

The meeting was presided over by George<br />

D. Burrows, executive vice-president and<br />

treasurer, due to the absence of the president,<br />

Steve Broidy, who is recuperating from injuries<br />

suffered in an automobile accident.<br />

The following dii-ectors were elected for the<br />

coming year: G. Ralph Branton. Steve<br />

Broidy, George D. Burrows, Sherrill Corwin,<br />

W. Ray Johnston, Edward Morey. Paul Porzelt.<br />

Herman Rifkin and Norton V. Ritchey.<br />

Following the stockholders meeting the<br />

board of directors met and re-elected all of<br />

the present officers. Announcement was made<br />

at the board meeting that the executive committee<br />

of the board had. on Aug. 5, 1957.<br />

authorized the payment of the Dec. 15, 1957<br />

quarterly dividend of 13 "-4 cents per share on<br />

the company's 5'l- per cent cumulative convertible<br />

preferred stock. Payment will be made<br />

to stockholders of record Dec. 3. 1957.<br />

Grimm Heads Advertising<br />

And Publicity for RKO<br />

NEW YORK—Ben Grimm has been named<br />

manager of RKO worldwide advertising and<br />

publicity and Fred<br />

Lutkin has been made<br />

associate manager in<br />

the .same field by Walter<br />

E. Branson, vicepresident<br />

in charge of<br />

worldwide distribution.<br />

Grimm has been<br />

RKO advertising manager<br />

for many years.<br />

He has now taken over<br />

the direction of publicity<br />

activities handled<br />

by Alfred Stern, who<br />

Ben Grimm<br />

left the company November<br />

8. Lutkin has been business manager<br />

in charge of cooperative advertising.<br />

20th-Fox Easter Release<br />

LOS ANGELES—20lh Century-Fox has designated<br />

"The Long. Hot Summer." the Jerry<br />

Wald production, as its Easter release. The<br />

studio is also considering world-premiering<br />

the picture in Baton Rouge, where the film<br />

was lensed and 700 residents worked as extras.<br />

The picture toplines Paul Newman. Joanne<br />

Woodward. Anthony Franciosa and Orson<br />

Welles. Martin Ritt directed.<br />

BOXOFFICE November 16. 1957


National Theatres, WB<br />

In Cinemiracle Pact<br />

HOLLYWOOD—Jack L.<br />

Warner, president<br />

of Warner Bros. Pictures, and Elmer C.<br />

Rhoden. president of National Tlieatres, Inc.,<br />

this week revealed that their companies will<br />

join in the filming and presentation in the<br />

new Cinemiracle medium of the famed Max<br />

Reinhardt play "The Miracle."<br />

The picture will be the first of a number of<br />

multimillion dollar productions to be filmed<br />

and presented in the new dimension of picture<br />

presentation, they announced.<br />

Because of the importance of this first<br />

Warner Bros, production in the Cinemiracle<br />

medium and other Cinemiracle productions<br />

involved in the Warner Bros. -National Theatres<br />

deal, all will be planned for long-playing<br />

roadshow engagements.<br />

Both Warner and Rhoden hailed the forthcoming<br />

filming of world-famous story properties<br />

in the medium as a new advance in<br />

motion picture technology comparable to<br />

Warners' creation of the talking motion picture,<br />

also expressing satisfaction in the association<br />

of their companies.<br />

"This Indeed is a forward step in a new<br />

era of motion picture presentation," Warner<br />

said. "With the scope and size of production<br />

made possible by Cinemiracle, audiences will<br />

be able to view a screen presentation of 'The<br />

Miracle' as clear, magnificent and life-like<br />

in dimension as Reinhardt created for the<br />

theatre," Rhoden added.<br />

Production of "The Miracle" is scheduled to<br />

start early in 1958.<br />

Teenagers Prefer Theatre<br />

To Seeing TV Movies Free<br />

NEW YORK—Three out of four teenagers<br />

prefer to pay to see motion pictures in theatres<br />

than watch them free on television<br />

screens, according to Lester Rand, president<br />

of the Youth Research Institute.<br />

Rand has conducted a survey which shows,<br />

he said, that 59 per cent of the teenagers<br />

consider movies better entertainment, 42 per<br />

cent like the fact there are no inten-uptions<br />

by commercial announcements, 60 per cent<br />

admire particular stars and 29 per cent cited<br />

few distractions.<br />

It also developed that teenagers like to get<br />

out of the home and be among themselves.<br />

The theatres are considered preferable meeting<br />

places to street corners, and admission<br />

prices are not considered too high. They ahso<br />

feel more of a sense of participation while<br />

watching movies than television, and they<br />

have nominated few TV personalities as<br />

"heroes."<br />

Rand quoted the minority preferring TV as<br />

saying they could watch it while lying down<br />

and while talking on the telephone, that the<br />

different channels gave them a variety of entertainment<br />

to choose between and that it<br />

was free entertainment.<br />

Rand also said teenagers are now skeptical<br />

about the TV commercials, and are sometimes<br />

embarrassed to think that at a younger<br />

age they believed them and urged their parents<br />

to buy various advertised commodities<br />

such as cereals and desserts. Now they look<br />

down on the pre-teenagers whom they consider<br />

gullible. On the other hand, many of<br />

the singing commercials on radio are liked,<br />

Rand said.<br />

INDUSTRY<br />

PROFILE<br />

^»''


—<br />

LETTERS<br />

Wants Positive Thinking<br />

Have just finished reading your excellent<br />

coverage of the Allied States Ass'n meeting<br />

at Kiamesha Lake, N. Y. May I state, as an<br />

exhibitor, my sheer disgust at the antics of<br />

those renowned officials who. in my opinion<br />

did not come up with one solid, constructive<br />

idea to solve the motion picture theatre<br />

slump.<br />

All they did was give out with the same,<br />

tired, verbal bombast against the film companies—again<br />

trying to prove that the producers-distributors<br />

are solely responsible for<br />

all the exhibitor's troubles Naturally, the<br />

easiest way to solve any problem is to blame<br />

it on someone else.<br />

I was particularly incensed by Mr. Rube<br />

Shor's tirade wherein he stated positively that<br />

the film distributors were actually seeking<br />

to eliminate the small theatres from the industry.<br />

I challenge that statement. How any clear<br />

thinking business man, with years of experience<br />

in his field, could po.ssibly make a<br />

statement like that, is beyond my comprehension.<br />

What could the film companies<br />

gain by a move Uke that, except a<br />

shocking loss of revenue? And, don't let Mr.<br />

Shor tell me that's what they want—to deliberately<br />

deprive themselves of money!<br />

Let me state some facts concerning myself<br />

in relation to the film companies. I own<br />

and operate a small—only 350-seat—closed<br />

theatre in a seasonal rural community. My<br />

film rental varies per picture from $15 to<br />

$20 top. It should be quite obvious to anyone<br />

that income from my situation is an infinitesimal<br />

item to the producers and distributors.<br />

They could certainly sui-vive without<br />

my account on their books. Yet I have<br />

always received the utmcst in consideration,<br />

courtesy and cooperation from every one of<br />

them. And I deal with all of the major and<br />

minor companies.<br />

Each of them, without exception, has gone<br />

out of the way at one time or another to help<br />

me in every possible way. Not one of them<br />

has ever deliberately turned me down on a<br />

booking date or on the sale of a picture.<br />

Just last week. Paramount advised me they<br />

couldn't fill my December 3, 4 playdate on<br />

"Loving You," due to print congestion, but<br />

offered me December 8, 9. Today they advised<br />

me that, due to a cancellation, the playdate<br />

of December 3, 4 was okay. If this is an<br />

example of deliberately withholding prints<br />

from small theatres, as was charged by Mr.<br />

Shor and Mr. Adams, then I'll eat it.<br />

During the past summer, I went through a<br />

remodeling and renovation and the theatre<br />

was closed down. I ran into some contractor<br />

trouble and for a time the work was delayed.<br />

All of the film salesmen were down at the<br />

theatre from time to time and each one of<br />

them expressed a heartfelt concern and interest<br />

in my problems and assured me that<br />

anything they could do to help in any way<br />

to get me started on time for my opening<br />

date, they would be glad to do. Their cooperation<br />

was wonderful and I'll always be grateful<br />

to them.<br />

As for the Allied blast at Paramount for not<br />

putting "The Ten Commandments" into general<br />

release now. I don't blame Paramount a<br />

bit. Let the public pay for something that is<br />

so truly great and magnificent as this motion<br />

picture. The general public doesn't mind<br />

paying increased costs of new cars, TV and<br />

new gadgets and appliances. Only, when it<br />

comes to entertainment—they expect it for<br />

nothing the way it is being fed to them via<br />

television channels, or a mere pittance when<br />

they finally decide to move out of the living<br />

room to attend a beautiful, modern, air conditioned<br />

theatre.<br />

No other industry has so pampered and<br />

catered to and spoiled the public. 'We have<br />

always given them the finest entertainment<br />

while we have been used as baby sitters, have<br />

been called upon for every charity drive and a<br />

hundred other functions, without recompense.<br />

And in return, moneywise, we have always<br />

given them the greatest value for their money.<br />

Now they want everything free. What other<br />

industry in existence gives its merchandise<br />

to the public for nothing? Let Mr. Shor and<br />

Mr. Gordon and their brother members of<br />

Allied States Ass'n wake up and start thinking<br />

a little less negatively and a little more<br />

positively and stop berating the film companies.<br />

They are doing a tough job to the<br />

best of their ability!<br />

Midway Theatres, Inc.,<br />

Perrine. Fla.<br />

PHILIP COHNSTEIN<br />

Urges Pride in Our Industry<br />

Are we in an industry we are ashamed of?<br />

After being raised in a motion picture<br />

theatre, I am fast becoming that way. I love<br />

this business and want to keep loving it. We<br />

serve a real need in the American way of<br />

life . . . "the pursuit of happiness." But, we<br />

are heading for a reputation of being "bad"—<br />

both morally and in taste.<br />

I have just read an article by Harold Blake<br />

Walker in Presbyterian Life. In the same<br />

paragraph he lists motion pictures along<br />

with pulp magazines, night clubs and beer<br />

parlors. Do you like that? I don't.<br />

However, with .so much of the type of<br />

product being offered today, he's right! And<br />

I'll be quoting him down through this letter.<br />

It was not his intention to single out the<br />

faults of the motion picture industry in his<br />

statements, but it is MY concern and that's<br />

what I'll dwell on.<br />

The cycle in motion pictures today seems<br />

to be dope, horror and teenage violence.<br />

That's what they want—so that's what we'll<br />

give them! If it sells tickets, it's okay! The<br />

decisive consideration is not what is good, but<br />

whether it is popular. People have an inward<br />

desire to see this type of picture, so we are<br />

doing our part by designing our pictures to<br />

satisfy this hidden desire. Some people have<br />

a desire for dope. It is provided for them by<br />

dope smugglers for money. Are we any better<br />

in providing "reel dope" for their minds<br />

for money? Let's face it.<br />

Sure, we're in this business to make money,<br />

but most of us are in it, too, because we<br />

love the business and would like to feel we<br />

have a responsibility to our fellow man. Are<br />

we providing a service to mankind by giving<br />

them dope, horror and violence?<br />

In the first place, this type of picture is<br />

not really an answer to the public's desire.<br />

In the end, these pictures leave their confu.sed<br />

and worried minds more confused and<br />

worried, filled with less and less of what<br />

could be worthwhile entertainment. I am not<br />

saying these types of pictures should be outlawed,<br />

but they should be handled with "kid<br />

gloves," and spaced carefully in release.<br />

Many of the pictures today are perfectly<br />

okay morally, but the advertising throws<br />

them to the other side of the tracks. Advertising<br />

and publicity have gone to such lengths<br />

that we almost EXPECT to be deceived nowa-days.<br />

A man who does the least bit of<br />

thinking, for example, will not expect the<br />

distillers to disclose to him the truth about<br />

the effects of alcohol. As a matter of fact,<br />

the word "alcohol" is seldom mentioned in a<br />

liquor ad—except in small type. But, we're<br />

different: Be sure to put a girl in the ad—<br />

and with a low, low cut blouse, plus a gun.<br />

cigaret or glass of champagne—whether there<br />

are any girls in the picture or not! Even a<br />

cowboy has to have a halfdressed female<br />

hanging on his saddle.<br />

Remember "Teenage Rebel"? Remember<br />

the ads? In the Sindlinger report published<br />

this week, it shows that 38.6 per cent said,<br />

"There was nothing playing I wanted to<br />

see." How could they tell from the advertising<br />

what they were going to see?<br />

And, what about news releases? On page<br />

one of papers all over the countrj- were<br />

headlines heralding the scandal magazine<br />

trials. ONCE—over on another page and hard<br />

to find—was a picture of George Murphy<br />

and Ronald Reagan doing something about<br />

this thing. Just what, I'm not sure, because<br />

that's all I ever saw of it. I'm sure there's<br />

a lot of GOOD publicity that could make<br />

the headlines, if COMPO or TOA or Allied<br />

would push it.<br />

Life has to be organized—or disorganized—<br />

around something. It may be bu.siness or<br />

personal ambition. These may be our gods,<br />

and around them oui- world revolves—and<br />

God pity whatever gets in the way. But<br />

somehow, life does not hold together when<br />

it is cluttered with our ambitions and our<br />

possessions. It takes a moral responsibility<br />

to keep life ordered and thinking sound,<br />

and to save us from the sterility of .success<br />

without serenity, achievement without affection<br />

and goodness without God.<br />

I know there are many, many men and<br />

women in this industiy who feel as I do. We<br />

love this business, know we can serve a real<br />

need to the American way of life—and it can<br />

be good, not corrupt. Why not write to your<br />

trade papers, to your state and national<br />

organizations, to the producers—but WRITE!<br />

There's nothing wrong with this business<br />

that good, family pictures can't cure. "Tammy<br />

and the Bachelor," "The Story of Mankind,"<br />

"The Diary of Anne Frank," "All Mine to<br />

Give," "A Man Called Peter," etc. These,<br />

coupled with good advertising and publicity<br />

can make us an industry to be proud of.<br />

KELLY A. CRAWFORD<br />

Allen Theatres,<br />

Farmington, N. M.<br />

Won't See Film<br />

Without Color<br />

iun a bart«ider in a small town ten miles<br />

I<br />

from Holland, Mich. Although not in the<br />

business. I am an inveterate movie fan.<br />

I thought you might be interested in an<br />

exchange I had with a young customer.<br />

Customer: Have you seen that show at the<br />

Holland yet? ("Operation Mad Ball.")<br />

Bartender: Yes.<br />

Customer: How was it?<br />

Bartender: I thought it was very funny.<br />

Customer: But it isn't in color, is it?<br />

Bartender: No.<br />

Customer: Well, then, the hell with it!<br />

Saugatuck, Mich.<br />

JACK REPP<br />

16<br />

BOXOFFICE November 16. 1957


Co.,<br />

Yates Charges Fraud<br />

Aim in Essex Deal<br />

NEW YORK—Herbert J. Yates, president<br />

of Republic, has replied in New York Federal<br />

Coiu-t to the Essex Universal Corp. suit<br />

charging him with failure to honor a contract<br />

for the sale of 566,223 shares of Republic<br />

common stock to Essex.<br />

Yates claimed that the contract no longer<br />

had force because it was discovered that<br />

Essex was not acting, as stipulated in the contract,<br />

"in the best interests of Republic and<br />

its stockholders." Among other things, he<br />

charged a lack of funds with which to make<br />

the payments called for in the contract and<br />

a promise, not lived up to, to try to engage<br />

"the sei-vices of one Sol Schwartz, an individual<br />

with extensive experience in the motion<br />

picture industry." Schwartz was not<br />

otherwise identified.<br />

Before the contract was closed,<br />

Yates said,<br />

he had information of an intent to defraud.<br />

He said Essex had begun negotiations with<br />

a third party "for an agreement whereby the<br />

third party would lend or pay money to Essex<br />

Universal to enable Essex Universal to pay<br />

all or part of the purchase price for said<br />

shares of stock and whereby Essex Universal<br />

would agree, in consideration therefor, to<br />

cause Republic to sell or license motion pictures<br />

produced by Republic to such third<br />

party at prices much less than could be obtained<br />

therefor from others pursuant to arms<br />

length bargaining."<br />

Yates also charged Essex with planning to<br />

sell assets to Republic at more than their<br />

true worth, thereby enabling Essex "to acquire<br />

monies sufficient to pay all or part of<br />

the purchase price for said shares of stock."<br />

He claimed damages of $106,120 resulting<br />

from the Essex suit.<br />

Halt Attendance Declines-<br />

Adult Admissions Up<br />

RIDLEY PARK, PA.—For the first time<br />

in ten weeks, the downward trend of attendance<br />

at motion picture theatres has<br />

halted. A. Sindlinger<br />

, analysts, reported<br />

this week that for the seven days<br />

ending November 2, total paid adult attendance<br />

was up 5.4 per cent over the<br />

preceding week.<br />

This rise in attendance was noted<br />

throughout the country, with the exception<br />

of the Midwest. In this area, indoor<br />

theatre attendance increased, but<br />

the decline in drive-in admissions continued.<br />

Weather conditions were a factor in<br />

the lower drive-in attendance.<br />

Sindlinger reported the lai-gest boxoffice<br />

rise was in the East where total adult<br />

paid attendance increased by approximately<br />

14 per cent.<br />

The recession in the Asiatic flu scare<br />

is considered to be the major factor in<br />

the upped attendance. Sindlinger interviewers<br />

who daily quei-y over 1,000 Individuals<br />

in 238 U. S. counties, about topics<br />

they talk about reported in the weeks<br />

ending October 17 to 24 that Asiatic flu<br />

was in sixth and fourth place respectively<br />

among the most talked-about subjects.<br />

In the w^eek ending November 2, the subject<br />

fell to 14th place.<br />

AT 'TEN<br />

COMMANDMENTS' BIRTHDAY PARTY<br />

Balaban Says High Budgets<br />

Shouldn't Scare Producers<br />

Celebrating the start of the second year<br />

of "The Ten Commandments" at the Criterion<br />

Theatre on Broadway. Martha<br />

Scott, who plays Moses' mother in the<br />

picture, cuts the birthday cake, while<br />

Charles Moss, executive director of the<br />

theatre (left), and Barney Balaban,<br />

Paramount Pictures president, look on.<br />

List Industries Earnings<br />

Up for Nine-Month Period<br />

NEW YORK—The consolidated earnings of<br />

List Industries Corp. and subsidiaries<br />

amounted to $1,670,284 for the nine months<br />

ended Sept. 30, 1957, compared to $430,-<br />

035 for the nine months ended Sept.<br />

30, 1956. List Industries was formerly RKO<br />

Theatres Corp.<br />

The 1957 figui-e includes profit of $598,-<br />

929 on sales of properties and amounts to 38<br />

cents per share, compared to 14 cents per<br />

share based on the number of shares outstanding<br />

at the beginning of the year 1956.<br />

according to Dudley G. Layman, financial<br />

vice-president.<br />

F^-ovisions for depreciation and similiar<br />

non-cash charges made against earnings were<br />

approximately $2,396,000 during the first nine<br />

months of 1957, compared to $2,095,000 during<br />

the first nine months of 1956.<br />

List Industries purchased approximately<br />

140,000 shares of its stock from David J.<br />

Greene and certain of his associates November<br />

11.<br />

Astor to Become Columbia<br />

Distribution Consultant<br />

NEW YORK—Louis Astor, home office<br />

sales executive of Columbia since 1933, will<br />

go on a consultant basis with the company<br />

after December 31. according to A. Montague,<br />

vice-president in charge of distribution, and<br />

Rube Jackter, general sales manager. His<br />

contract is being changed so that the company<br />

will be assured of the continuing benefits<br />

of his experience, Montague said.<br />

Astor entered the entertainment field as<br />

a teenage advance agent for legitimate road<br />

shows. As far back as 1910. he was in the motion<br />

picture business, traveling with films. He<br />

was an exhibitor for five years before serving<br />

with the navy in World War 1. He served as<br />

New Haven branch manager before being<br />

transferred to the home office in 1933.<br />

NEW YORK—A producer should not let<br />

a high budget scare him if he believes in<br />

the ingredients of the project, Barney Balaban,<br />

president of Paramount Pictures, stated<br />

at ceremonies in the lounge of the Criterion<br />

Theatre celebrating the start of the second<br />

year of "The Ten Commandments" at the<br />

Broadway house.<br />

At a cake-cutting, following a buffet luncheon<br />

for the press, Balaban said that Paramount<br />

believed in the subject matter of the<br />

picture and in its universal and perennial<br />

appeal. He said the company realized that<br />

its negative cost would equal almost three<br />

times the highest costing previoirs DeMille<br />

picture, but "we believed it was certain of<br />

success and that it would set new levels and<br />

standards for all motion pictures," adding<br />

that "the results have more than borne out<br />

our anticipation and hopes."<br />

Citing figures, Balaban said the total boxoffice<br />

gross at the Criterion from Nov. 8,<br />

1956, to Nov. 7, 1957, was $2,500,000 and that<br />

1,300,000 persons had seen the picture at the<br />

Criterion. In the 917 openings to date, in<br />

the United States alone. "The Ten Commandments"<br />

has had a total boxoffice gross of<br />

$26,500,000, he said, pointing out that the<br />

film rental to Paramount as of November 7<br />

amounted to $16,250,000. Balaban estimated<br />

that by December 31, the film rental would<br />

be $18,000,000.<br />

Declaring that other important pictures<br />

soon would be released by other companies,<br />

Balaban said he hoped "every company will<br />

find its share of mortgage lifters, as everyone<br />

benefits from their success—the producer,<br />

the exhibitor, the concessionaire, the neighboring<br />

theatres and ultimately the public."<br />

Asked about complaints from some exhibitors<br />

in regard to their alleged inability to<br />

book "The Ten Commandments" immediately,<br />

Balaban said the company would continue<br />

to follow its adopted pattern of selected<br />

engagements. This was necessary, he added,<br />

in order to achieve the maximum gross.<br />

Charles Boasberg, in charge of sales for<br />

the picture, who was present, discounted reports<br />

that exhibitors' requests for the picture<br />

were being refused. He indicated this might<br />

be true in vei-y small situations, but that, in<br />

time, all would be able to play it.<br />

Commenting on the various media of "home<br />

theatres," Balaban told the press that he<br />

felt additional revenue would be attained<br />

from some sort of subscription television and<br />

that the projects in work would be a reality<br />

within the next three or four years.<br />

'The Men From Moscow'<br />

To Star Oscar Homolka<br />

HOLLYWOOD—Oscar Homolka has been<br />

set to star in "Tlie Men From Moscow," a<br />

comedy satire scripted by Ken Hughes concerning<br />

the Russian Prime Minister's visit<br />

to London last year with his staff. British<br />

Lion Film Corp. offered Homolka the lead<br />

role as the head of Russian Security.<br />

Homolka who has spent nearly three years<br />

abroad appearing in such films as "War and<br />

Peace" and "A Farewell to Anns." plans to<br />

return to Hollywood permanently.<br />

BOXOFFICE November 16. 1957 17


FEATURE REVIEW<br />

'Don't Go Near the Water'<br />

Metro-Goldwyn-Mayer<br />

By AL STEEN<br />

TP there has been a dearth of good solid<br />

belly-laugh comedy fare, here is the<br />

answer to the complaints. "Don't Go Near<br />

the Water" was made for laughs and the<br />

mission has been accomplished. In fact, there<br />

are some sequences at which a preview audience<br />

actually gasped for breath. The adjective<br />

"hilarious" is descriptive and yet the appellation<br />

could fall short; perhaps such<br />

tei-ms as zany and screwball would have<br />

greater meaning. It must be admitted that<br />

there are spots where plot development slows<br />

down the action, but these are in the minority<br />

and any slow-down is stepped up quickly<br />

by another fast comedy situation.<br />

The boxoffice potentials of this picture<br />

should be unlimited. Word-of-mouth praise<br />

should follow in the wake of the initial audience,<br />

an audience which should be big if<br />

the advance ads stress the fact that here is<br />

a picture at which even the most staid person<br />

will let his hair down and enjoy himself.<br />

A picture which can combine satire,<br />

romance and documented events so expertly<br />

as thi.s one does can hardly miss.<br />

Although a foreword on the credit sheet<br />

declares that the events, characters and firms<br />

depicted are fictitious, actually the film is<br />

based on William Brinkley's best-selling novel<br />

of the same name, the events in which were<br />

based on facts. As the prelude states, "This<br />

is the story of some of those fearless and<br />

wonderful guys in Navy public relations. They<br />

push a perilous pencil, pound a dangerous<br />

typewriter and fire a deadly paper clip, but<br />

they don't go near the water."<br />

Dorothy Kingsley and George Wells have<br />

fashioned a screenplay from the book which<br />

fits the individual talents of such marquee<br />

'DON'T GO NEAR THE WATER'<br />

Metro-Goldwyn-Mayer<br />

in CinemoScope and Metrocolor<br />

Running time: 107 minutes<br />

CREDITS<br />

Directed by Charles Walters, Produced by Lawrence<br />

Weingarten. An Avon Production, Screenplay<br />

by Dorothy Kingsley and George Wells.<br />

Bosed on the novel by William Brtnkley. Music<br />

by Bronislau Kapcr, Lyric for song. "Don't Go<br />

Near the Water," by Sammy Cahn, sung by the<br />

Lancers. Director of photography, Robert Bronner.<br />

Art directors, William A. Horning and Urie<br />

McCleary. Set Decorations, Edwin B. Willis and<br />

Hugh Hunt. Speciol effects, A. Arnold Gillespie<br />

ond Lee Deblang. Assistant director, Al Jennings.<br />

Film editor, Adrienne Fazon. Recording<br />

supervisor, Dr, Wesley C. Miller. Women's costumes<br />

by Helen Rose. Color consultant, Chorles<br />

K. Hogedon. Pcrspecto Sound. Westrex Recording<br />

System.<br />

THE CAST<br />

Lt. Max Siegel Glenn Ford<br />

Meloro Gia Scala<br />

Adam Garrett Earl Holliman<br />

Lt. Alice Tomlen<br />

Gordon Ripwell<br />

Anno Francis<br />

Keenan Wynn<br />

Lt. Comdr. Clinton T. Nash Fred Clork<br />

Deborah Aldrich Eva Gabor<br />

Ensign Tyson Russ Tamblyn<br />

Lt, Ross Pendleton Jeff Richords<br />

Farrogut Jones<br />

Mickey Shaughnessy<br />

Admiral Bootwright Howord Smith<br />

Mr. Alba Romncy Brent<br />

Janie Mary Wickes<br />

Rep. George Jensen Jack Albertson<br />

Rep, Arthur Smithfield Charles Wotts<br />

Lt. Comdr. Glodstone Jock Strow<br />

Lt. Comdr. Hereford Robert Nichols<br />

Lt- Comdr. Diplock John Aldorson<br />

Glenn Ford, portraying a Navy lieutenant,<br />

shows an intense interest in Gia<br />

Scala, a school teacher on the tropical<br />

island of Tulara. in this scene from<br />

"Don't Go Near the Water."<br />

names as Glenn Ford, Anne Francis, Keenan<br />

Wynn, Gia Scala, Eva Gabor, Earl Holliman<br />

and Russ Tamblyn. But the performer who<br />

supplies the principal comedy segments and,<br />

in a sense, steals the picture, is Fred Clark,<br />

who portrays a naval lieutenant commander<br />

whose knowledge of the sea and ships is<br />

practically nil but, at the same time, loves<br />

to use sea-faring words in his conversation.<br />

And, being a former investment broker, he<br />

can't i-efrain from comparing all details with<br />

how they were handled when he was with<br />

the firm of Merrill Lynch, Pierce, Fenner &<br />

Beane.<br />

The South Sea locale and its scenic beauty<br />

are accentuated by Cinemascope and excellent<br />

Metrocolor. Charles Waltere' direction<br />

is tops. Producer Lawrence Weingarten apparently<br />

spared no expense to give the picture<br />

the best in production values and<br />

quality.<br />

The story is laid on the tropical island of<br />

Tulara where, during World War II, the<br />

public relations section of the Navy turns<br />

out news stories about the Navy. But the<br />

newsmen's contact with the war practically<br />

does not exist. In a sense, the picture is a<br />

series of incidents, held together by Clark's<br />

pompous, but ineffectual, supervision and romances<br />

between Ford and Miss Scala and<br />

between Holliman, a yeoman, and Miss Francis,<br />

a nurse. Ford, a lieutenant junior grade,<br />

meets up with Miss Scala, a native school<br />

teacher, and when the war is over, elects to<br />

remain on the island with her.<br />

There are two sequences which are standouts<br />

from a comedy standpoint. One is the<br />

attempt by the public relations men to build<br />

their own clubhouse. These scenes would put<br />

Mack Sennett to shame in the hey-dey of<br />

his slapstick career. The other concerns<br />

Ford's abortive campaign to improve the<br />

manners of Mickey Shaughnessy, a near-iUiterate<br />

sailor who has been selected by Clark<br />

to represent the typical young sailor man.<br />

The sailor has the habit of using a certain<br />

censored adjective to describe anything, but<br />

his use of it is conveniently blotted out by<br />

a boat whistle or fog horn which sounds off<br />

at the right time.<br />

All in all, "Don't Go Near the Water" is<br />

a slap-happy, riotous piece of celulloid that<br />

looks like hefty boxoffice from any angle.<br />

Feature Sales lo TV<br />

'Suicidal Giveaway'<br />

CHICAGO—If Hollywood continues to deliver<br />

the cream of its old productions to television,<br />

the motion picture business as it is<br />

known may well vanish, and soon, Edwin<br />

Silverman, president of the Essaness Theatre<br />

Corp.. declared here this week following a<br />

meeting of the company's board of directors.<br />

The stiff competition from front-line films<br />

on T"V, he contended, may close 10.000 theatres<br />

in the next year. The Essaness circuit<br />

operates the Woods Theatre in the Loop,<br />

neighborhood houses, and a number of driveins<br />

in the Chicago area.<br />

Silverman placed the chief blame at the<br />

feet of "banking interests" whose "liquidating<br />

influence has caused veteran film executives<br />

to act against their best judgment in selling<br />

their backlogs to television for meager sums<br />

in comparison to original production costs."<br />

Ironically, he pyointed out, if theatres perish,<br />

future quality motion pictures will not be<br />

available to television because TV cannot<br />

absorb the heavy production costs that accompany<br />

the making of quality movies.<br />

He termed the sale of features to television<br />

a "suicidal giveaway."<br />

Motion picture theatres, whose attendance<br />

was severely sliced by television's early inroads,<br />

began to surge back generally two years<br />

ago, at a time when television was at its lowest<br />

ebb, he commented. "But when the moviemakers<br />

began to unload the best of their<br />

backlog to TV at prices which were a fraction<br />

of the cost of current live television<br />

spectaculars, theatre fatalities began rising<br />

at an alarming rate."<br />

He said that after careful analysis of the<br />

impact of major motion pictures to television,<br />

"It is an inescapable conclusion that<br />

unless the distributing companies refrain<br />

from short sightedly making additional important<br />

pictures available to TV, the theatre<br />

business as we now know it will disappear."<br />

Never in the history of the film business<br />

has there been such a lineup of quality films<br />

for the fall and winter season, Silverman declared,<br />

mentioning "Peyton Place." "Pal<br />

Joey," "Legend of the Lost." "Les Girls,"<br />

"Don't Go Near the Water," "Farewell to<br />

Arms" and "The Bridge on the River Kwai."<br />

"Television as it is now constituted cannot<br />

match movie theatres in covering the enormous<br />

cost of making fine films," he said.<br />

Paramount Appoints Hicks<br />

Cincinnati Branch Head<br />

NEW YORK — Donald R. Hicks. Des<br />

Moines branch manager for Paramount since<br />

1948, has been made Cincinnati branch manager<br />

by Hugh Owens, vice-president of the<br />

distributing ann of Paramount. He will take<br />

over November 25 from Edmund C. DeBerry,<br />

recently made eastern division manager.<br />

G. R. Frank, who has been on sick leave,<br />

will succeed Hicks at Des Moines. He joined<br />

Paramount in November 1944 and has served<br />

in various executive capacities. He was previously<br />

with United Artists.<br />

Hicks stai-ted with Paramount in 1934 as<br />

an assistant shipper in Los Angeles. After<br />

serving as head .shipper, assistant booker and<br />

booker, he was a salesman in Salt Lake City,<br />

San Franci-sco, St. Louis and Kansas City. He<br />

became Omaha branch manager in January<br />

1947 before going to Des Moines.<br />

18 BOXOFFICE November 16. 1957


\\i>2;<br />

SSpS^S^'"^--—^"<br />

Screen<br />

OrJnai ^Vy By LEIGH BRACKET!<br />

Directed By lOHN ENGLISH<br />

Original Screen Play By JOHN K. BUTLtK<br />

BOOK THIS COMBINATION NOW AT REPUBLIC!


. . . Macdonald<br />

. . Efrem<br />

. . . Kirk<br />

. . John<br />

'i^cU^cwMcC ^c^iont<br />

Columbia Pays $100,000<br />

For Mexican War Novel<br />

One hundred thousand dollars Is the price<br />

reportedly paid by Columbia Pictures for<br />

"They Came to Cordura," the novel by Glendon<br />

Svvarthout regarded as one of the literary<br />

plums of the year.<br />

It deals with the story of Major Thomas<br />

Thorn, who, serving under Pershing in an<br />

expedition against the Mexican insun-ectionists<br />

in 1916, is assigned to discover instances<br />

of heroism, write up citations, and forward<br />

them through channels to Congress for<br />

Medals of Honor. Subsequently. Thorn find.s<br />

himself leading five of liis chosen heroes and<br />

a woman through desolate border country<br />

towards a rear base, during which trek the<br />

true characters of all are revealed.<br />

The picture is slated to go before the cameras<br />

in early 1958.<br />

"The Jagged Edge' Shelved<br />

Again at 20th-Fox<br />

Apparently "The Jagged Edge" was not<br />

sharp enough for the powers that be at 20th<br />

Century-Fox, for the film, based on a story<br />

by Mildred & Gordon Gordon, has been<br />

shelved by the Westwood studio.<br />

The Gordons originally wrote the screenplay<br />

from their own story, but the project<br />

was quietly abandoned. About a month ago it<br />

was reactivated and turned over to producerwriter<br />

Richard Murphy. However, the yarn,<br />

concerning an FBI agent in Navajo country,<br />

was suddenly dropped again.<br />

Gannaway to Associate<br />

With Sandy Howard<br />

The latest expansion move of Gannaway<br />

International Coi-p., will associate the firm<br />

with the active live TV shows produced by<br />

Sandy Howard Productions.<br />

Howard, who will commute between his<br />

New York headquarters and GIC offices<br />

at Republic Studios here, will take an active<br />

SCHOLARSIIir UINNKK — Troducer<br />

Jules Levy (right) and director Arnold<br />

Laven (left) of Gramercy Pictures, congratulate<br />

Joe Mazucca, winner of the<br />

Screen Director's Guild scholarship at<br />

the University of Southern California.<br />

By<br />

IVAN SPEAR<br />

part in planning and production of the upcoming<br />

GIC pictures, as well as six motion<br />

pictures, which he is scheduled to do in the<br />

next 18 months imder the banner of Howard<br />

Productions in association with Gannaway.<br />

Howard, one of the faunders of the Independent<br />

Television Producer's Ass'n of New 'york,<br />

has had extensive producing background witli<br />

both theatre and presentation films.<br />

James Darren Gets Role<br />

In 'Gunman's Walk'<br />

. . .<br />

James Darren, hailed as one of Columbia's<br />

most promising young players following his<br />

work in "Operation Mad Ball," snagged the<br />

role of the younger son of Van Heflin and<br />

brother of Tab Hunter in "Gunman's Walk"<br />

Carey has been inked to portray<br />

the role of Maybe Smith in the Gannaway<br />

International film "Maybe Smith"<br />

Hilo Hattie, heretofore better<br />

. . .<br />

known for her<br />

hulas and Hawaiian songs, will make her<br />

debut as a dramatic actress in AIP's "Hell<br />

Raiders'' . Stuart Holmes, currently celebrating<br />

. .<br />

his 48th anniversary in pictures, has<br />

been signed by Paramount for a feature role<br />

in Alfred Hitchcock's "From Among the<br />

Dead" . Zimbalist jr. has been cast<br />

as the first husband of actress Diana Barrymore<br />

in Warner Bros.' "Too Much. Too Soon"<br />

David Kossoff, British actor known in<br />

America for his work in "The Bespoke Overcoat,"<br />

Oscar winner as the best two-reel short<br />

subject last year, has been signed by Stanley<br />

Donen for a key role with Gary Grant and<br />

Ingrid Bergman in "Kind Sir" . . Producer<br />

.<br />

Milo Prank has chosen Julie London for the<br />

stellar femme lead in "Tlie Millionth Man,"<br />

one of his upcoming productions for MGM<br />

. . . Lita Milan was selected by Jewell Enterprises<br />

for a starring role in "Take Five From<br />

Five," which Paul Henried will direct on the<br />

U-I lot for later release by Universal.<br />

Sidney Poitier<br />

From Role of<br />

Released<br />

Porgy<br />

Sidney Poitier, announced last week as set<br />

for the star role of Porgy in Samuel Goldwyn's<br />

production of "Porgy and Bess," exited<br />

the spot due to the fact that Goldwyni would<br />

not grant his request for script approval, resulting<br />

in the producer releasing the actor<br />

from his commitment.<br />

Meantime, director Rouben Mamoulian and<br />

screenwriter N. Richard Nash have started<br />

conferences in the east with Oliver Smith and<br />

Irene Sharaff, signed by Goldwyn as production<br />

designer and costume designer, respectively.<br />

Both Smith and Miss Sharaff worked<br />

on Goldwyn's "Guys and Dolls."<br />

John Wayne Signed to Star<br />

In 'Oh, Promised Land'<br />

Buddy Adler, 20th-Pox production chief,<br />

signed John Wayne to star in "Oh, Promised<br />

Land," the filmization of the James Street<br />

novel, which will be Sidney Boehm's first production<br />

for 20th. The screenplay is by James<br />

Edward Grant.<br />

Columbia Bans Clips<br />

Of Scenes for TV<br />

Most of Hollywood's production brass<br />

welcomed with admiration the action<br />

taken by Harry Cohn, president of Columbia<br />

Pictures, when he issued orders to<br />

the effect that henceforth clips or scenes<br />

from Columbia features on any television<br />

program would be strictly forbidden.<br />

Cohn's order followed his viewing of a<br />

Kinescope of a Steve Allen TV show on<br />

NBC during which the studio executive<br />

took strong exception to the fact that<br />

Allen, after having been provided valuable<br />

footage from "Bridge on the River Kwai,"<br />

did a lampoon on the Sam Spiegel production.<br />

Cohn termed the video star's action<br />

"a most unethical thing." inasmuch<br />

as Allen did not make known to CoUunbia<br />

that a lampoon of the "Kwai " footage was<br />

planned by him immediately after the<br />

showing of the film.<br />

Cohn said he will have no objection to<br />

personal interviews of players, directors<br />

or producers on television, but that from<br />

now on Columbia will refuse all TV<br />

program requests for scenes from upcoming<br />

films.<br />

John Huston Will Direct<br />

'Roots of Heaven'<br />

. . Paul<br />

Assignment agendum: John Huston will direct<br />

"Roots of Heaven," to be produced independently<br />

by Darr.vl F. Zanuck for 20th-<br />

Fox release . . Figaro Productions has set<br />

.<br />

Robert Wise to megaphone "The Barbara<br />

Graham Story." the Susan Hayward starrer<br />

to be produced by Walter Wanger .<br />

Francis Webster drew a pair of music assignments<br />

when he was inked to team with<br />

Dimitri Tiomkin on the title tune of "The<br />

Old Man and the Sea" and to write the lyrics<br />

to a portion of the Mario Nascimbene .score<br />

for "A Farewell to Anns" . Martin<br />

was set as cameraman on "Bull-Whipped"<br />

at AA . . . Dorothy Kingsley will write the<br />

screenplay for "Green Mansions." for MGM<br />

Douglas has named Edward Lewis<br />

to head Bryna Productions' TV program and<br />

packaging department . . . James B. Harris<br />

and Stanley Kubrick have signed writercritic<br />

Gavin Lambert as story editor for their<br />

proposed productions.<br />

Only Four Literary Sales<br />

Made During the Week<br />

Hollywood's literary gentry would appear<br />

to be dreaming of Thanksgiving turkeys<br />

rather than storylines these days, with the<br />

result that only four properties were acquired<br />

for future transference to the silver screen.<br />

Charles Martin came by the motion picture<br />

rights to "Out of My Past." the George Raft<br />

autobiography which recently appeared serially<br />

in the Saturday Evening Post. The Mirisch<br />

Company obtained the United States<br />

dramatic rights to the British stage comedy.<br />

"Roar Like a Dove," by Leslie Storm, which<br />

they'll release through United Artists. Brevilana<br />

Productions purchased an original by<br />

Robert C. DennLs entitled "My World Lies<br />

Screaming," and Columbia announced the<br />

acquisition of "They Came to Cordura," a<br />

novel by Glendon Swarthout, for production<br />

in 1958.<br />

20 BOXOFFICE November 16, 1957


NATIONAL ASSOCIATION OF CONCESSIONAIRES<br />

A4UUU4^MjCe4> tlte.<br />

''GREATEST CONCESSION-VENDING SHOW ON EARTH"<br />

NOVEMBER 20-23, 1957<br />

HOTEL AMERICANA<br />

MIAMI BEACH, FLORIDA<br />

THEATRE-CONCESSION-VENDING "BRAINSTORMING SEMINARS<br />

WITH THESE<br />

INDUSTRY DISCUSSION LEADERS<br />

Bert Nathan, Theatre Popcorn Vending Corp.<br />

Philip L. Lowe, Lowe Concessions<br />

Spiro J. Papas, Alliance Amusement Co.<br />

Sam Rubin, ABC Vending Corp.<br />

James 0. Hoover, Martin Theatres<br />

Van Myers, Wometco Theatres<br />

Frank Bamford, Fox Midwest Theatres<br />

Kenneth Wells, Theatre Confections Ltd.<br />

E. H. Geissler, Wilkin Theatre Supply Co.<br />

John Flanagan, Theatre Confections Ltd.<br />

Robert Salter, United Detroit Theatres<br />

Alfred Olander, Montebello Theatres<br />

Andrew W. Orkin, Amite Theatres<br />

Mel Wintman, Smith Management Co.<br />

Dr. Marvin Sandorf, Twin Drive-in<br />

Sam Gillette, Theatre Candy Distributing Co.<br />

Irving Shapiro, Concession Enterprises<br />

A. J. Schmitt, Houston Popcorn & Supply Co.<br />

Roy Smith, Roy Smith Co.<br />

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Harold<br />

Newman, Century Theatres<br />

VALUABLE DAILY ATTENDANCE PRIZES<br />

GRAND P/?/Zf-1958 RCA 21 -inch<br />

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PLUS-2nd INTERNATIONAL MOTION PICTURE INDUSTRY TRADE SHOW<br />

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BOXOFFICE :: November 16, 1957 21


—<br />

In this scene from "Sayonara" Marlon<br />

Brando, as a flying hero of the Korean<br />

war, talks with aUiko Taka, the beautiful<br />

Japanese actress whom he loves.<br />

FCATURe REVIEW<br />

'Sayonara'<br />

Warner Bros.<br />

By IVAN SPEAR<br />

1X7HILE some of the cash customer.s may<br />

" encounter some difficulty in pronouncing<br />

its title, one thing is for sure: They will<br />

flock to see Warner Brothers' "Sayonara" in<br />

such large and enthusia.sttc numbers as to<br />

establish the picture as one of the top grossers<br />

of its era. And well they should, for<br />

producer William Goetz, transferring the<br />

bitter-sweet, best-selling novel by Pulitzer<br />

Prize-winning author James Michener to<br />

celluloid, has gifted the theatrical motion<br />

picture screen with a feature of rare beauty<br />

and poignant entertainment.<br />

Commanding prominent attention among<br />

the film's many superlative qualities is the<br />

excellent taste which enters its treatment<br />

of the story's principal theme—the always<br />

delicate subject of miscegenation. This praiseworthy<br />

discernment is undoubtedly largely<br />

creditable to the carefully constructed screenplay<br />

by Paul Osbom and the sensitive, expert<br />

direction of Joshua Logan. As concerns the<br />

script, it adheres closely to the Michener<br />

original except in one startling and somewhat<br />

provocative detail. In the picture's unexpected<br />

climax the boy and girl agree to<br />

get married, which is in diametric opposition<br />

to the book's ending which has them bowing<br />

to the conventions and prejudices resulting<br />

in their unhappy separation. Obviou.sly, this<br />

switch in plot was contrived to furnish the<br />

picture with the always desirable happy ending.<br />

Among the thou-sands who read the<br />

novel, there may be some quarrel with such<br />

contrivance. But. in the final analysis, those<br />

reader.s—and despite the tome's wide circulation—will<br />

represent only a small proportion<br />

of the vast audiences the picture is certain to<br />

attract, so the dominant facet of the change<br />

should prove an asset rather than a liability.<br />

Other than that, it is the story of a combatweary<br />

ace of the Korean war who is transferred<br />

to Japan for rest and a reunion with<br />

his stateside affianced, daughter of the district's<br />

commanding general. There he meets<br />

and falls in love with a beautiful Japanese<br />

actress with whom he engages in a torrid<br />

romance, in defiance of tradition, army<br />

regulations and the ccn.sor of his friends<br />

and prospective in-laws.<br />

Expectedly. Marlon Brando, who portrays<br />

Major Gruver, the flying hero, contributes<br />

a lusty, talent-laden performance. While he<br />

and his forceful delineation may not com-<br />

22<br />

pletely coincide with the<br />

preconceived image<br />

of the character that had been created in<br />

the minds of readers, none, however, will<br />

fail to be impres.sed—most especially those<br />

who have not encountered the novel— by<br />

Brando's portrayal; and his marquee-potent<br />

name will probably serve as the most magnetic<br />

single element in attracting the capacity<br />

business that the film is certain to enjoy.<br />

Further on the acting front, and substantially<br />

backing Brando, are several excellent<br />

performances by both American and Japanese<br />

mummers. In the former categoiT, Red Buttons,<br />

of erstwhile television fame, and in<br />

the part of Kelly, the recalcitrant enlisted<br />

man who sacrifices everything for the love<br />

of his native wife, is a .shining standout.<br />

Patricia Owens and Ricardo Montalban are<br />

entirely acceptable in less important roles,<br />

respectively, as Brando's financee and the<br />

Japanese actor with whom she becomes fascinated.<br />

The Nipponese contribution to the<br />

thespian lineup is largely entrusted to a pair<br />

of girls who individually and collectively<br />

prove the fact that talent of topdrawer dimensions<br />

is to be found in the island empire.<br />

They are Miiko Taka, who protrays Hana-ogi,<br />

the homegrown actress over whom Brando<br />

flips, and Miyoshi Umeki, particularly appealing<br />

and impressive as Katsumi, Button's<br />

worshipful, suicide-pact wife.<br />

For all such superiority of scripting, piloting<br />

and acting, the magnificent physical aspects<br />

with which producer William Goetz<br />

endowed the film are equally responsible for<br />

the overall evaluation of munificence and<br />

satisfaction. These are principally displayed<br />

in the masterful photographing in breathtakingly<br />

beautiful Technirama and Technicolor<br />

of the Japanese scenery, costumes and<br />

customs against which the picture was filmed<br />

m its entirety. True, there have been several<br />

recent color pictures that have boasted<br />

comparably travelog -ish attraction. But<br />

herein there is a plus quality which comes<br />

through the inclusion of several sequences<br />

that afford an interest-commanding insight<br />

into the Japanese theatre, both ancient and<br />

modem. One such is a performance by the<br />

Shochiku Kagekidan Girls Revue that will<br />

set the lads in the gallery a' whistlin' and<br />

w-ill reveal beyond doubt that there is no<br />

dearth of pulchritude and curves in Japan.<br />

"Sayonara" means good-bye, and that's<br />

what showmen can say to their boxoffice<br />

blues during the time they exhibit the Warner<br />

blockbuster.<br />

Warner Bros, presents<br />

"SAYONARA"<br />

In Technirama and Technicolor<br />

Rotio: 2:35-1<br />

Running time; 140 minutes<br />

CREDITS<br />

Produced by William Goetz. Directed by<br />

Joshuo Logon. Screenplay by Poul Osborn. Bosed<br />

on the novel by James A. Michener. Director of<br />

photography, Ellsworth Fredncks, A.S.C. Art director<br />

Ted Haworth. Film editors, Arthur P.<br />

Schmidt, A.C.E., and Philip W. Anderson. Sound<br />

by M. A. Mernck. Technical odvisor Japanese<br />

Theatre scenes, Masya Fujima. Set decorator,<br />

Robert Priestly. Assistant director. Ad Schaunier.<br />

Music by Franz Waxman. Song; "Sayonara"<br />

words and music by Irving Berlin. Orchestrations<br />

by Leonid Raob, Motsubayashi Girls Revue Number,<br />

Le Roy Pnnz.<br />

THE CAST<br />

Major Gruver<br />

Marlon Brando<br />

Eileen Webster Patricia Owens<br />

Mrs. Webster Mortho Scott<br />

gQilgy<br />

James Garner<br />

Hana-ogi '.'.'.'.'.'.'.'.' Miiko Taka<br />

Kotsumi Miyoshi Umeki<br />

Kelly Red Buttons<br />

Nokamur'o '.'.'.'<br />

Ricardo Montolbon<br />

and Kent Smith, Douglos Watson, Reiko Kuba,<br />

Soo Yong, Shochiku Kogekidon Girls Revue<br />

Continental Expands;<br />

Opens 5 New Offices<br />

NEW YORK— Five new branch offices of<br />

(Continental Distributing, Inc.. were opened<br />

this week in Chicago, Pittsburgh. Kansas<br />

City. Albany and Atlanta. Carl Peppercorn,<br />

vice-president in charge of sales, said the<br />

offices would be headed by three district<br />

managers and two sales representatives.<br />

The district managers are Mike Kas.sel for<br />

the Chicago. Milwaukee and Miimeapolis territories;<br />

Joel Golden for Pittsburgh, Cincinnati<br />

and Cleveland, and Clarence A. Schultz<br />

for the Kansas City, St. Louis. Des Moines<br />

and Omaha areas. Arthur Newman will be<br />

sales representative for Albany and Buffalo.<br />

Nat Sanders will represent the company in<br />

Atlanta. Charlotte and Jacksonville.<br />

Peppercorn described the move as "the<br />

most significant step in our expansion and<br />

places Continental in the foremost as one of<br />

the leading independent distributors in the<br />

United States."<br />

Kassel has been in the industry since 1920<br />

and has served with First National. Universal.<br />

RKO Radio and Republic.<br />

Golden's experience covers both exhibition<br />

and distribution in the last 30 years. He was<br />

with Publix Theatres. Paramount Pictures,<br />

Schine Theatres, Warner Theatres, Universal<br />

Pictures. Selznick Releasing Organization,<br />

Eagle Lion and RKO Radio.<br />

Schultz has been in the industry since 1914.<br />

After operating a theatre in Minnesota, he<br />

joined the sales force of Vitagraph. ultimately<br />

becoming branch manager in Omaha and<br />

Kansas City and. when Warner Bros, bought<br />

Vitagraph. he became Kansas City branch<br />

manager. In 1927. he formed Commonwealth<br />

Theatres. Inc.. in the Kansas City area, selling<br />

out in 1948. Since then he has been operating<br />

theatres and candy companies in<br />

which he holds interests.<br />

Newman, also, got his start with Vitagraph.<br />

subsequently becoming salesman and district<br />

manager for Warner Bros, in New England<br />

and New York. He joined Republic's branch<br />

In Albany in 1936 and continued there for 20<br />

years, leaving to become an independent distributor.<br />

Sanders has been an independent distributor<br />

of foreign films for 30 years, pioneering<br />

in British and French pictures.<br />

In addition to the new offices. Continental<br />

has branches in Boston. Philadelphia. New<br />

Orleans. Los Angeles and San Francisco.<br />

National Milk Bowl Set<br />

In San Antonio Dec. 28<br />

SAN ANTONIO—Some celebrity from the<br />

entertainment world will be chosen as honor<br />

guest for the National Milk Bowl, key event<br />

in "little" football, played at the Alamo Stadium<br />

here December 28. The celebrity will<br />

be flown to San Antonio, feted for a week<br />

and cited at the game, which is to be carried<br />

for the fifth year on nation-wide radio,<br />

telecast on local television and covered by<br />

national press, magazine, film and syndicate.<br />

Directors of the event include Robert J.<br />

O'Donnell. general manager of Interstate<br />

Theatres; Glenn H. McCarthy. McCaithy Enterprises,<br />

Houston; Robert B. Anderson. U. S.<br />

Secretary of the Treasury, and Gov. Price<br />

Daniel.<br />

Offices of the Milk Bowl arc at 808 Majestic<br />

Bldg., San Antonio.<br />

BOXOFFICE November 16. 1957


State Told Bad Business<br />

Prevents Wage Increases<br />

NEW YORK—Evidence of poor business<br />

was cited by exhibitors in a hearing November<br />

8 before the state labor commission which<br />

is reviewing minimum wage rates in the<br />

amusement and recreation fields. The point<br />

was also made that cashiers, ushers and<br />

doormen, whose wages ai-e being studied, ai'e<br />

mainly parttime employes.<br />

Harry Brandt, president of Independent<br />

Theatre Owners Ass'n, testified that business<br />

conditions had caused the closing of the Mayfair<br />

and Globe theatres on Broadway and<br />

eight neighborhood houses, all operated by<br />

Brandt Theatres, during the year. He said<br />

there were many kinds of amusement competition.<br />

Solomon M. Strausberg, president of Metropolitan<br />

Motion Picture Theatres Ass'n, reported<br />

his Interboro circuit had decreased<br />

from 35 houses in 194T to 24, and that the<br />

existing houses will show a net loss for the<br />

year.<br />

Martin H. Newman, treasurer of Century<br />

circuit, spoke of a 30 to 40 per cent drop in<br />

attendance, due pai-tly to Asiatic flu and layoffs<br />

by defense plants, and Murray Lenekoff<br />

of Loew's Theatres said attendance at the circuit's<br />

40 metropolitan houses was down 17,-<br />

000,000 from that in 1950.<br />

The commission is expected to issue its<br />

decision by January 3. The hearing was the<br />

third and last in a series, the others having<br />

been held in Rochester and Albany.<br />

Circuits Are Given Details<br />

Of Industry Campaign<br />

NEW YORK—Repre.sentatives of major<br />

theatre circuits listened with interest Thursday<br />

114) to the details of the final promotion<br />

campaign devised by the institutional<br />

advertising review committee of the MPAA<br />

from suggestions made by six ad agencies,<br />

the advertising-publicity staffs of the major<br />

companies and exhibitors themselves. Paul<br />

Lazarus jr. of Columbia is committee chairman.<br />

No final decision on the plan was reached.<br />

Mere time to study it was asked by representatives<br />

of RKO Theatres, American<br />

Broadcasting-Paramount Theatres, Stanley<br />

Warner and Loew's Theatres. It was indicated<br />

it may go on the agenda of the Theatre<br />

Owners of America convention at Miami<br />

Beach.<br />

The plan centers around the Slogan "Get<br />

More Out of Life ... Go Out to a Movie."<br />

It provides a budget of $2,800,000 to be equally<br />

divided between exhibition and distribution<br />

and spent for newspaper, radio and other<br />

public relations activities.<br />

Century Theatres Takes<br />

Over 3 Brooklyn Houses<br />

NEW YORK— Century Theatres, which operates<br />

32 theatres in Brooklyn, Queens and<br />

Long Island, will take over the management<br />

of three Brooklyn houses, the Oceana, Sheepshead<br />

and Tuxedo November 16, according to<br />

Leslie R. Schwartz, president of Century, and<br />

Donald S. Rugoff, president of Rugoff &<br />

Becker.<br />

The change in operations stems from a<br />

management agreement made in 1934 between<br />

the two theatre chains. Rugoff &<br />

Becker will retain their interest in the<br />

houses.<br />

Period of Adjustment<br />

For Industry Is<br />

Seen<br />

New York—John Davis, managing director<br />

of the J. .Arthur Rank Organization,<br />

believes that the industry is facing<br />

a period of adjustment, during which<br />

there will be difficult times perhaps for<br />

the next few years, but eventually the<br />

industry v.ill get back on an even keel.<br />

In a meeting with the tradepress Thursday<br />

evening (14). Davis said that the adjustment<br />

would involve both exhibition<br />

and distribution. He said he favored centralized<br />

shipping and physical handling<br />

of film, but that individual company selling<br />

should continue. He said he believed<br />

that central shinpin? would reduce distribution<br />

costs considerably. .\s for exhibition,<br />

the changes he foresaw were<br />

concerned with toll television and the<br />

cable theatre project. .As yet Rank has<br />

no plans to enter any form of home theatre<br />

or subscription television.<br />

Davis expressed complete satisfaction<br />

with the progress made the first year of<br />

operation by the .American organization<br />

under Kenneth Hargreaves.<br />

Cinerama Prod. Pays Off<br />

All Direct Obligations<br />

NEW YORK— All outstandmg dn-ect obligations<br />

of Cinerama Productions Corp. have<br />

been paid in full. Milo J. Sutliff, president,<br />

has notified stockholders. They were a loan<br />

of $58,000 due the Marine Midland Bank, a<br />

$75,000 note due Cinerama, Inc., and the<br />

sum of $95,000 due the late Louis B. Mayer,<br />

for a total of $228,000.<br />

The company has also exercised its option<br />

to buy back 10,000 shares of its stock from<br />

Mayer at their cost to Mayer of 50 cents a<br />

share. The option would have expired November<br />

1 if not exercised.<br />

Previously the company paid off direct bank<br />

and bonded indebtedness and interest<br />

amounting to $2,287,000, and under an arrangement<br />

with Stanley Warner recouped<br />

$9,100,000 of costs for opening theatres and<br />

producing pictures. Sutliff said the amount<br />

recouped is now $10,600,000.<br />

Sutliff said the net income for the fiscal<br />

year just ended will be in excess of the net<br />

income for the previous year.<br />

Ellis Interests Charge<br />

Antitrust Violations<br />

PHILADELPHIA—Three suits were filed<br />

in U. S. district court here by the A. M. Ellis<br />

interests seeking damages of $2,128,500 from<br />

seven major distributors charging conspiracy<br />

and discrimination. The suits were filed by<br />

Abraham M., Herman N., Martin B., and<br />

Sidney H. EUlis, who operate under the name<br />

of A. M. Ellis Theatres Co.. and Alma O. and<br />

Gloria R. Cohen, who trade as the Gap Co.<br />

The Ellises and the Cohens operate the<br />

Renel Theatre at Ogontz avenue and Tulpehocken<br />

street and di-ive-ins on Chester Pike<br />

in Ridley township and on the Lincoln highway<br />

in Coatesville.<br />

Named as defendants were Paramount Film<br />

Distributing Coi-p.. Warner Bros., United<br />

Artists, Colimibia, Universal, 20th Century-<br />

Fox and RKO Teleradio Pictures, Inc. The<br />

plaintiffs charge the distributors have discriminated<br />

against the Renel since Feb. 5, 1951.<br />

Penn. Court Upholds<br />

Sunday Movie Law<br />

PITTSBURGH—The state superior court<br />

this week upheld the legality of a 1935 Pensylvania<br />

law prohibiting showing of motion<br />

pictures on Sunday before 2 p.m. unless a<br />

municipality's residents approved. Robert J,<br />

Grochowiak, manager of the State Line<br />

Drive-In en Route 11 in Antrim township,<br />

Franklin County, was convicted of violating<br />

the Sunday movie law and fined $50 and<br />

costs, which he appealed to the superior<br />

court. In an opinion affirming the lower<br />

coiu't's decision. Judge William E. Hirt .said:<br />

"Appellant (Grochowiak), conceding the validity<br />

of Sunday legislation in general, contends<br />

the 1935 act is unconstitutional in that<br />

it fringes on the right of free speech and of<br />

but these rights of free speech<br />

the press . . .<br />

are not absolute rights and a general and<br />

nondi.?criminatory regulation of them in<br />

public interest usually is not open to constitutional<br />

objections: in general a restriction<br />

on free speech which merely limits the<br />

right as to time and place does not infringe<br />

upon the constitutional guarantees." Judge<br />

Hirt said if the residents of a community<br />

want Sunday movies they must indicate this<br />

by majority vote. Prior to the alleged showing<br />

by Grochowiak of the movies in the case,<br />

voters of Antrim Township had voted against<br />

Sunday movies.<br />

Rowe Asks $4,200,000<br />

Damages in Countersuit<br />

NEW YORK—Rowe Mfg. Co. has filed a<br />

$4,200,000 countersuit for alleged patent infringement<br />

and damages against Continental<br />

Vending Machine Corp. charging the "pirating"<br />

of a patented Rowe cigaret vending machine<br />

design. Continental also was accused<br />

of allegedly misrepresenting to the automatic<br />

merchandising industry the brand capacity<br />

of a Continental vender, of "cashing<br />

in upon an industry built by Rowe" and of<br />

coming into court "with unclean hands" in<br />

its own $1,000,000 suit against Rowe.<br />

Rowe is asking $1,400,000 to compe:isate for<br />

alleged infringement of a patent held by the<br />

company since 1953 on the cabinet design of<br />

its "Commander" cigaret vender, with the<br />

damages to be tripled because of Continental's<br />

"willful and aggravated" violations of<br />

the patent. Rowe contends that it exhibited<br />

the "Commander" at the 1953 NAMA tradeshow<br />

and that thereafter Continental<br />

changed the design of its own vender and<br />

launched its sale before Rowe could begin<br />

quantity delivery.<br />

Rowe's answer and counterclaims to the<br />

Continental suit denied allegations that its<br />

new 20-brand cigaret vender, the "Twenty-<br />

700," constituted "unfair competition" with,<br />

or could be mistaken for Continental's 20-<br />

column "Corsair."<br />

Louis Nizer Will Speak<br />

At Joseph Vogel Dinner<br />

NEW YORK—Louis Nizer, attorney, will<br />

be a principal speaker at the 19th annual<br />

dinner of the Motion Picture Pioneers honoring<br />

Joseph R. Vogel, president of Loew's, to<br />

be held November 25 at the Waldorf-Astoria<br />

Hotel. The Rev. Everett D. Clinchy, president<br />

of the National Conference of Christians and<br />

Jews, will deliver the invocation.<br />

BOXOFFICE November 16, 1957 E-1


—<br />

opened<br />

—<br />

—<br />

—<br />

—<br />

——<br />

—<br />

—<br />

Holiday, Plus 4 New Films Boosts<br />

Business at Broadway First Run<br />

^fEW YORK—The Veterans Day holiday<br />

and several strong new pictures boosted returns<br />

at the majority of the Broadway first<br />

runs. 'Kiss Them for Me" at the Roxy and<br />

"Slaughter on Tenth Avenue" at the Astor<br />

were particularly strong, while "Les Girls"<br />

went out in a blaze of glory with a big sixth<br />

week at the Radio City Music Hall.<br />

"The Story of Esther Costello" opened<br />

strong at the RKO Palace, as did "The Story<br />

of Mankind" at the Paramount, where the<br />

star roster overcame the weak newspaper<br />

reviews. Holding up well were "Pal Joey,"<br />

in its third week at the Capitol, and "Time<br />

Limit." in a third at the Victoria. "The Tin<br />

Star" was mild in a third and final week at<br />

Loew's State.<br />

The two-a-day attractions continued sturdy;<br />

"Around the World in 80 Days" in its 56th<br />

week at the Rivoli, "The Ten Commandments,"<br />

in its 53rd week at the Criterion, and<br />

"Search For Paradise," seventh week at the<br />

Warner. A fourth two-a-day picture, "The<br />

Bridge on the River Kwai," will open at<br />

the Palace in mid-December.<br />

The art house attractions continue especially<br />

strong with "And God Created Woman"<br />

an absolute smash in its third week at the<br />

Paris, which has long waiting lines nightly.<br />

"Perri," stronger in its sixth week than in<br />

its fifth at the Normandie. "Love in the<br />

Afternoon" did so well in its 12th week at the<br />

Plaza that it is now slated to i-un into December,<br />

at least.<br />

'<br />

"Dcn't Go Near the Water at the<br />

Radio City Music Hall Thursday (14) and<br />

"Zero Hour" opened the preceding day at<br />

Loew's State.<br />

(Average Is 100)<br />

Astor— Slaughter on Tenth Avenue<br />

Boronet—<br />

(U-l) 140<br />

Deadlier Than the Male (Cont'l), 5th wk. 95<br />

Capitol— Pal Joey (Col), 3fd<br />

Criterion—<br />

wk 160<br />

The Ten Commandments (Para),<br />

53rd wk. of two-a-day 135<br />

Fine Arts Cabiria (Lop), 2nd wk 160<br />

55th Street—How to Murder a Rich Uncle (Col),<br />

3rd wk 120<br />

HAPPY THEATRE<br />

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BROCHURE<br />

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. 1<br />

5th Avenue Richard III Lop), revival, 3rd wk.<br />

Guild The Silken Affair (DCA), 2nd wk<br />

Little Carnegie— Sins of Casanova (Times), 5th<br />

.100<br />

125<br />

wk 115<br />

Loew's State The Tin Star (Para), 3rd wk 110<br />

Normondie Perri (BV), 6th wk<br />

Palace The Story of Esther Costello<br />

1 30<br />

(Col).... 140<br />

Paramount The Story of Mankind (WB) 140<br />

Pans And God Crcoted Woman (Kingsley), 3rd<br />

wk 185<br />

Plaza Love in the Afternoon (AA), 12th wk...l25<br />

Radio City Muiic Hall Les Girls (MGM), plus<br />

stage show, 6th wk<br />

Roxy Kiss Them for Me (20th-Fox), plus stage<br />

1 50<br />

50<br />

show<br />

Rivoli Around the World in 80 Days (UA),<br />

56fh wk. of two-a-day 200<br />

Sutton Across the Bridge (Rank), 2nd wk 125<br />

Trans-Lux 52nd The Colditz Sfory (DCA),<br />

3rd wk 120<br />

Victoria Time Limit (UA), 3rd wk 125<br />

Warner Search for Paradise (SW), 7th wk.<br />

of two-a-day ..135<br />

World Fedra the Devil's Daughter (Times),<br />

3rd wk 100<br />

'Jailhouse Rock' Rolls in 150<br />

First Week in Buffalo<br />

BUFFALO—Elvis really rocked 'em at the<br />

Buffalo, especially at the matinees, and "Jailhouse<br />

Rock" racked up a healthy 150 for seven<br />

days. "The Hunchback of Notre Dame"<br />

clicked at the Lafayette for 140. "Stopover<br />

Tokyo" reported 105. The Paramount's third<br />

week showing of "The Joker Is Wild" was<br />

worth 100 and the Center experienced a failweek<br />

with "The Story of Mankind."<br />

Buffalo Joilhouse Rock (MGM) 1 50<br />

Center—The Story of Mankind (WB) 105<br />

Century Stopover Tokyo [20th-Fox) 105<br />

Cinema Conquest of Space (Pora), reissue. ... 95<br />

Lafayette The Hunchback of Notre Dome (AA). .140<br />

Poromount The Joker Is Wild (Para), 3rd wk. ..100<br />

Better Weekend Business<br />

At Baltimore<br />

BALTIMORE—Weekend grosses, scoring a<br />

minor improvement over recent figures, made<br />

the week's overall business a bit brighter.<br />

"The Hunchback of Notre Dame" did better<br />

than expected; and "The Three Faces of<br />

Eve" attracted splendid weekend business.<br />

Century The Three Faces of Eve (20th-Fox) , .125<br />

>842 HAi<br />

A<br />

DYNAMIC<br />

PLAN<br />

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ORTH<br />

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HAMILTON ST<br />

ALLEN TOWN. PA<br />

FIRST ll.\ DISC—Recording of the<br />

title song from United .\rtists' film epic.<br />

"Legend of the Lost," sung by Joe Velino,<br />

center, will launch the company's recently<br />

established music subsidiary. Shown<br />

signing Valino to a long-term disc contract<br />

are Alfred \V. Tamarin, right, executive<br />

assistant to UA Records and<br />

Music president Max E. Youngstein, and<br />

Jack Lewis, UA artists and repertoire<br />

representative. Promotion of the record,<br />

first to be made on the UA label, will<br />

spotlight forthcoming premieres of the<br />

film scheduled for Christmas release.<br />

Valino has waxed a number of successful<br />

platters for RCA's VIK division.<br />

Cinema The French They Are o funny Roce<br />

(Confl), 2nd wk 90<br />

Film Centre Around the World in 80 Doys iL)Ai<br />

47th wk . 90<br />

Five West Triple Deception RFDA), 3rd wk...l00<br />

Hippodro-re Operation Mad Ball (Col) 90<br />

Little The Strange One iCol) Nightfall (Col). ... 1 00<br />

Mayfoir Gunsight Ridge (UA) 95<br />

New—Time Limit UA!, 2nd wk 100<br />

Playhouse Doctor at Large (U-l^ 3rd wk 110<br />

Town This Is Cinerama SW), lOth wk 90<br />

Stanley The Hunchbock of Notre Dame (WBl 100<br />

Hettie Gray Baker Dies;<br />

Was With Fox 35 Years<br />

NEW YORK—Hettie Gray Baker, 76, former<br />

director of cen.sorship for 20th Century-<br />

Fox, died Thursday (14i at Porter's Corners,<br />

N. Y. She retired in 1952 after 35 years with<br />

the company.<br />

Miss Baker started in pictures as a Hollywood<br />

title writer for silent films. William Fox<br />

transferred her to New York. She was a noted<br />

cat lover and wrote two books, "Your Siamese<br />

Cat" and "195 Cat Tales." She was a<br />

native of Hartford, Conn.<br />

Einfeld Talks 'Peyton'<br />

NEW YORK—Charles Einfeld, 20th Century-Fox<br />

vice-president, will fly to Hollywood<br />

Thursday (21) to confer with Buddy Adler,<br />

executive producer, Jerry Wald, producer<br />

of "Peyton Place," and Harry Brand, studio<br />

publicity head, on the promotional plans for<br />

the twin openings of the picture on the east<br />

and west coasts in December.<br />

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BROADWAY<br />

•THE subject was the "tranquilizing screen"<br />

and it was delivered by Si Seadler, MGM<br />

advertising manager, at the annual dinner<br />

of the New York Post-Graduate Hospital<br />

Alumni Ass'n at the Union Club Wednesday<br />

• 13 1. • ' °<br />

John Davis, managing director of<br />

the Rank Organization, met with the trade<br />

press Thursday evening (14) prior to his return<br />

to London. • • • Howard Minsky, Telemeter's<br />

eastern sales manager, addressed the<br />

Allied Motion Picture Theatre Owners of<br />

Maryland in Baltimore Wednesday. •<br />

*<br />

Producer Sol Siegel spent the week in New<br />

York. • • * And Ken MacKenna. MGM's<br />

studio story editor, returned to the coast<br />

after a week in Manhattan. * • ' James<br />

Velde. general sales manager of Unit«d<br />

Artists, and Al Fitter, western division manager,<br />

were holding coast parleys. • • * Milton<br />

Sperling came in for the opening of "A<br />

T.me Remembered' which he co-produced<br />

with Helen Hayes. Richard Burton and Susan<br />

Strasberg starling.<br />

Columbia Pictures has shifted its radiotelevision<br />

publicity and promotion activities,<br />

formerly handled as a separate unit, to the<br />

publicity department under the direction of<br />

Hortense Schorr. Roger Caras will serve as<br />

radio-T'V contact in the department. • » •<br />

David O. Selznick is due in tow-n shortly<br />

with a final print of his "Farewell to Arms."<br />

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* • ' Leland Hayw^ard is here for meetings<br />

W'ith Warner Bros executives on relea.se plans<br />

for his "The Old Man and the Sea." * < •<br />

Broadway stage producers and their associates<br />

were given a demonstration of Telemeter<br />

at the Savoy Plaza Tuesday night. * » »<br />

Samuel Gang, foreign representative for National<br />

Telefilm Associates, hopped off for a<br />

four-week tour of Latin America. • » «<br />

Rouben Mamoulian completed casting sessions<br />

on "Porgy and Bess" this week and left for<br />

Hollywood where he will confer with Samuel<br />

Goldwyn. who will produce the picture. » • •<br />

Fred Astaire will do a straight dramatic role<br />

on CBS' General Electric Theatre on December<br />

1. • * Another visitor from the coast:<br />

Charles Walters, director of "Don't Go Near<br />

the Water." Ditto producer Lawrence Weingarten.<br />

There were wedding bells this weekend for<br />

Ruth CavLston. secretary to Thomas J. Mc-<br />

Namara. assistant treasurer of the Motion<br />

Picture Ass'n. She was married Saturday il6i<br />

to Lt. Edward J. Smith of the New York<br />

Fire Department at Woodlawn. N. Y. * * *<br />

Jack Atlas of MGM's studio publicity department<br />

will vacation in New York next<br />

week. • ' • Marlon Brando held a telephone<br />

interview with 34 amusement editors in 30<br />

cities Wednesday. The hookup was in connection<br />

with "Sayonara." » • • The entertainment<br />

industry will honor W. C. Handy,<br />

composer of "St. Louis Blues." at a dinner<br />

in the Hotel Waldorf Astoria on November<br />

17. ASCAP F>resident Paul Cunningham is<br />

chairman of the dinner committee which consists<br />

of Oscar Hammerstein II. Morton<br />

Downey. Nat "King" Cole and Ed Sullivan.<br />

Among the guest performers will be Milton<br />

Berle. Art Lund. Tallulah Bankhead. Betty<br />

Madigan. Lena Borne and others. Paul<br />

Whiteman will provide the music.<br />

Jack Hirschberg, who has completed a sixmonth<br />

assignment in Europe as publicity<br />

director for "The 'Vikings." has joined the<br />

Rogers. Cow-an & Jacobs office to work on<br />

f Im accounts. * * * Mort Sunshine, executive<br />

director of Independent Theatre Owners<br />

Ass'n. has received a certificate of appreciation<br />

from the City of New York "in grateful<br />

recognition of the contribution which his<br />

imaginative efforts made to the .success of<br />

New York's Fall 1957 Salute to Seasons."<br />

Mayor Robert F. Wagner made the presentation.<br />

* * * Stanley Kramer arrived from<br />

Europe Thui-sday (14 1 for conference with<br />

UA on his next picture. "Inherit the Wind."<br />

* * * A1.S0 here for UA parleys is .'Vrthur Hornblow<br />

jr..<br />

producer of "Witness for the Prosecution."<br />

* ' * Columbia publicist Marly Blau<br />

is vacationing in Key West. • * * Director Anthony<br />

Mann is enroute to Spain.<br />

Stern Leaves RKO to Take<br />

NTA Position on Coast<br />

NEW YORK—Alfred E. F. St«rn has resigned<br />

as RKO worldwide director of publicity<br />

and promotion to become coast director<br />

of public relations for National Telefilm Associates.<br />

Oliver A. Unger. president, reported.<br />

Stem joined RKO early in 1946 after five<br />

years in the army. He became head of the<br />

publicity department four years ago after<br />

working in both the foreign and domestic dep.irtments.<br />

He was tradepress contact for two<br />

years. Before joining the industry he was a<br />

reporter and editor on several Massachusetts<br />

newspapers. He will remain in the east for<br />

a short time for orientation.<br />

E-4 BOXOFFICE November 16, 1957


THESE ANNOUNCEMENTS REVEAL<br />

VITAL<br />

FACTS ABOUT<br />

Headlines and illustrations from feature<br />

stories, Uotion Picture Herald, June 8,1957<br />

These news stories are proof ogain, that the most<br />

important installations — the most important<br />

contributions to cinematic projection are a<br />

CENTURY made. No other projector can make<br />

this claim, just as no other projector can approach<br />

CENTURY for performance, ease of operation<br />

and low-cost maintenance.<br />

The choice is CENTURY, whether it be horizontal<br />

VistaVision for the Williamsburg auditoriums or<br />

the double installation for the All-Weather Drive-In<br />

or any other theatre or drive-in.<br />

THE BEST TEST, you've got to try if to believe if!<br />

^.SJ!^ Century Projector Corporation, new york 19, n. y.<br />

SOLD BY<br />

Eastern Theatre Supply Co. Inc. Blumberg Bros. Inc. Alexander Theatre Supply Inc.<br />

496 Pearl Street<br />

Buffalo 2, New York<br />

1305-07 Vine Street<br />

Philodelphio 7, Pa.<br />

84 Von Broom Street<br />

Pittsburgh 19, Pa.<br />

Amusement Supply Co., Inc. J. F. Dusman Company Albany Theatre Supply Co.<br />

346 West 44th St.<br />

New York 36, N. Y.<br />

12 Eost 25fh St.<br />

Baltimore tS, Maryland<br />

443 North Poorl St.<br />

Albony 4, New York<br />

%y:.x


. . Alex<br />

. .<br />

. . "Aiound<br />

. . RKO<br />

. . Pat<br />

. . Mrs.<br />

. .<br />

ALBANY<br />

The Albany Variety Club launched its annual<br />

Camp Thacher fund drive at a kickoff<br />

dinner in the Sheraton-Ten Eyck Hotel.<br />

Money obtained through donations and solicitations<br />

will be used to send needy boys to the<br />

Helderbergs camp at Thompson's Lake, for<br />

free two-week vacations. Several hundred<br />

lads have annually enjoyed the outings since<br />

Tent 9 rescued the about-to-fold mountain<br />

base, operated bv Albany Boys Club, in 1941.<br />

More than S125.000 has been expended on the<br />

camp, named for former mayor John Boyd<br />

Thacher, for improvements and expansion,<br />

and the gratis vacations. The heart fund<br />

committee, of which Jack Spitzer and Times-<br />

Union Managing Editor Albert J. Bearup are<br />

co-chairmen, has set a goal of $7,500 through<br />

private solicitations. The public will be approached<br />

for contributions, through containers<br />

placed in retail and industrial establishments<br />

and in the State Office Building prior<br />

to Thanksgiving. Collections likewise will be<br />

made in public places, beginning November<br />

20. The personal-solicitation phase will continue<br />

through January 10.<br />

Fred Sliter, retired 20th-Fox salesman, postcarded<br />

that he was spending a few days in<br />

Daytona Beach as a guest of Joe Sternberg,<br />

fx-owner of the Franjo in Boonville. Sliter's<br />

home is in Menands, suburb of Albany .<br />

Geneva Barcomb, secretary in Upstate Theatres<br />

office, planned to vacation for a week<br />

with her sister in Boston . Jablonowski,<br />

stageman at Paul Wallen's Leland, is at<br />

home recovering from an operation.<br />

A plea to "begin your support of Variety"<br />

by attending the club's first fall meeting, was<br />

made by the new chief barker, Samuel E.<br />

Rosenblatt, in his first letter to members.<br />

"Some of us," he w-rote, "can give of our<br />

time, talent, effort and financial aid; some<br />

are limited in what we have to offer along<br />

these lines, but surely each one of us can<br />

serve 'Variety in at least one way or other."<br />

The Strand, in a tieup with the Albany<br />

Times-Union, conducted a "Meet Pat Boone"<br />

contest among teenage girls. Kathleen Dunham,<br />

14. oldest of six children of Mr. and Mrs.<br />

Frank Dunham and a freshman at 'Vincentian<br />

Institute, won a trip to New York for a preview<br />

of Boone's latest picture, "April Love,"<br />

HERE'S YOUR CHANCE<br />

to get in the<br />

BIG MONEY<br />

As a screen game,<br />

HOLLYWOOD takes top<br />

honors. As a box-office attraction,<br />

it is without equal. It has<br />

>een a favorite with theatre goers for<br />

over 15 years. Write today for complete details.<br />

Be sure to give seating or car capacity.<br />

HOLLYWOOD AMUSIMINT CO. '<br />

3750 Ojkton St. • Skokit IIHnoU<br />

and participation in backstage festivities<br />

there following the show, for a letter explaining<br />

why she would like to meet Boone.<br />

Kathleen and her mother left Tuesday via<br />

Mohawk Airlines and returned 'Wednesday.<br />

In addition to the free jaunt. Miss Dunham<br />

received $25 expense money. Kathleen's letter<br />

stated she would like to meet Boone, because<br />

"he represents the great part of American<br />

youth that is not delinquent, but wholesome,<br />

clean-cut and well-balanced . Boone<br />

has set a fine example for all teenagers of<br />

America to follow."<br />

Tom Wall, manager of the 1,300-seat Ciixle<br />

in swank Brookline, Mass.. visited his brother<br />

Ed, Paramount's upstate director of advertising<br />

and publicity, here Veterans Day. 'Wall<br />

drove over with his wife, an instructor in<br />

physical education at a Boston high school.<br />

The suburban circle, entered by a driveway<br />

decorated with flowers and equipped with a<br />

large parking area, was built in 1940. Sam<br />

Pinanski's American Theatres operate it. Another<br />

of Ed Wall's brothers Jim manages a<br />

theatre on Cape Cod.<br />

. . . John<br />

Leonard L. Rosenthal, attorney and adviser<br />

on film buying for Upstate Theatres,<br />

represented the Temple Beth Emeth Brotherhood<br />

at a national meeting in Pittsburgh.<br />

Vice-president of the local unit, he was accompanied<br />

to Pittsburgh by Mrs. Rosenthal,<br />

who is active in the Sisterhood<br />

Capano screened a Greek picture. "Windfall<br />

in Athens," at the State, Troy, Tuesday and<br />

Wednesday. Booked through Green Pictures<br />

Co. of New York, the feature was in Greek,<br />

with English titles. The distributor advertised<br />

the film via Greek church and fraternal<br />

circles in T:-oy. Albany, Schenectady,<br />

Hudson and vicinity. Admission for adults was<br />

90 cents all day. Capano planned the presentation<br />

of several additional Greek film.s<br />

if the initial experiment wan-anted it.<br />

New owner of<br />

the former Smalley Theatre<br />

in Norwich is Fearon Hust, who operates a<br />

pharmacy in the same building. Gordon<br />

GjTDSon, a former Smalley and Schine manager,<br />

is assisting Hust in getting the darkened<br />

theatre ready for operation. Gj-pson also sells<br />

automobiles. The relighting date will presumably<br />

be "around the holidays" . . . Henry<br />

H. "Hi" Martin, who has been appointed general<br />

sales manager for Universal, visited here<br />

about eight months ago with Pete Dana, eastern<br />

division manager. Martin, then southern<br />

division manager, accompanied Dana to the<br />

Schine circuit home offices in Gloversville.<br />

SYRACUSE<br />

The Lakeshore Drive-In on the Old Liverpool<br />

road is starting a year-a-round policy.<br />

No matter how low the temperatiu-es<br />

drop, the patrons will be comfortable with<br />

the Electromode heaters which the drive-in<br />

is providing. The Lakeshore, operated by<br />

Slotnick Enterprises, is the only drive-in in<br />

this area to remain open all year.<br />

Harry Unterfort, zone manager of Schine<br />

Theatres, has been home ill . . . Max Rubin,<br />

manager of Schine's Paramount, went to<br />

Rochester to attend the funeral of his motherin-law<br />

. Keiths Theatre offered a<br />

29-cartoon show .stai'ting at 9 a.m. Veterans<br />

"<br />

Day . the World in 80 Days was<br />

in its 24th week at DeWilt Shoppingtown<br />

Theatre, according to Sam Mitchell, manager.<br />

BUFFALO<br />

TJecause \'eteraii.s Day was a legal holiday,<br />

the Variety club postponed its annual<br />

election for the '58 crew and delegates to the<br />

London convention to Monday the 18th. The<br />

polls will be open from noon until midnight<br />

and the usual buffet will be served. Running<br />

for canvasmen are Marvin Atlas. V. Spencer<br />

Balser. Albert Becker, Bernie Burns, Irving<br />

Cohen, Michael J. Ellis. Isadore Erlichman,<br />

Sam Getten. Myron Gross, Marvin Jacobs,<br />

Charles B. Kosco. Sidney Lipsitz, George H.<br />

Mackenna, Francis Maxwell. Jack Mundstuk,<br />

Manfred E. Pickrell. Charles R. Siegert<br />

and David Zachem. Candidates for clown<br />

(delegate I are V. Spencer Balser and Myron<br />

Gross.<br />

While Elmer F. Lux, popular local industryite<br />

failed to win in the mayoralty election,<br />

he piled up an amazing 45,000 votes or more.<br />

while the winner. Judge Sedita. squeezed in<br />

by the narrow margin of .some 67 vot«s . . .<br />

Pictures, starrmg Janet Gaynor and Mary<br />

Pickford. both of whom won George awards<br />

for distinctive contribution to motion pictures<br />

a few weeks ago in the Eastman ceremonies<br />

in Rochester, were shown last weekend at the<br />

Dryden Theatre of the George Eastman<br />

House. Tliey were "Seventh Heaven." with<br />

Janet and "Rags" with Mary "Seventh<br />

Heaven" was produced in 1927 and brought<br />

fame to Miss Gaynor. The Pickford opus, one<br />

of the earlier ones in the career of the<br />

golden-curled girl who was to become the<br />

crown princess of moviedom. had Marshall<br />

Neilan as her leading man. He later was to<br />

become her director.<br />

The Empire Drive-ln on Rout* 104 near<br />

Rochester is now advertising "Open all<br />

Winter" and will furnish in-car heaters .<br />

The Century Theatre downtown will open<br />

"Raintree County" December 25. and it looks<br />

as though the Century is going to get back<br />

into its former long-run policy with big pictures.<br />

The last attraction under that policy<br />

was "Around the World in 80 Days." which<br />

now is enjoying a long run in Schine's de<br />

luxe community operation on north Main<br />

street, the Granada, where Manager Lou<br />

Levitch had put up a striking flash front and<br />

a top of the building display . . . Salvatore A.<br />

Rizzo of Eggertsville has been re-elected president<br />

of the musicians Local 43. Other officers<br />

include Bert Lapentina, house manager<br />

at the Teck. Buffalo's home of Cinerama,<br />

who was named a director and delegate to<br />

the national convention, and George B.<br />

D'Anna. former Shea's Buffalo orchestra percussionist.<br />

al.so a director.<br />

WIIDL, Inc.. of Olean has applied to the<br />

FCC for a permit to construct a television<br />

.itation which would retelecast shows from<br />

the NBC outlet in Buffalo. WBUF-TV. on<br />

ultra-high frequency channel 76 with 195.2<br />

watts . Dorothy Zernentsch of West<br />

Seneca won the contest put on by Paramount<br />

Theatres and 20th-Fox with the Courier-Express<br />

to send two Buffalonians to the Pat<br />

Boone tribute in the Roxy Theatre Tuesday<br />

evening il2i in New York City. Entrants<br />

sent in letters on "Why I Would Like to Attend<br />

the Pat Boone Tribute.<br />

When "Jamboree" is .shown here, it will be<br />

introduced by WEBR's Bob Wells, who made<br />

a short film introduction for the WB opus<br />

when he was in New York recently. The introduction<br />

was used on a sneak preview of<br />

the picture here.<br />

E-6 BOXOFFICE November 16. 1957


. , . The<br />

. . Wenard<br />

. . Mrs,<br />

. . Dick<br />

. . Variety<br />

. . Ross<br />

. . The<br />

,<br />

. . . Maurice<br />

. . . Jack<br />

. . Jack<br />

PITTSBURGH<br />

Cam Milberg joined the 20th-Fox as main line<br />

representative, taking the post formerly<br />

held by George Ball who was promoted recently<br />

to sales manager under N. C. Rosen,<br />

manager. Ball succeeded C. C. Kellenberg,<br />

a 35-year man with the company who retired<br />

to take over the theatre booking accounts<br />

formerly represented by the late<br />

Vince Corso. Milberg was with the now defunct<br />

RKO exchange here for a number of<br />

years, and since that closed he had been a<br />

salesman here with UA under Manager Jimmy<br />

Hendel . Martha Michael of the Rex<br />

Theatre, south side, is expected home at<br />

an early date after an eight-month vacation<br />

in Greece.<br />

Milt Brauman, manager of Screen Guild<br />

of Pittsbui-gh, has a promotion working for<br />

SG and in recognition of Jim Nicholson's<br />

third anniversary as head of American International<br />

Pictures: with each booking, exhibitors<br />

receive a chance to win U. S. savings<br />

bonds in the amounts of $100, $75, $50, and<br />

$25. The AIP booking drive continues to February<br />

7 . Leibert, Radio City Music<br />

Hall organist, was featured November 15<br />

at the Virginia Theatre, Wheeling . . . Jane<br />

Patterson, UA office manager, vacationed in<br />

Chicago.<br />

Jean Hennigan of the Warner exchange<br />

contract department underwent an emergency<br />

appendectomy . . . Voters of Penn township<br />

here, where the excellent Eastwood Theatre<br />

is located, changed its name to Penn Hills<br />

Casino, the city's only burlesque<br />

house, seems doomed for a final time. The<br />

Diamond street house, famous years ago as<br />

the Harris vaudeville theatre, folded and is<br />

dark . R. Kough, operator of the<br />

Opera House at Windber for many years, was<br />

very ill in a hospital here . Atchison<br />

folded the Lincoln Theatre at Rimersburg.<br />

He edits a weekly newspaper, the Record,<br />

which serves Rimersburg, East Brady and<br />

The new Variety Club<br />

Parker districts . . .<br />

crew: Harold C. Lund, David C. Silverman,<br />

Lou Hanna. James M. Fallon, James Klingensmith,<br />

W. Ray Downey, Carl Ide, James Nash,<br />

Charles T. Carey, Harold W. Gray and Bernie<br />

Hickey.<br />

Variety Tent 1 named Harold C. Lund,<br />

Westinghouse Broadcasting Co. vice-president<br />

in chaj-ge of KDKA-TV, as chief barker:<br />

David C. Silverman, Allied Ai-tists manager,<br />

first assistant chief: Louis E. Hanna, Hanna-<br />

Stearn Cooperative Theatres, second assistant:<br />

James Fallon, secretary, and Ray<br />

Downey, treasurer . Post 589,<br />

American Legion, named Max Reilly as commander:<br />

Perry Nathan and Art Stern, vicecommanders:<br />

C. C. Kellenberg, adjutant:<br />

G. F. Callalian III, finance officer: Bud<br />

Rosenberg, service officer, and Morris Berman,<br />

county delegate.<br />

United Artists' "The Muggers" is a suspense<br />

s'.ory of crime in the big city.<br />

Shenandoah Strand Shut<br />

By Penn-Paramount Corp.<br />

SHENANDOAH. PA.—The Strand Theatre<br />

has been closed by order of Ben Rosenberg,<br />

general manager of the Penn-Paramount<br />

Corp., operators of the theatre since 1949.<br />

Rosenberg had planned to close the Strand<br />

September 30 but due to a major rent cut<br />

by Mrs. T. D. Birtley, owner of the building<br />

housing the Strand, the closing wa.s put off<br />

fcr a month. John Guers was house manager<br />

for the circuit.<br />

In recent years the Strand and the Capitol<br />

theatres have been the center of tax controversies<br />

with the borough council. Several<br />

times Adam Balkiewicz, chief burgess, vetoed<br />

an amusement tax which would have eliminated<br />

the theatre tax, which amounted to<br />

$13,000 annually for the Strand, half of this<br />

collection going to the school board and half<br />

to the borough council.<br />

With the closing of the theatre, the town<br />

has lost an annual $35,000 payroll and 25 jobs.<br />

PHILADELPHIA<br />

"The voters in South Heidelberg tow-nship<br />

approved the showing of Sunday motion<br />

pictures, thus ending a two-year battle in<br />

which operators of the Sinking Spring Drivein<br />

were arrested 74 times and paid $4,784 in<br />

lines and costs for violating the Pennsylvania<br />

blue laws. Approval was by a 10 to 1<br />

margin. The action by the voters brought<br />

relief to county detectives Edward Sell and<br />

Edward Davis, who alternated going to the<br />

drive-in theatre each Sunday to arrest the<br />

proprietors. Sell made 46 trips and Davis<br />

appeared 35 times , town of Lansdale<br />

voters rejected Sunday movies, 1,771 to 1,639.<br />

The vote against it in 1951 was 1.813 to 1.106.<br />

Police recovered a fake bomb at the rear<br />

exit of the Merben Theatre at Frankford<br />

avenue and St. Vincent steet while 1.800 patrons<br />

sat through the show uninterrupted.<br />

A patrolman located the "missile" after an<br />

anonymous caller telephoned police a bomb<br />

"had been planted in the theatre." The "bomb"<br />

consisted of a test tube filled with a silver<br />

powder and inserted into a section of bamboo<br />

Mrs. Sally Poster, mother of actor<br />

pole . . .<br />

Preston Foster, died at her home in Pitman,<br />

N. J. She was 82.<br />

District Attorney Victor Blanc presented<br />

the first Albert M. Cohen Memorial award at<br />

the annual dinner dance of the Variety Post<br />

713. American Legion, to Dr. I. S. Ravdin as<br />

"an outstanding surgeon, soldier, citizen and<br />

humanitarian." The award, named after a<br />

past commander of the post and a past chief<br />

barker of the Variety Club, will be presented<br />

annually to that citizen "who has done more<br />

to further peace, citizenship and goodwill for<br />

his fellow man." Installed were Bernard D,<br />

Blum, commander: Edward Chernoff and<br />

Martin Kaplan, vice-commanders, and Morris<br />

Kanfer, adjutant.<br />

BALTIMORE<br />

Tfariety Tent 19 elected Wilbur Brizendine,<br />

general manager of the Schwaber Theatres,<br />

as chief barker. Others elected: Pete<br />

Prince and Herbert Schwartz, fu'st and second<br />

assistant chief barkers: Howard Wagonheim,<br />

vice-president of the Schwaber Theatres,<br />

property master, and Daniel Sattler,<br />

dough guy. The new crew includes Leon<br />

Back, Skelly Garfink, George Doet.sch, Al<br />

Zlatkin, Victor Rubin and Eugene Blitz.<br />

Louis<br />

Tunick<br />

Louis Tunick died<br />

following a long illness.<br />

He owned and<br />

operated four theatres<br />

here: the Victory, Hollywood,<br />

Patapsco and<br />

Brooklyn. He is survived<br />

by his wife and<br />

three daughters. He<br />

belonged to numerous<br />

organizations and was<br />

a member of the Baltimcre<br />

Variety Club.<br />

Film star Franchot Tone spoke at a charity<br />

luncheon held Tuesday at the Mercantile<br />

Club. Mrs. Howard Wagonheim, wife of the<br />

vice-president of Schwaber Theatres, was<br />

chairman for the affair . . Mrs. Helen<br />

.<br />

Diering, secretary for tlie Allied Motion Picture<br />

Theatre Owners of Mai-yland, Inc., was<br />

confined to her home with the flu . . . Jack<br />

Fruchtman, head of the Pruchtman Theatres,<br />

had Elliot Forbes on the Century's stage as a<br />

commentator for the "Mom and Dad" film<br />

Hendricks has left as booker for<br />

the Hicks-Baker Theatres. John Recher has<br />

taken over the position.<br />

.<br />

. . . Joel Lewis, manager of the<br />

Solon Baker and Dudley Davis, manager<br />

and assistant manager of the Mayfair Theatre,<br />

resigned L. Whittle, owner of<br />

the Avenue, was in Washington on busine,ss<br />

Flax, Republic manager, came over<br />

from Washington for the Variety Club's election<br />

night<br />

Five West, spent a day-off fishing in Maryland's<br />

Magothy River.<br />

Seeks Permit for Paid TV<br />

NEW KENSINGTON, PA,— Fred Serrao of<br />

the Circle Theatre here this week made application<br />

for the right to provide paid television<br />

service in Lower Burrell. He said he<br />

has filed similar requests with New Kensington,<br />

which tabled the proposal, and with<br />

Arnold, which has yet to open up his request.<br />

Appeal Amusement Tax<br />

PITTSBURGH—An outdoor theatre and a<br />

roller skating rink appealed to the state superior<br />

court here this week to have a tax<br />

measure enacted by the Franklin township<br />

school board in Greene County declared unconstitutional.<br />

JonnaJM^<br />

BOONTON, N. J.<br />

Large Core<br />

Greater Crater Area<br />

meom<br />

MAXIMUM LIGHT<br />

Evenly Distributed<br />

in Pcnnsylvonlo^Blumberg Brothers Inc., Philodelphio—Lombard 3-7240<br />

Notional Theot-^e Supply, Philadelphio— Locust 7-6156<br />

Superior Theotre Equipment Company, Philadelphia<br />

Rfttenhouse 6-1420<br />

Projector Carbon Company, Torentum—Academy<br />

4-3343<br />

BOXOFFICE :: November 16. 1957 E-7


^(McOm "^e^tont<br />

•THERE are now five trade associations of<br />

the British film industry-. And the new<br />

member to join the exhibitors, renters and<br />

producers is the Federation of British Film<br />

Makers, the organization set up by a number<br />

of independent producers in opposition to the<br />

British Film Producers' Ass'n. Under the<br />

presidency of Lord Archibald, they have begun<br />

to gain considerable influence in the<br />

working: of the trade and it is likely that<br />

this body, which is at present limited in the<br />

main to British producers distributing their<br />

product through Columbia and MGM, will<br />

obtain further membership increases during<br />

the forthcoming months. Naturally, the independent<br />

producers are keen to join with<br />

their colleagues in securing a reduction in<br />

entertainments tax, some unified policy regarding<br />

television apart from a larger percentage<br />

of licenses for exporting films to the<br />

continent.<br />

• • «<br />

One of the big headaches facing producers<br />

in Britain Ls the failure of many exhibitors<br />

to buckle down and begin operating their<br />

theatres with showmanship. Too many independents<br />

are inclined to blame the decline in<br />

their business to television, lack of good pictures<br />

or anything that comes into their mind<br />

—with the exception of the manner in which<br />

they are running their own houses. This is<br />

not only true in the case of the small houses;<br />

among many of the west end theatres there<br />

is a disinclination to provide the patrons with<br />

good supporting features to back up a firstclass<br />

production, and to prolong the interval<br />

for the sale of ice cream and candy, in addition<br />

^o running between three and five minutes<br />

worth of advertising films. No wonder<br />

the public is begnning to stray away. The<br />

matter has become so serious by the incessant<br />

milking of the patrons indirectly by not providing<br />

them with the proper entertainment<br />

justified by the cost of the admission ticket,<br />

that the trade as a whole is taking the matter<br />

up.<br />

Both the British Film Producers' Ass'n and<br />

the Federation of British Film Makers want<br />

to meet the Cinematograph Exhibitors' Ass'n<br />

and to see if the exhibitors can't take steps<br />

to tighten up on their programs and give<br />

the patrons their money's worth.<br />

A fine writer and a very popular film critic,<br />

Reg Whitley, is going to receive a fine testimonial<br />

from his colleagues to commemorate<br />

£0 years' service with the Daily Mirror. He is<br />

to be given a luncheon which will be presided<br />

over by John Davis at the Savoy Hotel<br />

on November 26, spon.>;ored by the Film Industry<br />

Publicity Circle, on behalf of all sections<br />

of the trade. Knowing Whitley's popularity<br />

with everyone in the business—both<br />

film and newspaper— this lunch certainly<br />

will be SRO.<br />

• •<br />

Warwick Films and Victor Mature have<br />

signed a six-picture deal, it was announced<br />

last week by Irving Allen and Mature during<br />

a respite from the filming of his present<br />

Warwick picture. "No Time to Die." The first<br />

of the six films is being specially written for<br />

Warwick and is entitled "The Bandit of<br />

Zhobe." an outdoor adventure to be shot on<br />

the northwest frontier of India. As the au-<br />

By ANTHONY GRUNER<br />

thor is Anthony Bevan, the man who wrote<br />

"Zarak." Warwick's biggest boxoffice picture<br />

up to date, both Allen and Mature are<br />

feeling very optimistic. In addition to<br />

"Zarak." Mature has made two other films<br />

for Warwick, both of which have done very<br />

nicely at the boxoffice — "Interpol" and<br />

"White Hunter."<br />

« 3 e<br />

Dick Gordon and Chuck Vetter. two of the<br />

youngest and most go-ahead independents,<br />

have been over here setting up many picture<br />

deals without troubling to meet the press.<br />

They preferred to make pictures for their<br />

company Amalgamated Productions. Inc. Last<br />

week, to celebrate the tenth production made<br />

in this country. "The Secret Man." starring<br />

Marshall Thompson and John Loder. Vetter<br />

and Gordon threw a champagne party at the<br />

Society Restaurant. They were in great<br />

spirits, as were their British partners Jack<br />

Phillips and Bill Chalmers of Butchers, probably<br />

the oldest and most respected film company<br />

in the business. Small in size. Butchers<br />

may be, but in film know-how, business integrity<br />

and showmanship. Butchers is the<br />

tops. This, as they sometimes say regarding<br />

the ads. is not line shooting—it is a truism<br />

accepted throughout the trade. Vetter and<br />

Gordon could not have chosen better partners<br />

in the entire industry.<br />

To the U. S. goes Michael Carreras again.<br />

after a quick visit with his father Jimmy Carreras,<br />

boss of Hammer Productions. This<br />

time Carreras jr. leaves for Hollywood to produce<br />

the TV pilot of the 39-part "Tales of<br />

Frankenstein." at Columbia Pictures Corp.<br />

Studios, in cooperation with Screen Gems.<br />

The series will networked through ABC network.<br />

He is the first British producer to be<br />

awarded the full personnel and technical resources<br />

of a major Hollywood studio. He will<br />

be based in Holhnvood for six weeks. The remainder<br />

of the series will be made in British<br />

Bray studios owned by Hammer Productions.<br />

Meanwhile, the business of horror making will<br />

continue when Peter Cushing and Christopher<br />

Lee. last seen as the monster and his<br />

maker in "'The Curse of PYankenstein" get together<br />

for '"Dracula." produced by the same<br />

production team as "The Curse." Naturally.<br />

Jimmy Sangster, who did such a good writing<br />

job with "Frankenstein." is handling the<br />

scripting chores for "Dracula."<br />

Leo Samuels Holds Meet<br />

On 5 Buena Vista Films<br />

NETVV' YORK—Leo Samuels, president of<br />

Buena Vista, presided at a three-day meeting,<br />

starting Wednesday il3i to formulate<br />

promotional and merchandising plans for<br />

five features set to open in December and<br />

early in 1958. All pictures are in color by<br />

Technicolor.<br />

The pictures covered were: "Old 'YeUer,"<br />

the company's Christmas holiday film; "Snow<br />

White and the Seven Dw"arfs." to be reissued<br />

in February: "Light in the Forest." a summer<br />

1958 entry, as well as two C. V. Whitney productions<br />

being released by Buena Vista, "The<br />

Missouri Traveler," an early 1958 release,<br />

and ""The Young Land," a spring release.<br />

European Subsidiary<br />

Organized by NTA<br />

NEW YORK—National Telelilm Associates,<br />

Inc.. has set up National Telefilm Associates<br />

tU. K.I. Ltd.. to operate in the entertainment<br />

field in Europe, according to Oliver A. Ungar.<br />

NTA president. Headquarters of the wholly<br />

owned subsidiary will be in London.<br />

The main function will be that of supplying<br />

the television market with films, but the new<br />

division will also super\'ise the theatrical release<br />

of films and deal in other production<br />

and co-production activities.<br />

Vernon Burns, who has been active in<br />

European theatrical and TV fields, will head<br />

the London office. Recently he has headed<br />

Television Programmes (Distributors!. Ltd.<br />

From 1949 to 1954. he was a sales executive<br />

with Eros Films. Before that he was with<br />

the Monarch Film Coip.<br />

NTA is co-owner with 20 th Century -Fox<br />

in the NTA Film Network which began commercial<br />

operations last April 1. NTA also releases<br />

to theati-es through NTA Pictures, operates<br />

a shipping organization, has a Canadian<br />

TV film distributing subsidiary, produces<br />

TV films in conjunction with Desilu<br />

Productions and TCF-TV, the TV film division<br />

of 20th-Fox. and distributes lowbudget<br />

films and other programs for TV<br />

showing.<br />

Zeeman Elected Vice-Pres.<br />

Of Columbia International<br />

NEW YORK—Bernard E. Zeeman. treasurer<br />

of Columbia Pictures International Corp.,<br />

has been elected to the<br />

post of vice-president<br />

and treasurer.<br />

Treasurer of the<br />

company since 1951,<br />

Zeeman joined Columbia<br />

Pictures in 1935<br />

as a travelling auditor,<br />

later becoming assistant<br />

manager of<br />

/>>it^\^<br />

branch operations. In<br />

January 1944. he was<br />

named head of foreign<br />

branch operations, gernard E. Zeeman<br />

Zeeman entered the<br />

film industry in 1924 as an auditor for Universal<br />

Pictures, after attending Columbia<br />

University.<br />

Disney Common Stock<br />

Now on Big Board<br />

NEW YORK—The common stock of Walt<br />

Disney Productions, heretofore traded over<br />

the counter, moved to the big board on Tuesday<br />

(12t. Listed on the New York Stock Exchange<br />

under the ticker .symbol of "DIS"'<br />

were 1.729.093 shares at S2.50 par value.<br />

Roy O. Disney, president of the company,<br />

bought the first 100 shares of the stock,<br />

which opened at 14 7 8.<br />

Garcia Has New U-I Post<br />

NEW YORK—Ramon Garcia. Universal-<br />

International manager for Colombia, has<br />

been assigned supervisor for Peru and Ecuador,<br />

according to Americo Aboaf. foreign<br />

general manager. Garcia joined U-I in 1939<br />

as Cuban branch manager. He became Colombian<br />

manager in September 1956.<br />

E-8<br />

BOXOFFICE November 16. 1957


1<br />

NEWS AND VIEWS OF THE PRODUCTION CENTER<br />

(Hollywood Office—Suite 219 at 6404 HoUyivood Blvd.. Ivaii Spear, Western Manager)<br />

Wald Sees Industry<br />

As 'Healthy Invalid!'<br />

HOLLYWOOD—The American Society of<br />

Cinematographers heard Producer Jerry<br />

Wald tell membership meeting that the motion<br />

picture industry, which has passed<br />

through a long series of crises since its early<br />

days, may be called "the healthy invalid." He<br />

pointed out that the industry has grown up in<br />

the ever-present burden of dire predictions,<br />

but despite this many pictures in the past<br />

few years have pulled in bigger grosses than<br />

any product ever before in their history.<br />

According to Wald. the potential of the<br />

business is greater now than ever, with "an<br />

unmatched arsenal of manpower, artistic and<br />

commercial talent now the industry's major<br />

defense against traditional cycles of crisis."<br />

Wald further noted that now is the time to<br />

emphasize the positive, healthy aspects of<br />

motion picture production and added that unlike<br />

television pi-oducers, faced with sponsor<br />

and network taboos, short budgets and lack<br />

of shooting time, film producers have "a<br />

wonderful opportunity to increase film attendance<br />

by making an individual special custom-made<br />

product."<br />

In Wald's opinion, the industry should today<br />

make every effort not only to hold old<br />

customers but develop new ones.<br />

* * *<br />

The western membership of the Composers<br />

and Lyricists Guild met with President Leith<br />

Stevens to hear the result of recent elections<br />

and a report of the continuing negotiations<br />

with the Ass'n of Motion Picture Producers<br />

on a minimum basic agreement.<br />

New members of the executive board are<br />

Leigh Harline, screen: Gene De Paul, songwriting,<br />

and Benny Carter, specialized composition.<br />

Re-elected were Leith Stevens and<br />

Jeff Alexander, screen: Basil Adiam. Wilbur<br />

Hatch, Walter Schumann and Fred Steiner,<br />

radio, TV. and Mack David, songwriting.<br />

Continuing in office are Johnny Burke.<br />

Alexander Courage, Frank De Vol. Ivan Ditmars,<br />

Russell Garcia. Herschel B. Gilbert.<br />

Jerry Livingston, Henry Mancini, Jack<br />

Meakin, Irving Miller, Lyn Murray, David<br />

Raskin and Nathan Scott.<br />

Following recent installation of a beauty<br />

room at the Motion Picture Country House,<br />

members of the Cinema Hairstylists Society<br />

are making plans to establish a similar room<br />

for patients of an eastern mental institution.<br />

Formulating plans for<br />

the new project are<br />

CHS president Florence Erickson and member<br />

of the advisorj- board Lillian Ugrin. Mrs.<br />

Ugrin has left for New York to confer with<br />

Virginia D'Arcy Johnson and other nonresident<br />

members of CHS on the project.<br />

First Charities Report<br />

Is Nearly One Million<br />

HOLLYWOOD — At the Motion Picture<br />

Permanent Charities first report luncheon,<br />

chairman James Stewart announced that the<br />

organization has raised $954,146 from 20.577<br />

film industry workers during the first three<br />

weeks of its<br />

1958 campaign.<br />

The grand total represents the largest<br />

amount of money ever reported at the first<br />

meeting of an MPPC campaign force and led<br />

Stew-art to predict that the 1958 drive will<br />

be one of the most successful in recent years.<br />

Individual group contributions were made<br />

as follows: top bracket, including most executives,<br />

department heads, guilds and corporations,<br />

$520,713; labor's executive committee,<br />

embracing all studio crafts of the AFL<br />

and independent unions and guilds. $433,433.<br />

Outstanding among early contributions was<br />

a $30,000 gift from the Samuel Goldwyn<br />

Foundation.<br />

The next MPPC report luncheon will be<br />

November 21.<br />

Roy Trigve Fjasted Dead;<br />

Paramount Music Chief<br />

HOLLYWOOD—Roy Ti'igve Fjasted. former<br />

head of the music department at Paramount<br />

studios, died Wednesday morning (13<br />

following a heart attack. Fjasted, who was<br />

51, leaves his wife Helen, son Roy jr. and two<br />

grandchildren. He had been head of the<br />

Paramount music department since March<br />

1954. He was assistant head of the department<br />

from 1929 to 1954.<br />

DeMlLLE MEETS THE QUEEN—Her<br />

Majesty Queen Elizabeth n of England<br />

and Cecil B. DeMille, producer of "The<br />

Ten Commandments," meet at the Odeon<br />

Theatre, London, at the recent Command<br />

Film Performance. At right is Lord Rank<br />

who presented DeMille to the Queen, and<br />

at left are Sir Henry and Lady French.<br />

The Queen and DeMille conversed for<br />

many minutes.<br />

First Nominations<br />

For Best Editing<br />

HOLLYWOOD—George Amy, president<br />

of<br />

the American Cinema Editors, announced<br />

the first of the big entertainment industry<br />

award nominations for the best editing of<br />

motion pictures and television in 1957:<br />

Single episode dramatic: Samuel E. Beetley<br />

for "Circumstantial." Alcoa-Goodyear<br />

Show; Edward Williams. "Four O'clock,"<br />

Suspicion Hour; Michael Luciano. '"Four<br />

Women in Black," Playhouse 90.<br />

Single episode comedy: Jim Fair, "David<br />

Has a Date with Miss Universe," Ozzie and<br />

Harriett series: Robert Hoover, "Bud, the<br />

Executive," Father Knows Best; Samuel E.<br />

Beetley. "International Affair." Adame and<br />

Eve series.<br />

Single episode documentary: Arthur Bell,<br />

"Under the Mediterranean," Bold Journey<br />

series.<br />

Single episode western: Michael Luciano,<br />

"Crackup," Gunsmoke; Leslie Vidor, "The<br />

Outlaw," Have Gun-Will Travel series;<br />

Mickey McCaden, "Town With a Past," G. E.<br />

Theatre.<br />

Comedy feature: Robert Simpson, "Desk<br />

Set"; Leonid Azer, "Love in the Afternoon";<br />

Hugh S. Fowler, "Will Success Spoil Rock<br />

Hunter?"<br />

Dramatic feature: Warren Low. "Gunfight<br />

at the O.K. Corral"; John Dunning.<br />

"Raintree County": Anne Bauchens. "Ten<br />

Commandments."<br />

Documentary feature: Julie Knowlton and<br />

Henry Sundquist. "Albert Schweitzer"; P.<br />

Gillette, "Red Balloon"; Chester Schaeffer,<br />

"Unidentifed Flying Objects."<br />

Musical feature: Frank Bracht. "Funny<br />

Face"; Viola Lawrence and Jerome Thorns,<br />

"Pal Joey"; Harold Kress. "Silk Stockings."<br />

Columbia and Euterpe<br />

Close 11 -Month Combo<br />

HOLLYWOOD—After an 11 -month association.<br />

Columbia Pictures and Euterpe<br />

Productions, the company headed by Joseph<br />

Pasternak and Sam Katz. have severed connections.<br />

The deal was on a participation<br />

basis and, according to Columbia, the parting<br />

was amicable. Reason given for the split was<br />

the inability of both parties to agree to scripting<br />

and casting of the pictures Euterpe was to<br />

have made.<br />

The independent company produced no<br />

films, but had scheduled three — "Gidget." a<br />

novel by Frederick Kohner, who also wrote<br />

the screenplay; "Nora," an original screenplay<br />

by Felix Jackson, and "The Chiselers,"<br />

slated to star Alan Ladd.<br />

BOXOFFICE :: November 16. 1957 W-1


Hometown Premieres<br />

Elroy Hirsch Film<br />

HOLLYWOOD — A hometown hero<br />

premiere<br />

of Bartlett-Champion's "Zero Hour!"<br />

will be held Monday (18) in Wausau, Wis.,<br />

when the Wausau Theatre there will honor<br />

its native son. Elroy "Crazylegs ' Hirsch, who<br />

stars with Dana Andrew's, Linda Darnell.<br />

Sterling Hayden and Peggy King in the picture.<br />

The premiere will be preceded by a citywide<br />

celebration highlighted by a parade and<br />

a banquet with civic officials and leading<br />

citizens participating. An honorary plaque<br />

and scroll will be awarded to Hirsch. who<br />

will attend all events.<br />

Anthony Mann's "God's Little Acre" is<br />

slated to have its world premiei-e in saturation<br />

bookings throughout Georgia on Memorial<br />

Day 1958: this, despite the refusal in<br />

Augusta, Ga., to permit the filming of the<br />

Erskine Caldwell yarn in that ai-ea. The film,<br />

made by Security Pictures, will be released<br />

through United Artists.<br />

« * «<br />

In a change of plans. Buddy Adler, 20th-<br />

Fox executive producer, has ordered an invitational<br />

film industry and press world premiere<br />

of Jerry Wald's "Peyton Place" to be<br />

held December 12 at the Fox Beverly Theatre.<br />

The picture's regular run will start the following<br />

day at the Beverly, Loyola and Vogue.<br />

* *<br />

20th-Fox will world-premiere "A Farewell<br />

to Arms" at Grauman's Chine.se Dec. 18<br />

Midwest Preferences<br />

National Barometer<br />

HOLLYWOOD—Norman Panama and Melvin<br />

Prank told members of the University of<br />

Chicago Alumni Ass'n, meeting here at the<br />

California Teachers Ass'n auditorium, that<br />

"as the midwest goes, so goes the nation in<br />

filmgoing habits."<br />

The producing team, currently w^orking on<br />

"The Jaywalkers" and "The Transfer," at<br />

Paramount, said: "Midwest tastes usually<br />

provide the barometer we can use .succe.ssfully<br />

today in projecting acceptance of films. New-<br />

York openings, previously .set the pattern, but<br />

this has changed. Now our eyes are on Chicago,<br />

Cleveland. Milwaukee. St. Louis and<br />

Detroit returns. If they're good, the rest of<br />

the country usually falls in line."<br />

Panama and FYank said New York has become<br />

insular and too reflective of more<br />

sophisticated tastes, while around the country<br />

there has been a rise in taste levels.<br />

Joe Fields Schedules<br />

'Anniversary Waltz'<br />

HOLLYWOOD — Joseph Fields, who is<br />

bringing "The Tunnel of Love" to the screen<br />

for MGM release, will produce "Annivei-sary<br />

Waltz" as his next motion picture. Fields<br />

wrote the play, w-hich ran for more than 600<br />

performances on Broadway, and, as he is<br />

doing with "Tunnel," will write the screenplay<br />

and direct the film.<br />

Fields said he wiU cast the picture and set<br />

the date of production after the completion<br />

of a new Bioadway musical "The Flower<br />

Drum Song," which he will produce with<br />

Richard Rodgers and Oscar Hammerstein<br />

and write the book with Hammerstein for<br />

next season.<br />

East: Columbia President Harry Cohn left<br />

for New York to preside over the annual<br />

stockholders meeting Monday il8i.<br />

West: Frank Borzage returned following a<br />

trip east to accept the special George Eastman<br />

film award.<br />

• * •<br />

East: Sandy Howard, vice-president of<br />

Gannaway International and president of<br />

Sandy Howard Enterprises, planed to<br />

Gotham.<br />

East: Producer Sol C. Siegel flew to New<br />

York to confer on exploitation plans for<br />

"Merry Andrew."<br />

East: Producer Pandro S. Berman and<br />

Director Vincente Minnelli planed to Manhattan<br />

for preproduction work on "The Reluctant<br />

Debutante,"<br />

* * *<br />

West: Writer-director George Seaton was<br />

back from New York huddles with Paramount<br />

executives.<br />

East: David O. Selznick will go to New York<br />

this month with the final print of "A Farewell<br />

to Arms."<br />

West: Pi-oducer Sam Spiegel arrived from<br />

Tokyo for conferences with Columbia executives<br />

anent reactions of Japanese to "The<br />

Bridge on the River Kwai."<br />

West: Abe Goodman, national advertising<br />

manager for 20th-Fox, arrived from the east<br />

lor confabs with David Selznick.<br />

* *<br />

East: Producer Sidney Harmon planed to<br />

New York anent the publication of new editions<br />

of "God's Little Aci-e." by Erskine Caldwell.<br />

* * *<br />

East: Arthur Hornblow jr., producer of<br />

"Witness for the Prosecution," is in Gotham<br />

for UA sales meetings.<br />

AIP Chiefs to TOA Rally;<br />

13-Week Drive Started<br />

HOLLYWOOD— All principals of American<br />

International Pictures, including Pi-e.sident<br />

James H. Nicholson, Vice-President Samuel<br />

Z. Arkoff and Leon P. Blender, general sales<br />

manager, will attend the TOA convention in<br />

Miami. AIP's exhibits will be based on original<br />

art work, costumes, monster suits and<br />

"scaraphernalia" featured in the hoiTor programs<br />

created and released by the company.<br />

Meantime, the Jim Nicholson Third Anniversaj-y<br />

drive, to celebrate the founding three<br />

years ago of AIP. began Friday (15i for a<br />

period of 13 weeks. The drive offers prizes<br />

to exhibitors as well as AIP exchanges. Cash<br />

prizes to exchanges will be awarded on the<br />

basis of quotas, and in addition will include<br />

prizes for exhibitors on the basis of a draw.<br />

Each exhibitor who books AIP product during<br />

the drive will have his name drawn from<br />

a bowl in each exchange— the wiruiers to receive<br />

U. S. .savings bonds.<br />

Carol Ohmart Signed<br />

To Role in 'Reckless'<br />

HOLLYWOOD—Carol Ohmart, who left<br />

actmg a year ago, is retin-ning to the motion<br />

picture screen to star with Mamie Van Doren,<br />

Jeff Richards and Arthur Hunnicutt in Warner<br />

Bros.' "Born Reckless." to be produced<br />

by Aubrey Schenck and directed by Howard<br />

Koch. Miss Ohmart will play Miss Van<br />

Doren's rival in the dramatic story of the<br />

rodeo riding circuit.<br />

"Bom Reckless" is scheduled to roll late<br />

this month on location in Arizona.<br />

Susan Cabot's first starring role under the<br />

terms of her new contract with Roger Corman<br />

will be in "War of the Satellites," which<br />

he will produce and direct for Allied Artists.<br />

The starting date is scheduled for December<br />

9.<br />

Miss Cabot, who was brought back to<br />

Hollywood by Corman after a two-year absence<br />

in New York where she concentrated<br />

on stage work, has appeared recently in the<br />

producer-director's "Carnival Rock," "Sorority<br />

Girls." and "The Saga of the Viking<br />

Women and Their Voyage to the Waters of<br />

the Great Sea Sei-pent."<br />

^ * •<br />

Elizabeth Taylor has been set for the<br />

femme lead in "Cat on a Hot Tin Roof," and<br />

George Cukor has been named to direct the<br />

Avon Production for MGM release.<br />

The Tennessee Williams' Pulitzer Prizewinning<br />

stage play is scheduled to go before<br />

the cameras early next year with Lawrence<br />

Weingarten producing from the screenplay<br />

by James Poe.<br />

AMPAS Board Clarifies<br />

Nominations Procedure<br />

HOLLYWOOD—Academy award nominations<br />

procedure was clarified with the Information<br />

announced by the board of governors<br />

that members of the Academy of Motion<br />

Picture Ai-ts and Sciences who are active in<br />

more than one phase of filmmaking may,<br />

under certain circumstances, vote on nominations<br />

for the 30th Academy awards In more<br />

than one category.<br />

For example, a member of the Academy's<br />

actor's branch and of the Screen Actors Guild,<br />

who also is a qualified member of the Screen<br />

Directors Guild, may nominate in both the<br />

acting and directing categories.<br />

Previously, nominating for awards in each<br />

category was restricted to members of the<br />

Academy branch concerned. Final voting will<br />

continue to be done by the entire Academy<br />

membership.<br />

Eva Gabor in East<br />

HOLLYWOOD—Eva Gabor flew to Boston<br />

to kick off the United Fund drive Wednesday<br />

(131 at Symphony Hall. The following<br />

day she went to New York for a week of promotion<br />

and exploitation activity in connection<br />

with MGM's "Don't Go Near the Water."<br />

Stars at USC Homecoming<br />

HOLLYWOOD — Glenn Ford presented<br />

awards to the winners, and Eva Gabor, Leslie<br />

Neilsen and Mickey Sliaughnessy were official<br />

judges at the USC special homecoming activity,<br />

a vaudeville show called "TroUos"<br />

W-2 BOXOFFICE November 16, 1957


-<br />

Tele-Movies Co. Opens<br />

Los Angeles Office<br />

HOLLYWOOD—Tele-Movies Development<br />

Co. has opened offices in the Film Exchange<br />

building. Los Angeles, and Walter J. Dennis,<br />

president, announced negotiations have been<br />

started with cable and equipment manufacturers<br />

for Tele-Movies' initial installation<br />

in Oceanside. Calif.<br />

Dennis stated that TDC plans to vigorously<br />

pursue an additional 36 franchise applications<br />

in California. Nevada, Arizona, Wisconsin and<br />

Illinois. California cities for which TDC seeks<br />

franchises were disclosed by Dennis to be the<br />

following: Arcadia. Azusa. Carlsbad. Chula<br />

Vista. Covina. El Segundo. Gardena. Hawthorne,<br />

Hermosa Beach, Lakewood. Manhattan<br />

Beach. Monrovia. Montebello. National<br />

City, Delano. Colton. Redlands. Paramount.<br />

Ventura. San Fernando. San Gabriel. Upland.<br />

Escondido. La Mesa, El Cajon, Coronado,<br />

Santa Barbara. Pomona. Riverside. Bakersfield,<br />

Oxnard and Corona.<br />

Other franchise applications are being pursued<br />

in Chicago. 111.: Milwaukee. Wis.: Las<br />

Vegas. Nev.. and Phoenix. Ariz.. Dennis .said.<br />

Stanton Osgood, general manager of Paramount-Sunset<br />

Studios, ordered stage 6 of the<br />

lot, heretofore used for storage, reactivated.<br />

According to Osgood, the studio is at peak activity<br />

for the year with four TV series and<br />

one theatrical feature cuiTently before<br />

cameras.<br />

Osgood also said that expansion plans are<br />

under way at the studio's Conejo Ranch. The<br />

increase of western films has prompted him<br />

to build additional western streets at the<br />

locale<br />

site.<br />

Peggy Lee Has Five Songs<br />

For Tom Thumb' Opus<br />

HOLLYWOOD—Composer-singer Peggy Lee<br />

has completed five songs especially written<br />

for George Pal's initial independent Gala.xy<br />

Pictures production. "Tom Thumb," for MGM<br />

release, which is slated to go before the cameras<br />

November 25.<br />

The titles of Miss Lee's latest compositions<br />

are "Tom Thumb's Tune," "One for You and<br />

One for Me," "Take a Little Time to Smile,"<br />

"Could You Love Somebody Like Me?" and<br />

"Con-Fu-Shon Says."<br />

Russ Tamblyn is set to portray the title<br />

role of "Tom Thumb." and under a new trick<br />

photographic device developed by producerdirector<br />

Pal. he will be shrunk to diminutive<br />

dimensions in the part puppetoon and part<br />

live-action production. Ten new puppetoon<br />

personalities have been created for introduction<br />

in<br />

the picture.<br />

'Golden Fool' Tops Slate<br />

Of Haleywood Company<br />

HOLLYWOOD — Milton Pickman is In<br />

Europe to complete production activities for<br />

his Haleywood. Ltd.. independent company<br />

in which actor Richard Todd and Director<br />

Michael Anderson are his partners. First of<br />

the planned five pictures on the company's<br />

slate will be "The Golden Fool." from the<br />

novel by David Divine, to be lensed in South<br />

Africa with Todd starred and Anderson directing.<br />

10LUMBIAS President Harry Cohn is<br />

deserving of attention and admiration<br />

for the forthrightness of his recent ruling<br />

that henceforth no footage from a current<br />

Columbia picture is to<br />

be permitted for use on<br />

television programs<br />

under any circumstances.<br />

Prexy Cohn's characteristically<br />

courageous<br />

manifesto was<br />

forthcoming after a recent<br />

Steve Allen showon<br />

NBC-TV projected<br />

clips from the forth-<br />

:omiiig Columbia titan.<br />

"Bridge on the River<br />

Kwai." which was produced<br />

in Technicolor by Sam Spiegel. Following<br />

the running of the sequences, emcee<br />

Allen subjected the material to a. few of<br />

those hoary observations which might laughingly<br />

be termed wise cracks. The would-be<br />

lampooning was far from funny, and was<br />

certainly in deplorable taste.<br />

Many industryites have steadfastly held<br />

that the screening on video shows—regardless<br />

of their importance and vast viewing<br />

audiences—of clips from an about-to-be-released<br />

motion picture can conceivably do<br />

more harm than good to that film's financial<br />

future: even when some laugh-hungry television<br />

star refrains from making them the<br />

butt of his alleged humor.<br />

That's because the postage stamp screen of<br />

TV cannot begin to do justice to the scope<br />

and lush production mountings of today's<br />

big pictures. Nonetheless, filmdom's drumbeaters<br />

patently have considered it a publicity<br />

plum to plant footage on TV programs,<br />

particularly the Sunday night show of Ed<br />

Sullivan. Whether such planting has resulted<br />

in generating additional interest in the feature<br />

so treated or whether it has discouraged<br />

viewers who might otherwise have been<br />

potential ticket buyers—and because of the<br />

niggardly presentation imposed by video's<br />

physical limitations— is certainly subject to<br />

serious con.sideration. A man who is undertaking<br />

to sell filets mignon would be thought<br />

to have rocks in his head if he sampled his<br />

prospective customers with hamburgers.<br />

Be that as it may, the industry's distribution<br />

and bally hooing brass could do worse<br />

than take a cue from Columbia Cohn's judgment.<br />

While there may be wisdom In the If -you<br />

can't-llck-'em-Join-'em theory of strategy,<br />

the joining process can be carried to a ridiculous<br />

extreme. .'\nd that's what would obtain<br />

If too serious regard were accorded to a wild<br />

tradepaper report from the east to the effect<br />

that the proposal had been made that all<br />

theatres in the country be closed on the evening<br />

of March '.JG. the occasion of the annual<br />

.Awards event of the .Academy of Motion Picture<br />

Arts and Sciences. That Oscar glitterfest<br />

has been telecast for the past several<br />

years. The only difference as regards the upcoming<br />

clambake is that this year the show<br />

will be sponsored by the movie industry itself<br />

instead of by an automobile manufacturer.<br />

Unquestionably, this switch in sponsorship<br />

is a step in the right direction as concerns<br />

the trade's overall public relations. But it<br />

should neither increase nor decrease the onenight<br />

competition the annual telecast offers<br />

to theatre business. Certainly showmen<br />

should welcome and cooperate with the belated<br />

move by the industry to pick up the<br />

tab for its ohti party. But not to the extent<br />

that they should pass up whatever boxoffice<br />

revenues that still are available on Oscar<br />

night—and discourage the theatregoing habit<br />

in still more of their customers.<br />

Al "Moses" Finestone has done an outstanding<br />

and thoroughly praiseworthy job in<br />

thumping the publicity tubs for Cecil B.<br />

De Mille's "The Ten Commandments." And<br />

no minor part of his accomplishment lies in<br />

the fact that he has gotten C. B.'s picture into<br />

print a precedential number of times and for<br />

every conceivable reason.<br />

Let it be hoped, however, that he will refrain<br />

from taking bows for planting the recently<br />

widely published photograph of De<br />

Mille being granted an audience with Pope<br />

Pius XIII.<br />

Ever since he augumented his one-man<br />

publicity staff, Mervin Houser has been galloping<br />

off in all directions at the same time<br />

in a Herculean effort to snatch some space<br />

for David O. Selznick's "A Farewell to Arms."<br />

Witness the following sally into the silly<br />

statistics department:<br />

"Exhibitors, remembering the boxoffice<br />

success of 'Gone With the Wind,' are deluging<br />

David O. Selznick's office with letters,<br />

telegrams and telephone calls requesting the<br />

producer to 'sneak preview' his production<br />

of '.A farewell to Arms.'<br />

"One Santa Barbara theatre man pointed<br />

out that his business increased almost 50<br />

per cent for several months following a<br />

'sneak preview" held there several years ago<br />

of 'Gone With the Wind.' He said he's certain<br />

'A Farewell to .Arms' would do the same<br />

thing for his business now."<br />

If such is the rase, the nation's showmen<br />

would do well to subsidize DOS not to release<br />

".Arms" but to limit its exhibition to<br />

"sneak previews." thereby taking advantage<br />

of cryingly-needed opportunity for a business<br />

Increase of "almost 50 per cent for<br />

several months."<br />

Additional blurb from Burbank confides<br />

that "While LeRoy Prinz was in Japan directing<br />

the dance sequences for Warner<br />

Bros.' 'Sayonara,' he negotiated a deal to import<br />

the sensational three-wheel two-ton<br />

Japanese-made Mazda Ti-ucks to America."<br />

After all of the years Le Roy has spent<br />

piloting trucks with only two wheels—both<br />

left, in many cases—the third disk shcuici<br />

prove a refreshing addition.<br />

BOXOFFICE :: November 16. 1957 W-.3


—<br />

—<br />

——<br />

——<br />

I<br />

—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

les Girls'<br />

Hot 260 at Los Angeles<br />

With 'Joey' Third Week Big 245<br />

LOS ANGELES — Veterans Day holiday<br />

proved a hypo for a number of<br />

the Los Angeles<br />

first runs. "Les Gii-ls" opened with a<br />

smash 260 per cent while "Pal Joey." in it«<br />

third round, took top spot among the holdovers<br />

with a hefty 245. The combo of "The<br />

Hunchback of Notre Dame" and "Portland<br />

Expose" opened with 125. On the art front.<br />

"The Third Key" wound up its first week with<br />

a solid 120. The hard-ticket "Ai-ound the<br />

World in 80 Days" led all comers with 340<br />

in its 47th week.<br />

(Averoge Is 100)<br />

Beverly Conon The Third Key (RFDA) 120<br />

Carfhoy Circle Around the World in 60 Days<br />

(UA), 47th wk 340<br />

Chinese My Mon Godfrey (U-l), 4th wk 70<br />

Downtown Paramount, Fox Wilshire, Vogue<br />

The Tin Stor (Pora), Triple Deception (RFDA),<br />

and seven drive-ins 95<br />

Egyption Pol Joey (Col), 3rd wk 245<br />

El Rev, New Fox—Desiree (20th-Fox), Vivo Zapata<br />

(20th-Foxl, reissues 85<br />

Fine Arts Perri (BV), llth wk 85<br />

Four Star Four Bags Full (Trans-Lux) 90<br />

Fox Beverly, Ins, Los Angeles, Loyolo Stopover<br />

Tokyo (20th-Fox); Bock From the Deod<br />

(20th-Fox) 55<br />

Howaii, Orpheum, Uptown- The Hunchback of<br />

Notre Dame (AA); Portland Expose (AA), and<br />

nine drive-ins 1 25<br />

Hillstreet, Hollywood, Ritz Operation Mod Boll<br />

(Col); The Parson and the Outlow (Col), 2nd wk. 75<br />

Pontages Les Girls (MGM) 260<br />

State Until They Soil (MGM); The Silken AHoir<br />

(DCA), 2nd wk. 30<br />

Vogobond The Devil's General :DCA), 3rd wk. 65<br />

Warners Beverly Rointree County (MGM), 5th<br />

wk ; 120<br />

Warners Hollywood The Seven Wonders of the<br />

World (Cineroma), 23rd wk 140<br />

'Jailhouse' Rocks to 180<br />

First Week in Frisco<br />

SAN FRANCISCO—Top honors went to<br />

"Jailhouse Rock" in its first week at the<br />

Loew's Warfield, The opening of "Armored<br />

Attack" rated a pleasant 140 per cent at the<br />

Fox. Other first-run pictures were way belowaverage.<br />

Fox—Armored Attack (NT A); Battle Stripe<br />

(NTA), reissues 1<br />

40<br />

Golden Gote Unknown Terror f20th-Fox); Bock<br />

from the Dead (20th-Fox) 40<br />

Loew's Warfield—Jailhouse Rock (MGM) 180<br />

Paramount The Story of Mankind (WB) 85<br />

St. Francis The Block Scorpion (WB) 75<br />

Jailhouse' Packs<br />

Denver Orpheum<br />

DENVER—"Jailhouse Rock" and "Battle<br />

Shock" packed the Orpheum and should have<br />

been held, but a firm commitment prevented<br />

the twin bill from staying. "Perri" went into<br />

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its fourth week in local first runs, doing a<br />

fine busine.ss at the Aladdin. "The Story of<br />

Mankind" got a second week at the Centre.<br />

and "Operation Mad Ball" with "Town on<br />

Trial" at the Denver did nicely and stayed<br />

a couple of days over. Most first runs had a<br />

good pickup after the Veterans Day parade.<br />

Aladdin Perri (BV), 3rd wk 180<br />

Centre The Story of Mankind (WB) 100<br />

Denham The Joker Is Wild (Paro), 3rd wk... 90<br />

Denver Operation Mod Boll fCol); Town on<br />

Trial (Col) 120<br />

Esquire Only the French Can (UMPO), 2nd wk.<br />

, . 100<br />

Orpheum Jailhouse Rock (MGM); BoMIe Shock<br />

(5R) 175<br />

Paramount Stopover Tokyo (20th-Fox); Restless<br />

Breed (20th-Fox) no<br />

Tabor Around the World in 80 Days (UA)<br />

26fh wk 50<br />

Vogue Art Bed of Roses (SR) 130<br />

Jailhouse' Is Full House<br />

For Portland Liberty<br />

PORTLAND— "Jailhouse Rock" hit a high<br />

of 260 per cent at the Liberty with lineup<br />

crowds, mostly teenagers, for afternoon and<br />

evening performances.<br />

Aladdin King Richard III (Lop) 150<br />

Broadway Around the World in 80 Doys (UA). 150<br />

Fox— Stopover Tokyo (20th-Fox) 125<br />

Guild Torero! lCo\)<br />

1 75<br />

Liberty Jailhouse Rock (MGM) 260<br />

Orpheum Operation Mad Boll (Col) 175<br />

AGVA Threatens to End<br />

Free Service Shows<br />

HOLLYWOOD— According to Jack Bright,<br />

national executive secretary of the American<br />

Guild of Variety Artists, the guild will forbid<br />

its members to do cuffo shows for servicemen,<br />

whether at home or offshore, if the USO<br />

carries through w-ith plans to use nonprofessional<br />

talent to entertain servicemen during<br />

nonholiday seasons.<br />

Bright said that AGVA members work cuffo<br />

for servicemen only during the Christmas<br />

season, but that will be stopped if during the<br />

rest of the year, the USO switches to amateur<br />

talent.<br />

AGVA's ruling would end such special servicemen's<br />

holiday shows as Bob Hope's<br />

Johnny Grant's et al.<br />

C. A. Moses Quits Bel-Air<br />

As Ad-Publicity Head<br />

HOLLYWOOD—Charles A. Moses has resigned<br />

as director of advertising, publicity<br />

and exploitation for Bel-Air Productions and<br />

Lakeside Picture.s. effective January 1. In<br />

addition to his executive duties, the publicist<br />

has been signed to screenplay "Frankenstein's<br />

Castle." slated to go into early production.<br />

Moses joined the Edwin F. Zabel-Aubrey<br />

Schenck-Howard Koch organization in January<br />

1956 after having served two and a half<br />

years as United Artists European publicity<br />

supervisor with headquarters In Paris.<br />

December 'Paths' Debut<br />

LOS ANGELES—A long advance bookmg<br />

has been made by Bryna Productions on behalf<br />

of "Paths of Glory." Five night* between<br />

January 21 and 31 have been set for screening<br />

the film produced by James B. Harris<br />

and directed by Stanley Kubrick. "Paths"<br />

will have its American premiere at the Fine<br />

Arts December 20.<br />

Red Skelton Is Cited<br />

As Best TV Comedian<br />

HOLLYWOOD—Red Skelton received the<br />

Stella award as the "best television comedian<br />

of 1957" as selected by more than 5.000 students<br />

from 48 states comprising the Northwest<br />

Schools Ass'n. William Sawyer, director<br />

of Northwest Schools, Portland. Ore., announced<br />

Skelton's individual accolade along<br />

with 22 other major network award presentations.<br />

Irving Asher began his third year this<br />

week as executive in charge of TCF-TV Productions,<br />

the 20th Century-Fox subsidiary.<br />

Currently, three series are in production at<br />

the studios — "Broken Arrow." "How to Marry<br />

a Millionaire" and "Man Without a Gun."<br />

» * *<br />

Donn B. Tatum was elected vice-president<br />

of Walt Disney Pioductions. with his principal<br />

work to be concerned with TV marketing.<br />

Before joining the Disney organization<br />

two years ago, Tatum was with the American<br />

Broadcasting Co.<br />

At the same time. Luther R. Marr of the<br />

Disney legal staff was elected secretary of<br />

the Walt Di-sney Productions, replacing James<br />

A. Johnson, who resigned to devote his time<br />

to his duties as executive vice-president of<br />

the Walt Disney Music Co.<br />

Lenore Coffee to Start<br />

'River of Fear' Scenario<br />

HOLLYWOOD—Following the completion<br />

of dialog revisions lor "Another Time. Another<br />

Place." the Lana Turner-Barry Sullivan<br />

starrer currently being lensed in England.<br />

Lenore Coffee will start the scenario of<br />

"River of Fear." the Joseph Kaufman production<br />

slated for filming in England next<br />

spring for Paramount release.<br />

Kaufman, also heading the current Lana<br />

Turner film, will have the new picture<br />

adapted from the Joan Morgan novel. "The<br />

Sensitive Plant." Miss Coffee, author of the<br />

novel from which "Another Time. Another<br />

Place' was taken, previously worked in a<br />

scripting capacity on "Sudden Fear."<br />

MGM Signs Glenn Ford<br />

To New Long-Term Pact<br />

HOLLYWOOD—MGM announced the .signing<br />

of Glenn Ford to a new long-term contract<br />

as a result of outstanding performances<br />

at the studio—the new- contract to take effect<br />

when Ford's current contract expires in<br />

December 1959.<br />

Simultaneously it was announced that Ford<br />

will star in "Imitation General." the dramatic<br />

story of a World War II sergeant, who<br />

takes over when the general to whom he is<br />

devoted Is killed, and saves his unit from destruction<br />

during the Battle of the Bulge.<br />

William Hawks will produce from the screenplay<br />

by William Bowers and the original<br />

story bv William Chamberlain.<br />

'Bufialo Guns' to Republic<br />

HOLLYWOOD—Republic Picture.s will release<br />

the Albert C. Gannaway Production of<br />

"Buffalo Guns." The film stars<br />

Wayne Morris.<br />

Mary Ellen Kay, Donald Barry, and features<br />

Webb Pierce. Carl Smith and Marty<br />

Robbins.<br />

W-4 BOXOFFICE November 16. 1957


THESE ANNOUNCEMENTS REVEAL<br />

VITAL FACTS ABOUT<br />

visitor*<br />

co\oo'0><br />

history<br />

o


. . Don<br />

. . Herb<br />

;<br />

. . John<br />

. . Roy<br />

. . Hugh<br />

. . E.<br />

. . Theatre<br />

. . John,<br />

LOS ANGELES<br />

TlZill Balton. executive of Tele-Movies Development<br />

Co.. has opened offices in the<br />

Film Exchange building ... Mr. and Mrs.<br />

Jackie Sonenshine became the parents of a<br />

baby son named Scott. Papa is with Embassv<br />

Pictures<br />

. . . Jim Womble is the new<br />

manager at George Ingham's Crest and<br />

Town theatres in San Fernando . . Mr. and<br />

Mrs. Ernest Martini of the Rancho Theatre<br />

in Arvin celebrated their 30th wedding anniversary<br />

. . . Eddie Cook, office manager of<br />

the Universal Film Exchange, is hospitalized<br />

Birthday congratulations go to Arnold<br />

Sharton, Paramount salesman, and Ned Calvi<br />

Pete Thorn, formerly with Buena Vista,<br />

IS now with the Harry Thomas Distributing<br />

Co.<br />

Vacationers include Sally Miller, Favorite<br />

Films booker, who recently returned from San<br />

Francisco; Gene O'Keefe of Gamble-OKeefe:<br />

Jack Drew, former L.A. exhibitor and now a<br />

concessionau-e at the Long Beach Pike, who<br />

has been visiting his brother Fred on Filmrow<br />

Dave Bershon of the Le Meimert Theatre,<br />

who spent a few days in Las Vegas, and Seymour<br />

Borde. division manager for J. Arthur<br />

Rank Co., who also vacationed in Las Vegas.<br />

Robert Kronenberg of Manhattan Films is<br />

off to London, Madrid and Paris to look over<br />

new product Mitterling, Fallbrook<br />

.<br />

Theatre, was on the Row booking and buying<br />

Phil Kassin, manager for the Deitrick and<br />

Feldstein Theatre in Oxnard was on the Row<br />

for home office conferences Turpie,<br />

.<br />

Manley Popcorn Co., returned with Mrs. Turpie<br />

from a 30-day business trip to Salt Lake,<br />

Denver and Casper, Wyo. . . . Jack Goldberg,<br />

of the Aladdin Theatres returned from a San<br />

Diego business trip . . . Ralph Clark, United<br />

Artists district manager, returned from a trip<br />

around his territory.<br />

Paul Landres to Direct<br />

Two for Regal Films<br />

HOLLYWOOD—Following the completion<br />

of his upcoming assignment, "Flame Barrier,"<br />

for Gramercy Productions. Paul Landres has<br />

been signed by Regal Films to direct two<br />

pictures, "The Secret of the PuiTJle Reefs"<br />

and "The Little Savage." Both films will be<br />

lensed in the Philippines, with Jack Leewood<br />

producing. "Purple Reefs" is scheduled for a<br />

Janu;)rv star*<br />

Showman Babb Adds<br />

Showmanship Aids<br />

HOLLYWOOD Blasting exhibitors for<br />

what he terms a "do-nothing attitude" toward<br />

recapturing their lost theatre audiences,<br />

showman Kroger Babb has dedicated his new<br />

promotion company. Hallmark of HoUj-wood,<br />

to providing "new tools" with which theatre<br />

managers can gain new patrons.<br />

The first campaign being offered by Hallmark<br />

is a serie.s of five promotional-instiluticnal<br />

t>-pe special newspaper ads, known as<br />

a "TV-itis" campaign. The ads point up comfort,<br />

relaxation and safety features of theatres<br />

and stress the fact that today's screens<br />

are at least 330 times the size of any TV<br />

screen. Proofs of the ad series are being<br />

mailed to theatres, circuit offices and the<br />

tradepress.<br />

Auslender Firm Slates<br />

'Unattached' Initialer<br />

HOLLVWOOD—Auslender Productions, recently<br />

formed organization for the production<br />

of TV and motion pictures, has slated "Unattached"<br />

as its initial motion picture venture.<br />

It deals with the life story of Vicki<br />

Draves. the Olympic diver, and will be scripted<br />

by Marion Parsonnet and Allen Vincent.<br />

Leiand and Gloria Auslender, who head the<br />

new company, plan to start shooting on location<br />

in Palm Springs December 16. The<br />

Auslenders also will be associated with Anthony<br />

Quinn in a joint production of "The<br />

Life of Paul Gaugin," slated for 1958, in which<br />

Quinn will star and direct.<br />

To Be on Benny Show<br />

HOLLYWOOD — Marking his TV debut.<br />

Buddy Adler, 20th-Fox executive producer,<br />

will be Jack Benny's guest on the Jack Benny<br />

Show December 1 over CBS-TV. A skit titled<br />

"Filming Jack's Life Story" is being prepared<br />

for the occasion. Benny's other guest for the<br />

be actor Van Johnson.<br />

show will<br />

THE TICKET<br />

TO ADDED DOLLARS<br />

AT THE BOXOFFICE<br />

RELAX-RECIINEII CHAIR<br />

a ilight pretiur* tilli the<br />

back to any deiifod pitch.<br />

Revive War Dual Bill<br />

LOS ANGEXES— Because of the reported<br />

upbeat in public acceptance of war pictures.<br />

United Artists is reviving "Men in War," produced<br />

by Security Pictures, and "Attack,"<br />

turned out by Robert Aldrich & Associates,<br />

for another round as a dual bill setup. Both<br />

films w^ere released last year.<br />

H»ywood-Wok«fi«ld auditorium chain with ths new "Conlour"<br />

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. . The<br />

Theodore Ticktin Assumes<br />

Globe Sales Direction<br />

HOLLYWOOD—Theodore J. Ticktin, president<br />

of the Globe Releasing Corp., will assume<br />

active supervision of the sales policies<br />

of the firm, following the resignation of Sam<br />

Nathanson as general sales manager.<br />

Globe has eight pictures in general release.<br />

Awaiting release are two more completed pictures,<br />

"The Last Bullet," with Robert Hutton<br />

and Mary Castle, and "Yank in Ermine,"<br />

with Peter Thompson and Harold Lloyd jr.<br />

The latter picture is in Eastman Color.<br />

Plans are being made for the production<br />

and acquisition of new property.<br />

'Bernadette' Rerelease<br />

Scheduled Next Year<br />

LOS ANGELES—Jennifer Jone.s has been<br />

informed that "The Song of Bernadette." for<br />

which she won an Academy award in 1943,<br />

will be rereleased by 20th-Fox on a worldwide<br />

scale next year as part of the international<br />

observance of the centennial anniversary<br />

of the miracle of Lourdes. The studio<br />

will make new prints of the picture available<br />

and will augment the distribution with<br />

an elaborate merchandising and pre-selling<br />

campaign.<br />

Two Free Kiddies Shows<br />

CHINOOK, MONT—Manager Herb Bonifas<br />

of the Blaine Theatre delighted school children<br />

of this area w-ith two free Halloween<br />

shows. The two showings were necessary because<br />

there are so many grade school youngsters<br />

in the community. Thursday afternoon,<br />

October 31, Bonifas was host to all the rural<br />

school children at a free showing of "Hills of<br />

Home" and two cartoons. The same program<br />

was repeated the next afternoon for the children<br />

from the elementary schools in town.<br />

On Best-Seller Program<br />

HOLLYWOOD — George Murphy, Hollywood's<br />

unofficial spokesman and MGM public<br />

relations head, will speak on the first program<br />

of the Mirror-News Best-Seller luncheon<br />

series. There will be talks by Millard<br />

Kaufman, screen writer, and Kenneth Mac-<br />

Kenna, MGM executive story head, based on<br />

the adaptation of "Raintree County" from the<br />

award-winning novel to the screen.<br />

Book 'Sayonara' in Japan<br />

LOS ANGELES—Warner Bros.' "Sayonara"<br />

has been booked for a ten-week run, starting<br />

December 21 at the Scala-Za Theatre in<br />

Tokyo. Blanket bookings of the James Michener<br />

love story are also being completed in<br />

other major Japanese cities to carry through<br />

the Christmas and New Year's holidays, the<br />

best theatre season in Japan.<br />

Millard Kaufman Is Speaker<br />

HOLLYWOOD—Millard Kaufman, author<br />

of the screenplay and associate producer of<br />

MGM's "Raintree County," addressed 400<br />

high .school and junior high school teachers<br />

at the Los Angeles board of education auditorium<br />

on "Standards and F*roblems of the<br />

Motion Picture Writer." Kaufman's talk, followed<br />

by a question-and-answer period, continued<br />

the series of educational addresses being<br />

given by htm. He already has appeared<br />

before groups at UCLA and USC.<br />

SAN FRANCISCO La Reina to Produce<br />

f^harles M, Pincus, district manager for the<br />

Blumenfeld Theatres in Stockton, has been<br />

made liaison official by the Stockton Chamber<br />

of Commerce to handle the affairs of the<br />

film companies in production in that area .<br />

Myrna Loy and Lew Ayres were here to attend<br />

the UNESCO conference , Fox<br />

Theatre's world premiere of "Kiss Them for<br />

Me" was spearheaded by an autograph and<br />

interview party in the Fox lobby. The party<br />

centered about Suzy Parker, the film's star,<br />

and Don Sherwood, the master of ceremonies.<br />

The theatre reported that this was its best<br />

opening for a picture since school started this<br />

fall.<br />

Some 1,800 juveniles fled from a downtown<br />

Oakland theatre when fist fights broke out<br />

after a showing of "Jailhouse Rock," an Elvis<br />

Presley picture. Police responding to a riot<br />

call arrested five teenage boys. Two were<br />

booked on charges of disturbing the peace;<br />

the others were released. Admission was refunded<br />

to 500 youngsters who said they hadn't<br />

seen the complete double feature.<br />

Larry Blanchard, recently promoted to be<br />

publicist for the RKO Golden Gate Theatre<br />

is doing an excellent promotional job. He<br />

succeeded Joe DeVictoria. who went to Honolulu<br />

to work for the Consolidated Amusement<br />

Co. William Miller, formerly with the<br />

United Artists and Embassy theatres, took<br />

over Larry's job as assistant manager at the<br />

Golden Gate Theatre.<br />

. .<br />

Visitors to the Row included George<br />

Stamm, Stamm Theatres; Paul Aglietta, Rio<br />

Theatre, Richmond; Arthur Barnett, Rex<br />

Theatre, Oakland; Alan Finlay, Boyes Theatre.<br />

Boyes Springs, and Emil Palermo, Star<br />

Theatre, Stockton ... A few of the film exchanges<br />

remained closed 'Veterans Day (11 1.<br />

giving personnel a three-day weekend<br />

Jack Stevenson. Paramount manager, was<br />

still sporting a tan from his month ago visit<br />

to Las Vegas. The talk is that Jack has a<br />

sun-lamp and intends keeping his 'Vegas tan<br />

all year.<br />

. . .<br />

The office force at Paramount was inoculated<br />

for flu. Mass production of hypo shots<br />

and not one person fainted . . . Charles Boasberg,<br />

in charge of world wide distribution of<br />

"Ten Commandments" was in town looking<br />

over the territory . . . Carmel Desmond is<br />

the sales manager's new steno at Paramount.<br />

She replaces Waukera Rumfield. who resigned<br />

"Ai-ound the World in 80 Days"<br />

was celebrating its 45th week at the Coronet<br />

Theatre.<br />

Role to Audrey Totter<br />

HOLL'YWOOD-Audrey Totter has been<br />

.


.,<br />

D<br />

Cooper, Producers Visit<br />

'Hanging Tree' Locale<br />

MISSOULA. MONT—Gary Cooper, who is<br />

to star in the film version of "The Hanging<br />

Tree." the title story of Montana author<br />

Dorothy Johnson's latest book, autographed<br />

a copy of the book for Miss Johnson at a Montana<br />

State University campus news conference.<br />

Cooper said that negotiations for his<br />

appearance in the motion picture are nearly<br />

complete.<br />

Cooper, producers Martin Jurow and Dick<br />

Shepherd of Hollywood were here to confer<br />

with Miss Johnson about the picture, which<br />

is scheduled for spring production. Some of<br />

the .shooting will be done in this state if<br />

casting, technical direction and weather permit,<br />

Jurow said.<br />

•'You have great talent here." Cooper told<br />

Miss Johnson, who combines her writing<br />

career with jobs as a professor of journalism<br />

at the Montana State University and secretary-manager<br />

of the Montana State Press<br />

Ass'n. "When a story like this—beautifully<br />

written and with fine characterizationcomes<br />

along, naturally Hollywood tries to<br />

snap it up."<br />

The action in "The Hanging Tree" takes<br />

place in the early days of the discovery of<br />

gold in this state. Cooper will be cast as Doc<br />

Frail, gunman, gambler and physician, who<br />

once shot a man he shouldn't have but didn't<br />

shoot a man he should have. The other principal<br />

roles—a lost lady who becomes a lucky<br />

lady, a young man who becomes Doc's ward<br />

and Frenchy. the heavy, have not been assigned.<br />

With Cooper in Missoula was Bill Stuttart,<br />

associated with him in the ranching business<br />

in Montana's Granite County. The famous<br />

cowboy actor, who grew up in Montana, said<br />

he hopes to spend more and more time on<br />

his ranch near Philipsburg. He attributes<br />

the desire to nostalgia "for the places where<br />

I was born and raised."<br />

Three Butte Theatres Tied<br />

By lATSE Local Strike<br />

BUTTE. MONT.—A strike<br />

by members of<br />

the Butte local. lATSE, has closed theatres<br />

here for an indefinite psriod. Theatres affected<br />

are the Rialto, Montana and Bow.<br />

Management and union negotiators had<br />

carried on negotiations for several days but<br />

were unable to reach an agreement prior to<br />

the strike<br />

deadline.<br />

Hospital Plaques to Two<br />

HOLLYWOOD—Plaques in memory of Al<br />

Jolson and Walker Inman will be unveiled<br />

during the dedication of the expanded X-ray<br />

department at Cedars of Lebanon Hospital<br />

on Thursday (21 1. A generous bequest toward<br />

the development of the $500,000 facility was<br />

willed the hospital by the famed entertainer,<br />

and major contributions were made in Inman's<br />

name by his mother and hi? 'sister.<br />

Doris Duke.<br />

Patricia Cutts Is<br />

Guest<br />

HOLLYWOOD—Patricia Cutts. British star<br />

who portrays Danny Kaye's fiancee in Sol C.<br />

Siegel's "Merry Andrew" for MGM. was the<br />

guest of honor at the UCLA International<br />

House global ball Friday night (15 ». Miss<br />

Cutts crowned the beauty queen, selected<br />

from the UCLA coeds.<br />

W-8<br />

PORTLAND<br />

To herald the opening of -Devil's Hairpm."<br />

Dick Newton arranged with the Cascade<br />

Sports Car Club of Oregon to stage a Concours<br />

d'Elegance motor show on opening night<br />

(13). Trophies for the best sports and classic<br />

cars were awarded at a special stage presentation<br />

at the theatre. The show was held in<br />

a parking lot several blocks north of the<br />

theatre and was free to the public. A dealers<br />

show of 1958 foreign sports models was held<br />

at the same time.<br />

Martin Foster. San Francisco, general manager<br />

of the Guild and Pine Arts, conferred<br />

with Nancy D. Welch, Guild and Pine Arts<br />

manager, on the opening Friday il5i of the<br />

suburban art house at Hawthorne boulevard<br />

and 20th avenue. On the screen was "Nana."<br />

the French drama which stars Carol Martine<br />

and Charles Boyer. Members of the press,<br />

radio and TV were invited to attend a special<br />

Wednesday showing.<br />

Pay TV Franchise Asked<br />

By El Sobrante House<br />

EL SOBRANTE. CALIF.—The Park Theatr3<br />

here and the Rio Theatre of Rodeo have<br />

made application to the county board of<br />

supervisors for exclusive franchises to operate<br />

closed circuit pay television in homes in<br />

their communities.<br />

Richard Jeha, manager of the Park Theatre,<br />

told the supervisors that the franchises<br />

are similar to those granted in Oklahoma<br />

City and other midwestern cities, providing<br />

for transmission to homes of motion pictures,<br />

spcrts events and entertainment.<br />

Th2 supervisors also were to consider an<br />

application from Skiatron of Los Angeles for<br />

a county-wide franchise.<br />

Rcy H. Cleek, m.ayor of San Pablo, filed<br />

a letrer in opposition, saying that the subject<br />

of pay T'V deserved much study by cities<br />

and the county. Cleek also asked that consideration<br />

for franchises be given other theatre<br />

opsrators in the area.<br />

Jeha's request was filed until the city<br />

manager and city attorney complete a study<br />

and receive recommendation from the League<br />

cf California Cities.<br />

Friars Club Dinner Set<br />

HOLLYWOOD—The Fnars Club will<br />

hold<br />

its annual Thanksgiving dinner for residents<br />

of the Motion Picture Country House and<br />

Hospital November 27. with the 350 show<br />

business veterans receiving gifts, clothing<br />

and entertainment. Jack Benny. Ben Lessy<br />

and Patty Moore are the first stars to be set<br />

entertain at the event this year.<br />

to<br />

Shows Go Incdoors at Breese<br />

BREESE. ILL.—The Avon Drive-In on U. S.<br />

50 was closed for the season by owner Bernard<br />

Temborius and Allen Keith, manager,<br />

who then reopened the Avon Theatre, with<br />

"The Ten Commandments."<br />

Changes<br />

Title<br />

Girl oh the Run .WB' to 77 SUNSET<br />

STRIP.<br />

The final title for Allied Artists' picture<br />

formerly called "Stolen Time" is "Blonde<br />

Blackmailer."<br />

ISEARCH BUREAU<br />

for<br />

MODERN THEATRE PLANNERS<br />

Mr<br />

ENROLLMENT FORM FOR FREE INFORMATION<br />

The MODERN THEATRE<br />

PLANNING INSTITUTE<br />

B25 Van Brunt Blvd.<br />

Kansas City 24. Mo.<br />

oeniienien<br />

11-16-57<br />

Please enroll us in your RESEARCH BUREAU<br />

to receive iniormation regularly, as releaseii. on<br />

the loUowing subiects lor Theatre Planning:<br />

n Acoustics<br />

Air<br />

Conditioning<br />

D Architectural Service<br />

n "Black" Lighting<br />

n Lighting Fixture*<br />

D Plumbing Fixture»<br />

n Projectors<br />

n Projection Lamps<br />

n Building Material<br />

.<br />

r-i ^ Seating<br />

U Carpets<br />

„ .<br />

^ , .<br />

ni_j Signs » and Marquees<br />

-i<br />

U Coin Machines<br />

n Complete Remodeling Sound Equipment<br />

n Decorating<br />

Television<br />

n Drink Dispensers D Theatre FronU<br />

G Drive-In Equipment Q Vending Equipment<br />

n Other Subjects .<br />

Theatre<br />

Seating<br />

Address<br />

City<br />

State<br />

Capacity..<br />

Signed<br />

Postoge paid reply cards tor your further conrenience<br />

10 obtaiaing in^ormotion ore provided in The MODERN<br />

THEATRE Section, published with the first "tisue o^<br />

eoch month.<br />

BOXOFFICE November 16. 1957


. .<br />

J<br />

—<br />

—<br />

—<br />

—<br />

Reopening at Auburn<br />

With Hoosier Hayride<br />

AUBURN. IND.—The Court Theatre will<br />

reopen Sunday (17) fulltime. The Court closed<br />

the first of July when the merchants in the<br />

town of Auburn elected to change store hours<br />

and close at 6 p.m. on Saturday nights.<br />

Owner Hobart Hart plans to run his regular<br />

motion picture changes during the week<br />

and present a live country show at two performances<br />

each Saturday night. Contracts<br />

have been made for 26 weeks to broadcast<br />

from the Court stage the Hoosier Hay Ride<br />

over WGL. Fort Wayne, in a 60-minute program<br />

sponsored by Seyfert Potato Chips and<br />

Tristate Builders of Fort Wayne. The show<br />

has a permanent crew of musicians and performers<br />

and will have guest stars from Grand<br />

Old Opry. Renfro Valley and other country<br />

shows in the midwest.<br />

Hart reports local merchants are still closed<br />

on Saturday night and threaten boycott of<br />

any merchants who might like to reopen.<br />

Merchants in Garrett, a few miles from Auburn,<br />

also closed on Saturday nights at the<br />

suggestions of Auburn merchants.<br />

Theatre Reopenings<br />

NORRIS CITY, ILL.—The Tivoli, 200-<br />

seater, was reopened by J. A. Gossett.<br />

CHAFFEE, MO.—The Horstman, 500-seater<br />

on Yoakkum avenue, has been reopened by<br />

Mrs. Bernice Montgomery, who also owns<br />

the Montgomery Drive-In.<br />

PARIS, MO.—The Main Street Theatre, a<br />

425-seater owned by Mrs. Edith Major, was<br />

reopened for the winter. Mrs. Major also<br />

owns the Major Drive-In on Route 24.<br />

GOLCONDA. ILL.—Jim Davis, onetime<br />

salesman for RKO, reopened the Ohio Theatre<br />

here. Davis also is interested in a TV<br />

station at Paducah and books and buys for<br />

the Sunset Drive-In at Paducah. owned by<br />

H. R. Timmons. The theatre had been known<br />

as the Scott during operation of Walter<br />

Scott. It had been dark since Aug. 12. 1947.<br />

WEST FRANKFORT. ILL.—The Roxy. 500-<br />

.'eater, the B house here for Fox Midwest, is<br />

being reopened.<br />

To Tighten Up on Curfew<br />

ST. LOUIS—Police have announced plans<br />

for a stricter enforcement of the curfew<br />

ordinance that has been in effect since June<br />

14, 1955, providing that boys and girls under<br />

17 years of age must be off of the streets<br />

by 11 p.m., unless accompanied by a parent<br />

or legal guardian. H. Sam Priest, president<br />

of the board of police commissioners, said<br />

the tightening order was part of the police<br />

battle against juvenile delinquency.<br />

Sam Hallowell, 71, Dies<br />

TUSCOLA, ILL.—Sam Hallowell. 71. owner<br />

and operator of the Assumption Theatre here<br />

for 32 years, died at his home here recently.<br />

He retired ten years ago. He is survived by<br />

his wife Aileen, a sister and a brother.<br />

Paramount's "Rock-a-Bye Baby" includes<br />

a hilarious number with Jerry Lewis and 320-<br />

pound Metropolitan opera star, Baccaloni.<br />

Ten New Pictures Launch<br />

Chicago Jubilee Month<br />

'<br />

CHICAGO—Ten openers were launched in<br />

Jack HyneS, Cauger Aide<br />

^^^ ^°°P theatres with the launching of the<br />

jt Q. T . -TV. . rrj Golden Jubilee celebration. <strong>Boxoffice</strong> results<br />

/il Ol. IjOUlSf UieS at 0/ in an instances proved that the group which<br />

ST. LOUIS—John P. "Jack" Hynes, 57, had put endless effort into promoting the<br />

died at a hospital here last week several celebration from the local point of view hadn't<br />

days after he suffered a heart attack at his worked in vain. A percentage of the inhome.<br />

He was a salesman for the A. V. Cauger creased attendance was also attributed to the<br />

Service, Inc., of Independence, Mo., screen fact that people with free time on Veterans<br />

advertising enterprise. Services were at the Day attended movies.<br />

Catholic Church of Magdalen. Survivors in- (Average is loO)<br />

elude his wife Hazel and two children, Gloria Comegie— The Sun Also Rises i20th-Fox), 2nd run 195<br />

T Chicago Operation Mod Boll (Col) 220<br />

I<br />

Caimi ana Jack jr. Cmema— BcouMes ot the Night (SR) 190<br />

Hjnes was a native of St. Louis. Following Esquire— Doctor ot Large (U-l) 205<br />

..,j,.„ti„„ t /-.u .. T1 *!. ,-.11 Gorrick The Story of Mankind (WB) 205<br />

graduation from Christian Brothers College, Grand—Gun Girls (SR), Rebel Girls (SR) 200<br />

he was a professional golfer, and played Loop— Petri (BV), 4th wk 200<br />

sncrer anri fnnthall niiH wprkpH aq Qnnrtincj<br />

McVickers—Rointree County (MGM), 2nd<br />

soccei ana lOOtoau.<br />

wk...315<br />

ana WClkea as a spoitmg Monro^-The Woyword Girl (Rep); Seventeen<br />

goods salesman. In 1928 he bought the Coal and Torrid (Rep) 195<br />

Beit film delivery route and operated it for<br />

^*"" '"" "* '"^ {20th-Fox),<br />

"'sTd'"!^'^*'^<br />

^^^<br />

ten years, after which he joined RKO. He Palace—Seven Wonders of the World (Cirieramci)',<br />

joined Cauger about eight years ago. „ "^'^ ,,'"^„, v ,•.• /.i.o,- „, ._.;• •'^°<br />

° Roosevelt Black Scorpion (WB); Block Poteh<br />

(WB) 210<br />

darenCe D. Hill, 68, Dies; Surf—The DevH's General IDCA). 2nd wk'''!l90<br />

^•^ ^ «. riiT -njT Todd's Cmestoge Around the World in 80 Doys<br />

Columbia St. Louis Mgr. ua), 3)st wk 350<br />

^ United Artists— Time Limit (UA) 220<br />

ST. LOUIS—Clarence D. Hill. 68, manager Woods— Les Girls (MGM) 230<br />

of the Columbia Pictures exchange here, died<br />

^orid Playhouse— Stello (Burstyn), 5th wk 195<br />

. .., , , , . . Ziegfeld The Mistress (SR). 2nd wk 190<br />

at St. Josephs Hospital in Kirkwood Monday<br />

(111. Cremation followed private funeral<br />

services. He had undergone a kidney opera- Pal Joey,' at 350, Paces<br />

tion several days previously and was believed Gooci Kansas City Week<br />

to be improving when his condition suddenly KANSAS CITY—The downtown theatres<br />

worsened and death came suddenly. prospered over the holiday weekend, par-<br />

Hill, a veteran of World War I, came to tieularly the Roxy, where "Pal Joey" turned<br />

St. Louis about 1920 as special representative in a whopping 350 per cent and registered<br />

for Frank Warren of the W. W. Hodkinson the biggest Sunday business on record at<br />

Corp. He later opened an office here for As- the theatre. "Jailhouse Rock" was good at the<br />

sociated Producers, subsequently joining Co- Midland and was holding, but "Bombers B-<br />

lumbia when that company opened local 52" was a little disappointing at the Paraexchanges,<br />

mount. The outlying first-run situations<br />

seemed to profit little from the holiday, regis-<br />

Moore Bros, Circuit Buys<br />

'^""^ business sughtiy beiow normal.<br />

-p^ « • —11 Glen and Dickinson, Shawnee and Leowood drive-<br />

DUnlap, Iowa, Theatre ins—Reoch tor the Sky (RFDA), Triple Decep.<br />

DUNLAP, IOWA—Moore Bros, purchased Kimc—The Rising of the Moon (WB), 2nd wk. 100<br />

the Dunlap Theatre and assumed manage- '^BlackTtockin^TiUATV ,'^°'^^ '^''^<br />

.°.''V'", ,<br />

ment November 3, according to C. C. Moore, Missouri—Seven Wonders of the World<br />

who has operated the theatre for more than<br />

Cmeromo) I2th wk. 175<br />

.<br />

^<br />

^<br />

Paramount Bombers B-52 (WB) 85<br />

20 years and has now leased the business and Roxy— Pal Joey (Coi) 350<br />

equipment to the new owners. tower—Around the World in 80 Doys (UA),<br />

\,*^<br />

„ , ^ 1,<br />

24th wk 320<br />

,<br />

Moore Bros, also operates the theatre at uptown, Foirway and Gronado— Petri (BV) 90<br />

Lcgan and occasionally shows films in Woodbine.<br />

Kenneth Moore said that while theatre .» .,. . p- oin<br />

business has been on the down side the past ri , j i j- r<br />

few vears, he does not like to see towns lose<br />

^o Lead Indianapolis<br />

their only theatre.<br />

INDIANAPOLIS—"Jailhou.se Rock" drew<br />

teenagers in great numbers to Loew's and<br />

•pi , jc , 1 rpi , created the biggest stir at local boxoffices. It<br />

£ina Ol iiSnley Ineatre<br />

was held over. "Around the World in so Days,"<br />

ASHLEY, ILL.—N. A. Baldridge, owner of playing its 14th week at the Lyric, continued<br />

the old Ashley Theatre building on Front to enjoy consistently good business. Other<br />

street, has removed all of the seats and other first-run situations were relatively quiet,<br />

equipment and will remodel the structure "The Hunchback of Notre Dame" was better<br />

into offices for his oil business and other than average at Keiths. "The Devil's Hairactivities.<br />

It was the only picture show in pin," at the Circle, and "Reach for the Sky,"<br />

this community.<br />

at the Indiana, were getting sturdy results.<br />

Circle The Devil's Hoirpin (Para); Stowowoy<br />

Jon Looks Much Like Charles EsqJre^LovU-s Net Times')^ '.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'. as<br />

Jon Lindbergh, who is making his motion Indiana— Reach for the Sky (RFDA), Noah's<br />

picture debut m MGM's "Under^-ater<br />

KefthUThT'"Hu"nchback of Notre Dome Jaak :, IS<br />

Warrior," is said to look very much like his Loew's— Jailhouse Rock (MGM], The Ride Bock<br />

famed father Charles when the latter made (UA)<br />

^'°<br />

,<br />

w ,,. on r> ,i,*,'<br />

. .„„„ Lyric—Around the World in 80 Days (UA),<br />

the first nonstop flight to Pans in 1927, uth wk 175<br />

BOXOFFICE November 16, 1951 C-1


. . Pan<br />

. . The<br />

. .<br />

Charles<br />

ST.<br />

LOUIS<br />

•The local area delegation to the aiuiual meeting<br />

of the Theatre Owners of America<br />

at Miami Beach November 20-23 will approximate<br />

40 men and women. Twenty-six have<br />

definitely made anangements to attend<br />

while 16 others are classified as "pretty sures"<br />

as Myra Stroud, MITO managing secretary<br />

. . . Clara Katz. mother of Gladys Katz, an<br />

employe at Warner Bros, died .<br />

Krause,<br />

MGM cashier, left on a vacation to New<br />

York City.<br />

Some 100 or more exhibitors, theatre managers<br />

and other film folk attended a screening<br />

of "Sayonara" at the St. Louis Theatre<br />

. . . Film folk seen on Filmrow: Mr. and Mrs.<br />

Harry Miller of Festus, Mo., and Harry's sister;<br />

Mr. and Mrs. Jimmy Frisina. Taylorville;<br />

Mr. and Mrs. Herman Tanner, Vandalia:<br />

Leon Jarodsky. Paris, 111.: Ben Montee. Jacksonville;<br />

Warren Snider, Dixon, Mo.; Loren<br />

Clu.ster, Salem. 111.; Bob Johnson, Fairfield,<br />

111.; Tom Edwards jr., Farmington. Mo., and<br />

Mr. and Mrs. Dave Forbes, Crocker, Mo.<br />

Frank Plumlee, Farmington, Mo., was confined<br />

to his home several days by the flu<br />

.<br />

EVERYTHING FOR THE THEATRE<br />

St. Louis Theatre Supply Company<br />

Mn. Arcb HoaUr<br />

1110 OIIt* Street, St. Louis 3, Mo.<br />

Telephone JEfferson 3-7974<br />

RCA Theatre Supply Dealer<br />

"SELECT" FOUNTAIN SYRtJPS<br />

DRINK DISPENSERS<br />

Select Drink Inc.<br />

4210 W. Florltient Ave.<br />

St. Le«U IS, Me.<br />

Phone<br />

Evergreen 5-S93S<br />

. .<br />

Carpets -Door Mats<br />

Complete Initollation Service— Free Eitlmatee<br />

R. D. MANN CARPET CO.<br />

924-926 Wyandotte, VI. 2-1171, Kanioi City, Me.<br />

1100 Olive St., GarfleM 1-262«, St. Loub, Me.<br />

Realart Pictures of St. Louis is distributing<br />

"Noah's Ark," which opened at the Missouri<br />

Tuesday ... An estimated 2,500 pensons<br />

vacated the Fox Theatre recently after some<br />

young nitwit called the theatre to say that<br />

a bomb had been planted there. It was the<br />

seventh or eighth time that such a fake alarm<br />

had been phoned to a theatre here. The<br />

patrons returned after the police made a<br />

thorough check.<br />

The English Club of St. Louis University<br />

is sponsoring a theatre party Satm'day il6i<br />

at the Apollo Theatre to see "Lease on Life"<br />

and "Knock on Wood." Tickets are selling<br />

for $1. Mrs. Grace Viviano Piccione, owner<br />

of the Apollo, cooperated with the club in<br />

the plans for the party.<br />

. . .<br />

Richard P. Grossenheider, wildlife artist,<br />

premiered his newest film-lecture program<br />

for the Zoological Society of St. Louis Friday<br />

(151 in the Clayton High School. The<br />

title is "Alaskan Adventure" A.<br />

Anderson, a billposter<br />

.<br />

member of Local 5,<br />

died .<br />

Better Films Council met Friday<br />

at central library, 1301 Olive Ernest G.<br />

Lewis, manager of the Mode Theatre, Onargo,<br />

111., a unit of the Kerasotes Circuit, resigned<br />

to accept a position with the Louis Melind<br />

Co. there. He has been succeeded by Maurice<br />

McGough, with the Hall Gas Service, who<br />

will direct work at the theatre on a parttime<br />

basis.<br />

The old Lyn Theatre, also known as the<br />

Sun and various other names since it opened<br />

in pre-World War I days, is to house the<br />

studio of the new operators of Channel 11.<br />

when they start business. It is on Grandel<br />

Square just west of Grand boulevard.<br />

Petitions Against Two<br />

SPRINGFIELD—The county probation officer<br />

planned to issue delinquency petitions<br />

against two of eight boys involved in the<br />

extensive damage of the Pawnee Theatre<br />

here recently. The eight youths, all 15 years<br />

old. admitted being in the theatre, but all<br />

denied poking holes in the screen or removing<br />

lenses from the projectors. The other six<br />

boys were released on unofficial probation<br />

to custody of their parents. As a condition<br />

of their probation, all of the boys have been<br />

directed to stay away from the theatre.<br />

HANDY SUBSCRIPTION ORDER FORM<br />

BOXOFFICE:<br />

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Please enter my subscription to BOXOFFICE, 52 issues per year (13 oi which conlain<br />

The MODERN THEATRE Section).<br />

n $3.00 FOR TEAR D 1 $5.00 FOR 2 YEARS D $7-00 FOR 3 YEARS<br />

D Remittance Enclosed D Send Invoice<br />

Paul Kruger Isn't Sold<br />

On Bartlesville Setup<br />

ST. LOUIS— Paul Krueger, president of<br />

Fred Wehrenberg Theatres of St. Louis, gave<br />

an "on the spot" report on the operations<br />

of Telemovies in Bartlesville, Okla., at a<br />

board meeting of the Missouri -Illinois Theatre<br />

Owners at Ruggeri's restaurant Tuesday.<br />

Krueger, who has been studying the possibilities<br />

of cable movies in his area, went<br />

to Bartlesville Sunday i2i and investigated<br />

the pioneering operations in that city.<br />

The most interesting angle was that the<br />

500 subscribers to the telemovie service have<br />

a choice of two programs, neither one being<br />

on local first run screens. By turning to<br />

Channel 3 on their regular television set a<br />

subscriber on the day that Ki-ueger investigated<br />

could see a program headed by "Angry<br />

Men," while on Channel 5 the head film was<br />

"Islands in the Sky."<br />

The television studio that sends out these<br />

programs operated from 11;00 a.m. to about<br />

11:30 p.m. The closing time varies with the<br />

length of the film program being offered.<br />

The studio staff included a girl to answer<br />

telephones and two operators of the transmission<br />

equipment. There are two shifts of<br />

workers daily. It appeared that the service<br />

must go through the Southwestern Bell<br />

switchboard.<br />

The present number of subscribers—not<br />

more than 500. if that many—is less than<br />

half the potential needed in Bartlesville for<br />

profitable operations. Krueger said.<br />

Personal checking by Krueger indicated<br />

that the ratio opposed to paying for such<br />

television service ran approximately the same<br />

as indicated in the poll conducted by U.S.<br />

Senator William M. Langer, who had sent<br />

questionnaires to 8500 residents of Bartlesville.<br />

Krueger .said that on the basis of his investigations<br />

he isn't interested in cable movies<br />

here.<br />

Sells Theatre at Belleville<br />

BELLEVILLE. ILL.—The Fox Illinois Theatre<br />

Co.. a subsidiary of Fox Midwest, has<br />

sold the Illinois Theatre property at 216<br />

West Main St. to the recently formed Jessie<br />

Realty Co. The Illinois, a 910-seater, has<br />

been closed for several years. The new owner<br />

has in turn granted a long-term lease on<br />

the property to the Samson Furniture Co.,<br />

which plans to remodel the building into a<br />

furniture store with a special parking area<br />

in the rear.<br />

More Holdovers for Epic<br />

MINNEAPOLIS—Although only obhgated<br />

to play it for two weeks, the second round<br />

of four local neighborhood houses playing<br />

"The Ten Commandments" have been doing<br />

so well with it that, like the initial quartet,<br />

they'll hold it for a third. It's a day-and-date<br />

engagement, the same as the initial uptown<br />

subsequent-run showings were.<br />

THEATRE<br />

STREET ADDRESS<br />

TOWN<br />

STATE.<br />

NAME POSITION .<br />

Preachers See Opening<br />

EAST ST. LOUIS—Some 75 per cent of<br />

the clergymen in this city accepted an invitation<br />

to attend the opening of "The Ten<br />

Commandments" at the Majestic, a unit of<br />

the Publix Great States circuit. Vincent F.<br />

O'Leary, manager, said 135 clergymen had<br />

been invited.<br />

C-2<br />

BOXOFFICE November 16, 1957


THESE ANNOUNCEMENTS REVEAL<br />

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Mr.<br />

KANSAS CITY<br />

The Veterans Day long weekend, plus lengthened<br />

shopping hours and the unveiling<br />

of department store Christmas windows all<br />

seemed to give downtown houses a shot in<br />

the arm. with several theatre managers commenting<br />

on the unusual number of persons<br />

downtown on Saturday night—an almost forgotten<br />

sight here. The Roxy Theatre enjoyed<br />

its best Sunday business to date with "Pal<br />

Joey" and reported Monday as "al.so terrific,"<br />

words which were echoed by Manager Maurice<br />

Druker at the Midland, where "Jailhouse<br />

Rock" was playing.<br />

Durwood Theatres has shuttered its driveins<br />

for the .season with the exception of the<br />

Skylark at St. Joseph, which still is operating<br />

on weekends. Stan Durwood is keeping in<br />

condition this fall by acting as line coach for<br />

the Pem-Day football team, working out two<br />

nights a week.<br />

Harry Hamburg, Paramount exchange manager,<br />

was expecting Tom Bridges, division<br />

manager from Dallas, for a two-day stay .<br />

Gladys Mel-son of Motion Picture Booking<br />

Service and her husband went to Cainsville.<br />

Mo., for the weekend. Gladys visited with<br />

relatives while Darrel went quail hunting . . .<br />

Drive-ins closing for the season included Tal<br />

Richard.son's Skyline at Coffeyville, Kas.. and<br />

Mr. and Mrs. William Bancroft's Hillcrest at<br />

Ottawa. Kas. . Rae Insurance team of<br />

the Filmrow Bowling league will roll in the<br />

women's state tournament at Rolla the weekend<br />

of November 23, 24.<br />

Al Rothschild, NSS salesman, visited recently<br />

with J. E. "Jeff" DeLong who has the<br />

Ute Theatre at Mankato, Kas.,<br />

and reported<br />

DeLong has been making a good recovery<br />

after suffering a seizure some time ago and<br />

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now is able to be active in the operation of<br />

his theatre again . Norma Sue Randell has<br />

joined the Allied Artists staff as secretary to<br />

booker Don Clark . Hub Miller, brother of<br />

Beverly Miller, entered a Columbia. Mo., hospital<br />

for surgery . . . Joe Stark of Stark Enterprises,<br />

Wichita, was in a hospital there<br />

for further eye surgery.<br />

Mr. and Mrs. Bill Silver of the Silver Theatre<br />

and Patio Drive-In at Cameron, Mo.,<br />

were in New York City Wednesday (13) —<br />

Dorothie Warneke saw them among the sidewalk<br />

wavers on Dave Garroway's Today show<br />

and said the cameraman got several good<br />

closeups of them. Dorothie watched the program<br />

from her hospital bed at University of<br />

Kansas Medical Center. She returned to the<br />

hospital several days ago after a setback and<br />

can't get a definite word from the doctors<br />

a.s to when she may be able to return home .<br />

Leo McCarthy of St. Louis, brother of B. J.<br />

McCarthy, Republic manager here, continues<br />

to ail and is at the home of a sister at 4501<br />

Maryland in St. Louis.<br />

Mr. and Mrs. Lou Patz of NSS enjoyed a<br />

weekend visit with Mrs. Patz's mother in<br />

Omaha. Ruby Stone, secretary to Patz. spent<br />

the weekend at the home of her parents in<br />

Otterville, Mo. Ruby and her husband waited<br />

to start until the peak of traffic bound for<br />

the Missouri-Oklahoma game in Columbia<br />

had passed and they reprarted a smooth trip<br />

all the way . Jarrett put the Trail<br />

Drive-In, Nevada. Mo., in mothballs after<br />

the show Sunday ilO) ... George and Gus<br />

Kopulos of Regal Poppers drove to Monroe,<br />

La., over the weekend on business.<br />

S. F. Harrington of Heywood-Wakefield.<br />

Menonomie, Wis., was here to see L. J. Kimbriel<br />

of Missouri Theatre Supply in connection<br />

with a contract to install 5.500 theatre<br />

chairs in the RLDS auditorium in Independence,<br />

Mo., world headquarters of the church.<br />

The mohair covered chairs will have back<br />

panels, arm rests and pew end standards of<br />

walnut. Kimbriel recalls that a number of<br />

years ago he installed veneer seats from Pla-<br />

Mor in the Auditorium and was told at that<br />

time, that the veneer chairs would be replaced<br />

in the future and that he would be<br />

given consideration for the replacement<br />

chairs because the church officials were well<br />

satisfied with his handling of the original<br />

installation.<br />

Mary Jane and Ed Hartman are making<br />

many trips to St. Luke's Hospital these days,<br />

keeping track of the progress being made by<br />

Mary Jane's mother, Mrs. Fred Schlosser.<br />

injured in a motor car accident near Breckcnridge.<br />

Mo., Saturday i2). When Schlosser<br />

swerved onto the shoulder to avoid a headon<br />

collision the door lock on Mrs. Schlo.sser's<br />

side of the car was sheared off by a highway<br />

sign and she fell out of the car and onto the<br />

gravel in a service station entrance. As luck<br />

would have it. an ambulance driver witnessed<br />

the mishap and took her to the hospital in<br />

Chillicothe where she remained until the following<br />

Thursday when she was brought to<br />

Kansas City. She suffered a compressed<br />

vertebra and multiple cut.s and abrasions, but<br />

is making a remarkable recovery and consistently<br />

has been in excellent spirits.<br />

Jo Spensley, editor of Screen Broadcaster<br />

for United Film Service, was back at her desk<br />

last week for the first time since a car accident<br />

two months ago in which all the<br />

fingers of her left hand were broken. Her<br />

recovery was delayed by an attack of flu and<br />

she still has to wear a protective covering on<br />

the injured hand, but she believes the worst<br />

is behind her now . . . Warner Bros, has a<br />

new assistant shipper. James Stevenson, who<br />

replaced David Sutton, resigned and<br />

.<br />

Mrs. Nat Hechtman of Capitol Flag & Banner<br />

Co. spent the weekend at Columbia, Mo.,<br />

with their son Elliot and his wife. Hechtman's<br />

business barometer lists these titles as popular:<br />

Jailhouse Rock. The Tin Star, Perri,<br />

Slim Carter. Bombers B-52, Noah's Aik and<br />

The Hunchback of Notre Dame.<br />

Kansas exhibitors seen on Filmrow last<br />

week included Marty Landau of Atchison.<br />

C. V. Crocker of Ulysses and Calvin Strowig<br />

of Abilene. Missourians were Woody Rife of<br />

the Victory Theatre at Knobnoster and Bob<br />

Shade of Excelsior Springs.<br />

J. Leo Hayob of the Mary Lou Theatre in<br />

Marshall. Mo., garnered a front page story<br />

m the local paper there and the gratitude of<br />

the Kansas City WOMPLs by conducting a<br />

drive for old and discarded eye glasses. The<br />

newspaper story explained that the WOMPI<br />

have arranged to have old lenses reground<br />

and graded so usable ones can be distributed<br />

to hospitals and missions to be used by needy<br />

persons. Hayob asked Marshall residents to<br />

bring discarded lenses or frames to the concession<br />

stand at the Mary Lou—and he got<br />

sufficient response to bring a cardboard carton<br />

full of eyeglasses and parts to Myrtle<br />

Cain, WOMPI service committee chairman.<br />

Myrtle, who is at MGM, says she'll be happy<br />

to work with any other exhibitor who is kind<br />

enough to participate in the program.<br />

Around the FMW circuit: Leroy Nichols,<br />

manager of the Tucker Theatre at Liberal.<br />

Kas.. u.sed the per.sonal endorsement of his<br />

veteran doorman. Henry Graber, in his ad<br />

on "God Is My Partner." The man is well<br />

known in Liberal and Nichols feels the endorsement<br />

contributed to the good business<br />

the picture enjoyed Shaffer's<br />

.<br />

sneak preview at the Hutchinson. Kas.. Fox<br />

recently was a stage event instead of a picture.<br />

The star was the new 1958 Ford unveiled<br />

to the public from the stage ... At<br />

Ottawa. Kas., Gene Sappington had a repeat<br />

run on "Carousel," with Ottawa University<br />

music department promoting the picture<br />

throughout the school.<br />

BOWLING<br />

KANSAS CITY—Going into the tenth<br />

week of bowling. Filmrow league team standinss.<br />

as of November 15. were:<br />

Men's Won Lost<br />

Brown Jug 30<br />

White Spot 25<br />

KC T's 24<br />

.<br />

Shreve's<br />

Mode<br />

- .<br />

O'Doy<br />

23<br />

18<br />

Monley 18<br />

Hi Lo 5 15<br />

7<br />

Steeplechase


. . There<br />

INDIANAPOLIS Upbeat Story Planted in Newspaper<br />

T orraine Toney has resigned as office manager-booker<br />

at Howco. Effective November<br />

18. slie will move to Republic in the same<br />

capacity.<br />

Filmrow was saddened by the death of William<br />

T. Studebaker, Logansport, Ind.. caused<br />

by a self-inflicted gunshot wound. Bill had<br />

operated the Logan Theatre in that city for<br />

many years, was a member and director of<br />

Allied Theatre Owners of Indiana and a member<br />

of the Variety Club.<br />

Variety Women to Offer<br />

'Front Page' Dec. 5-7<br />

MINNEAPOLIS—The Variety Club auxiliary<br />

will sponsor "The Front Page" at the<br />

Lyceum Theatre here December 5-7 to raise<br />

funds for the $4,000 electro-cardiograpli machine<br />

which it's donating to the Variety heart<br />

disease hospital. With the newspaper people's<br />

roles portrayed by local newsmen and Minneapolis'<br />

own Sheriff Ed Ryan (a club member)<br />

playing the part of the play's sheriff, "The<br />

Front Page" was a big success at the Old Log<br />

summer theatre at suburban Lake Minnetonka<br />

on two occasions. The same personnel<br />

will be in the fortlicoming production and<br />

the play again will be directed by the Old<br />

Log's Don Stoltz.<br />

Comprising the committee in charge of<br />

arrangements are the mesdames Howard<br />

Dale, Lowell Kaplan, Ralph Green, Gunnar<br />

Dahlstrom and Sim Heller.<br />

With an overall $5,000 budget, tickets are<br />

scaled at $10 for sponsors and $3.50 for<br />

patrons. There also are $2.75<br />

rear main floor,<br />

box and first balcony seats and balcony locations<br />

as low as $1. There'll be a 26-page<br />

program with advertisements at $100 a page.<br />

Mrs. Kaplan is ticket chairman and may<br />

be contacted by telephone, WA 6-4340. Mrs.<br />

Green and Mrs. Gil Nathanson are in charge<br />

of program ad sales.<br />

The Variety Club has issued a last call<br />

for members desiring to attend the next<br />

Variety International convention to be held<br />

in London next year. A brochure has been<br />

sent to every member giving information<br />

about the convention and containing information<br />

regarding possible European tours.<br />

Although travel and tour reservations can<br />

be made up to next January 1. convention<br />

registration and hotel reservations must be<br />

made immediately, members are informed. If<br />

unforeseen circumstances necessitate changes<br />

in plans, cancellations will be accepted later.<br />

Roundtrip plane fares to London, with a side<br />

trip to Paris, are as low as $300.<br />

Bruce Kixmiller Reopens<br />

BicknelL Ind., Theatre<br />

BICKNELL, IND.—Bruce C. Kixmiller reopened<br />

his Colonial Theatre on a trial basis<br />

Sunday (3). The opening picture was Elvis<br />

Presley in "Loving You."<br />

Kixmiller has been forced to close the<br />

theatre several times in recent years by poor<br />

patronage but he again consented to reopen<br />

the theatre in order to provide entertainment<br />

to the community. Attempting to please as<br />

many of the local residents as possible. Kixmiller<br />

said he had booked mostly comedy,<br />

rock-and-roll, science fiction, horror films<br />

and a few outstanding westerns.<br />

By W. M. Matteson to Stir Interest<br />

NACOGDOCHES, TEX.—W.<br />

M. Matteson,<br />

manager-owner of the SFA Tlieatre here,<br />

recently planted an article on increased theatre<br />

attendance in the local paper in the belief<br />

that if such articles could be planted in<br />

every newspaper in the country the psychological<br />

effect would be of untold importance<br />

to the theatre boxoffice.<br />

"Since we need publicity," Matteson said,<br />

"the public's reaction to such stories might<br />

well be. 'Everybody is going back to the<br />

movies, so let's go, too.' "<br />

The lead to the story Matteson planted<br />

pointed out that "there is a sharp increase<br />

in attendance throughout the movie theatre<br />

world, particularly in the United States and<br />

Canada."<br />

The story continued, quoting Matteson:<br />

"A number of factors are contributing to<br />

this upsurge. One of them is the new and<br />

better method of projection to the screen<br />

that we have now. Another is that we are<br />

getting better product on the screen now<br />

than ever before. In summer, air conditioning<br />

is an added attraction.<br />

"Another factor listed by Matteson is that<br />

people like to see and be seen; they like to<br />

visit and chat with friends while waiting in<br />

the lobby before and after the show or at<br />

the snack bar. Also, the show owner believes<br />

that people are tiring of television. For a<br />

period of one to two years when TV first<br />

saturated a section of the country, all theatres<br />

suffered tremendously and many closed<br />

on account of poor attendance. However, dur-<br />

.<br />

ing the current summer, many have reopened."<br />

The story quoted Matteson as saying that<br />

many producers were afraid to invest their<br />

money in film product during the early days<br />

of TV causing a tremendous shortage of product<br />

for the theatres for a period of from two<br />

to three years.<br />

"In recent months, however, there have<br />

sprung up many new independent production<br />

companies, many owned by famous movie<br />

stars have also been many other<br />

companies organized, some of them releasing<br />

their films through the major companies,<br />

and others forming their own distribution<br />

headquarters.<br />

"Since the major companies have got over<br />

their TV scare, they are getting back into<br />

the .swing of things and are producing far<br />

more and better pictures than ever before.<br />

They have finally realized that the public is<br />

hungry for theatre entertainment which is<br />

far better than any other type of entertainment<br />

in the world—good, wholesome, clean<br />

entertainment in a properly ventilated, clean<br />

place having proper temperature."<br />

Matteson related that in July and August<br />

75 films were released in the U. S.. in addition<br />

to a number of imports, adding that<br />

many film stars who went to TV when it<br />

was booming had returned to filmmaking.<br />

"Pew businessmen realize the value of a<br />

movie theatre to their community. Consider<br />

what happens to a small town when the theatre<br />

closes. People are drawn to a larger<br />

town or city for their movies and do their<br />

shopping and window shopping while strolling<br />

up and down the street, going from the<br />

parking place to the theatre.<br />

"Remember the thousands of people weekly<br />

who make the trip to town only to see a<br />

movie. It would be well if other businessmen<br />

would take pride and interest in their local<br />

theatres and assist the theatremen because<br />

such efforts would result in a definite return<br />

in advertising and business to them<br />

from theatregoers."<br />

New Start at Logan, Ind.<br />

LOGANSPORT. IND. — The Newly remodeled<br />

Logan Theatre was reopened Sunday<br />

1 3). The new policy calls for shows<br />

starting at 6:45 p.m. on weekdays and at<br />

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BOXOFFICE November 16, 1957<br />

as


. . Lawrence<br />

. . . Jerry<br />

. . Harry<br />

. . . Irwin<br />

CHICAGO<br />

To>Eph Berenson, head of National Theatre<br />

Advertisers, returned to his office at 1325<br />

South Wabash Ave. after spending several<br />

weeks extending his business into Alabama,<br />

Tennessee and Georgia. He has set up a<br />

southern office at Atlanta . Ross,<br />

manager of the Piccadilly, has guaranteed capacity<br />

houses during Thanksgiving week<br />

show'ings of "The Miracle of Marcelino" as<br />

a result of promotional tieups. Herz Rosenbush,<br />

father of Mrs. Paul Kaufman, cashier<br />

at the Piccadilly, will attend one of the showings.<br />

Leo Brown, manager of the Uptown Theatre,<br />

is recuperating from an appendectomy<br />

at Bethany Methodist Hospital. During his<br />

absence managerial duties are being handled<br />

by his new assistant. Hampton Burkes<br />

. . . Julius Silverstein, owner of the Oriental<br />

Theatre, returned from a trip to California.<br />

Leonard Grossman, manager of the Rena,<br />

is heeding the warning that theatres are going<br />

to have to go after business with all possible<br />

means of promotion. Currently he has<br />

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SEASONING — BOXES — BAGS<br />

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CHICAGO<br />

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revived a giveaway program. His personal<br />

.solicitation among the merchants in the<br />

neighborhood has already produced a line of<br />

gifts worth $1,500. The lb stores participating<br />

will receive advertising from the Rena in<br />

return. Grossman is confining Gift night to<br />

Tuesdays for eight w-eeks.<br />

The censor board reviewed 83 films in October,<br />

ordered cuts in 24. rejected one and<br />

"adulted" three. Twenty-nine were foreign<br />

films. The 3 per cent amusement tax reports<br />

for September showed that theatres paid<br />

$102,224 in September 1956 compared to $79.-<br />

355 this year . Blumenthal of Ad-<br />

Art Di.splay was expected back in his office<br />

.soon. He has been hospitalized for several<br />

weeks.<br />

New at Filmack Trailer Co. is Johnny<br />

Kenlo. advertising manager. Kenlo was with<br />

Solomon Theatres in Mississippi as head of<br />

public relations for 42 theatres. Another newcomer<br />

is Patsy Cyrus, in the file department<br />

Kuehnl succeeded Irwin Lang at<br />

Buena Vista as head booker. As announced<br />

recently, Lang resigned from the industry to<br />

try the dry cleaning business . . . Dorothy<br />

Waddell. who resigned after 12 years at MGM<br />

plans to enter another line of activity.<br />

Shirley Racusin of Universal's publicity<br />

staff went to Oshkosh with Andra Martin.<br />

Cameron Mitchell and Jody McCrea. They<br />

joined publicist Ben Katz, who had been in<br />

Oshkosh for several weeks to knit together<br />

plans for the world premiere of "All Mine to<br />

Give." Jody McCrea. a Fifth Army private,<br />

made quite a hit during his visit here. Next<br />

weekend he will meet his parents at Pi-incipia<br />

College. Elsah. 111., where the family will see<br />

the youngest McCrea .son David play football.<br />

"Richard III" had an outstanding opening<br />

at the World Playhouse. Charles Teitel,<br />

owner, said the film promises to be one of the<br />

most successful pictures ever to be shown at<br />

liis theatre. For weeks Teitel has been pur-<br />

.suing an intensive publicity program. For<br />

one thing, he has distributed 50.000 special<br />

programs throughout the city. So far. 22 high<br />

schools from Chicago and neighboring areas<br />

have arranged to send students to the World<br />

to see the film ... As usual, Filmack's publication,<br />

Inspiration, is filled with ideas for<br />

MID-WEST THEATRE SUPPLY CO., INC.<br />

I<br />

1638 CENTRAL PARKWAY CHERRY 1-7724 CINCINNATI 10, OHIO<br />

extra grosses in December. Included are suggestions<br />

for holiday kiddies shows, merchant<br />

sponsored shows and New Year's Eve programs.<br />

It is also suggested that patrons be<br />

reminded to use gift books as Christmas gifts.<br />

Both Zenith Radio Corp. and Bell & Howell<br />

reported record .sales in October Zenith,<br />

while not disclosing dollar figures, .said that<br />

volume last month was 16 per cent above the<br />

previous record. E. F. McDonald jr.. president<br />

of Zenith, said that although the TV<br />

manufacturing industry experienced a 20 percent<br />

drop in unit production of sets from a<br />

year earlier. Zenith's unit production and<br />

shipments were 8 per cent above October 1956.<br />

William E. Roberta, executive vice-president<br />

cf Bell & Howell, .said that his company's October<br />

sales exceeded $6,000,000 compared with<br />

an October 1956 figure of $5,000,000.<br />

Coincidental with the intensive advertising<br />

and publicity programs heralding the crop of<br />

new films, stars continue to highlight the exploitation.<br />

Miiko Taka. on a tour of 39 cities<br />

which will cover a two-month period on behalf<br />

of "Sayonara." made stage appearances<br />

and on radio and TV for about four days. Following<br />

her departure. Marlon Brando arrived<br />

for additional publicity. Taina Elg's appearance<br />

in connection with "Les Girls" at the<br />

Woods Theatre coincided with a good opening<br />

week business. Jack Lemmon. here for "Operation<br />

Mad Ball. " autographed 750 pictures<br />

in the lobby and his press agent had to run<br />

out for more to satisfy further requests. His<br />

film scored opening grosses at the Chicago<br />

totaling $30,000. April Olrich arrived here<br />

to plug the Friday il5i opening of "Pursuit<br />

of the Graf Spee" at the Loop. Meanwhile,<br />

although no stars are scheduled to be here at<br />

this time, campaigns are going forward for<br />

Christmas openings of "Old Yeller" at the<br />

State Lake and "Kiss Them for Me" at the<br />

Oriental.<br />

. . . The<br />

John Mortenson jr. of John Mortenson &<br />

Co. said that even though his company isn't<br />

.setting up a display at the Miami convention,<br />

he plans to be there to see what is going on<br />

Joseph and Dave Friedman of Modern<br />

Film Distributors went to Baltimore for<br />

the openmg of "Mom and Dad" and "Monica"<br />

at the Century and Royal theatres<br />

Oriental Theatre lost $30 to robbers who<br />

worked a scheme on the cashier.<br />

Record for 'Persuasion'<br />

MINNEAPOLIS— Irving Marks. Allied Artists<br />

manager, .says "Friendly Persuasion" has<br />

had more than 600 bookings out of his office,<br />

many of them repeat<br />

dates, and that at least<br />

75 more impend. This is far and away the<br />

best showing ever made by any picture at<br />

the local AA exchange, according to Marks.<br />

! NEW<br />

Finest RCA Equipment<br />

for Drive-hs<br />

NEW NEW<br />

RCA IMPAC SPEAKERS<br />

RCA SUPER CINEX LAMPS<br />

Vi/haiever You Need — We Can Supply It.<br />

Fire Loss at Garland. Tex.<br />

GARLAND. TEX.—The Stadium<br />

Drive-In<br />

at the intersection of the Belt Line and<br />

Buckingham roads. Just north of Garland,<br />

suffered fire damage of $7,000 recently. Joe<br />

Boren is the owner.<br />

More Minnesota Jobs<br />

MINNEAPOLIS— Minnesota nonfarm employment<br />

has climbed to 951.818. an increase<br />

of 12.400 over the corresponding time a year<br />

ago. according to the report of the employment<br />

security commi.ssioner. The figure also<br />

is 11.100 above the comparable one for 30<br />

days ago.<br />

C-6 BOXOFFICE November 16, 1957


—<br />

Dallas Coronet Builds<br />

Shorts Into Programs<br />

DALLAS—Hulda Silvernail, manager of<br />

Alfred Sack's Coronet, believes all types of<br />

theatres should use short subjects, carefully<br />

selected to fit the tastes of the patronage,<br />

for adding variety to the program.<br />

The Coronet books many "class" shorts,<br />

both foreign and domestic, and advertise.s<br />

them as an important part of the programs.<br />

Used recently were "The Day Manolete Was<br />

Killed" and "The Chicken."<br />

FYom time to time Coronet also runs Mr.<br />

Magoo and UPA cartoon festivals. But all<br />

cartoons are selected so as not to clash with<br />

the subject of the main attraction.<br />

In some theatres cartoons are the only<br />

subjects considered to round out the program,<br />

and standard shorts bookings have<br />

been dropped from their calendars entirely.<br />

Of course, it began with double features as<br />

a time factor, but spread to many single bill<br />

runs as an economy measure. Today some<br />

shorts series have been discontinued from<br />

release by many film companies.<br />

The Interstate circuit first runs here include<br />

shorts in their ads (mostly cartoons),<br />

generally omitting the title and mentioning<br />

the known characters. Some 13 first sub-run<br />

houses here primarily book single bills with<br />

cartoons and newsreels. However, one circuit<br />

has discontinued newsreels altogether.<br />

There is little shorts promotion. One manager<br />

said: "It seems that the old one-sheet<br />

standee used in the old days for the shorts<br />

no longer stands out front. The patron now<br />

buys a feature ticket and trusts to luck on<br />

the shorts."<br />

The remainder of the runs are strictly<br />

double bill and sometimes more! Some driveins<br />

use cartoons to open the program (in<br />

color and easier to see at twilight) while<br />

others spot them in at the end of the main<br />

feature. Seldom do any of them deviate from<br />

cartoons.<br />

The report from family-type operations is<br />

patrons, young and old, always expect to see<br />

a cartoon; few ever ask about anything else.<br />

The exchanges handling shorts report<br />

some exhibitors fail to return them promptly,<br />

forcing substitutions on the next booking.<br />

This is not always satisfactory. For example,<br />

Schwab & Luchts Sunset Drive-In at Brow-nwood<br />

I<br />

the Luchts now run the Fox ozoner<br />

at Marshall) booked a rodeo short and advertised<br />

it heavily. The exchange missed out<br />

from a prior booking and shipped another<br />

reel in its place. The substitution was not<br />

discovered until late afternoon, when a long<br />

distance call was placed to the booker. The<br />

correct subject had just arrived and was<br />

immediately shipped via air express. Later,<br />

the exchange had to make an adjustment, but<br />

the cost of the call and shipment far exceeded<br />

the film rental on the one-reeler.<br />

To the many theatres running Saturday<br />

matinee shorts, of course, are essential.<br />

Two circuits here make it a regular practice<br />

to screen all short releases every week.<br />

Frontier bookers watch them at 20th-Fox<br />

screening room and Interstate bookers in<br />

their own auditorium.<br />

May Reopen at New Haven<br />

NEW HAVEN, ILL.—Plans are afoot for<br />

reopening of the Nox Theatre, 308-seater,<br />

formerly operated by Henry Absher.<br />

Columbia, S. C State<br />

To Irvin-Fuller Co.<br />

COLUMBIA, S. C—The State Theatre here<br />

has been sold to Irvin-FuUer's Columbia Theatres.<br />

Final papers were signed Monday (21).<br />

The theatre, built in the midthirties by the<br />

Craver Theatres Co. of Charlotte, was sold by<br />

them to the local company operated by Sam<br />

Irvin and Jack D. Fuller.<br />

Columbia Theatres operates the Ritz here<br />

and the Strand. However, the Strand's life<br />

will be short now, as the building was sold<br />

last week to make room for an addition to a<br />

nearby bank building.<br />

The new management will refurbish the<br />

State, possibly change its name and install a<br />

different film policy. Columbia Theatres<br />

shows U-I and RKO films here. Palmetto<br />

Theatre Co.. (Wilby-Kincey) operates four<br />

other theatres, including one drive-in.<br />

Amount of the sale was not disclosed. It<br />

did not include the building, whose lease has<br />

six more years to go under the current contract<br />

with a department store.<br />

Minneapolis Circuits<br />

Invest in Updating<br />

MINNEAPOLIS—Harold Field and the<br />

Volk brothers, long-established exhibitors in<br />

this territory, have demonstrated their confidence<br />

in the industry's future by remodeling<br />

neighborhood properties.<br />

Field's St. Louis Park Theatre was reopened<br />

Friday (8) after being closed four days to<br />

permit the completion of a long-rairge modernization<br />

and beautification program. The<br />

initial showing was "The Sun Also Rises," in<br />

the earliest 28-day clearance slot.<br />

Even before these latest improvements at<br />

a considerable cost, the St. Louis Park was<br />

one of the city's most attractive theatres. In<br />

addition to new seats and new air conditioning,<br />

it now boasts a completely remodeled<br />

lounge and replacement of the ticket window<br />

by a cashier's desk within the lobby, brighter<br />

furniture, use of Italian tile and mosaics and<br />

new color schemes. For this theatre, new<br />

developments in paint permit use of a great<br />

deal of white— formerly anathema in motion<br />

picture houses because of its reflective qualities.<br />

This white is contrasted with bright<br />

and bold colors.<br />

Similar improvements will be made at the<br />

Volk brothers' neighborhood Nile, one of<br />

their four outlying local houses which rate<br />

among the city's largest and finest. The Volks<br />

recently spent a large sum in improving their<br />

Riverview Theatre. Their Terrace, built only<br />

a few years ago and now prospering, is the<br />

newest here and one of the nation's most<br />

beautiful.<br />

Liebenberg & Kaplan, the town's leading<br />

theatre architects, supervised the St. Louis<br />

Park and Riverview projects and will do the<br />

.same for the Nile.<br />

Designer of the St. LouLs Park's new decorations<br />

is one of Harold Field's sons, John.<br />

now an architect in San Francisco. Another<br />

son, Martin, manages the theatre.<br />

May Close Till Christmas<br />

ST. LOUIS—It was reported along Pilmrow<br />

that the Ivanhoe Theatre, 3239 Ivanhoe avenue,<br />

in the southwestern part of the city<br />

may be closed either on November 27 or<br />

December 2 until Christmas Day. The theatre<br />

is being operated by Sidney Rosen.<br />

RESEARCH BUREAU<br />

for<br />

MODERN THEATRE PLANNERS<br />

ENROLLMENT FORM FOR FREE INFORMATION<br />

The MODERN THEATRE<br />

PLANNING INSTITUTE<br />

325 Van Brunt Blvd.<br />

Kansas City 24, Mo.<br />

Gentlemen:<br />

11-16-57<br />

Please enroll us m your RESEARCH BUREAU<br />

lo receive inlormation regularly, as released, on<br />

Ihe following subjects for Theatre Planning:<br />

G Acoustics<br />

n Air Conditioning<br />

n Architectural Sarric*<br />

n "Black" Lighting<br />

G Building Motariol<br />

Q Carpets<br />

G Coin Machines<br />

G Complete Remodeling<br />

G Decorating<br />

G Drink Dispensers<br />

G Drive-In Equipment<br />

G Other Subjects..<br />

Tb«atr«<br />

Seating Capacity...<br />

Address<br />

City<br />

State<br />

Signed<br />

G Lighting Fixtures<br />

Q Plumbing Fixtures<br />

G Projectors<br />

G Projection Lamps<br />

G Seating<br />

G Signs and Marquees<br />

G Sound Equipment<br />

Television<br />

G Theatre Fronts<br />

G Vending Equipment<br />

Postage-poid reply cards for your further convenience<br />

in obtoioing information ore provided in MODERN<br />

The<br />

THEATRE Section, published with the first issue of<br />

each month.<br />

BOXOFFICE November 16. 1957 .C-7


A welder<br />

caused us to caucus<br />

The note from an employee suggestion<br />

box read "How come a company like this<br />

hasn't got the U. S.<br />

Savings Bond Payroll<br />

Savings Plan". It was signed by a<br />

welder in the fabricating department.<br />

Since we actually do have PajToll Savings<br />

this told us two things: (1) Probably<br />

more employees than we imagined wanted<br />

the advantage of buying U. S. Bonds<br />

automatically through PajToll Savings.<br />

(2) We had grown lax in bringing our<br />

Plan to their attention.<br />

But what<br />

to<br />

simplicity itself.<br />

do? The solution was<br />

< JMt'Jt ym,,^<br />

#<br />

^<br />

BOXOFFICE<br />

We called in our State Savings Bonds<br />

Director. He provided all the promotional<br />

materials needed to arouse interest in<br />

U. S. Savings Bonds. Then he helped to<br />

conduct a personal canvass and place an<br />

application blank in everyone's hands.<br />

The results were amazing. Employee<br />

participation shot up to a percentage that<br />

we could take pride in. There was no<br />

"hard selling", nor was work interrupted.<br />

Our people wanted the security U. S.<br />

Savings Bonds offer them.<br />

Today there are more Pa>Toll savers<br />

than ever before in peacetime. Your State<br />

Director will be happy to help you install<br />

a PajToll Savings Plan or build enrollment<br />

in one already existing. Look him<br />

up in the phone book or write: Savings<br />

Bonds Division, U. S. Treasury Dept.,<br />

Washington, D. C.<br />

THE U. S. GOVEiiNMENT DOES NOT PAY FOR THIS ADVERTISEMENT. THE IREASURT DEPAIIMENI THANKS. FOR THEIR PATRIOTIC DONATION, THE ADVERTISING COUNCIL AND THE DONOR ABOVE.<br />

C-8 BOXOFFICE :: November 16. 1957


—<br />

'Jailhouse Rock' 200<br />

2nd Memphis Week<br />

MEMPHIS — Elvis Presley's "Jailhouse<br />

Rock," continued to lead the parade here in<br />

his hometown. The film at Loew's State,<br />

which did four times average the first week,<br />

did twice average business a second week.<br />

"Operation Mad Ball," at Warner did 20 per<br />

cent above average. Other first runs, off in<br />

attendance recently, climbed back to average<br />

business.<br />

(Average Is 100)<br />

Moico No Down Payment (20th-Fox) 100<br />

Palace Slim Corter (U-l) 100<br />

State—Jailhouse Rock (MGM), 2nd wk 200<br />

Strand The Devil's Hairpin (Para) 100<br />

Warner Operation Mod Boll (Col) 1 20<br />

TV Repairman Nominated<br />

For Variety Hospital Aid<br />

MIAMI BEACH—Stanley Drillick, former<br />

Coast Guardsman and now a television repairman,<br />

has been nominated for a national<br />

award for public service in behalf of the<br />

children at Variety Hospital. Haines Colbert,<br />

News feature WTiter, used a picture and story<br />

on the occurrence.<br />

DrUlick heard on a TV program that all<br />

of the dozen sets at the hospital were broken.<br />

"My partner James Hershey and I checked<br />

a few times to see if anyone had volunteered<br />

When no one showed up we went out<br />

to fix them," Drillick said. "We figured it<br />

was pretty far from the Beach to the hospital.<br />

and looked things over.<br />

"Seven of the sets weren't in too bad shape,<br />

and we fixed them up at the hospital. The<br />

other five were in pretty terrible condition<br />

and we took them back to the shop for repairs<br />

and new parts."<br />

Mrs. Dewey Baxley, chati-man of the hospital<br />

women's service committee, said the<br />

sets had been out of commission for more<br />

than a year. "They are old sets that people<br />

have donated," Mrs. Baxley explained, "and<br />

some of them aren't much good. It is really<br />

a treat for the children to have them working<br />

again. Some of the youngsters can't read or<br />

walk, and seeing television is like going to<br />

the movies for them."<br />

Mrs. Baxley said that a system has nowbeen<br />

set up under which several repairmen<br />

alternate in visiting the hospital once a<br />

month.<br />

"Anyone who volunteers to keep tho.se sets<br />

in repair for the children is an angel and<br />

has an extra special halo waiting for him."<br />

said Mrs. Gilbert Chaplin, chah-man of the<br />

hospital women's committee.<br />

Drillick was nominated for the award set<br />

up this year by General Electric. Winners<br />

are to be honored at a ceremony in Washington<br />

in December.<br />

Little<br />

Theatre Director<br />

Named to Players Club<br />

SHREVEPORT—John Wray Young, nationally<br />

known director of the Shreveport<br />

Little Theatre, has been elected to membership<br />

in the Players Club. Members of the<br />

group include leading figures in the theatre<br />

and from other arts.<br />

Young, author of a new book on the theatre,<br />

"The Commimity Theatre and How-<br />

It Works," published by Harper Bros., also is<br />

serving as vice-president of the American Educational<br />

Theatre Ass'n.<br />

TENT 13 CREW—Seen above is the 1958 Crew of the Variety Club of Miami,<br />

Left to right, seated: Abe Allenberg, property master; Victor Levine, second assistant<br />

chief barker; Luther Evans, chief barlter; Hal Pelton. first assistant, and Bob Green,<br />

dough guy. Standing: Julian Cole, Sammy Walsh, Carl Gardner. Art Bruns and Leo<br />

Adeep. Jack Ball was not present for the picture. Tent 13 sponsors the Variety<br />

Children's Hospital in Miami.<br />

Line-Buckers Start Riot<br />

At 'Jailhouse' Opening<br />

CORAI. GABLES—The opening of "Jailhouse<br />

Rock" at the Gables Theatre brought<br />

out several hundi-ed teenagers on a recent<br />

Saturday, each of whom tried to be first at<br />

the boxoffice.<br />

The Herald published a Section B, frontpage<br />

story and picture on the occurrence,<br />

under Tom Lownes by-line. Lownes said that<br />

two youngsters were "rolled" to E>octor's Hospital<br />

with minor injuries, and several others<br />

were "rocked" w-ith warnings that if they<br />

didn't simmer down they would have to<br />

settle for "Jailhouse Coral Gables."<br />

The picture was scheduled to start at 2<br />

p.m., but by 1:30 the younger set was queued<br />

up for a block and a half. All might have<br />

been well had not someone muscled into the<br />

front of the line. "That." said Lownes. "did<br />

it."<br />

Police reported that the line suddenly became<br />

a seething, pushing, .shoving, shouting,<br />

stomping, rocking and rolling mass of youngsters.<br />

Seven Coral Gables policemen and one<br />

lady cop were rushed to the scene.<br />

"There must have been 3.000 of them<br />

there." said officer George E. Cooper. "They<br />

were hollering or singing— I couldn't tell<br />

w-hich."<br />

Only the threat that the film would be<br />

cancelled brought the mob under control,<br />

police said. When the battle ended, a 16-<br />

year-old girl and an 11 -year-old boy were<br />

removed for treatment. The former got a cut<br />

arm from being shoved into a display case<br />

and the latter had a cut knee.<br />

A policeman was stationed at the theatre<br />

for the rest of the day.<br />

Roxy in Gallatin. Tenn.,<br />

Hit by $100,000 Fire<br />

GALLATIN, TENN. — The Ro.xy Theatre<br />

here was gutted by flames recently. Loss was<br />

estimated at $100,000. The theatre building,<br />

described as Gallatin's "best building," w'as<br />

built in 1937 and is owned by the Crescent<br />

Amusement Co. Charles McGhee is the manager.<br />

Unique Title Earns<br />

'08/15' Publicily<br />

NEW HAVEN — Playing "08/15,"<br />

German<br />

import released by Times Film, Sid Kleper,<br />

Loew's College, got this paragraph planted<br />

in the New- Haven Register's editorial page<br />

feature column:<br />

"Cashiers at Loew's College are having a<br />

hard time these nights convincing callers that<br />

last showing of '08/15' goes on at 9:25. The<br />

feature has one of the strangest movie titles<br />

ever, '08/15,' based on Nazi troop training<br />

schedule. Anyone w-ho phones to ask name<br />

of feature is told that it is '08, 15" and sometimes<br />

callers think that the cashier is giving<br />

the time of run, rather than title."<br />

Ed Hyman Is on Program<br />

Of MAC Conference<br />

MINNEAPOLIS—Film product coming up<br />

diu-ing the balance of the winter was discussed<br />

by Edward Hyman. ABC-United Paramount<br />

vice-president in charge of theatres, at<br />

a one-day meeting of Minnesota Amusement<br />

Co. house managers and other employes here.<br />

Other speakers included Bernard Levy,<br />

Hyman's assistant: John Convery, Paramount<br />

Theatres concession department head: Elmer<br />

Upton and Eugene Jacobs of the Balaban &<br />

Chicago, and Joe Floyd, partner<br />

Katz circuit,<br />

of Eddie Ruben in the operation of an independent<br />

theatre circuit in the territory.<br />

Floyd, who also is interested in television and<br />

radio stations, spoke on the utilization of<br />

the airlanes to exploit pictures.<br />

In the evening the employes and branch<br />

managers here were guests of Charles Winchell,<br />

MAC president, at a dinner at Mc-<br />

Carthy's cafe.<br />

Shifts Show Times<br />

DES ARC, ARK.—Harold Everett, manager<br />

of the Rice Theatre, has changed show- starting<br />

times. Shows now start on Mondays,<br />

Wednesdays and Thursdays at 7:15 instead<br />

of 7:30, and on Fridays and Saturdays at 7<br />

p.m. instead of 7:15.<br />

BOXOFFICE November 16, 1957 SE-1


. . R.<br />

MEMPHIS<br />

lyjarjorie Malin, Lura. Augusta; WilUam<br />

Elias and Moses Sliman, who operate<br />

theatres and drive-ins in Osceola; J. K. Jameson,<br />

Ken. McCrory; Victor Weber, Center,<br />

Kensett; Gene Thompson, Cave. Cave City.<br />

*C<br />

iZ:<br />

'^; ^4<br />

^ The FIGURES are<br />

in your FAVOR<br />


THESE ANNOUNCEMENTS REVEAL<br />

VITAL FACTS ABOUT<br />

Headlines and illustrations from feature<br />

stories, Motion Picture Herald, June 8,1957<br />

These news stories are proof again, that the most<br />

important installations — the most important J<br />

contributions to cinematic projection are all<br />

CENTURY made. No other projector can make<br />

this claim, just as no other projector can approach<br />

CENTURY for<br />

performance, ease of operation<br />

and low-cost maintenance.<br />

The choice is CENTURY, whether it be horizontal<br />

VistaVision for the Williamsburg auditoriums or<br />

the double installation for the All-Weather Drive-In<br />

or any other theatre or<br />

drive-in.<br />

THE BEST TEST, you've got to try it to believe if!<br />

^ei0^ Century Projector Corporation, new york 19, n. y.<br />

SOLD BY<br />

Alon Boyd Theatre Equipment Co. Joe Hornstein, incorporated<br />

p. 0. Box 362 Shreveport, Louisiono 273 Flagler St.<br />

Capital<br />

City Supply Co.<br />

161 Walton Street, N. W.<br />

C± I I Tl 1 r I ^ Miami, Florida<br />

Mandard Theatre Supply Co.<br />

Atlanta,<br />

Georgia<br />

Grc'ensLTt^ar'oLa Qucen Feature Service, Inc.<br />

219 South Church St. 1912!/2 Morris Ave.<br />

Charlotte, North Carolina Birmingham 3, Alabama<br />

Tri-State Theatre Supply<br />

318 South Second St.<br />

Memphis 3, Tennessee<br />

BOXOFTICE November 16, 1957 SE-3


. . Herman<br />

. .<br />

CHARLOTTE<br />

Tulian Thompson is planning to reopen the<br />

Star Theatre. Cornelius. December 1 . .<br />

.<br />

J. O. Sampson is the new owner of the Westside<br />

H. J. Jackson<br />

Theatre. Pembroke . . . has opened the Park-Vue Drive-In, Wilmington<br />

. . . Agnes Tweed, daughter of Ella Austin,<br />

Queen City Booking Ser\'ice. has been transferred<br />

Mrs. Helen<br />

to Columbus. Ohio . . . Reece, who formerly lived in Augusta, has<br />

joined the Fox booking department.<br />

.<br />

. . .<br />

Raymond Hinkle, new owner of the New-<br />

Theatre, Fountain Inn. S. C. is reopening the<br />

house after it had been closed two years .<br />

Mrs. Mary Beck, Warner Bros., has entered<br />

Mercy Hospital again Wobber,<br />

San Francisco, and Harry Ballance, Atlanta,<br />

visited 20th Centuiy-Fox W. O.<br />

Dickens, owner of the Nash Theatre, Nashville,<br />

The Dean<br />

N. C, died Tuesday (5i . . . house pool won the car given away recently<br />

at the Variety Club. The girls from Universal<br />

won the $100 door prize.<br />

J. E. Holston, 20th Century-Fox manager,


—<br />

. .<br />

Other<br />

. . Filmrow<br />

I<br />

Omaha Tent Holding<br />

Public Xmas Dance<br />

OMAHA—A super-duper Christmas party<br />

open to any one who loves to dance is being<br />

organized by Tent 16 of the Variety Club. Pat<br />

Halloran. chief barker, said the big affair<br />

would be at the Paxton Hotel December 16.<br />

A two-week vacation trip for two at the<br />

Desert Inn in Las Vegas will be one of the<br />

contest awards, w-ith others ranging to television<br />

and radio sets.<br />

Halloran said the ticket committee will include<br />

Sam Stern of the 40 Bowl, Mort Ives<br />

of DCA and Abe Slusky of Playland Park.<br />

I. M. Weiner, U-I manager, and Bernard<br />

"Slug" Dudgeon, drive-in manager, will form<br />

the prize committee.<br />

Other committees are being drawn from the<br />

membership. The auxiliary will take an active<br />

part in promoting citywide interest in<br />

what looms as one of the holiday specials in<br />

the territory.<br />

Judge Refuses to Dismiss<br />

Ernest T. Conlon Suit<br />

DETROIT—A motion to dismiss the suit<br />

of &nest T. Conlon, Film Ti-uck Service executive,<br />

against Allied Theatres of Michigan<br />

for an alleged back salary claim of $6,300 was<br />

denied by circuit Judge George E. Bowles.<br />

Conlon claims salary dating from his former<br />

employment as executive secretary of Allied.<br />

With the denial of the defense motion,<br />

the case is being set for trial and is expected<br />

to come up for hearing next spring.<br />

Reseating and<br />

Seat Repair are<br />

SO simple<br />

with Internationals<br />

Ask today for an INTERNATIONAL<br />

Seating Engineer for all the focfs.<br />

Write, wire or phone<br />

Massey Seating<br />

Company, Inc.<br />

160 Hermitage Avenue Nashville, Tenn.<br />

Phone ALpine 5-8459 ... or<br />

International Seat Division<br />

Union City Body Company, Inc.<br />

Union City, Indiana<br />

ATLANTA<br />

. . .<br />

frskine Caldwell, author of "God's Little<br />

Acre." was here en route from Augusta to<br />

New York. He has been working on the film<br />

version of the novel. It is reported he is<br />

planning a dramatic version of another of<br />

his novels, "The Sure Hand of God." perhaps<br />

as a stage play and eventually in films . . .<br />

Sympathy to Tom Jones, independent buyer<br />

and booker, in the death of his father<br />

John Miller of the 78 and Manchester di-iveins<br />

at Jasper, Ala., has closed his Manchester<br />

Drive-In until April 1.<br />

. . Jewell, the wife of sales<br />

. . . J. G. Harwell, operator<br />

Charlie Simpson, Capitol Releasing executive,<br />

suffered a broken arm in an accident at<br />

UA his home .<br />

manager R. W. Tarwater. entered St. Joseph<br />

Hospital for surgery<br />

of the State at Bessemer, Ala., has<br />

been in a hospital the past month. It is reported<br />

he is making satisfactory progress . .<br />

.<br />

Mrs. Polly Puckett. former Allied Ai-tists secretary<br />

who resigned to take a position outside<br />

the industry, has returned to Filmrow<br />

as a Capitol Releasing secretary . . The<br />

.<br />

monthly board meeting Mon-<br />

WOMPI, at its<br />

day at the YMCA, appointed Grace Woolley,<br />

Columbia secretary, to district manager, and<br />

Bob Ingram, to replace Mrs. Ernestine Carter,<br />

who resigned as board member.<br />

P. J. Gaston of the Rex and Lincoln, Griffin,<br />

was on Filmrow. He had just returned<br />

from a fishing trip and was loaded with some<br />

"tall ones" . visitors included Mrs.<br />

J. M. Lakeman, Dixie, Haleyville, Ala.; Fred<br />

Yarbrough, Star-Vue Drive-In, Hillsboro,<br />

Ala.; R. M. Kennedy, Kennedy Theatres,<br />

Birmingham; Tom Brett, Arcade, Sandersville,<br />

Ga.; T. E. Watson, operator of theatres<br />

in Montevallo, Columbiana and Alabaster,<br />

Ala.; J. E. Aron and Oscar Bagley, Bama<br />

Drive-In. Anniston, and Phil Bradley, 41<br />

Drive-In. Chattanooga .<br />

employes,<br />

as usual, enjoyed a holiday on Armistice Day.<br />

Exploiteers "Woody" Woodard of Warner<br />

Bros, and Ben Hill of Universal returned from<br />

Miami where they were plugging current pictures<br />

. . . Irving Shriffin. UA press agent,<br />

was here working on "Baby Face Nelson," to<br />

open soon at Loew's Grand.<br />

Sarah Reinhart Rites<br />

CANTON. OHIO—Funeral services were<br />

held here for Mrs. Sarah Reinhart, widow<br />

of Hari-y Reinhart whose business interests<br />

included ownership of the Mozart and State<br />

theatres, which he operated. Upon his death<br />

the operation of the theatres fell to their<br />

two sons Jerome and Irving, who since have<br />

sold the properties and are in other businesses.<br />

Name James P. Geiger<br />

ASHBURN, GA.—James P. Geiger has been<br />

named manager of the Turner Theatre here<br />

by Stein Theatres. Geiger previously worked<br />

for Stein in Sylvester. He succeeds R. N.<br />

Thomas, who has been transferred to Adel.<br />

Free Books Distributed<br />

NEW HAVEN— Ii-ving Hillman. manager of<br />

the Stanley Warner Roger Sherman Theatre,<br />

distributed free "Saint Joan" books to the<br />

first 100 patrons in line for the opening of<br />

UA's "Saint Joan."<br />

Franklin Ferguson Leads<br />

New Haven YMCA Drive<br />

NEW HAVEN—Pi-anklin E. Fergu.son, promotion<br />

chief for the Bailey Theatres, has<br />

been appointed general chairman of the local<br />

recruitment program. Ferguson, long active<br />

in community work, served as publicity chairman<br />

for the 1956 YMCA membership campaign.<br />

NOW with TWO conyenient /ocotfofls /or<br />

BETTER than EVER seryice to you<br />

DIXIE<br />

THEATRE SERVICE<br />

& SUPPLY COMPANY<br />

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1010 North Slappey Drive<br />

P 0. Box 771<br />

Albany, Georgia<br />

Phone: HEmlocii 2-2846<br />

95 Walton Street, N.W.<br />

P. 0. Box 858<br />

Atlanta. Georgia<br />

Phone: WAInut 4118<br />

COMPLETE THEATRE EQUIPMENT & SUPPLIES<br />

fiifn<br />

Prompt, Courteous Service 'Round the Clock<br />

BooHine Office<br />

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160 wallon st. n.w.<br />

stR^


. .<br />

. . . The<br />

. . The<br />

. . The<br />

. . Winter<br />

. . Grant<br />

. . With<br />

JACKSONVILLE<br />

cessions stand . Raulerson now operates<br />

an imported gift shop in addition to<br />

the Outdoor Drive-In, Clearwater . . . Bob<br />

Anderson, former local theatre executive, is<br />

"Phousands of free-spending visitors flocked Peyton G. "Sport" Bailey, former manager now the active head of a plumbing firm in<br />

into town for the annual Florida-Georgia of the Marion Theatre, Ocala, is now assistant St. Petersburg . winter weather moving<br />

into the state, outdoor theatres have re-<br />

U. football classic in the Gator Bowl November<br />

9 and a large percentage of them gave for the Florida State Tlieatres . . . Harry .sumed the sale of hot chocolate drinks.<br />

to French Harvey, concessions sales manager<br />

needed patronage to downtown theatres . Botwick, PST supervisor from Miami, and<br />

Ed Linder extended his run of "Will Success Bob Harris. FST executive from Tampa, Wilma Murphy is a new contract clerk at<br />

Spoil Rock Hunter?" for a second week at the joined other company officials at a planning<br />

session in the FST home<br />

20th-Pox . . . Attending a 20th-Fox sales<br />

big Town and Country Theatre . . . One of<br />

meeting were Thomas<br />

office.<br />

P. Tidwell, manager,<br />

the longer theatre programs in local historj'<br />

and Walter Powell, George Friedel, Marvin<br />

was offered to patrons of the Ribault Drivein<br />

by Carl Carter when he screened five fea-<br />

an inspection of the firm's Columbus Drive-<br />

The meeting was conducted by Paul Wilson,<br />

Clint Ezell, NTE executive, returned from Skinner, Grady Goodwin and Richard Lewis,<br />

ture pictures and assorted short subjects on in, Lincoln and Carver theatres in Tampa<br />

district manager from Atlanta, and Herman<br />

a Kriday-Saturday bill, with children under<br />

Joyland Drive-In, Dade City, managed<br />

by Ray Saldutti, is remodeling its con- to conduct a similar gathering m New Or-<br />

Wobber of the home office. The two left here<br />

12 being admitted free.<br />

leans<br />

. parents of Suzy Parker, who<br />

are local residents, enjoyed a special .screening<br />

of "Kiss Them for Me." new 20th-Fox<br />

picture in which Miss Parker stars, held in<br />

Thc pioneer in Coil Form Repellent<br />

their honor at the Studio Tlieatre . . . Roy<br />

Smith, local theatre supplier, is<br />

introdiu-es to you scheduled to<br />

. . .<br />

make an address at the TESMA-NAC-TOA<br />

tradeshow at the Americana Hotel. Miami<br />

Beach, November 22.<br />

The Edgewood and San Marco theatres<br />

^mLtf/vr ran special Monday morning shows for the<br />

children who were out of school on Veterans<br />

Mosa«\^^<br />

Day . first run of "Jailhouse Rock"<br />

at the Florida Theatre proved that Elvis<br />

Presley is still Jacksonville's favorite movie<br />

star . winds moved into north<br />

Florida and lowered thermometers to the<br />

mid-50s, which was not low enough to affect<br />

attendance at drive-in theatres, just<br />

In NON-CRUSHABLE<br />

low<br />

enough to boost sales at concessions stands.<br />

CUSHION PACKED<br />

BOXES With ALUM-<br />

Old Myers Theatre Closed<br />

INUM LINED BOX TOP<br />

At Janesville by Gran<br />

ASH TRAY at no extra<br />

JANESVILLE. WIS.—The Myers Tlieatre<br />

here has been closed temporarily by Gran<br />

cost!<br />

Enterprises of Milw-aukee, due, officials said.<br />

to shortage of product. Shuttering of the<br />

Myers, managed by Robert Kiggens, leaves<br />

NEW FEATURES INCLUDE . . .<br />

Janesville with only one operating theatre,<br />

the Fox Wisconsin operated by Jeffris. The<br />

Apolla, also known as the Hitching Post<br />

l^ 2 flat coils lasting minimum 1^ Merchandise coupons enclosed and the Beverly, has been closed for several<br />

14 hours<br />

in each box for exchange of years. Two drive-ins operate within a fewmiles<br />

of the city except during the winter.<br />

free gifts<br />

The Myers was built in 1870 and was named<br />

l^ Coils are separated individually<br />

for easy handling f^ Nation wide distributors handle<br />

for Peter Myers who built the theatre. Charles<br />

E. Moseley, who also managed a local book<br />

and music store, w-as first manager of the<br />

faster delivery<br />

theatre. Seventeen years later the theatre<br />

l^ Metal holder secured to box<br />

was entirely remodeled, and just a year after<br />

top<br />

1^ A 25(Zl pack costs you only that it was de.stroyed by fire.<br />

Work w-as started immediately on a new<br />

building, the one now standing, and it was<br />

opened in 1889.<br />

1^ Aluminum lined box top ash<br />

\^ A 1-coil Give-away pack only Midway in the 1920s, the house w-as held by<br />

tray<br />

various ow-ners for five years until it was<br />

5(Z (with a cash coupon of 5^ taken over by the local Elks Club, which still<br />

towards purchase of PIC at ow-ns it.<br />

(^Guaranteed effective and<br />

your concession stand)<br />

harmless. Dealers are protected<br />

with $100,000 Product<br />

Cab Call-dw-ay. innovator of the musical<br />

phrase Hi-de-ho, plays the important<br />

]^ We pay freight anywhere any<br />

character role of Blade in Paramount's "St.<br />

Liability Insurance<br />

quantity!<br />

Louis Blues."<br />

FREE DISPLAY MATERIALS AND A SOUND TRAILER<br />

IN COLORS FOR USE DURING INTERMISSION<br />

HOT CHOCOLATE<br />

ORDER THRU YOUR LOCAL THEATRE SUPPLY DEALER OR —<br />

DISPENSERS<br />

PIC CORP., 837 Broad St., Newark 2, N. J.<br />

ROY SMITH CO.<br />

365 PARK ST JACKSONVILLE<br />

SE-6 BOXOFFICE :: November 16. 1957


. . Betty<br />

I<br />

THEATKICAL<br />

2310<br />

MIAMI<br />

. . . Former<br />

/~«et More Out of Life—Go Out to a Movie!"<br />

was the bold headline used over<br />

Wometco's Sunday ad lineup<br />

Miami Beach resident Arnold Schulman,<br />

whose recent play. 'A Hole in the Head."<br />

reflects the local beach hotel life of which<br />

his father is still a part, was surprised, says<br />

George Bourke. when he saw a preview of<br />

his latest work, the script for "Wild Is the<br />

Wind." starring Anna Magnani, Screen credits<br />

read: "Based on a story by Vittorio Nino<br />

Novarese." although Schulman's script was<br />

from an original story. Paramount's legal<br />

department has informed him that Miss<br />

Magnani stipulated a modernized version of<br />

a 25-year-old Italian film. "Furia," or nothing.<br />

This proved impossible to use and Schulman<br />

was called in. The Novarese credit satisfies<br />

the star's stipulation.<br />

tions. is to star Christopher Plummer and be<br />

directed by Nicholas Ray. Just signed to play<br />

the part of a shady lady of early Miami iias<br />

been Gypsy Rose Lee . Clooney. now<br />

the wife of Pupi Campo, is getting their newhome<br />

settled in Miami Shores. Brother Nick<br />

Clooney is making a picture, "Mock Trial." in<br />

Hollywood, right next door to the "Bay the<br />

Moon" set, director and star of which is Jose<br />

Ferrer, husband of Rosemary Clooney.<br />

. . .<br />

The SlO-a-plate Rocky Marciano testimonial<br />

dinner will split the proceeds between Variety<br />

Hospital and Boys Town of Italy, Marciano<br />

has recently purchased a home here<br />

Hal Carrington of Nationwide Pictures plans<br />

to film "The Hard Way." a western, at the<br />

Shamrock Studios in Winter Park. He has<br />

just obtained screen and TV rights ... If<br />

biographer Gene Fowler wants to catch up<br />

with Swifty Morgan, whose life he plans<br />

writing, he'll find him in a Miami Beach<br />

hotel. Swifty was portrayed by Jackie Coogan<br />

in "The Joker Is Wild."<br />

ELVIS PRESLIiY HOTOS<br />

• MINED • BOONE • DEAN<br />

g"xlO'<br />

Per Tiiousand<br />

Black and White SlHOO (Minimum Oirder<br />

1.000 •<br />

Glosjy Slock '*'__ o' Either<br />

Star)<br />

ch.ck with<br />

Orderl<br />

|<br />

ADVERTISING CO.<br />

Coss Detroit 1, Mich.<br />

William Campbell, Mary Webster and Ron<br />

Hagerthy are among featured players from<br />

"Eighteen and Anxious." due here for the<br />

FST opening, and for the TOA convention<br />

at the Americana, opening the same day.<br />

Wednesday (20) . . The .<br />

local Variety Tent<br />

hears that Pi'ince Philip may be one of the<br />

after-dinner speakers at Variety's London<br />

convention in April.<br />

Audiences applauded the "There Was a<br />

Woman" duet in "The Pajama Game" when<br />

it played the Beach Theatre . . . Local<br />

hotel<br />

supper clubs have so far presented four- different<br />

singers as "the singing star" of "The<br />

Pajama Game." Those .so billed have included<br />

roles in road companies and as featm-ed<br />

"Captains Courageous" was the<br />

singers . . .<br />

final film in the series at the Miami Public<br />

Library. The series was completed Thursday<br />

(14).<br />

. .<br />

The same double horror bill, two first showings<br />

composed of "Monster From Green Hell"<br />

and "Half Human," was booked for simultaneous<br />

showing at eight drive-in theatres<br />

under the United Theatres banner. Three<br />

drive-ins are in Miami, one each in Perrine.<br />

Hallandale, West Hollywood. Pompano and<br />

West Palm Beach . The Mayfair and Sunset<br />

Art theatres cooperated on a big ad on<br />

"It Happened in the Park."<br />

"Across the Everglades," the film which<br />

the Schulbergs will make in adjacent loca-<br />

HI<br />

NEIGHBOR!!<br />

RELAX •<br />

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Visit us at our new building<br />

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BOXOFFICE :: November 16, 1957 SE-7


many<br />

happy<br />

returns<br />

of today<br />

Thanks to our doctors, most Americans can look forward to<br />

longer and happier lives than ever before. Some of our deadliest<br />

diseases have already been conquered ; others are fast being brought<br />

under control. Even with cancer, much progress has been made.<br />

Today, more than 800,000 Americans are alive and well, cured of<br />

cancer . . . many of them, because they made a habit of having thorough<br />

health checkups every year no matter how well they felt . . .<br />

many others, because they went to their doctors at the first sign of<br />

any one of the seven danger signals that may mean cancer . . . all of<br />

them, because they went to their doctors in time.<br />

To learn how to guard jioursclf against cancer, call the American<br />

Cancer Society office nearest you or write to "Cancer" in care of<br />

your local Post Office.<br />

Through the Courtesy of<br />

BOXOFFICE<br />

SE-8<br />

BOXOFFICE November 16. 1957


14 Second Run Houses First Sound in Oklahoma by Peek<br />

Operating in Dallas<br />

DALLAS—This city of 614,000 lias a total<br />

of 14 suburban theatres operating on a first<br />

subsequent-run policy of 31 days after downtown.<br />

They are Interstate's Village, Lakewood,<br />

Inwood, Wilshire and Circle; Phil Iseley's<br />

Granada and Crest; Rowley United's Texas,<br />

Wynnewood. Vogue and Beverly Hills; Tri-<br />

State's Casa Linda; Idelman's Delman. and<br />

Handley's Arcadia. Their seating capacity<br />

ranges from 1,737 (Texas) to 800 (Beverly<br />

MiNuM<br />

LETTERS<br />

^S'lSPMPWMjMWW<br />

Hills 1.<br />

The lone noncircuit house, the Arcadia in<br />

northeast Dallas, is owned by Lee O. Handley.<br />

One of the older subiu-ban theatres, it<br />

was destroyed by fire in 1941 and rebuilt with<br />

a unique stadium-type design. The patron<br />

enters the auditorium from the lobby into an<br />

aisle that separates the lower floor from the<br />

balcony in the middle of the 1,042-seater.<br />

While the theatre front faces eastward, its<br />

stage is toward the north and balcony at the<br />

south.<br />

The Arcadia is the only neighborhood house<br />

with three projectors installed in the booth.<br />

This system enables the projection staff to<br />

run Cinemascope features on two projectors<br />

without constantly changing the lenses and<br />

aperture plates when the short subjects are<br />

run. Thus, the flat product is threaded into<br />

the third projector, and while this is running<br />

the first two projectors are reverted<br />

back to the correct ratio.<br />

Handley also has equipped his theatre for<br />

3-D with a separate stereophonic sound reproducer,<br />

regular magnetic sound pickup<br />

heads and two electric rewinds for the different<br />

size reels. The screen is one of the<br />

largest in the city in proportion to the size<br />

of the auditorium. It was installed by National<br />

Theatre Supply here at the beginning<br />

of the widescreen innovations.<br />

The Arcadia is near the Granada and Lakewood<br />

and only a few blocks from the old<br />

Capitan, the only fli-st sub-run theatre here<br />

that has shuttered and is now a bowling alley.<br />

Two theatres that previously fell mto this<br />

category. Interstate's Esquii-e and Ti-ans-<br />

Texas' Varsity, have become art houses. The<br />

Varsity is now the Fine Arts. Quite often the<br />

Village runs first-run exclusively on an extended<br />

time basis and reopens roadshow attractions<br />

after their downtown runs.<br />

Seldom do any of the 14 book double bill.<br />

Number of<br />

Restricted by High Cost<br />

Color Pictures<br />

OKLAHOMA CITY — Charles<br />

Hudgens.<br />

U-I manager, told directors of the United<br />

Theatre Owners of Oklahoma that high production<br />

cost is the reason Hollywood Is unable<br />

to film more pictures in color, Hudgens<br />

was the principal speaker at the board's<br />

monthly luncheon meeting. Bernard Mc-<br />

Kenna reviewed the recent national Allied<br />

convention and the directors discussed the<br />

Video Theatres telemovies installation in<br />

Bartlesville.<br />

The board also voted to hold its monthly<br />

meetings at Hardie's Cafe.<br />

San Rafael, one-time frontier town of the<br />

seventies, was built on a 3.000-acre ranch<br />

for William Wyler's production of "The Big<br />

Counti-j'" for United Ai-tists.<br />

^


. . Screen<br />

. .<br />

DALLAS<br />

tlarvey D. Hili, business agent of the projectionists<br />

union, reported his mother<br />

celebrated her 92nd birthday Saturday i9i<br />

. . . Hai-old A. Greenlin has installed new<br />

. . .<br />

curved gates in the Centui-y projectors at the<br />

Strand here The Trans-Texas circuit<br />

advertised the reopening of the Capitol<br />

Thursday (14) as a Mexican film house .<br />

Mrs. Charlotte (T. R.) Barber, 75. widow of<br />

the veteran United Artists salesman, died<br />

Sunday dOi. Her husband passed away two<br />

years ago after 25 years with UA.<br />

. . Majestic<br />

. . .<br />

The Delman, Kiest Boulevard and Cinderella<br />

drive-ins brought back "The Robe" and<br />

"Demetrius and the Gladiators" on a double<br />

bill, and the Granada returned "The Glenn<br />

Miller Story," the Crest "Task Force" and<br />

the Heights "Young at Heart" .<br />

projectionist Charles A. Harcum paraded with<br />

the Soroptimists dowTitown Saturday and<br />

sold newspapers for them star<br />

Audie Murphy, who likes<br />

.<br />

to call Dallas his<br />

home, has been here taking instructions to<br />

become a Shriner The Tower closed<br />

"Around the World in 80 Days" Wednesday<br />

after 46 weeks and brought in the moveover<br />

of "Jailhouse Rock" from the Majestic . . .<br />

The Texas-made "Courage of Black Beauty"<br />

opened in suburban theatres and ozoners as<br />

part of a double bill.<br />

Following appearances at the Worth Theatre<br />

in Fort Worth Sunday, Mary Webster,<br />

William Campbell, Jackie Loughery and Ron<br />

Hagerthy came here in behalf of "Eighteen<br />

and Anxious." With them was Slick Slavin, a<br />

comic. After making a swing down the<br />

POSTERS<br />

LOVE FOR BABY SITTER—Molly<br />

Mascarenas, chief of service for the Rita<br />

Theatre in Del Rio, Tex,, recently was<br />

cited by the Junior Chamber of Commerce<br />

as the best known baby sitter in<br />

town, and was given the Jaycee's Outstanding<br />

Sales and Service Person award.<br />

Presenting the plaque to Molly is Joe<br />

Poggi, chairman of the wards committee.<br />

Mrs. Mascarenas has been at the Rita<br />

16 years.<br />

state to Austin and Houston, the quintet returned<br />

to appear on the stage at the Palace<br />

opening Thursday. The group left here for<br />

B.rmingham.<br />

Installs New Sign<br />

CARLISLE, KY.—A new illuminated<br />

sign<br />

has been installed over the entrance to the<br />

Lyric Tlieatre here by owner Walter Wyrick,


THESE ANNOUNCEMENTS REVEAL<br />

VITAL FACTS ABOUT<br />

Unco o --„,,..eoW-<br />

Headlines and illustrations from feature<br />

stories, Motion Picture Herald, June 8,1957<br />

These news stories are proof agoin, that the mos<br />

important installations — the most important<br />

contributions to cinematic projection are all<br />

CENTURY mode. No other projector can make<br />

this claim, just as no other projector can approach<br />

CENTURY for<br />

performance, ease of operation<br />

and low-cost maintenance.<br />

The choice is CENTURY, whether it be horizontal<br />

VistaVision for the Williamsburg auditoriums or<br />

the double installation for the All-Weather Drive-ln<br />

or any other theatre or drive-in.<br />

THE BEST TEST, you've got to try if to believe If!<br />

^^^<br />

Century Projector Corporation, new york 19, n. y.<br />

SOLD BY<br />

Hardin Theatre Supply Co.<br />

714 Soutli Hampton Road<br />

Dallas 11, Texas<br />

BOXOFFICE November 16. 1957 SW-3


—<br />

Tulsa Circuit Closes<br />

Its Rialto Theatre<br />

TULSA— Tulsa Downtown Theatres has<br />

closed the Rialto Theatre and removed its<br />

equipment from the building, which is owned<br />

by Dr. C. I. Trimble.<br />

"Our lease on the building expired Novemyour<br />

complete<br />

equipment house<br />

2^ CALL US DAY OR NIGHT<br />

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EQUIPMENT<br />

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125 HYDE ST. SAN FRANCISCO (2), CALIF.<br />

ber 1. and we decided not to renew it." .said<br />

Warren Patton. Downtown Theatres manager.<br />

"It ha.s been made increasingly apparent<br />

that our patrons preferred the other house.s<br />

the Ritz, Majestic and Orpheum.<br />

"We did well with Todd-AO pictures. 'Oklahoma!'<br />

and '.'Ground the World in 80 Days.' "<br />

Patton continued, "but there just aren't<br />

enough of those. We al.so had been running<br />

first-run pictures at the Rialto in an effort<br />

to boost its income, but there aren't enough<br />

top quality pictures being made to divide<br />

equally between four downtown theatres and<br />

two suburban first runs."<br />

The Rialto had been remodeled only last<br />

year at a cost of $56,000 as a showcase for<br />

Todd-AO features. It was one of Tulsa's<br />

early day motion picture theatres, being acquired<br />

by Ralph Talbot in 1929 and added<br />

to his circuit. Remodeled several times, it<br />

was included in the deal when William Bros.<br />

Co., pipeline builders and engineers, bought<br />

the controlling interest from Theatre Enterprises<br />

in 1955.<br />

Dr. Joe R. Trimble, son of the building<br />

owner, confirmed that negotiations were being<br />

carried on with a company outside of<br />

the industry for future use of the building.<br />

Birthday Treats Bolster<br />

Saturday Kiddy Matinee<br />

HARTFORD—To bolster Saturday matinee<br />

kiddy trade. Pi-ank Dzikot. Rivoli Theatre,<br />

has asked youngster patrons to register their<br />

birthdays ahead of time w'ith his office. On<br />

the Saturday nearest to the actual date.<br />

Dzikot has the celebrating youngsters stand<br />

up and take a bow from the audience. In addition,<br />

he extends house courtesy with a small<br />

gift.<br />

The first matinee marking birthday gifts<br />

was highlighted by the uniformed presence<br />

of 30 neighborhood Boy Scouts, led by their<br />

scoutmasters.<br />

Les Girls' to Ted Mann<br />

MINNE.'^POLIS — MOM'S musical. "Les<br />

Girls." wa.> sold away from the much bigger<br />

and more numerous Minnesota Amusement<br />

Co. and RKO Theatres in the Twin Cities<br />

to the 400-seat Minneapolis and 600-seat St.<br />

Paul Worlds, independent Ted Mann operations.<br />

Mann was awarded the picture on<br />

competitive bids. It opened here Friday i8i<br />

and in St. Paul November 15.<br />

UTOO Helps Theatreman<br />

Get Sunday Law Repealed<br />

OKLAHOMA CITY—The United Theatre<br />

Owners of Oklahoma has a,ssist€d R. R. Mc-<br />

Coy, who operates the Gem Theatre in Edmond.<br />

in securing the repeal of a discriminatory<br />

city ordinance which had prevented the<br />

Gem from starting its Sunday evening programs<br />

until 9 o'clock.<br />

McCoy u.sed the points estabhshed in a<br />

letter from the UTOO to bring enough councilmen<br />

around to his viewpoint to secure repeal<br />

of the ordinance.<br />

The letter, written by E. R. "Red" Slocum,<br />

UTOO executive director, follows:<br />

"Dear Mi-. McCoy:<br />

"Was quite surprised to hear from Mr.<br />

Avey. that your theatre operation in Edmond<br />

was set up to a Sunday operation,<br />

w-herein you did not start your Sunday night<br />

show until 9 p.m.<br />

"How can you possibly arrange a program<br />

to start at that hour and meet a curfew<br />

deadline of 11 p.m. for the college students<br />

attending Central State? What happens<br />

when you play lengthy outstanding pictures,<br />

such as 'Friendly Persuasion.' 'Giant,' 'The<br />

Ten Commandments,' 'Stars in My Crown,'<br />

A Man Called Peter,' etc.?<br />

"I would think that your city is no different<br />

than other college towns, as Ada, Weatherford,<br />

Lawton. Durant, Alva and E^nid.<br />

"The people of your community can enjoy<br />

television motion pictures at any hour of the<br />

day or night. This appears somewhat unfair<br />

to you. as a business man. community worker<br />

and taxpayer and also to your merchants and<br />

theatre patrons.<br />

"The pattern of living, also the opportunities<br />

for recreation and entertainment have<br />

changed to such an extent since the passage<br />

of the Edmond city ordinance, that no<br />

doubt, if an intelligent look-see was taken into<br />

the motion picture theatre predicament in<br />

Edmond, in all probability, there would be<br />

no objections to rearranging your showing<br />

schedules to conform with the schedules of<br />

some 40 theatres in a radius of 20-odd mUes.<br />

"Tlie Edmond ordinance may not be unconstitutional<br />

but it is certainly discriminatory<br />

against motion pictures being showTi in<br />

a<br />

theatre."<br />

Ritz Open in Skiatook<br />

SKIATOOK. OKLA.—The Ritz Theatre<br />

here, w-hich has been closed for the past six<br />

months, has reopened for business under the<br />

management of Mr. and Mrs. J. R. Jorden.<br />

The theatre has been remodeled, including<br />

repainting, new seats and sound<br />

equipment installation.<br />

SGtiCfine<br />

n 2 yeors for $5 D<br />

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POSITION..<br />

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Drops T'wo Night Shows<br />

NEW HAVEN — The suburban Guilford<br />

Theatre has dropped Tuesday and Wednesday<br />

performances. The situation Is now runnlng<br />

a nightly double feature, starting at 7.<br />

XMAS<br />

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BOXOFFICE :: November 16, 1957


. . with<br />

'All Mine' Premieres<br />

In Oshkosh Theatre<br />

OSHKOSH, WIS.—"All Mine to Give" was<br />

world-premiered at the Raulf Theatre here<br />

Wednesday night, launching more than 150<br />

dates in the Wisconsin territory and climaxing<br />

an extensive promotional campaign.<br />

"All Mine to Give" is based on factual<br />

events which tock place in this area in the<br />

1850s.<br />

Through the medium of the Queen for a<br />

Day television show: the 50 radio stations in<br />

the Wisconsin state baseball network and the<br />

presence of stars Cameron Mitchell and Rex<br />

Thompson of "All Mine to Give," and Universal's<br />

new star Andra Martin, the premiere<br />

stoi'y was carried far beyond Winnebagcland.<br />

Radio and television stations in<br />

Oshkosh. Fond du Lac, Green Bay and Appleton<br />

were also tied in with the premiere activities<br />

which started on Saturday i9i with<br />

the selection of the "premiere queen" on the<br />

stage of the Raulf Theatre and a world championship<br />

turkey shoot at Eureka on Sunday.<br />

The stars visited various towns in the premiere<br />

area and participated in a round of<br />

civic events, climaxing with their appearance<br />

at the Raulf Theatre Wednesday night. The<br />

Wisconsin radio network carried the proceedings.<br />

Other events included a world<br />

championship pie baking contest, a square<br />

dance jamboree, a coke and autograph party<br />

and a series of civic luncheons and dinners.<br />

Vernon Thomson, governor of Wisconsin,<br />

and local dignitaries took part. Proclamations<br />

were issued by both the governor and<br />

Charles J. Fiss, president of the Oshkosh city<br />

council.<br />

A total of 2.787 radio announcements were<br />

used through tlie state to help promote the<br />

premiere, and all of Marcus theatres in the<br />

state aided thi'ough special trailers and other<br />

material. Local newspapers cooperated.<br />

The Wisconsin kickoff is in advance of the<br />

national release of the picture, which is<br />

scheduled for January release.<br />

Northwest Variety Elects<br />

Board of Directors<br />

MINNEAPOLIS — The Northwest Variety<br />

club has chosen its 1958 board of directors<br />

which will name a new chief barker to succeed<br />

Sim Heller, who has held the post for<br />

two terms. Re-elected to the board were Joe<br />

Podoloff. Gilbert Nathanson, Eddie Schwartz,<br />

Tom Burke, Charlie Winchell, Ted Mann and<br />

Ralph Pielow. New directors are Abe Kaplan,<br />

Don Swartz and Herb Buschman.<br />

As alternates to the next Variety convention<br />

in London next year, LeRoy J. Miller and<br />

Podoloff were selected.<br />

Present membership is 290, the largest that<br />

it ever has been. Heller announced.<br />

L. E. Davidson Managing<br />

Davenport, Iowa House<br />

DAVENPORT, IOWA— L.<br />

E. Davidson, formerly<br />

of Sioux City, has taken over his duties<br />

as the new manager of the Esquire Theatre.<br />

His appointment was announced by William<br />

Haver, Quad-City manager of Ti-i-States.<br />

David.son was city manager for Tri-States<br />

Theatres in Sioux City for 15 years. He also<br />

was a city manager in Des Moines and Cedar<br />

Rapids. He succeeds Wally Hoffman.<br />

Honor Boothman, Now IA Official<br />

Shown at the testimonial dinner given to Glenn Kalkhoff. recently named I.ATSE<br />

representative, are left to right: Kalkiioff, his wife, Harold J. Fitzgerald, and Oscar<br />

Olson and wife.<br />

MILWAUKEE—More than 250<br />

representatives<br />

from the motion picture industry, labor<br />

management and the city attended a testimonial<br />

dinner given Wednesday last week for<br />

Glenn C. Kalkhoff, who has been elected an<br />

lATSE representative. Kalkiioff, who started<br />

running motion picture machines at St.<br />

John's Cathedral when he was in high school,<br />

was in the Warner Theatre booth many years,<br />

and is secretary-treasurer of lA division 9<br />

and president of the Wisconsin lA. He was<br />

president of Local 164 more than 25 years.<br />

Mr. Show Business himself, Harold J. Fitzgerald<br />

served as chairman and toastmaster.<br />

"I can remember away back to our days at<br />

the old 'Institute of Learning,' the Toy building,<br />

where on the night in question, some of<br />

the boys were down on their knees shooting<br />

craps," he said. "Somehow, Kalkhoff got into<br />

the game with three dice. Well, naturally a<br />

discussion followed over allowing him to shoot.<br />

Until one of the gang yelled, 'Let him shoot,<br />

his point is 15 anyway!'"<br />

Mayor Frank Zeidler: "One of the things<br />

Local 164 has in its favor, is the upholding<br />

of dignity and good relations between the city<br />

and the exhibitors. Milwaukee is always proud<br />

when we find some of our people brought<br />

into the international limelight, as has Glenn<br />

here."<br />

Andy Spheeris took the opportunity to get<br />

in a few plugs for the Epilepsy Foundation<br />

sponsored by the Variety Club, of which he<br />

is chief barker.<br />

Ben Marcus: "In this age of Sputnik, Futnik<br />

and Mutnik . a PHD attached to<br />

it. we here in Wisconsin can be proud of the<br />

leadership we have representing us. We are<br />

fortunate to have such men as George Haberman,<br />

Oscar Olson, and Kalkhoff, and I know<br />

from personal experience."<br />

Ray Taylor, editor of the Milwaukee Labor<br />

Press, described the testimonial as "living<br />

proof unions and employers can work together<br />

for the mutual benefit of both."<br />

Harry Mintz. Warner Theatre Management<br />

Corp.: William Rubin, 84-year-oId lawyer:<br />

Robert Hanson, judge of the district court,<br />

and Oscar Olson of Local 164, who initiated<br />

tlie party, also spoke.<br />

Richard F. Walsh, lATSE president, said<br />

Kalkhoff's job is<br />

to get better w'orking conditions,<br />

better hours and solidify the spirit of<br />

understanding.<br />

"In appointing Kalkhoff," he asserted, "I<br />

have placed the Milwaukeean in a fish bowl<br />

for the world to look at, for he is the kind<br />

of man who can withstand such viewing. The<br />

labor movement has come of age, and we<br />

must be responsible for our acts. Critics of<br />

labor criticize the whole labor movement,<br />

when one man does wrong.<br />

Kalkiioff acknowledged the praise and tributes<br />

in a manner which illustrated why he<br />

had been chosen for international duties.<br />

"You are the people who have contributed to<br />

what success I have attained," he concluded.<br />

A little skit and some horseplay on stage<br />

followed.<br />

Responsible for the success of the dinner<br />

were:<br />

Harold J. Fitzgerald<br />

W. V. Geehon<br />

V. T, Touchett<br />

Oicor E, Olson<br />

George A. Haberman<br />

L. F. Gron<br />

Arnold W. Brumm<br />

Volmor Dahlstrand<br />

Andy Spheeris<br />

Ray Taylor<br />

Dean Fitzgerald<br />

Horold Pearson<br />

Al P. Fronk<br />

Horry Mintz<br />

Jock Lorentz<br />

Jack Schuyler<br />

Jack Shonberg<br />

Al D. Kvool<br />

Ben Morcus<br />

Clifford Lorbeck<br />

More '80 Days' Bookings<br />

OMAHA—D. V. McLucas, United 4rtists<br />

manager, annoimced that "Around the World<br />

in 80 Days" will open at the Varsity in Lincoln<br />

and the Holiday in Sioux City, Iowa Christmas<br />

Day for two-week runs. The picture is in<br />

its 12th week at the Admiral Theatre in<br />

Omaha and owner Ralph Blank reports<br />

grosses still are well above average.<br />

The story of United Artists "China Doll"<br />

has a World War II Kunming, China, background.<br />

BOXOFFICE November 16, 1957 NC-1


. . . Robert<br />

Deluxer, Reopening With New Look,<br />

Serves Cappuccino to<br />

MINNEAPOLIS—Reopening with its new<br />

look after many improvements and beautifications,<br />

Harold Field's de luxe St. Louis Park,<br />

neighborhood theatre, is introducing something<br />

new in free beverage refreshment for<br />

patrons.<br />

With several other uptown showhouses<br />

serving coffee gratis to patrons, Fields instead<br />

is serving as a hot beverage cappuccino,<br />

a drink that originated in San Francisco<br />

and is popular there.<br />

It's a mixture of coffee, chocolate and rum,<br />

but at the St. Louis Park the alcoholic liquor<br />

is being omitted. In order to hit upon a delectable<br />

beverage without it. Field says he<br />

tried 42 different combinations, with relatives<br />

and friends testing the experiments for weeks<br />

until he achieved the right one.<br />

Cappuccino, a variation of Irish coffee, gets<br />

its name from its color—the same as that of<br />

the Capuchin monks' habit. Field believes<br />

that his theatre may be the only one anywhere<br />

serving cappuccino.<br />

In its ads for its reopening, the St. Louis<br />

OMAHA<br />

pat Halloran, chief barker of Tent 16. reports<br />

tickets have been sent out to members<br />

for the Christmas party which will be<br />

sponsored by the Variety Club at the Paxton<br />

Hotel December 16. "There will be music by<br />

Jack Ross' orchestra, probably a few local<br />

acts and ijositively no speeches or business,"<br />

Halloran said. Sam Stern and Mort Ives are<br />

co-chairmen of the ticket committee for the<br />

party, which is being promoted as an all-<br />

Omaha affair.<br />

Mr. and Mrs. S.<br />

M. Johnson are reopening<br />

the Strand at Newman Grove, closed for about<br />

a year. The former owner was F. Swerezek<br />

Talley of the Des Moines Orpheum<br />

Patrons!<br />

Park, which is in the earliest 28-day clearance<br />

slot, promised "a newly modernized de<br />

luxe suburban theatre, smoking in loge seats<br />

which are properly ventilated, a huge lighted<br />

free parking area, the largest, brightest, clearest<br />

picture and personalized service through<br />

owner operation."<br />

The ads also told "the story of the stunning<br />

new look" as follows:<br />

"Amid brilliant though intimate surroundings<br />

you experience a completely different<br />

sensation of comfort and convenience. See<br />

the newest use of materials, the newest concept<br />

of furniture and decor by outstanding<br />

designers of Italy, Prance, Denmark. India.<br />

Japan and America—the newest color combinations—a<br />

completely new and stunning<br />

place of entertainment.<br />

"These appointments, together with every<br />

proven technical advance in motion picture<br />

projection, make the St. Louis Park Theatre<br />

THE theatre to attend to make your moviegoing<br />

'something special.' And all of this<br />

only a few moments from your home!"


THESE ANNOUNCEMENTS REVEAL<br />

VITAL<br />

FACTS ABOUT<br />

-Vhe '^*'"<br />

Otio"<br />

K<<br />

Headlines and illustrations from feature<br />

stories, Motion Picture Herald, June 8,1957<br />

These news stories are proof again, that the most<br />

important installations — the most important<br />

contributions to cinematic projection are a<br />

CENTURY mode. No other projector can make<br />

this claim, just as no other projector can approach<br />

CENTURY for performance, ease of operation<br />

and low-cost<br />

maintenance.<br />

The choice is CENTURY, whether it be horizontal<br />

VistaVision<br />

for the Williamsburg auditoriums or<br />

the double installation for the All-Weather Drive-in<br />

or any other theatre or drive-in.<br />

THE BEST TEST, you've got to try it to believe it!<br />

-^.i^<br />

Century Projector Corporation, new york 19, n. y.<br />

SOLD BY<br />

Quality Theatre Supply Co.<br />

15t5 Davenport S(.<br />

Omoha, Nebraska<br />

Des Moines Theatre Supply Co.<br />

1121 High St.<br />

Des Moines 9, Iowa<br />

Minneapolis Theatre Supply Co.<br />

75 Glenwood Ave.<br />

Minneapolis 2, Minnesota<br />

BOXOFFICE :: November 16, 1957 NC-3


DBS MOINES<br />

Dalph Granados, night custodian at the<br />

Capitol Theatre in Davenport, made one<br />

theatre customer very happy last week. A<br />

tt'orried Lincolnwood, 111., man. Mat Forman,<br />

told police he lost a wallet containing about<br />

S3.000 in cash, checks and airline tickets and<br />

'*:.


All Tent 18 Officers<br />

Re-£lected for 1958<br />

DAYTON, OHIO—Walter Beachler. president<br />

of United Fireworks Manufacturing Co.,


. . . Elaine<br />

Cleveland—Tower<br />

and<br />

CLEVELAND<br />

K nnouncement was made this week, of the<br />

engagement of Dr. Alan Sogg, son of<br />

MGM Manager Jack and Mrs. Sogg, to Judy<br />

Kline of Haverlon, Pa. Dr. Sogg, who was<br />

graduated last June from the University of<br />

Cincinnati medical school, is serving his internship<br />

in Philadelphia General Hospital<br />

. . . Sylvester "Sly" Pierce, manager of the<br />

Berea Theatre, Berea, was elected councilman-at-large<br />

for Berea in last week's election.<br />

This is his first elective office in the political<br />

field, having previously been active in the<br />

local Chamber of Commerce.<br />

. . . Bill Powelson,<br />

Leon Enkin, president of the Robin.s<br />

Amusement Co. of Warren, was among the<br />

exhibitors attending the trade screening of<br />

"Sayonara" Monday (4) at the Colony Theatre<br />

Carl Petrella, a newcomer in the<br />

. . . exhibition field, is reopening the Bell Theatre,<br />

Campbell. The house has been closed<br />

man-<br />

more than a year<br />

Reseating and<br />

Seat Repair are<br />

SO simple<br />

with Internationals<br />

Ask today for an INTERNATIONAL<br />

Seating Engineer for all the facts<br />

THE<br />

Write, wire or phone —<br />

Internotional Seat Division<br />

Union City Body Company, Inc.<br />

Union City, Indiana<br />

BIG COMBINATIONS<br />

COME FROM<br />

Allied Film Exchange Imperial Pictures<br />

2310 Cass Ave.<br />

2108 Poyne Ave.<br />

Detroit, Mich.<br />

Cleveland, Ohio<br />

ager of the Grand Theatre, Steubenville, offered<br />

free sedatives to pations attending his<br />

showing of "The Abominable Snowman."<br />

Every patron, on entering the theatre, received<br />

a small envelope containing one aspirin<br />

tablet. Imprinted on one side of the envelope<br />

was; "Here is one aspirin to calm your nerves<br />

when you dare to see 'The Abominable Snowman.'<br />

" The other side of the envelope staled<br />

the aspirin was provided through the<br />

courtesy of the Peoples drug store." The<br />

stunt helped put the picture over.<br />

Allied Artists had a large float on the<br />

downtown streets advertising "The Hunchoack<br />

01 Notre Dame," current attraction at<br />

cue Allen Theatre. It has been many years<br />

since tins stunt has been used in Cleveland<br />

Bernstein, Allied Artists cashier,<br />

. . George<br />

iinauy letl lor her vacation in New York.<br />

Scheauled to take place last month, and so<br />

rtporied, it was postponed until this weekend.<br />

She will be away two weeks .<br />

Mills of the Associated Theatres circuit auditing<br />

department left for a two-week visit with<br />

his daughter and family in Glendaie. Calif,<br />

iiiey are tlie oniy ones of six daughters and<br />

^6 grandchildren who do not live in Cleveland.<br />

Jerry Safron, Columbia manager, has set<br />

"Pal Joey" in lour territorial sjxjts for Thanksgiving.<br />

They are the Rivoli, Toledo; Loew's,<br />

Akron; Palace, Canton, and Palace, Youngstown.<br />

"Pal Joey" is currently playing to<br />

packed houses at the Hippodrome at $1.50<br />

top . . . Danny Kosenthal, UA manager and<br />

Variety Club chief barker, was in Toledo for<br />

the opening of "Ai-ound the World in 80<br />

Days" at the Princess . . . Robert Wagner,<br />

motion picture star, was in town Friday i,8i<br />

to promote his newest release, "Stopover<br />

Tokyo."<br />

. . .<br />

Visitors on Filmrow included Jack Haynes,<br />

United Detroit Theatres, Detroit; Otto Ebert<br />

of the J. Arthur- Rank Organization; Leo<br />

Jones, Upper Sandusky; Helene Ballin. Schenley<br />

Theatre, Youngstow^n, looking a little the<br />

worse after a battle with flu; Steve and Mrs.<br />

Poster, Uptown, Youngstown The Embassy<br />

Theatre, a newcomer to the ranks of<br />

local first-run downtown houses, will have<br />

"April Love" as its Thanksgiving attraction<br />

. . . Arthur Goldsmith, DCA manager, closed<br />

deals to inaugurate the showing of some foreign<br />

films at the Highland Theatre, Akron,<br />

and the Ceramic, East Liverpool. They will<br />

show "Scandal in Sorrento" and "Loser Takes<br />

All" in November, with others to follow after<br />

the first of the year.<br />

Exploits Gridiron Scores<br />

HARTFORD—Russ BiuTCtt. Stanley Warner<br />

Capitol, Willimantic, planted a sports-score<br />

guessing contest in the Willimantic Chronicle<br />

ahead of AA's "Portland Expose." with guest<br />

tickets going to first six entries picking nearest<br />

correct scores of the approaching Saturday's<br />

top regional football games.<br />

.<br />

Park Theatre Closed<br />

At Cleveland Sunday<br />

CLEVELAND—The 3.200-seai Park Theatre<br />

here was closed for good Sunday 1 10 1<br />

Known as one of the de luxe motion picture<br />

houses of the country when it was built in<br />

1919, it was owned and operated by the Loew<br />

circuit until Nov. 1, 1954. It was one of the<br />

houses involved in the Loew divestment proceedings.<br />

On Nov. 1. 1954, it was purchased<br />

by Associated Theatres circuit of Cleveland,<br />

and for three years the new owners struggled<br />

unsuccessfully to operate it profitably<br />

against such heavy odds as excessive overhead<br />

costs and a changing neighborhood.<br />

At one time five theatres were running full<br />

time and playing to full attendance in the<br />

Euclid Avenue East 105th Street area. They<br />

were the Pajk. Circle, Alhambra, Keith's<br />

105th and University. The Circle is now open<br />

on Saturday and Sunday only, playing hillbilly<br />

and stage shows each on a one-day basis.<br />

It is operated by Manny Stutz. The Alhambra.<br />

owned by Lester Cowan, ha,s never faltered<br />

in its daily operation of showing motion<br />

pictures. Keith's 105th was formerly an<br />

RKO theatre, but when the lease expired several<br />

years ago. RKO failed to renew it. It is<br />

currently operated by Jack Silverthorne. manager<br />

of the Hippodrome Theatre, playing<br />

double features, many first runs as part of<br />

a multiple run. The University, a Community<br />

circuit house, caters to Western Reserve and<br />

Case Institute of Technology students.<br />

What will become of the Park Theatre<br />

property has not been determined. It is<br />

rumored that the Euclid avenue entrance and<br />

be converted into a store room and<br />

foyer will<br />

the auditorium area, facing East 101st street,<br />

will be used as a parking lot.<br />

Lou Herget, 51, Stricken<br />

CLEVELAND — Lou Herget, 51, formerly<br />

with the Loew theatre circuit as assistant<br />

manager at the State and manager of the<br />

Park, died at his home in Cleveland Heights.<br />

After leaving the Loew organization, Herget<br />

was successively manager of BUly Rose' Acquacade<br />

at the Great Lakes Exposition, manager<br />

of the Arena and business manger of<br />

the Cleveland Rams. At the time of his death,<br />

he was managing director of the Ohio division<br />

of the American Cancer Society. Surviving<br />

aj-e his wife and son James Patrick.<br />

Saturday Discount Policy<br />

NEW HAVEN— Ernie Grecula. State Theatre,<br />

Torrington, has a new discount price<br />

policy in effect for Saturday matinees, with<br />

adults charged 35 cents and children 20 cents<br />

to 4<br />

p.m.<br />

Chailes Watts, who plays a small- town big<br />

sliol in Warners' "Onionhead." was most<br />

recently seen in "Giant " "The Spirit of<br />

St.<br />

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BOXOFFICE November 16, 1957


THESE ANNOUNCEMENTS REVEAL<br />

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THE BEST TEST, you've got to try it to believe it!<br />

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Oliver Theatre Supply Inc. Ernie Forbes Theatre Supply Mid-West Theatre Supply Inc.<br />

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Detroit 1, Michigan<br />

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Cincinnati 10, Ohio<br />

Hadden Theatre Supply Co.<br />

209 South Third St.<br />

Louisville 2, Kentucky<br />

Theatre Equipment Co.<br />

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Toledo 2, Ohio<br />

BOXOFFICE :: November 16, 1957 ME-3


. . . Jack<br />

. .<br />

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. . Irving<br />

. . Emmett<br />

. . Thaddeus<br />

DETROIT<br />

. . Bert<br />

lyforrie VVeinstein reports that "Around the<br />

World in 80 Days" did terrific business<br />

in the first two weeks of a probable record<br />

run at the Majestic Theatre. Grand Rapids<br />

Sturm of 20th-Fox is planning a<br />

deer hunting trip around Onaway .<br />

Holmes, Republic office manager, vacationed<br />

by visiting his son. who is with the Army in<br />

Virginia . . . Rene Germani of the Majestic,<br />

Monroe, says his hunting trips will be confined<br />

to hunting pictures . . . S. N. Cohen,<br />

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proprietor of the Film building, was in New<br />

York on a business trip Roche<br />

.<br />

has shifted the Hart Theatre. Hart, to two<br />

changes a week, closing on Wednesdays, reports<br />

Tim Cleary of 20th-Fox.<br />

Bill Clark reports the closing of the Gem-<br />

Cinema at Saginaw, recently reopened by<br />

Ramon Gariboy The Grand Theatre at<br />

Grandville also has been closed, to be dismantled<br />

for other purposes. The house was<br />

owned by Howard Sturgess. of a well-known<br />

Michigan show family "Ted"<br />

.<br />

Szypulski of the Conant Theatre in Aamtramck<br />

was called to Chicago by a death in<br />

the family .<br />

Sochin, RFDA general<br />

sales manager, was in town for a confab on<br />

forthcoming product with Otto Ebert. regional<br />

manager.<br />

.<br />

Milton Jacobson. owner of the Stone and<br />

Monroe theatres, is planning a year-end visit<br />

Joe Baringhaus. Warner<br />

to the west coast . . .<br />

manager, was host at a trade screening of<br />

-Sayonara" at the World Theatre<br />

dred Thomson, fonner cashier at<br />

. . Mil-<br />

RKO. is<br />

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Service, succeeding Lillian Prevorro. who<br />

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It's PAUl FIELD for


"<br />

Geo. Skouras Dubbed<br />

Knight of Charily<br />

DETROIT—It's correctly Sir George P.<br />

Skouras now. The dynamic president of<br />

United Artists Theatre Corp. and Magna Theatre<br />

Corp.. and member of the trio of famous<br />

brothers of the film industry, was awarded<br />

the title of Knight of Charity in a testimonial<br />

dinner at the Sheraton-Cadillac Hotel here<br />

by the Friends of the Missionaries of Saints<br />

Peter and Paul.<br />

This is an annual honor bestowed upon<br />

one person only each year and is designed<br />

to recognize "unison in family life with person-to-person<br />

charity." Skouras' work in<br />

Greek relief and in combatting juvenile delinquency<br />

through extensive charity projects<br />

was the special basis for this high honor.<br />

National headquarters of the Friends of the<br />

Missionaries have been in Detroit since 1947.<br />

Active in the society and the presentation<br />

were: Mrs. Arthur D. Kerwin. president of<br />

the auxiliary and past president of the Detroit<br />

Motion Picture Council: Frank Upton,<br />

midwest division manager of Cinerama, who<br />

was on the banquet committee, and William<br />

H. Green, midwest director of advertising<br />

and exploitation for Cinerama, who actively<br />

assisted on the publicity.<br />

Film Council of Detroit<br />

Issues New Yearbook<br />

DETROIT—The Greater Detroit Motion<br />

Picture Council has issued its 1957-58 yearbook,<br />

a 32-page directory of local motion picture<br />

interests from the consumer standpoint.<br />

Distribution is being made through Mrs.<br />

Ernest Valentine, publicity chairman.<br />

A special in-memoriam tribute is given in<br />

the front of the book to Albert E. Cobo, late<br />

mayor of Detroit w'ho served as honorary<br />

president of the council, and to Mrs. Alice N.<br />

Gorham, director of advertising and exploitation<br />

for United Detroit Theatres, who died<br />

September 18.<br />

Preview of coming meetings is given in the<br />

yearbook for the first time. On December 6,<br />

the Fox Theatre will be host to a special<br />

Christmas party, with a special welcome by<br />

Managing Director Bob Bothwell and the<br />

preview of a recent film.<br />

On January 3, Sol Krim, owner-manager of<br />

the Krim Theatre in Highland Park, is to<br />

speak on foreign film developments. On<br />

March 7, Milton H. London, president of<br />

Allied Theatres of Michigan, is to speak upon<br />

"The Theatre Owner and the Community."<br />

On April 4 at the annual meeting, William<br />

Cornell, special press representative for the<br />

industry, is to speak on films as "A Vital<br />

Force for Today." At the closing luncheon<br />

meeting on May 2, William Cadmus, manager<br />

of the Redford Theatre for Community<br />

Theatres, will speak upon "Cooperating with<br />

the Community."<br />

Buys at Augusta, Ky.<br />

AUGUSTA, KY.—George Fields of Bethel.<br />

Ohio, has purchased the Odeon Theatre here,<br />

which has been closed since the 1955 flood,<br />

and is renovating the house for reopening.<br />

Fields managed the Odeon for H. T. Gooding<br />

from 1949 to 1952. when Mrs. Anna German,<br />

a relative of Gooding, took over. The<br />

Odeon was originally built by Capt. Roy<br />

Edgington, river pilot, and his wife Anna, and<br />

later reconstructed by Mrs. Edgington and<br />

daughter Mrs. J. E. Smith.<br />

Manager W.F. Brown Finds Answers<br />

To Teenage Disciplinary Problems<br />

BOSTON—William F. Brown has been<br />

bucking teenage disciplinary problems for 20<br />

years at the Park Theatre, Worcester, which<br />

he manages for owmer Kenneth Forkey, and<br />

he has come up with some answers which<br />

have worked well at his neighborhood house.<br />

First, he believes that young people should<br />

be treated as adults and should be appealed<br />

to on those terms. Along that line, he has<br />

discovered that school children resent the<br />

word "teenager" and he always refers to<br />

them as "young people."<br />

"The word 'teenager' has come to denote<br />

an unruly or delinquent child and that's why<br />

I never use that tei-m to them," Brown<br />

explained.<br />

Secondly, he believes that strong disciplinary<br />

measures should be in effect at all<br />

times when these children are in the theatre.<br />

"Constant patroling is es.sential and no<br />

manager can afford to .sit in his office while<br />

the youngsters are watching the show," he<br />

said.<br />

Brown also believes that .since World War<br />

II there has been a sharp drop off of home<br />

disciplinary measures.<br />

"Only at school or at church are the.se<br />

children told what to do or what not to do.<br />

When they enter a theatre they think they<br />

can do as they please with no consideration<br />

for others. This is a point that I explain to<br />

them in detail," he said.<br />

Friday evenings and Sunday matinees are<br />

the most popular times for teenage patronage<br />

and Brown tries to book family entertainment<br />

films. Often the film is too slow<br />

for them and they become restless.<br />

"To combat this," said Brown, "I patrol<br />

the theatre constantly, along with my cashier,<br />

Pauline Burns, who has been with us<br />

for 18 years. She knows the names of many<br />

of the children and they respect her as<br />

much as they do me. Usually the troublemakers<br />

come in groups of four or more and<br />

they .sit together. They are apt to become<br />

silly and noisy. First we warn them to keep<br />

Unique Quarters Occupied<br />

By Chas. N. Agree Firm<br />

DETROIT—Charles N. Agree, Inc., 38-yearold<br />

architectural firm which has designed<br />

many of the leading theatres in this ai-ea,<br />

is moving from the downtown Book Building<br />

to a new specially-designed building in the<br />

northwest section at 14330 West McNichols<br />

Rd. The firm is headed by Charles N. Agree,<br />

the founder and president: his son, A. Arnold<br />

Agree, vice-president and secretary, and ESigene<br />

W. Mitton, treasurer.<br />

In addition to housing the executive offices<br />

and drafting rooms, the new building<br />

has been designed to serve as a virtual showcase<br />

of modern construction and architectural<br />

ideas, well adapted for the display and comparison<br />

of treatments suitable for theatre<br />

construction and remodeling. Decorative as<br />

well as construction materials are utilized in<br />

this functional showcase.<br />

There are over 15 room areas each utilizing<br />

a different type of floor treatment, wall<br />

covering, and ceiling design.<br />

"Vinyls, fiberglas, grained woods, cloth,<br />

cork, mineral and chemical composites are<br />

quiet but, if they persist, they are asked to<br />

step into the lobby. 'It's kids like you that<br />

give teenagers a bad name,' I tell them.<br />

'Now I have given you fair warning, so out<br />

you go. And no money will be refunded to<br />

you unless you bring back one of your parents.<br />

Then I will give them the refund. We<br />

cannot afford to have noisy young people in<br />

this theatre that disturb the show for<br />

others.'<br />

In his 20 years of managing the Park<br />

Theatre. Brown has had to make only one<br />

arrest. It was for two boys who were found<br />

equally at fault when brought into court. In<br />

some instances, children have been ejected<br />

and barred from the theatre for two weeks<br />

or a month, depending on the seriousness<br />

of their misdemeanors. They are always<br />

given another chance.<br />

"Not long ago we were playing 'Oklahoma!'<br />

on a Sunday matinee with an unu.sually good<br />

adult audience, along with the regular teenagers,"<br />

Brown said. "Four boys came in together<br />

and sat down front. When they purchased<br />

their tickets, they were warned to be<br />

quiet. After the first 20 minutes they became<br />

restless and started their noisy tactics. I<br />

walked dow-n to them and warned them<br />

again.<br />

" 'It is evident,' I told them, "that you<br />

are not interested in this picture. Let me<br />

tell you that the film is just like this all<br />

the way through for another hour and a<br />

half. Make up your own minds now whether<br />

you will stay and sit here quietly or leave<br />

so the others can enjoy the film without<br />

being disturbed.'<br />

"I walked back into the lobby and in about<br />

ten minutes the four boys walked out of the<br />

theatre. I called them back. First, I complimented<br />

them on their good judgment. Next, I<br />

explained that we as theatre people were<br />

not just interested in their 60 cents at the<br />

boxoffice. I gave them four courtesy passes<br />

for another show. I might add here that the<br />

four passes were used at the next change."<br />

combined in dozens of colors to make each<br />

area a complete visual unit," said A. Arnold<br />

Agree.<br />

Visitors can inspect more than 15 different<br />

types of lighting arrangements and controls<br />

in use. A feature of special importance is in<br />

the paneled conference room, where the intensity<br />

of a large bank of concealed overhead<br />

fluorescent lights can be dial-controlled by<br />

the client, in order to select the foot-candle<br />

intensity of light desired for the theatre or<br />

other structure, making this a segment of an<br />

"architectural laboratory."<br />

Contracts Eight Pictures<br />

DETROIT—Jack Zide, head of<br />

Allied Film<br />

exchange, Detroit, and Imperial Pictures,<br />

Cleveland, returned from a two-week trip to<br />

New York, including attendance at the Allied<br />

Theatres convention. On this trip, Zide made<br />

deals for distributing eight additional features<br />

in his territories. He closed a deal with<br />

Visual Drama for "Guns Don't Argue," with<br />

Patric Pictures for "Walk Into Hell" and with<br />

Tudor Pictures for a series of six new releases.<br />

BOXOmCE November 16. 1957 ME-5


. . Mrs.<br />

. . Screen<br />

!<br />

. . The<br />

. . Jack<br />

. . William<br />

. . Lou<br />

COLUMBUS<br />

Jerry Knight has taken over the former Indianola.<br />

north side neighborhood recently<br />

operated by Frank Marzetti, and renamed it<br />

the Fox. The theatre, which will play first<br />

runs and art features, opened November 13<br />

with "Garden of Eden" Frances C.<br />

.<br />

Kidd. 61, former member of the Columbus<br />

Motion Picture Council, died . . . Betty Park,<br />

17-year-old senior at Dublin High School,<br />

won the Pat Boone contest sponsored by the<br />

Columbus Dispatch and 20th-Fox. Betty and<br />

her mother flew to New York for the premiere<br />

of "April L/Ove" at the Roxy.<br />

Total attendance during the 1957 summer<br />

strawhat sea.son of Playhouse-on-the-Green<br />

in suburban Worthington was 31,554, a gain<br />

of over 4,000 over the previous year. Average<br />

weekly attendance was 2,869 players<br />

Edward G. Robinson and Mona Freeman<br />

.<br />

are due in person at the Hartman in "The<br />

Middle of the Night" starting November 25<br />

. . . Walter Pidgeon appeared at the Hartman<br />

recently in "The Happiest Millionaire."<br />

Theatre Woman Killed<br />

WILLISTON, N. C.—Mrs. Kathleen Hawley<br />

Dobson Garber, who was killed in an automobile<br />

accident recently, is survived by her<br />

husband Sam; a daughter, Mrs. Robert C.<br />

Hams, Barnwell. N. C: a son, James F. Dobson<br />

jr., Payetteville, and two sisters and three<br />

brothers. Mrs. Garber operated a drive-in<br />

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CHICAGO<br />

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ITO of Ohio to Convene<br />

In Columbus Dec. 3, 4<br />

Columbus—The two-day convention of<br />

the Independent Theatre Owners of<br />

Ohio will open at noon December 3 at<br />

the Fort Hayes Hot«*l here, according to<br />

William Carroll, newly appointed executive<br />

secretary. The 2ind annual meeting<br />

will conclude with a final business session<br />

December 3. adjourning at 4 p.m.<br />

Preconvention meeting of the ITOO board<br />

of directors will be held December 2.<br />

Carroll said the subjects to be discussed<br />

at the business sessions will include<br />

business building, telemovies, new<br />

equipment, film rentals, availabilities,<br />

concession profits and theatre policies.<br />

Fourih Arl Theatre<br />

To Bow in Cleveland<br />

CLEVELAND—This city's fourth art theatre<br />

will debut Tlianksgiving Day. when the<br />

Cedar-Lee, conventional neighborhood house<br />

at 2613 Lee Rd.. Cleveland Heights, goes into<br />

an art policy, playing day and dat€ with the<br />

Lower Mall. "Perri" will be the first picture<br />

shown under the new policy.<br />

Since 1954, when Louis Sher and Ed Shulman,<br />

Columbus art theatre operators, leased<br />

the Heights Theatre here for an art operation,<br />

a total of three such theatres has been<br />

placed into operation here. The Heights Art.<br />

of course, was the first, then the Lower Mall<br />

downtown, and more recently the Mayfield<br />

Art. which opened about a month ago.<br />

But that isn't all. It is reported that the<br />

owners of the Heights Art are negotiating<br />

for another theatre, this one in East Cleveland,<br />

to add to their art chain. This would<br />

bring to five the number of fulltime art<br />

houses.<br />

In addition, there is a growing number of<br />

parttime art houses. Exhibitors report they<br />

have brought dead midweeks back to life with<br />

foreign pictures in such theatres as the<br />

Poster, Youngstown: ClaZell, Bowling Green:<br />

LvTic. Finlay: Ohio. Steubenville; Apolla.<br />

Oberlin; Park. North Canton; Willow. Independence:<br />

Ceramic, East Liverpool: Highland,<br />

Akron, and Westwood, Toledo. Locally, the<br />

Pairmount, Mayland and Detroit ,spot foreign<br />

pictures occasionally and find British pictures<br />

particularly welcome.<br />

Screen Festival Will Aid<br />

Variety Charity Camp<br />

CLE^VELAND—Variety Club of Cleveland<br />

sponsored a screen festival in 32 neighborhood<br />

theatres Saturday (16> at 10 a.m. for<br />

the benefit of its charity project. Camp Ho-<br />

Mita-Koda, a camp for diabetic children at<br />

Newbury, Ohio. Admission price was 40<br />

cents for the three-hour show, and all proceeds<br />

will go to the camp. The film used at<br />

the 32 theatres was donated by the distiibutors.<br />

Exhibitors contributed the use of their<br />

theatres. Theatre employes, motion picture<br />

operators and stagehands donated their services.<br />

Danny Rosenthal. United Artists manager,<br />

is chief barker of the 'Variety Club.<br />

Reopens at Lake Wales<br />

LAKE WALES, FLA.—The Wales Drivein,<br />

closed for two years, will reopen this<br />

month with Skeets Tally as manager.<br />

CINCINNATI<br />

Joel Golden, former Cincinnatian now representing<br />

Continental Pictures, was in the<br />

city calling on theatremen and visiting<br />

friends on the Row . Onie of the<br />

Oxford Amu.sement Co. was at home convalescing<br />

from recent surgeiy . . . Irving<br />

Tombach. WB exploitation representative, entered<br />

Jewish Hospital for a check-up and<br />

minor surgery.<br />

. . The<br />

Murray Baker, DCA manager, was in Indianapolis<br />

making theatre contacts .<br />

local 20th-Fox office was expecting a visit<br />

this week by Tom McCleaster, district manager<br />

. screening of "Sayonara,"<br />

Warner Bros, picture starring Marlon Brando,<br />

at the Esquire Theatre Monday i4) wa,s well<br />

attended. Many favorable comments were<br />

heard, particularly about the acting and the<br />

beauty of the production.<br />

Mrs. Julia Simon, Village Theatre. Charleston.<br />

W. Va.. made the rounds of the exchanges,<br />

as did George B. Lively, Huntington,<br />

W. Va.: Zeke Pappas. Dayton; John Carey,<br />

Wheelersburg; Robert Harrell, Cleves; Mike<br />

Chakeres and Wally Allen, Springfield. Jack<br />

Needham, Columbus, celebrated his birthday<br />

Tuesday i5). on which day he was a visitor<br />

on the Row.<br />

.<br />

. . .<br />

Mary Alice Horgan, former Paramount picture<br />

report clerk, visited the local office and<br />

informed her former co-workers of her engagement<br />

to Fi-ank Pi'azynskl. the wedding<br />

date to be May 3 Korte, 20th-Pox<br />

Kentucky salesman, became a father again<br />

October 31. It was the third boy for<br />

Margaret<br />

the<br />

Kortes. The other two are twins<br />

Begley has joined the office staff of<br />

Ti-i-State Theatre Service, replacing Mary<br />

Anne Bonno. who resigned.<br />

Four of the larger Dayton drive-ins are<br />

equipped with in-car heaters and will remain<br />

open the entire year. These are the<br />

Belmont Auto, owned by Max Millbauer;<br />

Sherwood and Dixie drive-ins, owned by<br />

Levin Bros., and the North Star, managed by<br />

Gene Chambers . Wells, who with his<br />

father Roy operated the St. Paul Theatre,<br />

Dayton, until its recent closing, is now completely<br />

out of show business and in a new<br />

enterprise. Jack is a sales representative,<br />

traveling all over the country to call on Air<br />

Force procurement offices.<br />

Mori Perlman, Columbia city salesman, accompanied<br />

Charles Palmer, West Virginia<br />

salesman, to that territory last week and<br />

visited the Newbold<br />

UA divi-sion<br />

circuit . . . Milton Cohen,<br />

manager, and Sid Cooper, district<br />

manager, spent a couple of days in the<br />

local office conferring with Manager Jack<br />

Finberg and sales manager Ross Williams<br />

. . . Mrs. Fanny Voss. head inspector for<br />

Paramount, returned to her desk Monday (4),<br />

She had been convalescing at home following<br />

minor surgery at a hospital.<br />

Remodeled Capitol Open<br />

With Spanish Pictures<br />

DALL-^iS—Trans-Texas Theatres postponed<br />

the reopening of its dowaitown Capitol here<br />

until Thursday (14i because of delays in<br />

completing the extensive remodeling of the<br />

house. Its new policy will be straight Spanishlanguage<br />

attractions and will mark it as the<br />

first such operation in the historj- of downtown<br />

Dallas.<br />

ME-G BOXOFFICE November 16, 1957


1 171,<br />

schedule<br />

—,<br />

Oklahoma UTO Asks<br />

More Color Pictures<br />

OKLAHOMA CITY— United Theatre Owners<br />

of Oklahoma's directors passed a resolution<br />

at their October meeting urging film<br />

companies to put more of their products in<br />

color. The resolution was in line with observations<br />

by theatre owners that pictures in<br />

color drew better at the boxoffice.<br />

Also on the October board meeting agenda<br />

was discussion of plans for UTOO's annual<br />

convention Marcli 5. 6 in the Biltmore Hotel<br />

here, with the convention banquet at tlie<br />

Skirvin.<br />

Dick Tliompson. president, said the group<br />

had decided to invite electronic equipment<br />

manufacturers to display their wares at the<br />

convention.<br />

Cincinnaii Variety Club<br />

Elects 1958 Crewmen<br />

CINCINNATI—Tlie 1958 crew was elected<br />

by Variety Tent 3 at its Monday niglit (4i<br />

meeting. The 11 directors will hold a meeting<br />

soon to elect 1958 officers.<br />

The new directors are Joseph Alexander.<br />

Saul Greenberg, Lee Heidingsfeld, Jack Kalan.<br />

Nat Kaplan. James A. McDonald.<br />

William Onie, Noah Schechter. William<br />

Shane, Edward Weston and Nate Wise. Delegates<br />

to Vai'iety's international convention<br />

are Onie and Robert C. McNabb: alternates.<br />

Greenberg and Schechter.<br />

Auxiliary directors for 1958 are Mrs. Saul<br />

Greenberg, Mrs. Sam Gutterman, Mrs. Sol<br />

Kolodny, Mrs. William Onie, Mrs. Hai'ry Pollins,<br />

Mrs. Abe Straus, Mrs. Sherwood R. Gordon,<br />

Mrs. Arthur Stevens, Mrs. Nathan Wise,<br />

Mrs. Charles Wolfson and Mrs. Ed Weston.<br />

A Variety family affair wUl be held Sunday<br />

starting with a screening at four o'clock<br />

in the Palace screening room, followed by a<br />

Thanksgiving dinner in the club rooms. Children<br />

and relatives are to be included in the<br />

program.<br />

The auxiliary is sponsoring a fund-raising<br />

affair Wednesday, December 4. It will start<br />

with cocktails and luncheon, followed by a<br />

2 p.m. screening in the Palace screening room.<br />

Since the screening room accommodates only<br />

80 persons, the first paid reservations will receive<br />

preference, the chai-ge being $3.50 for<br />

each reservation. Mrs. Stevens and Mi's.<br />

Guttermen are in charge.<br />

Robert Cotton Stricken<br />

DETROIT—Word of the recent death of<br />

Robert Cotton, oldtime Detroit filmite, was<br />

received by friends here, following by only<br />

a few months the death of his wife Ella. He<br />

came to Detroit from Minneapolis, where he<br />

had been with the World Film Co., as manager<br />

of the Detroit exchange. About 1924 he<br />

became district manager for the old Producers<br />

Distributing Co. in this area, making<br />

his headquarters in Cleveland. He resigned<br />

about five years later when that firm merged<br />

with Pathe, and had been inactive in the<br />

film business for about 30 years, but retained<br />

an interest in the business. He made<br />

his home at Beloit, Ohio, and Eustis, Fla.<br />

The key featured role of Mercier is played<br />

by Douglass DumbriUe in Paramount's multimillion<br />

doUar historical di'ama, "The Buccaneer."<br />

Bernard Samuels, 50. Dies;<br />

Theatreman at Detroit<br />

DETROIT—Bernard V. Samuels, 50, died<br />

suddenly November 5 from a heart attack at<br />

his home. He started as an usher at the<br />

DeLuxe Theatre, and then moved to the<br />

first-run Adams, then under Kunsky circuit<br />

operation, becoming assistant manager. Subsequently,<br />

he became house manager of the<br />

Ferry Field (later Beacon i Theatre, operated<br />

by I. J. London.<br />

He then transferred to the former Jacob<br />

Schreiber circuit (now Midwest Tlieatres, operated<br />

by Raymond and Nathan Schreiber)<br />

becoming assistant general manager and tlien<br />

general manager of the circuit, about 1935.<br />

He was later manager of the Admiral Theatre<br />

(and for a time the President Theatre)<br />

for Affiliated Theatres, until a long siege of<br />

illness forced his resignation. He subsequently<br />

was with Clark Theatre Service handling<br />

theatre booldngs, and for about the last<br />

two years was manager of the Jolly Roger<br />

Drive-In for the Nick George circuit.<br />

He is survived by his wife Norma and<br />

daughter Barbara Louise and a brother Elton<br />

V. Samuels, owner of the Pontiac Drive-In<br />

Theatre at Pontiac. Interment was in Forest<br />

Lawn cemetery.<br />

Detroit's Largest Theatre<br />

Has 'Mixed Up' Week<br />

DETROIT—The Motor City's biggest theatre,<br />

the 5,000-seat Fox, had a "crazy mixed<br />

up ' of bookings this week amounting<br />

to five changes. Basic booking problems<br />

arose because of the coincidence of two special<br />

show bookings, requiring badly split<br />

weeks.<br />

Managing Director Bob Bothwell held<br />

"Stopover Tokyo" and "Ride a Violent Mile"<br />

over three extra days, through Saturday,<br />

even though business in the first week was<br />

disappointing, to meet the requirements. On<br />

Sunday the show offered two reserved seat<br />

performances of a rock and roll presentation<br />

on the stage, headlining Fats Domino, La-<br />

Verne Baker and the Eberly brothers.<br />

Monday the house brought back a strong<br />

dual bill—"Love Is a Many Splendored<br />

Thing" and "Three Coins in the Fountain"<br />

for one day plus the Tuesday matinee. Tuesday<br />

night the house ran a special stage showheaded<br />

by Larry Parks and Betty Garrett,<br />

sporisored by B'nai B'ritli for a benefit. On<br />

Wednesday "Kiss Them for Me" was set to<br />

open, a day ahead of the regular Thursday<br />

opening for this house.<br />

12 Graded for Adults<br />

TORONTO—The Ontario censor board has<br />

graded 12 pictures as adult entertainment.<br />

The group for the month consists of Black<br />

Scorpion, Chicago Confidential. Death in<br />

Small Doses. From Hell It Came, The Girl<br />

in Black Stockings, I Was a Teenage Werewolf,<br />

The Living Idol, My Gun Is Quick, The<br />

Passionate Stranger, Street of Sinners, Valerie<br />

and Woman of the River.<br />

Four Columbia First Runs<br />

DETROIT—Milton Zimmerman. Columbia<br />

manager, scored a neat coup with four features<br />

playing major downtown first runs day<br />

and date— "The Story of Esther Costello" at<br />

the Madison. "Operation Mad Ball" at the<br />

Michigan. "The Giant Claw" and "The Night<br />

the World Exploded" at the Broadway Capitol.<br />

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Please enroll us in your RESEARCH BUREAU<br />

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'he lollowring subjects for Theaire Planning:<br />

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Projectors<br />

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n Projection Lamps<br />

n Building Material<br />

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U Carpets<br />

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D Coin Machines ^ ^'9"= """^ -Marquees<br />

D Complete Remodeling<br />

D Decorating<br />

Sound Equipment<br />

D Television<br />

D Drink Dispensers D Theatre Fronts<br />

n Drive-In Equipment n Vending Equipment<br />

n Other Subjects<br />

Thoatre<br />

Seating<br />

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Signed<br />

Posfogc-paid reply cords for your further convenience<br />

10 obtQirung in|ormarion are provided in MODERN<br />

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each month.<br />

BOXOFFICE :: November 16, 1957 ME-7


ME-8<br />

Through the Courtesy of<br />

BOXOFFICE<br />

BOXOFFICE<br />

:; November 16. 1957


—<br />

—<br />

—<br />

—<br />

——<br />

—<br />

Paro)<br />

—<br />

"That<br />

. . Horror<br />

Spotty Boston Week<br />

Led by French Film<br />

BOSTON— Spotty business was registered<br />

with a rainy weekend causing some of the<br />

drop. Of the new product "And God Created<br />

Woman" took the lead. This French film<br />

will play the Gary Theatre for three weeks<br />

and then transfer to the Beacon Hill Theatre,<br />

an unusual move. The combination of<br />

"Young and Dangerous" with "Rockabilly<br />

Baby" was withdrawn from the Memorial<br />

after four days and two 20th-Fox reissues<br />

were substituted. The Metropolitan had a<br />

low gross for "Story of Mankind." The package<br />

combination of "Amazing Colossal Man"<br />

and "Cat Girl" at the Paramount and Penway<br />

was well above average. This program<br />

had a strong TV campaign.<br />

(Average Is 100)<br />

Astor Raintree County (MGM), 3rd wk<br />

Beacon Hill Sins of Casanova (Times), 2nd wk<br />

Boiton Seven Wonders of the World (SW),<br />

62nd wk ..... 75<br />

Exeter Street Brothers in Low (Cont'l),<br />

5th and final wk 80<br />

Gary And God Created Woman (Kingsley) 190<br />

Kenmore The Young Stranger (U~l), 2nd wk. . ..120<br />

Memorial Young and Dongerous (20th-Fox);<br />

Rockabilly Baby (20th-Fox),<br />

split with two reissues 70<br />

Metropolitan The Story of Mankind (WB);<br />

Woman in a Dressing Gown (WB) 65<br />

Paramount and Fenway The Amazing Colossal<br />

Man (AlP); Cat Girl (AlP) 125<br />

Saxon Around the World in 80 Days (UA).<br />

29th wk 250<br />

State ond Orpheum Time Limit (UA);<br />

Hidden Fear (UA) 110<br />

'Around the World' Ends<br />

15-Week Hartford Run<br />

HARTFORD—The Stanley Warner Strand<br />

chalked up a handsome 175 for the 15th and<br />

concluding week of "Around the World in<br />

80 Days."<br />

Allyn Zero Hour! ,Para). Hear Me Good (Para). .105<br />

Art An Alligotor Named Daisy (RFDA), 2nd wk. 90<br />

Colonial Brothers in Low (Cont'l), 2nd wk 100<br />

E M. Loew Operation Mod Ball (Col);<br />

The Tijuano Story (Col) 110<br />

Palace Battle Hell (DCA), Hell in Korea (DCA) 85<br />

Poll Stopover Tokyo (20th-Fox);<br />

Under Fire i20th-Fox) 105<br />

Strand Around the World in 80 Doys (UA),<br />

15th wk 175<br />

Wife for a Night (Harrison) 110<br />

Webb<br />

'Around the World' Still Paces<br />

New Haven After 14 Weeks<br />

NEW HAVEN—"Around the World in 80<br />

Days" went into its 14th week, with the Bailey<br />

circuit's Whalley as yet not determined on<br />

concluding date of the Michael Todd attraction.<br />

College Pal Joey (Col) 1 50<br />

Paramount Zero Hour! (Para);<br />

Hear Me Good ( 115<br />

Poll Stopover Tokyo (20th-Fox);<br />

Under Fire i20th-Fox) 110<br />

Roger Sherman The Story of Monkind (WB);<br />

Black Potch (WB) 1 00<br />

Whalley Around the World in 80 Days (UA),<br />

14th wk 220<br />

'Joker's' Second Week Tops<br />

In Providence<br />

PROVIDENCE—"The Joker Is Wild." playing<br />

for a second week at the Strand, registered<br />

125. to lead downtown first-runs. Following<br />

very closely was "Time Limit" at Loew's State,<br />

which reported 120. A combination thrill<br />

show, comprising "The Amazing Colossal<br />

Man," and "The Cat Girl," at the RKO Albee,<br />

just squeezed into the average circle. Local<br />

business conditions continue weak, according<br />

to leading retailers.<br />

Albee The Amozing Colossol Man (AlP); The<br />

Cot Girl lAlP) 100<br />

Loew's Time Limit (UA) 120<br />

Maiestic The Three Faces of Eve (20th-Fox). ... 50<br />

Strand The Joker Is Wild (Para), 2nd wk 125<br />

Four NE Exhibitor Groups Endorse<br />

Goldenson-Hyman Distribution Idea<br />

BOSTON — New England exhibitors are<br />

unr.nimous in then- opinion that something<br />

thould be done to provide a more orderly<br />

release of pictures during the year. The<br />

practice of film companies of holding back<br />

certain important films for holiday playing<br />

time has caused exhibitors to suffer along<br />

with only run-of-the-mill product in between<br />

Steady Hollywood Hunt<br />

For Worth-While Stories<br />

HARTFORD—William Ornstein, home office<br />

tradepress contact for Loew's, told a<br />

meeting of the Temple Beth Israel Married<br />

Club that Hollywood is searching constantly<br />

"for story material that will relate episodes<br />

with both logic and entertainment."<br />

"Merging of tliese two objectives," he admitted,<br />

"is difficult for even the best of<br />

screenwriters, and they sometimes result in<br />

inferior melodrama."<br />

During introductory remarks, Allen M.<br />

Widem of the Hartford Times, noted that<br />

film studios have scheduled an increasing<br />

number of major attractions based on cuiTent<br />

best -sellers.<br />

Allied Convention Report<br />

Made to lENE Board<br />

BOSTON—Edward W. Lider. president of<br />

the Independent Exhibitors of New England<br />

and the organization's national delegate, reported<br />

on proceedings of the National Allied<br />

board when the lENE board met here Tuesday<br />

morning (12). Lider recently returned<br />

from the Allied national convention at<br />

Kiamesha Lake, N. Y.<br />

Norman Glassman, chairman of the lENE<br />

board, presided at the meeting.<br />

Theodore DiLorenzo Loses<br />

Hartford Mayoralty Race<br />

HARTFORD—The son of a film mdustry<br />

pioneer was defeated in his first political<br />

race November 5.<br />

Theodore J. DiLorenzo, 33, son of the late<br />

A. J. DiLorenzo, one of Hartford's first theatre<br />

owners, ran on the Republican ticket<br />

for the city council in Hartford election.<br />

Voters named James H. Kinsella, attorney<br />

and former band singer here, as mayor.<br />

Kent Smith who has a leading role in<br />

United Artists' "The Muggers" is one of<br />

Broadway's most prominent players.<br />

times.<br />

The first resolution reported in this area<br />

was that of Independent Exhibitors, a unit<br />

of national Allied. Edward W. Lider, lENE<br />

president, at a board of directors meeting,<br />

urged the distributors to release a greater<br />

flow of product during the ten-week period<br />

between Labor Day and Thanksgiving to<br />

alleviate the situation. This was put in the<br />

form of a resolution and was unanimously<br />

endorsed.<br />

A few days later, after a special executive<br />

session of Allied Theatres of New England,<br />

an unaffiliated organization representing<br />

200 theatres in this territory, Martin J. Mullin,<br />

president, announced that the organizat'on<br />

had unanimously endorsed the activities<br />

cf Leonard Goldenson and Edward J. Hyman<br />

directed toward the orderly distribution of<br />

product. This group also voted to send representatives<br />

to attend the forthcoming meeting<br />

with distributors in New York.<br />

The next New England exhibitor group to<br />

be heard from was Theatre Owners of Rhode<br />

Island. Edward M. Fay, president, called a<br />

special meeting and adopted the following<br />

resolution 1 Theatre Owners of Rhode<br />

Island wholeheartedly endorsed the ideas of<br />

Goldenson-Hyman for the orderly distribution<br />

of film product. We sincerely hope that<br />

all distributors and film companies will give<br />

this matter their deep consideration."<br />

Motion Kcture Theatre Owners of Connecticut,<br />

a group operating large and small<br />

theatres in that state, has also endorsed<br />

the Goldenson-Hyman efforts to establish an<br />

orderly system. This group is ready to send<br />

members to New York for distributor meetings<br />

to assist in this project. George H. Wilkinson<br />

jr. is president of this exhibitor group.<br />

PROVIDENCE<br />

'Vale Udin, former well-known East Piovidence<br />

businessman, and his brother-inlaw,<br />

Samuel Shindler, recently leased the<br />

Hollywood, the only theatre in East Providence.<br />

The former Bomes house has been refurbished<br />

and a new heating system installed.<br />

The Udin and Shindler interests will attempt<br />

to restore the popularity of the Hollywood,<br />

which at one time enjoyed unusual success.<br />

Udin is winding up his interests in Florida<br />

and will soon return to assume active management<br />

of the East Providence theatre.<br />

Phil Nemirow, RKO Albee manager, has<br />

been receiving condolences following the<br />

death of his father-in-law, William Bergovoy,'<br />

who died in the Rhode Island Hospital after<br />

a series of heart attacks . . . The Playhouse,<br />

formerly the Modern, at one time a leading<br />

downtown first-run motion picture house, will<br />

soon be razed to make room for a parking lot.<br />

The former motion picture "palace" tried<br />

every form of entertainment, from stock to<br />

burlesque, before finally shuttering for good.<br />

The Cranston Auto Theatre recently drew<br />

fine patronage by offering a three-evening<br />

Halloween show. Two horror films, a giant<br />

cartoon show, with free masks and apples for<br />

the kiddies, were combined for a well-received<br />

program ,<br />

films apparently outdrew<br />

all other types of pictures in this area;<br />

at least that seeems to be the consensus of<br />

many operators. Al Clarke, Stanley Warner<br />

Majestic manager, recently used liberal publicity<br />

to announce a three-day engagement<br />

of "The Unknown Terror" and "Back From<br />

the Dead." while the Albee was featuring<br />

"The Amazing Colossal Man" and "Cat Girl."<br />

The Palace, Washington Park neighborhooder,<br />

recently announced a special engagement<br />

of "The Ten Commandments." As Ijas<br />

been customary with the smaller neighborhooders.<br />

only two performances daily ftre<br />

given and tariffs have been hiked.<br />

BOXOFFICE November 16, 1957 NE-1


. . The<br />

BOSTON<br />

•The Thanksgiving and Christmas pictures<br />

at the three theatres of the Benjamin<br />

Sack circuit are signed. The Beacon Hill will<br />

play "And God Created Woman," starting<br />

November 22. This French film is currently<br />

at the Gary Theatre. The Christmas presentation<br />

at the Beacon Hill is to be Walt<br />

Disney's "Old Yeller," December 25. At the<br />

Gary Theatre, Walt Disney's "Perri" will be<br />

the Thanksgiving picture, starting November<br />

28, and the roadshow engagement of Columbia's<br />

"Bridge on the River Kwai" will be<br />

the Christmas presentation, starting December<br />

27. The Saxon Theatre, Boston, is continuing<br />

with "Around the World in 80 Days,"<br />

which goes along its meri-y way. By Thanksgiving<br />

week it will be in its 32nd week with<br />

brisk business, especially weekends, all the<br />

way.<br />

"<br />

"Bridge on the River Kwai will have<br />

seven evening performances and tlrree matinees.<br />

Wednesdays, Saturdays and Sundays,<br />

except for Christmas week when there will<br />

be a daily matinee.<br />

George Roberts, treasurer of Rifkin Theatres,<br />

was presented the award as "Man of<br />

the Year" at a dinner of Temple Emanuel<br />

Brotherhood, Newton, for "loyalty and devotion<br />

to the brotherhood." Roberts is also<br />

president of the greater Boston B'nai B'rith<br />

council and an assistant chief barker of the<br />

Variety Club of New England. Sunday (3i<br />

he was toastmaster and coordinator of the<br />

annual covenant breakfast of B'nai B'rith at<br />

Temple Kelhilleth Israel, Brookiine, attended<br />

by 650 persons. At the head table were Mayor<br />

John Hynes of Boston and Mayor Nathan<br />

Phillips of Toronto, the latter being the<br />

principal speaker.<br />

. . . Edward Comi, head of<br />

Sympathy is extended to Paul Hachey,<br />

aiianager of E. M. Loew's Kingston, Mass..<br />

Drive-In in the death of his father. Sympathy<br />

is also extended to Louis Richmond, owner<br />

of the local Kenmore, in the death of his<br />

brother Charles<br />

Massachusetts Theatre Equipment Co., was<br />

rushed to the Quincy City Hospital for an<br />

emergency appendectomy. He is recovering<br />

and .should be back on the job in another<br />

two weeks.<br />

While standing in tlie lobby of her Concord.<br />

N. H., theatre to welcome the patrons,<br />

Theresa Cantlin received the shock of her<br />

when she discovered that she was saying<br />

life<br />

"Good evening" to actor David Niven. He<br />

and Mrs. Niven and their son, a student at<br />

St. Paul's School in Concord, had purchased<br />

theii- tickets and were entering the theatre<br />

to see the double Allied Ai-tists' bill, "Portland<br />

Expose" and "Death in Small Doses."<br />

Later, Niven chatted for nearly an hour about<br />

the film business with Miss Cantlin and her<br />

assistant, Laurie Oantlin.<br />

Drops Weekday Shows<br />

HARTFORD—Milton LeRoy has dropped<br />

Monday through Thursday performances at<br />

the Blue Hills Drive-In for the remainder of<br />

the season. He is now scheduling two shows<br />

nightly, Fridays through Sundays.<br />

Nick Brickates in Hospital<br />

NEW HAVEN— Nick E. Brickates, Connecticut<br />

district manager for Stanley Warner<br />

Theatres, has been hospitalized.<br />

NEWHAMPSHIRE<br />

\A7hen the voters went to the polls in Dover's<br />

municipal election November 5, their<br />

choice for mayor had to be a theatreman.<br />

Melvin Morrison, longtime exhibitor in the<br />

area, was the Republican candidate, and his<br />

Democratic opponent was James P. Nadeau,<br />

who owns several outdoor theatres. Morrison<br />

won with 3.473 votes, compared with his<br />

rival's 2,539 . State Theatre in Manchester<br />

has inaugurated a new Saturday<br />

night preview program. The opening attraction<br />

featured "The Pride and the Passion,"<br />

in addition to the regular show.<br />

The Palace Theatre in Manchester, where<br />

there is a large population with Greek ancestry,<br />

recently presented a Sunday program<br />

made up of all-Greek motion pictures . . .<br />

Federal Judge A. J. Connor in district court<br />

in Concord denied a request for reduction of<br />

the 60-day sentence imposed on Bradley T.<br />

Callahan, Concord theatre projectionist and<br />

former business agent of the Concord local of<br />

the theatre employes union, on income tax<br />

evasion charges. Callahan, whose local was<br />

involved in a membership-selling scandal,<br />

started serving his sentence November 1. He<br />

also was fined $2,000.<br />

Joseph M. Rattee, 69, motion picture projectionist<br />

who had resided in Exeter for the<br />

last 20 years, died at the Goodwin Home in<br />

Hampton Falls November 6 after a long illness.<br />

He was a native of Black Lake, Canada.<br />

Paramount's "Fi'om Among the Dead" is<br />

being filmed in San Francisco and the San<br />

Juan Bautista Mission.<br />

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NE-2 BOXOFFICE :: November 16, 1957


F "—-'"<br />

THESE ANNOUNCEMENTS REVEAL<br />

VITAL<br />

FACTS ABOUT<br />

fORV uUS\Of^<br />

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Headlines and illustrations from feature<br />

stories. Motion Picture Herald, June 8,1957<br />

These news stories are proof again, that the most<br />

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contributions to cinematic projection are all<br />

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The choice is CENTURY, whether it be horizontal<br />

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BOXOFFICE :: November 16, 1957 NE-3


. . The<br />

. . Harry<br />

. .<br />

Regional<br />

. . Sal<br />

HARTFORD<br />

"The Hartford dailies have climbed on the<br />

"Get More Out of Life ... Go to a<br />

Movie" slogan campaign; both the Times<br />

by Lou<br />

and the Courant, through suggestion<br />

Cohen, manager of downtown Loew's Poll,<br />

have adopted the title for their daily theatre<br />

time schedules. Accolades have been sounded<br />

in all corners . . . Bernie Young of the UA<br />

home office exploitation staff worked on the<br />

world premiere of "Baby Face Nelson" for<br />

a week with Cohen. The UA release opened<br />

Thursday (14 j, with Young and Cohen Uning<br />

up nothing less than a five-column spread<br />

in the Times and numerous merchant tieups.<br />

Pi-omotion via ancient car societies was also<br />

noted.<br />

Sperie Perakos, general manager of Perakos<br />

Theatres Associates, was in town from New<br />

Britain, meeting with Tom Grace. Eastwood.<br />

and Vince Capuano. Elm Goldstein,<br />

eastern exploitation manager for Allied<br />

.<br />

Artists, huddled with Ray McNamara. Allyn,<br />

on the regional bow of "The Hunchback of<br />

Notre Dame." Goldstein brought in a street<br />

float for three days from New York. Goldstein<br />

and McNamara lunched with the Hartford<br />

pre.ss at the Statler Hotel November 4.<br />

Two more suburban houses—the Keppner-<br />

Tarantul Burnside and the Tolls Newington—opened<br />

extended engagements of "The<br />

Ten Commandments," at $1.50 top, with pass<br />

lists suspended for dui-ation of the booking.<br />

The theatres took a cooperative ad locally<br />

3,800-seat State, sole remaining<br />

vaudeville-film situation here, scheduled the<br />

Fats Domino "Show of Stars" revue for<br />

Saturday (16 1 at $3.30 top . . . Harold Cummings,<br />

Stanley Warner Capitol. Springfield.<br />

was in town.<br />

Henry L. Needles, ex-district manager for<br />

Warner Bros. Theatres, has completed his<br />

assignment as house treasurer for the SW<br />

Strand engagement of "Around the World in<br />

80 Days" . . . The Parkway, Springfield,<br />

closed for the season AB-PT<br />

.<br />

houses, including the Allyn, Hartford; Paramount,<br />

New Haven, and Paramount. Springfield,<br />

opened "Zero Hour!" day-and-date.<br />

Mrs. Albert Shulman, wife of the Shulman<br />

Theatres executive, served as a campaign<br />

worker for opening of the second annual<br />

"Three Evenings in Theatre" series sponsored<br />

by the Committee for the Arts, Hai-tford<br />

Jewish Community Center. November 4. The<br />

initial program featuied stage-screen actor<br />

Emlyn Williams in a one-man show, "A Boy<br />

Growing Up." entertainment based on the<br />

Dylan Thomas stories, presented at the King<br />

Philip School auditorium. Numerous trade<br />

figures, including Mrs. Shulman's brother-inlaw,<br />

M. W. Shulman, were in the audience.<br />

Speed Up Airer Closings<br />

Throughout Ontario<br />

TORONTO^Drive-in theatres have been<br />

closing throughout Ontario, although the<br />

weather continued favorable until last week<br />

when the first blasts of winter were felt. In<br />

the Toronto area, the 400 and Northeast,<br />

operated by 20th Century Theatres, were the<br />

first to close, leaving three others in<br />

operation.<br />

Only one was left in the Hamilton area,<br />

the Clappison. In Ottawa, two had dropped<br />

out, the Auto-Sky was on full schedule, but<br />

the Star-Top continued Friday and Saturday<br />

nights. At Cornwall both ozoners called<br />

it a season. Odeon's Cornwall and the independent<br />

Starlite. The Odeon unit at Kingston<br />

was also finished, as was the Peterboro.<br />

NEW HAVEN<br />

•The Fishman circuit booked an all-Italain<br />

stage and screen show into the suburban<br />

Dixwell Theatre for a single evening's performance.<br />

Similar programs have previously<br />

appeared at a number of Stanley Warner<br />

situations in this territory Adorno<br />

.<br />

double-billed "An Affair to Remember" and<br />

"Love in the Afternoon" at the first-run<br />

Palace. Middletown.<br />

The Read School PTA sponsored a showing<br />

of "The Seven Little Foys" at the Rialto,<br />

Bridgeport . The East Haven Capitol has<br />

started a<br />

. .<br />

new serial, "The Vigilantes," as an<br />

The Mahaiwe,<br />

added Saturday attraction . . .<br />

Great Barrington, is now on winter schedule,<br />

with two complete performances Mondays<br />

through Fridays, starting at 6;30 and 8:30,<br />

and 2; 10 matinees Saturdays, Sundays and<br />

holidays.<br />

Harry F. Shaw, division m.anager; Lou<br />

Brown, ad-publicity chief, Loew's PoU-New<br />

England Theatres, and MoiTis Rosenthal,<br />

Loews Poll, were enthused over boxoffice<br />

prospects for "Pal Joey," with sizable advance<br />

new^spaper ads and promotion scheduled<br />

ahead of the regional opening at the downtown<br />

house . . . Irving Hillman, SW Roger<br />

Sherman, played the initial showing of "The<br />

Story of Mankind," with tradesters interested<br />

m customer reaction to this Irwin Allen<br />

production.<br />

u


—<br />

—<br />

'Hunchback' and 'Ball'<br />

Big Toronto Openers<br />

TORONTO—The leaders among new pictures<br />

were "The Hunchback of Notre Dame"<br />

at the Hollywood and "Operation Mad Ball"<br />

at the Odeon Carlton, the latter having the<br />

assistance of National Film Board's "The<br />

Sceptre and the Mace," a record of Queen<br />

Elizabeth's recent visit to Canada. There were<br />

. 125<br />

, 1 10<br />

four holdovers.<br />

(Average Is 100)<br />

Eglinfon Man of o Thousand Faces (U-l) 105<br />

Hollywood The Hunchback of Nofre Dame (AA).115<br />

Hyland Sea Wife (20th-Fox)<br />

no<br />

Imperiol Jet Pilot (U-l)<br />

Loew's Time Limit ;UA), 2nd wk<br />

1 10<br />

100<br />

Norfown The Joker is Wild (Parol<br />

.105<br />

Odeon Operotion Mad Ball (Col); The Sceptre<br />

.115<br />

and the Moce (NFB)<br />

Tivol! Around the World in 80 Doys (UA),<br />

14th wk<br />

Towne Perri (BV), 2nd wk<br />

University This Is Cineroma :Cineroma),<br />

3rd wk.<br />

Uptown The Invisible Boy (MGM) 105<br />

iPlu Epidemic Hurts<br />

Vancouver Scores<br />

'VANCOU'VER—The bo.xoffice story here<br />

remained a sad one for the first runs. Newbills<br />

at first runs were unable to overcome<br />

the flu epidemic, which crippled business,<br />

with parents keeping the teenage crowd<br />

away from theatres. "'Woman of the River"<br />

gave the Strand a better than average week.<br />

"Around the World in 80 Days" in its 12th<br />

week did okay, and "Brothers in Law" in its<br />

fifth week was above average.<br />

, .<br />

Capitol The Three Foces of Eve (20th-Fox) Fair<br />

Cinema Unknown Terror (20th-Fox);<br />

Eock From the Dead (20th-Fox) Moderate<br />

Or-'heum The Helen Morgan Story (WB) Fair<br />

Plozo Forty Guns (20th-Fox);<br />

God Is Mv Portner (20th-Fox) Fair<br />

S;on!ey Around the World in 80 Days (UA),<br />

12fh wk . . Good<br />

S'rond Woman of the River (Col);<br />

The Domino Kid Col) Good<br />

Studio Brothers in Low (IFD), 5th wk Good<br />

Voque The Sun Also Rises (20th-Fox),<br />

2nd wk<br />

Average<br />

Ne'w Product Is Slow<br />

In Winnipeg Houses<br />

'WINNIPEG—First runs here failed to respond<br />

to major new product and instead<br />

continued the slow^ pace of the previous week.<br />

Capitol— The Three Faces of Eve (20th-Fox) 110<br />

Goiety Around the World in 80 Days (UA),<br />

3rd -onth 110<br />

Gorrick 3:10 to Yuma (Col) 1 05<br />

Lyceum Scandal in Sorrento (DCA);<br />

Bermuda Affair (DCA) 100<br />

Met—James Deon Story (WB);<br />

Johnny Trouble (WB) 100<br />

Odeon Interlude :U-I) 85<br />

Valour Three Men in a Boat (IFD) 105<br />

Quebec Pioneers to Meet<br />

In Montreal Nov. 27<br />

MONTREAL—The tenth semiannual meeting<br />

of the Quebec branch of the Canadian<br />

Picture Pioneers will be held at Rialto Hall<br />

on Park avenue -Wednesday, November 27.<br />

Those in charge of arrangements declare that<br />

this year's affair will surpa.ss all other such<br />

parties.<br />

Tickets may be secured from Arthur Larente,<br />

secretary-treasurer of the association.<br />

Larente is at Peerless Films. 5975 Monkland<br />

Ave., Notre-Dame-de-Grace. Pioneers are<br />

asked to take one or more friends to the party.<br />

Pioneers have also been asked to notify immediately<br />

Bill O'Loghlin, Capitol Theatre, on<br />

hearing of the illness of any fellow Pioneer or<br />

of any per.son in the motion picture industry.<br />

Canadian Film Industry<br />

Ready for Conventions<br />

TORONTO— President Lionel Lester of the<br />

Motion Picture Theatres Ass'n of Ontario has<br />

completed arrangements for the organization's<br />

annual meeting and luncheon scheduled<br />

for Monday (25) at the King Edward Hotel<br />

here. This session will launch the series of<br />

industry conventions and functions.<br />

The registration desk will open at 9:30<br />

a.m. under the direction of Mrs. Mae Chinn,<br />

assistant to Executive Secretary Arch H.<br />

Jolley. The business meeting will get under<br />

way at 10 a.m. in the reception room on the<br />

17th floor of the hotel. The concluding feature<br />

will be the election of officers.<br />

Cocktails will be served at 12:30, after<br />

which the delegates, members and guests<br />

will proceed to the Crystal ballroom for the<br />

luncheon at 1 p.m., when the address of<br />

Albert E. Sindlinger, industry analyst, Ridley<br />

Park, Pa., will be heard. The election results<br />

also will be announced.<br />

Jolley said that delegates to other conventions<br />

on subsequent days are welcome to<br />

Safety Elephant Shows<br />

Are Resumed in Toronto<br />

TORONTO—The first of a series of ten<br />

special Saturday matinee programs featuring<br />

Elmer, the Safety Elephant Who Never Forgets,<br />

sponsored by the Metropolitan Toronto<br />

Traffic Safety Council and the Telegram<br />

newspaper, opened November 9 at 23 circuit<br />

theatres with a rush of enthusiasm.<br />

The shows, which place emphasis on traffic<br />

safety, are accompanied by a contest for<br />

juveniles 12 years of age and under, in which<br />

no less than 1,863 prizes have been set up.<br />

The contest winner at each of the 23 theatres<br />

will receive a bicycle.<br />

The grand prize, which will be awarded for<br />

a safety quiz to be published in the Telegram,<br />

will be an all-expense trip by plane for the<br />

winner and one adult to the British West<br />

Indies with stopover in New York City. Intermediate<br />

awards will be presented by Pan<br />

American Airways, Pepsi-Cola and Orange<br />

Crush companies.<br />

The 23 participating theatres are units of<br />

Famous Players, Bloom & Fine, 20th Centui-y<br />

and Premier Theatres. A similar series is<br />

being conducted in other Ontario cities. At<br />

Peterborough, the Elmer matinees are being<br />

sponsored by the Kinsmen Club at the Paramount.<br />

At the Brantford Capitol the .sponsors<br />

are the Expositor newspaper and the<br />

Brantford police department.<br />

Rename Walter Beachler<br />

DA'^TON—Variety Tent 18 has re-elected<br />

Walter Beachler, president of United Fireworks<br />

Mfg. Co., as chief barker. Renamed for<br />

a second term were Harry Good, first assistant<br />

chief barker; Paul Swinger, second<br />

assistant chief barker; Abe Rosenthal, property<br />

master, and Sylvan Fred, dough guy.<br />

Other members of the board of canvasmen<br />

are Robert Gump. Tom Ryan, Fred Krimm,<br />

Roy Wells, William Clegg, Dr. Ai'thur Denlinger,<br />

Robert Keyes and James E. P. Sullivan.<br />

attend the MPTAO meeting as observers, as<br />

well as the luncheon. The National Committee<br />

Motion Picture Exhibitors Ass'ns will<br />

meet Tue.sday 126), while the convention of<br />

the Motion Picture Industry Council of Canada<br />

will be held November 27, 28.<br />

A number of luncheons and dinners have<br />

been arranged. Super Pufft Popcorn will be<br />

host for a complimentary luncheon at 12:30<br />

Tuesday for all delegates, industry visitors<br />

and guests. The Canadian Motion Picture<br />

Distributors Ass'n will give a luncheon<br />

•Wednesday (27i at 12:30.<br />

The Toronto 'Variety Tent will hold a dinner<br />

Tuesday i26) at 6 p.m., for which tickets<br />

will be sold. The convention program will<br />

close Thursday night i28i at 6:30 with the<br />

annual awards dinner of the Canadian Picture<br />

Pioneers followed by dancing. Tickets<br />

will be $6 per per.son.<br />

Arch Jolley is receiving reservations at his<br />

office, 21 Dundas Square, Toronto 1, for hotel<br />

accommodations and the functions.<br />

Encouraging Forecast<br />

By British Producer<br />

WINNIPEG—Although film attendance is<br />

dropping off at the rate of about seven per<br />

cent annually, it will eventually level off at<br />

prewar figures and then rise. That was the<br />

prediction of Dr. Roger Manvell, director of<br />

the British Film Academy, here on a lecture<br />

tour.<br />

Instead of production line methods, films<br />

must be a matter of individual showmanship.<br />

Dr. Manvell said. The thought behind<br />

them must go deeper. If they are comedies,<br />

they must be funnier comedies. If they are<br />

dramas, they must be more serious dramas.<br />

Doctor Manvell praised the larger screens<br />

and improved sound found in films today. He<br />

doesn't see a really serious permanent rivali-y<br />

between television and films. Television, he<br />

pointed out, excels in live coverage of events,<br />

whereas motion pictures are much better if<br />

they exercise their function as carefully made<br />

productions.<br />

Pay television. Doctor Manvell believes,<br />

will have its niche in showing material not<br />

suited to a larger theatre.<br />

He forecasts that there will be fewer, but<br />

better films. These pictures of better quality<br />

will have longer runs and will be stories that<br />

are vital and essential to people. Motion<br />

pictures also have a social aspect, Doctor<br />

Manvell said, and for that reason people<br />

will not continue to stay home and watch<br />

television. People need to go out for entertainment<br />

which enables them to be part of<br />

an audience.<br />

The British Film Academy, w-hich Doctor<br />

Manvell directs, is similar to the Academy<br />

of Motion Picture Arts and Sciences in<br />

Hollywood. The BFA also names an annual<br />

award winning film. Last year the prize went<br />

to a French entry, "Gervaise," based on an<br />

Emile Zola novel, with Rene Clement, directing.<br />

BOXOFFICE November 16. 1957 K-1


. . The<br />

. . Slim<br />

. . Arnie<br />

. . Harlan<br />

. . The<br />

. . Mrs.<br />

. . Marcel<br />

William Summerville to be Feted<br />

As Canadian Pioneer of the Year<br />

TORONTO—William A. Summerville. 78.<br />

Toronto thetare personality for many years,<br />

has been named 1957<br />

Tgg Pioneer of the Year by<br />

•w '^. the Canadian Picture<br />

| Pioneers and will be<br />

-5 honored at the CPP<br />

.<br />

annual awards dinner<br />

November 28 at the<br />

Royal York Hotel.<br />

Kenneth M. Leach,<br />

Calgary exhibitor, will<br />

receive a special<br />

award at the banquet.<br />

Summerville started<br />

William Summerville<br />

his career as a cornet<br />

soloist in 1898. traveled<br />

with the William H. West Minstrels, became a<br />

vaudeville actor, then settled down in Toronto<br />

where he opened the Prince of Wales<br />

Theatre in 1924 and the Eastwood in 1926. becoming<br />

a partner in Bloom & Fine Theatres,<br />

of which his oldest son William jr. is now<br />

assistant managing director.<br />

In the political sphere he served as a Toronto<br />

alderman 1922-28 and a member of the<br />

civic board of control 1929-31.<br />

He was elected<br />

VANCOUVER<br />

Dob Kelly, manager of the Odeon, New West-<br />

. .<br />

minster, was elected treasurer of the<br />

Pacific Coast Soccer League. Bob was secretary<br />

of the league last year . . . Stewart<br />

Piper, former assistant at the Studio Theatre,<br />

is now with the unemployment insurance<br />

office in Vancouver Three projectionists<br />

will retire on pensions Januai-y 1.<br />

They are Tommy Bailey, Don Wilson and<br />

Arthur Crute . Vancouver branch of<br />

Canadian Picture Pioneers was selected by<br />

CPP directors in Toronto to receive the special<br />

branch Pioneer award for outstanding<br />

efforts on behalf of CPP for 1957. The award<br />

will be presented at the annual award dinner<br />

November 28 at Toronto to a Vancouver<br />

representative at the national meeting.<br />

K-2<br />

After extensive alterations at the FPC<br />

FOR SALE<br />

THEATRE CHAIRS<br />

Great Bargains In theatre choirs used and<br />

reconditioned. Spring to edge with fully<br />

upholstered backs. $16.50 value at $5.50<br />

ea. up.<br />

Hardwood folding chairs—Steel folding &<br />

stacking<br />

chairs.<br />

Devry Dual Projection & Sound Outfit<br />

Represents $6,000.00 worth of equipment<br />

For only $2,495.00 FOB Vancourer, B. C.<br />

Drop us o line for full information and prices.<br />

Photographs on all chairs.<br />

DOMINION THEATRE EQUIPMENT CO.<br />

LTD.<br />

847 DAVIE STREET VANCOUVER, B. C.<br />

the Ontario parliament of which he was a<br />

to<br />

member from 1937 to 1943 as a Conservative.<br />

He was also an early officer of the exhibitors<br />

association which eventually became the Motion<br />

Picture Theatres Ass'n of Ontario.<br />

Summerville is an honorary life member of<br />

the Toronto musicians local and was a composer<br />

of band music. He also has fraternal<br />

connections and his baseball enthusiasm<br />

takes him to the training camps in Florida<br />

each year for a vacation.<br />

His second son Don is manager of the<br />

Prince of Wales and a member of the Toronto<br />

city council, and his grandson Paul is on<br />

tour in Great Britain with a singing act. His<br />

brother Murray already has had theatremanaging<br />

experience.<br />

Ken Leach, in line for a CPP merit award,<br />

was once a rancher and homesteader in Minnesota,<br />

moved to the Canadian prairies and<br />

developed a string of theatres, becoming a<br />

partner of Famous Players. He has been<br />

president of the Alberta Theatres Ass'n.<br />

A scroll will be presented at the awards<br />

banquet to the CPP Vancouver branch for its<br />

meritorious work. Chairman of the selection<br />

committee was Oscar R. Hanson. Toronto.<br />

Strand. Cinerama will open here in January.<br />

The house will lose 600 seats in the changeover<br />

from the present 1.946 seats. The policy<br />

will be one show daily . Fairbanks,<br />

the Pacific popcorn king, will attend the<br />

concessionaires convention in Miami Beach<br />

late this month . Houghland, who<br />

was doing publicity for Vangard Theatre<br />

here, is now with the Warner Bros, exploitation<br />

department in Hollywood. He's currently<br />

working with ten other staffers on "Marjorie<br />

Morningstar" ... A local visitor was Robert<br />

Wotherspoon. mayor of Inverness. Scotland,<br />

owner of a circuit of 50 theatres and a chain<br />

of hotels in the Scottish Highlands. He will<br />

visit Hollywood and Miami, where he will<br />

address the film industry meetings before<br />

returning to Scotland.<br />

Horace Lackey, projectionist at the Strand,<br />

Calgary, vice-president of the lATSE local<br />

302 and a member of the Famous Players<br />

25 Year Club, died in Calgary. He was 50.<br />

He was a brother-in-law of Ken Leach, who<br />

is an FPC partner in three Calgary theatres<br />

. . . Norman Hull. Montreal TV cameraman, is<br />

here to do a series of films for the CPR<br />

railroad . Gordon, Regina's oldest<br />

projectionist, of the Capitol Theatre, is on<br />

the sick list with pneumonia . BC<br />

censors placed on the adult entertainment<br />

only list The Helen Morgan Story, Unknown<br />

Terror, Back From the Dead and Forty Guns.<br />

Theatre to Walt Blaney<br />

MENOMONEE FALLS. WIS.—Walter A.<br />

Blaney sr. has taken over operation of the<br />

Palls Theatre here on a lease from Mrs.<br />

Marguerite Zahn. operator-owner since September<br />

1951. when her hu.sband Ray died.<br />

Blaney and his wife Helene live in Bark Lake,<br />

Wis. They have two .sons; Kenneth who lives<br />

in California, and Walter A. jr.. al.so of Bark<br />

Lake. Blaney has been distributing films<br />

most of his life.<br />

MONTREAL<br />

paul Vermel has been named executive secretary<br />

of the Quebec Allied Theatrical<br />

Industries. He was introduced at a cocktail<br />

party Thursday il4i at the Sheraton-Mount<br />

Royal Hotel . Marie Desmarais of<br />

Cine-France Distribution has returned from<br />

her second trip to Europe. She visited France<br />

and Germany and brought back a number<br />

of outstanding films . . . Chet Friedman of<br />

the MGM public relations department was<br />

here and conferred with Bill Guss. local MGM<br />

manager . . . Edward G. Robinson, who appeared<br />

in the stage play "Middle of the<br />

Night" at Her Majesty's Theatre, rated several<br />

daily newspaper interviews.<br />

Robert Guibord, .son of Doctor Guibord,<br />

former owner of the Palace and National<br />

theatres of Grand'Mere, made a tour of several<br />

theatres here. Young Guibord declared<br />

his ambition is to manage a local motion<br />

picture house. He has 20 years experience<br />

in the exhibitor field. For ten years he was<br />

a projectionist and served as manager of his<br />

father's theatres for an equal number of<br />

years. His father recently sold his theatres<br />

after having been in the business 47 years.<br />

Doctor Guibord now resides permanently in<br />

Florida, while Robert is located 872 St.<br />

Charles St.. Val Martin.<br />

Jo Oupcher, IFD district<br />

manager, was on<br />

a business trip to Quebec and district . . .<br />

Sam Kunisky, United Artists manager, was<br />

holidaying in New York City accompanied<br />

by his wife Gilbert, projectionist<br />

at the<br />

.<br />

Pigalle Theatre, Thetford Mines, was<br />

killed instantly November 3 when his car<br />

collided with another vehicle. Gilbert was<br />

on his way from St. Georges de Beauce, where<br />

he had visited his mother. The accident occurred<br />

early in the morning near Gilbert's<br />

home . . . Visitors to Filmrow included Gerard<br />

Langevin. Ti-acy, Sorel: Aurele Payeur,<br />

Pigalle, Thetford Mines, and A. Robert. Labelle,<br />

Labelle.<br />

. . .<br />

"Seven Wonders of the World," the Cinerama<br />

attraction at the Imperial Theatre, now<br />

in its seventh month, pa.ssed its millionth<br />

customer early in November . . . "Ca Commence<br />

par Un Peche" has broken all attendance<br />

records at the Canadien Theatre<br />

Also setting new attendance marks was "J'Ai<br />

Peche" at Theatre Nord in nearby St. Jerome.<br />

The management said that 6.000 patrons saw<br />

the film in a single week. Mi.ss Tremblay,<br />

manager of the Nord. said that each evening<br />

she had to turn away would-be ticket-buyers<br />

because of lack of space.<br />

The National Film Board's 29-minule production.<br />

"The Sceptre and the Mace," a<br />

record of Queen Elizabeth's recent visit to<br />

Canada, is being distributed for public showing<br />

in private theatres. The film was given<br />

Its world premiere at Ottawa before an Invited<br />

audience that included the Rt. Hon.<br />

Vincent Massey. Canada's Governor-General.<br />

Maria Landi, a native of Turin, Italy, who<br />

has made several films in her native country<br />

and two in Britain, was here recently. She is<br />

now staiTed with Rod Steiger in the J. Arthur<br />

Rank production ".Across the Bridge," which<br />

will be shown simultaneously at eight United<br />

Amusement Corp., theatres starting November<br />

28. The film is a black and white production<br />

filmed at Pinewood and on location in<br />

Spain.<br />

BOXOFFICE November 16. 1957


. . The<br />

. . The<br />

. . The<br />

. . The<br />

. . The<br />

PRAIRIE ITEMS<br />

"The Saskatoon Cosmopolitan club sponsored<br />

a bingo game in the arena Monday (4)<br />

with $6,000 in prizes, giving the indoor houses<br />

a rough night .<br />

Capitol Theatre,<br />

Saskatoon, managed by Reg Plumb, has arranged<br />

for advance ticket sales on "Around<br />

the World," to be sold in five locations other<br />

than the theatre. In these other locations<br />

ticket sales are sponsored by the Saskatoon<br />

section of the Council of Jewish Women for<br />

a percentage of the sales.<br />

The Swift Current TV station is expected<br />

to be in operation by the end of November.<br />

This will be Canada's first automatically<br />

controlled station and will provide television<br />

facilities for southwestern Saskatchewan. It<br />

is estimated there will be 80.000 viewers, with<br />

between 9.000 and 10.000 sets in operation in<br />

the area within six months. All the equipment<br />

used is Canadian made and can handle<br />

color TV when it becomes available in Saskatchewan.<br />

This station will operate on channel<br />

5. It will carry CBC-TV programs, as<br />

well as most of the other top network shows.<br />

Television prospect.s are not hopeful for Flin<br />

Flon, Man., advises C. H. Whitney, the radio<br />

station manager who has applied for a television<br />

station in this northwestern Manitoba<br />

city. Whitney is manager of CFAR and president<br />

of the Flin Flon Chamber of Commerce.<br />

He has been in Ottawa for discussions with<br />

CBC officials.<br />

Medicine Hat theatres and those within 50<br />

miles of this southeastern Alberta city, have<br />

dropped 40 per cent in gross since the opening<br />

of the Medicine Hat TV station . . .<br />

Hugh<br />

Va.ssos, former manager of the Paragon Theatre<br />

in Melville, is a candidate for town<br />

counselor in Melville. Vassos is campaigning<br />

for improvements for sewer, water, streets<br />

and nuisance grounds . Roxy Theatre<br />

in Cardston. Alta., has booked the unusual,<br />

a special engagement of the Italian feature,<br />

"Aida." Western Canadian towns have been<br />

particularly .slow in capitalizing on possibilities<br />

of art type pictures. The public in westem<br />

Canada is behind the east in this regard.<br />

. . .<br />

The Sunset Drive-In, Calgary, featured a<br />

party on the Friday following Halloween,<br />

giving special prizes for the best, funniest<br />

and hard time costumes. There were also<br />

The<br />

Halloween treats for all the kiddies<br />

Palace, Calgary, is promoting its kiddies Saturday<br />

morning business with a special radio<br />

and stage show at 9:30. plus a serial, cartoon<br />

and screen shorts.<br />

Paclted arenas in Winnipeg, Brandon, Regina.<br />

Saskatoon. Edmonton. Calgai-y and<br />

Lethbridge greeted the Black Watch band of<br />

the Royal Highland regiment. This is one of<br />

the most outstanding shows to tour western<br />

Canada in many years . Master Film<br />

Studios. Calgary, announced the appointment<br />

of E. K. Elton of that city as vice-president<br />

and general manager.<br />

Three Edmonton drive-ins are still operating,<br />

while only one airer in Winnipeg<br />

and Calgary remain open. The Edmonton<br />

drive-ins still defying the late fall season<br />

are the Starlite, St. Albert and Sky Vue.<br />

About 95 per cent of the drive-ins in small<br />

towns in western Canada have been closed<br />

for the winter.<br />

"Tammy and the Bachelor" is proving to<br />

be a winner. It was holding out for a fourth<br />

week in a subsequent-run engagement in<br />

Edmonton and doing double the normal business<br />

in all its other engagements in western<br />

Canada ... An application has been submitted<br />

by CHAB of Moose Jaw for a television<br />

outlet in that city. This would give<br />

Moose Jaw residents a choice of two TV<br />

stations since they can pick up the Regina<br />

telecasts.<br />

WINNIPEG<br />

Mestor Ereschook of the Roxy Theatre in<br />

Wawa, Ont., was here to visit Charlie<br />

Krupp of Associated Theatres, lining up his<br />

winter bookings. Ereschook pilots his own<br />

airplane.<br />

Nat Taylor, 20th Century Theatres of Toronto,<br />

was here to inspect the operation of<br />

the Valour Theatre and its art policy. Doug<br />

Rosen, general manager of International Film<br />

Distributors, one of Taylor's companies, gave<br />

a luncheon at Fort Garry Hotel in honor of<br />

Taylor's visit. Key industry figures in the<br />

Winnipeg area attended. Taylor gave an Impromptu<br />

talk on the present situation and<br />

future possibilities for exhibitors in the Manitoba<br />

area. He also made constructive critici.sm<br />

of theatre operations in thLs area. Taylor said<br />

that he believes there is only room for one<br />

theatre seat per 25 persons in the area. This<br />

would mean the demise of approximately 15<br />

theatres now operating here.<br />

The Capitol Theatre, Fort William, arranged<br />

for a hypnotist to put on a show and was<br />

advertising for two young ladies to appear<br />

with him. Hypnotists have always been good<br />

drawing features on stages of western Canada<br />

theatres . Odeon Theatre, Fort William,<br />

is promoting the Radio School of the<br />

Air, a combined radio and stage presentation<br />

on CKPR. Entrants may register at the Odeon<br />

boxoffice and appear on the stage of the<br />

theatre on Saturday afternoons.<br />

Fort Frances citizens packed the ballroom<br />

at Rainy Lake Hotel Monday (4i to hear<br />

about the progress of Minnenonta Television.<br />

They were told that the border communities<br />

can expect to have their home-owned television<br />

station operating by June. Directors<br />

of the company, all residents of International<br />

Falls, said the immediate objective is to raise<br />

a bank deposit of $150,000. Citizens are being<br />

asked to contribute. About $30,000 is expected<br />

from Fort Francis residents for this U.S.-<br />

owned television station .<br />

Fort Theatre,<br />

Fort William, is giving dinnerware to<br />

the ladies in a tie-up with the Lake Theatre.<br />

New Government Agency<br />

May Govern Private TV<br />

O T T A W A—An independent government<br />

ngency, separated from the Canadian Broadcasting<br />

Coi-p., is expected to be set up by<br />

the new government to regulate independent<br />

TV stations in Canada. This would remove<br />

control of independently owned TV outlets<br />

from the CBC, which for years has regulated<br />

the.se stations in addition to conducting its<br />

own networks, which accordingly are largely<br />

free from direct competition.<br />

The shift in control was indicated recently<br />

in a report to the House of Commons by<br />

Revenue Minister George Nolan, who has<br />

jurisdiction over the CBC.<br />

J. M. RICE and CO. LTD.<br />

"Everything for the Theatre"<br />

Sound Systems.<br />

IBallantyne<br />

Hilux Anamorphic Lenses.<br />

Williams Silver Screens.<br />

New & Rebuilt Theatre Chairs.<br />

EXPERT REPAIR DEPARTMENT<br />

710 Broadway Ave.<br />

Winnipeg, Man.<br />

Ph. SP5-8219<br />

10029 Jasper Av«.<br />

Edmonton, Atto.<br />

Ph. 28502<br />

EVERYTHING FOR THE THEATRI<br />

MOTIOGRAPH Equipment<br />

Complete line factory portt<br />

EXPERT REPAIRS ^^^,<br />

We Sell and Service<br />

Theatre Choirs, Rectifiers, Arc Lamps,<br />

Sound Equipment, 16mm and 35mm Projectors<br />

SHARP'S THEATRE SUPPLIES, Ltd.<br />

Phones: 2-407A and 2-7266<br />

Film Exchange Bldg. Coljary, All*.<br />

HANDY SUBSCRIPTION ORDER FORM<br />

BOXOFFICE:<br />

825 Van Brunl Blvd., Kansas City 24. Mo.<br />

Please enter my subscription to BOXOFFICE. 52 issues per year (13 f-l which con<br />

tain The MODERN THEATRE Section).<br />

n S3.00 FOR 1 YEAH Q S5.00 FOR 2 YEARS D S7.00 FOR 3 YEAR.S<br />

n Remittance Enclosed Q Send Invoice<br />

THEATRE<br />

STREET<br />

TOWN<br />

NAME<br />

ADDRESS<br />

STATE<br />

POSITION<br />

BOXOFFICE November 16, 1957 K-3


RESEARI


C&njZ^uc^J9K, • c.d4xu>Me^ • Ceitaeadi»tt^ • A^auttMioAUie


volume builds<br />

BIG NAMES attract more trade . . . build bigger profits.<br />

The "Big Name" in refreshment is Coca-Cola. So good in<br />

taste, in such good taste ... no wonder Coke is the bestloved<br />

sparkling drink in all the world. This quality<br />

favorite gives you more beverage sales,<br />

more chances to<br />

sell related items, more profits with fast turnover.<br />

SIGN OF GOOD TASTE<br />

4 STAR FEATURE • QUALITY • PREFERENCE • PROFIT • SERVICE


AL Seating means<br />

N COMFORT and<br />

NANCE EXPENSE<br />

heater patrons prefer<br />

INTERNATIONAL seats for<br />

solid, form-fitting comfort, noiseless<br />

operation and snag-proof<br />

construction.<br />

Theater owners from coast to coast<br />

prefer the unit design, all-steel<br />

construction, readily removable seats<br />

and backs, lubrication-free hingeless<br />

seat suspension, and ease by which<br />

maintenance men can keep their<br />

house seating in<br />

perfect condition.<br />

Let an INTERNATIONAL Seating<br />

Engineer figure with you on your<br />

seating or reseating plans — without<br />

obligation,<br />

of course.<br />

International Seat Division,<br />

Union City Body Company, Inc.<br />

Union City, Indiana<br />

BOXOFFICE :: November 16, 1957


I<br />

HE<br />

NOVEMBER 16, 1957<br />

m TIBATRB^<br />

o n t n t A<br />

BIG WEEK of the year for<br />

the motion picture industry is at hand,<br />

and it is good to note that a bigger attendance<br />

than ever is expected at the<br />

Miami convention of the Theatre<br />

Ov/ners of America, Theatre Equipment<br />

and Supply Manufacturers Ass'n<br />

and the National Ass'n of Concessionaires.<br />

This not only indicates a healthy<br />

interest in recent industry developments;<br />

it may also be looked upon as<br />

an expression of confidence in the<br />

future of the business.<br />

The past year has seen the development<br />

of finer theatre equipment and<br />

many new products to be utilized or<br />

merchandised by thealres. These will<br />

be displayed in profusion in the exhibit<br />

halls of the Americana Hotel and manufacturers<br />

and their representatives will<br />

be on hand to explain their merits.<br />

A big question mark in exhibition<br />

today is the cable theatre, and a full<br />

day, at least, is to be given to its evaluation.<br />

Every effort is to be made to<br />

decide whether or not it is good for<br />

exhibition, and equipment and financial<br />

experts will be on hand to answer<br />

questions of<br />

exhibitors.<br />

The theatre segment of the NAC,<br />

known for its lively sessions, will not<br />

only probe for the best ways to get the<br />

most out of both indoor and drive-in<br />

theatre concessions, but will<br />

also consider<br />

methods of increasing attendance,<br />

fully cognizant of the fact that even the<br />

most effective merchandising methods<br />

are of no avail unless people are<br />

brought into the theatre.<br />

The convention sessions and the<br />

tradeshow offer a splendid opportunity<br />

for the exchange of ideas and new<br />

knowledge of v/hot is going on in the<br />

equipment and merchandising field,<br />

and to all who attend, promise a profitable<br />

and enlightening experience.<br />

Exhibitors in fhe 2nd International Tradeshow 6<br />

Candy Merchandising Virgil M. "Andy" Anderson 9<br />

Tips on Candy Selling 10<br />

Center of Counter is Candy "Hot Spot" Charles W. Barnes jr. 11<br />

Selective Hiring and Training of Concessions<br />

Employes Vitol to a Successful Operation Emmet Shane 14<br />

Kiddie Costume Draw Steps Up Beverage Sales at Drive-Ins 16<br />

When You Plan Refrigeration and Equipment for<br />

Your Drive-In, Call in an Expert C. K. Litman 19<br />

Dining Room Augments Two-Lane Cafeteria 28<br />

Uses Concessions as Goodwill Builder Elsie Loeb 32<br />

Profits From Popcorn Phyllis Haeger 35<br />

Pizza Firm Into New Plant 38<br />

Forethought and Action Before Year-End May<br />

Result in 1957 Tax Savings Harold J. Ashe 40<br />

Arc Lomp Maintenance and Servicing Guide:<br />

Peerless Hy-Candescent Cinearc Wesley Trout 42<br />

"If I Build Another Drive-ln" Cash Asher 50<br />

A Year-End Bonus Builds Morale,<br />

But First Check Income Tax Laws Paul Lockwood 56<br />

DEPARTMENTS:<br />

Refreshment Service 9 New Equipment and<br />

Developments 57<br />

Theatre Maintenance Questions<br />

and Answers 24<br />

Readers Service Bureau at 58<br />

Projection and Sound 42<br />

Advertising Index at 58<br />

Drive-In Theatres 50<br />

Literature 55 About People and Product 61<br />

I. L. THATCHER, Monoging Editor<br />

The MODERN THEATRE Section of BOXOFFICE is included in the first issue of each month.<br />

Editorial or generol business correspondence should be addressed to Associated Publications,<br />

825 Von Brunt Blvd., Kansas Citv 24, Mo. Eastern Representotive: Carl Mos, 45 Rockefeller<br />

Plaza, New York 20, N. Y.; Central Representative: Ewmg Hutchison Organization,<br />

35 East Wacker Drive, Oiicogo I, 111.; Western Representative: Bob Wettstein & Associates,<br />

672 South Lofayette Pork Place, Los Angeles 5, Colif.


This scene is 10% brighter!<br />

lEVir<br />

"SUPREX" 9mm PROJECTOR CARBON<br />

makes screens up to 10% brighter!<br />

Brighter pictures cost less with the new "National" "Suprex" 9mm x 14 inch<br />

projector carbon. It's up to 30% slower burning.<br />

Your screen grows brighter every<br />

year. It's almost four times<br />

brighter now than in 1938. Yet<br />

the cost of "National" carbon arc<br />

projection is still one of the best<br />

buys in your theatre.<br />

The reason : continued carbon arc<br />

development by "National" research<br />

scientists. Every year,<br />

"National"carbon arcs burn more<br />

brightly, last longer than ever.<br />

Newest addition to the "Supreoc"<br />

carbon family is the 9mm x 14<br />

inch positive carbon, operating in<br />

the 65 — 80 ampere range.<br />

Your "National" projector carbon<br />

representative can show you how<br />

our carbon arc research pays off<br />

in quality and savings. He is at<br />

your service at all times.<br />

UNION<br />

CARBIDE<br />

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The terms "National", "Suprex" and "Union Carbide" are trade-marks of Union Carbide Corporation<br />

NATIONAL CARBON COMPANY • Division of Union Carbide Corporation • 30 East 42nd Street. New York 17, N.Y.<br />

SALES OFFICES: Atlanta, Chicago, Dallas, Kansas City, Los Angeles. New York, Pittsburgh, San Francisco • IN CANADA: Union Carbide Canada Limited, Toronto<br />

BOXOFFICE :: November 16, 1957


EXHIBITORS IN 2ND INTERNATIONAL TRADESHOW<br />

TESMA<br />

SECTION<br />

Firm Ilooth jVo.<br />

American International Film Dist. Corp...310<br />

In Attendance:<br />

I>eon Blender<br />

American Seating Co 64-65<br />

In Attendance:<br />

M. E. Kornbhilh<br />

C. S. Ashcraft Mfg:. Co., Inc 61-62<br />

In Attendance:<br />

Clart-nct; Asluraft<br />

Bausch & Lomb Optical Co— 51<br />

In Attendance:<br />

Robert N. Deneen<br />

Century Projector Corp 59<br />

In Attendance:<br />

Larry Davee<br />

Consumer Products, Inc 45<br />

In Attendani c:<br />

\lanlcn (inoilwiii<br />

Drive-In Theatre Mfff. Co 210-211<br />

In Attendance:<br />

Francis W. Keilliack<br />

Electromode Division of Commercial<br />

Controls Corp _ 203<br />

In Attendance:<br />

E'aul I). Hawkins<br />

General Precision Laboratory 56<br />

In Attendance:<br />

Herbert Barnett<br />

Gordos Corp 215<br />

In Attendance:<br />

George B. Marebev<br />

The Harwald Co - 46<br />

In Attendance:<br />

l!i)lii'rt (Irunwalil<br />

International Seat Division<br />

Union City Body Co., Inc 52<br />

In Attendance:<br />

W. B. Toney<br />

International Telemeter Corp 214<br />

III<br />

Attendance:<br />

Huuanl \liii~ky, I^iin Novins, Carl Leferman<br />

Jerrold Electronics Corp 202<br />

In Attendance:<br />

Selnian M. Krenier<br />

Kollmorgen Optical Corp _ 212<br />

In<br />

Attendance:<br />

Wm. C O'DonncU<br />

LaVezzi Machine Works 216<br />

In Attendance:<br />

T. E. LaVezzi<br />

Lorraine Carbons, Inc 104<br />

In Attendance:<br />

ICdward I.arbrnan<br />

Miracle Equipment Co<br />

In Attendance:<br />

C. W. Abrens<br />

Motiograph,<br />

Inc.<br />

In Attendance:<br />

Fred C. Matthews<br />

46A-47-48<br />

.200<br />

A ONE-STOP exhibit for every<br />

theatre need—that will be the second<br />

International Industry Tradeshow at the<br />

Americana Hotel, Miami Beach, Fla.,<br />

November 20-23. In the nation's largest<br />

privately owned convention auditorium and<br />

exhibit hall theatremen will find displayed<br />

the latest developments in projection ond<br />

sound equipment, theatre furnishings and<br />

concessions equipment and products.<br />

With advance registrations running 30<br />

per cent ahead of last year, the exhibits<br />

put on by Theatre Equipment and Supply<br />

Manufacturers Ass'n and the National<br />

Ass'n of Concessionaires will probably be<br />

seen by more theatremen than ever before.<br />

Exhibit hours will be from 2 p.m. to<br />

6 p.m., November 20; from 1 p.m. to 6 p.m.,<br />

November 21-22 and from 10 a.m. to 2<br />

p.m., November 23.<br />

bi<br />

Booth<br />

Ao.<br />

Motorola, Inc 321-22-23<br />

In Attendance:<br />

Harold J. MeCormick<br />

National Carbon Co 217-218<br />

In Attendance:<br />

V. J. Nolan<br />

Neumade Products Corp 105<br />

In Attendance:<br />

Lee E. Jones<br />

Pic Corp 53<br />

In Attendance:<br />

Cyril von Winrkler<br />

Projection Optics Co - ?4-49<br />

In Attendance:<br />

Fred E. Aufhauser<br />

Radio Corporation of America 100-101<br />

In Attendance:<br />

A. L Piatt<br />

Raytone Screen Co<br />

In Attendance:<br />

Leonard .Satz<br />

'/4-49<br />

J. E. Robin, Inc - 204<br />

In Attendance:<br />

Emil A. Kern<br />

Simplex Equipment Corp<br />

In Attendance:<br />

.\rtluir E. .Meyer<br />

53A-54-55<br />

Stanford Industries 201<br />

In Attendance:<br />

.Stanford Kohlberg<br />

Strong Electric Corp 219-220<br />

In Attendance:<br />

.Arthur J. Hatch<br />

Vido-Sound Corp 50<br />

In Attendance:<br />

John Shelton<br />

Firm<br />

NAC<br />

.ABC Popcorn Co<br />

SECTION<br />

In Attendance:<br />

Mr. & Mrs. R. M. Lambetb<br />

.Mr. & Mrs. W. H. Beaudot<br />

ABC Vending Corp. and Berlo<br />

Vending Co<br />

In Attendance:<br />

Cbarles O'Reilly<br />

Joe Kernell<br />

.Sam Rubin<br />

P. Fliasbnick<br />

Ralpb Pries<br />

J. Slass<br />

Lester Grand<br />

APCO, Inc<br />

In Attendance:<br />

Melville B. Rapp<br />

\V. .Sberman<br />

I. Edelson<br />

K. Feldman<br />

J. Hill<br />

(!bester Merrill<br />

Merwiii Abranis<br />

Arena & Real Pizza Crust, Inc..<br />

In Attendance:<br />

Sal ,\rena<br />

Frank .\rena<br />

Lou .Vrena<br />

Arrow Engineering Co., Inc<br />

In Attendance:<br />

Earl P. Brane<br />

Norman R. Thomas<br />

Automatic Food Specialty Co<br />

In Attendance:<br />

Harn Sloan<br />

Bally Case and Cooler Co..<br />

In Attendance:<br />

Leon Prince<br />

Charles C. Rion<br />

Banner Candy Co<br />

Ill<br />

Attendance:<br />

Nelson Gruntlier<br />

Caryle Newman<br />

Ben Newman<br />

Samson Berman Associates<br />

In Attendance:<br />

Samson Berman<br />

Laura Berman<br />

Bill .Sampson<br />

Mike Janovsky<br />

U.u Malek<br />

Dan Brosner<br />

Blumenthal Bros. Chocolate Co..<br />

In Attendance:<br />

Joscpli Blumentluil<br />

Walter Rotb<br />

Canada Dry Ginger .\le,<br />

In Attendance:<br />

James W. Ellis<br />

I). J. Callahan<br />

Paul Immekus<br />

Paid Allen<br />

Lester Martin<br />

J. F. Mullen, Jr.<br />

Inc<br />

Booth<br />

Ao.<br />

516<br />

.413 through 424<br />

..405<br />

..304<br />

.506<br />

35<br />

.609-610<br />

The MODERN THEATRE SECTION


:<br />

:<br />

Firm<br />

Booth<br />

I\lo.<br />

Firm<br />

Booth<br />

A'o.<br />

Firm<br />

Booth No.<br />

Castleberry's Food Co...<br />

In Attendance<br />

John D. Reynolds<br />

Maurice R. Kay<br />

Don D. Nunamaker<br />

The Coca-Cola Co<br />

In Attendance:<br />

Harold S. Sharp<br />

W. P. Franklin<br />

E. M. Greeson, Jr.<br />

J. H. Hall, Jr.<br />

J. B. Martin<br />

Charles Okun<br />

Cole Products Corp...<br />

In Attendance:<br />

-\lbert Cole<br />

Richard L. Cole<br />

Stanley S. Gaines<br />

Continental<br />

Can Co.,<br />

In Attendance:<br />

R. S. Long<br />

J. S. Lee<br />

Inc..<br />

.400 through 403<br />

7<br />

312 through 315<br />

Continental Vending Machine Corp 15-18<br />

In Attendance:<br />

Dan Carr and Staff<br />

Cramore Fruit Products, Inc.<br />

In Attendance:<br />

.Milton Starkopf<br />

William Warden<br />

Phil Pearlstein<br />

Glen K. Harriss<br />

Henry Moore<br />

Newton Wylie<br />

Mrs. 0. B. Fey<br />

Cretors Corp<br />

In Attendance:<br />

H. E. Chrisman<br />

Curtiss Candy Co<br />

In Attendance:<br />

T. A. Ramsey<br />

Lloyd Sheetz<br />

W. E. Robinson<br />

E. Corley<br />

L. J. Kellough<br />

Dairy Maid Chocolate Co....<br />

In Attendance<br />

Harold Jaret<br />

Caryle Newman<br />

Ben Newman<br />

Dell Food Specialties Co....<br />

In Attendance:<br />

Allan W. Adams<br />

Arthur B. .Adams<br />

David S. Nuciforo<br />

Howard Grant<br />

Diamond Crystal Salt Co..<br />

In Attendance:<br />

Robert C. Williams<br />

John F. Kanz<br />

Drive-In Foods, Inc<br />

In Attendance:<br />

.Milton Rosenblum<br />

Arthur H. DuGrenier, Inc..<br />

In Attendance:<br />

Richard E. Gibbs<br />

Eugene Lane<br />

Sam Taran<br />

Mrs. Lenore Kaplan<br />

Dutch House, Inc<br />

In Attendance:<br />

-Maurice Levin<br />

Stanton Levin<br />

Larry Blumenthal<br />

Kenneth Fell<br />

Sy Adler<br />

Sol Adler<br />

44<br />

.503<br />

36<br />

514-515<br />

.800-801<br />

.304-305-306<br />

31<br />

..505<br />

.802<br />

.407-408<br />

.615<br />

Encyclopaedia Britannica, Inc..<br />

In Attendance:<br />

M. L. Stiles<br />

C. W. Beamon<br />

F & F Laboratories.....<br />

In Attendance:<br />

Fred H. Schonlau<br />

Flavo-Rite Foods, Inc..<br />

In Attendance<br />

Kenneth K. Fell<br />

Larry Blumenthal<br />

Sy .Adler<br />

Solomon .\dler<br />

Food Producers, Inc..<br />

In Attendance:<br />

Herbert Joshua<br />

Larry King<br />

Funspot Magazine....<br />

In Attendance:<br />

.Maynard L. Renter<br />

Robert Hosted<br />

James McHugh<br />

Norm Berkowitz<br />

Marilyn Tarson<br />

General Coffee Co., Inc..<br />

In Attendance<br />

T. C. Streibert<br />

Roger Hefler<br />

Jerome Neuman<br />

Morris Lustig<br />

Vincent Plumpton<br />

-\rthur Sherrill<br />

C. E. Grant and Son, Inc<br />

In<br />

Attendance:<br />

-\Ir. and Mrs. M. E. Grant<br />

Greer Enterprises<br />

In Attendance:<br />

Arthur H. Greer<br />

Paul J. Doh<br />

Heat Exchangers, Inc..<br />

In Attendance:<br />

David Sniader<br />

Robert Lorenz<br />

Henry Heide,<br />

Inc<br />

In Attendance:<br />

Andrew H. Heide<br />

Vincent H. Heide<br />

Victor H. Heide<br />

Eugene E. -Sullivan<br />

George Grobol<br />

Lonne C. Johnson<br />

Ronald Burdette<br />

Henderson's Portion Pak, Inc..<br />

In Attendance:<br />

John W. Weathers, Jr.<br />

Hershey Chocolate Corp..<br />

In Attendance:<br />

L. H. Harkness<br />

P. G. Shultz<br />

W. C. Johnson<br />

J. W. Telford<br />

Hollywood Brands, Inc<br />

In Attendance:<br />

G. R. Edgar<br />

Clarence Walker<br />

Jack Frain<br />

Gerald Epstein<br />

Hollywood Servemaster Co..<br />

In Attendance:<br />

W. W. Latimer<br />

Clarence Bean, Jr.<br />

Leaf Brands, Inc<br />

In Attendance:<br />

Robert H. Goldstein<br />

519<br />

37<br />

.616<br />

.520<br />

..Registration Area-<br />

Caribbean Suite<br />

.518<br />

.618<br />

.317<br />

.316<br />

33<br />

.507<br />

40<br />

42<br />

.604<br />

.607<br />

Lily<br />

Tulip Cup Corp..<br />

//; Attendance:<br />

Lester Dittersdorf<br />

.Murray Zucker<br />

E. C. Scully<br />

W. H. Seldy<br />

Lovitt Enterprises,<br />

Inc...<br />

In Attendance:<br />

.Sidney D. Lovitt<br />

Robert E. Ferguson<br />

Kenneth P. Progin<br />

James B. Fitzgerald<br />

J. Lyons & Co., Inc..<br />

In Attendance:<br />

Jack GledhiU<br />

Ben Singer<br />

Caryle Newman<br />

Ben Newman<br />

Manley, Inc<br />

In Attendance:<br />

Charles G. Manley<br />

Patricia Manley<br />

John F. Saunders<br />

J. L. McDaniel<br />

Mars, Inc<br />

In Attendance:<br />

Ben Bouchard<br />

Art<br />

Wil Begin<br />

Ray Donahue<br />

McDonough<br />

Maryland Cup Co<br />

In Attendance:<br />

Lawrence W. Barber<br />

Warren W. Young<br />

Richard D. Folkoff<br />

Richard P. O'Donovan<br />

-Martin Cain<br />

Bert Silverman<br />

Gil Flatow<br />

Harold .Altman<br />

Curtis J. Richardson<br />

Mechanical Servants..<br />

In Attendance:<br />

Harold Baum<br />

Nehi Corp<br />

In Attendance:<br />

J. B. Cooper<br />

J. W. Hamlin<br />

E. G. Peabody<br />

W. L. Henderson<br />

I. J. -McKenzie<br />

Jack Lintscott<br />

Ernie Withers<br />

The Nestle<br />

Co<br />

In Attendance:<br />

John Fairgrieve<br />

T. .\. Fowler<br />

J. E. Gentry-<br />

Ben Newman Associates<br />

In Attendance:<br />

Ben Newman<br />

Caryle Newman<br />

Orange-CHUSH Co<br />

In Attendance:<br />

Louis Collins<br />

Clifford L. Keefer<br />

Robert E. Hunnell<br />

Robert Gilbert<br />

Phil Briggs<br />

Original<br />

Crispy Pizza Co....<br />

In Attendance:<br />

.\ndrew Virga<br />

.\nita Virga<br />

.\1 Parino<br />

Nick Ponticelli<br />

Dr. Pepper Co<br />

In Attendance:<br />

Robert Stone<br />

William (J. Rautenberg<br />

Charles Hinckley<br />

406<br />

.318<br />

.304-305-306<br />

..508-509<br />

32<br />

10<br />

.409<br />

1-2-3-4<br />

34<br />

.304-305-306<br />

.411-412<br />

..805<br />

..506B<br />

BOXOFFICE :: November 16, 1957


:<br />

Aiiiii:<br />

OF PROJECTION LENSES<br />

Prime Lenses<br />

F1:0 Light Collecting Speed<br />

Thilux^j<br />

Anamorphic Lenses<br />

World's Finest!<br />

PROJECTION<br />

PROJECTION OPTICS CO., INC.<br />

330 Lyell Ave., Rochester 6, N. Y.<br />

m<br />

mi<br />

m<br />

BAMERIC/<br />

AMERICAN<br />

odifc<br />

orm<br />

C<br />

Restful I Chairs<br />

Backs with body-filling<br />

tonioiirs<br />

®<br />

Spring-arch scat construction<br />

TRADESHOW EXHIBITORS<br />

Firm Booth No.<br />

Pepsi-Cola Co 500-501-502, 511-512-513<br />

In Allcndance:<br />

Norman WassiT<br />

Jack Crawfiiril<br />

Sy Brockway<br />

Planters Nut and Chocolate Co 714<br />

In Attendance:<br />

W. P. Malloy<br />

Quaker City Chocolate &<br />

Confectionery Co 38<br />

/// Attendance:<br />

L. G. Hosskain<br />

L. Rosskam, Jr.<br />

A. J. Wiener<br />

A. Josephson<br />

F. Orlando<br />

Reese's Peanut Butter Cups, Inc „ 39<br />

In Attendance:<br />

Robert H. Reese<br />

Jolm E. Cilinan<br />

Rex Specialty Bag Corp 608<br />

//; Attendance:<br />

David Adiman<br />

Irving A. Singer<br />

Leonard C. Gold<br />

Bernard Greisman<br />

Harry P. Ritchie Co 304-305-30G<br />

In tttendance<br />

Dale Newbold<br />

Hugh Doddridge<br />

Ben iNewman<br />

Caryle Newman<br />

Rowe Mfg. Co 600 through 603<br />

In Attendance:<br />

("harlcs H. Briiikmann<br />

Jack Hopson<br />

Robert K. Deutscli<br />

611 through 614<br />

Rudd-Melikian, Inc 12<br />

In Altenilnncc:<br />

L. K. Kndd<br />

K. C. Melikian<br />

The Savon Co 700-701-702-703,<br />

III<br />

Attendance:<br />

Irving Rn^rnjihim<br />

Jerome lleilweil<br />

Mrs. Beatrice Rosenblum<br />

Abe Zimmerman<br />

Harry -Sklar<br />

705, 708<br />

Selmix Dispensers, Inc 710-711<br />

In Attendance:<br />

Arthur B. Segal<br />

David K. Brimdage<br />

(). Follon<br />

Smithfield Ham & Products Co., Inc 504<br />

In<br />

Attendance:<br />

J. C. Sprigg, Jr.<br />

L. M. Leach<br />

Sparkler Manufacturing Co _ 517<br />

In Attrndnnce:<br />

Kieliard J. Stastny<br />

Don I'ric'liason<br />

Sportservice Corp 11<br />

In Attendance:<br />

Jack Zander<br />

J. D. Murray<br />

Steel Products Co 9<br />

In Attendance:<br />

I,. W. Woolfolk<br />

Henry R. Ek<br />

Tom .Sliarpe<br />

Bill<br />

Elliott<br />

Switzer's Licorice Co 41<br />

In Attendance:<br />

Joseph F. Switzer<br />

Jack .'^anc<br />

Rube Johnson<br />

Dave Johnson<br />

Bob Edvartsen<br />

Bud Stiehm<br />

Joe Greene<br />

Sid Goldbert<br />

W Travis<br />

Eddie Heynian<br />

Jim .Strogny<br />

Tekni-Kraft 13<br />

In Attendance:<br />

Dan Greenwood<br />

.Sidney Karr<br />

Tyson-Caffey Corp 516<br />

In Attendance:<br />

\I. M. Caffev<br />

^UA^Lr Caffev<br />

D. J. Van Houten and Zoon, Inc 606<br />

in Attendance:<br />

Jerry Weissman<br />

Stewart H. Griffin<br />

The Vendo Co 300 through 303<br />

In Attendance:<br />

Alex Iraard<br />

C, J. Lambour<br />

J. I.. Burlington<br />

I'. F. Selzer<br />

L. E. Snyder<br />

V. S. Vending Machine Corp 404<br />

In Attendance:<br />

Norman Kasser and Sales Staff<br />

Winchester Carton Corp<br />

In Attendance:<br />

Harry \\ ischusen<br />

Brad Jones<br />

Mae Meyers<br />

506A<br />

Howard VVirth Co 807-808<br />

/;; Attendance:<br />

Howard Wirtli<br />

William Wrigley. Jr., Co 713<br />

In Attendance:<br />

A. G. -Vtwater<br />

H. J. Latham<br />

R. W. Niles<br />

Silent, uniform, .y,-satetyfokl<br />

scat action<br />

Easy, economical<br />

housekeeping<br />

Harinoiii/ing


CANDY MERCHANDISING<br />

—<br />

REFRESHMENT SERVICE<br />

A Three-Point Program Geared to Achieve Longer Profits on Confections<br />

By VIRGIL M. "ANDY" ANDERSON*<br />

To ACHIEVE longer profits on candy<br />

—one must have a plan or program—and<br />

then he must WORK to develop the program<br />

in its entirety.<br />

Too many salesmen just take orders!<br />

Too many buyers are content just with<br />

"status quo."<br />

Too many concessionaires just stock their<br />

cases.<br />

None will ever achieve a full potential.<br />

A handy three-point program is:<br />

1. MERCHANDISE—Or. "Display and<br />

Promote" for profit.<br />

2. DIVERSIFY for profit.<br />

3. BUY for profit.<br />

USE<br />

SHOWMANSHIP<br />

To consider these steps one by one—take<br />

"merchandise" for profit. This means to<br />

use your showmanship to attract attention<br />

to your candy department. Every theatre<br />

manager worth his hire KNOWS how to<br />

sell his pictures and attract patrons. It<br />

may be a "gimmick," a personality—or<br />

praise be—an excellent booking—but in<br />

any event the top manager uses all his<br />

talents—ALL THE TIME—to get patrons<br />

in his theatre.<br />

The "merchandising" of candy requires<br />

the same use of the same talent. You have<br />

your customers in a receptive mood—they<br />

have come to the theatre in a holiday or<br />

festive or pleasant mood. They are most<br />

easy to approach now. So make their eyes<br />

pop out with an eye-appealing mass display<br />

of a new candy item—be it bar, box<br />

or package. But make it big and prominent.<br />

If it is coconut, use some palms—a coconut<br />

and cocoa beans in a display with a sign:<br />

"Nothing but the Best—in Pictures—and<br />

in CANDY." Be corny, be candid, be "candied,"<br />

but let the patron KNOW you have<br />

something to sell and make it so pretty,<br />

so big, so tempting, he can't help but BUY.<br />

In other words, use your SHOWMANSHIP<br />

to sell candy. Are you?<br />

"Diversify" for profit—There is a tendency<br />

to remain "status quo." Evei-ything<br />

in its place—and so much so. the tendency<br />

is to let it remain—in its place. No one<br />

makes money if a product doesn't move.<br />

And the sale on any candy bar in any<br />

candy case will deteriorate if the display<br />

always looks the same. Move "em around.<br />

Many movie stars and starlets have a good<br />

figure—but it is the display and movement<br />

that attracts attention. That creates<br />

that impulse!<br />

And that is what a candy display should<br />

do— "create that impuse" to BUY. Candy<br />

is sold almost 100 per cent on impulse. No<br />

one goes to the theatre to buy candy. That<br />

impulse to buy is created after he gets<br />

there. Change the display each week, and<br />

diversify it by featuring a new product<br />

from time to time. Feature a slow mover,<br />

and be pleasantly sui'prised how easily you<br />

can boost it into a top seller by "creating"<br />

sales and consumers.<br />

Keep all the old standards—the nationally<br />

advertised and accepted products—but<br />

"Anderson Sales Co., Denver, Colo.<br />

don't overlook the quality and promotional<br />

possibilities in a new bar. package or box<br />

of candy.<br />

So diversify with new items. "Gone With<br />

the Wind" is a great picture, but you didn't<br />

feature it each week.<br />

Then diversify with new price ranges.<br />

A ten-cent peanut butter cup is a top<br />

seller. So much so. that adults will buy<br />

"bite-size" pieces in larger units of 25 cents<br />

to $1. Offer and display these higherunit-sale<br />

packages along with your regular<br />

bar sizes. It is amazing how many adults<br />

and kiddies too— will spend 25 cents instead<br />

of a dime if you make it easy for<br />

them to do so.<br />

DIVERSIFY WITH VALUE<br />

Don't diversify price ranges by just<br />

raising profits. Do it by offering equal or<br />

better value in larger-.size units. It is possible<br />

for some buyers to make five cents on<br />

a ten-cent sale. But it is better to make<br />

ten cents on a 25-cent sale. The margin<br />

isn't as great—but the sale's cost is less<br />

and 40 per cent is a beautiful profit on any<br />

sale.<br />

Just make those sales!<br />

A few quick rules about larger-size packages.<br />

Buy only QUALITY. Remember when<br />

the consumer gets a larger-unit package<br />

it will be an overload unless it is GOOD.<br />

Real GOOD! And if it is REAL EXTRA<br />

GOOD, he may buy another package and<br />

take it home.<br />

It was a smart man who first said:<br />

"The<br />

Continued on iollowing page<br />

Tempting moss disploy of a large variety of items is all important in selling candy. Most concessionaires<br />

favor the open display which makes it so easy for the patron to select his preference in candy. A good example<br />

of this kind of display is s/iown here at the stand of the Center Theatre, Edison Center, Miami,<br />

Fla., a neighborhood house.<br />

The candy display can be equally attractive within<br />

the case when neatly arranged and shown in impressive<br />

quantities. The entire corner section at the<br />

Palace Theatre, McAllen, Tex., is devoted to candy.<br />

BOXOFFICE November 16, 1957


—<br />

CANDY MERCHANDISING<br />

Continued from preceding<br />

page<br />

bad taste of poor quality remains long<br />

after the sweetness of low price is forgotten."<br />

So sell<br />

GOOD QUALITY.<br />

In diversifying with larger-unit sales it<br />

is also imperative to PRICE MARK those<br />

items. No one today wants to buy a "pig<br />

in a poke" nor does he want to ask a price.<br />

So feature "Bite-Size—Better Candies" with<br />

a display and a price, and profit with this<br />

diversification.<br />

•Buy for profit"—Bear in mind, you<br />

profit only when you sell what you buy.<br />

And the best way to sell is to display BIG,<br />

quality merchandise. If you buy vendcount<br />

goods, display all of them. Why put<br />

12 bars in a display if you have 120?<br />

Twenty-four count boxes are good, if that<br />

is all you can get. but larger-unit packages<br />

of 72, 100 or 120-count-size will save you<br />

7'/2 per cent to 10 per cent over regular<br />

24 count. So buy the larger-count packages—show<br />

the whole box with a display<br />

and a sign—and you'll sell 120 bars<br />

as quickly as you ordinarily sell 24.<br />

So, use SHOWMANSHIP to merchandise.<br />

DIVERSIFY for plus profit.<br />

BUY to sell in volume.<br />

CANDY SPURS MORE SALES<br />

Selling is a game. Play it hard at the<br />

candy counter and the spirit spreads to<br />

the popcorn and beverage bar. Candy sales<br />

create popcorn and beverage sales. After<br />

a little sweetness your "taste" craves salt.<br />

So satisfy the customers and "salt" that<br />

corn. And then they are thirsty and want<br />

to refresh with a cold drink or a snow cone.<br />

Many indoor theatres today gross up to<br />

30 cents per person. A good average is 18<br />

or 20 cents per person. Drive-ins do even<br />

better because of more products. If your<br />

per capita sales are less than 15 cents,<br />

there is<br />

nothing wrong with your patrons.<br />

It is your concessions that is at fault. Are<br />

you using your SHOWMANSHIP and teaching<br />

your concessions employes to learn<br />

SHOWMANSHIP at the concessions<br />

counter? Are you buying Quality? Don't<br />

be satisfied with status quo. Do SOME-<br />

THING—everyday—every week—to attract<br />

your patrons to your candy counter and<br />

you. too. can gross 18 cents. 20 cents or<br />

more per person. Don't say it can't be done.<br />

Do it. Do it right, and DO IT RIGHT<br />

NOW!<br />

Eastman Kodak Co. recorded net earnings<br />

of $3.40 per share on 19,191,123 common<br />

shares in the first three quarters of<br />

1957. Sales and earnings for the ninemonth<br />

period were the highest ever recorded<br />

by the company. Consolidated sales<br />

in the Eastman United States establishments<br />

in the period were $541,471,866. up<br />

8 per cent over the corresponding period<br />

in 1956. Net earnings after taxes amounted<br />

to $65,655,957.<br />

- TIPS<br />

ON CANDY SELLING<br />

Candy should be placed in the drive-m<br />

concessions line just before the cashier as<br />

the best inducement for patrons to buy.<br />

This is the opinion of most successful concessionaires.<br />

It should not be taken out of<br />

the concessions line and be placed elsewhere<br />

in the concessions building, even though<br />

the flow of traffic might be smoother, because,<br />

just as in supermarkets, it is the<br />

merchandise that is seen that creates the<br />

urge to buy.<br />

Flow of traffic can be speeded by restricting<br />

mints to a .small choice of flavors,<br />

but there should be a variety of bars or<br />

cello<br />

bags.<br />

Some exhibitors believe that only tencent<br />

bars should be handled, but most experienced<br />

concessionaires are convinced<br />

that they should also can-y the smaller<br />

bars to cater to the youngster with only a<br />

nickel in his pocket. There should be no<br />

pressure in forcing the ten-cent bar. While<br />

the five-cent bar isn't desirable from a<br />

profit standpoint, it is from an operational<br />

viewpoint because of the drive-in's aim to<br />

children.<br />

Open, mass displays, available to the patron's<br />

touch, will produce maximum candy<br />

sales. A patron wiU pick up a bar and wait<br />

to pay for it, but he may not wait to be<br />

served from inside a case. While the transaction<br />

time may be the same, the psychology<br />

is not. Shortages from pilferage can be<br />

controlled well within the national average,<br />

it has been proved.<br />

Higher-priced, higher - profit candies<br />

should be given the most prominent display.<br />

Patrons usually have not made up<br />

their mind what they want to buy when<br />

tliey approach the counter, and it is natural<br />

to pick up the first and nearest item<br />

they see.<br />

Active, suggestive selling by concessions<br />

personnel makes all the difference in<br />

whether the concessions operation is successful<br />

or not. "Would you like to try<br />

this delicious, new package of chocolate<br />

almonds?" Such a question, asked of each<br />

patron is bound to sell a percentage of undecided<br />

pui-chasers. Persoimel should be<br />

taught prepared sales phrases and management<br />

should see that these phrases are<br />

actively used.<br />

Contests and incentive plans with worthwhile<br />

rewards will keep the concessions staff<br />

on its toes. Peilodic contests, well planned,<br />

with constant, stimulating follow-ups during<br />

the time of the contest will produce<br />

thousands of dollars of extra business. The<br />

basis of competition must be fair, and there<br />

should be no attempt to maintain interest<br />

over too long a period.<br />

A special kind of candy display was described<br />

recently by Joe Hanley in National<br />

Theatres Showman. He advises:<br />

Get a shallow, circular wicker basket not<br />

over eight inches or so in depth and about<br />

thirty inches in diameter at the circumference.<br />

Procure enough colored metal<br />

foil paper, amber in color: crumple it up<br />

then straighten it out and cover the inside<br />

of the basket with this ruffled foil. Now<br />

place the basket on youi- concessions<br />

counter in a slanting position with the rear<br />

of it about five or six inches higher than<br />

the front.<br />

Arrange a 100 or 200-watt amber spot to<br />

hit directly on the tilted basket, with the<br />

colored foil paper in the bottom.<br />

As the final touch dump a carton or<br />

more of the bar you wish to push that<br />

evening: let it be Almond Joy. Mars. Hershey<br />

Almond or what have you. The pile<br />

of bars, against the metal foil-colored background,<br />

augmented by the amber spot, will<br />

create wonders, believe me!<br />

As your crowning touch top the display<br />

with an attractive, cleverly executed sign<br />

reading SPECIAL TODAY, 10c (or 12c in<br />

in those theatres charging 12c >.<br />

Now watch the patrons buy this "special."<br />

The writer has seen this display worked<br />

daily, day-after-day, with great results<br />

the only difference being that the color of<br />

the metal foil is changed, daily. There are<br />

very attractive metal foil papers in red,<br />

green, royal purple and indigo blue.<br />

Give this a real try and watch sales<br />

jump.<br />

Don't overlook coin-operated vending<br />

machines for selling candy. They can supplement<br />

the stand, relieving some of the<br />

pres.sure at intermission time, take over<br />

when the stand is closed and add materially<br />

to the overall concessions profits. Some<br />

people prefer the vending machine because<br />

they are shy. others won't wait to be served<br />

at the stand, and still others just like to<br />

operate the machines.<br />

An exhaustive Dupont survey has shown<br />

that 90 per cent of all candy is bought on<br />

impulse, and this impulse is excited by seeing<br />

candy on display. This points up the<br />

necessity of giving real thought and effort<br />

to creating attractive displays.<br />

10<br />

The MODERN THEATRE SECHON


CENTER OF COUNTER IS CANDY HOT SPOT<br />

Candy is given top priority at the Granada Theatre, Kansas City, Kas., by being<br />

displayed in the center of the counter. Bars do not butt against each other,<br />

but each confection is separated by about an inch. To add sparkle, dark-color<br />

wrappers are alternated with light ones. Each item thus has an opportunity to<br />

stand apart from its neighboring brand. Backbar decorations are changed with<br />

the seasons and holidays to make the concessions more attractive.<br />

Each Bar Emphasized by Space Separation and Alternating Colors of Wrappers<br />

By<br />

a hit<br />

CHARLES W. BARNES JR.*<br />

Just as the picture "Tammy" was<br />

at the boxoffice, we want our candy<br />

to be a hit to the "tummy." Everyone today<br />

is thinking about his "innards," so we<br />

stock the most highly publicized and established<br />

items in an effort to more successfully<br />

be able to coat the sweet tooth of the<br />

buying public.<br />

With the changing times, we have eliminated<br />

most of the candies that sell for five<br />

cents and maintain only a few bars at this<br />

price to be able to take care of the tots who<br />

have a limited allowance. Generally, we<br />

have learned from our sixth sense that<br />

candy selling for five cents can be advantageously<br />

replaced by its ten cent counterpart.<br />

This forces sales upward in gross.<br />

kept under surveillance to guard against<br />

pilferage, but this is the place where candies<br />

more readily find buyers.<br />

As for the aiTangement of items in the<br />

counter, we endeavor to make each confection<br />

stand apart from its next-door<br />

neighbor by alternating the bar wrapper's<br />

coloring. That is, we vary colorings by placing<br />

a dark colored wrapper next to a<br />

brightly colored one. We do not pack one<br />

We<br />

bar tightly against the row of another.<br />

create little avenues between each bar<br />

which tends to create a neater arrangement<br />

as well as setting apart one brand from another.<br />

Five-cent bars are placed in the<br />

backbar where they are not so readily seen.<br />

Display is one of the most important adjuncts<br />

to our concessions, just as with a<br />

girl standing in the middle of an intersec-<br />

Continued on page 14<br />

ITEMS UP TO 35 CENTS<br />

What is more we stock a few 25. 30 and<br />

35-cent items for those having more ravenous<br />

demands. In any case, we do not believe<br />

in simultaneously handling both five<br />

and ten-cent bars.<br />

Location of candies is an all-important<br />

part of the selling. The center of our candy<br />

counter is felt to be its "hot spot." This<br />

is where we put bars that we want to move.<br />

The left bottom of our counter, generally,<br />

is where we place merchandise that does<br />

not require favored treatment. We also believe<br />

in countertop merchandising. It is<br />

true that goodies placed there have to be<br />

*Manager, Granoda Theatre, Kansas City, Kas.<br />

A revolving table is put into use to push special feature items, such os cellophane bags and large bars, ranging<br />

in price from 25 to 35 cents. The animated display is also used to push items not ordinarily carried,<br />

which are added lor jaded appetites, and (o move slow sellers. This photo also gives a good view of the<br />

backbar display where five-cent bars are displayed.<br />

BOXOFFICE November 16. 1957 11


The fame of<br />

CHERRY<br />

the bottle<br />

SERVE CANADA DRY QUALITY


!<br />

sells the name<br />

on the cup<br />

THE FLAVORS THEV LIKE —<br />

THE NAME THEV KNOW


1<br />

CENTER OF COUNTER IS<br />

HOT SPOT'<br />

Continued from page 1<br />

tion . . . what happens to her is solely dependent<br />

upon her display. So it is with us,<br />

we are constantly revolving our stock and<br />

repositioning it so that it is necessary to<br />

study our stock for appraisal. Turntables<br />

are put into service from time to time and<br />

upon these we feature items that we do<br />

not regularly carry, but which we present<br />

for jaded appetites. For the kiddies, we<br />

stand up their suckers in racks specially<br />

drilled to hold the sucker stick.<br />

A FRESH LOOK ATTRACTS<br />

A fresh look by changing displays both<br />

for counter and backbar trim, to us. is an<br />

important feature in our sales result because<br />

it supplies a constantly new and<br />

different appearance in our concessions<br />

department. Because of this, it draws attention<br />

to the conces-sions and this is a<br />

necessary factor in attracting traffic.<br />

Variety of merchandise is another<br />

important feature towards keeping a high<br />

sales standing.<br />

Selection is all-important, too. because<br />

we want our customers to have a variety<br />

for two reasons. We want them to buy more<br />

and we do not want them to tire of the<br />

"same ole bar." We want them to experiment<br />

with various candies because each<br />

time they do, it rings a pretty little bell,<br />

the one in our cash register.<br />

Likewise, ordering can be governed for<br />

specific attractions because we have<br />

learned that certain programs are conducive<br />

to enlarged concessions grosses. By<br />

paying strict attention to our ordering<br />

procedure, we eliminate the likelihood of<br />

stale merchandise. If w'e find any candies<br />

are losing "buy" appeal, those items are<br />

discontinued. Oftentimes items can be<br />

made to sell by carrying them in the center<br />

of the counter or by designating them<br />

as featured items or as a "special of the<br />

week" and displayed on a turntable.<br />

Apple polishing sells<br />

apples and counter<br />

polishing sells candies. Sparkling cleanliness<br />

is practiced to better entice the buyers.<br />

Just as a pig wallowing in the mud<br />

deters the sale of bacon, so, too, does a disorderly,<br />

unkempt candy counter lessen the<br />

desire to buy.<br />

MUST HAVE ENTHUSIASM<br />

Our job is to snag as much of the theatre<br />

business as we can. Our strongest<br />

guide is our per person sales ratio. We<br />

compute this each week and relay this<br />

information to employes. With this as a<br />

gauge, they have a goal to meet evei-y week<br />

and this whets their enthusiasm. If we<br />

find that an employe lacks this interest, he<br />

is replaced by one with interest; without<br />

interest sales definitely are impaired along<br />

with the appearance and cleanliness of the<br />

concessions.<br />

Cleanliness goes hand-in-hand with attractiveness.<br />

If the eye is caught by the<br />

decor, then it must not be tui-ned away by<br />

disorder and dirt. This not only applies<br />

to the equipment and displays but to the<br />

employes as well, male or female.<br />

Another important asset is "suggestion."<br />

A girl's wink suggests something to a man.<br />

So does an employe's recommendation that<br />

the customer try a new candy or inquire<br />

as to whether the patron has recently tried<br />

a well-established brand.<br />

Good employes and good merchandise<br />

seem to be the twins of a good concessions<br />

business and so we are careful about what<br />

we order and never put a person to worK<br />

without giving careful instruction to the<br />

individual prior to putting him into service.<br />

To keep our stock in good condition, we date<br />

each carton on the day that it is received.<br />

In this way we can safeguard selling the<br />

new stock out before disposing of the older<br />

merchandise.<br />

Whether our patrons enjoy our films is<br />

beyond our control, but we want our concessions<br />

to be a sweet business . . . for<br />

the customers and us.<br />

New Drink Dispenser Plant<br />

Equipped With Automation<br />

An invitation to theatremen who are actual<br />

or potential users of carbonated drink<br />

equipment to visit the new plant of Selmix<br />

Dispensers. Inc., 5-17 46th Road, Long Island<br />

City. N. Y.. has been extended by<br />

Arthur B. Segal, president. Although in the<br />

soft drink equipment manufacturing field<br />

only eight years, the Selmix organization<br />

has become a research leader for new materials<br />

for use in such equipment.<br />

The new Selmix plant is equipped with<br />

automation and electronic devices to take<br />

the element of "human error" out of equipment<br />

manufacture and Segal said that<br />

these procedures will eliminate most of the<br />

"nuisance" service problems that<br />

so-called<br />

have beset the user of all types of this<br />

equipment. The automation and electronic<br />

testing equipment and procedures set up<br />

in the new Selmix plant efficiently evaluate<br />

not only the firm's finished products before<br />

they are shipped to the field, but more<br />

important, they "life"-test new materials,<br />

components and products before they are<br />

incorporated into products, either old cr<br />

new.<br />

The seven years of research Selmix staff<br />

investigators have given to plastics is beginning<br />

to pay off and will result in an economical<br />

flow of equipment that the concessions<br />

operators can afford to buy. Although<br />

the cost of such plastics as are suitable<br />

for use in carbonated beverage dispensing<br />

equipment is still high, Segal<br />

pointed out that they are much lower<br />

priced than they were several years ago.<br />

Selmix. this year, is introducing several new<br />

items in plastics.<br />

Up until the present day, because of the<br />

carbonic acid in carbonated water and<br />

some of the ingredients used in making<br />

concentrates, only metals that would not<br />

contaminate the water, syrup or finished<br />

drink could be used for drink equipment.<br />

Selective Hiring and Training<br />

Of Concessions Employes Vital<br />

To a Successful Operation<br />

By<br />

EMMETT SHANE*<br />

A LTHOUGH merchandise counters<br />

are an integral and important part of our<br />

profit picture, and—like theatres—are here<br />

to stay, unfortunately some of our sales personnel<br />

appear to be somewhat indifferent to<br />

such factors as cleanliness, effective sales<br />

promotion, and the talent of making suggested<br />

sales. Hiring and training of personnel<br />

is one of the most important duties of a<br />

theatre manager. Let us examine some ideas<br />

for the improvement of merchandise personnel.<br />

GIRL MUST FIT<br />

When a candy attendant joins a theatre,<br />

she must be something of a conformist if<br />

the new relationship is to work out satisfactorily.<br />

The girl must "fit" herself into<br />

the structure of the company: she must<br />

blend with its personality: and she must<br />

harmonize her activities with those of her<br />

company. If there is friction between candy<br />

attendant and theatre, both suffer; unless<br />

there is conformity the work is at cross purposes.<br />

The only satisfactory relationship<br />

between a candy attendant and her theatre<br />

manager is a mutual one that benefits both.<br />

The candy girl and her manager have an<br />

interest in the girl's walking, talking, feeling,<br />

and looking like a person who likes and<br />

enjoys her job. Such a girl is loyal to her<br />

theatre, has respect for it. has confidence<br />

in<br />

it.<br />

If a sales girl is uninformed about her<br />

job or theatre, she will express a lack of<br />

enthusiasm that will have a disastrous effect,<br />

and an unfortunate influence on her<br />

customers. You, the theatre manager, have<br />

a responsibility to see that optimism is<br />

generated by keeping your personnel up to<br />

date with company information. Let your<br />

personnel know that your theatre and<br />

company is constantly on the alert to improve<br />

methods, to cut its expenses, to expand,<br />

and to make its employes happier.<br />

Knowledge is a forerunner of optimism.<br />

MOTIVE IS<br />

IN<br />

EMOTIONAL<br />

Since merchandise profits have become<br />

such a necessary part of our business, it<br />

behooves us to examine some of the motives<br />

behind the patrons' desire to purchase. In<br />

most instances the patron has an emotional<br />

rather than a rational motive in the making<br />

of a purchase at a candy counter. By<br />

emotional. I mean that the buyer is buying<br />

with his feelings, his heart, and his<br />

sentiment rather than with his head. In<br />

a sense, most emotional buying is done<br />

without thinking; it is more emotion-controlled<br />

than reason-controlled. When the<br />

buyer makes "emotional" purchases, the<br />

Continued on page 16<br />

"Reprinted from Notional Theatre Showman.<br />

14 The MODERN THEATRE SECTION


BOXOFFICE ;: November 16, 1957<br />

15


Four happy youngsters model the costumes they won in one of the drawings held in six Canadian drive-ins<br />

each night for a two-month period. Purchases of ten or 20-cent Pepsi-Cola entitled the buyers to one or<br />

two chances in the drawing.<br />

Kiddie Costume Draw Steps Up<br />

Beverage Sales at<br />

Drive-Ins<br />

E xcEPTiONALLY fine results in inci-eased<br />

beverage sales and stepped-up<br />

cents-per-person were enjoyed by six drivein<br />

theatres in Canada through a new promotion<br />

called the Pepsi-Cola Kiddie Costume<br />

Di-aw, according to Jack Pitzgibbons<br />

jr.. president of Theatre Confections, Ltd.<br />

Of special interest was the fact that sale<br />

of the 20-cent drinks increased, and that in<br />

some theatres there was an increase in<br />

Pepsi-Cola sales as well as an increase in<br />

cents-per-person even in the face of reduced<br />

attendance over the same two-month<br />

period last year.<br />

A costume giveaway was held each night<br />

at each of the participating theatres, the<br />

costumes consisting of a girl's nurse uniform,<br />

cowgirl outfit, boy's Mountie suit and<br />

cowboy outfit. Costumes were provided for<br />

two different age groups: ages four to six,<br />

and six to ten.<br />

Costumes were furnished to the theatres<br />

for display as well as giveaway, and the<br />

theatres were also supplied with a 30-second<br />

trailer and display cards giving details<br />

of what was available at the concessions<br />

in the way of costumes and giving complete<br />

details as to how they might be won.<br />

The theatres were provided with a roll<br />

of dual concessions tickets. When a child<br />

or adult made a pui-chase of a ten-cent<br />

Pepsi-Cola he received one ticket, and the<br />

other half w^as placed in the drawing container<br />

at the stand. If a 20-cent Pepsi was<br />

Results of Promotion in Sales Increase and Attendance<br />

THEATRE


^ D D ^ ^ f 3 f<br />

NESTLE'S MAKES<br />

THE VERY<br />

^ BEST CHOCOLATE!<br />

»<br />

^ 3 ij ;j D > i »<br />

CRITICS<br />

Your customers appreciate quality!<br />

Your customers recognize<br />

the long-established record of<br />

Nestle's® fine chocolate bars. This<br />

is the kind of quality they want.<br />

Provide it . . . and they'll come<br />

back to you again and again!<br />

More sales . . . more customers<br />

ABOUT NESTLE'S CHOCOLATE<br />

. . . faster turnover — for you!<br />

RAVE<br />

G CRUNCH<br />

MILK CHOCOLATE<br />

QUALITY BRANDS<br />

BUILD TURNOVER!<br />

BOXOFFICE November 16, 1957 17


.<br />

18<br />

.k<br />

THE BUTTERMATIC WARMER FOR QUICK SALES<br />

.^--^5=<br />

fc<br />

'<br />

/<br />

-. 1<br />

Here is a self-contained popcorn center to<br />

organize your buttercorn sales in one<br />

illuminated display featuring a BUTTER-MAT<br />

or BUTTER SERVER, combined cup dispenser<br />

and change unit, and a 200 cup bulk bin.<br />

Keeps 54 prefiUed BUTTERCUPS ready for service<br />

heated to the right temperature.<br />

BEAT THE RUSH WITH HOTRAY<br />

HOTFAY, with regulated radiant<br />

heat, keeps 42 BUTTERCUPS<br />

at 141 degree temperature.<br />

With these attractive, illuminated<br />

trays, you're set tor the intermission<br />

rush. Fill one while<br />

the others sell.<br />

BattATcotn<br />

OTHER "BEST SELLERS": BUTTERCUPS- COLDISPLAY- JUNIOR COLDISPLAY-<br />

BUTTERMAT - BUTTER SERVER- FRONT i REAR SERVICE CANDY CASES- BUTTER CONSOLE- DISPLAY STAGE<br />

SUPURDISPLAY# INC* 1324 W. Wisconsin Avenue, Milwaukee 3, wis.<br />

Theres No Substitute<br />

FOR Experience .<br />

. .<br />

And SPORTSERVICE'S Know-How Stems<br />

From Over 40 Yeors of Experience in Refreshment Catering<br />

"Sportservice has the answer to your concession problems"<br />

for DRIVE-IN Theatres.<br />

Write or Phone—Madison 5014<br />

SPORTSERVICE<br />

703 Main Street Buffalo, N. Y.<br />

The NEW Patented SPEED-SCOOP<br />

Three times more efficient. Scoop and pour o<br />

bagful of popcorn in one single cosy motion.<br />

Mode of light, stoinlcss oluminum. Cool hardwood<br />

hondle. Perfectly balanced for maximum<br />

efficiency ond speed. Only 52.50 of your Theatre<br />

Supply or Popcorn Supply Deolcr.<br />

SPEED-SCOOP<br />

109 Thornton Ave., Son Francisco 24, Calif.<br />

RAISED<br />

CHECK AVERAGES<br />

'increased gross PROFITS.<br />

with JAMES RIVER<br />

SMITHFIELD<br />

• Pork • Beef<br />

• Turkey<br />

FLAVOR SIMMERED<br />

in Genuine<br />

SMITHFIELD<br />

HAM STOCK<br />

BARBEQUES<br />

Vi<br />

BEEF<br />

SAUCE<br />

Add Popcorn Processing<br />

Plant<br />

A new processing plant for handling more<br />

than 25 million pounds of popcorn annually<br />

is being added to the J. A. McCarty Seed<br />

Co., popcorn division, near Evansville, Ind.<br />

J. A. McCarty, president of the firm which<br />

produces and ships bulk popcorn to theatre<br />

concessions distributors, said that the<br />

addition will cost $100,000. It replaces a<br />

company processing facility damaged by<br />

fire last December.<br />

The new plant will include the latest development<br />

in shelling, drying, grading and<br />

treating popcorn for world distribution. Its<br />

construction will consolidate the company's<br />

storage and processing facilities in one general<br />

plant area.<br />

McCarty, who founded the company 37<br />

years ago. also operates a plant at Napoleon,<br />

Ohio. He is a member of the Popcorn<br />

Institute's board of directors. Jim, his son.<br />

is a member of the board of the Popcorn<br />

Processors"<br />

Ass'n.<br />

Right Approach for Sales<br />

A pleasantly aggressive concessionaire<br />

has the fun of stimulating and directing<br />

sales. Most theatre patrons are in a hurry<br />

to get inside to a good seat. They see the<br />

concessions stand, pause for a quick purchase:<br />

the concessionaire says, "Hello,<br />

fresh, hot buttered popcorn?" If the patron<br />

has not already made up his mind, he<br />

is likely to take the suggestion and buy it.<br />

The 'Can I help you?" approach is a waste<br />

of time and puts the patron on his own.<br />

He may hesitate and go on. Also remember,<br />

theatre concessions sales are largely<br />

impulse'.<br />

The planned display and the approach<br />

of the concessionaire can decidedly stimulate<br />

and direct sales!<br />

Build<br />

—Commonwealth Messenger.<br />

Play Equipment Factory<br />

A new factory building on a 15-acre tract<br />

on South Chicago Road. Litclifield. Mich.,<br />

has been completed by Game-time, Inc.<br />

designed to become the center for all the<br />

The new building, a one-<br />

manufacturing activities and general office<br />

of the firm.<br />

floor concrete and glass structure, may be<br />

expanded from either of two sides.<br />

Equipment already installed includes a<br />

metal press weighing 950 tons. Altogether<br />

there are 16 presses for making park, playground,<br />

school and athletic equipment.<br />

Victor E. Brown .ir. is president of Gametime.<br />

Inc.. a wholly owned subsidiary of<br />

Simpson Manufacturing Co., also of Litchfield.<br />

Stainless steel items in a concessions<br />

stand can be cleaned regularly with soap<br />

and water. For accumulations that refuse<br />

to yield to this treatment, use stainless<br />

steel wool and always rub in direction of<br />

the polishing lines.<br />

The MODERN THEATRE SECTION


Sell<br />

—<br />

When You Plan<br />

Refrigeration<br />

And Equipment for<br />

Your Drive-ln,<br />

Call in an Expert for Advice<br />

He Can Show How to Standardize the Entire Range of Storing, Preparing, Serving<br />

By C. K. LITMAN*<br />

When the members of the National<br />

Ass'n of Concessionaires changed<br />

their name to eliminate the word "Popcorn."<br />

the drive-in concessionaires joined<br />

the "big leagues."<br />

Selling popcorn was, and still is, a pretty<br />

simple operation. It doesn't require much<br />

capital, and the entire operation is easily<br />

portable. By itself, popcorn is an easy,<br />

profitable retail business. The ambitious<br />

concessionaire who looked for new fields<br />

for profits after he had the popcorn situation<br />

well in hand found that ice cream,<br />

candy, soda pop. and similar items added<br />

profits without much additional investment<br />

or overhead. And then came such items as<br />

hot dogs, hamburgers and coffee, and the<br />

concessionaire found himself running a<br />

good-sized food service establishment.<br />

STORE HOURS LIMITED<br />

The nature of his business makes the<br />

concessionaire a kind of philosopher. He<br />

calmly accepts the low blows that are dealt<br />

to him by bad weather, by an occasional<br />

impopular film, or by other competitive attractions.<br />

He realizes that he can't control<br />

the size of his "clientele," and that his<br />

store hours are very limited.<br />

But. within the framework of his operation,<br />

where he can control things, our concessionaire<br />

is a hard-thinking, hard-working,<br />

hard-fighting business man. He knows<br />

that to increase his net profit, he must increase<br />

his gross; and he also knows that<br />

even with a larger gross, he might not increase<br />

his net.<br />

He has a double problem, therefore:<br />

First—to increase the gross take; and<br />

Second—to increase it in such a way<br />

that the net is also increased.<br />

ers; point of purchase promotions— these<br />

are all necessary if more and higherpriced<br />

items are to be sold to more people.<br />

But. how to do all these things and still<br />

have something left in the cash register<br />

that's where it gets rough.<br />

The concessionaire who is in or already<br />

past the hot dog-coffee-hamburger stage,<br />

which means that he is selling or thinking<br />

of selling such items as pizza, shrimp, hot<br />

pastrami, and others, is a food service operator<br />

whether he knows it or not.<br />

SPECIAL CONSIDERATIONS<br />

As a food service operator, he has these<br />

things to consider:<br />

II<br />

The menu must be varied;<br />

2) The menu must be planned around<br />

foods or types of foods that are<br />

suitable for evening .service during<br />

a short intermission;<br />

3 1 The menu foods must be of types<br />

that can be prepared at the last<br />

minute so that sudden changes in<br />

the weather or similar disturbances<br />

will not cause large losses due to<br />

foods that could not be held over;<br />

or they must be the kind of foods<br />

that keep easily.<br />

All this requires planning, and we urgently<br />

suggest that the ambitious concessionaire<br />

use professional planning service.<br />

Such professional planning service is available<br />

in every metropolitan area in the<br />

country. Many equipment manufacturers,<br />

fabricators, dealers, and consultants are<br />

available and have a high degree of skill<br />

at designing layouts and specifying equipment<br />

to do the job properly.<br />

In order to emphasize the importance of<br />

making full use of all of the knowledge<br />

that is available, we would like to make a<br />

number of observations and comments that<br />

may well serve the concessionaire as a<br />

guide for his preliminary planning.<br />

The first step in the planning of a good<br />

food service operation is to determine type<br />

of menu. This doesn't mean that the complete<br />

menu must be written before the<br />

equipment is planned. It does mean, however,<br />

that decisions must be made on the<br />

general types and classes of foods that will<br />

be served.<br />

When the type of menu is decided, this<br />

decision will then influence the decisions on<br />

types of equipment that will be needed.<br />

There are tremendous savings to be realized<br />

at this stage because a smart approach to<br />

menu and equipment can mean a widely<br />

varied menu with a minimum investment<br />

in equipment.<br />

DETERMINING SIZE OF LAYOUT<br />

Then, estimates of number of customers<br />

and sales volume will be used to determine<br />

size of equipment and layout.<br />

That's all. It .sounds simple, and there<br />

is no rea.son why a brand new concessionaire<br />

can't do his own design and layout<br />

work, and specify his own equipment, and<br />

come up with a first class layout. BUT.<br />

Continued on page 72<br />

PORTION CAPACITY USING PAPER PORTION CONTAINERS<br />

THREE<br />

METHODS TO PURSUE<br />

To increase his gross, the concessionaire<br />

can only look to one or more of these three<br />

things:<br />

1> Sell higher-priced items;<br />

2 1 Sell more items to each customer:<br />

1<br />

3 to a higher percentage of potential<br />

customers.<br />

Any aggressive operator knows the techniques<br />

of increasing gross along these lines<br />

—a widely varied menu; good food, properly<br />

prepared and attractively served in<br />

pleasant surroundings; effective film trail-<br />

"Preiidenf, Koch Refrigerators, Inc.


Needing<br />

Needing<br />

I refrigeration<br />

-<br />

CALL IN AN EXPERT<br />

Continued from page /9<br />

it may take him fifteen or twenty years<br />

to build up the necessary experience, and<br />

meanwhile, who will be "watching the<br />

store"? Excuse the interruption, but we<br />

can't resist the temptation to urge again<br />

that professional layout service be u.sed.<br />

The professional can be of real moneysaving<br />

service because he is a collector of<br />

other peoples' experience. He knows the<br />

mistakes that have been made, and he<br />

knows the good moves as well. He is familiar<br />

with "old reliable" equipment, and<br />

he knows the new items. For example, the<br />

classic items of equipment for a short order<br />

operation have been the grill and the deep<br />

fat fryer. These are now supplemented, but<br />

not necessarily replaced, by electronic, pressure<br />

frying equipment. These new items<br />

and new methods add greatly to the short<br />

order<br />

menu possibilities.<br />

PROFESSIONAL KNOWS WHOLE STORY<br />

The professional also knows the whole<br />

story on prefabricating, preportioning, and<br />

precooking. With proper planning, the<br />

drive-in concessionaire can serve a full<br />

menu without employing more than the absolute<br />

minimum of skilled help. Hamburgers<br />

and other meat patties are available already<br />

ground, seasoned, and portioned;<br />

shrimp, fish sticks, and similar items are<br />

breaded and ready to cook; Fi-ench fries<br />

and onion rings are partly cooked or ready<br />

All of these, and many<br />

to cook; and so on.<br />

more items are available for short time<br />

storage in medium temperature refrigeration,<br />

and many of them are available<br />

frozen, and can be stored for periods up to<br />

several months. With these frozen portioned<br />

foods, particularly the ones that are<br />

partially precooked, the time between the<br />

opening of the freezer door and the ringing<br />

of the cash register is only a matter of<br />

minutes. And. of course, that minimum<br />

time means minimum waste, minimum<br />

spoilage, and minimum loss to the operator.<br />

CAN EASILY STANDARDIZE<br />

The professional can demonstrate that<br />

because of newly designed equipment, the<br />

concessionaire can standardize with a very<br />

few sizes of trays and pans and can use<br />

these sizes throughout the entire range of<br />

storing, preparing, and serving. The 12x20<br />

pan, as an example, is available from many<br />

manufacturers in several depths and in<br />

either of two materials—stainless steel or<br />

aluminum—and all are completely interchangeable<br />

with each other. These pans<br />

arc completely at home, without waste of<br />

space, in many of the new steamers, pressure<br />

cookers, and ovens; in recently designed<br />

refrigerators; and in food warmers<br />

and service equipment. By using these, or<br />

similar containers, and by using equipment<br />

that is matched throughout and that is<br />

designed for the containers, much rehandling<br />

and cleaning is eliminated. In<br />

addition, using uniform containers and uniform<br />

food portions enables the operator to<br />

know exactly what the capacity of his<br />

22<br />

equipment will be. For example, the 12x20<br />

pan that is nominally two inches deep will<br />

hold approximately seven quarts of fluid<br />

or semisolid material, which will make up<br />

into about 50 four-ounce portions. That<br />

same pan will hold right at ten cut-up<br />

frying chickens, or about 100 generous hamburger<br />

patties.<br />

KNOW CAPACITY OF PANS<br />

Any manufacturer of cooking equipment<br />

that is designed for these pans can tell<br />

exactly how many of them will go into his<br />

unit at a time, and the same is true for<br />

refrigerator manufacturers, steam table<br />

and warming table manufacturers, etc.<br />

The chart on "Storage Capacities. 14x18-<br />

inch tray and 18x26-inch pan." illustrates<br />

material that is available through the professional.<br />

The drive-in concessionaire who becomes<br />

a food service operator will need storage,<br />

preparation, and serving equipment. He<br />

will dispense foods that come in these various<br />

categories:<br />

1 ) Needing<br />

2 1<br />

' temperature<br />

no particular preservice<br />

care: candies, etc.<br />

normal (about 40<br />

refrigeration: soda<br />

pop.<br />

etc.<br />

3i Needing low temperature 'about<br />

only: ice cream,<br />

4 1<br />

etc.<br />

cooking or warming, but<br />

no particular precooking care: coffee,<br />

popcorn, toast, hot rolls, etc.<br />

5) Needing cooking or warming, and<br />

normal temperature refrigeration<br />

before cooking: hamburgers, hot<br />

dogs,<br />

etc.<br />

61 Needing cooking or warming, and<br />

low temperature refrigeration before<br />

cooking: shrimp, pizza, etc.<br />

Then, if we consider the variety of special<br />

cooking equipment and different kinds<br />

of cooking, we multiply these categories<br />

many times. And it looks as though an<br />

army could be fed from the layout we are<br />

leading up to. But not so. By judicious<br />

use of re-usable and single-service items,<br />

by clever combinations of flexible pieces of<br />

multipurpose equipment, and by strictest<br />

dependence on portion control, the layout<br />

is made compact and appropriate for the<br />

drive-in<br />

operation.<br />

FOR<br />

SUCCESSFUL OPERATION<br />

A drive-in concessions, if it is to be a<br />

food service operation in a real sense, can<br />

only be profitable if designed carefully,<br />

with every item planned and integrated<br />

into a unified whole. If this is done, it<br />

can and will be profitable. But there is no<br />

room for sloppy design or layout. With<br />

limited customer list and very limited serving<br />

lime, the drive-in concessions must operate<br />

smoothly and efficiently. In fact, it<br />

calls for the very highest degree of planning<br />

skill. But. planned and operated<br />

properly, it has a "captive audience." with<br />

no competition, and infinite possibilities.<br />

Watch (or speciol features on maintenance and<br />

sanitation in Modern Thcotrc, December 7,<br />

Young Draftsman Mighty Man<br />

In Dollar-Shoveling Feat<br />

How many silver dollars can a man<br />

shovel in a minute when he knows that he<br />

may keep all of them?<br />

That was the big question posed in Canada<br />

Dry's silver dollar Sweepstakes contest<br />

which drew more than 3,100.000 entries<br />

and resulted in the three top winners carrying<br />

off nearly $50,000 in silver dollars.<br />

Tom Watson, 19, a Battle Creek, Mich,,<br />

draftsman earned the top prize by shoveling<br />

$37,500 out of Canada Dry's mountain<br />

of 250.000 silver dollars at the Waldorf<br />

Canada Dry Sweepstakes winner, Tom Watson,<br />

seated, /s pictured on the stage at the Waldorf-<br />

Astoria ballroom a few moments after he finished<br />

shoveling 37,500 silver dollars in five minutes, the<br />

entire amount becoming his prize money. Congratulating<br />

Watson is Roy W. Moore jr., president<br />

o/ Canada Dry, with a portion of the pile of 250,000<br />

silver dollars visible between them.<br />

Astoria in New York, after having w^on the<br />

right to work for five minutes. Watson's<br />

amazing feat figured out at the rate of $125<br />

per second or $7,500 per minute. His winnings<br />

weighed 7 '2 tons! Watson, after being<br />

advised that he had won the right to<br />

keep all the dollars he could shovel in five<br />

minutes, practiced by shoveling steel washers<br />

at the plant where he works. His acccmplishment<br />

far exceeded the tests Canada<br />

Dry had made with a husky shoveler<br />

before announcing the contest, the test<br />

shoveler indicating that $3,000 a minute<br />

was a good average rate.<br />

However, even the runners-up, both<br />

women, exceeded the test-shoveler's efforts.<br />

The second prize winner spaded $7,700<br />

in two minutes and the third prize winner<br />

made the most of a one-minute go at the<br />

pile of dollars to earn $3,150.<br />

"The Sweepstakes," said Ralph Nims,<br />

Canada Dry vice-president, "was a little<br />

bit more expensive than we had figured on,<br />

but it was one of the most successful promotions<br />

we ever had, by a country mile."<br />

Ai.sle selling has been in existence since<br />

the days of Shakespeare and it is still<br />

paying off today—at both drive-ins and indoor<br />

theatres.<br />

The MODERN THEATRE SECTION


Arnenca's<br />

Orange<br />

The Drink<br />

Asked For By Name<br />

Everywhere<br />

Your Customers ask for Orange-CRUiH<br />

THIS MEANS VOLUME<br />

TURNOVER, AND BIG<br />

, RAPID<br />

FOR YOU!<br />

Orange-CRUSH Company<br />

MAIN gnrPFP-r fx/AMc^tom ILLINOIS<br />

BOXOFFICE :: November 16, 1957 23


ffUeatn^ MtuHUname<br />

. , Questions<br />

and Answers<br />

by dry cleaners. Diluted hydrofluoric acid<br />

is also used to remove rust stains from<br />

fabrics but its use calls for some skill.<br />

Hydrogen peroxide sometimes serves but<br />

may take the natural color out of the rug.<br />

When ycu shampoo your carpet again place<br />

pieces of cardboard under the casters until<br />

the carpet is entirely dry.<br />

This regular Modern Theatre feoture is conducted by Dave E. Smalley, contributor to many<br />

important magazines on mointenance and editor ot Better Maintenance Magazine. Questions from<br />

exhibitors ore welcomed. Address them to Theatre Maintenance, The Modern Theatre, 825 Von<br />

Brunt Blvd., Kansas City 24, Mo. Enclose stamped, self-addressed envelope for personal reply.<br />

Q REPLACING OLD ASPHALT TILE<br />

We liave an old asphalt tile floor i7i<br />

our lobby which has become broken in<br />

places, loom and generally shabby. We<br />

want to replace it with a new floor and<br />

would like to have your suggestions as to<br />

the ki7id of floor best suited for a theatre<br />

lobby. Our sub-floor is good, solid concrete.<br />

If we install another floor, must the<br />

old asphalt be first removed and if so.<br />

hoiu is it done?<br />

H First let us say. regardless of the kind<br />

of new floor you install, the old asphalt<br />

tile must be removed. There is a machine<br />

now which does the job rapidly. However,<br />

you can do it with a blowtorch and trowel.<br />

As to the kind of new floor we would suggest,<br />

there are the vinyl-asbestos tiles and<br />

the oxychloride. The former looks like asphalt<br />

tile but is brighter and much more<br />

durable. The oxychloride is a cement which<br />

is troweled on and dries in a hard smooth,<br />

semiglossy finish of any color desired.<br />

Oxychloride cement mixed with marble<br />

chips gives an excellent terrazzo floor. The<br />

latter must be ground down, of course, like<br />

conventional terrazzo.<br />

pRUST STAINS ON CARPETING<br />

• After shampooing the carpeting in our<br />

foyer last spring we evidently returned the<br />

furniture before the carpet was dry. This<br />

resulted in the metal casters of the chairs<br />

and davenport rusting and causing some<br />

bad stains. Can you suggest a way to remove<br />

these stains without injuring the<br />

carpet?<br />

H There is a patented preparation known<br />

as "Erusticator," designed for removing<br />

rust from fabrics and used particularly<br />

pTO REPLACE BROKEN TILE FLOOR<br />

We have an old vitrified tile floor in<br />

our lobby, many tiles of which are broken.<br />

Some tiles are gone and a lot of those remaining<br />

are so discolored it hardly seems<br />

worth while to repair the floor. As it is<br />

now, the floor is too rough to cover it urith<br />

a resilient tile. To do so would mean removing<br />

all the old tile which would be a<br />

big and expensive job. Is there some ki7id<br />

of material which can be troweled 07i to<br />

cover the old floor?<br />

H The answer is yes. Oxychloride cement,<br />

of any color you choose, can be<br />

successfully troweled over the old tile<br />

floor, resulting in a very durable, attractive<br />

floor and at no great expense. If you wish,<br />

marble chips can be added to the oxychloride<br />

mix to produce a terrazzo floor<br />

which cannot be told from conventional<br />

terrazzo.<br />

Commissions or bonuses for increased<br />

sales help to produce the desired results<br />

at concessions stands.<br />

PTHEATRE AV\AARD AVINNER!<br />

America's<br />

No. 1<br />

MARSH MALLOVS/<br />

BAR<br />

• GOLDEN ROASTED PEANUTS<br />

• VANILLA MARSHMALLOW<br />

• RICH MILK CHOCOLATE COATING<br />

^ /<br />

PAUL F.<br />

r^..^<br />

BEICH CO<br />

BLOOMINGTON. ILLINOIS<br />

"Whiz" recently received<br />

this award as one of the<br />

best sellers in 1957 among<br />

products oflfered at motion<br />

picture theatres throughout<br />

the U. S.<br />

QUALITY CANDIES<br />

FOR OVER 100 YEARS<br />

24 The MODERN THEATRE SECTION


Result: Colorful cup designs created especially for<br />

For vending machines or over-the.<br />

counter service, Lily has the cup that<br />

puts new sparkle in your beverage<br />

and popcorn sales.<br />

Turning to the wonders of electronics<br />

helps The Man With The Lily Plan turn<br />

up exciting new cup designs. Here he<br />

studies figures from an electronic calculator—figures<br />

that show the important<br />

part design plays in impulse sales of<br />

popcorn and beverages.<br />

Probing of this type led to the development<br />

of these three proven profit<br />

makers:<br />

Trouble-free vending cup<br />

The Lily* vending cup with red leaf<br />

design is perfect for all cold drinks.<br />

Precision rolled rims assure trouble-free<br />

dispensing; specially treated sides<br />

theatre<br />

concessionaires<br />

(And now<br />

eliminate possibility of leakage. .Available<br />

in six. seven and ten ozs.<br />

a new ten-oz. size is available for new<br />

malted milk dispensing machines.)<br />

The Lily popcorn vending cup, printed<br />

in a rousing red and yellow carnival<br />

design, has that exciting come-hither<br />

look that spurs your im|)ulse sales, it's<br />

rugged as a two-fisted<br />

movie hero— will<br />

not lose shape. 24 oz. size for automat iior<br />

over-the-counter «prvire.<br />

A cup that sells your entertainment<br />

The Lily theater design cold cup sells<br />

your movies as well as your soft drinks.<br />

Heavy wax coating lets you prefill cups<br />

before the rush, maintains coldness and<br />

carbonation. Six sizes. 7 to 18 ozs.. each<br />

size in<br />

a different color.<br />

Want free samples or<br />

more information on how The Man ^ ith<br />

The Lilv Plan can increase your beverage<br />

and popcorn sales? .lust write:<br />

Lily-Tulip Cup Corporation. 122 East<br />

42nd Street. New York- 17. Neiv York.<br />

*T.M. Ref-. IS. Put. Off.<br />

BOXOFFICE :: November 16. 1957 25


-<br />

Theatre Vending Equipment<br />

To Be Shown at the Miami<br />

International<br />

Tradeshow<br />

Indoor and outdoor theatre vending<br />

equipment developed by the special marketing<br />

division of Rowe Manufacturing Co.,<br />

working directly with concessionaires, independent<br />

theatre operators and theatre<br />

circuits, w^ill be exhibited at the National<br />

Ass'n of Concessionaires convention Nov.<br />

20-23 at Miami. Fla. The machines, which<br />

vend candy, cigarets, soft drinks, coffee,<br />

hot food, cake and pastry, gum, milk and<br />

canned fruit juices will be exhibited in<br />

booths 600-603 and 611-614 in the Americana<br />

Hotel. Charles H. Brinkmann, Rowe<br />

vice-president in charge of sales. Jack<br />

Hopson and Robert K. Deutsch will be in<br />

charge of the di.splay.<br />

MOST FOR IMMEDIATE DELIVERY<br />

Except for the new coffee vendor, all of<br />

the machines in the exhibit are available<br />

for immediate delivery. Deliveries on the<br />

coffee vendor are expected to begin within<br />

60 days. Each of the units has been location-tested<br />

successfully as a "round-theclock<br />

salesman," providing additional service<br />

while the theatre concessions stand is<br />

open, taking over when the stand is closed<br />

and substituting for the concessions stand<br />

at all times in smaller situations.<br />

Charles H. Brinkmann Jock Hopson<br />

Shown for the first time at any theatre<br />

show will be Rowe's six-unit "drive-in theatre<br />

package." It includes the new 11-column<br />

Rowe Candy Merchant; the Rowe<br />

1,000-cup capacity, four-selection cold<br />

drink vendor; the 14-column Ambassador<br />

cigaret vending machine; the new fresh<br />

brew Rowe coffee vendor; the Rowe "showcase"<br />

hot food vendor, which vends seven<br />

different kinds of canned foods, and a fiveselection<br />

pastry and cake vendor. All of<br />

these units have the typical Rowe "showcase"<br />

front.<br />

Also to be exhibited by Rowe is a special<br />

three-unit indoor theatre package of<br />

matched showcase vendors. The units in<br />

this package are the 11 -column Rowe<br />

Candy Merchant, the 1.000-cup capacity<br />

four-selection cold drink vendor and 14-<br />

column Ambassador cigaret vending machine.<br />

Each of the units in the indoor theatre<br />

package is available individually.<br />

Other outstanding features of the Rowe<br />

exhibit will be the Rowe-2000 theatre<br />

model, a four-selection cold drink machine<br />

with 2.000-cup capacity; the Rowe 160-<br />

pack capacity five-cent gum vendor, adaptable<br />

to attaching to a wall, another vendor<br />

or to a concessions stand; and a milk and<br />

canned fruit juice vendor of which Rowe<br />

is<br />

distributor.<br />

Guests will be entertained after exhibit<br />

hours at an open house in the Lanai Suite<br />

at the Americana Hotel.<br />

Step Up Sales<br />

Promotion<br />

Groundwork for greatly increased sales<br />

in 1958 is being prepared by executives of<br />

the Dr. Pepper Co. even as the firm is experiencing<br />

rising sales, following a slow<br />

1957 start. Sales in September were 7 per<br />

cent higher than a year ago. according to<br />

Wes Parker, executive vice-president, who<br />

said that the company is pleased with<br />

progress being made.<br />

The firm's position ha,s been strengthened<br />

by the addition of 20 new plants since<br />

January 1 and by the consolidation of other<br />

bottling and distributing plants to improve<br />

sales in previously franchised areas. Supplementing<br />

these organizational efforts, the<br />

Dr. Pepper Co. is centering a more unified<br />

advertising program on sales and merchandising<br />

promotions. Parker said that<br />

the firm's advertising budget for 1958 will<br />

exceed anything the company has ever invested<br />

for this purpose.<br />

26 The MODERN THEATRE SECTION


.<br />

:(r?' fiy [L /<br />

'00<br />

->n<br />

i^:<br />

^<br />

SHO\A/CASE VENDOR<br />

FOR THE THEATRE<br />

Indoot. . . Outdoor.<br />

.<br />

^/5T4b (=<br />

'cS'<br />

"r\<br />

«^^,<br />

\\'<br />

':MQ M<br />

cold<br />

clrinvk!<br />

:-¥ »<br />

s a e<br />

% ^n^Ui<br />

l^rTTTT<br />

* -t 1L_Sl_.<br />

TFTT<br />

:!-» ^ _#___» » *Li-^ «L*><br />

^<br />

V<br />

SELL MORE DRINK<br />

CANDY. .<br />

E EXCLUSr<br />

ever developed for theatres.<br />

IfvCTWS<br />

Write for details IM<br />

. CIGARETTES<br />

• Matched vendors with the most talked about feature<br />

in vending today ... the Rowe showcase. Attracts more<br />

people to make more sales. The finest merchandisers<br />

ANUFACTURING COMPANY, INC.<br />

OFFICE: 3, F ,7,H 5., New Yor. 3. N. Y. Tel: ALsor,^.,n 4 73<br />

SALES D Salei Qlli 2024.26 S. Wabash Ave., Chicogo. Hi<br />

44) Armour Drive. N.E., AHaMo. Go<br />

5435 West Washington Blvd., los Angeles, Cni'<br />

America's Automatic Merchandising Family- From A Single Uni t To A Full Line Vending Installation<br />

I


Patrons of this 630-(ar Georgia theatre add to the pleasure<br />

of seeing a good show by the enjoyment of<br />

a complete dinner in an attractive,<br />

air-conditioned dining room.<br />

Hungry patrons of the North 53 Drive In Theatre, Rome, Go , may enjoy comp'eie<br />

meals in this attractive dining room while watching the picture on the<br />

screen The screen is just out of the picture to the left. Patrons may elect<br />

to be served at the tobies, or may make their selections at the cafeteria concessions<br />

and take their trays to the dining room. Dinners range from $1 for<br />

hamburger and shrimp plates to $1 .2S for chicken plates.<br />

DINING ROOM AUGMENTS TWO-LANE CAFETERIA<br />

Table Service for 200 Patrons in<br />

This Drive-In Theatre Restaurant<br />

3iNCE MANY theatregoers have a<br />

natural inclination to dine out on evenings<br />

they attend a movie, the Lam Operating<br />

Co. ha,s provided the means to channel the<br />

money such patrons spend on restaurant<br />

food and service into<br />

the bank account of<br />

its North 53 Drive-In. Rome. Ga. Fi-onting<br />

the 40xl00-foot concessions building at this<br />

attractive drive-in is a 200-chair dining<br />

room where patrons may order and enjoy<br />

complete meals while watching the screen<br />

program through a mammoth Thermopane<br />

picture window.<br />

The dining room is both air-conditioned<br />

and furnace-heated for year-round comfort.<br />

In pleasant weather, additional table<br />

service is provided in the twin patios, located<br />

en either side of the dining room,<br />

each patio accommodating 100 patrons at<br />

the tables and in stadium-type seats.<br />

A concessions staff of eight is employed at the North 53 to handle the kitchen, the two-lane cafeteria and<br />

the dining room. Both lanes converge at the single cashier station.<br />

KITCHEN SERVES<br />

BOTH AREAS<br />

Customers have a choice of being served<br />

by the dining room staff or making personal<br />

.>;elections at the two-lane concessions cafeteria<br />

and taking their trays to the dining<br />

room tables. The cafeteria serving counter<br />

is in the room immediately behind the dining<br />

room. The kitchen serving both the<br />

dining room and the cafeteria is set up in<br />

a fan-shaped arrangement behind the cafeteria<br />

area. A staff of eight has been trained<br />

to work interchangeably in all three areas.<br />

Feature items in the North Star 53 dining<br />

room are chicken plates. $1.25: shrimp<br />

Continued on page 30<br />

28 The MODERN THEATRE SECTION


Because they like<br />

light refreshment,<br />

people are saying: "Pepsi, Please"!<br />

Good news for theatre operators— because<br />

Pepsi means more driyiks per gallonmore<br />

profit per drink, too!<br />

See Mory Morlin In<br />

"Annie Get Your Gun,"<br />

live in color, NBC-TV,<br />

Thanksgiving Eve, Nov. 27.<br />

BOXOFFICE :: November 16, 1957 29


DINING ROOM AUGMENTS CAFETERIA<br />

Continued from page 28<br />

The attraction panel of the North 53 is topped by a handsome name sign.<br />

the twin boxoffices. Parking area is to the left of the boxoflice.<br />

Wide approach drives lead to<br />

and hamburger steak dinners, $1, and pizza<br />

for either 60 cents or SI. Also available at<br />

the cafeteria counters are all kinds of sandwiches,<br />

soft drinks, coffee, popcorn, pie,<br />

snow cones and candy.<br />

The kitchen is equipped with toasters,<br />

deep fat fryers, oven, griddles, steam cabinet,<br />

bun warmers, ice machine, coffeemaker<br />

and soft drink dispensers.<br />

Cigaret and candy vending machines are<br />

located near the cafeteria serving counters.<br />

The concessions building, which is positioned<br />

in the center of the theatre's seventh<br />

ramp, is open only during show periods.<br />

Interesting architecture is a feature of the boxoffices and canopy. Traffic at the North 53 is handled by<br />

off duty city policemen wearing theatre uniforms. Note the sign on the right boxoffice directing trucks<br />

to drive to tfre right of the canopy.<br />

ROOM FOR 300 WALK-IN PATRONS<br />

The North 53 Drive-In, which can accommodate<br />

630 cars and 300 walk-in customers,<br />

was opened last March as the<br />

newest unit in a circuit of five drive-ins<br />

owned and operated by the Lam Operating<br />

Co. It occupies 20 acres three miles north<br />

of Rome on Highway 53 and represents an<br />

investment of $250,000 in land, construction<br />

and equipment.<br />

Since the Lam firm pioneered in striking<br />

architecture in drive-ins. the North 53 was<br />

designed by Art Clevenger. Rome architect,<br />

to conform to the Lam theme of beauty as<br />

well as service. The driveway entrance is<br />

The screen picture size is 65x122 feet. Projection facilities are in a concrete block and brick building<br />

several yards in front of the concessions building. Bright panels of color form the background of the<br />

children's playground in front of the screen and the equipment is painted in gay colors. Cartoon characters<br />

are set against the colored panels.<br />

The deep fry center in the North 53 kitchen where<br />

chicken, shrimp and French fries are prepared. Note<br />

the large ventilating hood over the fryers. Walls<br />

are tiled for easy maintenance.<br />

•l"^MxT\<br />

View of the 40x100-foot concessions building, which is located in the center<br />

of the theatre's seventh ramp. Diners in the air-conditioned dining room may<br />

view the picture through the window wall, while others may watch it from the<br />

patios at each side of the building.<br />

One of the outdoor patios at the North 53, showing the excellent view of the<br />

big screen. The theatre is located on 20 acres of land, three miles north of<br />

Rome on Highway 53. The 630-car situation represents an investment of<br />

$250,000 by the Lam Operating Co.<br />

30 The MODERN THEATRE SECTION


. .<br />

lined with boxwood, flowers and velvety<br />

green lawns. Beige brick, flower boxes and<br />

trim, modern lines are used effectively at<br />

the dual-lane boxoffice. A louvered wooden<br />

fence, painted barn red. surrounds the ramp<br />

area and there is an abundance of pines,<br />

cedars, roses, camellias, azaleas and boxwood.<br />

There is a circus look to the free playground<br />

area, just under and in front of<br />

the screen. Bright panels of color form a<br />

background and the equipment is gaily<br />

painted. An attractive barn-red cottage at<br />

the rear of the ramps, the residence of the<br />

caretaker, adds to the pleasing appearance<br />

of the grounds.<br />

Projection facilities are in a concrete<br />

block and brick building several yai-ds in<br />

front of the concessions building.<br />

Traffic control at the North 53 Drive-In<br />

is handled by off-duty Rome policemen<br />

wearing theatre uniforms. Kelly Williams<br />

is manager.<br />

atres lagged behind other concessions developments<br />

for a considerable time, due to<br />

the bulk type of dispensers used and the<br />

inconvenient method of refilling them. Ice<br />

had to be cracked, water and syrup added<br />

during intermission when the demand for<br />

refreshment was at its peak. The unappetizing<br />

appearance of the old type dispenser,<br />

after it became sediment-caked,<br />

was another factor working against sales.<br />

All these inconveniences in over-thecounter<br />

sales of noncarbonated beverages<br />

have been overcome. With the Jet Spray<br />

model in use at the Savoy Theatre, for instance.<br />

Miss Buell is able to offer her patrons<br />

a cold, uniform flavor, noncarbonated<br />

beverage in a compact, electrically<br />

operated dispenser that takes up only one<br />

square foot of counter space. The unit can<br />

handle three gallons of beverage a minute<br />

and keep every drop refrigerated, fresh<br />

and sediment free. Assuring sanitation, the<br />

machine is equipped with a large drip tray<br />

that lifts off for fast cleaning and a sterilizer<br />

lamp that dispels odors, repels insects<br />

and prevents mildew.<br />

Appointed Advertising Manager<br />

Saul A. Fern has been appointed advertising<br />

manager for the Pullman Vacuum<br />

Cleaner Corp. He formerly was associated<br />

with Pern & Associates. Pi-ovidence advertising<br />

agency, where he served as public<br />

relations consultant.<br />

CREDITS: Concessions equipment: Buckingham<br />

soft drink dispenser; Cretors popper; Echols snow<br />

cone machine; Griswold steam cabinet and toaster;<br />

Hotpoint griddles; Scotsman ice machine; Selmix<br />

beverage dispenser; Starmaster deep fat fryer; Toastmaster<br />

bunwarmers; Vaculator coffeemaker •<br />

Lamps: Ashcraft • Projectors: Century • Reflectors:<br />

Bausch & Lomb • Screen facing: Johns Manville<br />

• Speakers: Ballantyne • Sound: RCA.<br />

Noncarbonated Drink Sales<br />

Doubled With New Dispenser<br />

A steady increase of demand for noncarbonated<br />

beverages by patrons of the<br />

Savoy Theatre, Grand Rapids, Mich., has<br />

been reported by Miss Gerri Buell, manager,<br />

who attributes the trend to much<br />

improved dispensing facilities. The Savoy<br />

recently installed a Jet Spray Cooler, noncarbonated<br />

beverage dispenser.<br />

"Sales of noncarbonated drinks have<br />

*Gross Profit Margin<br />

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60';r gross profit on cold drinks.<br />

'<br />

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.it<br />

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Manley<br />

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Pops corn in the famous<br />

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The compact, refrigerated Jet Spray dispenser recently<br />

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FILL IN AND MAIL TODAY<br />

,--' jManley. inc.<br />

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more than doubled." said Miss Buell," as<br />

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Sales of noncarbonated beverages in the-


USES CONCESSIONS AS A GOODWILL BUILDER<br />

School Parties at Drive-ln Prove a Hit With Youngsters and Parents Alike<br />

By ELSIE LOEB<br />

Louis Ratener. who owns and operates<br />

two drive-in theatres in Ohio—<br />

the Montrose, at Montrose and the Magic<br />

City at Barberton—doesn't hold with the<br />

industry psychology that when business is<br />

off. operating expenses should be cut to<br />

In<br />

Off-Time Hours, This<br />

the bone.<br />

On the contrary. Ratener takes the opposite<br />

view. When business is slow, the exback<br />

and more centrally located. This automatically<br />

eliminated a duphcate building<br />

and reduced the operating costs by requiring<br />

fewer people.<br />

The new concessions building is built for<br />

cafeteria service. One end of it houses the<br />

projection booth. One of the outstanding<br />

construction features of the building is the<br />

series of overhead garage doors which permits<br />

the use of the area for special p\u--<br />

poses. as will be explained later. The doors<br />

are placed 30 feet from the food counter.<br />

thereby eliminating any health hazards<br />

and winning the approval of the State<br />

Food and Health Department.<br />

Entrance to the cafeteria area is from<br />

two sides. This eliminates, or at least reduces<br />

to a minimum, any confusion. Two<br />

lanes are provided for speedy service and,<br />

during the busy hours, two girls handle the<br />

check out counter.<br />

Operated by Berlo, all of the counter<br />

equipment is of the latest In stainless steel.<br />

The menu consists mainly of chicken,<br />

pizzas, hot dogs, hamburgers, beef barbecue.<br />

Pi-ench fried potatoes: shrimp roll,<br />

I<br />

popcorn plain and buttered', hot coffee,<br />

hot chocolate, all kinds of ice cream: sandwiches,<br />

bars, cups, Popsicles. etc.<br />

Asked what are the most popular numbers<br />

on the menu. Ratener replied, "Popcorn<br />

heads the list, then, in order, come<br />

hot dogs and pizza pies.<br />

High school dances held ,n the new concessions bu,ldng of the Montrose Dnve-/n Theatre Montrose, Oh^<br />

are h.ghly ant.cpated. .ell-attended even.s. There .as even on all n,ght dance "•" P" -^^ ^^^7<br />

used for dancng is 20x7 ^eef, the area between the entrance doors wh,ch roll up and the food counter.<br />

There is also additional dancing space on the patio outside.<br />

AMPLE STORAGE SPACE<br />

Of course, we have the usual drink dispensers,<br />

gum and cigaret machines. To<br />

keep all of our food fresh at all times, we<br />

have a walk-in cooler, deep freezer and<br />

ample storage shelves in space back of the<br />

serving<br />

area."<br />

It is Ratener's policy to close the concessions<br />

area after the first show and a<br />

half.<br />

•We play to a high-class clientele." he<br />

says, "and we have to operate on a highclass<br />

level. It has been our experience that<br />

in order to hold a high-class clientele, it is<br />

essential to provide Hi a quality drive-in<br />

theatre.<br />

i2i quality programs, i3i quality<br />

hibitor should do more, rather than less,<br />

to make his theatre attractive to the public.<br />

Putting this belief into practice. Ratener<br />

this year spent over $60,000 to build a new<br />

concessions building at his Montrose Theatre<br />

for the express purpose of offering<br />

better service to his patrons and hence increasing<br />

his patronage.<br />

"We have found that the public quickly<br />

responds to efforts for its comfort and<br />

better service." Ratener says, "and I am<br />

fully convinced that judicious spending for<br />

improved service is better than foolish<br />

economy to bring more people to the theatre."<br />

THEATRE BUILT IN 1948<br />

The Montrose Drive-In, located on State<br />

Route No. 18 was built in 1948 and for two<br />

years was operated by Bob Carroll. Ratener<br />

took it over in 1950. At that time there<br />

were two concessions buildings. Both were<br />

station operations. Ratener tore down both<br />

of these modest buildings this summer and<br />

erected one building, placing it further<br />

32<br />

-0 Instead of Nonproductive Idleness<br />

A yiow of a portion ol th. spauous concessions area at the Montrose. Nate the unusual design of the cashier's<br />

checkout stand<br />

The MODERN THEATRE SECTION


Parents serve the young set at folding tables and<br />

chairs which they bring and set up. The main food<br />

is supplied by parents, but Louis Ratener, owner of<br />

the Montrose, furnishes coffee, chocolate and soft<br />

drinks.<br />

parents. I supply the coffee, chocolate and<br />

soft drinks. This summer the kids even had<br />

an all night dancing party at our place.<br />

The parents worked in shifts to keep the<br />

young people supplied with food and<br />

drinks." Ratener said.<br />

The dancing area inside the concessions<br />

building is 20x7 feet. Then there is additional<br />

dancing space on the concrete patio<br />

just outside the building. The parents<br />

bring folding tables which they set up at<br />

serving time.<br />

Going to a dance at the Montrose Drive-<br />

a popular activity among the younger<br />

in is<br />

set. And it is popular with the parents too<br />

because they and their friends are there<br />

too. not as chaperones. but as workers in<br />

the cause of good entertainment, w-hich<br />

Ratener believes goes beyond the obligation<br />

of providing good screen attractions.<br />

Asked to describe the decorations, Ratener<br />

says the floor is brown terrazzo, but<br />

the walls are something very special and<br />

have attracted wide attention. A patented<br />

new process of cement enamel is applied.<br />

It combines brown and green with an overall<br />

stipple which gives it an effect of terrazzo.<br />

The walls, although they have a<br />

rough appearance are smooth and are easily<br />

washed. The material is applied directly to<br />

the cement wall blocks. While the original<br />

cost is higher than paint, it is about the<br />

same as other applied processes.<br />

Continued on following page<br />

concessions and service and overall quality<br />

service."<br />

But what really makes the new Montrose<br />

Drive-In concessions building a hit<br />

with both young and older patrons is the<br />

off-time use that is made of it.<br />

The area between the entrance doors<br />

which roll up and the food counter is big<br />

enough to be used for school parties. And.<br />

that's just w'hat it is used for. The parents<br />

supply and serve the food, while the youngsters<br />

dance to juke box music or sometimes<br />

with a local disc jockey on hand with popular<br />

records.<br />

"While the main food is<br />

Are you interested in<br />

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If your answer is yes, then you must<br />

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3<br />

BOXOFFICE November 16. 1957 33


The new, $60,000 concessions building at the Montrose, showing the spacious<br />

area avaHable for dancing. With the overhead garage doors raised, os they<br />

are here, the interior dancing area is united with the concrete patio outside.<br />

The projection room is part of the building, being located at left.<br />

CONCESSIONS A GOODWILL BUILDER<br />

Continued from preceding page<br />

Decorator was Philip Garbo.<br />

The restrooms at opposite ends of the concessions building, also<br />

have terrazzo flooring and the same applied wall covering, which,<br />

with the modern equipment, gives them the appearance of highclass<br />

hotel restrooms.<br />

Concealed ceiling lights are used in the concessions building.<br />

This type of lighting gives off practically no heat and hence fails<br />

to attract bugs.<br />

k<br />

CREDITS: Concessions equipment: EZ MATIC coffee machines, Deepfreeze<br />

freezer, Sherman coolers. Carbonic dispensers, Butter-Mat dispenser, Savon<br />

hot units, Starmastcr grills and deep fryers, Toastmasters, Buckingham orange<br />

bubbler, Scotsman ice machine. Baker's Pride pizza ovens, Manley popcorn<br />

machine, Victor walk-in cooler, Frigidaire ice cream cabinets.<br />

When the kid parties are held during nonshow time, fathers and mothers get be<br />

hind the cafeteria counter, replacing the regular employes. The parties are popular<br />

with the parents because they provide entertainment in a good environment<br />

15 reasons why the<br />

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No other beverage dispenser on the market can offer you all these advantages<br />

1.. AniniiUctl, illununatccl display of<br />

non-carbonaicd beverage.<br />

2. (]ontinuous flow, fasi draw valves<br />

for carbonated beverages.<br />

3. F.xciusivc continuous Mow, fast draw<br />

valve for non-carbonaied beverage.<br />

With hantlle in any position, dispenses<br />

an 8 oz. lirink in i sccontls.<br />

4. Serve three ilifferent beverages— two<br />

carbonated and one non- carbonated<br />

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5. Perfect carbonation.<br />

6. Every drink is ice cold.<br />

7. Extra large capacity. 12 gallons of<br />

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imately 6 gallons of syrup for carbon<br />

ated beverag


I<br />

MiT'i<br />

IMIUFITS<br />

[[-uiii<br />

...use<br />

this<br />

-By<br />

PHYLLIS HAEGER*<br />

MlY POPCORN sales have started to<br />

drop." a theatre manager said, "and if<br />

tliey go down much more, I'll really be in<br />

trouble. I have all I can do now to make<br />

a decent profit."<br />

I aslied this manager if he would pop a<br />

batch of corn in his usual way and serve it<br />

to me as if I were his usual patron. I<br />

watched him closely while he measured the<br />

corn, oil and salt. Both corn and seasoning<br />

were the best he could buy. he assured<br />

me. and when I checked the brands. I had<br />

to agree.<br />

EQUIPMENT<br />

WAS OKAY<br />

There was the possibility that his machine<br />

was out of wliack. but a check<br />

proved it to be in perfect operating condition.<br />

As soon as the corn was popped. I<br />

scooped some out of the warming pan and<br />

it tasted wonderful.<br />

Just to complete the whole process, he<br />

lianded me a full box of popcorn and I took<br />

it into the show with me. As I sat there,<br />

my mind was only partly on the movie<br />

because I kept wondering what was messing<br />

his sales up. His stand was clean and<br />

attractive, plenty inviting to potential customers.<br />

I hadn't seen his attendants at<br />

work, but he claimed he had the best that<br />

could be found—courteous and aggressive.<br />

So there I sat. nibbling popcorn and trying<br />

to figure out where the trouble was.<br />

Suddenly, I noticed that the popcorn didn't<br />

taste the way it had when I first started<br />

eating it. It now had a very distinct flavor<br />

of paper or cardboard.<br />

THE BOX AT FAULT<br />

Of course, I had the answer then. It was<br />

in the box he was using. The first few bites<br />

of corn, right after it had been put in the<br />

box, were excellent. Then the warmth<br />

caused the corn to pick up the flavor of the<br />

box. and the pleasure went out of the popcorn<br />

right then and there.<br />

I asked the manager if he had changed<br />

boxes lately. He answered. "Yes. I have.<br />

I figured that I could make even better<br />

profits by shaving on the cost of the box a<br />

little. I know these boxes are all riglit because<br />

I tested one with some popcorn the<br />

other day and what I ate tasted fine."<br />

When I told him what had happened to<br />

my popcorn, we tried testing it several<br />

times, and the result was the same. After<br />

he let the popcorn sit in the box for a few<br />

minutes, he ate some, made a face, and<br />

Continued on following page<br />

opening<br />

for more sales on<br />

tlie<br />

most profitable<br />

concession* in your<br />

luCalaUm s *popcorn of course<br />

To sell more of the item that gives you more profit, pour on Popsit Plus<br />

— America's finest popcorn seasoning. Your popcorn takes on a rich<br />

BUTTER-LIKE FLAVOR, an appetizing aroma that brings customers<br />

back for more — and more!<br />

The difference in cost between Popsit Plus and lesser products is negligible<br />

on any size box of popcorn — but the difference in taste and<br />

eye-appeal is really enormous.<br />

Put Popsit Plus to work for you and notice the big difference in your<br />

profits. Your Popsit Plus distributor will be happy to supply you with<br />

the rest of the details. Call him today!<br />

|)0pi pi<br />

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SINCf IM3<br />

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Visit (liir Booth. No. 39 at the International Trade Sli


Simple,<br />

I<br />

PROFITS FROM POPCORN<br />

Continued from<br />

preceding page<br />

LIKE<br />

THIS:<br />

LIFE<br />

MAGAZINE<br />

said. "I don't blame them for not buying<br />

this!"<br />

LITTLE THINGS MEAN A LOT<br />

Many concessionaires have had similar<br />

experiences, and each has found out that<br />

it is often the little thing he overlooks that<br />

causes sales trouble all over his theatre.<br />

Sometimes sales are started on the downgrade<br />

when the manager tries to cut corners<br />

and make his profits even better by<br />

buying cheaper corn, buying cheaper oil,<br />

cutting the ratio of oil to corn, putting<br />

too much salt in the popcorn, etc.<br />

PUBLIC<br />

EXPECTS QUALITY<br />

Sometimes when sales drop for a short<br />

time for an unknown reason, the manager<br />

becomes panicky and tries to keep his<br />

profits up with the same type of "economy<br />

efforts." Regardless of the reason, when<br />

the quality of a product is undermined instead<br />

of improved, sales will continue to<br />

drop.<br />

When a theatre's per capita sales of popcorn<br />

drop, there can be only two leasons:<br />

• The quality of the popcorn does not<br />

satisfy the patrons, or<br />

• The concessionaire is not reminding<br />

his customers to buy it.<br />

Speaking of "reminding," it would pay<br />

us all to remind ourselves that the modern<br />

American public is a "quality-conditioned"<br />

public. It has been taught to expect and<br />

demand quality in every product it buys.<br />

If people go into a grocery store and buy<br />

their favorite brand of canned peas, for<br />

example, and it is not as good as usual,<br />

they will buy another brand tomorrow.<br />

They will do this even though they have<br />

been using the first brand for years and<br />

never had a complaint before.<br />

Quick Releasing Tacks<br />

Replaces every (humbtjck that<br />

breaks fingernails Can be per.<br />

manen fly h.imniered mio any<br />

nailable surface Sprmg clip<br />

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3B<br />

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Our trained advertising staff will advise<br />

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No charge for the service.<br />

THE MODERN THEATRE<br />

Section of BOXOFFICE<br />

WONT BUY AGAIN<br />

If your patrons have been getting top<br />

quality popcorn from you, and they buy a<br />

box that isn't up to par, they simply won't<br />

buy it again. Theatregoers demand as<br />

much quality from the concessionaire with<br />

his small stand as they do from the companies<br />

which use multimillion dollar<br />

quality control equipment to insure customer<br />

approval.<br />

Americans need no longer raise a fuss<br />

and complain when a product doesn't suit<br />

them. They have a much more effective<br />

system: They buy it somewhere else or they<br />

buy another brand. Therefore, the only<br />

warning you have of their disapproval is a<br />

drop in per capita sales. Watch yours<br />

closely—they speak volumes!<br />

DON'T FORGET YOUR POPCORN<br />

Make the best popcorn in the world and<br />

then brag about it! Why not tell youi- patrons:<br />

"We Have the Best Popcorn You<br />

Have Ever Tasted—If You Don't Agree.<br />

"<br />

Your Money Back! but so very<br />

effective. Are you proud of your popcorn?<br />

Then—say so!<br />

The MODERN THEATRE SECHON


Distributor Will Sample<br />

All Its Food Products<br />

And Show Equipment<br />

Exhibitors and concessionaires attending<br />

the International Industry Tradeshow in<br />

Miami will have the opportunity of sampling<br />

all the products in the food line distributed<br />

by Savon Co. at the complete<br />

"live" cafeteria which will be in operation<br />

in the company's exhibit booths. Five<br />

booths will be devoted to equipment and<br />

two booths to merchandise for which tlie<br />

company has national distribution rights.<br />

The company is this year bringing out<br />

the Savon Star Economy line, specifically<br />

designed for the smaller drive-in where<br />

economy is one of the main factors. The<br />

line consists of two warmers, one of which<br />

is a four-foot dry unit, the other a threefoot<br />

wet unit. The dry unit is divided into<br />

four bins, while the wet unit is divided<br />

into two bins. The units are stainless steel,<br />

featuring three dimensional transparencies<br />

on a new sign structure. Each unit has its<br />

own thermostat control and its own heating<br />

element, and where wet heat is required<br />

the water feed is automatic.<br />

Simplicity of design and reducing the<br />

capacity is the way the company solved<br />

the price problem for smaller drive-in<br />

theatres. These economy units are made<br />

to insert into an existing or new counter<br />

and are not free-standing.<br />

The Savon Star de luxe warmer has<br />

On display, along with other cafeteria equipiryent, at the Miami tradeshow will be the Savon-Star de luxe<br />

cafeteria unit Hanked by Savon-Star stainless steel counters. The '58 model has several improvements.<br />

undergone a radical change. By advance<br />

designing, for the first time, the company<br />

has been able to light up the interior of<br />

a self-service food unit so that the food<br />

may be easily seen. In addition, there has<br />

been added, as standard equipment, a circuit<br />

breaker, an automatic cutoff on the<br />

valve, thus cutting down any electrical<br />

burnouts in the unit. The unit is so designed<br />

that any layman can fix it if any<br />

trouble occurs, as each part is clearly<br />

diagrammed and replaceable in the field.<br />

One of the main features of the company<br />

display will be the two, three and<br />

four-foot overhead warmers which are<br />

used for display and sale of buttered corn<br />

in both indoor and outdoor theatres. This<br />

item was introduced last year for the first<br />

time, and it has proved highly successful<br />

in producing increased sales. It is completely<br />

fabricated of stainless steel.<br />

IN OUTLETS WHERE<br />

YOUR<br />

REAL<br />

PROFIT<br />

Comes<br />

From Foods<br />

Gaily Decorated Pushcarts<br />

Boost Soft<br />

Drink Sales<br />

During Intermission Rush<br />

Pushcarts decorated in bright carnival<br />

colors and designs were utilized to meet the<br />

rush of beverage customers at intermissions<br />

and between shows during the engagement<br />

of the Todd-AO film. "Around the World<br />

in 80 Days," at the Tower Theatre, Kansas<br />

City. Featured on the carts are Orange-<br />

CRUSH and Old Colony pinl^ lemonade in<br />

14-ounce jumbo cups, each cup containing<br />

a striped straw topped w^ith a colored parasol.<br />

The idea of using the gaily decorated<br />

pushcarts as supplementary sales counters<br />

criginated with Roy Hill. Tower manager,<br />

and Frank L. Bamford. Fox Midwest Theatres,<br />

when the throngs of thirsty theatre<br />

customers began swamping the regular concessions<br />

facilities. The carts proved to be<br />

an efficient, effective answer to the problem<br />

since they could be wheeled to key spots<br />

in the lobby to attract incoming traffic<br />

during the feature or backed against a wall<br />

to meet the press of intermission crowds.<br />

"The success of the pushcart promotion<br />

by the Tower Theatre is an excellent example<br />

of handling the refreshment crowds<br />

under stress," said C. L. Keefer, national<br />

fountain sales manager of Orange-CRUSH.<br />

The pushcart attendants, as well as the<br />

regular concessions staff, wore Orange-<br />

CRUSH hats. Orange-CRUSH and Old Colony<br />

display pieces brightened up the concessions<br />

stand and a seven-piece string<br />

hanger with a 25-inch-high cup in its center<br />

helped make the Tower customers<br />

thirst-conscious.<br />

Beverage carts were wheeled to key lobby spots at<br />

the Tower Theatre, Kansas City, Mo.<br />

That Are<br />

PIT<br />

BARBECUE<br />

COOKED<br />

IS ALWAYS READY TO SIR VI!<br />

NO SflOAL AUINTION NItOES<br />

• NO (STIMATIWi DEMAND . . .<br />

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no waste o« lou TO tana<br />

Toui eioss<br />

NO wun or timi<br />

Get on the Barbecue Bandwagon<br />

Call Your Distributor<br />

OR WRITE:<br />

Today!<br />

CASTLEBERRY'S<br />

FOOD COMPANY<br />

p. 0. tOX 1010 AIMUHA, OIOMU<br />

BOXOFFICE November 16, 1957 37


Pizza Firm Into New Plant<br />

With Expanded Facilities<br />

To Better Serve Drive-Ins<br />

Thanks largely to a secret process,<br />

guarded closely by the founders who still<br />

operate the Original Crispy Pizza Crust<br />

Co.. Inc.. pizzas have grown from a relatively<br />

minor item on Italian restaurant<br />

menus to a nationwide craze. And. as most<br />

drive-in theatre concessionaires gladly admit,<br />

pizzas spell profit—and big profit.<br />

Original Crispy's pizzas. Miss Anita<br />

Virga, sales manager, is quick to point out,<br />

are based on the authentic, high-quality<br />

Neapolitan crust previously obtainable only<br />

at the finest pizzerias. Yet the precooking<br />

makes it possible to serve them after heating<br />

them only two-and-a-half minutes.<br />

The prepared, formed and partially baked<br />

pizza crust was developed by the company<br />

back in 1940.<br />

ENLARGED SEVERAL TIMES<br />

So great lias been the demand that Original<br />

Crispy was compelled to enlarge its<br />

capacity several times, and this year<br />

moved into its new, specially built plant.<br />

Possessing 26.000 square feet for production<br />

and an additional 9,000 square feet<br />

for storage, it contains every modern facility<br />

to insure maximum speed in preparation<br />

consistent with the a la carte quality,<br />

which is the pride of the founders.<br />

The better to meet the huge requirements<br />

of its country-wide, drive-in theatre<br />

clientele and many other customers. Original<br />

Pizza maintains a fleet of fast, new,<br />

refrigerated and frozen food vans. It also<br />

maintains branch offices in Canandaigua,<br />

N. Y.; Dedham, Mass.; West Boylston,<br />

Mass.; Hialeah, Fla.; Chicago, 111.; Tampa,<br />

Pla.; Jacksonville, Fla.; St. Louis, Mo.:<br />

Akron, O.; Cohoes, N. Y.; Detroit, Mich.,<br />

and Atlanta. Ga.<br />

Despite this expansion, demand continues<br />

to outrun supply and the company<br />

is currently negotiating for a new plant<br />

site in Chicago, which it expects to have<br />

functioning within a year.<br />

As pioneers in the drive-in theatre field.<br />

PROFITS with


.<br />

Praise for<br />

Plant Maintenance<br />

The boiler room and adjoining air conditioning<br />

plant area of the Stanley Warner<br />

Madison in Albany, managed by Oscar J.<br />

PerrLn, drew praise from visiting theatremen,<br />

because of the immaculate appearance<br />

they present. The boiler is painted in<br />

a silver color, while the walls and floor are<br />

painted in two tones. The air system section<br />

is also brightly painted.<br />

Adjoining the boiler room is a clean,<br />

small "office," occupied by Engineer Charles<br />

Williams who worked at the former<br />

Playhouse, downtown, during Malcolm Atterbury's<br />

operation of it for stock. The<br />

rooms are reached by a well-marked ladder.<br />

The water tank in the alley outside,<br />

is also silvered, while pipes leading to it<br />

are spick and span,<br />

Perrin's office, located in the left front<br />

corner of the Madison, is spotless, too. The<br />

one-floor house, in the Pine Hills section<br />

of the city, has long been rated one of the<br />

most beautiful second-runs in the Albany<br />

exchange district. It seats 1,325.<br />

Perrin has been associated with theatres<br />

for about 50 years. He started as a boy at<br />

old Harmanus Bleecker Hall, now the site<br />

of a new office building.<br />

/m/^kMUMi /<br />

h<br />

Neglect of Seats Can Be Costly<br />

FRANK BRADY<br />

In the Martin Tipster<br />

After visiting a great many theatres recently,<br />

I have come to the conclusion that<br />

either the managers or I have been misinformed<br />

as to the duties and responsibilities<br />

of the manager. I have always been told<br />

that the first thing checked each day was<br />

to be positive that the print had arrived.<br />

Next, was a physical inspection of the theatre<br />

to be sure that everything was in order<br />

to open.<br />

Recently, I have found theatres in which<br />

there were seat bottoms and backs missing<br />

immediately prior to opening. I have also<br />

found restrooms without supplies, exits partially<br />

blocked and seats extremely dusty. It<br />

was most obvious that no inspection had<br />

been made that day.<br />

Our largest single insurance claim last<br />

year was caused by a seat bottom missing.<br />

In a darkened theatre, a lady attempted to<br />

use this seat and injm-ed her back and a<br />

settlement in the amount of $4,800 was<br />

made. Your theatre should never be opened<br />

to the public until you have thoroughly examined<br />

it not only from a safety standpoint,<br />

but also for cleanliness. This is a<br />

must.<br />

Slides on Washroom Care<br />

The care of washrooms is pictured in a<br />

series of 26 35mm colored slides prepared<br />

by the National Sanitary Supply Ass'n for<br />

showing to maintenance persomiel of a<br />

theatre circuit or from a group of city<br />

theatres. The series is available through<br />

any member of the association or it may<br />

be ordered from the association's headquarters<br />

at 139 N. Clark St.. Chicago.<br />

Loomed exclusively<br />

to N.T.S. specifications!<br />

You could search the world over . . . but couldn't buy<br />

more practical<br />

theatre carpeting than NYLWOOD!<br />

It lasts twice as long as ordinary carpeting! It's available<br />

in 6 magnificent patterns, and unlimited color<br />

combinations in custom designs, to beautify your<br />

theatre... and keep it beautiful for years! NYLWOOD<br />

is tightly woven, high pile carpeting scientifically<br />

blended with nylon to withstand the heavy traffic and<br />

abuse of a busy theatre. NYLWOOD is theatre-tested<br />

. . . install it and know you're getting the most for<br />

your money!<br />

IMMEDIATE DELIVERY! Call your<br />

National man now . . . .see the brand new<br />

NYLWOOD pattern.s now available . .<br />

and give<br />

the bottom up!<br />

your theatre a new look from<br />

yoaf fiuafaw/ee<br />

OF CONSISTENT QUALITY<br />

AND OUTSTANDING SERVICE<br />

^Mif^<br />

NATIONAL THEATRE SUPPLY COMPANY • BRANCHES COAST TO COAST<br />

BOXOFFICE :: November 16, 1957 39


FORETHOUGHT AND ACTION BEFORE YEAR-END<br />

MAY RESULT<br />

many nagging problems. These should not<br />

be permitted to pu.sh income tax matters<br />

into the background right through yearend.<br />

Daily problems involve making a<br />

profit, but so does reduction of<br />

IN<br />

an<br />

1957<br />

income<br />

tax bill. This affects take-home profit.<br />

Consider:<br />

TAX SAVINGS<br />

AN EXAMPLE CITED<br />

Exhibitor A. He has net earnings of<br />

$6,000,<br />

By HAROLD<br />

has fom- exemptions,<br />

J. ASHE<br />

takes standard<br />

deduction, files joint return. He is in<br />

the 20 per cent tax bracket. After income<br />

Favorite topic of a good many tax, net earnings are $5,400. less Social<br />

taxpayers around income tax filing deadline<br />

is the tax advantage supposedly en-<br />

day week, are about $15. Even a $20 income<br />

Secm-ity tax. Average daily earnings, seven<br />

joyed by so called 'Big Business." Discussion<br />

is usually more heated than ex-<br />

seeking additional deductions totaling only<br />

tax reduction justifies a few hours time<br />

plicit. Time fruitlessly so spent, if employed<br />

constructively before year-end, deductions for a larger tax saving.<br />

$100. Time so spent may turn up far more<br />

might result in some "advantages" for<br />

those grumbling.<br />

Exhibitor B has net earnings of $18,000,<br />

has four exemptions, takes standard deduction,<br />

files joint return. He's in the 30<br />

NEED FOR VIGILANCE<br />

per cent tax bracket. After<br />

Fact income tax, net<br />

usually overlooKcd: Management of<br />

earnings are $14,500, less Social<br />

larger<br />

Secm-ity<br />

enterprises, including theatre chains,<br />

tax. Average daily<br />

is uniformly<br />

earnings after tax are<br />

alert to income tax implications<br />

about $40. If he can reduce his<br />

of many income tax<br />

of its acts. In doing<br />

bill by as httle as<br />

certain<br />

$40 he's equalled<br />

things,<br />

a day's<br />

the income tax effect may take-home earnings. He<br />

be the<br />

need come<br />

overriding<br />

up with<br />

determining factor; in<br />

only $133 more in<br />

other<br />

deductions to<br />

circumstances,<br />

do so.<br />

failuie to pursue certain<br />

courses of action may How<br />

be governed<br />

TO REDUCE AN INCOME<br />

by<br />

TAX BILL. There<br />

the income tax<br />

are at least<br />

result. Income<br />

two and<br />

tax<br />

sometimes three<br />

vigilance<br />

areas<br />

is practiced 12 months of activity in which an of the tax<br />

exhibitor may<br />

year.<br />

search<br />

out income tax savings.<br />

Fev! These<br />

exhibitors<br />

are<br />

have<br />

U)<br />

yet schooled themselves<br />

to think income<br />

business, (2) non-business income-producing<br />

activities, if<br />

taxwise. In place<br />

of tax<br />

any. and (3)<br />

vigilance<br />

personal actions.<br />

An exhibitor, in<br />

there is negligence. Only<br />

belatedly<br />

analyzing<br />

do<br />

his situation,<br />

tax-wise, should<br />

such exhibitors become income<br />

tax-conscious,<br />

not approach<br />

long<br />

the<br />

after the close of the problem with<br />

tax<br />

preconceived ideas.<br />

year. Then His<br />

it is too late.<br />

greatest potential for effecting tax savings<br />

Tax advantages, if any are available, may be in his theatre operation. Again, if<br />

must be seized upon during the tax year. he is tax-minded in business, he may already<br />

have done everything possible in the<br />

While tax counsel, coming in after yearend,<br />

may do everything possible to reflect theatre to keep down his tax bill. His best<br />

tax breaks, an exhibitor himself must assume<br />

major responsibility. Before year-<br />

personal actions still available to him be-<br />

chance for cutting the tax bill may lie in<br />

end, by his own actions, he must effect tax fore year-end. He may be vigilant in all<br />

savings, if any.<br />

respects except in non-theatre income-producing<br />

holdings. Tax savings are where<br />

It is not the purpose, therefore, of this<br />

article to go into the mechanics of making they are found.<br />

an individual income tax return. Instead<br />

this article will discuss certain situations<br />

A MATTER FOR DECISION<br />

and circumstances involving timing and Business expenses. Some items of expense<br />

may be postponed until 1958 or<br />

planning. These are points an exhibitor<br />

needs<br />

be<br />

to know, and act upon before yearend,<br />

regardless of whether or not he re-<br />

incui-red in 1957 these expenses will re-<br />

incurred in 1957 as an exhibitor elects. If<br />

tains tax counsel to prepare his income tax duce 1957 net earnings by the exact dollar<br />

retiun.<br />

amount of such outlays. In this category<br />

are the theatre repairs<br />

VARIED<br />

and<br />

APPLICATION<br />

maintenance<br />

costs. Postponing some expenses until 1958,<br />

fFor purposes of simplification and space although now needed, may push an exhibitor<br />

into a higher income tax bracket;<br />

limitations, discussion will refer specifically<br />

to non-corporate exhibitors. However, incurring added expenses in 1957<br />

some<br />

may<br />

points discu.ssed will have equal application<br />

to corporations, others will be of lower net earnings in 1958 may warrant<br />

place him in a low'er tax bracket. Prospect<br />

pertinent to the problems of salaried management<br />

in respect to individual income earnings are likely in 1958, postponement<br />

incurring expenses in 1957; if higher net<br />

tax returns.)<br />

may be justified. If no change in earnings<br />

Theatre management is bedeviled by is anticipated, reducing the tax bill for 1957<br />

will give an exhibitor use of such tax savings<br />

a year sooner.<br />

Accelerated depreciation. If new theatre<br />

equipment, furnishings or other depreciable<br />

assets w-ere purchased in 1957, it<br />

may not be too soon to consider before<br />

year-end how such assets shall be written<br />

off. Such assets may be depreciated by<br />

either a straight-line or stepped-up method<br />

I<br />

double declining-balance or sum-of-theyears<br />

digits methods). More rapid recovery<br />

in first years of asset lives will reduce<br />

net earnings for those years which are subject<br />

to income tax. This may have an adverse<br />

effect last years of asset lives. 'Where<br />

the greater overall tax advantage lies only<br />

the exhibitor himself can make an educated<br />

guess in the light of his present circumstances<br />

and probable future earnings and<br />

income tax rate.<br />

TWO KINDS OF DEPRECIATION<br />

If an exhibitor believes he has not yet<br />

hit his earnings stride, straight-hne depreciation<br />

may be best because a larger<br />

part of depreciation charges are postponed<br />

until later years than by a stepped-up<br />

method. If an exhibitor expects to sell his<br />

theatre within the first two or three years<br />

of accelerated depreciation he may have a<br />

tax advantage. Aside from other considerations,<br />

accelerated depreciation may reduce<br />

adjusted gross income of lowerbracket<br />

taxpayers sufficiently so itemizing<br />

personal deductions may exceed available<br />

standard deduction for a tax saving.<br />

Casualty losses. It is not too soon before<br />

year-end to reconstruct the facts relating<br />

to any casualty losses (business or<br />

personal) sustained during the year. In<br />

fact, if these losses were relatively minor<br />

and bearable, there's a good chance they'll<br />

be forgotten come income tax filing deadline.<br />

The longer an exhibitor delays building<br />

a record to support his claim the greater<br />

the likelihood deduction will be denied because<br />

of insufficient proof or. at best, the<br />

deduction may be reduced. There is also<br />

danger the loss will be understated due to<br />

trusting solely to fading memory.<br />

Bad DEBTS. Bad debts are not a factor<br />

for exhibitors, as such. However, they<br />

should review non-business debts to determine<br />

worthlessne-ss before year-end. Bad<br />

debts may be written off as an income tax<br />

deduction only in the year their worthlessness<br />

is established.<br />

ALL INCOME REFLECTED<br />

Other income sources. All expenses incident<br />

to earning income from non-business<br />

activities should be reflected in an income<br />

tax retm-n. Such records are often less<br />

complete than for a theatre venture where<br />

books are carefully kept. Both cancelled<br />

checks and scattered receipts for cash payouts<br />

may need to be carefully assembled.<br />

Memory should be prodded to reconstruct<br />

the events of the year relating to such ex-<br />

40 The MODERN THEATRE SECnON


:<br />

penses. In the case of income properties,<br />

both maintenance expenses and depreciation<br />

(if not exhausted) should be taken,<br />

and not overlooking casual labor often literally<br />

paid for out of pocket.<br />

In the case of. say, a duplex property<br />

jointly occupied by an exhibitor and his<br />

tenant, a division of all joint expenses<br />

should be made. That part chargeable to<br />

rental income should be deducted to determine<br />

net rental income. The divisible<br />

share of depreciation chargeable to rental<br />

income should be taken. That part of<br />

rental expenses chargeable to taxpayer's occupancy<br />

is not deductible, except as specifically<br />

an allowable personal deduction, if<br />

itemized, such as property taxes and interest<br />

on mortgage, if any. Some taxpayers<br />

erroneously argue it is immaterial whether<br />

taxes and interest on property and personal-income<br />

are divided. They take the<br />

attitude these expenses may as well be deducted<br />

in full as personal deductions. The<br />

fact is: The more expenses that can be applied<br />

to first reduce adjusted gross income<br />

the better the income tax situation is likely<br />

to be. A careful division of such expenses<br />

may alter the situation in respect to electing<br />

the standard deduction or itemizing deductions.<br />

To ITEMIZE OR NOT. Only after every business<br />

and other income-producing activity<br />

has been surveyed for tax reducing possibilities<br />

is an exhibitor in a position to consider<br />

the alternative of itemizing personal<br />

deductions or electing the standard deduction.<br />

At this point the total of his personal<br />

deductions already accumulated may appear<br />

more favorable in relation to adjusted<br />

gross income. Acquiring additional deductible<br />

items, before year-end, may now appear<br />

feasible.<br />

For example: An exhibitor before yearend<br />

may estimate rather closely his adjusted<br />

gross income will aggregate about<br />

$10,000 from all sources. At this point his<br />

personal deductions total only $950. The<br />

standard deduction of $1,000 iten per cent<br />

of adjusted gross income up to a maximum<br />

of $1,000) offers greater tax saving.<br />

However, this exhibitor is not content to<br />

let matters stand as they are. Next Spring<br />

he plans to make some repairs and repaint<br />

the lobby. Instead he does this before<br />

year-end. incurring an expense of $500. Adjusted<br />

gross income is now $9,500, standard<br />

deduction $950, itemized deductions<br />

$950.<br />

Medical bills already paid during the<br />

year total more than the 3 per cent of adjusted<br />

gross income which must be excluded<br />

as a deduction. He pays a $100 medical<br />

bill and his wife has $100 in dental<br />

work done. Charity pledges amounting to<br />

$150 which he'd planned to pay early in<br />

1958 are paid before year-end, 1957. These<br />

actions boost his deductible items from $950<br />

to $1,300.<br />

Here's how the income tax results are<br />

reflected<br />

Without timing and planning: $10,000<br />

adjusted gross income, less $1,000 standard<br />

deduction, less $2,400 for four exemptions,<br />

split-income tax return. Income tax:<br />

$1,372.<br />

With timing and planning: $9,500 adjusted<br />

gross income, less $1,300 itemized deductions,<br />

less $2,400 for four exemptions,<br />

split-income tax return. Income tax:<br />

$1,196.<br />

Note in making this $176 income tax saving<br />

the exhibitor did not make a single<br />

outlay he had not originally intended to<br />

make in any event in 1958 if not 1957.<br />

DEDUCTION FOR SELF<br />

Those tricky exemptions. Incredible as<br />

it may seem, a large number of taxpayers<br />

do not count themselves as exemptions in<br />

income tax returns. An Internal Revenue<br />

Service study reveals this fact. Fortunately,<br />

such oversights may be caught on government<br />

audit. However, even a crystal-gazing<br />

auditor will fail to spot other overlooked<br />

exemptions to which an exhibitor<br />

may lay claim legitimately. Every exemption<br />

not taken will boost the tax bill by<br />

at least $120, ranging upward the higher<br />

the income tax bracket.<br />

Lost exemptions may range from those<br />

available for an exhibitor and/or spouse<br />

reaching 65 during the tax year or becoming,<br />

by legal definition, blind during the<br />

year, to offspring partly self-supporting,<br />

or dependents not related to the exhibitor<br />

and still other dependents jointly supported<br />

by the exhibitor and others. In<br />

some cases, exemptions may be overlooked;<br />

in other instances, qualifying conditions<br />

may be ignored until too late to be complied<br />

with, such as the amount of support<br />

contributed by the taxpayer.<br />

Age and blind exemptions. Either or<br />

both spouses reaching 65 as late as year's<br />

end rate an age exemption. Note a favorable<br />

legal quirk: Courts hold a person is<br />

65 on the day before his birthday. A taxpayer<br />

or spouse with birthday falling on<br />

Jan. 1, 1958. is 65 on Dec. 31, 1957<br />

for income tax exemption purposes. (Note:<br />

Age and blind exemptions are available<br />

only to taxpayer and spouse, not to dependents,<br />

such as aging or blind parents.*<br />

An exemption for blindness is based on<br />

vision December 31 of the tax year. Loss<br />

of total sight at any time during the year<br />

entitles taxpayer or spouse to exemption.<br />

A statement to that effect must be attached<br />

to the income tax return. Total blindness<br />

is defined as inability to tell light from<br />

darkness. Partial blindness may qualify<br />

for an exemption. This must be supported<br />

by a statement by a quahfied physician or<br />

registered optometrist. It must attest that<br />

"Central visual acuity did not, on the last<br />

day of the year, exceed 20/200 in the better<br />

eye with correcting lenses, or the widest<br />

diameter of the visual field subtends an<br />

angle no greater than 20 degrees." In<br />

event of progressive less of vision, and uncertainty<br />

as to whether the qualifying<br />

stage for exemption has been reached, it<br />

may be wise to have an examination made<br />

on December 31.<br />

Dependent's support. A dependent may<br />

be taken as an exemption, provided an exhibitor<br />

furnishes more than one-half of<br />

the support for the year, regardless of<br />

category of dependent, subject to certain<br />

qualifications. With exceptions noted, such<br />

dependent's gross income must be less than<br />

$600. A dependent's gross income may be<br />

$600 or more, provided he is the taxpayer's<br />

child (a) age less than 19 or (bi a student<br />

attending school or college five or more<br />

months, not necessarily consecutively, during<br />

the year. Even in these two categories<br />

the taxpayer must contribute more than<br />

however much it<br />

one-half of the support,<br />

aggregates. Value of a scholarship need<br />

not be counted in total support for determining<br />

compliance with the more than onehalf<br />

rule.<br />

Dependents not closely related, or not<br />

related at all, to the taxpayer may be taken<br />

as exemptions, provided they are members<br />

of the taxpayer's household, residing there<br />

for the entire year, except for absences<br />

caused by sickness, schooling or vacation.<br />

Multiple support. There is an exception<br />

to the more than one-half rule in respect<br />

to support of a dependent. If two or<br />

more persons between them supply more<br />

than one-half of the support, and the person<br />

so supported otherwise qualifies as a<br />

dependent, any oie of the persons furnishing<br />

the support may take the exemption<br />

by agreement between those furnishing<br />

the support. The others must<br />

sign a waiver to the exemption for the year.<br />

The one claiming the exemption must have<br />

.supplied over 10 per cent of the support.<br />

The foregoing qualifications emphasize<br />

the importance of an exhibitor calculating<br />

carefully before year-end the support he<br />

has contributed to his dependents, and<br />

whether such contributions to support are<br />

sufficient to meet the more-than-one-half<br />

test. That an exliibitor intended to supply<br />

more than one-half of the support, or that<br />

he "thought" he had will be of no avail<br />

after year-end. Furnishing a few more<br />

dollars support before December 31 to comply<br />

with the more-than-one-half qualification<br />

may make substantial tax savings.<br />

AT ALL THEATRE<br />

SUPPLY DEALERS<br />

THE GREATEST NAME<br />

IN FILM CEMENT<br />

UNION<br />

MADE<br />

Registered U.S. Patent Office<br />

FISHER MANUFACTURING CO. n«s mt. had iivd.. RocHisni •. n. y.<br />

UNION MADE<br />

BOXOFFICE :: November 16, 1957 41


PROJECTION<br />

ANDJOUND<br />

Seventh of a New Series<br />

ARC LAMP MAINTENANCE<br />

AND SERVICING GUIDE<br />

7. Care of Peerless Hy-Candescent Cinearc<br />

By<br />

WESLEY TROUT<br />

I HE PE E R -<br />

LESS Hy-Candescent<br />

lamp employs "Hy-<br />

Speed" Bausch and<br />

Lomb aspheric parabolic<br />

condensers in<br />

—B^^B- place of a reflector.<br />

Wf^W<br />

'^he positive carbon<br />

is rotating<br />

1^^^^^^<br />

and kept<br />

^^F^^^^k '" perfect alignment<br />

i<br />

^^'^^^^J optically for maximum<br />

light output.<br />

Wesley Trout<br />

The lamp has a current<br />

range from 125 to 180 amperes. The<br />

lamp mechanism is ruggedly constructed<br />

for handling high amperages.<br />

RECOMMEND OPTICAL KIT<br />

The burner alignment is<br />

very important<br />

in order to utilize all the light from this<br />

powerful lamp. It is recommended that you<br />

obtain a Peerless optical alignment kit because<br />

its use provides means of accurately<br />

aligning the optical axis of Peerless Hy-<br />

Candescent lamps with the optical axis of<br />

the projection lens, and also, to precisely<br />

set both the working distance between the<br />

lamp's -Hy-Speed" F-2.0 condenser system<br />

and the projector aperture, and the focal<br />

distance between the face of the positive<br />

carbon crater and the piano surface of the<br />

rear P-2.0 condenser lens. Be sure the<br />

burner is adjusted to its central position,<br />

etc. (See drawing elsewhere on alignment.<br />

I<br />

FUNCTION OF STABILIZER MAGNET<br />

The arc stabilizing magnet is employed<br />

to provide a neutralizing magnetic field<br />

around the arc by which the detrimental<br />

effect of the electrical field, normally<br />

present around a burning arc, can be completely<br />

overcome. Another function of the<br />

stabilizer magnet is the creating of a strong<br />

magnetic field, and it functions as an arc<br />

stabilizer and flame controller because It<br />

provides means by which the sweeping upward<br />

angle of the positive tail flame may<br />

be absolutely controlled for best results.<br />

For proper positioning of this magnet,<br />

we suggest you carefully follow the instructions<br />

by the manufacturer set forth in its<br />

sheets. Proper positioning of the magnet<br />

results in several types of arc flames being<br />

oriented into a single coalesced flame and<br />

hence, a higher light lumen-to-arc wattratio,<br />

than would otherwise be obtained.<br />

This is an extremely important adjustment<br />

and should be given careful consideration.<br />

Under no circumstances use graphite or<br />

a lubricant containing graphite on any<br />

part of the burner mechanism.<br />

GOOD COOLING SYSTEM<br />

May we point out that due to the generous<br />

size of the lamphouse, providing for<br />

exhausting the heated air and gases<br />

through the use of an eight-inch chimney<br />

and piping system, and the further cooling<br />

effect of the forced draft of the blower,<br />

the temperature of the burner parts does<br />

not reach the point of carbonization of<br />

high-grade automobile engine oil; hence.<br />

it is recommended for a proper lubricant.<br />

The manufacturer recommends about No.<br />

20 S.A.E. viscosity for best results.<br />

Place only one drop of oil per week in<br />

all the oil cups, including the motor, using<br />

a regular oil can inot pump-type oil canK<br />

Carefully wipe off excess oil immediately<br />

should it overflow the oil cups when injecting<br />

oil into them.<br />

One drop of oil should be applied every<br />

other day to both the positive and negative<br />

feed clutches. The oil should be applied<br />

on the inside faces of the front and<br />

rear outer clutch races and center flange<br />

on the NO. 15030 inner race.<br />

Oil may best be applied to the surface<br />

of the negative and positive carriage guide<br />

reds, as well as the teeth of the negative<br />

feed rack and pinion, by placing oil on the<br />

ball of the middle finger and rubbing it<br />

over their entire surfaces therewith and<br />

then wipe dry with a clean cloth.<br />

All rotating parts operate at exceedingly<br />

low speeds, therefore, do not excessively<br />

lubricate any of the designated oil points.<br />

Keep surplus oil wiped off and you will<br />

have a smoothly operating lamp.<br />

In order to obtain maximum light transmission<br />

from the condensers, it is absolutely<br />

necessary to keep the surfaces scrupulously<br />

clean. Only by daily cleaning of these<br />

lenses will it be possible to maintain their<br />

light transmission at the highest possible<br />

level. Use lens tissue and denatured alcohol<br />

for a thorough cleaning job.<br />

CAUSE OF PITTING<br />

An inherent characteristic of high amperage,<br />

high intensity arc is the gradual<br />

pitting of the rear surface of the rear<br />

condenser lens,<br />

by small unvaporized molten<br />

metallic globules which the burning arc<br />

emits and which impinge themselves on<br />

the lens surface.<br />

The continued use, therefore, of a rear<br />

lens that has become excessively pitted, w'ill<br />

proportionately reduce the amount of light<br />

it will transmit. In order to correct this<br />

The interior of the Peerless Hy-Candescent lamp,<br />

showing the arrangement of the various parts, ore<br />

control, arc stabilizer, arc feed mechanism, heat<br />

shields. Note the rugged construction of all the<br />

parts so the lamp con withstand very high amperages.<br />

The condenser mount is just in front of the<br />

light<br />

dowser.<br />

situation, the manufacturer has made arrangements<br />

to resurface and polish such<br />

lenses at a nominal charge and in the<br />

.shortest possible time. Your local supply<br />

dealer can arrange such service for you.<br />

It is suggested that you keep on hand one<br />

or two rear condensers.<br />

CARE OF POSITIVE CONTACTS<br />

It should be understandable that the<br />

positive contacts must be given special care<br />

because the carbon must feed smoothly,<br />

and rotate without any hesitation. This<br />

can be accomplished by cleaning these contacts<br />

every day. To be assured of a clean<br />

and low resistance contact with the carbon<br />

there is no exception to this rule. The<br />

most satisfactoi-y method of cleaning is<br />

by means of a device which clamps to the<br />

edge of a bench and is so designed to automatically<br />

hold each contact, with spring<br />

pressure, against a rotatable abrasive<br />

spindle. This device is nominally priced<br />

and may be purchased from the manufacturer,<br />

theatre supply dealers or direct from<br />

its manufacturer. Essannay Electric Manufacturing<br />

Co. We strongly recommend, if<br />

you do not already have one of these devices,<br />

you immediately order one and be<br />

assiu'ed of a better cleaning job of your<br />

contacts for the positive carbon. Remember,<br />

while the negative carbon does not rotate,<br />

the contacts should receive the daily routine<br />

cleaning.<br />

Pioper alignment of the burner, the lamp<br />

optically correct in relation with the aperture,<br />

the correct distance, good rear condenser,<br />

right amperage, voltage and arc<br />

gap. will Insure high quality performance<br />

and a great quantity of light from the<br />

Peerless Hy-Candescent lamp.<br />

It is of paramount importance that the<br />

optical axis of the burner, and hence the<br />

axis of the positive carbon, must be precisely<br />

aligned with the optical axis of the<br />

projector mechanism, using the alignment<br />

kit for accuracy.<br />

According to the carbon trim, arc amperage<br />

and arc voltage data given elsewhere<br />

in this article, adjust generator and<br />

ballast rheostats to coincide with recommendations<br />

given by carbon manufacturers.<br />

Be assured they know best in this connec-<br />

Continued on page 44<br />

42 The MODERN THEATRE SECTION


I<br />

[<br />

dia.<br />

I<br />

L<br />

,<br />

I<br />

I<br />

I<br />

^<br />

1<br />

|<br />

if UH-I<br />

f..A<br />

STRONG U-H-I<br />

Tl<br />

(with Beam Shaper)<br />

I<br />

For indoor matte screens up to 60<br />

feet wide and high gain screens up to<br />

75 feet wide.<br />

For drive-in matte screens up ._<br />

120 feet wide and high gain screens up<br />

to 140 feet wide.<br />

Burns full 20-inch 13.6 carbons.<br />

Overall optical speed f 1-5 with<br />

f 1.5/1.6 projection lenses and projection<br />

cleared for f 1.5.<br />

STRONG SUPER •135"<br />

(75 to 135 Ampere High Intensity)<br />

For indoor matte screens up to 50 feet<br />

wide and high gain screens up to 65<br />

feet wide.<br />

For drive-in matte screens up to<br />

1 100 feet wide and high gain screens<br />

I up to rio feet wide.<br />

"<br />

16'i " dia. reflector for use with<br />

f 1.9 or f 2.0 objective systems— 18'^<br />

dia. reflector for use with f 1.8, f 1.7<br />

nd fl.5 projection lenses delivers<br />

I approximately ISTr higher illumina-<br />

1 tion than the 16' 2" reflector.<br />

Models for burning 9 or 10 mm<br />

^ositive carbons at 75 to 105 amperes,<br />

1 11 mm positives at 110 to 125 amperes.<br />

10 mm Hitex at 124 to 13'<br />

So<br />

Yo«<br />

f«<br />

Going « ^"1<br />

roOJtCTION<br />

ARC UMK!<br />

-%L<br />

-->:


current when lighting arc. it also "steps<br />

down" the current before the load is completely<br />

broken, thereby reducing the arc<br />

at the switch considerably. It comes comj<br />

ARC LAMP MAINTENANCE<br />

Continued from page 42<br />

tion. If you employ rectifier for DC supply,<br />

it should be adjusted to give exactly the<br />

desired amperage for the carbon sizes you<br />

are using.<br />

ADJUSTING CARBON FEEDS<br />

Be sure to adjust the positive and negative<br />

carbon feeds so the burning arc will constantly<br />

be maintained as explained in this<br />

article. Also, very carefully adjust the arc<br />

crater imager and align the image of the<br />

burning end of the positive carbon exactly<br />

even with the vertical marker line on the<br />

image screen. The positive carbon should<br />

hold this position during its operation for<br />

an evenly illuminated screen. Sometimes it<br />

is necessary to make an adjustment manually<br />

in order to keep the position of the face<br />

of the positive carbon on the mark on the<br />

imager. Occasionally check the arc amperage<br />

and voltage so that the lamp operates<br />

correctly.<br />

Next extinguish the arc and, making sure<br />

not to manually change the burning position<br />

of the positive carbon, adjust the condenser<br />

mount forward or backward so that<br />

the rear surface of the rear condenser is<br />

at its correct focal distance


I<br />

I<br />

—<br />

The Peerless Hy-Candescent lamp has a<br />

ruggedly built arc feed mechanism. The<br />

design of the feed mechanism is such that<br />

the arc feed motor rotates at a uniform<br />

speed and the carbon feeding rates are<br />

varied by mechanical means. This insures<br />

full motor torque over the entire range of<br />

adjustment.<br />

By means of this mechanical control it<br />

is possible to obtain a lineal feed range of<br />

from to 36 inches of positive carbon per<br />

hour and to 7(2 inches of negative carbon<br />

per hour. The adjustment of the feeding<br />

rate is not complex and does not need<br />

detailed explanation. Once it is correctly<br />

adjusted, no further adjustment will be<br />

necessary, in most situations. It is understood<br />

that it is necessary, at times, to use<br />

the manual feed for setting the distance<br />

of the carbons, particularly when first<br />

lighting the arc.<br />

ADJUSTMENT OF CARBONS<br />

Manual carbon adjustment—By means<br />

of the upper knob, rear of lamphouse, the<br />

positive carbon may, any time, be manually<br />

adjusted forward or backward as required.<br />

The adjustment of the negative carbon,<br />

manually, is by means of the knob directly<br />

below the positive hand knob. By pushing<br />

inward to disengage the feed gear and<br />

worm and holding inward, then turning<br />

the knob, the negative carbon holder may<br />

be moved up or down. Removal of the hand<br />

from this knob at the finish of the adjustment<br />

will automatically cause the gears<br />

to re-engage and the motor will resume<br />

feeding again. One should carefully adjust<br />

the carbon and obtain the correct gap<br />

between the negative and positive so the<br />

illumination will be even over the entire<br />

screen when making a changeover. Keep<br />

the face of the positive carbon on the line<br />

on the imager, and the negative carbon<br />

should be kept on its line.<br />

RECOMMENDED CARBON TRIMS<br />

The Peerless high intensity lamp has a<br />

current range from 125 to 180 amperes.<br />

The lamp has been designed, for maximum<br />

screen illumination from the arc. to use<br />

the following carbon combinations: Standard<br />

regular trim, 125 to 150 amperes, 68-<br />

78 volts, use 13.6mm x 22 inches high intensity<br />

positive; for the negative carbon,<br />

use 7/16x9-inch coated cored negative<br />

I 'oxQ-inch negative from 140 to 150 amperes).<br />

For the new Super Trim, 170-180<br />

amperes, 74 arc volts, use 13.6mm x 22-<br />

inch positive, and ^,2x9-i7tch heavy duty<br />

coated cored negative. Carbons must make<br />

good contact in their holders; all electrical<br />

connections should be checked for<br />

firm contact. Keep carbons in a dry place<br />

so they will be free from any dampness.<br />

Do not let carbon stubs accumulate in<br />

the lamphouse, place them in a metal container.<br />

The new Peerless Hy-Candescent exterior<br />

negative lateral adjustment is now furnished<br />

on all orders for new lamps and<br />

may be put on all previously made. It is<br />

very easy to install by the projectionist.<br />

The exterior negative adjustment provides<br />

They "go out" to the<br />

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I<br />

1<br />

Continued on following page<br />

BOXOFFICE November 16, 1957 45


ARC LAMP MAINTENANCE<br />

Continued from preceding<br />

page<br />

means for manually centering the tip of<br />

the negative carbon with the positive carbon<br />

crater, from outside of the lamphouse<br />

and while the lamp is in operation. This<br />

will insure a good crater and an evenly illuminated<br />

screen at all times. Now the<br />

manipulation of this adjustment completely<br />

eliminates the need of ever burning the<br />

arc while the negative tip is out of lateral<br />

alignment with the positive crater due to<br />

warped or crooked carbons.<br />

One kit contains all parts needed for one<br />

lamp. Only one, one-half-inch diameter<br />

hole is required to be drilled in the sheet<br />

metal lamphouse top and a template to<br />

locate its correct position is included with<br />

each kit. The writer strongly recommends<br />

the installation of adjusting kit in lamps<br />

not previously equipped because it assures<br />

proper coalescence of the arc flames, a<br />

quieter burning arc, and a more constant<br />

level of screen illumination. Complete instructions<br />

on its installation are sent with<br />

each kit.<br />

Proper ventilation of the lamphouse is<br />

very important with all high intensity arcs,<br />

but more so when using very high amperages.<br />

The Peerless lamp has provision<br />

for the use of eight-inch diameter ventilating<br />

pipe. The manufacturer recommends<br />

that eight-inch diameter flexible metallic<br />

tubing be used, wherever possible, in preference<br />

to ordinary eight-inch piping, but<br />

in either case the larger size must be used<br />

because of its capacity to exhaust a larger<br />

volume of the heated air and arc gases at<br />

a lower velocity than possible were a sixinch<br />

pipe used. The flexible pipe can easily<br />

be adjusted and will make a neater job in<br />

most situations. A variable suction unit<br />

adjustable to deliver not less than 400 and<br />

upward to 600 cubic feet of air per minute<br />

is needed; we have always recommended,<br />

and installed, an American or Dayton<br />

blower for most reliable blower system for<br />

all lamphouses.<br />

SEPARATE SWITCH FOR MOTOR<br />

NOTE: The blower should always be connected<br />

to the projection room lighting circuit<br />

.so that electrical supply failure to the<br />

blower motor cannot happen while the<br />

projection room lights are on. We have<br />

found this best for all installations. The<br />

motor should be controlled by a separate<br />

switch but current supplied from the projection<br />

room light circuit.<br />

We want to very strongly emphasize that<br />

the relationship of the negative and positive<br />

carbons must be exactly right and there<br />

is 710 other carbon relationship "just as<br />

good" than those recommended by the<br />

manufacturer in the instruction booklet<br />

on carbon alignment. Extreme underlapping<br />

of the carbon flame indicates improper<br />

alignment and results<br />

in highly inefficient<br />

crater formation with greatly reduced<br />

light output. The negative carbon<br />

must be perfectly aligned with the positive<br />

so that a perfect crater will form which is<br />

absolutely necessary for maximum light<br />

output. Careless lateral adjustment of the<br />

negative carbon and flame underlapping<br />

will cause a major loss in light output.<br />

Over a period of years, we have found it<br />

is advisable for the projectionist to have<br />

his ammeter adjusted for accuracy. The<br />

purpose of adjusting the resistance of the<br />

meter shunt is to correct the registration<br />

of the ammeter with the registration of a<br />

master or test meter. If you are also using<br />

a voltmeter, we advise a check with a<br />

master meter. Your local light plant will<br />

be glad to make this check for you. You<br />

will be assured your meter is delivering correct<br />

readings and you will be assured of<br />

the correct current for the arc. We have<br />

found, many times in the field, meters off<br />

from five to eight amperes, when checked<br />

with an accurate test meter.<br />

Often we have found a projectionist who<br />

had not learned the correct way to strike<br />

an arc. We suggest the following procedure:<br />

The arc should be struck quickly ido<br />

not let carbons "freeze" i to prevent damage<br />

to the arc crater and possible blowing<br />

out of the positive core which might deposit<br />

soot in the lamphouse. After carefully<br />

striking the arc, let it burn a minute<br />

or more until the arc has settled down and<br />

the pointer on the ammeter is steady, then<br />

manually adjust the arc gap length the<br />

mr^^<br />

ULTRAMATTE, sparkling white<br />

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"Majors", For your next screen<br />

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Please .send complete information on full Stewart-Trans-Lux<br />

line of theatre screens.<br />

THEATRE-<br />

( IT"l'<br />

-STATE_<br />

BT-I 1-16<br />

46 The MODERN THEATRE SECTION


—<br />

"<br />

correct distance. The carbons should be<br />

adjusted so that the image of the carbon<br />

tips coincides with the lines on the arc<br />

imager. This adjustment is important in<br />

order to obtain an evenly illuminated picture<br />

when making a changeover.<br />

CONTACT PRESSURE<br />

ARM AND SPRING<br />

The pressure on the contacts in high intensity<br />

arcs must be carefully adjusted for<br />

smooth operation. If the pressure is too<br />

little it will cause arcing; roughened,<br />

bui-ned contacts and poor electrical contact.<br />

On the other hand, if you place too<br />

much pressure it will place undue strain<br />

on the feeding mechanism and will cause<br />

the carbon to stick and not feed evenly<br />

sometimes too much pressure and the positive<br />

carbon will fail to rotate. The Peerless<br />

incandescent lamp has an adjustment at<br />

the end of the contact spring for adjusting<br />

the contacts against the positive carbon;<br />

by turning the nut NO. 4134 clockwise<br />

the spring pressure is increased or,<br />

counter clockwise, it is decreased.<br />

Pressure for the positive carbon contacts<br />

is provided by contact spring NO. 15111 located<br />

between the bottom ends of the NO.<br />

15107 spring arms, mounted on NO. 15112<br />

pressure rods. As the NO. 15110 cam is rotated,<br />

the NO. 15104 pressure arms are<br />

caused to open and release the contact<br />

pressure on the carbon.<br />

The correct position of the NO. 15107<br />

spring arm on the NO. 15112 pressure shaft<br />

is when, with a carbon in place between the<br />

contacts and the NO. 15110 release cam in<br />

neutral position, there is exactly oneeighth-inch<br />

clearance between the two side<br />

faces of the release cam and each spring<br />

arm.<br />

METHOD FOR<br />

CORRECT SETTING<br />

Correct setting may be accomplished by<br />

first loosening both the spring arm clamp<br />

nuts NO. 4143, inserting a carbon between<br />

the contacts and placing a one-eighth-inch<br />

thick strip of steel between each side of<br />

the release cam and the spring arms. Then<br />

while squeezing the two NO. 15104 contact<br />

pressure arms together with one hand,<br />

securely retighten the NO. 4143 clamp nuts<br />

in the NO. 15107 spring arm with the other<br />

hand. When finished, remove the two<br />

strips of one-eighth-inch steel 'numbers<br />

refer to parts catalog numbers!. By following<br />

the above procedure, you will be<br />

sure to obtain the correct tension and your<br />

carbon, if the contacts are kept bright and<br />

clean, will feed smoothly.<br />

We strongly recommend that you always<br />

keep extra contacts in stock. The most important<br />

parts are the controling springs and<br />

parts that contact carbons.<br />

The Peerless Hy-Candescent lamp is a<br />

vei-y powerful projection arc lamp, delivering<br />

a brilliant white light for any size<br />

drive-in or conventional screen, on any<br />

kind of screen surface. The company has<br />

some very interesting charts on total screen<br />

illumination as measured in lumens. Space<br />

limitations prevent our presenting some of<br />

these charts, but ive can truthfully say the<br />

Continued on following page<br />

BARTLESVILLE'S CHOICE<br />

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Bartlesville's choice also the choice of 437 of the 650<br />

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TIMES cables were chosen for 2 out of 3 wired TV<br />

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and maintenance.<br />

TIMES WIRE AND CABLE COMPANY, Inc.<br />

an affiliate of<br />

THE INTERNATIONAL SILVER COMPANY \^ '<br />

Wallingford, Conn.<br />

"Write for further information."<br />

^ sj<br />

EOXOFFICE :: November 16, 1957


ARC LAMP MAINTENANCE<br />

Continued from preceding page<br />

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The WORLD'S LARGEST Producer of Carbon Savers<br />

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company presents some very honest figures,<br />

proved by tests with precision test<br />

equipment. The light output, using 180 to<br />

185 amperes. 74 arc volts. 13.6nim positive,<br />

is exceptionally outstanding for aspect ratios<br />

of 1.37 to 1, 1.85 to 1 and 2.55 to 1;<br />

for 65 and 70mm projection, the screen illumination<br />

is perfect on any of the leading<br />

screen sui'faces used for high intensity<br />

arcs.<br />

LIGHT LOSS WITH HEAT FILTER<br />

It is understandable that there is some<br />

light loss when using a heat filter. The<br />

company gives the following deductions in<br />

light transmission with heat filters: Deduct<br />

approximately 6 to 10 per cent for<br />

Peerless Hy Lumen filter or 16 per cent<br />

straight for any other type filler. Too, on<br />

the subject of light increase or decrease,<br />

the type of projection machine shutter<br />

plays a very, very important part and needs<br />

careful consideration in every installation.<br />

The "right" type of shutter will deliver<br />

maximum light output, but the "wrong"<br />

type can cut down the light to quite an extent.<br />

In the near future, we shall present a<br />

complete article on shutter characteristics.<br />

The Peerless Hy-Candescent arc lamp is<br />

what we term as a "straight high intensity."<br />

and it uses special condensers in place of a<br />

reflector to collect and converge the light<br />

to a standard-size spot at the aperture of<br />

the mechanism. This is a very powerful<br />

light source and entirely free from the vagaries<br />

of arc focus that are prevalent with<br />

all reflector lamps. The condenser-type<br />

lamp will give the very highest overall<br />

quality of screen light from side-to-center,<br />

when using 180 amperes, f 1.9 aspheric<br />

condensers, high speed coated projection<br />

lens, and any of the screen surfaces made<br />

by leading screen manufacturers for high<br />

intensity arcs.<br />

NEED RIGHT OPTICAL LENS<br />

We want to point out that the various<br />

makes of modern new types of reflector<br />

lamps, including Peerless Magnarc ( reflector-type<br />

deliver a powerful light 1<br />

output<br />

when used with the "right" optical lens<br />

and screen surface. We mention this in<br />

connection with our discussion about the<br />

features contained in the Hy-Candescent<br />

lamp using condensers to converge the light<br />

beam to a suitable size spot at the aperture.<br />

The type of lamp 7nust be selected for<br />

its suitability for each situation, if one<br />

jvants satisfa


inch from the positive carbon so that only<br />

a very slight tiu-n of the Icnob will be required<br />

to strike the arc; be sure to immediately<br />

open the gap to its required<br />

burning distance. By following this procedure<br />

a good crater on the positive, most<br />

every time, will form and the arc will settle<br />

down and burn steadily.<br />

Some interesting facts about Peerless Hy-<br />

Candescent Cinearc—The lamphouse itself<br />

is large and well constructed to provide<br />

the large interior needed to<br />

facilitate<br />

ventilation, to prevent overheating of the<br />

various parts; the lamphouse doors are<br />

large, making cleaning and care of the<br />

lamp an easy task. The roomy interior also<br />

makes it easy to work, when necessary, on<br />

the arc mechanism and lubricate the moving<br />

parts.<br />

LONG LIFE ASSURED<br />

The rugged construction of this lamp insures<br />

long life, which means minimum expense.<br />

The general design, gearing, carbon<br />

holders and arc feed are such that<br />

continuous operation over long periods of<br />

time will cause practically no wear on the<br />

component parts or burning of parts due<br />

to excessive heat. The ventilation design<br />

of the lamphouse is very adequate in conjunction<br />

with the exhaust system we have<br />

recommended. Cleanliness will also assure<br />

long life.<br />

The amperage range is 125 to 220;<br />

standard amperages used are generally<br />

from 125. 150 and 180 for most situations,<br />

furnished by rectifier or a motor generator<br />

set. When using a motor generator set.<br />

the selection of the ballast rheostats is<br />

very important in order to obtain the correct<br />

arc voltage and amperage.<br />

Positive carbon size—The lamp is<br />

regularly<br />

furnished to accommodate 13.6mm<br />

diameter carbon; the company will furnish<br />

11mm or 16mm holders, on specification.<br />

The negative carbon holder will accommodate<br />

three-eighths, seven-sixteenths, and<br />

one-half-inch diameter carbons.<br />

CONDENSER MOUNTS FURNISHED<br />

Condenser mount — Condenser mounts<br />

are furnished to accommodate either the<br />

B. and L. No. 41-86-25 and No. 41-86-35<br />

lens system or the regular Peerless No.<br />

15363-Q and No. 15366-P or No. 15367-P<br />

Hy-Speed condenser system furnished upon<br />

specification. Condensers are not included<br />

in the price of the lamp. If the special<br />

Bausch and Lomb condensers are desired,<br />

they should be purchased from the factory<br />

or supply dealer, likewise the "Hy-Speed"<br />

condensers. The "Hy-Speed" 15367-P<br />

front and 15363-Q or 15366-P rear condensers<br />

can be purchased only frcm the<br />

J. E. McAuley Manufacturing Co.. or authorized<br />

representative of the company.<br />

In conclusion, the writer has endeavored<br />

to present the most important instructions<br />

pertaining to general maintenance and operation<br />

of the Peerless Hy-Candescent high<br />

intensity arc lamp. If you will carefully<br />

read the text, we are sure you will obtain<br />

excellent results and long service frcm this<br />

very fine lamp. If you have any problems.<br />

do not hesitate to write us and we shall be<br />

happy to help you.<br />

We want to again point out that cleanliness<br />

is most important; keeping the positive<br />

contacts clean is very essential for<br />

smooth operation and feeding of the positive<br />

carbon. And do not neglect keeping<br />

the negative carbon holder clean. Do not<br />

overload the carbons—use the correct carbon<br />

sizes for the amperage drawn at the<br />

arc; maintain the correct arc voltage and<br />

arc<br />

gap.<br />

CHANGES FOR DRIVE INS<br />

Changes can be made in tlic width of<br />

shutters for increasing screen illumination<br />

in drive-in theatres. In the Simplex "E-7"<br />

and Super models the shutter may easily<br />

be narrowed from 6% inches 'measuring<br />

from tip to tip at top of shutter blade)<br />

down to 538 inches. Never cut any less<br />

than this width or you will have travel<br />

ghost. The shutter is adjustable in these<br />

two projectors. For projectors without adjustable<br />

shutter it is necessary to trim the<br />

blades down to the point where you do not<br />

have any travel ghost; first make a model<br />

shutter and narrow the blades to where<br />

you just have a little travel ghost, then<br />

lay it on regular shutter, mark an outline,<br />

trim the shutter just a trifle to overcome<br />

the travel ghost. Ahvays trim both blades<br />

the same amount— if you trim only one<br />

blade you luill unbalance the shutter and<br />

also set up a flicker. Be sure to cut one<br />

blade on one side and the other one on<br />

the other side, which will balance the shutter.<br />

Don't try cutting it by "guessing" at<br />

the amount.<br />

One can narrow the shutter blades in a<br />

conventional theatre, but usually you can<br />

secure plenty of screen illumination with<br />

a lenticular-type silver screen. The trend<br />

is back to the so-called "white-type" screen<br />

surface for high intensity lamps for wide<br />

or narrow auditoriums. We still recommend<br />

the installation of metallic-type<br />

screens for those using 1-KW and intermediate<br />

types of high intensity lamps, for<br />

medium-widtli auditoriums. For wide auditorium,<br />

we suggest you use a semimetallic<br />

surface for either the Hy-Candescent or<br />

1-KW arc lamp. Likewise, the angle of<br />

projection is to be taken into consideration<br />

when selecting a screen. If you are<br />

contemplating the installation of a new<br />

screen, first try several fairly large samples<br />

of screen surfaces before you buy.<br />

CARBONS MUST BE DRY<br />

A few words about carbons. Carbons<br />

should be stored in a dry place—a storage<br />

cabinet located high in the projection room<br />

is very good. Carbons will not deteriorate<br />

and will keep for years.<br />

If additional carbon data is desired,<br />

write us. Domestic carbons are made by<br />

National Carbon Co.; imported carbons are<br />

distributed by Carbons. Inc.. and Diamond<br />

Projection Carbons.<br />

Keep magnetic recorded films away from<br />

motors, rectifiers, generators and other<br />

electrical equipment. Rewinding should be<br />

done carefully to avoid damaging track or<br />

tracks.<br />

You'll want to know<br />

All the facts about<br />

RCA's all-new<br />

Planned Theatre<br />

Service Program...<br />

This new brochure<br />

shows you how<br />

RCA Service takes<br />

eight major steps<br />

to protect<br />

your equipment.<br />

Experienced Engineers,<br />

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and Teamwork<br />

help keep your System<br />

in top condition!<br />

Write for vour brochure today<br />

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Tmk(i) O<br />

KCa SCRVICE COMPANY, INC,<br />

A Radio Corporotion of America Subsidiary<br />

Camden 8, N.J.<br />

BOXOFFICE November 16, 1957 49


^If I build<br />

another dr ive-in'<br />

John Blocker, right, who has constructed many drive-ins, points to the big screen tion. The 120x50-foot screen tower Is built of cement blocks, plastered and<br />

at the new Viking Twin in Corpus Christi which serves 2,000 cars, as he tells surfaced with a mildewproof paint Blocker soys the cement blocks withstand<br />

Ed Former, manager, that his next theatre would probably be a 2,S00-car situa- the wear of the elements exceptionally well and have great durability.<br />

Builder of 12 Tells of Changes and Improvements He Would Make<br />

By<br />

CASH ASHER<br />

IMow THAT you've built an even<br />

dozen drive-ins. what changes would you<br />

make if you built another?<br />

The question was posed to John Blocker,<br />

who has constructed that many theatres,<br />

in an interview in the air-conditioned office<br />

of the Viking Twin at Corpus Christi.<br />

Tex., the last of the twelve, a 2.000-car<br />

situation opened in August with a fanfare<br />

of promotions and publicity.<br />

"There is always something that could<br />

be improved." he answered, "and although<br />

I've been striving for an ideal—perfection<br />

in design and utility—I don't feel that I've<br />

ever achieved it.<br />

THE I<br />

VIXMG TWIN PRESENTS<br />

AWAY ALL BOATS<br />

JEFF CHANDLER<br />

GLENN MILLER STORY<br />

J4MES STTWART<br />

"However. I've sifted out some mistakes<br />

and added innovations and improvements.<br />

An efficient concessions stand is of primary<br />

importance in a drive-in theatre.<br />

Ample storage room is of almost equal importance.<br />

"The day of the small drive-in is past. I<br />

believe. Our population is growing rapidly,<br />

and cities are spreading over farm and<br />

ranch lands faster than ever before in the<br />

history of our country. I'll never build another<br />

drive-in with a capacity less than<br />

2.000 cars, and it is more likely to be 2.500.<br />

"I'll always have a children's playfield,<br />

which is a promotional and entertainment<br />

asset, attracting people who. otherwise,<br />

would not attend."<br />

The two screens of the Viking Twin are<br />

A view of the al(fui.l.oi. 1,^,^,0 u/m iJ.c .c^,- u( i.ic .'.unjju/in.' i^/^to tower which is seen by passing motorists.<br />

The vertical stripes are pink, green, black, green and pink, in that order.<br />

50<br />

120 feet wide and 50 feet high. They are<br />

of steel construction. Blocker says he will<br />

use cement block construction in the future.<br />

"Cement blocks cost less and are more<br />

satisfactory." he said. "Plastered and<br />

painted, the blocks have great durability.<br />

They withstand the wear of the elements<br />

better than steel, require less painting and<br />

upkeep. I used blocks in all the other theatres<br />

I built. I figured that steel would be<br />

better. Pi-ankly, it isn't.<br />

"If I build another drive-in. that's about<br />

how it will be."<br />

COULD USE MORE STORAGE ROOM<br />

While Blocker feels that he has attained<br />

maximum efficiency in the concessions and<br />

kitchen layout at the Viking Twin, he feels<br />

that he could have used more storage space.<br />

"If I build another one, I'll enlarge the<br />

storage facilities," he said. "I've increased<br />

the storage room time after time, but<br />

never have quite enough. It takes a lot of<br />

space for display materials and concessions<br />

supplies, and unless there is plenty of room<br />

.services arc slowed down and confusion re-<br />

.sults. We believed the 40x40-foot space in<br />

the Viking Twin central building would<br />

be adequate. If I build another drive-in,<br />

and I hope to, I'll add at least 200 square<br />

feet,"<br />

Blocker has learned a lot about designing<br />

concessions stands in the decade of his<br />

building activities. He believes he has<br />

achieved his finest concessions layout in<br />

The MODERN THEATRE SECTION


the one at the Viking Twin. It is built in<br />

the shape of an elongated horseshoe, with<br />

two complete utility kitchens and service<br />

lines. It is approximately 40 feet long, with<br />

a Formica-covered serving counter extending<br />

the entire length. Walls of glass blocks,<br />

four feet high, enclose the concessions stand<br />

from the rest of the building. Outside the<br />

glass block walls are narrow brick planters,<br />

which separate the customers from onlookers<br />

by nearly four feet.<br />

Main feature of the concessions stand is<br />

the cashier's cage, located at the opposite<br />

end from the kitchens. From her position,<br />

the cashier can see everything that happens<br />

in the two service lines. Customers<br />

enter through one-way turnstiles, and have<br />

to pass the cashier in leaving. They carry<br />

their food on cardboard trays.<br />

"This arrangement prevents customers<br />

from walking out without paying." says<br />

Blocker. "Our losses from people who forget<br />

to pay for what they get are negligible."<br />

PREPARE FOR INTERMISSION<br />

Service at the stand is fast and efficient.<br />

Before an intermission, cold drinks<br />

of three sizes are ready on the bar in paper<br />

cups, sandwiches are laid out. coffee is<br />

steaming in vacuum containers. The precooked<br />

chicken is ready for browning, and<br />

so is the shrimp: and the pizza mix is<br />

ready to pour for quick baking.<br />

The utility kitchens are equipped with<br />

large hot plates, refrigerators, fryers and<br />

convenient tables. Close by. in the storage<br />

room, are deep freeze units, an electric<br />

stove, ice-making machines and a large<br />

coffee<br />

urn.<br />

Blocker has found that a concessions<br />

stand, conveniently arranged, economically<br />

operated, and serving a wide variety ot<br />

items, can spell the difference between success<br />

and failure in a drive-in. Explaining,<br />

he said:<br />

"We started serving regular southern<br />

fried chicken at the Viking. It took at least<br />

15 minutes to prepare an order. This was<br />

too slow, so we switched to pre-cooked,<br />

frozen chicken. Now we can prepare an<br />

order in four minutes. Our chicken din-<br />

Continued on following page<br />

The Viking Twin concessions as it appears straight-on from tfie front entrance. The cafeteria layout has two<br />

complete kitchens and service lines, the latter converging at the cashier's stand shown in the center.<br />

The kitchen wall, in gleaming stainless steel, is at the rear.<br />

A closeup of the kitchen area referred to above. The grills and fryers are duplicated, one setup for each<br />

cafeteria line. The large refrigerator near center of picture is shown just inside the large storage room<br />

which is 40x40 feet. Blocker says he would build his next one even larger.<br />

The I20x40-foot cement block concessions building in the center of the 30 acre<br />

lot also houses the projection room and office. Said to be the largest drive-in<br />

in the South, the Viking Twin has 2,002 parking places and seats for 400 walkin<br />

patrons.<br />

Two-lane, neon-lighted drives provide for fast handling of traffic into the theatre.<br />

There are three attendants at the gate. An aluminum fence surrounds the<br />

entire theatre, and is illuminated with indirect lights which do not interfere<br />

with the picture.<br />

BOXOFFICE November 16, 1957 51


IF I BUILD ANOTHER DRIVE-IN<br />

Continued from preceding page<br />

ner sales bocmed. When we started out.<br />

our concessions sales averaged 40 cents fcr<br />

every dollar taken in at the boxoffice. This<br />

percentage jumped to 53 cents at the concessions<br />

stand for every dollar at the boxoffice."<br />

Another item sold at the Viking Twin<br />

concessions stand is pizza pie. Blocker introduced<br />

this tasty item shortly after the<br />

theatre opened, and it has been a favorite.<br />

An order can be prepared in a few minutes.<br />

Customers get it on expendable cardboard<br />

trays for 75 cents. Fried chicken is served<br />

in a cardboard box for 85 cents. Along with<br />

the chicken, they get Fiench fried potatoes,<br />

pickles, hot rolls and honey. Fi'ied shrimp,<br />

served in the same kind of container, with<br />

pickles and crackers, costs 95 cents. On<br />

full-house nights, these three major items<br />

are dispensed in enormous quantities.<br />

MANY ADDITIONAL ITEMS<br />

Added to the menu, are sandwiches of<br />

many kinds, an assortment of iced soft<br />

drinks, candy, popcorn in attractively decorated<br />

paper cups, coffee, cigarets. potato<br />

and corn chips and other crunchy and<br />

chewy delicacies.<br />

The concessions stand is operated by<br />

seven men and women, an attractive, fastmoving<br />

crew, trained to practice the theatre's<br />

motto; "Service at all<br />

times."<br />

"This is the most satisfactory and bestpaying<br />

concessions unit I have ever built,"<br />

Blocker said. "The next one I build will<br />

be exactly like it. unless someone shows me<br />

how to improve it."<br />

Blocker is generally enthusiastic about<br />

the Viking Twin. largest in the South. He<br />

says if he builds another, it will be equally<br />

large, or even larger. In addition to the<br />

2,000 parking places there is room for 400<br />

walk-in patrons on the comfortable benches<br />

at each side of the concessions building.<br />

The vast parking area has been filled on<br />

several occasions.<br />

LOCATED ON 30-ACRE<br />

TRACT<br />

Facilities for traffic are adequate, with<br />

two entrance lanes, and three attendants<br />

at the gate. The 30-acre tract is surrounded<br />

by an aluminum fence, with indirect<br />

lights, strong enough to guide cars,<br />

yet not interfering with the pictures.<br />

The central building is 120 feet long by<br />

40 feet wide. It contains the storage room,<br />

kitchens, concessions stand, a narrowpatio,<br />

the projection room and an office,<br />

in that order. Restrooms are also located<br />

in this building. It is of cement block construction,<br />

with wide windows, and ample<br />

room for customers to move about in the<br />

concessions section.<br />

It is 709 feet from the projectors to the<br />

screens.<br />

The drive-in is six miles from downtown<br />

Corpus Christi. and located on Ayres<br />

street, one of the four- major traffic arteries<br />

of the city. The western screen overlooks<br />

level cultivated fields, where maize and<br />

m^^<br />

Part of the extensive free playground at the Viliing Twin half an hour before showtime. Given a unique<br />

name, the Candy Cane City, it is gay and colorful, with many amusement devices, and is constantly supervised.<br />

Blocker believes a playground is a drive-in essential, and this one will be open for daytime birthday<br />

parties and other such events.<br />

cotton are grown, stretching out in a fertile<br />

panorama toward the million-acre<br />

King ranch. The eastern screen is at the<br />

edge of the city, and towers above small<br />

homes and business places. It is visible<br />

for many blocks.<br />

Lending color and versatility to the theatre<br />

is the Candy Cane City, a free, modern<br />

playground for children, with merry-goround,<br />

ferris wheel. Jack and Jill climbers,<br />

an elephant slide, hobby horse swings and<br />

other amusement devices. This area is enclosed<br />

by a fence decorated with Walt Disney<br />

animal characters, and is under adult<br />

supervision at all times. In addition to<br />

furnishing entertainment for children, who<br />

prefer a carnival to pictures, it will be free<br />

for daytime birthday parties and other<br />

celebrations.<br />

The Viking Twin opened under management<br />

of Ed Farmer who started his career<br />

as showman with the Jefferson Amusement<br />

Co. at Kilgore. Tex., then came to Corpus<br />

Christi where he served for ten years with<br />

the Corpus Christi Theatres in various capacities.<br />

His last position, before going to<br />

the Viking Twin, was as manager of the<br />

Ayers, one of the newer theatres in the city.<br />

Blocker's theatre construction includes a<br />

string of theatres all the way from Clovis,<br />

The Viking Twin's motto is: "Service at all times,"<br />

and this involves courtesy. Signs such as this keep<br />

personnel on their toes and ore a nice public relo<br />

(ions<br />

touch.<br />

N. M.. to the Texas-Mexican border. Long<br />

before he started his career as a builder,<br />

he engaged in less impressive occupations,<br />

starting out as a sweeper in a Lubbock theatre<br />

and graduating from job to job, up the<br />

ladder, until he reached the position of<br />

manager. He has spent most of his 42 years<br />

in the theatre business.<br />

When he is<br />

not in New York. Hollywood,<br />

or some other place, looking after his interests.<br />

Blocker will usually be found at<br />

night sitting on a bench at the Viking Twin,<br />

conferring with people who come to see<br />

him—and they are numerous—or just enjoying<br />

a picture, with his mind working<br />

between scenes. He gives the appearance<br />

of complete relaxation at all times, but<br />

questions bring forth quick answers, firm<br />

conclusions, reflecting a mind never idle,<br />

measuring values, concerned with improvements.<br />

Dark, athletic, congenial, he makes<br />

friends spontaneously, and those who work<br />

for him, or w-ith him. hold him in highest<br />

esteem.<br />

Summing up the situation at the conclusion<br />

of the opening show. Blocker said:<br />

"Corpus Christi is one of the nation's<br />

fastest growing cities. Its population has<br />

been expanding by nearly 10.000 a month.<br />

It is spreading out Ayres street, taking in<br />

farms and ranches. In another year, there<br />

will be a need for another drive-in out<br />

here."<br />

Will he build it? He had no comment<br />

when asked. But a friend said:<br />

"He'll probably get enough land next<br />

time to use it during daylight hours for a<br />

golf course."<br />

CREDITS: Changeable letters: Bevelite • Concessions<br />

equipment: Stormaster grill and fryers,<br />

Frecz King soft ice cream machine, National Theatre<br />

Supply popcorn mochine, General Motors refrigerator,<br />

Sodamaster drink dispensers • Lamps:<br />

Excclite 135 • Prelectors: Simplex • Screen surface:<br />

Briner Paint Manufacturing Co. • Sound:<br />

Altec • Speakers: National Theatre Supply.<br />

52 The MODERN THEATRE SECHON


'<br />

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If your present projection equipment is reaching<br />

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Distributed by<br />

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BOXOFFICE :: November 16, 1957<br />

m<br />

53<br />

SUBSIDIARIES OF GENERAL PRECISION EQUIPMENT CORPORATION


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A magnetic tape with wide applications<br />

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and increase high frequency response.<br />

"<br />

Print, as defined by the company, is<br />

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at a high gain level, a faint •echo"<br />

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arise in some situations, such as when recordings<br />

are made on highest quaUty recorders<br />

with exceptionally low noise level.<br />

With the tape's print level reduced by<br />

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the level of the signal which may print<br />

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An improvement in short wave length<br />

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JINSEH Weathermasler 4 ' Viking Cone<br />

Hea»y Duty Magnet lor Full Power,<br />

long Service Ule Insured<br />

ONE YEAR WARRANIY<br />

Individual Volume Control.<br />

Rugged Cast Aluminum Housing.<br />

Durability.<br />

Handsome Painted "Built In Crinkle<br />

or<br />

Natural Aluminum finish".<br />

6 Ft. Weatherprool Neoprene Cord.<br />

UNITED SPEAKER & MFG. CO<br />

1263 Third Avenue, New Kensington, Pa.<br />

K«n.inolon: EDiion 7-3579, PilHburgh: MOnlroi» 1-0525<br />

Copper Drippings for Hospital<br />

Nels Matheson. Los Angeles projectionist,<br />

is co-ordinator of a Memorial Copper<br />

F\ind drive which is making regular and<br />

substantial donations to the Will Rogers<br />

Memorial Hospital. The drive salvages copper<br />

from the projection rooms of virtually<br />

all theatres in the Los Angeles area.<br />

After each performance, the projectionist<br />

removes the copper drippings from<br />

collector trays under the arc and deposits<br />

them in a container for delivery to the<br />

offices of Pi-ojectionists Union Local 150.<br />

Matheson delivers the drippings bo a salvage<br />

dealer, receiving 17 to 20 cents a<br />

pound.<br />

Proceeds are averaging aroimd $100 a<br />

month, the money being forwarded to the<br />

hospital in Saranac, N. Y. Matheson has<br />

traveled thousands of miles campaigning<br />

for the copper donations.<br />

A New 9mm Positive Carbon<br />

National Carbon Co. has added a 9mm<br />

positive projector carbon to its line of<br />

Suprex copper-coated carbons placed on<br />

the market in recent years. The new carbon,<br />

9mm by 14 inches, is for operation in<br />

the 65-85 ampere current range and is<br />

said to produce up to 10 per cent more<br />

light and burn up to 30 per cent slower<br />

than previous-type carbons in this current<br />

range.<br />

Previous copper-coated Suprex carbons<br />

have been the 7 and 8mm sizes. National<br />

Carbon development has also resulted in<br />

addition of 10, 11 and 13.6mm high intensity<br />

positive projector carbons to the line<br />

designed to meet the needs of drive-in theatres<br />

and larger screens of new projection<br />

systems.<br />

Projection Slide Rule Available<br />

Projectionists and dealers who frequently<br />

have to perform calculations associated<br />

with projection problems are offered a free<br />

slide rule by Projection Optics Co.<br />

The self-computing rule enables the operator<br />

to determine quickly screen size,<br />

projection distance and focal length of<br />

lens required for any type of overhead or<br />

opaque projector.<br />

The MODERN THEATRE SECTION


—<br />

—<br />

—<br />

The following concerns liavc recently<br />

filed copies of interesting descriptive literature<br />

with the Modern Theatre Information<br />

Bureau. Readers who wish copies "may<br />

obtain them promptly by using the Readers'<br />

Bureau postcard in tfiis issue of The Modern<br />

Theatre.<br />

L-1829 Several new items that will be<br />

attractive additions to theatre playgrounds<br />

are included in the 38-page catalog issued<br />

by Game-Time. Inc. Among these additions<br />

to the Game-time line are rainbow<br />

climbers, crow's nest climbers, parallel<br />

bars for both portable and stationary installations,<br />

fiber glass reinforced plastic<br />

swing seats, economy slides, whirl-a-way,<br />

hobby horse and glider units. All stresspoints<br />

of Game-time's safety-engineered<br />

equipment are welded to eliminate danger<br />

to the youngsters from exposed nuts, bolts<br />

and partly open seams.<br />

L-1830 Seven different types of luminous<br />

ceilings of interest to theatre owners<br />

and managers are illustrated in an eightpage<br />

brochure issued by Luminous Ceilings,<br />

Inc. Shown, too, are specially designed<br />

track systems which may be installed<br />

in theatres with a minimum of inexperienced<br />

labor. Provided, too. are formulas<br />

for working out lighting needs of<br />

specific theatre areas.<br />

L-1831 Many interesting theatre applications<br />

for such rubber products as floor<br />

matting, runners, carpeting and stair<br />

covering<br />

are suggested in "Floor Mats." a 12-<br />

page catalog prepared by O. W. Jackson &<br />

Co. Illustrations are used generously to<br />

demonstrate the many functions of these<br />

floor coverings, including a section dealing<br />

with plain and colored link rubber mats.<br />

which are said to be best for dirt seepage<br />

and imusually easy to handle.<br />

L-1832 "The Greatest Advance in Modern<br />

Sanitary Wash Fixtures." Bulletin K-<br />

1204. is now offered to theatremen planning<br />

washroom remodeling by the Bradley<br />

Washfountain Co. Features of the newly<br />

designed Bradley Duo-Washfountains are<br />

described and illustrated, including easy<br />

wall mounting, absence of scuff base to<br />

provide floor clearance and wide-hinged<br />

foot treadle that controls the water supply.<br />

L-1833 "Acres of Fun," a 36-page catalog<br />

of drive-in theatre playground equipment<br />

and power rides, has been issued by<br />

the Miracle Equipment Co. Most items in<br />

the company's complete line are illustrated<br />

in four colors to show theatremen how the<br />

equipment is painted in baked enamel colors.<br />

Featured is Miracle's latest development,<br />

the Miracle Jack and Jill, a unit<br />

w-ith two climbers, ski slide, a set of steps<br />

and an open-air playhouse.<br />

L-1834—A LABORATORY report on Solutax<br />

Poster Paste 3724 has been made available<br />

to theatremen by Paisley Products, Inc.<br />

This cold-water paste is said to have kept<br />

theatre posters in place even through hurricane<br />

winds and rains. It is a powdered<br />

vegetable cellulose compound which requires<br />

no cook-up. Unusual water-taking<br />

ability is said to be a characteristic of the<br />

easy-to-use paste.<br />

Here's a workable system for issuing and<br />

collecting heaters at drive-ins: brass heater<br />

tags are issued to all cars ai, the boxoffice<br />

and the heaters are given out at the concessions<br />

stand upon presentation of the<br />

tags. When patrons leave, they either<br />

surrender the tag or the heater at the exit.<br />

PROJECTION<br />

LAMP<br />

When you specify<br />

ASHCRAFT<br />

you may be sure you are obtaining<br />

the BEST! Recognized the<br />

world over as THE LEADER<br />

in motion picture projection!<br />

SUPERCINEX<br />

SUPERPOWER<br />

RECTIFIERS<br />

13.G mm CARBONS<br />

130 to 165 AMPERES<br />

11 mm CARBONS<br />

100 to 130 AMPERES<br />

12 PHASE<br />

75 to 200 AMPERES<br />

C. S. ASHCRAFT MANUFACTURING CO., INC.<br />

36-32 THIRTY-EIGHTH STREET, LONG ISLAND CITY 1, NEW YORK<br />

BOXOFFICE November 16. 1957 55


Questions and Answers on Bonus Plans<br />

A Year-End Bonus Builds Morale,<br />

But First Check Income Tax Laws<br />

By<br />

PAUL LOCKWOOD<br />

Theatre owners contemplating a<br />

year-end bonus for key employes know the<br />

value of a bonus from a morale-building<br />

standpoint. However, there may be some<br />

doubts about the income tax problems that<br />

will develop. These questions and answers<br />

will give you a guide for developing a bonus<br />

plan for your key people that will give you<br />

maximum income tax savings and help you<br />

avoid any problems in administrating your<br />

year-end bonus plan.<br />

QUESTION: Is it true that a bonus paid<br />

an ex-<br />

to employes may not be allowed as<br />

pense of doing business by the Internal<br />

Revenue Bureau?<br />

ANSWER: Yes! Even though you have<br />

paid your employes a year-end bonus, you<br />

may find that the Internal Revenue Bureau<br />

will disallow the bonus payment. This<br />

means that you will have to recalculate<br />

your taxable income without including the<br />

bonus payments. Unless you handle this<br />

DIT-MCO UNIVERSAL<br />

i„.A-c„<br />

SPEAKERS<br />

"The<br />

GREATEST<br />

SPEAKER"<br />

Designed to give you<br />

the latest improved<br />

quality in high and<br />

low frequencies in<br />

keeping with the new<br />

methods of reproduction<br />

of sound today.<br />

Spcokcr openings are larger. No sound obstruction.<br />

Now type louvre slants down to keep out sun and<br />

rain. Perforated metal grill between louvre and<br />

speaker unit prevents customer damage to unit.<br />

Monger bracket complete is now cast as part of<br />

bock holf of speaker housing. Bracket will fit any<br />

type junction box. Lorge 4" oil weather speaker<br />

unit with hcovy duty Alnico 5, 1.47 oz. mognet.<br />

Improved volume control shuts completely off and<br />

above ground; knurled control shaft eliminates<br />

the necessity of replacing control knobs.<br />

BEAUTIFUL<br />

TWO-TONE FINISH<br />

BUY DIT MCO AND YOU BUY THE BEST<br />

Wrlli- .ir Win- for inill Iktalls. I'


EQUIPMENT Cr<br />

DEVELOPMENTS<br />

Kitchenware Giveway Program<br />

Develops Attendance Habits<br />

P-1643<br />

FOR MORE<br />

INFORMATION<br />

fully illustrated, step-by-step instructions<br />

which are very simple to follow. The model<br />

M-1 Handitester measures AC or DC volt-<br />

USE Convenient<br />

Readers'<br />

Bureau Coupons<br />

A kitclienware giveaway promotion to<br />

bring women patrons back to a theatre<br />

seven successive weeks has been developed<br />

by Nationwide Premium Distributors, Inc..<br />

and successfully field-tested in indoor and<br />

outdoor theatre situations. The plan is to<br />

give away a set of seven coppertone Ekco<br />

kitchen tools and hanger, each woman receiving<br />

an item each successive giveaway<br />

night simply for purchase of an admission<br />

ticket. The first week each woman admitted<br />

gets a large basting spoon and the<br />

hanger for the set, the empty hooks on the<br />

hanger thereafter acting as a psychological<br />

stimulus to the patron to return to the<br />

theatre each week to get one more item<br />

until her set is complete. There is no service<br />

charge with the admissions, no stamps<br />

to save. The theatre pays for only the items<br />

actually given away each special night. A<br />

pre-promotion advertising package is furnished<br />

free to each sponsoring theatre. In<br />

addition to building up attendance during<br />

the giveaway period, the promotion is said<br />

to stimulate patrons to regular theatre attendance<br />

habits, since they are exposed to<br />

coming attractions trailers. Concessions<br />

sales are also said to be stepped up both<br />

during and after the promotion period.<br />

Twin Coffee Urns Brew<br />

Continuous<br />

Supply<br />

P-1644<br />

Series '61 twin coffee urns have been developed<br />

by Cecilware-Commodore Products<br />

Corp. to meet the needs of situations such<br />

as theatre concessions where coffee must<br />

be brewed by the gallon. The most important<br />

feature of the Series '61 urn is Cecilware's<br />

new gridded riser, which eliminates<br />

the old-fashioned drooping coffee bag and<br />

forces all the water to filter faster through<br />

the coffee bed for uniform and correct extraction.<br />

This feature is recommended by<br />

the Coffee Brewing Institute and is available<br />

in 3, 4, 5, 6. 8 and 10-gallon sizes. The<br />

standard twin urns of the series can supply<br />

a continuous flow of coffee throughout the<br />

theatre's operating period, since patrons<br />

may be served from one side of the urn<br />

while a fresh batch of coffee is prepared<br />

in the other side. Other features are electronically<br />

welded, stainless steel construcn\^.^,>^\v>^^<br />

a. -<br />

tion. .self-closing faucets, Robertshaw thermostat<br />

and thermometer dial and extralarge<br />

water capacity. The Series '61 includes<br />

single and twin urn units in standard,<br />

custom and de luxe models. The name.<br />

Series '61, was given to the line of coffee<br />

urns, according to the manufacturer, because<br />

It is four years ahead in advance design<br />

and construction.<br />

Do-lt-Yourself Kit For Building<br />

Sound-Test<br />

Multimeter<br />

P-1645<br />

Projectionists can easily assemble their<br />

own multimeters for checking sound system,<br />

and save many dollars. The Heath<br />

Co. supplies all necessary components and<br />

Claims made for products described editoriolly<br />

on this ond other pages are taken from the<br />

manufacturers'<br />

statements.<br />

age at 0-10, 30, 300, 1.000 and 5,000 volts.<br />

Direct current ranges are 0-10 ma, and<br />

0-100 ma. Ohmmeter ranges are 0-3.000<br />

(30 ohm center scale) and 0-300,000 ohms<br />

(3,000 ohms center scale). It uses a 400<br />

microampere meter for sensitivity of 1,000<br />

ohms-per-volt. It is small in size but ruggedly<br />

constructed. Top quality, precision<br />

components are employed throughout. For<br />

those desiring a larger and more sensitive<br />

multimeter, the Model MM-1 is recommended.<br />

Sensitivity of this instrument is<br />

20,000 ohms-per-volt DC and 5.000 ohmsper-volt<br />

AC, measuring voltage up to 5,000.<br />

Both instruments are housed in an attractive,<br />

black Bakelite case with large leather<br />

carrying handle. There is a two-color<br />

scale for easy reading. The company can<br />

also furnish complete kit for building a top<br />

quality tube checker at an exceptionally<br />

low price.<br />

Line of Paper Cups, Plates<br />

Designed for Theatre Use<br />

P-1646<br />

A line of hot and cold drink cups and<br />

bulk paper plates especially designed for<br />

theatre concessions patrons has been announced<br />

by Continental Can Co. Printed in<br />

a special theatre design, the hot drink cups<br />

come in six and eight-ounce sizes, some<br />

with plastic-coating to protect the hot coffee<br />

flavor. The wax-coated cold drink cups,<br />

also in pleasing theatre designs, range<br />

from six-ounce up to 24-ounce sizes. The<br />

white bulk paper plates are for serving hot<br />

dogs, hamburgers, Fi-ench fries and sandwiches.<br />

BOXOFFICE November 16, 1957 57


;<br />

\<br />

ever<br />

was<br />

r<br />

t<br />

r<br />

The Admission<br />

Control System<br />

that means<br />

Good Business<br />

Good Showmanship<br />

Six Automatic Vendors Make Up P-1647<br />

Drive-In Food and Drink Bar<br />

An automatic food bar consisting of six<br />

matched vending machines has been developed<br />

by Rowe Manufacturing Co. for<br />

drive-in theatres. Each of the six vendors<br />

has the merchandise display front which is<br />

an integral feature of automatic vendors<br />

developed by this company. The dispensers<br />

are designed to sell coffee, pastry, hot food,<br />

cigarets. candy and cold drinks. The combination<br />

will be displayed to the theatre<br />

trade for the first time at the National<br />

Ass'n of Concessionaires convention in<br />

Miami.<br />

Two Devices Developed P-1648<br />

To Stop Carbon Waste<br />

Pin-Core slugs for eliminating Suprex<br />

carbon waste have been developed by Economizer<br />

Enterprises as the latest addition to<br />

the firm's line of carbon savers. The Eureka<br />

Economizer is another development, being<br />

intended for use with lamps using rotating<br />

carbons. Drills are available for preparing<br />

carbons for utilizing either the Pin-Core or<br />

Economizer devices. The Pin-Core slugs<br />

are made for use with carbon in 7. 8 and<br />

9mm Suprex lamps; the Economizer device<br />

for 9, 10 and 11mm rotating carbons. Both<br />

devices are used by leading circuits.<br />

15<br />

made only b<br />

General<br />

egister<br />

s<br />

/Howe's matched vending machine food bar incorporating six vendors.<br />

r »• *//^l4/f f Read What Users Say<br />

Corporation imuvv a About sel-tubes<br />

BROADWAY THEATRE . . . Palmyra, New Jersey<br />

Best investment I made instolling SEL-TUBE Kits in our Strong 16,200. We hove a more constant<br />

arc feed and brighter picture, and my rectifiers last longer. Just acquired onother theatre—am going<br />

to install your kits there.<br />

Edwin A. Korpen, Owner<br />

M C M THEATRES . . . Leesburg, Florida<br />

Our projectionist and our maintenance engineer are completely satisfied with the performance of<br />

SEL-TUBE Kits in our Strong 16,200 at the FAIN THEATRE here. We have no trouble of any sort.<br />

Bill P. Cumboo, Gen. Mgr.<br />

SYLVIA THEATRE York, So. Carolina<br />

The SEL-TUBE Kits purchased 6 months ago for our Strong 1 6,200 have given absolute perfect<br />

service. Before that I always hoving trouble with tungor bulbs.<br />

Tom Fleming, Manager<br />

MACK ENTERPRISES . . . Silver City, New Mexico<br />

Your SEL-TUBES installed m our Rect-0-Lite 60T rectifiers several months ogo hove given us quiet,<br />

trouble-free service, eliminated screen flicker, reduced heot to almost nil and cut power consumption<br />

by approximately 15%—best investment I ever mode.<br />

H. D. McCloughan, Prop.<br />

NATIONAL SUPPLY S. A. . . . Habona, Cuba<br />

I he results obtained by using SEL-TUBES in our Forest LD-75 has been very sotisfactory—our<br />

customer has definitely improved his projection.<br />

Pedro Saenz<br />

Sec your supply dealer for o 30 doy FREE TRIAL or write<br />

direct for the amazing story of what SEL-TUBES can do for you.<br />

THE KNEISLEY ELECTRIC CO. Dept "0" Toledo 3, Ohio-Windsor, Ontario, Canada<br />

General Register Corp.<br />

43-01 Twenty-Second Street<br />

ilmprevemeiitij<br />

Long ^<br />

Island City 1,<br />

PAYS...<br />

N. Y.<br />

P<br />

Do It /)i<br />

'v NOW! .//<br />

1018 So. Wabash Ave., Chicago 5, III.<br />

IMPROVE YOUR THEATRE<br />

And You<br />

IMPROVE YOUR BUSINESS<br />

58<br />

The MODERN THEATRE SECTION


;<br />

FOR MORE INFORMATION<br />

USE THE FREE RETURN CARD<br />

The postcard at the bottom of this page is designed to help you get more information<br />

on products and services advertised in this issue of The Modern Theatre Section,<br />

or listed in the "New Equipment and Development" and "Literature" departments.<br />

An alphabetical Index of Advertisers appears below; on the back of this card is a<br />

Condensed Index of Products. In both, FIGURES in the Key Number shown for each<br />

advertiser indicate the page on which the firm's advertisement appeors. The postcard<br />

below carries numbers corresponding to the page numbers— with letters added.<br />

Circle the Whole Key Number, including the letter, corresponding to the page numbers<br />

of the advertisements on which you want more information. Then: Fill in your name,<br />

address, etc., in the space provided, tear out card and mail. For more information<br />

on listings in "New Equipment and Developments" and "Literature" departments,<br />

circle number corresponding to Key Numbers published with each item below.<br />

ALPHABETICAL INDEX OF ADVERTISERS' KEY NUMBERS<br />

CLEANING<br />

formance that reaches into new areas<br />

ty . . . more ease and speed in operaof<br />

maintenance.<br />

/ide wet and dry pick-up and blowing, a<br />

esign that enables the operator to take the<br />

lotor of our own make which delivers IJct<br />

, stainless steel or enameled steel container<br />

•<br />

connection, extra large rear wheels or 4<br />

ue readily converted for use on a 55 gallon<br />

ork.<br />

SUPER<br />

MODEL RS-1<br />

Adier Silhouette Letter Co 61b<br />

American Dryer Corp<br />

54o<br />

American Seating Co<br />

8b<br />

Apco, Inc 20a, 21a<br />

C. S. Ashcraft Mfg. Co 55a<br />

Bollontyne Co<br />

61a<br />

Bousch & Lomb Optical<br />

45a<br />

Paul F. Beich Co .24o<br />

Samuel Bert Mfg. Co _ 38a<br />

Coli Products Co 48b<br />

Canada Dry Ginger Ale, Inc 12o, 13o<br />

Costleberry's Food Co 37o<br />

Coco -Colo Co 2a<br />

Cole Products Corp<br />

.'.<br />

33a<br />

A. Dolkin Co 34o<br />

Dell Food Specialties, Inc 33b<br />

Drive- In Theatre Mfg. Co 56a<br />

Dura Engraving Corp 61c<br />

EPRAD<br />

62a<br />

Economizer Enterprises 60c<br />

Electromode<br />

BC<br />

Fisher Mfg. Co 41a<br />

General Register Corp 58a<br />

Gringo Co 36c<br />

Horwold Co<br />

60e<br />

Henry Fleide, Inc 38b<br />

Hershey Chocolate Corp<br />

15a<br />

Heyer-Shultz, Inc 59b<br />

Hollywood Brands, Inc 26a<br />

International Projector Corp. 53a<br />

Internotional Seat Corp 3a<br />

Kneisley Electric Co 58b<br />

Kollmorgen Optical Corp 48o<br />

LoVezzi Machine Works 44a<br />

Lily-Tulip Cup Corp .25a<br />

Manley, Inc 31o<br />

Miracle Equipment Co<br />

62d<br />

National Carbon Co 5o<br />

National Super Service Co 59a<br />

Notional Theatre Supply 39a<br />

Nestle Co., Inc 17a<br />

Oronge Crush Co .23a<br />

Pepsi-Colo Co 29a<br />

Phillips Electro Extensions 62c<br />

Projection Optics Co 8o<br />

RCA (Service) 49o<br />

RCA (Thea. Equip.) 8c<br />

Reeses Candy<br />

35b<br />

J. E. Robins, Inc 60a<br />

Rowe Mfg. Co .27a<br />

C. F. Simonin's Sons, Inc 35a<br />

Smithfield Ham & Products Co 18d<br />

S.O.S. Cinema Supply Corp 60b,<br />

Speed Scoop 18c<br />

Sportservice Corp 18b<br />

Star Cinema Supply Co<br />

62b<br />

Stewart-Trans-Lux Corp 46o<br />

Strong Electric Corp 43a<br />

Supurdisploy, Inc 18a, 36b<br />

Switzer's Licorice Co 36a<br />

Times Wire & Coble Co., Inc 47a<br />

United Speaker Co<br />

54b<br />

Vallen, Inc ~ 60d<br />

)<br />

ransr<br />

and<br />

t by<br />

special design handle for blowing,<br />

close-up work and limited volume<br />

suction cleaning.<br />

Phone your local Super distributor<br />

or write for data about these and<br />

other models of Super Suction<br />

Cleaners and Super service floor<br />

machines.<br />

SUPER<br />

SUCTION^<br />

SERVICE<br />

yoTit&r Suction C£eafte'i^ • Qua£i(cf -rcaor AlacAin&i-<br />

HE DRAFT HORSE OF BUILDING MAINTENANCE MACHINES<br />

'<br />

SIRVICE COMPANY 1941 N 12th ST<br />

•<br />

TOLEDO 2, OHIO<br />

. PLEASE PRINT<br />

I<br />

1 Name<br />

1 Position<br />

1 Theatre or Circuit..<br />

« Street No<br />

City<br />

..State..<br />

HULTZ<br />

) METAL REFLECTORS<br />

on 10 DAY FREE TRIAL!<br />

spendable, efficient all metal reflector<br />

urself to an actual purchase. See for<br />

BUSINESS REPLY CARD<br />

First Class Permit No. 874 - Section 34.9 PL8.R - Kansas City, Mo.<br />

Factory Street, Cedar Grove, New Jersey<br />

MODERN THEATRE Section of BOXOFFICE<br />

825 Van Brunt Blvd.<br />

''''''t!l!^::\?.7'''''*- KANSAS CITY 24, MO.<br />

59


.<br />

r^<br />

f<br />

i<br />

/<br />

Six A<br />

Drive<br />

The Admission<br />

An<br />

Control System<br />

mate)<br />

velop<br />

that means<br />

drive<br />

has t<br />

Good Business<br />

an ir<br />

develare<br />

d<br />

Good Showmanship<br />

cigan<br />

binat<br />

trade<br />

A.s.s'n<br />

Miair<br />

I<br />

15<br />

made only fcjr<br />

^^<br />

General<br />

Register<br />

Corporation /<br />

BRO<br />

M <<br />

Ol<br />

SE<br />

SYL'<br />

MAI<br />

trt<br />

by<br />

NA1<br />

General Register Corp.<br />

43-01 Twenty-Second Street<br />

long Island City 1, N. Y.<br />

•<br />

1018 So. Wabash Ave., Chicago 5, III.<br />

Number<br />

ADMISSION CONTROL SYSTEM.<br />

DRIVE-INS<br />

General Register Corp 5Sa<br />

ADMISSION SIGNS<br />

Dura Engraving Corp 61c<br />

ATTRACTION BOARDS AND<br />

LETTERS<br />

Adier Silhouette Letter Co. eib<br />

BARBECUED MEATS<br />

Castleberry's Food Co 37a<br />

Smithfield Ham & Products Co ISd<br />

CANDY<br />

Paul F. Belch Co 24a<br />

Henry Heide. Inc 38b<br />

Hershey Chocolate Corp 15a<br />

Hollywood Brands, Inc 26a<br />

Nestle Co . Inc 17a<br />

Reeses Candy 35b<br />

Switzer's Licorice Co 36a<br />

CARBON SAVERS<br />

Call Products Co 4Sb<br />

Economizer Enterprises 60c<br />

Phillips Electro Extensions. .62c<br />

. .<br />

CARPETING. THEATRES<br />

National Theatre Supply 39a<br />

CONCESSIONS CATERING SERVICE<br />

Sporlservice<br />

18b<br />

CONCESSIONS EQUIPMENT,<br />

DRIVEIN<br />

Samuel Bert Mfg. Co 38a<br />

Supurdisplay. Inc 18a. 36b<br />

CONCESSIONS FOODS<br />

Castleberry's Food Co 37a<br />

Smithfield Ham & Products Co. ISd<br />

CUPS. PAPER<br />

Lily-Tulip Cup Corp 25a<br />

CURTAIN CONTROLS & TRACKS<br />

Vallcn. Inc 60d<br />

DRINKS. SOFT<br />

Canada Dry Ginger Ale.<br />

Inc 12a. 13a<br />

CONDENSED INDEX<br />

OF PRODUCTS<br />

Key<br />

Number<br />

Coca-Cola Co 2a<br />

Orange Crush Co 23a<br />

Pepsi-Cola Co 29a<br />

DRINK VENDING MACHINES<br />

Apco, Inc 20a. 21a<br />

Cole Products Corp 33a<br />

A, Dalkin Co 34a<br />

Manley, Inc 31a<br />

Rowe Mfg. Co 27a<br />

EQUIPMENT SERVICE<br />

RCA (Service) 49a<br />

FILM CEMENT<br />

Fisher Mfg. Co 41a<br />

FILM SPLICER<br />

Harwald Co 60e<br />

FLOOR CLEANING MACHINES<br />

National Super Service Co 59a<br />

FOOD SEASONING<br />

Dell Food Specialties. Inc .33b<br />

HAND DRYING SERVICE<br />

American Dryer Corp 54a<br />

HEATERS. IN-CAR<br />

Electromode<br />

BC<br />

KIDDIE RIDES FOR DRIVE-INS<br />

Miracle Equipment Co 62d<br />

PLAYGROUND EQUIPMENT<br />

Miracle Equipment Co 62d<br />

POPCORN MACHINES<br />

Manley. Inc 31a<br />

Speed Scoop 18c<br />

Supurdisplay. Inc ISa, 36b<br />

POPCORN SEASONING<br />

Dell Food Specialties. Inc..<br />

.33*<br />

.35a<br />

C. F. Simonin's Sons. Inc..<br />

POPCORN AND SUPPLIES<br />

Manley. IrK.<br />

31a<br />

PROJECTION LENSES<br />

Bausch & Lomb Optical Co. 45a<br />

Kollmorgen Optical Corp.. 48a<br />

Projection Optics Co.. Inc 8a<br />

Star Cinema Supply Co 62b<br />

NEW EQUIPMENT and<br />

Full descriptions start on page 57<br />

Key<br />

Number<br />

Kitchenware Giveaway P-1643<br />

Twin Coffee Urns P-1644<br />

Kit to Build Multimeter P-1645<br />

Paper Cups and Plates . P-1646<br />

Automatic Food and Drink Bar P-1647<br />

LITERATURE<br />

Full descriptions on page 55<br />

Key<br />

Number<br />

Play Equipment Catalog , L-1829<br />

Luminous Ceilings Brochure L-1830<br />

Floor Mat Catalog L-1S31<br />

OTHER NEWS of<br />

PROJECTION & SOUND<br />

Ba lantyne<br />

Co<br />

International<br />

Projector<br />

Star Cinema Supply Co.<br />

Key<br />

Number<br />

61a<br />

.53a<br />

.62b<br />

PROJECTION & SOUND SERVICE<br />

S.O S. Cinema Supply Corp. ..60b<br />

PROJECTOR ARC UMPS<br />

C. S A;hcraft Mfg. Co 5Sa<br />

Strong Electric Corp 43a<br />

PROJECTOR CARBONS<br />

National Carbon Co 5a<br />

PROJECTOR PARTS<br />

LaVez2i Machine Works .44a<br />

RECTIFIERS. SELENIUM<br />

J. E. Robins, Inc 60a<br />

REFLECTORS<br />

HeyerShullz. Inc 59b<br />

SCREENS FOR INDOOR THEATRES<br />

Stewart-Trans-Lux Corp 46a<br />

SEATING. THEATRES<br />

American Seating Co 8a<br />

International Seat Corp 3a<br />

SEL-TUBES<br />

Kneisley ElKtric Co 58b<br />

SNO-KONES<br />

Samuel Bert Mfg. Co 3Sa<br />

SPEAKER. IN-CAR FOR DRIVE-INS<br />

EPRAD<br />

62a<br />

Drive-in Theatre Mfg. Co S6a<br />

United Speaker Co 54b<br />

TACKS<br />

Gringo Co 36e<br />

TELEMOVIE<br />

EQUIPMENT<br />

Times Wire & Cable Co. .<br />

, .<br />

. .<br />

THEATRE EQUIPMENT AND<br />

SUPPLIES<br />

National Super Service Co..<br />

National Theatre Supply.<br />

RCA (Theatre Equip.) .<br />

DEVELOPMENTS<br />

PRODUCTS and EQUIPMENT<br />

Page<br />

No.<br />

Ttieatre Vending Equipment 26<br />

Noncarbonated Drink Disperwer 31<br />

Pizza Crust 38<br />

MODERN THEATRE: Send me more information about<br />

items ADVERTISED on the pages as circled below:


"<br />

Ski Slide, Climbers, Playhouse<br />

Combined in Four-Color Unit<br />

P-1649<br />

The Miracle Jack and Jill, a combination<br />

of two climbers, a ski slide, a set of<br />

steps and an openair playhouse, has been<br />

developed by the Miracle Equipment Co.<br />

SUCTION CLEANING<br />

Here is suction cleaner performance that reaches into ne\^ areas<br />

... a wider range of utility . . . more ease and speed In operation<br />

... a new lower cost of maintenance.<br />

Both the.se new Supers provide wet and dry pick-up and blowing, a<br />

tran.sport handle of unique design that en.Tbles the operator to take the<br />

cleaner anywhere easily, a motor of our own make which delivers IJ^<br />

HP on the job— continuously, stainless steel or enameled steel container<br />

as desired, push-l)utton hose connection, extra large rear wheels or 4<br />

caster base as desired. Both are readily converted for use on a 55 gallon<br />

steel drum for big volume work.<br />

SUPER<br />

MODEL BP-2<br />

SUPER<br />

MODEL RS-1<br />

for drive-in theatre playgrounds. Painted<br />

in four bright, baked enamel colors to appeal<br />

to the youngsters, the Jack and Jill<br />

unit will handle an exceptionally large capacity<br />

for the 14x20-feet of ground space<br />

required. The climbers, slide and stairs<br />

provide access to or descent from the playhouse,<br />

which has a roof of translucent<br />

heavy duty fiber glass. On the ground level,<br />

the unit offers many odd-shaped openings<br />

to go in and out, providing fun opportunity<br />

for children playing independently or taking<br />

part in "follow the leader" type of<br />

games. The ski slide is four feet wide, with<br />

plastic-coated plywood sides, the slide itself<br />

being of 16-gauge stainless steel.<br />

Flameless In-Car Heater<br />

Radiates Sun-Like Warmth<br />

P-1650<br />

SUPER MODEL BP-2<br />

Special internal filter. Self-cleaning,<br />

non-corrosive.<br />

SUPER MODEL RS-I<br />

Outside bag filter carried on transport<br />

handle. Removable motor and<br />

fan unit easily carried about by<br />

special design handle for blowing,<br />

close-up work and limited volume<br />

suction cleaning.<br />

Phone your local Super distributor<br />

or write for data about these and<br />

other models of Super Suction<br />

Cleaners and Super service floor<br />

machines.<br />

"(P>tce<br />

SUPFR<br />

Oucti&n C£e^z^t£^i^<br />

Sk-e^ "DoeA ^tr<br />

SUCTION^<br />

SERVICE<br />

DRAFT HORSE OF BUILDING MAINTENANCE MACHINES'<br />

A flameless gas heater, the Bernz-O-<br />

Matic, which may be clamped to a car<br />

window has been placed on the market by<br />

Stanford Industries, Inc.. as distributing<br />

agent. Stanford Kohlberg, owner of the<br />

Starlite Drive-In. Chicago, financed development<br />

of the heater and is using it this<br />

winter at the Chicago drive-in after<br />

thoroughly testing it for safety. The heater<br />

consists of a drum-like heating unit 12<br />

inches in diameter, to which is attached a<br />

cylinder containing propane gas tradenamed<br />

Liquilux, The car window is lowered<br />

a quarter of an inch to accommodate<br />

the unit's holding device. The device requires<br />

no regulation by the customer, since<br />

;S>4y N I2th ST -TOLEDO 2. OHIO<br />

now HEYER-SHULTZ<br />

(UNBREAKABLE) METAL REFLECTORS<br />

are available on 10 DAY FREE TRIAL!<br />

... at lost you can try this dependable, efficient all metal reflector<br />

without first committing yourself to an actual purchase. See for<br />

yourself before you buy.<br />

j-|£Y£R-SI-IULTZ. INC. Factory Street, Cedar Grove, New Jersey<br />

Continued on following page<br />

BOXOFFICE :; November 16, 1957 59


'<br />

Rectify<br />

screen<br />

your<br />

lighting<br />

problems with<br />

the<br />

reliable<br />

ROBIN<br />

SELENIUM<br />

RECTIFIER<br />

AVAILABLE FROM 75-300 AMPS.<br />

Write for full informotion & prices to:<br />

J. E. ROBIN, INC.<br />

Mofion Picture Equipment Specialists<br />

267 Rhode Island Avenue<br />

EAST ORANGE, N. J.<br />

/loLcUlaJUe on ^i*ne Pcuf*nent!<br />

\mwm\ k<br />

SOI \ll<br />

IHITFITS<br />

\Js,ed and Completely Rebuilt<br />

FOR ALL SIZE THEATRES & DRIVE-INS<br />

systems includes Standard and Super<br />

Simplex, Brenkert, RCA, Motiograph AA<br />

and DeVry.<br />

• Arclamps including Peerless Magnarc,<br />

Brenkert Enarc, Strong Mogul, Ashcralt<br />

and others.<br />

• All sizes rectiiiers and generators.<br />

• New and '!-'^'' : rejection and anomorphic<br />

.<br />

You can buy a completely rebuilt like<br />

new Projection and Sound Outlit for as<br />

low as $2,495 with easy payments to<br />

suit your convenience.<br />

required, no wiring, piping of gas. no batteries<br />

or moving parts and practically no<br />

maintenance is required. The heater throws<br />

off radiant heat and is said to provide the<br />

same comfort people seek from the suns<br />

warmth. The supply of gas in the cylinder<br />

hours,<br />

is sufficient to keep a car warm 5 to U<br />

depending on the outside temperature.<br />

Filling the cyUnders with gas is said<br />

to be as simple as drawing a soft drink for<br />

a patron. Containers can be filled at the<br />

rate of 720 per hour at the theatre's portable<br />

station, each filling costing about<br />

three cents. Manufacturer of the heater is<br />

Otto Bemz Co., which produces such wellknown<br />

products as the Bemz-O-Matic cook<br />

stoves, lanterns and other portable appliances.<br />

New Model 'Mechanical<br />

Moid' and 'Valet'<br />

P-1651<br />

"<br />

New models of the "Mechanical Maid<br />

and "Mechanical Valet" washroom vending<br />

machines, will be shown at the TOA-<br />

TESMA-NAC convention in Miami. The<br />

vendors, which have been a familiar sight<br />

in many locations throughout the country<br />

are available for most conventional and<br />

drive-in theatres on a "concession basis."<br />

The "Maid" is a compact unit that dispenses<br />

a dozen different items for women,<br />

such as—aspirin, sanitary napkins, sanitary<br />

belts, combs, Kleenex, lipstick, powder,<br />

rouge, cologne and hand lotion. The<br />

"Valet" sells combs, Kleenex, aspirin, Alka<br />

Seltzer, shoeshine cloths, nail clips, hair<br />

tonic, etc.. The spontaneous success of the<br />

"Mechanical Servants" has been due to the<br />

need for having these personal and emergency<br />

items available when and where<br />

they are needed. Not only do they serve as<br />

a comfort and convenience for theatre<br />

patrons, but provide a substantial profit<br />

to management. The new models differ<br />

from the old in that the sample items are<br />

now displayed behind a heavy plastic window.<br />

In the past the items to be sold were<br />

illustrated on the face of the machines.<br />

Barbecued Beef Featured<br />

In New Food Line<br />

P-1652<br />

in a few seconds, has won quick acceptance<br />

among theatremen and their patrons, being<br />

popular with the concessionaires because<br />

it is a big profit item, and with<br />

patrons as a pleasingly new taste treat.<br />

Vying for trade interest with the pit cooked<br />

barbecued beef at Castleberry's exhibit,<br />

will be the firm's new line of products<br />

developed exclusively for the mass vending<br />

business. Castleberry's beef stew, chili with<br />

beans, and beans with barbecued beef will<br />

be the exhibited products and the first<br />

items in the line to be offered for sale in<br />

standard vending machines. These Castleberry<br />

products, which require no special<br />

equipment or adapters for use in such<br />

machines, have already won wide public<br />

acceptance through regular retail outlets.<br />

The sale of 150 pounds of wieners a week<br />

is about average for outdoor theatres. The<br />

hot dog is bringing in about 25 per cent of<br />

the concessions gross in a great many theatres,<br />

both drive-ins and indoor, although<br />

the national average is perhaps closer to<br />

the 10-12 per cent figure.<br />

CARBONS ARE MONEY!<br />

Burn 'em Short or Burn 'em Up With<br />

The Amazing EUREKA PIN CORE<br />

Method (pat. pending):<br />

Used throughout the world. Eureka's simple<br />

carbon saver method is one of<br />

the most outstonding achievements in projection<br />

since Suprex Carbons. Complete outfit<br />

forSuprex Carbons 7, 8, 9mm only $10.00<br />

for Block Carbons 9, 10, 11, 13.6mm ...only 14.50<br />

Satisfaction guaranteed. State carbon size and<br />

make of lamp. Order today. Remit with order<br />

and you save C.O.D. charges.<br />

•PAYS FOR ITSELF ALMOST IMMEDIATELY"<br />

ECONOMIZER<br />

ENTERPRISES<br />

524 W. 43rd St Los Angeles 37, Colif.<br />

famous since' 1916<br />

for the finest in<br />

curtain controls,<br />

tracks and special<br />

operating devices.<br />

ehio<br />

FOXHOLE :<br />

jectors and ^><br />

liveries—lowest<br />

and tvccO<br />

"<br />

KITS for all Pro-<br />

„:.„..eads. Prompt deprices.<br />

(Specify make<br />

S.O.S. CINEMA SUPPLY CORP.<br />

Oept C. 602 WEST 52 ST.. N. Y. 19 Cable: SOSOUND<br />

Pit cooked barbecued beef will be ihifeature<br />

attraction in the Castleberry Food<br />

Co, exliibit at the International Industry<br />

Trade Show in Miami. This item, a bun<br />

sandwich filler easy to prepare and serve


about PEOPLE / and PRODUCT<br />

John p. Grady, who has been identified<br />

with the marketing of paper products and<br />

merchandising of<br />

food and dairy products<br />

for 18 years, has<br />

been appointed director<br />

of selling for<br />

the Lily - Tulip Cup<br />

Corp. Grady had<br />

been assistant general<br />

sales manager<br />

for the Chase Bag<br />

Co. Prior to that he<br />

had been associated<br />

John P. Grady<br />

with Young & Rubicam.<br />

At Lily-Tulip, Grady will report to<br />

Fen K. Doscher, vice-president for marketing.<br />

Richard Robertson, Mark Hughes and<br />

George Moses, members of the Allan Herschell<br />

Co. staff, have been given company<br />

ADLER<br />

I<br />

NEW<br />

'SNAPLOK'<br />

CHANGEABLE<br />

PLASTIC<br />

LETTERS<br />

Snop on and off frames easily.<br />

Testing lob reports these new 4"-<br />

6"-8"-10"-12"-17" 24" letters stay<br />

firmly on frames even in a 60-mile<br />

wind . . . and spring clip keeps its<br />

gripping power even after letter<br />

has been changed 20,000 times.<br />

•<br />

Write for Free Catalog of Adier "Third<br />

Dimension" Changeable Plastic & Cast<br />

Aluminum Letters . . Stainless Steel<br />

.<br />

Frames Glazed with Glass or Plastic . . .<br />

Low-Cost "Sectionad" Displays.<br />

ADLER<br />

SILHOUETTE<br />

LETTER CO.<br />

11843-A West Olympic Blvd.<br />

Loi Angelei 64, Calif.


Charles P. Ginsbup.g, manager of Advance<br />

videotape development for the Ampex<br />

Corp., was awarded the David Sarnoff<br />

gold medal by the Society of Motion Picture<br />

and Television Engineers at the so-<br />

DRIVEIN<br />

Practically<br />

Yearly<br />

THEATRES!<br />

DOUBLE<br />

GROSSES'<br />

INSTALL<br />

"Hot-Shot"<br />

In-the-Car<br />

HEATERS!<br />

Low-Cost,<br />

Smoll,<br />

Light, Compact, Rugged,<br />

Economicol, Ample Power.<br />

"By odding heaters (a 10 to 20% total investment<br />

increase) yearly grosses ore nearly doubted!<br />

EASY TERMS!<br />

ElEtTIICIl PIIIKTS lESEIKI<br />

Call Your Favor- V «<br />

j<br />

ite Independent \' —<br />

Theatre<br />

Dealer.<br />

Supply<br />

1206 CHERRY ST. TOLEDO 4, OHIO<br />

C*-^*^ F'RSr TIME<br />

FECIAL PURCHASE<br />

'^BRAND NEW4im<br />

HOLMES 35mm<br />

PORTABLE<br />

\^'»oryUsty<br />

ciety's 82nd semiannual convention at the<br />

Sheraton Hotel, Philadelphia. Ginsburg received<br />

the award for developing a practical<br />

video recorder resulting from analysis<br />

of the problem, effective planning and consideration<br />

of alternatives in making a<br />

choice of systems elements. William B,<br />

Lodge, vice-president in charge of engineering<br />

at CBS, was chairman of the award<br />

committee.<br />

Edwin B. Bachman will become manager<br />

of the Fi-eehold Division of A&M Karagheusian.<br />

Inc.. January 1, succeeding Warren<br />

C. Button, who will retire the preceding<br />

day after 21 years as an executive of<br />

the carpet company. Button has held responsible<br />

positions in the American carpet<br />

industry for 52 years. Bachman currently<br />

is assistant manager of the Fi-eehold plant.<br />

His successor will be Leonard S. McGackin,<br />

administrative assistant.<br />

Appointment of Herbert Ward as sales<br />

manager and R. L. Stone as fountain sales<br />

manager of Dr. Pepper Co. has been announced<br />

by W. W. Clements, vice-president<br />

in charge of marketing. Ward's recent<br />

connection was as marketing management<br />

consultant with McCann-Erickson.<br />

New York advertising firm. Stone, with<br />

Dr. Pepper since 1950, has held several key<br />

positions in the marketing division. Clements<br />

said both appointments were in line<br />

with the company's continued national expansion<br />

program which has added more<br />

than 40 franchised bottling plants to its<br />

distribution facilities in the last 30 months.<br />

Eastman Kodak Co.'s program of financial<br />

aid to higher education is being continued<br />

by 58 direct grants and 39 fellowships<br />

valued at $400,000, plus $175,000 in<br />

special grants to colleges and universities<br />

in areas where Kodak has manufacturing<br />

interests. The company is also awarding<br />

$32,000 to associated college groups and<br />

other organizations with educational purposes.<br />

Twenty fellowships will be awarded<br />

to students working for the Ph.D. degree<br />

in chemistry, six for Ph.D. status in physics<br />

and 13 for engineering students working<br />

for a master of science degree.<br />

^^II^HH<br />

^/?-<br />

^V<br />

Joe Graham, who<br />

^^|^H|^^^|H attained national<br />

V f^l^^^^^^JTB prominence as a<br />

''9Ti football star at the<br />

University of Florida,<br />

has been appomted<br />

Florida sales representative<br />

for Smithfield<br />

Ham and Pi-oducts<br />

Co. Graham,<br />

captain of the Gators<br />

Joe Graham<br />

in his senior year,<br />

also played for the<br />

Green Bay Packers in the National Football<br />

League. Since retiring from pro football,<br />

Graham has had sales experience<br />

with Calvert Distilleries. Colgate Palmolive<br />

Co. and the Wilson Sporting Goods<br />

Co. He will headquarter in Jacksonville.<br />

Theatre Design paper cups and plates<br />

developed by the Paper Container Division<br />

of Continental Can Co. will be displayed in<br />

booth 503 at the International Industry<br />

Tradeshow in Miami. The exhibit of 24-<br />

ounce popcorn cups, hot and cold drink<br />

cups and paper plates in a wide variety of<br />

stock and trademark designs will be shown<br />

by Robert S. Long, Jack S. Lee and Miles<br />

S. Roll, representing Continental.<br />

Roger P. Loveland of the Kodak Research<br />

Laboratories has been elected a life<br />

member of the New York Microscopical<br />

Society in recognition of his contributions<br />

to microscope science. Loveland is research<br />

associate in charge of the photomicrography<br />

section of the applied photography<br />

division of the Kodak laboratories.<br />

7 ~ Holmet Boll<br />

Bcofing 35 mm.<br />

Portable Sound Proiectors<br />

(on\lonl ipoed motors, 1000 wqM Moida lamphouiei.<br />

2000" upper end lower magaimei,<br />

pholotelU. exciter lotnp\. etc (Brand New).<br />

2-Scrle% 1 4" lenio*. with odopteri (New).<br />

— Sol projector, photocell end oacitei lomp<br />

I<br />


. . For<br />

Oltv<br />

• ALPHABETICAL INDEX<br />

• ADLINES & EXPLOITIPS<br />

• BOXOFFICE BAROMETER<br />

• EXHIBITOR HAS HIS SAY<br />

• FEATURE RELEASE CHART<br />

• FEATURE REVIEW DIGEST<br />

• REVIEWS OF FEATURES<br />

• SHORTS RELEASE CHART<br />

• SHORT SUBJECT REVIEWS<br />

• SHOWMANDISING IDEAS<br />

THE GUIDE TO ^BETTER BOOKING AND B U S I N E S S - B U I L D I N G<br />

EXHIBITORS GET CHRISTMAS SHOPPING' IN EARLY<br />

Now Is the Time, They Find, to Plan Special Promotions for Extra Yuletide Profits<br />

Stores Buy Gift Tickets<br />

Elmer DeWitt, Wayiie, Fort Wayne, hid.<br />

Elmer DeWitt. former Mailers circuit<br />

city manager at Defiance, Ohio, who took<br />

over operation on his own of the Wayne<br />

Theatre in Fort Wayne, Ind., only a few<br />

months ago, has booked six stage acts for<br />

a Wayne Theatre Giant Christmas Kiddy<br />

Stage Jamboree, and since he is new in the<br />

City, he employed a friend who knows local<br />

merchants to sell tickets to the businessmen<br />

at 25 cents each for a giveaway to the<br />

youngsters dixring the holidays.<br />

In less than a week more than 2.000 tickets<br />

were sold, and it looks like enough will<br />

be disposed of for the whole six shows, two<br />

each day on December 21st, 23rd and 24th.<br />

"In addition we are trying our best to<br />

fill our screen with Christmas greeting ads<br />

during the holidays," DeWitt reports.<br />

Theatre Gift to Needy<br />

Ed hinder. Town and Country Theatre,<br />

Jacksonville, Fla.<br />

Ed Lander, manager, is giving 50 tickets<br />

each to the Kiwanis Club, the Elks. Optimists,<br />

Lions, the Baptists Orphans Home,<br />

the Catholic orphanages and other similar<br />

organizations—all tickets good for the<br />

Christmas show at the Town and Country<br />

Theatre, Jacksonville, Fla.<br />

"The newspapers go for this 100 per<br />

cent," reports Linder. "A second point is<br />

that the extra several hundred kids sure<br />

up the candy and popcorn sales."<br />

Package Greetings Deal<br />

Jim Mcyrin, Cooper, Brazil. Ind.<br />

A screen trailer-gift pass promotion was<br />

so successful last year for Jim Morin, manager<br />

of the Cooper Theatre in Brazil, Ind..<br />

that he not only is using it again this season,<br />

but is offering a ready-to-present kit<br />

for selling the deal. Address Morin at Box<br />

226, Brazil, for the kit.<br />

Morin's plan goes the season's greeting<br />

trailer one better. He offers the merchant<br />

the usual greeting trailer, plus a gift to<br />

pass along to his customers. The price is<br />

such that any merchant can afford, $10 to<br />

$12. The gift is a two-for-one pass—small<br />

A Christmas time stage wedding may be offbeat,<br />

but lost Christmas this tried-and-true<br />

promotion did fine business for Jim Salmans at<br />

the Sixth Street Theatre, Coshocton, Ohio. It<br />

was a tiein with the local newspaper, and began<br />

with the insertion of a classified ad offering<br />

a "wonderful opportunity" to an engaged<br />

couple. Merchants were more than willing to<br />

make a tieup as port of their Christmas promotions,<br />

and provided gifts for the couple. The<br />

newspaper, of course, cooperated with goodsized<br />

space, and the local TV station telecast<br />

the ceremony. Shown above is Salmans (right)<br />

with the lucky couple and the advertising monoger<br />

of the Tribune.<br />

holiday card good for one free admission<br />

at the Cooper Theatre, void after December<br />

24, with one paid adult admission. Elach<br />

merchant is given 200. The traUer is sold<br />

to nin two weeks, December 18 to December<br />

31.<br />

Morin's package kit guarantees easy<br />

selling to the merchant, he says.<br />

December 24 Rental<br />

Robert Mannel, Del Mar, Santa Cruz, Calif.<br />

Manager Robert Mannel Is renting the<br />

Del Mar Theatre in Santa Cruz, Calif., all<br />

day before Christmas, the special booking<br />

to run from 10 a.m. to 10 p.m., to local<br />

merchants. Each participating merchant<br />

will receive three weeks of screen advertising,<br />

three weeks of lobby mention, three<br />

newspaper ads and 1,000 theatre tickets<br />

specially printed for the December 24 show.<br />

The merchants will receive their tickets<br />

December 1. Additional tickets requested<br />

will be charged accordingly.<br />

BOXOFFICE Showmandiser Nov. 16. 1957 — 273 —<br />

Small-Town Shopping Party<br />

Carrie Ortman, Ortman Theatre.<br />

Hennessey, Okla.<br />

. . .<br />

As a small town we cannot hope to compete<br />

with the neighboring big town with a<br />

preseason opening for shopping, so our<br />

merchants have decided to concentrate on<br />

the "closer to Christmas" business. Of<br />

course, everyone loves to go to the "big<br />

town" to look early and perhaps buy, but<br />

there is also a tremendous rush at home<br />

the last week.<br />

We have a co-operative setup with the<br />

local Lion's Club (which is composed<br />

largely of our merchants) . We select the<br />

best comedy program possible, or all cartoon<br />

show. The club pays for the program<br />

plus a minimum house expense. For some<br />

two weeks we all ballyhoo "Free Christmas<br />

Matinee . All Grade School Children<br />

Courtesy Hennessey Merchants." This<br />

matinee is usually held the afternoon of the<br />

day school is dismissed for the holiday.<br />

Falling this close to Christmas, everyone is<br />

really "in the spirit" . . . and this makes for<br />

a much more party or gala atmosphere.<br />

This matinee is timed to the second, and<br />

as the doors open Santa in costume is arriving<br />

in front of the theatre and passes<br />

small gifts to each child. This has solved<br />

the problem of having kids pass through<br />

the line several times, and preschoolers are<br />

not trampled.<br />

Results: Town full of people from our<br />

surrounding trade area. Kids are in the<br />

theatre, but parents are shopping the<br />

stores. Our concession business is terrific,<br />

as the Christmas treat is not given until<br />

the kids exit. It is a satisfaction to the club<br />

to know that the treats go to the small children<br />

where intended, and that has been<br />

accomplished by this plan.<br />

More Christmas Promotions<br />

On the Following Pages


A HUGE INSIDE-OUTSIDE SHOW BEATS XMAS COMPETITION<br />

The variety of attractions at the Christmas Inside and Outside Show or- suggested in this layout of photographs. Last December 20 more than 12,000<br />

ranged by Manager Paul D. Flowers for the Fox Theatre in Venice, Colif., is children ottended the doy-long event, sponsored by a dairy.<br />

A full schedule of afternoon and morning<br />

matinees, rentals, big sponsored Christmas<br />

Eve party, etc., now being completed<br />

at the Fox Theatre of Venice. Calif., for<br />

the holidays by Manager Paul D. Flowers<br />

is topped by "our pride and joy," a Mammoth<br />

Christmas Spectacular Inside and<br />

Outside Show.<br />

The designation contains little, If any<br />

exaggeration. Last year the spectacular,<br />

held on December 20, the Thursday before<br />

Christmas, played to more than 12,000 children<br />

Inside and outside the theatre frcm<br />

8:30 in the morning to 6 in the evening,<br />

with something going on every minute, inside<br />

the theatre on the screen and stage,<br />

out front and on the adjacent theatre parking<br />

lot.<br />

SEVERAL YEARS DEVELOPING<br />

The day-long Christmas attraction is a<br />

sponsored event, with a format that has<br />

been developed by Flowers and his colleagues<br />

of the Fox West Coast circuit in<br />

the last several years. The plan was used<br />

earlier this year with signal success, extending<br />

through two days.<br />

Edgemar Farms dairy again will sponsor<br />

the holiday event. It is circus-like in its<br />

scope, as its name suggests. The 1958<br />

event will follow the same plan as last year,<br />

with changes and improvements, so here is<br />

how the 1957 show worked.<br />

The dairy distributed 45,000 four-page<br />

folders. Front page copy started thus:<br />

"Boys! Girls! Keep This Entire Folder. It<br />

Is Your Free Ticket to the Greatest Christmas<br />

Party and Show Ever Given." The<br />

two inside pages lisled the many attractions,<br />

then on back was a plug for the dairy,<br />

plus space for filling in names and addresses,<br />

necessary for the drawing of<br />

prizes. Each folder was numbered.<br />

In addition, seven attractions were listed<br />

on the back page, each with a place for<br />

punching, one good for a ride on Sonita,<br />

a baby elephant; a haywagon ride, ride on<br />

midget cars (from Oldsmobile agency), a<br />

milk drink, talent show contest and inside<br />

show ticket.<br />

Eddie Moore, local area cowboy singer,<br />

emceed the various events inside and outside<br />

the theatre, which included "scads of<br />

prize-winning contests, such as pie eating,<br />

lariat twirling, talent shows, pet shows,<br />

hobby building contest, coloring contest,<br />

etc. Besides the free rides, attractions included<br />

the Great Grinell, Magician Extraordinary,<br />

who is a regular of the Fox Theatres<br />

Magic Club, which meets every Saturday<br />

noon at the theatre; Jiggles the<br />

Clown. Judy Jackson accordian band, Paulette's<br />

Twlrlettes. and other local talent ac's.<br />

The Fox staff, offered a day off with<br />

pay as incentive, attended the day-long<br />

event dressed in ingenious costumes to<br />

create a real carnival atmosphere. Some<br />

were clowns, pixies, Indians, Scotch girls,<br />

etc. And of course, the theatre and adjoining<br />

parking lot were gaily decorated with<br />

banners, pennants and balloons. A public<br />

address system was rigged up for music.<br />

And, of course, the theatre had several<br />

popcorn and concessions stands. In addition<br />

a local army unit was asked to bring<br />

in a tank or so with other equipment.<br />

On the Fox screen was a color action<br />

feature, plus several cartoons ruimlng continuously<br />

within the stage contests. The<br />

show was briefed to an hour and 50 minutes<br />

to handle the capacity attendance.<br />

In all 350 prizes, either from the dairy<br />

or promoted from merchants, were distributed<br />

via contests and drawings. In addition,<br />

the dairy gave away over 5.000 pints<br />

of milk via<br />

the folder-tickets.<br />

HOW IT STARTED<br />

Flowers relates he worked out the inside-outside<br />

show plan to beat television's<br />

competing attractions, such as Disneyland,<br />

the Mickey Mouse Club program and others,<br />

and other tough competition Uke the Little<br />

Baseball leagues. And he reports the Inside-outside<br />

show does do it! Beside the<br />

Chi-istmas show, Flowers used the idea during<br />

the summer, once with five merchants<br />

sponsoring it, lasting two full days.<br />

Flowers has four or five shows set up.<br />

beginning with Thanksgiving, in which<br />

merchants pass out tickets to their customers<br />

as gifts.<br />

Uses Postcard Stock<br />

When Grace Day took over as<br />

manager<br />

of the Strand in Hudson Falls. N. Y.. for<br />

the Schine circuit, she found some unused<br />

postcards. She typed a message on them<br />

and sent them out to names picked at random<br />

from the phone book. The message<br />

follows: "This card entitles you to a free<br />

admission when used with a paid adult admission<br />

on any Monday during the month<br />

of October 1957."<br />

— 274 — BOXOFFICE Showmandiser Nov. 16, 1957


'<br />

How Lamar^ Mo.. Makes a Big Deal of a Merchants -Theatre Holiday Tieup<br />

In Lamar, Mo.. pre-Christmas free movies are not only for children,<br />

but for adults as well. For an entire week, it is free movietime at the<br />

Plaza Theatre, and the pitch to residents in the trade area is to shop<br />

after supper and then attend a movie.<br />

The idea works. It was inaugurated a year ago, and was so successful<br />

that of the 47 merchants who participated in the tieup, 46 said.<br />

"Sign me up for 1957" when Harley Fryer, the owner, contacted them<br />

a few days after Christmas to see how tliey liked the promotion.<br />

The merchants liked it because it brought customers into town from<br />

the entire trade area. The exhibitor liked it because a week customarily<br />

characterized by empty houses was replaced with one in which business<br />

was virtually capacity.<br />

Fryer's first approach was to the Chamber of Commerce, to obtain<br />

quasi-official backing of the promotion. The chamber, not only agreed<br />

to back the idea, but accepted sponsorship. Thus, it became a community<br />

project, and not a theatre promotion. The shop-after-supper<br />

idea caught on quickly. The theatre schedule was moved up, so shoppers<br />

could see a complete show after 8 p.m. Merchants cooperated by<br />

closing at that hour. In six evenings, 3.807 persons attended on free<br />

tickets distributed by the merchants. Lamar has a population of 3.324.<br />

The total cost to each of the participating merchants was $16. For<br />

this fee, they received:<br />

• Pull-page ad in the Lamar Democrat on December 13.<br />

FREE MOVIES<br />

rr<br />

Lamar's Plaza Theatre<br />

A PRE • XMAS Girr<br />

OF FREE MOVIE ENTERTAINMENT<br />

FROM<br />

Lamar's Friendly<br />

^r^^<br />

6 nc Nons OF tm vm. onanuKKxi mi mjjAVibH<br />

DuVMuui I) \n It n II a<br />

HERE'S HOW<br />

Merchants<br />

Asi ra Toui Fia toviE nacE rsm ths rjidhk uitauins<br />

LI'<br />

• Announcements on the Plaza screen two weeks in advance of free<br />

movie week, with details on how to get the tickets.<br />

• Participating merchants names were posted in the lobby two weeks<br />

in advance and during free movie week.<br />

• Merchants received three window cards each, with copy "Ask for<br />

PYee Movie Tickets Here," as key line.<br />

• Each merchant received $100 worth of tickets (200 tickets), and<br />

could purchase additional tickets if needed at $2 per hundred.<br />

Tickets were distributed by merchants<br />

with no strings attached. No purchase was<br />

necessary, except that it was suggested to<br />

the participants that they limit distribution<br />

to adults, and that they treat the tickets<br />

as a 50-cent value.<br />

During the pre-Chrlstmas week, regular<br />

admission was charged at the Plaza Theatre<br />

to all those patrons who did not have<br />

tickets distributed in the 47 stores. This,<br />

it was pointed out, is essential, as it places<br />

a value on tickets at the stores.<br />

Fryer contacted every one of the merchants<br />

a few days after Christmas, and to<br />

a man they said it was a terrific promotion.<br />

Forty-six said they would sign for


This floa^, with lifcsize figures of Gina Lollobrigida and Anthony Quinn, toured Quebec province prior<br />

to the doy-ond-dote premiere of "The Hunchback of Notre Dome" in 23 Quebec situations. The<br />

float was on the highwoys approximately four weeks in advance of the openings, and became a familiar<br />

sight on some of the highways.<br />

More Promotion Ideas for<br />

Action Before Christmas<br />

Nyman Kcssler, DeWitt, Bayonne. N. J.<br />

A special preholiday screen policy, theatre<br />

rentals for Christmas parties and a<br />

mammoth kiddies matinee on the afternoon<br />

of December 31 pay off annually for<br />

the DeWitt Theatre. Bayonne, N. J.<br />

"We always make a policy of playing action<br />

stuff the week before Christmas." said<br />

Manager Nyman Kessler. "Usually we<br />

schedule reissues of proven value, aimed at<br />

the men. since the women are busy shopping.<br />

Last year, for instance, we played<br />

'Sailor Beware' with Martin and Lewis,<br />

plus 'Off Limits,' starring Bob Hope. This<br />

combination did even better than we had<br />

expected. We then followed up with Elvis<br />

Presley in 'Love Me Tender' and 'Satellite<br />

in the Sky.' starting Christmas Day for<br />

five days, last year."<br />

For the last two years, the DeWitt has<br />

been rented for theatre parties for youngsters<br />

a few days before Christmas. One of<br />

the annual sponsors is the Police Athletic<br />

League, which distributes free tickets to<br />

Bayonne youngsters reading, "Your Pal in<br />

Blue wishes you a meri-y Christmas and invites<br />

you to attend the annual Christmas<br />

party at the DeWitt Theatre."<br />

The second sponsor is the AAA Sport<br />

Center, which last year treated 2.000 youngsters<br />

to a western thriller, five Technicolor<br />

cartoons and .sports reels about ice<br />

skating and skiing. Bernie Goldweber.<br />

owner of the sports store, said that he<br />

plans to make the pre-Christmas party an<br />

annual treat for Bayonne children.<br />

Christmas<br />

Kessler is hopeful of closing a deal for<br />

still a third rental this year. Bayonne<br />

youngsters already get a third break at<br />

the theatre each year, however, since Kessler<br />

and liJs staff play baby-sitters to the<br />

town on the afternoon of December 31.<br />

while parents are getting ready for New<br />

Year's Eve celebrations.<br />

"Giving the children free gifts and noisemakers<br />

has been a successful formula." said<br />

Kessler. "so we are having another such<br />

show this year. Plenty of refreshments are<br />

sold at these free shows!"<br />

The DeWitt also picks up extra money<br />

each December by selling merchants Christmas<br />

greeting trailers on the screen. In 1955.<br />

Kessler ran ten such sponsored trailers and<br />

last year 11 Bayonne merchants used the<br />

trailers to extend greetings and thanks to<br />

their customers.<br />

Kessler is also aiming at a new source of<br />

revenue this Christmas season — selling<br />

trailers to local banks to announce their<br />

new Chri.stmas Savings Clubs, which are<br />

being organized during the early weeks of<br />

December.<br />

Nine Drive-ln Gift Nights<br />

Carlton Maim, Bowliiie, Decatur, Ala.<br />

It'll be Gift Night at the Bowline Diive-<br />

In at Decatur. Ala.. December 14 through<br />

the 24th. Manager Carlton Mann Is rigging<br />

up a large cutout of Santa with a<br />

huge bag. Five gift packages (with the<br />

name of the gift and the store inside) attached<br />

to the bag will be given away each<br />

evening via coupons passed out at the boxoffice<br />

with each pass or ticket purchase.<br />

All coupons will be thrown away each<br />

evening. "The next night you can be assured<br />

all first five num.bers called w'ill be<br />

present." Maim reports.<br />

Mann is getting three gifts apiece from<br />

15 merchants in return for screen advertising,<br />

each gift to be worth at least $5.<br />

Fort Wayne Theatres Aid<br />

Citywide Spook Control!<br />

Radio station WGL. at Fort Wayne. Ind..<br />

the Quimby Theatre and the Komet Hockey<br />

Club cooperated with the Port Wayne park<br />

board in making attendance at Halloween<br />

parties more attractive for youngsters than<br />

roaming the streets looking for ways to<br />

make trouble.<br />

Using a giveaway gimmick, the plan<br />

worked like this: Each child in the public<br />

and parochial schools from kindergarten<br />

through the sixth grade was given a printed<br />

paper at school, asking for his name, address,<br />

phone number, or telephone where<br />

he may be reached. Then 21 free parties<br />

were sponsored by the park board, the Parent-Teachers<br />

Ass'n and the Junior Chamber<br />

of Commerce in various locations<br />

throughout the city. The pupil had to fill<br />

out the slip and bring it when he attended<br />

the party nearest his home. At the party,<br />

the slip was deposited in a box, and the<br />

boxes from all 21 party locations were<br />

brought to the WGL studios.<br />

Names and numbers were drawn at random<br />

from the boxes during a 9 to 10 pjn.<br />

broadcast. The youngsters were called by<br />

telephone. If a child was home and answered<br />

the phone, he was given two tickets<br />

to the Paramount or Little Cinema Theatre<br />

or two tickets to a Komet hockey game.<br />

The tickets were donated. To be eligible,<br />

the children must have attended the party<br />

and must have returned home to answer<br />

the phone if called. This insured that a<br />

great many youngstei's obtained supervised<br />

recreation and were home at a reasonable<br />

hour.<br />

'Wise to the Eyes' Contest<br />

Pays Off on 'Bernardine'<br />

Ray Fraley. manager of the Margie<br />

Grand. Harlan. Ky.. came up with an original<br />

contest which he called "Wise to the<br />

Eyes" for his playdates of "Bernardine."<br />

Fraley made up a 40x60 on "Bernardine.''<br />

with an 8x10 photo of Pat Boone in the<br />

middle. Then over Boone's eyes. FYaley<br />

pasted the eyes of Jayne Mansfield. The<br />

first ten correct guesses as to whose eyes<br />

they were received two free passes to see the<br />

picture. There were more than 120 guesses,<br />

and only six winners.<br />

Fi'aley posted ten names to put over the<br />

fact that there were some winners. These<br />

ten persons also got photos of Pat Boone.<br />

'Mankind Story' Contest<br />

On No. 1 World Events<br />

The ten most important events in "The<br />

Story of Mankind" is the theme of a contest<br />

being conducted by the New York<br />

Paramount Theatre, where "The Story of<br />

Mankind." the film based on Hendrik Van<br />

Loon's classic, opened Fi'iday i8>. Twentyfive<br />

pairs of guest tickets were to be awarded<br />

to those entrants whose arguments for<br />

their selections of mankind's ten most important<br />

events were judged the best.<br />

Contestants had to write their choices<br />

of historical happenings, stating their reasons<br />

for doing so. in 300 words or less.<br />

— 276 — BOXOFFICE Showinandiser Nov. 16, 1957


i Binnuifibam<br />

r7<br />

—<br />

I<br />

Del)<br />

. . Dean<br />

New Mining Firm Opening<br />

Provides Mail Contacts<br />

The opening of a new mining company<br />

in West Jefferson. N. C, provided Dale<br />

Baldwin, manager of the Parkway Theatre<br />

with a fine opportunity for direct mail<br />

contact with newcomers to the community.<br />

,„,t<br />

Baldwin sent out the following letter to<br />

'"'<br />

'I all employes of the company:<br />

"We are proud to have a part in entertaining<br />

the people of Ashe County and it<br />

is always a pleasure to welcome new plants<br />

and industries to fast-growing Ashe<br />

County. We are proud of the part that the<br />

Appalachian Sulphides, Inc., has already<br />

had in the economy of our town and<br />

county and we look forward to many years<br />

of pleasant association with the employes<br />

of this company.<br />

"Some of you are new residents of our<br />

county and we would like to take this opportunity<br />

to welcome you and extend an<br />

invitation for you to visit the Parkway<br />

Theatre."<br />

Annual Birmingham Movie Sections Again<br />

Focus Attention on Big Film Attractions<br />

Gifttering Stars Soon<br />

Will Fall On -Alabama<br />

Po.sl-Herald<br />

(<br />

^&-^?J<br />

S^i )/r/?/mu/ Off/ //moris Day in "The<br />

Pajama Game" to call attention to the<br />

film for Manager Harry W. Woodward.<br />

The girls wore the pajama tops to work<br />

during the week's run of the picture. Woodward<br />

said, and brought "a great deal of<br />

comment from patrons."<br />

Gives School Matinee<br />

Murray Spector. manager of the Lincoln<br />

Theatre, Union City, N. J., sold a local<br />

drug store on sponsoring a Saturday back<br />

to school matinee for the children. Spector,<br />

as an added inducement, promoted the cost<br />

of 700 Walt Disney pencil boxes, which were<br />

given to the children as they entered the<br />

theatre. In addition, heralds, trailers and<br />

other display material were paid for by the<br />

sponsor.<br />

The Birmingham, Ala., Post-Herald and<br />

the News, the morning and evening papers<br />

under single ownership, pubUsh one of the<br />

best annual movie sections in the country.<br />

Each fall the two staffs put out a special<br />

series of pages—this year each section totals<br />

22 pages—filled with articles and illustrations<br />

on motion pictures and Hollywood<br />

stars, all of high reader interest, and ads<br />

from local theatres and related industries.<br />

The ads are the same in both the Post-<br />

Herald and News sections, but the reading<br />

material is different. Together they constitute<br />

the outstanding promotion of theatre<br />

attendance in the Alabama area each<br />

year, and this includes any effort by the<br />

theatres themselves, jointly or singly.<br />

Illustrated above are the front page of<br />

the Post-Herald section and the back page<br />

ad which was common to both sections.<br />

The theme of the headlines and the lead<br />

articles was Hollywood's Golden Jubilee.<br />

Lilly May Caldwell, amusement editor of<br />

the News, starts her article on the forthcoming<br />

attractions, distributor by distributor,<br />

as follows:<br />

"Hollywood is celebrating its Golden<br />

Jubilee!<br />

"It's 50 years old this month, and is going<br />

to celebrate the birthday of the world<br />

movie capital with a big Birthday Jubilee<br />

that will begin this week and last until the<br />

Christmas holidays.<br />

"There are going to be lots of birthday<br />

presents for your moviegoers—all wrapped<br />

up in Technicolor and Cinemascope.<br />

"Great books, best-selling novels, mystei-y<br />

yams, Broadway prize winning plays, comedies,<br />

musicals, and the sturdy westerns<br />

BOXOFTICE Showmandiser Nov. 16, 1957<br />

277 —<br />

all will be in the bright Birthday Jubilee<br />

package of entertainment.<br />

"Best pictures made in Hollywood, with<br />

top stars and many exciting new personalities,<br />

are coming to the screens in Birmingham<br />

and over the world. They will remind<br />

us of the growth of Hollywood from<br />

a rugged, undeveloped community with tarpaper<br />

studio shacks producing one-reel silent<br />

flickers to the world's greatest entertainment<br />

industry."<br />

. . . Elvis to Follow 'Devil's Hair-<br />

Headlines on some of the other articles<br />

are: "Here Is Wonderful Lineup of Movies<br />

you Will Be Seeing Soon . Jones<br />

Gets His Big Chance in 'Mock Trial' . . .<br />

Home-Loving Star Is Jean Wallace . . .<br />

New Type Camera Used for 'Raintree<br />

County'<br />

pin,'<br />

etc."<br />

Gives Series Tickets<br />

The films of the Robinson-Basilio fight<br />

and the World Series were tied in nicely<br />

for some top rate publicity at the Milford<br />

Theatre by Manager Herman Kopf.<br />

Kopf got a front-page reader in the newspaper<br />

on the fight films and also free mentio<br />

on radio sportscasts. Then a local<br />

clothing store agreed to give two lucky boys<br />

and their fathers two free World Series<br />

trips. The trips were awarded by drawing<br />

on Saturday afternoon of the showing of<br />

the fight films and mention of the award<br />

was incorporated into the newspaper story.<br />

All that was necessary was for would-be<br />

winners to register at the store. All expenses<br />

were paid to see the opening game<br />

of the series.


'400<br />

ER.Ac<br />

60X0FFICE<br />

BAROMETER<br />

This chart records the performance of current attractions in the opening week of their first runs in<br />

the 20 key cities checked. Pictures with fewer than five engagements are not listed. As new runs<br />

ore reported, ratings are added and averages revised. Computation is in terms of percentage in<br />

relation to normal grosses os determined by the theatre managers. With 100 per cent os "normal,"<br />

the figures show the gross roting above or below that mark.<br />

(Asterisk * denotes combinotion bills.)


I<br />

|lll<br />

—<br />

.20th-Fox<br />

An tntcrprctatlve onalyflt of loy and tradcpm* revicwi. Th* plm and minus tigni Indicate<br />

degree of merit. Listings cover current reviews, updated regularly. This department serves<br />

also as an ALPHABETICAL INDEX to feature releases. Symbol ^) denotes BOXOfFICE<br />

Blue Ribbon Award Winner. Photogrophy: ® Color; ® CinemoScope; (JD VistoVlsion; ;D Super-<br />

Scope; (g) Naturoma. For listings by compony, in the order of release, see Feoture Chart.<br />

^EVIiW DIGEST<br />

AND ALPHABETICAL INDEX<br />

H Very Good; + Good; — Fair; — Poor; = Very Poor. In the summory H is roted 2 pluses, — as 2 minuses.<br />

nic 2074 Abandon Ship! (100) Sea Drama... Col<br />

Abductors. The (SO) (g) Susp. Dr. 20-Fox<br />

'^2160 Abominable Snowman, The<br />

(85)<br />

2126 ©Action of the Tiger<br />

(gi Horror 20th-Foi<br />

(94) © Adventure Drama MGM<br />

2132 Affair in Reno (75) ® Com-Or Rep<br />

2110 OQAffair to Remember, An<br />

(114) © Comedy- Drama. .. .20th-Fox<br />

2066OAIbert Schvteit2er<br />

(80) Documentary ... DeRochemont<br />

2159 ©All Mine to Give (102) Drama. U-1<br />

2138 Alligator Named Daisy, An<br />

(S8) ,¥- Farce Comedy RFDA<br />

2133Ama2ing Colossal Man (80) SC-F...AIP<br />

2089 Angels of Darlcness (84) Or txcelsior<br />

2115 Apache Warrior (73) ® Western. .20-Fox<br />

2024 ©Around the World in 60 Days<br />

(170) T-AO Fantasy-Adv UA<br />

2138 As Long as Ttiey're Happy<br />

(76) Farce Comedy RFDA<br />

2071 Attacii of the Crab Monsters<br />

(64) Horror Drama AA<br />

— B<br />

2147 ©Baby and the Battleship, The<br />

(96) Farce Comedy OCA<br />

2120 Back From the Dead (79) ® Or... 20-Fox<br />

2124 Badge of Marshal Brtnnan,<br />

The (76) Western AA<br />

20S9 Badlands of Montana (75) (gi W'n 20-Fox<br />

2082 Bailout at 43.000 (78) Action UA<br />

2112 ©Band of Angels (127) Drama WB<br />

2096 Battle Hell (112) War Drama DCA<br />

2099 Bayou (88) Outdoor Drama UA<br />

2097 ©Beau James (105) ® CD Para<br />

2108 Beginning of the End (73) Sc-F. ..Rep<br />

2103©Bernardine (95) ® Com/Songs. .20-Fox<br />

2094©BeyDnd Mombasa (90) Adv. Dr...Col<br />

.il t"cf;074Bio Caper, The (84) Crime Dr UA<br />

•''2140 Blacli Patch (83) Western WB<br />

2140 Black Scorpion, The (88) Ho WB<br />

2108 ©Black Tent, The (93) (g Adv RFDA<br />

21550Bombcrs B-52 (106) © Drama WB<br />

2112 Bop Girl (79) Musical UA<br />

2078 OOBoy on a Dolphin<br />

(lU) © Dr 20th-Fox<br />

2085 Break in the Circle (69) Action 20th-Fox<br />

2143 Brothers in Law (90) Com Cont'l<br />

2127 Brothers Rico, T)ie (81) Cr Col<br />

2111 Buckskin Lady (66) Western UA<br />

2085 Burglar, The (90) Crime Drama... Col<br />

2080 Buster Keaton Story. The<br />

(91) ® Comedy-Drama Para<br />

209S Calypso Heat Wave (86) Rhythm Mus. Col<br />

2086 Calypso Joe (76) Rhythm Musical. AA<br />

2134 Careless Years, The (70) Drama UA<br />

2148 Carnival Rock (75) Mus. Dr Hovno<br />

2139 Cartouche (73) Costume Adv SR<br />

2133 Cat Girl (69) Horror Drama AlP<br />

2108 ©Checlcpoint (84) Action Drama. RFDA<br />

2126 Chicago Confidential (74) Crime UA<br />

2102 China Gate (96) © Action 20th-Fox<br />

2139 Copper Sky (75) ® Western. 20th-Fox<br />

2071 Counterfeit Plan. The (80) Cr WB<br />

2100 ©Curse of Frankenstein (83) H0..WB<br />

212B Cyclops (75) Horror Drama AA<br />

—D<br />

2128 Daughter of Dr. Jekyll (71) Ha.AA<br />

2073 Deadly Mantis. The (76) Horror U-l<br />

2130 Death in Small Doses (79) Ac AA<br />

2105 Decision Against Time (87) Drama. MGM<br />

2157 ©Decision at Sundown (81) Western. AA<br />

2139©Decrslayer, The (78) © 00. 20th-Fox<br />

2093 Delicate Delinquent, The (100)<br />

(?) Comedy-Drama Para 6- 1-57 ++<br />

2071 ©Designing Woman (117) © Com. MGM 3-30-57 4f<br />

2088©Desk Set (103) © Comedy . S-18-57 ff<br />

2143 Destination 60.000 (65) Action AA 9-28-57 ±<br />

2145 0Dtvirs Hairpin, The (82)<br />

® Car Racing Drama Para 10- 5-57 +<br />

2094 D. I., The (106) Drama WB 6- 1-57 ff<br />

2121 Dine (96) Drama AA g-17-57 +<br />

ZlJl Diseaibeditd. Tlie (65) Horror AA 8-31-57 :t<br />

UtKOOKtor at Large (98) f Comedy. .. .U-l 7- 6-57 +


—<br />

Film<br />

REVIEW DIGEST<br />

-<br />

Very Good; ^ Good; Fair; ~ Poor; — Very Poor. In the summary tt is rated 2 pluses, — os 2 minuses.<br />

la--<br />

,1<br />

—K—<br />

2160 ©Kiss Them lor Me (101) © Com. 20Fox<br />

208i Ktttles on Old MacDonald's<br />

farm. Tht (82) Comedy li-l<br />

2076 Kronoi (78) g Science-Fiction. .20th-Fox<br />

2122 Lady of Vengeance (73) Mystery WB<br />

2107 Land Unknown. The (78) ® Ad» U-l<br />

2150OLes Girls (114) ,© Mus-Com MGM<br />

2097 ©Lets Be Happy (93) i© Com/Mus. AA<br />

208S ©Little Hut. Ttie (91) Comedy. .MGM<br />

2080 ©Living Idol. Ttie (101) ® A{ii...MGM<br />

2090 Lonely Man. The (87) ® Western .. Para<br />

2073 ©Lost Continent (64) © Doc. . . Lopert<br />

2124 ©Love Lottery, The (82) Com...Confl<br />

2097 Love in the Afternoon (125) Comedy. AA<br />

2105 ©Loving You (101) ® Coni/Songs Para<br />

—M<br />

2077 Man Afraid (84) ® Drama U-l<br />

2114 'vJMan of a Thousand Faces<br />

(122) ® Biographical Or U-l<br />

2095 Man on Frre (95) Drama MGM<br />

2149©MellK)urne Rendenous (87) The 1956<br />

Olympic Games Trans-Lux 10-12-57 -I-<br />

2101 Midnight Story. The (S9) © Mystery U-l<br />

2156 Mister Rock and Roll (86) Mus. Para<br />

2088 Monkey on My Back (93) Biog. Or. U-l<br />

2155 Monolith Monsters, The<br />

(77) Science-Fiction Drama U-l<br />

2094 Monster That Challenged the World.<br />

The (S3) Horror Drama UA<br />

2101 ©Monte Carlo Story (99) ® Com...UA<br />

2117 My Gun Is Quick (88) Crime Drama .UA<br />

2135 ©My Man Godfrey (92) © Com-Dr...U-l<br />

—N—<br />

2098©flight Passage (90) ® Outdoor Dr.. U-l<br />

2095 Night the World Exploded (64) S-F..Col<br />

2145 No Down Payment (105) © Dr...20-Fox<br />

2118 No Time to Be Young (S2) Drama.. Col<br />

2072 Not of This Earth (67) Horror AA<br />

2149 ©Novel Affair, A (83) Com Cont'l<br />

©Oedipus Rex (88) Classic Drama. MPD<br />

2079©0klahoman, The (SO) © Western. AA<br />

(71) Western Col<br />

211SOPawne« (80) Western Rep<br />

21250Perri (75) Nature Fantasy BV<br />

2118 Pickup Alley (92) © Drama Col<br />

2122 Portland Expose (72) Drama AA<br />

2106 ©Pride and the Passion, Tlie<br />

(132) ft) Adventure Drama UA<br />

2092 ©Prince and tht Slwwilrl. The<br />

(U7) Period Coneily WB<br />

2152 ©Pursuit of the Graf Spec<br />

(106) ® War Drama RFDA<br />

2134 ©Quints (80) O Western U-l<br />

— R<br />

21S2©Raintree County (157)<br />

(^mera 65 Drama MGM 10-19-57 tt<br />

2093 ©Raising a Riot (91) Comedy Cont'l<br />

2079 Reach for tlie Sky (123) Or RFDA<br />

2132 Reform School Girl (71) Melodr.. AlP<br />

.<br />

2089 ©Restless Breed, Tlie (81) Wn 20-Fox<br />

2090 Ride Back. The (79) Outdoor Dr. . UA<br />

2113 Rising of the Moon. The (81)<br />

Episode Comedy-Drama WB<br />

2072 ©River's Edge. The (87) © Dr. ..20-Fox<br />

2151 Rockabilly Baby (78) S Drama 20th- Fox<br />

2132 Rock Around the World (71) Mus.. AlP<br />

2069 Rock. Rock, Rock (85) Rhythm ... OCA<br />

2098 ©Run of the Arrow (86) Outdoor RKO-U-I<br />

11- 9-57 -f<br />

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5- 4-57 + -I- •+-<br />

4.13-57 + S: -H<br />

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8-17-57 ± - +<br />

7. 6-57 4- + ++<br />

10-12-57 -H- ++ H<br />

6-15-57 + + H<br />

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8- 3-57 +<br />

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8- 3-57 -<br />

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2118 ©Omar Khayyam (100) ® Adventure Para<br />

2144 On the Bowery (65) Doc. . Reps 9-28-57 -I-<br />

2120 Operation Mad Ball (105) Comedy.. Col<br />

2109 ©Out of the Clouds (SO) Drama. RFOA<br />

2116 Outlaw's Son (SO) Western UA<br />

—P—<br />

2122 0©PaJama Game. The (101) Mus...WB 8-17-57 tt<br />

2137©Pal Joey (117) Dr/Music Col 9-21-57 tt<br />

2129 ©Parson and tha Outlaw, The<br />

S-19-57 -H-<br />

7-13-57 +<br />

7-27-57 +<br />

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8- 3-57 ±<br />

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7- 6-57 tt<br />

5-25-57 tt<br />

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3-23-57 zt — ±<br />

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2153 Sad Sack, The (98) ® Comedy Para 10-26-57 tt<br />

2088Saint Joan (110) Classic Drama. ...UA 5-18-57-1-<br />

2137S3tchmo the Great (63) Doc UA 9-21-57 -f<br />

2125 ©Sea Wife (82) © Adv. Or 20th.Fox 8-24-57 -f<br />

20S7 Seventh Sin, Tlie (94) © Drama MGM 5-1S-57 -f<br />

2068 Shake. Rattle and Rock (77)<br />

Rhythm Musical AlP 3-16-57 + + + + + +<br />

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Feature productions by company in order of release. Number In S4|uare is notional release date. Running<br />

time li in parentheses. © Is for ClnemoScope; ® VIstaVision; ® Superscope; ® Naturomo; ® Regolscope;<br />

® Techniromo. Symbol ii denotes BOXOFFICE Blue Ribbon Aword; O color photogrophy. Letters and combinations<br />

thereof indicate story type—(Complete key on next poge.) For review dotes ond Picture Guide<br />

page numbers, see Review Digest.<br />

^EATURE<br />

CHART<br />

ALLIED ARTISTS | ^o<br />

H ©Lajt of the Badnen<br />

(80) © W..5705<br />

George Montgomery. Keith Larsen,<br />

Douglas Kennedy. Meg Randall<br />

S Hold That Hypnotist<br />

(61) C..5706<br />

Huntz H.ill. StMlcy Oements.<br />

Jane .Mgh. David Condon


I<br />

John<br />

...C<br />

. Ho<br />

. .<br />

CD<br />

CD.<br />

Ac.<br />

. Ac.<br />

. My<br />

.<br />

D<br />

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The key to letters and combinations thereof Indlcotlng story type: (Ad) Adventure Dromo; (Ac) Action<br />

FEATURE CHART Drama; (An) Animated-Action; (C) Comedy; (CD) Comedy-Dramo; (Cr) Crime Dramo; (DM) Dramo<br />

with Mosic; (Doc) Documentary; (D) Drama; (F) Fantasy; (FC) Farce-Comedy; (Ho) Horror Dramo; (HI)<br />

Historical Drama; (M) Musical; (My) Mystery; (OD) Outdoor Drama; (SF) Science-Fiction; (W) Western.<br />

RANK<br />

20TH-FOX is UNITED ARTISTS<br />

UNIVERSAL-INT'L 3 U<br />

The Great Man (98) D..5708<br />

J. Ferrer. D Jagger, K. Wynn<br />

©Istanbul (84) © Ad.. 5709<br />

E, rol Flynn, Cornell Borchers<br />

The Night Runner (79) D..5710<br />

Kay Danton, Coleen Miller<br />

©Bundle of Joy (98) © .C .9710<br />

(liKO) Debbie Ueynolds, Eddie<br />

Fisher<br />

JBrave One (100) © ..D..9706<br />

(KKO) Michel Hay. Jul Lansing<br />

REPUBLIC<br />

jj Affair in Reno (75) D..5607 QThe True Story of Jesse<br />

Tomahawk Trail (60) W. .5708<br />

Jolin Lund, UorU Singleton<br />

James (92) OD. .704-7 John Smith, Susan Cummings<br />

Itobert Wagner, Jeffrey Hunter Crime of Passion (84) .0.5709<br />

IJaibara Stanwyck, Sterling Havdeti<br />

OOh. Men! Oh. Women!<br />

Men in War (102) D..5712<br />

(90) © C. 706-2 liobert lijan. .VIdo Ray<br />

Dan Dailey, Ginger Kogera Voodoo Island (78) AD .5710<br />

ItiirH Kar.off. Beverly Tiler<br />

Pharaoh's Curse (66) Ho. .5711<br />

-Mark Dana, Ziva Rodarm<br />

a; He I's Crossroads (g)<br />

QHeaven Knows, Mr. Allison<br />

©Revolt at Ft. Laramie<br />

J)Gun for a Coward<br />

(73) D..5608 (106) © D. .710-4 (73) W..5647 (88) © W. .5711<br />

S'.tphen Mc.Nally, Teggie Castle<br />

Deburatl Kerr, Robert .Milehtim Gregg Palmer. Frances Helm<br />

Fred .Mac.Murray, Jeffrey Hunter.<br />

(he Delinquents (81) . . . . Ac .5714 Janice Rule, Oiill Wills<br />

The Storm Rider (70) W. .709-6 foni Laiighliii. Peter Miller<br />

Scott Brady, .Mala Powers<br />

Suing Reunion (90) . . . 5715 ^;OBattle Hymn (111) © D .5712<br />

Hetty llulton. Dana .\ndrews<br />

lliiek Hudson. Martlia Hyer.<br />

Hit and Run (84) 0. ,5718 Dan Duryea. Anna Kashfl<br />

Cleo Moure, Hugo Haaa<br />

^Mister Cory (92) © 0.5713<br />

Tony Curtis, Martha Hyer<br />

a Spoilers of the Forest<br />

Break in the Circle (69) .. D. .711-2 The Bachelor Party (94) . .5722 (elly and Me (86) © C..5714<br />

(68) ® 0D..5609 Forrest I'lieker. Eva Bartok<br />

Dun .Miiriav. (Carolyn Junes<br />

Van John^ion. Piper Laurie<br />

Vera lialston. Rod Cameron QThe River's Edge<br />

Fury at Showdown (75) ..W.. 5715<br />

(87) © OD.. 708-8 Jiihn Derek. Carolyn Craig<br />

he Incredible Shrinking Man<br />


. . . D<br />

.My/C.<br />

Ac<br />

Ad.<br />

. May<br />

. Feb<br />

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The key to letters and eombinotions thereof indicating story type: (Ad) Adventure Drama; (Ac) Action<br />

Droma; (An) Animated-Action; (C) Comedy; (CD) Comedy-Drama; (Cr) Crime Dramo; (DM) Drama<br />

with Music; (Doc) Documentory; (D) Drama; (F) Fantosy; (FC) Force-Comedy; (Ho) Horror Drama; (Hi)<br />

Historical Drama; (M) Musical; (My) Mystery; (OD) Outdoor Drama; (SF) Science-Fiction; (W) Western.<br />

WARNER BROS.<br />

•S Top Secret Affair (100). CD. .609<br />

Su.^an Hay^vard, Kirli Douglas<br />

51 ©The Bij Land (93).. W. .610<br />

Alan Ladd, Virginia M»^'o<br />

[2 ©Paris Does Strange Things<br />

(86) CD. 611<br />

Ingrid Bergman. Mel Ferrer<br />

M U@Tlie Spirit of St. Louis<br />

(135) © D..614<br />

Jflme.s Stewart<br />

!4l Shoot'Out at Medicine<br />

Bend (87) W. .615<br />

Kanddlph Scott, .lames Craig<br />

JS The Counterfeit Plan<br />

(SO) D. .612<br />

Zaihary Scott, Peggie Castle<br />

a Untamed Youtli (80) D..613<br />

Mamie Van Uiiren. Jolin Russell<br />

5i©Dc«p Adventure<br />

(46) Featurette 4912<br />

[H A Face in the Crowd<br />

(126) D..616<br />

Andy Griffith. Patricia Neal. An<br />

thony Franclosa, Lee Remicb<br />

HThe D.I. (106) D..617<br />

Jack \Vel)b, Alonica Lewis<br />

IS ©The Prince and the Showgirl<br />

(117) CD .618<br />

Maillyii Monroe, Laurence Oliviei<br />

m X the Unknown (80) SF. .619<br />

Dean Jagger, Edward Chapman<br />

|9 ©The Curse of Franlienstein<br />

(83) Ho. 620<br />

Peter (pushing. Hazel Court<br />

aiQBand of Angels (127) D .621<br />

Clark Cable. Yvonne He Cailo<br />

H Rising of the Moon (81) D..622<br />

Frank Lawtnn. Dennis O'Dea<br />

J7] The James Dean Story<br />

(82) Doc. 623<br />

J.imes Dean<br />

t>©The Pajama Game<br />

(101) M. .701<br />

Doris Day. John Raltt. Carol }Iane><br />

a Black Patch (83) W. .702<br />

George Montgomery, Diane Brewster<br />

U Johnny Trouble (80) . . .703<br />

Ethel Barrymore. Carolyn Jones<br />

[5] The Helen Morgan Story<br />

(118) ® D..704<br />

Ann BIyth. Paul Newman<br />

51 The Black Scorpion (88) Ho. .705<br />

Richard Denning. Mara Corday<br />

a ©The Story of Mankind<br />

(100) D..706<br />

Ronald Colman, Hedy LiuMarr, 40<br />

other stars<br />

@ Woman in a Dressing<br />

Gown (93) D. .707<br />

Yvonne Mitchell, Anthony Quayle<br />

a ©Bombers B-52 © ....D..708<br />

Karl Maiden. Natalie Wood<br />

ASTOR<br />

Hour of Decision (70) . .D. .Jan 57<br />

MISCELLANEOUS<br />

I'aine<br />

Black Tide (79) D..Jun57<br />

.lulin Ireland. .Maureen Connell<br />

titles)<br />

CSJohnny Tremain (80) . Jul 57<br />

Hal Stalmaster, Luana Patten<br />

SPerri (75) Nature Fantasy .. Nov 57<br />

BURSTYN<br />

jlella (93) D.. Oct 57<br />

.Melina .Mercourl, Georges Foundas<br />

(U.eek-language; Eng. titles)<br />

CONTINENTAL<br />

ohip That Died of Shame<br />

(79) D.. Sep 56<br />

Richard Attenborougb, George<br />

Uaker<br />

^Secrets of the Reef<br />

(72) Doc. Oct 56<br />

Tndersea chonlcle<br />

3The Love Lottery (82) 57 C Feb<br />

David Nlven. Pegt;y Cummins<br />

C . 57<br />

^Raising a Riot (91) . .<br />

Kenneth More. M.mdy .Miller<br />

The French They Are a Funny<br />

Race (83) C. .Jun57<br />

Marline Carol, J.ick Buchanan.<br />

Noel-Noel (li^iglish-langnage)<br />

.Vlaid in Paris (88) C. .Aug 57<br />

Danny liobin, Daniel Gclln<br />

(French-language; Eng. titles)<br />

^ Novel Affair (S3) D.. Sep 57<br />

Ralph Richardson, Margaret<br />

Leighton<br />

M<br />

DCA<br />

Sock. Rock. Rock (85) . .<br />

.<br />

. Dec 56<br />

Alan Freed, Frankie Lymon &<br />

Teenagers<br />

@John and Julie (82) .<br />

.C. Feb 57<br />

Constance Cumnilngs, Wilfred<br />

Hyde-Hhite<br />

:olditz Story (97) D . . Feb 57<br />

John .Mil.s, Eric Portman<br />

Jnnatural (90) D . 57<br />

llildegarde Nelf, Eric Von Stro<br />

hilm<br />

.he Widow (87) D. .Feb 57<br />

Patricia Hoc, Akim Tamlroff<br />

Jold of Naples<br />

(107) Episode Dr Mar 57<br />

Vlttorio de Slca, Silvana Mangano<br />

Sophia Loren, (Italian-language:<br />

Eng titles)<br />

^Baby and the Battleship<br />

(96) C. Mar 57<br />

John .Mills. KIchjird Attenborougli<br />

3crmuda Affair (87) ..D.. Mar 57<br />

Kim Hunter, G.iry .Merrill<br />

J3 Loser Takes All<br />

(88) nis Johns, Rossano Brazzl<br />

QDon Giovanni<br />

(157) Opera Film Apr 57<br />

Ccsaie Slepi. Lisa Delia Casa<br />

Battle Hell (112) D.. May 57<br />

(Formerly "Yangtze Incident")<br />

Richard Todd, Akiro Tamirolf<br />

VIonster From (^reen Hell<br />

(71) Ac..May57<br />

.llm Davis. Barbaia Turner<br />

Half Human (63) Ho.. May 57<br />

John Carradine, Robert Karnes<br />

SThe Miller's Beautiful Wife<br />

(92) C. May 57<br />

Viltorlo de Sica. Sophia Loren<br />

The Green Man (80) . .Jun 57<br />

Alaslalr Sim, George Cole, Jil<br />

Adams<br />

^Scandal in Sorrento<br />

(92) © C. Jun 57<br />

Vittoria de Slca. Sophia Loren<br />

(Dubbed in English)<br />

The Devil's General (120) D.. Aug 57<br />

Curl Jtiri^'ens, M.irianne Cook<br />

(GiTman-Iant;u age: Eng. titles)<br />

The Silken Affair (96).. C. Sep 57<br />

Daviil Nlven, Beatrice Straight<br />

Escarade (87) CD. .Sep 57<br />

Ji.lin Mills. A'flstair Sim<br />

Hell in Korea (82) D. Oct 57<br />

Stanley Raker. George Baker<br />

Please. Mr. Balzac (..) C. . Oct 57<br />

Brigette Bardot, Daniel Gelin<br />

(Frencli-Ianguage: Eng. titles)<br />

JACON<br />

Midnight Episode (78) ..C.. Aug 56<br />

Stanley Ilollnway. Leslie Dwyer<br />

Forbidden Cargo (83) . .Sep 56<br />

Nigel Patrick. Elizabeth Scllars<br />

JANUS<br />

Builfighl (76) Doc. Jul 56<br />

English nai ration<br />

.lift Moirow, Hazel Court<br />

Stranoer in Town (74) . . D. .May 57<br />

AWk Nlcol, Colin Tapley, Anne<br />

JOSEPH BRENNER ASSOC.<br />

Drew Pearson Reports on the Holy<br />

Land (60) Doc. .Mar 57<br />

Narrated by Drew Pearson<br />

.<br />

BUENA VISTA<br />

LOUIS deROCHEMONT<br />

^JSecrets of Life (70) .. Doc. . Nov 56<br />

JAIbert Schweitzer<br />

^Westward Ho, the Wagons<br />

(86) © 0D..Dec56<br />

!'"ess Parker. Katlilien Ciowley<br />

All the Guys in the World<br />

If<br />

(95) Ad..Jun 57<br />

Andre Valniy. Jean Gaven. Georges<br />

Poujouly, (French-language; Eng,<br />

TOP PICTURES<br />

rontier Woman (SO)<br />

(SO) Doc. Mar 57<br />

(Produced liy Hill and ^Vilderson)<br />

VtOTION PICTURE DIST'RS<br />

jOcdipus Rex (B8) ....D.. Jan 57<br />

(Stratford, Ont., Festival players)<br />

Jul 56<br />

Cindy Caison, Lance Fuller, Ann<br />

Kelly<br />

TRANS-LUX<br />

JDance Little Lady (87) D. .Mar 56<br />

Mai Zetterllng. Terence Morgan<br />

Lovers and Lollipops<br />

(85) CD.. Apr 56<br />

Lori March, Gerald O'Louglilln<br />

-a Slrada (107) D. Apr 57<br />

Amhony ()ulnn, Ciiilietta .Masina<br />

(Italian with Eng. tltle.s anil<br />

En:;lish-language versions avail<br />

able)<br />

)anoer Flight 931<br />

(78) D. .Apr 57<br />

Dany Robin, Dieter Borsclie<br />

(Fr. language— Eng. titles)<br />

Bed of Grass (80) D. Jul 57<br />

Anna Brazzou, Mike Nichols<br />

(Greek language— Eng. titles)<br />

-our Bags Full (85) . C, Sep 57<br />

.lean Cabin, Boiirvil<br />

(Fr, language— .Eng. titles)<br />

JMelbourne Rendezvous<br />

(90) Documentary Oct 57<br />

Complete coverage of lire Olympic<br />

gatnes<br />

REISSUES<br />

iUENA VISTA<br />

^Cinderella (75) An. .Feb 57<br />

iBambi (70) An.. Apr 57<br />

-.OLUMBIA<br />

he Harlem Globetrotters<br />

(SO) CD.. Oct 57<br />

Thomas Gomez. Dorothy Dandridge.<br />

and tlie original Harlem Gloljetrotters<br />

vtGM<br />

.AprS7<br />

,asliqht (114) D<br />

Ingrid Bergrt>an. diaries Boyer<br />

The Postman Always Rings<br />

Twice (114) D. Apr 57<br />

i>ana Turner. .lohn Garfield<br />

The Bride Goes Wild (98) C. Jun 57<br />

.lime Allvson, Van Johnson<br />

)ur Vines Have Tender Grapes<br />

(106) D. Jun 57<br />

Edward G. Rnbinson. Margaret<br />

O'Brien<br />

PARAMOUNT<br />

3For Whom the Bell Tolls<br />

(130) D.. May 57<br />

Gary Oioper, Ingrid Bergman, A.<br />

Tamiroff<br />

Jailor Beware (96) C. Sep 57<br />

Dean M:trtin, Jerry Lewis<br />

lumping Jacks (103) . . . - C. .Sep 57<br />

Dean Martin, Jerry Lewis<br />

REPUBLIC<br />

(he Woman They Almost Lynched<br />

(90) D. Apr 57<br />

John Lund. Audrey Totter, B<br />

Donlevy<br />

3The Quiet Man (129) CD.. May 57<br />

John Wayne, Maureen O'llara,<br />

Waid Bond<br />

WARNER BROS.<br />

Jim Thorpe. All-American<br />

(105) D.. May 57<br />

Burt L,incaster, diaries Bickford<br />

The Winning Team (98) . - D. .May 57<br />

Doris Day, Ronald Reagan, F<br />

L,ovejoy<br />

Sright Leaf (110) D, .May 57<br />

Gary Cooper. Lauren Bacall<br />

The Wcft Point Story<br />

(107) D. May 57<br />

James Cagney, V. Mayo, Doris Day<br />

Stranger on a Train<br />

(101) D. May 57<br />

Farley Granger. Ruth Roman<br />

Young Man with a Horn<br />

(101) D. May 57<br />

Kirk Douglas, Lauren Bacall, Doris<br />

Day<br />

ALLIED ARTISTS<br />

Up in Smoke C..5733<br />

lliintz Hall, Stanley Clements<br />

rile Pagans D.<br />

I'lirie Cressoy. llelene llcmy<br />

ONew Day at Sundown W. .<br />

tiiiirge Montgoniery. Randy Stuart<br />

Beast of Budapest Ac.<br />

Jiilin lliiyt, Greta Tltyssen<br />

OOregon Passage© OD,.<br />

John Eiicsiin. Lola Albilglit<br />

JCole Younger, Gunfightcr ©..W..<br />

I'"iank Ijnejiiv. M,\ron llealy<br />

Never Love a Stranger D..<br />

.liihii Drew r,arr>iniire, Milan<br />

Lita<br />

The Bride and the Beast D .<br />

L.ince Fuller. Charlotte Austin<br />

AMERICAN<br />

INTERNATIONAL<br />

Viking Girl vs. Sea Serpent ..Ad..<br />

Susan Cabot. Aliby Dalton<br />

3laod of Dracula Ho..<br />

Sandra Harrison. Louise Lewis<br />

Jet Alert Ac<br />

John Ag.ir. Audrey Totter<br />

COLUMBIA<br />

jThis Bitter Earth ® D. .<br />

S, .Mangano. A, Perkins. Valli<br />

Bridge on the Ri.er Kwai D,.<br />

Willi.im Hulden, Jack Hawkhis.<br />

Alec Guinness<br />

How to Murder a Rich Uncle.. CD..<br />

Charles Coburn, Wendy Hiller<br />

The Long Haul D. .<br />

\'ietor .M.itiire, Diana Dors<br />

aThe Hard Man W. .<br />

(iiiy Madison, Valerie French<br />

3Pal Joey © D/M .<br />

Uita llayworth, Frank Sinatra,<br />

Kini Nu\:ik<br />

SHigh Flight © D..<br />

R;ij Milland. Sean Kelly<br />

The Admirable Crichton CD..<br />

Kenneth .More, Sally Ann Howes<br />

5he Played With Fire D..<br />

Allelic Dahl. Jack Hawkins<br />

Bitter Victory D..<br />

Richard Burton, Curt Jurgens<br />

aCowboy W.<br />

Glenn Ford, Jack Lcmmon<br />

The Goddess D. ,<br />

Kim Stanley, Uoyd Bridges<br />

SBonjour Tiistesse © D,.<br />

Iiaiid Nlven. Deborah Kerr<br />

The Other Life of Lynn Stewart, ,D, .<br />

iictsy Palmer. Jack l,,ord<br />

The Trial of Captain Barrett.. D..<br />

Edmoiid il'Brien. Mona Freeman<br />

3Rcturn to Warbow W.<br />

I'hil Carey, C.itherine ."McLeod<br />

3The 7lh Voyage of Sinhad Ad. .<br />

Kerwin Mathews, Kathiyn Grant<br />

MGM<br />

aRaintree County ©65 0..<br />

Ellzahetli Taylor, Montgomery Cllft<br />

The Happy Road C..<br />

Gene Kelly. Barbara La.ige<br />

SDon't Go Near the Water ©.,C<br />

Glenn Ford, Anne Francis<br />

OMerry Andrew © C<br />

Danny Kaye, Pier Angell<br />

3The Parisiennes (Gigi) . . . C/M ,<br />

I D.<br />

Leslie Ciiron. Maurice Clievaller<br />

3The Brothers Karamazov D..<br />

Viil nr>7iner. Maria Schcll. Galre<br />

Bloom,<br />

Accuse<br />

Ue J,<br />

©<br />

Cobb<br />

Jiisc Ferrei , Viveca Llndfors<br />

Saddle the Wind D..<br />

Robert Tavlor, Julie London<br />

3Seven Hills of Rome © 0.<br />

Mario l.anza. .M.irlsa Allaslo<br />

Cry Terror D. .<br />

James .Mason. Inger Stevens, Rod<br />

Stciger. Angle Dickinson<br />

Mock Trial D. .<br />

Dean Jones, Joan O'Brien,<br />

Thomas Mitchell<br />

3The Sheepman © CD,,<br />

Glenn Ford, Leslie Nielsen<br />

PARAMOUNT<br />

jSraiiish Affair (g Ad..<br />

Richard KIley, Carmen Sevilla<br />

Hot Spell (V) 0.<br />

Shirley Booth. Anthony (Julnn<br />

Wild Is the Wind


know<br />

—<br />

"5.XHIBITOR HAS HIS SAY<br />

lABOUT PICTURESI<br />

ALLIED ARTISTS<br />

Arrow in the Dust fAA) —<br />

Sterling Hayden, Coleen Gray,<br />

Keith Larsen. I used this one for<br />

my midweek date and made some<br />

money on the Indians again. I<br />

am sure glad that this type of<br />

picture does some business for<br />

me, otherwise I would be a setting<br />

hen. This film had good<br />

color and a good story and cast.<br />

Played Wed. Weather: Chilly.—<br />

Harry Hawkinson, Orpheum Theatre,<br />

Marietta, Minn. Pop. 380.<br />

AMERICAN INTERNAT'L<br />

Reform School Girl (AIP) —<br />

Gloria Castillo, Ross Ford, Edward<br />

Byrnes. Good entertainment.<br />

Doubled with "Rock Aiound<br />

the World" and it's a good combination.<br />

However, "Reform<br />

School Girl" is by far the better<br />

of the two. My patrons really<br />

went for it and I was surprised<br />

by the fact it is very well made<br />

and held interest throughout. It<br />

had some laughs and action and,<br />

if your crowd is mostly teenagers<br />

(and whose isn't these days) then<br />

this double bill is for you. "Rock<br />

'<br />

Around the World is about English<br />

rock 'n' roll singer Tommy<br />

Steele. I . how English pictures<br />

as a rule go over in a small<br />

town, but this pleased my younger<br />

set and the picture is fair entertainment.<br />

Business was up and<br />

I'm hoping for more like it.<br />

Played Sun., Mon., Tues. Weather:<br />

Fair and cool.—Victor Weber,<br />

Center Theatre, Kensett, Ark.<br />

Pop. 1,000.<br />

Thanks to<br />

AA<br />

Congratulations, A.\! You<br />

finally delivered one that<br />

made me some dough, "World<br />

Without End." .\nd I didn't<br />

even get a trailer I could use<br />

on it. Ten per cent over average<br />

business even with our<br />

conununity's freshly opened<br />

tecntown going full blast. This<br />

little company could show the<br />

big boys something about howto<br />

utilize Cinemascope.<br />

FRANK R.<br />

Roxy Theatre,<br />

Couiterville, III.<br />

McLEAN<br />

BUENA VISTA<br />

Vanishing Prairie, The (BV) —<br />

Documentary. It is<br />

superfluous to<br />

comment on any of Walt Di.sney's<br />

live-action productions. Suffice<br />

to say that this is his finest,<br />

played to over-capacity audiences.<br />

A truly brilliant production for<br />

all ages from six to 90! Played<br />

Wed.-Sat.—Dave S. Klein. Astra<br />

Theatre, Kitwe-Nkana, Northern<br />

Rhodesia, Africa. Government,<br />

mining and business patronage.<br />

COLUMBIA<br />

Rumble on the Docks (Col) —<br />

James DaiTcn, Laurie Carroll,<br />

Michael Granger. Another good<br />

teenage picture that did very well.<br />

These stories always are a good<br />

bet and do not seem to be very<br />

expensive to make. Played Tues.,<br />

Wed., Thurs. Weather: Good.—<br />

B. Berglund, Trail Theatre, New<br />

Town, N. D. Pop. 1,200.<br />

Solid Gold CadlUac, The (Col)<br />

—Judy Holliday, Paul Douglas,<br />

John Williams. Played late to<br />

average weekend business. I<br />

would rate this a good comedy<br />

feature. Played Sun., Mon., Tues.<br />

Weather: Good.—Mel Danner,<br />

Circle Theatre, Waynoka, Okla.<br />

Pop. 2,018.<br />

METRO-GOLDWYN-MAYER<br />

Teahouse of the August Moon,<br />

The iMGMi— Marlon Brando,<br />

Glenn Ford, Machiko Kyo. Don't<br />

be afraid of this one if you are<br />

in a small town. It will gross<br />

with the best of them. Something<br />

for everyone. Terms reasonable.<br />

Give it your best playing time.<br />

Played Sun., Mon. Weather:<br />

Good.—B. F. Sautter, Rex Theatre,<br />

Townsend. Mont. Pop. 1.316.<br />

Teahou.se of the August Moon,<br />

The (MGM)— Marlon Brando,<br />

Glenn Ford, Machiko Kyo. When<br />

I'm looking forward to next<br />

month's old age pension check,<br />

I'm sure this will still be my alltime<br />

favorite comedy. Folks who<br />

came really enjoyed it. The business<br />

it did was a pittance to<br />

what it would have taken in on<br />

one day only a few years ago.<br />

However, after an extremely<br />

lousy Sunday, it almost did as<br />

much on Monday, which is a rare<br />

thing anymore, so it shows others<br />

liked it as well as I did. Don't let<br />

anyone tell you movies aren't<br />

better than ever some of the<br />

time. If you don't believe it, you<br />

haven't run this one. Played Sun.,<br />

Mon.—Bob Walker, Uintah Theatre,<br />

Fruita, Colo. Pop. 1,463.<br />

This Could Be the Night<br />

(MGM) — Jean Simmons, Paul<br />

Douglas, Anthony Franciosa. Excellent.<br />

Perfect cast. This Franciosa<br />

fellow is okay. However, for<br />

some reason this picture did very<br />

poor business for three days.<br />

Played Mon., Tues., Wed.—S. T.<br />

Jackson, Jackson Theatre, Flomaton,<br />

Ala. Pop. 1,036.<br />

Wings of Eagles, The (MGM) —<br />

John Wayne, Dan Dailey, Maureen<br />

O'Hara. Fine movie—but<br />

don't play it up as an action picture,<br />

for it isn't. It has laughs<br />

and tears, but very little action.<br />

How-ever, it pleased the small<br />

crowd that came to see it and<br />

John Wayne has made worse.<br />

Played Wed., Thurs. Weather:<br />

Fair and cool.—Victor Weber,<br />

Center Theatre, Kensett, Ark.<br />

Pop. 1,000.<br />

PARAMOUNT<br />

For Whom the Bell Tolls (Para)<br />

—Reissue. Gary Cooper, Ingrid<br />

Bergman, Akim Tamiroff. This<br />

Paramount reissue may have<br />

been a big deal in its day. Gary<br />

and Ingrid start in to blow up a<br />

bridge, and eight Spanish-accented<br />

reels later, they get to<br />

the meat of the subject. Then all<br />

those who didn't walk out have<br />

a good show for about ten minutes,<br />

till Gary gets it in the leg<br />

and Ingrid has to go off and<br />

leave him to die. I ain't gonna<br />

say where I got it, as my boxoffice<br />

had already died. Guess I'm<br />

lucky not to have made many<br />

enemies, though, for in three<br />

days, only 32 people bought tickets<br />

and 17 of them walked out<br />

before it was over. What really<br />

makes me feel bad is that Garv<br />

Cooper is about the best name<br />

I can put on my marquee.—Jess<br />

Jones, Ritz Theatre, Crescent,<br />

Okla. Pop. 1,300.<br />

Virginian, The (Para) Reissue<br />

—Joel McCrea, Brian Donlevy,<br />

Sonny Tufts. Another ten-yearold<br />

reissue with plenty of appeal<br />

for everyone. Glad I booked it.<br />

Nice business, too. Played Tues..<br />

Wed. Weather: Okay. — Frank<br />

Sabin, Majestic Theatre, Eureka,<br />

Mont. Pop. 929.<br />

A Real Picture<br />

When the U-I salesman said,<br />

"Play 'Never Say Goodbye,' it<br />

will do you some business," I<br />

didn't half believe him, as it<br />

had played all around us long<br />

ago. But he was right. It is a<br />

real picture, the kind our patrons<br />

enjoy. They came out<br />

with tears in their eyes, many<br />

of them saying, "Oh, that was<br />

such a good picture." Rock<br />

Hudson is tops here and Cornell<br />

Borchers is really an<br />

actress, as was the little girl.<br />

Of course, it was in color, as<br />

they have to be to please the<br />

people here.<br />

BOB & JOYCE ALEXANDER<br />

Park Theatre<br />

Braham, Minn.<br />

CENTURY-FOX<br />

20th<br />

God Is My Partner (20th-Fox><br />

—Walter Brennan, John Hoyt,<br />

Marion Ross. Just another black<br />

and white picture that did nothing,<br />

and no one got very excited<br />

about it. The small pictures don't<br />

mean two hoots anymore, and<br />

I'm skipping them from now on.<br />

Played Thurs., Fri., Sat. Weather:<br />

Cool.—Jim Praser, Auditorium<br />

Theatre, Red Wing, Minn.<br />

Pop. 10.645.<br />

Oh, Men! Oh, Women! (20th-<br />

Fox)—Ginger Rogers. Dan Dailey,<br />

David Niven. Oh, Fox! Played<br />

Thurs., Fri., Sat. Weather: Cold.<br />

Dave S. Klein, Astra Theatre,<br />

Kitwe-Nkana, Northern Rhodesia,<br />

Africa. Government, mining<br />

and business patronage.<br />

She Devil (20th-Fox) — Mari<br />

Blanchard, Jack Kelly, Albert<br />

Dekker. Combination with "Kronos."<br />

This double feattire combination<br />

is the best of the sciencefiction<br />

pictures. Very good drawing<br />

power and well made with a<br />

good story on both, so they were<br />

all satisfied and so was I. Played<br />

Tues., Wed., Thurs. Weather:<br />

Snow.—B. Berglund, Trail Theatre,<br />

New Town, N. D. Pop. 1,-<br />

200.<br />

Wayward Bus, The (20th-Fox)<br />

—Joan Collins, Jayne Mansfield,<br />

Dan Dailey. Another black and<br />

white made for TV. Really nothing<br />

wrong with the picture, just<br />

didn't have anything in it to actually<br />

entertain the people. Preview<br />

does not give much desire<br />

to see. Played Tues.. Wed.. Thurs.<br />

—Mickey and Penny Harris,<br />

Wakea Theatre, New Boston, Tex.<br />

Pop. 2,688.<br />

UNITED ARTISTS<br />

Trapeze (UA) —Burt Lancaster,<br />

Olna LoUobrlgida. Tony Curtis.<br />

When I saw this last summer in<br />

another town I thought it was<br />

one of the best. After seeing it<br />

here two more times my opinion<br />

hasn't changed a bit. It's so good,<br />

in fact, that by the time I got /?<br />

around to it everyone had seen \<br />

it, so all I got out of it was the<br />

enjoyment of seeing it again.<br />

Just can't give it enough praise!<br />

Played Wed., Thurs. Weather:<br />

Unsettled but no rain.—I. Roche,<br />

Vernon Theatre, Vernon, Pla.<br />

Pop. 610.<br />

UNiVERSAL-INTERNAT'L<br />

KeUy and Me (U-I i— Van<br />

Johnson, Piper Laurie, Martha<br />

Hyer. A picture of this type<br />

(Which is excellent family entertainment)<br />

years ago was money<br />

in the bank. Now, the biggest<br />

flop of the season. With over a<br />

million dollars worth of free TV<br />

on Sunday night, what chance<br />

has a "boy-dog-girl" picture got.<br />

With Crosby and top musical<br />

stars on one channel and Walter<br />

Brennan on the other, the theatre<br />

is being disregarded by the<br />

people who "made it" in the<br />

movies. Strictly a shame a nice<br />

family picture was wasted and<br />

hurt by the "stars" that made it<br />

in the movies. Played Sun., Mon.,<br />

pulled Tues. Weather: Fair.—<br />

Ken Christianson, Roxy Theatre,<br />

Washburn, N. D. Pop. 913.<br />

Tattered Dress, The (U-D—<br />

Jeff Chandler, Jeanne Crain,<br />

Jack Carson. Average draw. Black<br />

and white is bad enough, but in<br />

Cinemascope it's utterly ridicu- {<br />

lous. There is no justification for<br />

black and w-hite Cinemascope<br />

presentation. Patrons naturally<br />

expect color on the screen. Buying<br />

from here on will be for color<br />

pictures as far as possible. Played<br />

Sun.. Mon. Weather: Good.<br />

Leonard J. Leise, Roxy Theatre,<br />

Randolph, Neb. Pop. 1.029.<br />

WARNER BROS.<br />

Prince and the Showgirl, The<br />

(WB)— Marilyn Monroe, Laurence<br />

Olivier, Sybil Thorndyke.<br />

Oh. Brother! If Warners would<br />

make a lot of these with the same<br />

cast and sell them to TV we<br />

wouldn't have a care in this<br />

world. Did we enjoy the walkouts<br />

of the few who came! Don't play<br />

it any time or place—you can't<br />

win. Poorest Sunday-Monday in<br />

three years and we have had<br />

some poor ones. Played Sun.,<br />

Mon. Weather: Good. — B. P.<br />

Sautter, Rex Theatre. Townsend.<br />

Mont. Pop. 1.316.<br />

Shoot-Out at Medicine Bend<br />

iWB)—Randolph Scott, James<br />

Craig, Angle Dickinson. This is<br />

an excellent all-around show in<br />

black and white (sure wish it had<br />

been in color). There are quite<br />

a few humorous situations<br />

throughout that the patrons are<br />

sure to enjoy. Played Sun., Mon. .<br />

Weather: Fine.—I. Roche, Vernon V^<br />

Theatre, Vernon, Fla. Pop. 610.<br />

Untamed Youth (WB)—Mamie<br />

Van Doren, John Russell, Lori<br />

Nelson. Okay program for Friday-<br />

Saturdav. Business average.<br />

Weather: Good. — Mel Danner,<br />

Circle Theatre, Waynoka. Okla.<br />

Pop. 2,018.<br />

12 BOXOFFICE BookinGuide Nov. 16, 1957


\<br />

,'J<br />

Opinions on Current Productions<br />

^EATURE REVIEWS<br />

Symbol O denotes color photogrophy; © CinemaScope; (V) VistoVisJon; (f) Superscope; If^ Noturoma. For story synopsis on each picture, see reverse side.<br />

OldYellei F T^, ^^<br />

""^ Buena Vista 83 Minutes Rel.<br />

:<br />

Whether they find their genesis in his artistic paint pots<br />

or are delineated before tlie cameras by flesh and blood actors—human<br />

or animal—all pictures bearing the proud<br />

trademark of Walt Disney have one thing in common—<br />

'<br />

wholesomeness. In tiiat respect, this earthy, heartwarming<br />

story—predicated upon the age-old. always-engrossing<br />

theme of a boy's love for his dog— is no exception. But the<br />

\<br />

Quite the contrary. Additionally, there are several ingredients<br />

that are certain to endear it to the hearts of all who<br />

see it and will help in winning the feature the enthusiastic<br />

capacity patronage it so thoroughly merits. There is a competent,<br />

ingratiating cast, the adult portion of which is entrusted<br />

to Dorothy McGuire and Fess Parker, both good<br />

marquee material—while the juvenile contribution is in the<br />

hands of Tommy Kirk and Kevin Corcoran, as talented a<br />

pair of moppets as ever trouped. Then there's bright Technicolor<br />

to ensnare the beauties of the verdant rural background:<br />

a ticker-tugging believable script and the perfectly<br />

trained mongrel title roler. Robert Stevenson directed, and<br />

a sterling credit it is.<br />

Dorothy McGuire, Fess Parker. Tommy Kirk, Kevin<br />

Corcoran, Jeff York, Beverly Washburn, Chuck Connors.


—<br />

FEATURE REVIEWS<br />

Story Synopsis; Exploitips; Adiines for Newspaper and Programs<br />

THE STORV: "The Tarnished Angels" (U-I)<br />

Drunken newspaper reporter Rock Hudson becomes fascinated<br />

by the Shumann family—Robert Stack, a World<br />

War II ace, now barnstorming, his wife, Dorothy Malone,<br />

a parachutist, and their neglected son. Stack is prepared<br />

to sacrifice anything—even unto his wife's virtues—to<br />

satisfy his conceit and further his flying career. The gal<br />

temporarily falls for Hudson and the situation is further<br />

complicated because Jack Car.son, crack mechanic, is in love<br />

with her, while Robert Middleton, Stack's business rival,<br />

is on the make for her. Finally Stack sees the light, goes to<br />

a hero's death to save the lives of several people, and Hudson<br />

sobers up long enough to save Dorothy from a life of sin<br />

with Middleton and to<br />

normal future.<br />

promise her and the boy a happy,<br />

EXPLOITIPS:<br />

Play up the fact that this is the same aggregation of top<br />

talent—stars Rock Hudson, Robert Stack and Dorothy Malone,<br />

producer Albert Zug.smith, director Douglas Sirk and<br />

writer George Zuckerman that gave the screen the popular<br />

"Written on the Wind."<br />

C.4TCHLI>fES:<br />

Was this wife and Mother Really a Tarnished Angel? . . .<br />

Robert Stack in the Role of a Man Who Is Prepared to Sacrifice<br />

Anything—Even His Wife's Virtue—To Satisfy His<br />

Conceit and Further His Flying Career.<br />

THE STOKY: "Eighteen and Anxious" (Rep)<br />

High school students Mary Webster and Lowell Brown are<br />

secretly married in Mexico. Within a month, the lad is<br />

killed in an automobile accident, leaving his young bride<br />

pregnant and miserable because she is unable to find their<br />

marriage license or any record thereof. When the baby is<br />

born it is generally thought to be Ulegitimate and it and<br />

the mother are shunned and maUgned by her parents-inlaw<br />

and her stepfather. Subsequently, the missing certificate<br />

is found and everyone tries to make amends. By that<br />

time, however, the girl is so embittered that she permits herself<br />

to indulge in a hectic pursuit of living entirely foreign<br />

to her nature and from which she is ultimately rescued by<br />

the love of a good man.<br />

EXPLOITIPS:<br />

Play up the "For Adults Only" tag. The theme—teenage<br />

marriages, uncompromising treatment of pregancy, abortion.5,<br />

and seduction—can be used as an exploitation campaign<br />

designed as discreetly as befits your community.<br />

CATCHLINES:<br />

The Story of a Girl They Called a High-Class Tramp Because<br />

She Made a Mess of Her Life ... An Intensely Gripping<br />

Drama of What Happens to Teenagers Who Try to<br />

Grow Up Too Fast.<br />

TIH: STORY: "Panama Sal" (Rep)<br />

Edward Kemmer, a millionaire playboy, takes off in his<br />

plane for Panama after his socialite fiancee, Christine White,<br />

postpones their wedding. Forced down in the Panama jungle!<br />

Kemmer and his two pals are driven to a Calyp.so dive where<br />

they see Elena Verdugo performing. Impressed with her<br />

talent, Kemmer persuades Elena to go with him to Los<br />

Angeles, where he promises to groom her for stardom. Kemmer's<br />

two pals, who want to stop his marriage, send Christine<br />

newspaper clippings of Kemmer and Elena. After many<br />

clashes, Elena opens in the swank Bandolero Club and<br />

scores a hit just as Christine returns from Paris and finds<br />

her with Kemmer. Elena walks out and returns to the little<br />

Panama club, where Kemmer finds her and is reunited with<br />

his discovery.<br />

EXPLOITIPS:<br />

Make a tieup with a travel or airline office for window<br />

displays of excursions to Panama, w-ith appropriate copy for<br />

the picture. To attract TV fans, play up Elena Verdugo as<br />

the star of the popular TV series, "Meet MiUie," which has<br />

been running for several seasons.<br />

CATCHLINES:<br />

Mirth. Melody and Mayhem ... A Merry Riot of Tropical<br />

Romance—and Rhythm<br />

. . . Elena Verdugo, TV's "Meet<br />

Milhe," Has Gone Tiopical in a New Musical Film Romance<br />

With a Tropical Heart-Beat.<br />

,EK<br />

I'm<br />

in'<br />

evt.<br />

- bU'<br />

u<br />

THE STORY: "Old YeUer" (Buena. Vista)<br />

When Fess Parker leaves his Texas farm on a cattle drive<br />

to Kansas, he entrusts his wife, Dorothy McGuire, and their<br />

six-year-old son to the protection of his teenage son, Tommy<br />

Kirk. Onto the farm wanders Old YeUer, a stray mongrel,<br />

who becomes Tommy's faithful and constant companion.<br />

When the dog fights off a rabid wolf, he contracts hydrophobia<br />

and Tommy is obliged to shoot his beloved pet. The<br />

experience is almost more than the lad can bear and he<br />

is empty-hearted with the loss until his father returns to<br />

console him and he eventually sees the characteristics of<br />

Old Yeller in a puppy that is given to him by a friend. It is<br />

at this point that his transition from boyhood to manhood<br />

has occurred.<br />

EXPLOITIPS:<br />

Schoolchildren will be particularly interested in this Disney<br />

creation, so a special Saturday matinee might be arranged<br />

for them and their parents. Fess Parker's name<br />

should be played up on marquee and lobby billings. If possible,<br />

obtain a cardboard, life-size cutout of him for display.<br />

CATCHLINES:<br />

Fess Parker, Who Gained Fame as Davy Crockett, Returns<br />

to Star in Another Disney Film of Adventure and Life in<br />

Frontier Texas ... A Warmhearted Story of a Boy and His<br />

Dog, Blending F^n, Laughter, Love, Adventure and Tragedy.<br />

THE STORY: "Baby Face Nelson" (U.-i)<br />

Lester Gillis (Mickey Rooney) is released from Joliet<br />

Prison on parole and, when he refuses to do a killmg for<br />

gangster Ted de Corsia, the latter frames him with the<br />

police. With the aid of Carolyn Jones, his girl friend, from<br />

whom he takes the name Nelson, the pint-size Gillis escapes<br />

from his police captors and heads back to Chicago to get<br />

revenge on de Corsia. This starts him on a career of crime.<br />

Including robberies and killings, until, after aiding Dillinger<br />

in pajToU robberies, he becomes the Number 1 target of the<br />

FBI. During a bank holdup. Nelson is framed by another<br />

killer, but he manages to make a getaway and hides out<br />

in a dirt shack with his big haul. On Thanksgiving Day<br />

1934, the FBI attacks his hideout and Nelson, mortally<br />

wounded, is shot by Carolyn when he admits he would have<br />

killed two youngsters to make his escape.<br />

t- EXPLOITIPS:<br />

Distribute handbills with pictures of Rooney as Nelson<br />

"Wanted as Public Enemy No. 1." Interest the long-standing<br />

Mickey Rooney fans by using pictures of him as the<br />

snarling killer alongside stills of him as the lovable Andy<br />

Hardy. Carolyn Jones recently scored in "Bachelor Party."<br />

CATCHLINES:<br />

The Factual Story of the Dillinger Aide Who Later Succeeded<br />

Him as "Public Enemy No. 1" . . . Mickey Rooney as<br />

Baby Face Nelson, the Notorious Gunman of the Turbulent<br />

Thirties.<br />

THE STORY: "Across the Bridge" (Rank)<br />

Rod Steiger, multimillionaire head of a London finance<br />

coiTDoration, learns his private ledgers are being investigated<br />

and, aware of a deficiency of $8,500,000, decides to flee<br />

to Mexico, W'here he has money stored for an emergency.<br />

En route, he decides to change places with a fellow passenger.<br />

Bill Nagy, whom he drugs and throws from the<br />

train. At the Mexican border town, Steiger is forced to take<br />

Nagy's dog along. Matters become complicated when Nagy<br />

is rescued badly injured and taken to a motel, w'here David<br />

Knight, garage attendant, learns the truth and decides to<br />

turn him in as a political assassin. Steiger, meanwhile, is<br />

being held by the Mexican police, who believe he is the<br />

assassin, Nagy, and he cannot get his money without his<br />

passport. Mocked and ignored by the Mexicans, Steiger's only<br />

friend is the dog, who is the means of his capture on the<br />

U. S.-Mexico bridge.<br />

EXPLOITIPS:<br />

Play up Rod Steiger as one of the stars of "Oklahoma!"<br />

and "On the Waterfront," as well as the more recent, "Run<br />

of the Arrow" and "Unholy Wife," both currently in release<br />

by Universal-International. Arrange for book store tieups.<br />

CATCHLINES:<br />

A Mastcrijiece of Suspense and Terror—From Graham<br />

. . Rod<br />

,^ Greene's Outstanding Novel of Foreign Intrigue .<br />

p<br />

-'Steiger, America's Leading Character Star, in a British<br />

Melodrama You'll Never Forget.<br />

BOXOFHCE BookinGuide :<br />

: Nov. 16. 1957


—<br />

I<br />

Opinions on Current Productions<br />

^EATURi REVIEWS<br />

Symbol O denotes color photography; © CinemoScope; ® VistoVision; ® Superscape; ® Noturomo. For story synopsis on each picture, see reverse side.<br />

Undersea Girl<br />

F<br />

Ratio:<br />

1,85-1<br />

Drama<br />

DIP Allied Artists (5718) 66 Minutes Rel. Sept. 22, '57<br />

' '"<br />

Perhaps the best description that can be applied to this<br />

drama and its myriad of story threads is that it's a floundering<br />

attempt to send Dragnet underwater. In addition<br />

to the cops-'n'-robbers theme there's a stereotyped boy meets<br />

girl situation, a dedicated girl reporter who spouts journalistic<br />

cliches, and a few other diversified ingredients. As concerns<br />

the teenage ticket buyers, perhaps the best asset<br />

as concerns the male contingent thereof—is to be found in<br />

the shapely, scantily clad chicks who cavort in the briny<br />

deep. The submarine footage is far from impressive and<br />

haphazardly photographed. One sequence—an underwater<br />

fight between the goodies and the badies—loses its potential<br />

effectiveness because it's impossible for spectators<br />

to ascertain which is which and why. Handicapped by the<br />

involved situations, dialog that is comparably implausible<br />

and John Peyser's unrealistic direction, the cast had little<br />

chance to register anything but the most ordinary performances.<br />

The picture is to be paired as a package deal<br />

with "Teenage Doll," which should generate exhibition<br />

attention one cut above the lower-most supporting spots to<br />

which it would otherwise be relegated. David T. Yokozeki<br />

was executive producer. Norman T. Herman produced.<br />

Mara Corday, Pat Conway, Florence Marly, Dan Seymour,<br />

Ralph Clanton, Myron Healey, Lewis Charles.<br />

The Persuader<br />

Ratio:<br />

1.85-1<br />

Western<br />

Allied Artists (5714) 72 Minutes Rel. June 16, '57<br />

If it's true that any celluloid offering falling into the<br />

western category can be expected to sell tickets at the boxoffices,<br />

then this sub-standard oater may be considered dependable<br />

to deliver the same jingle as has been recorded by<br />

some of its predecessors. And that despite the fact that audiences<br />

looking for action-laden, two-'^^ed. hard-riding sagebrush<br />

fare will find little to rouse their interest in this<br />

yarn dealing with a minister who brings a band of out-<br />

. laws to heel through his moral courage rather than firearms<br />

'^ 'j or fisticuffs. Let it be said that the film tries valiantly to<br />

follow the estabhshed story pattern of such offerings, and<br />

its circa, costumes and locale all designate it a western, but<br />

it nonetheless becomes so involved with moral and religious "|"]<br />

overtones that it comes perilously close to being classed as<br />

an out and out religious epic. Theatre owners booking<br />

this World Wide Pictures production may find some help<br />

in the cast names, since at least three of the toppers—William<br />

Talman, James Craig and Kristine Miller—are well<br />

known to adult moviegoers as well as- to the yxjunger set<br />

due to the fact that they have appeared in other western<br />

pictures. Dick Ross produced and directed.<br />

William Talman, James Craig, Kristine Miller, Darryl<br />

Hickman, Georgia Lee, Alvy Moore, Gregory Walcott.<br />

The Colditz Story F ^^i<br />

'=-'-^^"--<br />

DCA 97 Minutes Rel. Feb. '57<br />

Another British-made picture about World War II, but<br />

with considerable humor as well as suspense, this should<br />

do well in the art houses, although it lacks name value or<br />

appeal for general audiences. Eric Portman, who recently<br />

starred in "Separate Tables" on the Broadway stage; John<br />

Mills, star of many outstanding British films, and Ian Carmichael,<br />

who scored in both "Private's Progress" and<br />

"Brothers in Law," will all be familiar to the devotees of<br />

English films. Based on a true story, "Escape From Colditz"<br />

(a much better title for a picture dealing with escapes<br />

from a prisoner-of-war campi by Major P. R. Reid, this<br />

Ivan Foxwell production has great authenticity both in its<br />

forbidding castle setting and because several of the characters<br />

speak their native German, French. Polish and Dutch,<br />

in addition to the English spoken by the prisoners from<br />

that army. The entire action deals with the preparations<br />

and elaborate planning for escape and, although a few<br />

escapees are caught, so many succeed that Colditz became<br />

famous for the highest number of successful getaways.<br />

Portman plays the senior escape officer splendidly. Mills<br />

portrays Reid and Ian Carmichael and Richard Wattis contribute<br />

the lighter moments. Directed by Guy Hamilton.<br />

Eric Portman John Mills, Ian Carmichael, Hryan Forbes,<br />

Frederick Valk, Christopher Rhodes, Richard Wattis.<br />

F<br />

Julietta F<br />

Kingsley International 96 Minutes<br />

OHIO.<br />

" Fii^<br />

Ratio:<br />

Standard<br />

Rel.<br />

Comedy<br />

As a light-as-fluff romantic comedy with bedroom antics<br />

(although these are innocent enoueh), th's Fr«r.ch-!an?uage<br />

film should do well in the art spots, where it might be a<br />

welcome change-of-pace from the many intensely dramatic<br />

foreign pictures now on the market. Jean Marais. the handsome<br />

Frenchman who first scored in "Beauty and the Beast"<br />

and recently played his first English-speaking role in "Paris<br />

Does Strange Things," and the pert Dany Pobin, who was<br />

in "Act of Love" and "Holiday for Henrietta," have name<br />

value for class audiences. Directed by Marc Allegret in a<br />

tonsue-in-cheek stvie, the film is reminiscent of "The Moon<br />

Is Blue" and is full of chuckles as a young bachelor tries<br />

to keep the two women guests in his house from finding out<br />

about each other. The charming Miss Robin will delight<br />

most patrons, particularly when she transforms the dusty<br />

old attic in which she is hiding into a candle-lit boudoir to<br />

entertain and en.snare her frantic host. Marais. who is<br />

kept busy running up and down stairs and in and out of<br />

bedrooms, does well enough and Jearme Moreau, as his<br />

suspicious fiancee and Denise Grey, as an ambitious mother,<br />

turn in good acting jobs. Produced by Indusfilms.<br />

Jean Marais, Dany Robin, Jeanne Moreau, Bernard<br />

Lancret, Denise Grey, Georges Chamarat, Nicole Berger.<br />

Passionate Summer<br />

Kingsley International<br />

98 Minutes<br />

A<br />

Ratio:<br />

Standard<br />

Rel. -<br />

Drama<br />

This French-language import directed by Charles Brabant<br />

is well-named for it deals with one lusty male and<br />

three love-starved women in an isolated goat farm in the<br />

French Alps—putting it in the strictly adult category. For<br />

art houses, it should be strong fare even though Raf Vallone,<br />

the Italian star of "Anna," "Bitter Rice" and other popular<br />

foreign films, is the only selling name. Based on a Ugo<br />

Betti play. "Island of Goats," which was a big hit in Europe,<br />

but a failure when transferred to the Broadway stage, the<br />

story is far more effective on the screen because the camera<br />

can roam out to the rocky crags where the goats wander and<br />

to the fields w'here several sexy interludes take place. The<br />

photography by Edmond Sechan, "Red Balloon" and "Silent<br />

World" fame, is outstanding. Vallone's i-ugged appearance<br />

is exactly right for the role of the Italian peasant<br />

and he does a fine acting job, as do Madeleine Robinson,<br />

who plays the embittered young widow of his fellow prisonerof-war,<br />

and Magali Noel, as her sulky sister-in-law. Young<br />

Dany Carrel, as an adolescent, and Paul Faivre, in a bit<br />

role, complete the cast. Produced by Les Films Marceau.<br />

Madeleine Robinson, Raf Vallone, Magali Noel,<br />

Carrel, Paul Faivre.<br />

Four BaQs Full<br />

ARat'o:<br />

Standa-d<br />

Dany<br />

Comedy<br />

Trans-Lux Distributing 84 Minutes Rel. Sept. '57<br />

One of the better French-language imports, this Franco-<br />

London production directed by the highly regarded Claude<br />

Autant-Lara is strong fare for the art houses, where both<br />

Jean Gabin and Bourvil have a following. Bourvil, a natural,<br />

appealing and mild-mannered comedian, richly deserves<br />

his "best acting award" won at last year's Venice<br />

Film Festival, a selling point for class audiences. Gabin,<br />

too, is excellent as a cynical, well-to-do painter, a characterization<br />

in complete contrast to Bourvil's simple-minded<br />

workman—yet the two are perfectly teamed and contribute<br />

many chucklesome moments to a gently sat'rical film.<br />

Adapted from the novel "La Traversee de Paris" (the French<br />

film titlei by Marcel Ayme, the screenplay bv Jean Aurenche<br />

and Pierre Bost has both suspense and humor and it is<br />

superbly directed by Autant-Lara. Although much of it takes<br />

place at night, as two strangers carry four suitcases of<br />

black-market pork across German-occupied Paris in World<br />

War II, the action is always c'ear to the spectator—to the<br />

extent that fewer English titles than usual were required.<br />

The finale, which takes place many years after the War<br />

is over adds a heart-warming touch. Louis de Funes, and<br />

Georgette Anys contribute memo'-ab''' b'fs.<br />

Jean Gabin, Bourvil, Jeanette Batti, Louis de Fnnes,<br />

Robert Amouv, Georgette Anys, Laurence Badie.<br />

Th* rcTtm en these pages moy tx filed for tiituro reference In any of the following woyi: (1) In any ttondord th'^'^nj<br />

la«s«-l««f binder; (1) IndtvlduaOy, by company. In onr itondotd 3x5 cord inaox tile; or (Si In rhe BOXOFFICl PICTORI<br />

GUIDE three-nng, pocket-ili* binder. The lotter, Including • veer's suppiv ot booking ond dolly baslnrts record »»n^<br />

««T b* ebtaliwd tnm A««««at«d Publication., 823 V.o Brunt Blvd., Kansas City 24, Mo., for $1.00, postao* pofd.<br />

2164 BOXOFFICE BookinGuido Nov. 16, 1957 2163


FEATURE REVIEWS Story Synopsis; Exploitips; Adiines for Newspaper and Programs<br />

THE STORY: "Julietta" (Kingsley)<br />

Eighteen-year old Julietta (Dany Robinj is engaged to a<br />

middle-aged prince but she longs for real romance. On a<br />

tra


RATES: 15c per word, minimum SI. 50, cash with copy. Four consecutive insertions for price<br />

of three. CLOSING DATE: Monday noon preceding pubUcation date. Send copy and<br />

• answers to Box Numbers to BOXOFFICE, 825 Van Brunt Blvd.. Kansas City 24, Mo. •<br />

POSITIONS WANTED<br />

Manager, 20 years experk-noe. drive-in or itidiwr<br />

theatres. BxceUent background in exploitation<br />

and advertising. Best of reference. Write or \iire,<br />

K. N. lireer. P.O. Box 1612. Tort Arthur. Texas.<br />

Available after January 1st. Top buyer and<br />

booker for drive-ins and conventional theatres. E.\-<br />

ceptional experieJice in all types of theatre opention.<br />

Interested to buy in a co-op setup. For<br />

interview, write. <strong>Boxoffice</strong>. 7t>10.<br />

Theatre manager, energetic proven producer. 15<br />

years experience circuit and independent Indoor<br />

operations. Expert advertising, hooking, exploitation,<br />

promotions. Prefer western states. <strong>Boxoffice</strong>.<br />

7025.<br />

^__^__^_^^^^_<br />

Experienced manager. Presently employed, would<br />

like better opportunity. Phil. Bait. Wash. <strong>Boxoffice</strong>.<br />

7026.<br />

Jacksonville area. Manager, 25 years experience<br />

theatre operation. Conventional theatre desired.<br />

Best references. T. W. Hagan, 10:i W. Sth St.,<br />

.lacksonville 6. Fla.<br />

Top management available to operate your theatre<br />

proper! ie,s. Finest references. Specialist. <strong>Boxoffice</strong>.<br />

7i;2S.<br />

cashier, concession man:igement optional. No teleftrams.<br />

Pro.ieclionisl. 6407 Wells, Wellston. Mo.<br />

Manager 18 years experience. l>ri\e-in and convention;!<br />

I. TlmriMigh'y experienced all phases of<br />

operation. Best of refereni-es. Presently employed.<br />

Interested only in permanent connection .Miami,<br />

Florida area. <strong>Boxoffice</strong>, 7630.<br />

HELP WANTED<br />

Wanted manager. Downtown theatre. With many<br />

gimmicks and exploitation. Big siilary and commission.<br />

P.O. Box 27. Muskegon, Mich.<br />

Wanted, two fully e.\perienced and exploitation<br />

minded drive-in and conventional theatre managers.<br />

Apply direct to East Palestine Theatre.<br />

East Palestine, Ohio.<br />

TICKET REGISTERS<br />

Ticket registers, like new. One year guarantee.<br />

$60 per unit. Also stub-rod ticket control boxes,<br />

new. $75. These are special offerings, only while<br />

Ihey last. Ticket Begister Industries. 1223 S.<br />

Wabash, Chicago 5. 111.<br />

THEATRE TICKETS<br />

Prompt Service. Special printed roll tickets.<br />

100,001). $31.95; 10.000. $9.90; 2.000. $5.70.<br />

Each ch;inge in admission price, including change<br />

in color. $4.00 extra. Double numbering extra.<br />

F.O.B. Kansas City, Mo. Cash with order. Kansas<br />

City Ticket Co.. Dept. 11. 109 W. ISlh St..<br />

Kansas City. Mo.<br />

STUDIO AND PRODUCTION<br />

Surplus B&H eyemo 35mm cameras V^. cost,<br />

turret. p;ismatic thni-lens focusing. 400' magazine<br />

and motor mount, $295; Olesen 5KW spots,<br />

heads only. $79.50; blimp for Arriflex 35mm<br />

w/follow-focus, $1,095; Neumade 35mm film<br />

cleaning machines. $295; Houston 35mro processors,<br />

$8,000 value, from $1,495: 35mm Moviolas,<br />

$1S9. Dept. cc. S.O.S. Cinema Supply Corp..<br />

ii02 W. 52nd St.. .New York 19,<br />

POPCORN MACHINES<br />

Popcorn machines, all makes Snow ball and<br />

floss machines. Beplacement kettles all machines.<br />

120 So. Halsted. Chicago. III.<br />

GENERAL EQUIPMENT—NEW<br />

Order Now! Foxhole sprockets for all projectors,<br />

soimdheads. Prompt deliveries, lowest<br />

prices. i)epl, cc, S.O.S. Cinema Supply Corp.,<br />

602 W- 52nd St., New York 19,<br />

Masonlte marquee letters, fits Wagner, Ad!er,<br />

Bcvelite signs 4". 40c; 8", 60c; 10", 75c;<br />

12". $100'; 14", $1.50; 16", $1.75: 17", $2.00;<br />

24", $3.00. llept. cc. S.O.S. Cinema Supply<br />

Guess it's not what you knovi/, but who you<br />

kiwvv in lliis bu.sines.s anymore. Want to contact<br />

somebody who knows somebody who wants somebody<br />

with 27 years experience booth, repairman,<br />

electrician. maintenance. management? Wife<br />

Corp.. 602 W. r)2nd St.. Ne.v York 19.<br />

GENERAL EQUIPMENT—USED<br />

Superscope anamorphic lenses. exceKent, $195<br />

pair; factory rebuilt KoMmorgen 4" fl.9 BX241<br />

lense>. $i;';j pair; Superlite III C lenses 234",<br />

;i". 3U" excellent, $125 paii ; many others.<br />

Dept. cc, S.O.S. Cineirei Supply Coip., 602 W.<br />

52nd St.. Nett York 19,<br />

Good used pair Simplex SPS. 35mm projectors,<br />

amplifier, speaker, screen, etc. Make offer. Community<br />

Theatre. Lance Creek, Wyo.<br />

For sale, entire theatre etpiipmenl. 500 upholstered<br />

chairs. p:ojector, sound system, power<br />

unit, sound heads. Redwood Theatre. Bogalusa.<br />

La.<br />

Century projectors style C, Strong lamps type<br />

140511. solid bases rectifiers Strong 16200-17,<br />

KCA SduiuI system PS 24 automatic rewind by<br />

GotdB, so.'t drink machine, cost $1,200 new three<br />

years ago, dispenses three drinks. CinemaScope<br />

lenses made by Superscope, throw of 60 ft. plus<br />

one widescreen with frame. Building being renovated,<br />

m.ist move out. Make me an offer for any<br />

part or all. Highest bidder gets it. Wriie oi wire<br />

or idione. Wayne Theatre, Wayne, W. Va.<br />

Used projectors for sale, like new. 2, 16mm<br />

H()lmes projectors, complete with boot lis and<br />

equipment, $1,500 each; 1. 16mm GPL projector,<br />

$2,500; 1, 35mm Simplex preview projector<br />

complete with sound equipment. $2,500. Camera<br />

Btiuipment Co.. Inc.. 31.T W. 43rd St.. New York,<br />

N. Y. Jl'fLson 6-1420.<br />

Now operating 1,700-seat theatre. Will sell entire<br />

contents. Particulars on rKiuest. Lane Enterprises.<br />

630 Ninth Ave.. .New York 36, N. Y.<br />

Pair 9001B RCA soundheads with MI9251<br />

amplifier. $250. pair Brenkert IKW lamps, rectifiers.<br />

$200; automatic rewind. $40; pair Weber<br />

.soundheads. $100; eomplete Simplex .\cme system.<br />

$150; pair Strong hi lamps. $100; Simplex<br />

B system less speakers. $650: Simplex dual amplifiers,<br />

soundheads, $800; Griswold splicers. $15;<br />

1 shei't alumiinim frames, $5 each: pair Magnaarc<br />

lamps. $300; pair Strong mogul. $300; pair<br />

Kallanivne soundheads, $250; pair 2^i" fl.9<br />

coated lens, $175; pair 6" lens, $100. Mid-<br />

South Theatre Supply Co., 502 So. Second,<br />

Men*[.hi^ 3, Tenn<br />

EQUIPMENT WANTED<br />

Wanted to buy, used lO" and 4" plastic letters,<br />

red. blue or green. R. C. Cobb, Fayette,<br />

\l.i.<br />

cLfaniiii<br />

THEATRES FOR SALE<br />

For Sale. 3S4-seat indoor, small town theatre.<br />

Good equipment. Will sell any part. Located in<br />

RoberIs(>n County, Texas. Contact, Bob Reeves.<br />

430S Tann.-r Drive, Midland, Texas.<br />

300 speaker drive-in theatre. Northwestern<br />

Oho. Operated 2 seasons. New eijuipment. good<br />

family operation. Can he financed. Asking $42,500.<br />

Description and photos available. World .\uelion<br />

& Realty, Montpelier. Ohio. Phone 5-395S.<br />

San Antonio, Texas "where the sunshine spenils<br />

the winter." Firu'st drive-in Iheatie, 620 speakers,<br />

aluminun* screen, large concession. Will .sell at<br />

cost, terms available to qualified party. Bandera<br />

Koad Drive-In. Box 527, San Antonio.<br />

For sale or lease. First run. 512-seat theatre.<br />

Central California coastal city, population 10.000.<br />

additional 25.000 diawing area. One hiilf product,<br />

no bidding, wonderful climate, excellent wpiipment,<br />

HnemaScope etc. Suggest family operation,<br />

owner .selling to devote entire tinu- to Allied<br />

business. Buyer must furnish bank and character<br />

references. Write, Brace Carter. OSS Market<br />

St.. San Francisco, Calif.<br />

Indoor theatre. 500 seats, CinemaScope, air<br />

conditioned. Nearest theatre 22 miles. Population<br />

4. MOO. Write. Capitol Theatre, Ilomerville. Ga.<br />

We:t coast theatres for sale. Write for list.<br />

Theatre Exchange Co., Portland 22. Oregon.<br />

Must sell by Feb. 1st. New modern, profitable<br />

theatrr. eiist Texas, 2.000 population. Fine-sl<br />

equipment plus air conditioning. Elaborate neon<br />

front. Reasonable cash down. A!so three bedroom<br />

home if desired. <strong>Boxoffice</strong>. 7629.<br />

For sale, drive-in theatre. Located in area of<br />

12.000 population where motion picture is chief<br />

form of enle;t,iinmi-nt. Priced to {] ,it $25,000<br />

P. B.(\ 2(m;. Arcadii. Fl;i<br />

THEATRES WANTED<br />

Theatres. Wirfd television system. RJldio sta*<br />

lions. Television stations. Ralph Erwin. Brol. mher games<br />

available, uii-off screen. Novelty Games Co., 10*<br />

Rogers Ave.. Brooklyn, N. Y.<br />

Build attendance with real Hawaiian orchids.<br />

Few cents each. Write Flowers of Hawaii, 670<br />

S. Lafayette I>lace, Lajs Angeles 5, Calif.<br />

Bingo Cards, Cut: IMe 1, 75-500 combinations.<br />

1, 100-200 combination. C:ul be used for KBNO.<br />

$4.50 per M. Premium Products. 346 West 14th<br />

St.. New York 36. N. Y,<br />

Action Premiums! Increase business with new<br />

ideas. Buy direct at lowest cost; Genuine foreign<br />

coins. Jumbo color maps. Golden stamp books,<br />

Tr.iding guild cards, Balloons. Write to Sol<br />

Schocher. Tliealre llept.. North American Distributors.<br />

Inc.. 842 Hamilton St.. Allentown. Pa.<br />

S!ot machine! Full size, plastic replica. Proven<br />

boxoffice builders. Details free. Mack Enterprises,<br />

Centraiia. Ill<br />

MISCELLANEOUS<br />

Xmas stockings jam packed full of toys, $3.50<br />

per dozen. Closeout 400 toys $20 unpaid. Polaris<br />

Sales, 507-5 Ave., New York<br />

Subscription<br />

Form<br />

Please enter my subscription to BOXOFFICE. 52 issues per<br />

year (13 of which contain The MODERN THEATRE Section).<br />

D $3.00 FOR I YEAR D $5.00 FOR 2 YEARS<br />

n$7.00 FOR 3<br />

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Remittance Enclosed<br />

Send Invoice<br />

DRIVE-IN THEATRE EQUIPMENT<br />

THEATRE ;<br />

'We Warned You—<br />

ABOUT NOT USING A BOX<br />

NUMBER ON THAT AD YOU<br />

RAN IN<br />

BOXOFFICE!'<br />

Antitheft device for speakers! Complete prouction<br />

for only 64 cejits per speaker! Secure<br />

vuurs now against costly and repeated losses.<br />

Our customers from coast to coast are happy!<br />

Speaker Security Company. Dept. 42. Willow Ave.<br />

,tt 17th St., Hoboken. N. J.<br />

BOOKS<br />

!<br />

Don't operate wastefully in these tough times!<br />

Hundreds of ways to save money, all based on<br />

practical theatre experience, are yours in the<br />

".Master (hlide to Theatre Maintenance." Biich<br />

one of them may be worth far more to you than<br />

the $5.00 the b


. . Heater<br />

FEATURE REVIEWie^^^^^<br />

H£Arf

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