Boxoffice-November.16.1957
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. Story<br />
NOVEMBER 16, 1957<br />
/he TuAe e^ me m&toon. riciuAe yncLdiiu<br />
ERNEST G^ STELLINGS LEE JONES LEE KOKEN<br />
The second international tradeshow of the motion picture industry opens at the Americano<br />
Hotel, Miami Beach, Flo., Wednesday, November 20, the focal point for the annual conventions<br />
of Theatre Owners of America, Theatre Equipment and Supply Manufacturers Ass'n and National<br />
Association of Concessionaires. Hooding these organizations are Ernest G. Stellings, TOA,<br />
Lee Jones, TESMA, and Lee Koken, NAC . on the tradeshow and conventions on page 6<br />
niortd oi Mcorvl-clau mott«r ol tfw Pott Otiic* o» Koraot<br />
Ity, Mo Publiihcd oeekly t>y Attociotad Publicatiora.<br />
25 Von Brunt Blvd , Koniot City, Mo Subtcription rotM<br />
ictional Edition, tl 00 par y«ar; Notional Edition. VI SO<br />
NATIONAL EXECUTIVE EDITION<br />
Includmi till Sfcliontl N«n Pa|« of All Ultiom<br />
IN THIS ISSUE:<br />
THi<br />
MODIRM<br />
SECTION,
PULSE OF<br />
THE PUBLIC!<br />
DON'T<br />
GO NEAR<br />
WATER<br />
f<br />
M-G-M's<br />
29-CITY<br />
THEATRE<br />
PREVIEWS<br />
FORECAST<br />
BOX-OFFICE<br />
SMASH!<br />
Read Theatre Managers'<br />
Reports! Next Page!<br />
AI-G-Af presents 'DONT GO NEAR THE WATER" staymig GLENN FORD<br />
•<br />
Gm Sca/a E.nl Hollman Anne<br />
•<br />
Francis • Keenan W^ynn • Fred Clark • Eva Gabor • Ri/ss Tamhlyn • Jeff Richarch • Screen Play by Dorothy Kingsley<br />
and George Wells • Based on the Norel by William Brinkley • In CineniaScope and Metrocolor • An Avon Prodaction\<br />
Directed by Charles Walters • Produced by Lawrence Weingarten
"<br />
"<br />
"<br />
YOU KNOW IT'S<br />
A HIT WHEN YOU READ THIS!<br />
Theatre Managers' Verbatim Report of Terrific Audience Reaction!<br />
ALBANY, Palace. "Excellent!"<br />
ATLANTA, Grand. "Nothh/g but raves. Viiuuiest<br />
I ever saw."<br />
BUFFALO, Shea's. "Hilarious, voted 100% excellent<br />
on cards.<br />
Greatest audience picture in years.''<br />
CHARLOTTE, Plaza. "Most outstanding display<br />
of spontaneous enjoyment ever seen. It's money in<br />
the bank."<br />
CHICAGO, Chicago. "Excellent, cards outstanding.<br />
Great comedy."<br />
CINCINNATI, Albee, "Excellent!"<br />
CLEVELAND, State. "Audience in continuous<br />
uproar. Excellent— can't miss."<br />
DALLAS, Majestic. "All ages laughed heartily<br />
throughout. All cards were raves. This is the sort<br />
ofpicture ivhich gives top box-office. "<br />
DENVER, Orpheum. "Outstanding. Best reactio)i<br />
tve've had in many years."<br />
DES MOINES, Des Moines. "Excellent!"<br />
DETROIT, Adams. "Excellent!"<br />
INDIANAPOLIS, Loew's. "Laughs through entire<br />
film beginning to ending."<br />
KANSAS CITY, MO., Midland.<br />
throughout."<br />
"Laughter<br />
LOS ANGELES, Studio. "Invitational Press Preview<br />
0)1 big sound stage of Hollywood correspo)idents<br />
got howls and raves."<br />
MEMPHIS, Palace.<br />
terrific business.<br />
MILWAUKEE, Riverside.<br />
"Hilarious! Should do a<br />
"Outstanding!"<br />
MINNEAPOLIS, State. "Comment cards claimed<br />
'Pix tops MR. ROBERTS as hilarious comedy in<br />
addition to<br />
beautiful girls'."<br />
NEW HAVEN, Poli. "Sensational!"<br />
NEW ORLEANS, State. "A howling success."<br />
NEW YORK, Lexington. "Previeiv scored highest<br />
audie>ice ratiiig in tivo years."<br />
OKLAHOMA CITY, Midwest. "One of the funniest<br />
and best pictures in two years. An outstanding<br />
box-office attraction."<br />
OMAHA, State. "Excellent!"<br />
PHILADELPHIA, Tower. "Exceptionally good.<br />
People in lobby talked about many hilarious<br />
incidents.<br />
PITTSBURGH, Penn. "Terrific. Looks like mortgage<br />
lifter."<br />
PORTLAND, Liberty. "Terrific!"<br />
ST. LOUIS, MO., State. "Terrific. Comment cards<br />
100% rave."<br />
SALT LAKE CITY, Utah. "Hilarious. Audience<br />
enthusiastic.<br />
SAN FRANCISCO, Warfield. "Terrific.<br />
stated this iras better than MR. ROBERTS."<br />
WASHINGTON, Capitol. "A riot.<br />
be talking about it."<br />
People<br />
Everyone will<br />
CAMPAIGN REACHES 141,200,662<br />
READERS<br />
Terrific ad campaign tells the public what Theatre Managers aheady know about<br />
M-G-M's sure-fire comedy! Full-color, full-page ads in three big syndicated Sunday<br />
newspaper Magazine Supplements (This Week, Parade, Pictorial Review and ten<br />
independent supplements)! M-G-M's famed columns in top national magazines!<br />
Full pages in all Fan Magazines! Get ready for a happy, hilarious houseful!<br />
"Use it everywhere! GET MORE OUT OF LIFE .<br />
. . GO<br />
OUT TO A MOV/E"
!<br />
For the information of exhibitors everywhere,<br />
20th ANNOUNCES ITS<br />
RELEASE SCHEDULE FOR<br />
DECEMBER '57<br />
Clip<br />
and<br />
save!<br />
For Special Engagements<br />
PRESENTS<br />
ERNEST HEMINGWAY'S<br />
A Farewell<br />
To Arms<br />
COLOR by OE LUXE<br />
CINemaScoPE<br />
starring<br />
ROCK HUDSON<br />
JENNIFER JONES<br />
VITTORIO DE SICA<br />
Produced by DAVID D.SELZNICK • Directed by CHARLES VIDOR<br />
Screenplay by Ben Hecht<br />
For Selected Engagements<br />
.JERRY WALD'S<br />
COLOR by DE LUXE<br />
CINemaScoP^<br />
HOH^^^P LEE LLOYD<br />
LANQE • PHILIPS • NOLAN<br />
DIANE<br />
ARTHUR<br />
VARSI • KENNEDY<br />
RUSS<br />
TERRY<br />
TAMBLYN • MOORE j<br />
BEm nao • mildred donnock • leon ames • iorne greene<br />
Produced by JERRY WALD • Directed by MARK<br />
Screenplay by JOHN MICHAE HAYES<br />
ROBERT MITCHUM<br />
CURT JURGENS<br />
The Enemy<br />
Below<br />
COLOR by DE LUXE<br />
CiNemaScoPE<br />
Produced and Diected by DICK POWELL<br />
Screenplay by WENDELL MAYES<br />
GENE<br />
RAYMOND •<br />
JEANNE<br />
COOPER<br />
WAYNE MORRIS<br />
Plunder Road<br />
Regauscope<br />
I'rom<br />
Red Rock<br />
Regalscope<br />
starring<br />
BRIAN DONLEVY<br />
Produced by BERNARD 6LASSER • Directed by EDWARD BERNDS<br />
Produced by LEON CHOOIUCK and LAURENCE SILWART<br />
Directed by HUBERT CORNFIELD<br />
Screenplay by STEPHEN RITCH<br />
A REGAL FILMS INC. PRODUCTION<br />
RELEASED BY 20th CENTURV-FOX<br />
A REQAL FILMS INC. PROOUCTION<br />
RELEASED BY aoth CENTURY-FOX<br />
20th has something for everyone for Christmas
.lack<br />
THE NATIONAL FILM WEEKLY<br />
Published In Nine Sectional Editions<br />
BEN SHLYEN<br />
Editor-in-Chief<br />
and Publisher<br />
DONALD M. MERSEREAU.Associote<br />
Publlstier & General Manager<br />
NATHAN COHEN. .Executive Editor<br />
JESSE SHLYEN Managing Editor<br />
HUGH FRAZE Field Editor<br />
AL STEEN Eastern Editor<br />
IVAN SPEAR Western Editor<br />
I. L. THATCHER. .Equipment Editor<br />
MORRIS SCHLOZMAN Business Mgr.<br />
Published Every Saturday by<br />
ASSOCIATED PUBLICATIONS<br />
Pliblicalmn Offices; S25 Van Rnint BItd.,<br />
Knnsn.'; Tltv 24. Mn Nathan rnhcn. F,xpciiflve<br />
Edilnr; .tesse Rtitven. ^tannelnK<br />
Rdltor: Mnrrl'; Sohnl7m.in. Rn-^lnpss Manacfr:<br />
Tliicti Frazp. Flpid Kdltor: T. I,.<br />
Thalfher. Kdltnr Tlie Modern TTieatre<br />
Sprllon. Telephone CHestnnt 1-7777.<br />
Editorial Offices: 4.') Tlnrkereller Plaza.<br />
New York 20. N. Y. Tlonald M. Mersprean.<br />
A^sndnte Piihllsher fi General<br />
Manaper: Al Stepn. T5astprn Editor: Carl<br />
Mos. rri'ilnmpnt Adverflslnn. Telephone<br />
rniiimhiis .')-fi37n.<br />
Central Offices: Editorial— 020 No. MIrh<br />
Icnn Ave.. fTiipaeo 11. TIL, Frances R,<br />
riow. TelPlihnnp Sllpprlor 7-3072. AdtertMnB—<br />
35 R.isl Wacker Drive, Oileaeo 1.<br />
III.. Kfflng TTiilrhl
THE IMMEDIATE AND THE FUTURE<br />
IN TOA CONVENTION SPOTLIGHT<br />
How to Up Business Today;<br />
Attitudes Toward Wire TV<br />
Top TOA Agenda<br />
MIAMI BEACH, FLA—The immediate<br />
job of building stronger attendance and a<br />
look at what the future holds for exhibition<br />
through the cable theatre idea are<br />
the two major topics of interest to occupy<br />
exhibitors from every section of the country<br />
who will be here to attend the convention<br />
of Theatre Owners of America.<br />
TO OPEN ON WEDNESDAY<br />
The convention opens Wednesday (20) in<br />
the Americana Hotel and is tied into the second<br />
annual International Trade Show in<br />
which Theatre Equipment and Supply Manufacturers<br />
Ass'n and the National Ass'n<br />
of Concessionaires are participants. The concessionaires<br />
will hold a four-day convention<br />
to run concuiTently with the TOA sessions,<br />
but the equipment and supply manufacturers<br />
and the Theatre Equipment Dealers Ass'n<br />
will meet both separately and together Monday<br />
and Tuesday.<br />
The major points of discussion at the TOA<br />
convention will be:<br />
• Busine.ss-building. Roger Lewis, of UA,<br />
representing the ad-publicity directors committee<br />
of MPAA, will discuss the various<br />
projects planned for the indu.strywide campaign<br />
to increase attendance. George Seaton.<br />
president of the Academy of Motion Picture<br />
Art-s and Sciences, will reveal plans for the<br />
Oscar Awards telecast which the industry<br />
sponsors for the first time. A .special business-building<br />
roundtable will be held Friday<br />
at which exhibitors will discuss exploitation<br />
and promotional stunts that have paid off<br />
for them.<br />
CABLE AND TOLL TV TALKS<br />
• Cable Theatre. Proponents of both wire<br />
TV and toll television will get a chance to express<br />
their opinions at a special session<br />
Thursday, with Phil Harling, co-chairman of<br />
the Committee Against Pay-As-You-See TV,<br />
as moderator. Participants will include Herbert<br />
Bamett, of General Precision Equipment<br />
Corp.; Louis A. Novins and Paul Mc-<br />
Namara of International Telemeter Corp.,<br />
and Milton J. Shapp of Jerrold Electronics<br />
Corp.<br />
• Group in.surance for members of TOA<br />
will be considered by the board of directors<br />
and then presented to the general membership.<br />
The Men Who Are Directing Miami Conventions<br />
THE.^TKE OWNERS OF .\MEKIC.\: Virtually all of the top figures in TOA arc<br />
represented in this photograph. They include officers, board members and chairmen of<br />
important committees. Left to right: (seated) Carl Anderson, Kalispell, Mont.; Nathan<br />
Greer, Santa Fe; Ernest G. Stellings, Charlotte, president; Myron Blank. Des Moines,<br />
board chairman; Horace Denning, Jacksonville, Fla.; K, M, Kennedy, Birmingham; (standing)<br />
Mitchell Wolfson, Miami, convention chairman; Walter Keade jr., Oakhurst, N. J.<br />
Albert Pickus, Stratford, Conn.; J. J. Rosenfield, Spokane Wash.; Burton Jones. San Diego<br />
Roy Cooper, San Francisco; Robert Livingston, Omaha; C. E. Cook. Maryville. Mo.<br />
Sam Pinanski. Boston; Herman Levy, New Haven; Joseph Alterman, New York. TOA's<br />
headquarters director, and E. D. Martin, Columbus, Ga.<br />
THEATRE EQUIPMENT AND SUPPLY MANUFACTURERS ASSN: The trio which<br />
has been directing TESMA's role in industry affairs this year consisted of deft to right)<br />
Tom LaVezzi, Chicago, vice-president; Lee Jones, New York, president, and Merlin Lewis,<br />
New York, executive secretary.<br />
• Arbitration. Herman Levy, general counsel<br />
for TOA, will di.scuss progress in the<br />
industi-ywide arbitration conferences, and the<br />
conciliation program which went into effect<br />
November 1,<br />
A number of top industry figures will be<br />
speakers at the various sessions. Elmer<br />
Rhoden, president of National Theatres, will<br />
deliver the keynote address and Eric Johnston,<br />
president of the Motion Picture Ass'n<br />
(Continued on page 10)<br />
N.VTIONAL ASSOCIATION OF t ONt'LSSlONAIKES; Otliiirs and directors who<br />
head the tliree-day meeting of the N.'iC group, left to right: (seated) Bert Nathan, Brooklyn,<br />
chairman of the board; Lee Koken, New York, president; Harold F. Chcsler, Salt<br />
Lake City, second vice-president; (standing) Thomas J. Sullivan, executive director; Irving<br />
Rosenblum. Paterson. N. J.; Robert Condon. St. Cloud. Minn.; Charles .\. Darden. Dallas;<br />
Theodore >Ieland. Chicago; ;>Ielville B. Rapp. New York; Nathan Buchman. Cambridge,<br />
Mass.; Lester Grand. Chicago. N.-\( "s tradeshow chairman.<br />
BOXOFFICE November 16, 1957
—<br />
RKO TELERADIO PLANS TO TEST<br />
TOLL TELEVISION VIA THE AIR<br />
Negotiations in Progress,<br />
President Says; Attacks<br />
Cable Theatre System<br />
NEW YORK—RKO Teleradio Pictures is<br />
filing for Federal Communications Comm.ission<br />
authorization to participate in toll<br />
TV tests. Thomas F. O'Neil. president, said<br />
November 10 that the company already is<br />
negotiating with developers of subscription<br />
TV systems with the aim of using one or<br />
more of the RKO broadcasting and motion<br />
picture facilities in trial demonstrations.<br />
A TIRE COMPANY SUBSIDIARY<br />
O'Neil is also board chairman of RKO<br />
Radio Pictures, which was purchased from<br />
Howard Hughes by General Teleradio for<br />
$23,000,000 in July 1955. GT is a wholly owiied<br />
subsidiary of the General Tire and Rubber<br />
Co.. owner of the Mutual Broadcasting Corp.,<br />
the Don Lee Network, the Yankee network<br />
and five TV stations.<br />
O'Neil said GT will promote development<br />
of a compatible pay TV system operating on<br />
the regular TV broadcast band. He said the<br />
move will give the public a chance to choose<br />
between free and pay TV programs. He said<br />
that opposition to pay TV was characterized<br />
by "arm-waving and shouting."<br />
"Two things will regulate the progress and<br />
impact of pay TV," he said. "One is the economic<br />
ceiling set by the amount people are<br />
willing to pay for home entertainment: the<br />
other is the body of government controls<br />
finally established to regulate this commerce.<br />
"Certainly there is no sound economic reason<br />
to connect the homes of this country with<br />
another set of wires when an efficient system<br />
of air broadcasting already exists. Tlierefore,<br />
the airlink system, because it is far less expensive<br />
and because it already has established<br />
a sound and workable relationship with government<br />
through the FCC. is the obvious<br />
route to a fully integrated and effective compatible<br />
pay TV system."<br />
ARGUES AGAINST MOVIE COSTS<br />
Without mentioning theatres. O'Neil argued<br />
that the public is paying too much in time<br />
and money for out-of-home entertainment.<br />
He said pay TV can eliminate costs such as<br />
baby-sitting, transportation and parking, reducing<br />
entertainment costs for an evening,<br />
including tickets, from S3 to 50 cents or $1.<br />
He also saw a saving in time, meaning more<br />
leisure hours for other pursuits such as reading,<br />
listening to the radio or watching free<br />
TV.<br />
"According to the best estimates of economists<br />
close to the facts," he said, "families<br />
can be expected to buy about as much pay<br />
entertainment by broadcasting in a week as<br />
they now pay for one evening of local outof-home<br />
entertainment."<br />
O'Neil itemized his argument against pay<br />
TV by cable. He said it could result in a direct<br />
burden to the public in two principal<br />
ways:<br />
1. The higher cost of transmitting the programs<br />
by closed-circuit wired system will<br />
Charles Boasberg Named<br />
Warnets Sales Chief<br />
'<br />
^j^^H<br />
NEW YORK—Charles Boasberg, veteran industry sales executive, will be the next<br />
general sales manager of Warner Bros., it was reliably reported Thursday (14). Official<br />
announcement of the appointment is<br />
expected shortly. Roy Haines, western<br />
division sales manager, who has been<br />
serving as general sales manager on a<br />
temporary basis for the last year, will return<br />
to his division post at his own request.<br />
He had agreed to occupy the top<br />
^ sales position until a replacement could<br />
^^^h be made. Boasberg's appointment will become<br />
effective January 1.<br />
CI ^^^^B Boasberg for the last ten months has<br />
f<br />
^^^^^H been with Paramount, serving as sales executive<br />
on "The Ten Commandments"<br />
Charles Boasberg for the last eight months. Prior to his<br />
Roy Haines<br />
affiliation with Paramount he was general<br />
sales manager of RKO Radio. He started with RKO as a salesman in 1936.<br />
result in a much higher price for the entertainment<br />
delivered.<br />
2. Insofar as the control of the transmission<br />
of clo-sed-cii-cuit wired TV will give effective<br />
control of the talent and events which are<br />
likely to be used for either pay or free TV.<br />
the closed-circuit wired system operators soon<br />
will have control of all of the program elements<br />
of telecasting whether they are free<br />
or toll because, free from FCC regulation,<br />
there could be a monopoly.<br />
"It is our belief." O'Neil said, "that the<br />
growth of closed-circuit theatre TV. the<br />
Bartlesville installations and other similar<br />
tests already have heralded the arrival of pay<br />
TV.<br />
"Now it remains to determine how and by<br />
whom this new avenue to finer cultural, social<br />
and intellectual communications will be<br />
administered. RKO Teleradio. for one. intends<br />
to accept this challenge."<br />
Arbifration<br />
Meet Set<br />
In New York Dec. 9<br />
NEW YORK—The next<br />
conference on<br />
arbitration will be held December 9. It<br />
formerly had been set as a tentative date.<br />
It has become a firm date with the following<br />
statement Tuesday (12) by the<br />
Motion Picture Ass'n of America.<br />
"All participants in the arbitration and<br />
conciliation conference have agreed on a<br />
new meeting date of December 9 at 2:30<br />
p.m. in the Motion Picture A.ss'n of<br />
America boardroom."<br />
Chicago Censorship<br />
Upset by High Court<br />
WASHINGTON—The U. S. Supreme Court<br />
this week unanimously and without hearing<br />
arguments overruled movie censors by striking<br />
down a Chicago ban against showing<br />
the prize-winning French film. "The Game<br />
of Love."<br />
The court made no comment on the case,<br />
except to note for reference its decision of<br />
last June upholding federal and state obscene<br />
literature laws.<br />
In that opinion, the high coiu-t held that<br />
"sex and obscenity are not synonymous." and<br />
warned that standards of judging must "safeguard<br />
the protection of freedom of speech<br />
and press for material which does not treat<br />
sex in a manner appealing to prui-ient interests<br />
(tending to incite lustful thoughts)."<br />
"The Game of Love" portrays the seduction<br />
of a teenage boy by an older woman and<br />
his later relations with a teenage girl of<br />
his own background. It has been shown in<br />
150 U. S. cities so far.<br />
The decision laid down no new ground<br />
rules. Previously, the Supreme Court has<br />
held that a state cannot ban a movie on<br />
grounds that it is sacrilegious or tends to promote<br />
crime. It has left open the question<br />
of obscene movies, and this question still is<br />
open, with each case apparently to be based<br />
on the specific circumstances, as also seems<br />
to be true of literature after the court's recent<br />
decision on obscenity in books and<br />
magazines.<br />
It was reported the Justices had a private<br />
showing of the film November 5.<br />
BOXOFFICE :: November 16, 1957
The people of<br />
Jerry Wald's<br />
eyton<br />
ace<br />
i<br />
are on the screen!<br />
Piinis available »ilh magOpticai sound Itie besl in Slefeophonic Sound<br />
COLOR by DE LUXE<br />
STAaRiNG<br />
I"<br />
HOPE<br />
n<br />
L[E<br />
t-<br />
LLOyO \|Di[ 1/ ARTHUR RUSS<br />
n<br />
VJ<br />
p
Peyton<br />
Place<br />
will<br />
never<br />
forget<br />
the day<br />
Constance<br />
found<br />
love!<br />
i-Ni.;
j<br />
on<br />
puUcScat^<br />
COMPO Popularizing Slogan<br />
Through Newspaper Journal<br />
-Get More Out of Life ... Go Out to a<br />
Movie" will per.'uade people to leave their<br />
homes and thereby benefit retail businesses<br />
that advertise in papers, latest ad in Editor<br />
& Publisher says; asks newspaper aid.<br />
*<br />
NTA to Purchase Control<br />
Of Associated Artists<br />
National Telefilm A.ssociates contracts to<br />
buy more than 50 per cent of the 1.639,000<br />
common shares outstanding of Associated<br />
Artists Production Corp., according to Ely<br />
A. Landau, board chairman, and Oliver A.<br />
Unger, president.<br />
Technicolor Nine-Month Net<br />
Is Reported As $591,850<br />
Earnings amounted to 29 cents a share on<br />
2,033,904 shares outstanding, according to<br />
Dr. Herbert Kalmus, president and general<br />
manager; figure compares with $1,026,000 or<br />
51 cents a share for 1956 period.<br />
•<br />
GPE '57 Earnings Double.<br />
Sales Rise 26 Per Cent<br />
General Precision Equipment Coi-p. sales<br />
and earnings showed a huge increase in the<br />
first nine months of 1957: consolidated net<br />
income was $3,616,977, compared with $1,-<br />
768,460 for the 1956 period; consolidated net<br />
sales for the 1957 period totaled $138,627,292<br />
against $109,703,459 in 1956.<br />
George J. Schaefer Is Seen<br />
New Todd-AO President<br />
Election expected at weekend of a successor<br />
to Henry Woodbridge who will return to<br />
American Optical Co.; Schaefer is well-known<br />
industry veteran, who has held executive<br />
posts with Paramount and United Artists and<br />
was RKO president.<br />
Harold L. Friedman Heads<br />
UA Records Company Sales<br />
Will develop national distribution program<br />
under supervision of Alfred H. Tamarin. executive<br />
a.ssistant to Pi'esident Max Youngstein;<br />
is former president of Record Guild of<br />
America and record company executive.<br />
*<br />
Goya's Life Will Be Filmed<br />
Under Three-Way Pact<br />
United Artists, MGM and Titanus of<br />
Italy will finance stoi-y of Spanish artist;<br />
UA will relexse it in U. S. and Canada, Titanus<br />
in Italy and MGM in rest of world;<br />
Titanus will produce in Technirama; Ava<br />
Gardner signed.<br />
Distributors to Increase<br />
Film Exports to Denmark<br />
Annual total per member company will<br />
ri.se from ten to 20 features as a result of a<br />
new deal with Danish government recently<br />
drawn up and formally approved during the<br />
week bv the MPEA board.<br />
10<br />
Rembusch, Para. Clash<br />
Over Conciliation Status<br />
NEW YORK—Paramount this week charged<br />
that Ti-ueman T. Rembusch. secretary-treasurer<br />
of Syndicate Theatres, Inc., of Indiana,<br />
was not asking for conciliation in good faith<br />
when he sought to conciliate certain problems<br />
that had arisen between Paramount<br />
and his circuit. The charge was made by<br />
Louis Phillips. Paramount's vice-president<br />
and general counsel, in replying to Rembusch's<br />
assertion that the distributing company<br />
had placed the industry's conciliation<br />
plan "in serious danger of being destroyed."<br />
Rembusch, in an open letter to the National<br />
Conciliation Committee, claimed that he had<br />
sought unsuccessfully to conciliate grievances<br />
with Paramount. Phillips said that Rembusch<br />
has contradicted the spirit of the<br />
conciliation plan as expressed in Section 1.<br />
which was adopted in "an endeavor to dispose<br />
of such controversies amicably, informally<br />
and quickly, and thereby to avoid<br />
arbitration or litigation wherever possible."<br />
REMBUSCH ISSUES RAISED<br />
"The very issues that Mr. Rembusch raises<br />
in his request for conciliation," Phillips declared,<br />
"are those involved in the litigation<br />
now pending between him and motion picture<br />
companies, as well as in the suit brought<br />
by Paramount against his company arising<br />
out of his innovation which permitted the<br />
public to 'The Ten Commandments' on a<br />
'pay what you choose' policy." Phillips asserted<br />
that Rembusch was not asking conciliation<br />
in good faith, but was trying to<br />
"build a record for himself with an eye perhaps<br />
to the court room."<br />
On November 1, Rembusch and J. P. Finneran,<br />
president of the circuit, jointly wrote<br />
a letter to Howard DeTamble, Indianapolis<br />
branch manager, which asked that the letter<br />
be considered as a request to conciliate Paramount's<br />
"refusal to solicit us locally on Paramount<br />
pictures, condition of traveling to Mr.<br />
Deneau's office (Sidney Deneau, western<br />
.sales manager!, prices and terms of Paramount<br />
pictures offered to our Mr. Finneran<br />
by your Mr. Gellman (Abe Gellman, Indianapolis<br />
salesman<br />
I September 20 last, guarantees<br />
and terms demanded by your Mr.<br />
Lefko (Morris Lefko, sales executive for 'The<br />
Ten Commandments'), for the showing of<br />
'The Ten Conmiandments' in our towns of<br />
Elwood and Columbus, and quotation on 'Ten<br />
Commandments' for Franklin and Batesville,<br />
Ind."<br />
DENE.-VU WRITES LETTER<br />
On November 7. Deneau wrote to Rembusch<br />
and told him that it had merely been suggested<br />
that Rembusch and Finneran visit<br />
the home office "to see if we could resolve<br />
our present difficulties." Citing the pending<br />
law suits between Paramount and Sjaidicate,<br />
Deneau said that Paramount did not believe<br />
"that it was intended that conciliation should<br />
proceed during the course of litigation to<br />
which it is related ... We have, therefore,<br />
come to the conclusion that no useful purpose<br />
would be served by going through the motions<br />
of a conciliation procedure which is intended<br />
to be participated in by both parties in good<br />
faith."<br />
In conclusion. Deneau wrote:<br />
"Finally, there have been no such negotiations<br />
for the licensing of 'The Ten Commandments'<br />
in Elwood. Columbus, Franklin<br />
and Batesville, as could lead you to the conclusion<br />
that a controversy had arisen between<br />
us which the conciliation procedure might<br />
solve; you haven't negotiated at all for 'The<br />
Ten Commandments' in these situations.<br />
"For all the foregoing reasons, to which we<br />
have given serious and considerable thought,<br />
we are constrained to decline to accept your<br />
personal request for conciliation at this time."<br />
In his letter to Paramount, Rembusch said<br />
that the basis for his claim that the company<br />
was putting the conciliation plan in danger<br />
w-as "Paramount's WTitten refusal to conciliate<br />
the differences between Paramount<br />
and this company as set out in a letter of<br />
request dated November . . .<br />
Paramount's<br />
1<br />
refusal to conciUate these items attests to<br />
their lack of good faith when they signed the<br />
conciliation agreement. Such lack of good<br />
faith upon the part of a distributor-signer,<br />
if not corrected, spells the end of national<br />
conciliation within the motion picture industry."<br />
To Release 'Raintree'<br />
On Continuous Basis<br />
NEW YORK — Bookings of "Raintree<br />
County" are being accepted by MGM in<br />
selected major cities to begin in December.<br />
It has had a world premiere and four regional<br />
premieres. The picture will be shown<br />
on a continuous policy judged best suited to<br />
regular theatre showings, according to Charles<br />
M. Reagan, vice-president and general sales<br />
manager.<br />
Between 15 and 20 cities -will be chosen. For<br />
its continuous presentations, the picture will<br />
run two hom-s and 48 minut€s. The present<br />
roadshow version runs three hours and five<br />
minutes.<br />
Reagan said the company had decided that<br />
more of the boxoffice potential can be realized<br />
through continuous presentation than<br />
through an extension of the reserved-seat<br />
policy. He recalled it had successfully handled<br />
"Quo Vadis" in that way.<br />
TOA Convention<br />
(Continued from page 6i<br />
of America, will speak at the opening day<br />
luncheon.<br />
The international tradeshow. drawing exhibits<br />
from 107 manufacturers and suppliers<br />
of theatre and concession equipment and supplies,<br />
will be the pivotal point of the convening<br />
groups. Business sessions have been<br />
so planned as to give delegates plenty of<br />
time to make the rounds of the tradeshow<br />
floor.<br />
The convention closes Saturday night with<br />
the Pi-esident's banquet, at which Coca-Cola<br />
will be the host. Pepsi-Cola will be host to a<br />
big party Friday evening, and National Carbon<br />
Co., as has been its custom for many<br />
years, will be host at a cocktail party preceding<br />
the closing banquet.<br />
BOXOFFICE November 16. 1957
I<br />
BREAKS DOWN<br />
NG TO BREAK TH<br />
I<br />
S DOWN!<br />
MEADLINE-HOT!<br />
Millions of moviegoer. .11<br />
and their women<br />
f°r this expose of .<br />
'n? ^^"^'^^^^<br />
^' '°°^^"^<br />
the trucking industry f<br />
with PATRICK ALLEN . screenplay by KEN HUGHES . Produced by MAXWELL SEHON • Directed by KEN HUGHES • A MAXWELL SETTON PRODUCTION<br />
HAUL YOURSELF DOWN TO THE EXCHANGE<br />
...AND BOOK THE BIG THRILLS FROM
'<br />
BETTER SELLING OF MIDDLE AREA<br />
QUALITY FILMS NEEDED<br />
J^jJjS JohnSlOIl lO ChU<br />
T liJi . t^rxr^r^ DfV+fiKoc Pfoducl Flow Sessloii<br />
I f\f\ ivIOFlV ^J00\J f IWlWf C3 MiLWAUKEE-Eiic Johnston, president<br />
f V^K^ f rl V« '^ ^j^g Motion Picture Ass'n of America. 1-<br />
Undersold: Wallerstein<br />
CHICAGO— Selling the wide, middle aiea<br />
of quality product and not just the blockbusters<br />
and "gimmick" attractions is the priority<br />
challenge confronting exhibitors as well<br />
as distributors today, says David B. Wallerstein.<br />
president of Balaban & Katz. "Too<br />
many good pictures in this category," he<br />
said, "come unheralded and go untapped of<br />
their rightful boxoffice potential."<br />
Wallerstein said further, "More national<br />
penetration and more resourceful local selling<br />
should have been directed to a number<br />
of the quality pictures that proved disappointments<br />
this year." He cited .such random<br />
examples as "Until They Sail," "An Affauto<br />
Remember" and "Twelve Angry Men." According<br />
to Wallerstein, this is the only way<br />
to broaden the base of audience selectivity—<br />
to expand the "want-to-see" now existing<br />
only for the big ones and the offbeat film.<br />
PITCH MADE TO PRESS<br />
His pitch was made primarily to the newspapers<br />
here which are actively participating<br />
in the Golden Jubilee month celebration. The<br />
press was urged to focus attention on all the<br />
November attractions, through direct publicity<br />
as well as through the institutional<br />
angle of the Golden Jubilee.<br />
Starting November 1, the newspapers have<br />
been running institutional ads across the<br />
movie pages daily, urging moviegoers to "enjoy<br />
the finest motion pictures in Hollywood's<br />
50 years." For the Chicago Tribune this represented<br />
a precedent. The Tribune plans institutional<br />
display ads citing the advantages<br />
of movie enjoyment in theatres as well as<br />
the quality of today's attractions. Publicitywise,<br />
all of the papers are giving movie news<br />
unprecedented space and attention. And offpage<br />
promotion ads are being used to attract<br />
readers to the movie page.<br />
PLUG COMPETITORS' FILMS<br />
Wallerstein pointed out that in spearheading<br />
the effort, B&K did not confine attention<br />
to films booked at B&K houses. The State<br />
Street Council's around-the-clock radio announcemenUs,<br />
now devoted to current movies,<br />
covers competitive attractions such as "Raintree<br />
County" and "Les Girls," as well as B&K<br />
attractions. "Pal Joey," "Time Limit" and<br />
"Operation Mad Ball." In planting publicity<br />
layouts and features, B&K publicists even<br />
serviced the opposition's material.<br />
The Chicago effort, Wallerstein stated, will<br />
not stop with November. Selling product, picture<br />
by picture, will continue to be the company's<br />
major effort. And this will not be confined<br />
to the big ones of the Christmas season<br />
like "Sayonara" and "Don't Go Near the<br />
Water." He .said just as much effort will go<br />
into the campaigns for "Bombers B-52," "The<br />
Sad Sack" and "My Man Godfrey."<br />
Fox Ties in Zanuck Film<br />
NEW YORK- The 19.S8<br />
World Wide Travel<br />
Fair at the Coliseum next spring and 20th<br />
Century-Fox will sponsor an all-expense-paid<br />
global de luxe tour for two visitors to the fair.<br />
It will be a promotion for Darryl F. Zanuck's<br />
forthcoming "Deluxe Tour."<br />
12<br />
May Set a Date Shortly<br />
On Orderly Releasing<br />
NEW YORK—A date may be set within<br />
a few days for the industry conference on<br />
the problem of orderly distribution of<br />
quality films urged by Leonard H. Goldenson.<br />
president, and Edward L. Hyman,<br />
vice-president, of American Broadcasting-Paramount<br />
Theatres.<br />
Hyman said early in the week that it<br />
will be held during the month. He had<br />
just returned from a business trip and<br />
had not had the opportunity to complete<br />
arrangements.<br />
"I have been overwhelmed with responses<br />
from all segments of the industry,"<br />
he said.<br />
The original plan called for a conference<br />
only of distribution heads. Exhibitor<br />
interest was so great, however,<br />
that it was expanded to include that<br />
branch of the industry. Exhibitors are<br />
expected to encourage distribution action<br />
by guaranteeing top terms and additional<br />
playing time.<br />
"Widening the interest in motion pictures<br />
generally, not in the blockbusters only, is the<br />
one positive approach to business-building,"<br />
concluded Wallerstein. "Tliis," he noted,<br />
"calls for showmanship more than slogans."<br />
Wallerstein, incidentally, issued a flat denial<br />
to the rumor that B&K is closing more theatres.<br />
He reiterated that the closing of the<br />
Belpark, Senate and Norshore did not denote<br />
panic or a lack of faith in the movie business;<br />
only that B&K is logically observing<br />
such conditions as changes in neighborhoods<br />
and the fact that there aren't enough pictures<br />
to keep so many theatres going. Wallerstein<br />
mentioned that for every theatre which has<br />
closed within the past year or two, there are<br />
still from one to three in the area which are<br />
in operation. In addition, he reviewed the<br />
fact that over the past five years B&K has<br />
done considerable refurbishing, such as putting<br />
up new marquees, theatre fronts, and<br />
installing the best in new equipment.<br />
In emphasizing the plan to continue with<br />
the promotion which was instituted on behalf<br />
of the Golden Jubilee Month, Wallerstein did<br />
stress the importance of making an all-out<br />
effort to revitalize the movie business. "Let's<br />
not kid ourselves," he said, "business isn't<br />
what we would like it to be. and in order to<br />
revitalize it we can't take a lax attitude. We<br />
are going to have to work hard to find ways<br />
and means to promote it and we are going<br />
to have to exert every effort possible to get<br />
business and to keep it going."<br />
Astor Has Xmas Cartoon<br />
NEW YORK— Astor Pictures has<br />
acquired<br />
the Technicolor cartoon. "Rudolph the Red-<br />
Nosed Reindeer." animated by Max Fleischer,<br />
for Christmas release.<br />
been urged to take the initiative in calling a<br />
meeting of presidents and sales managers of<br />
the film companies and exhibitor leaders to<br />
take up the problem of orderly releasing of<br />
top product.<br />
He was so urged by Ben Marcus, president<br />
of Allied Theatres of Wisconsin and one-time<br />
president of Allied States Ass'n, in a letter<br />
made public this week. A conference of this<br />
nature had been suggested several weeks ago<br />
by Leonard Goldenson. president of AB-PT,<br />
and Edward L. Hyman, vice-president and<br />
theatre head of the organization.<br />
Marcus said that at the Allied convention<br />
it was generally agreed that the "alarming<br />
drop in theatre attendance is no longer entirely<br />
due to television or other competing<br />
media, but the unavailability of a steady flow<br />
and orderly supply of good motion pictures<br />
into the theatres of America."<br />
He declared that the practice by most<br />
majors—with the exception of 20th Century-<br />
Fox and Universal—to withhold the release<br />
of good boxoffice pictures on regular availability,<br />
and release them only on a seasonal<br />
or holiday basis, "will destroy not only the<br />
American motion picture theatre as we know<br />
it today, but will also destroy the producers<br />
and distributors at the same time."<br />
He told the MPAA chief that "by not keeping<br />
a steady supply of good motion pictures<br />
flowing through the theatres, we are teaching<br />
our audiences to stay away from the<br />
theatres and keeping them at home near<br />
their television sets."<br />
An industry conference, presided over by<br />
Johnston, Marcus said, could render a gi-eat<br />
service to all phases of the industi-y.<br />
Louis B. Mayer Estate<br />
Valued at $13 Million<br />
HOLLYWOOD—Louis B. Mayer left an<br />
estate valued at more than $13,000,000, with<br />
the bulk of it going to the Louis B. Mayer<br />
Foundation, a charitable organization founded<br />
during his lifetime. The one-time MGM production<br />
chiefs will was filed for probate in<br />
superior court this week.<br />
The largest single bequest of the residue of<br />
the estate was to his widow, the former Lorena<br />
Danker, to whom he left $750,000. Other<br />
beneficiaries were his younger daughter, Irene<br />
Selznick, and his adopted daughter Suzanne<br />
Mayer, who were left $500,000 each: his sister,<br />
Mrs. Ida Cummings, who received a lifetime<br />
income of $400 per month: Mrs. Mitzie<br />
C. Fielding (Mrs. Cumming's daughter), $25,-<br />
000: Jack Cummings. $100,000: Mrs. Mayer's<br />
brother, sister and aunt, $10,000 each: Irene<br />
Selznick's sons, a trust fund of $500,000: Howard<br />
Strickling. head of MGM publicity. $50,-<br />
000: Myron Fox, Mayer's busiiiess adviser,<br />
$50,000: Helene Delson. his secretary, $10,-<br />
000; and six household sei-vants were bequeathed<br />
sums ranging from $2,500 to $5.-<br />
000 each.<br />
There was no bequest for his daughter,<br />
Edith, wife of the producer William Goetz.<br />
Mayer's explanation in the will for this act<br />
was" that during his lifetime he had given<br />
the Goetz family "extremely substantial assistance<br />
through gifts and financial assistance<br />
to my daughter's husband and through advancement<br />
of his career."<br />
BOXOFFICE November 16, 1957
THEATRE OWNERS i|PPROV<br />
^/itenyiatlo/iczl<br />
OPENING 75 THEATRES IN TEXAS including INTERSTATE THEATRES CO., ROWLEY UNITED and JEFFERSON<br />
AMUSEMENT THEATRES on November 28, 1957<br />
OPENING WARNER THEATRE, OKLAHOMA CITY - PLUS 50 VIDEO INDEPENDENT THEATRES, December 12, 1957<br />
OPENING PARAMOUNT and FENWAY THEATRES, BOSTON - PLUS 55 OTHER THEATRES THROUGHOUT NEW<br />
ENGLAND on January 15, 1958<br />
OPENING STANLEY WARNER, ALHAMBRA THEATRE, MILWAUKEE on November 28, 1957<br />
DY OF A BOY! MIND OF A MONSTER!<br />
SOUL OF AN UNEARTHLY THINGI<br />
I WASA<br />
IeEHAGE<br />
/<br />
I<br />
starring<br />
TfflYLirCOATES .<br />
ROBERT BURTON • GARY CONWAY<br />
Sandra HARRISON • Louise LEWIS<br />
Pn)itBce
BETWEEN THE LINES = By AL STEEN<br />
Convention Capers<br />
n S this issue of BOXOFFICE goes to press,<br />
the curtain is about to go up on the<br />
annual Theatre Owners of America's convention<br />
in Miami Beach. The convention<br />
marks the 10th anniversary of TOA. Prior<br />
to 1947, for a brief period, the organization<br />
was known as American Theatres Ass'n<br />
and. before that. Motion Picture Theatre<br />
Owners of America.<br />
Over the years, we've attended the conventions<br />
of all three. And. while in a mellow<br />
mood recently, we delved back in our<br />
memory to past conclaves and to some incidents<br />
thereof.<br />
« • •<br />
There was the time in Oklahoma City<br />
when the MPTOA was about to wind up<br />
its final session. The late Ed Kuykendall.<br />
who was president for more years than<br />
most industryites can remember, asked for<br />
a motion to adjourn. Before a motion<br />
could be made, somebody in the back of<br />
the room got up and said, "Why are we always<br />
feuding with Allied? Why don't we<br />
merge?" The statement came as such a<br />
thunderbolt that Kuykendall was caught<br />
off guard. He stammered, "Well, maybe it<br />
might be a good idea. I wouldn't be opposed<br />
to it. if we could get together." The<br />
trade press played it up and. as far as we<br />
can recall, that was the first suggestion of<br />
a merger. This happened in 1938. The subject<br />
still is being discussed.<br />
» • *<br />
Going back further, the MPTOA once<br />
held a convention in Toronto where the<br />
association officially admitted affiliated<br />
theatres to membership. It was that move<br />
that tired the late Al Steffes. the late H. M.<br />
Richey. Col. H. A. Cole and others and<br />
which led. formally, to the formation of<br />
Allied States Ass'n. although a skeleton<br />
organization had been set up previously.<br />
On the way back, the "rebels" had a drawing<br />
room and as the train reached the Canadian-U.<br />
S. border, customs officers got<br />
aboard for their regular duties. It was in<br />
prohibition days and one officer asked<br />
Steffes if he was bringing over any liquor.<br />
Big. gruff Steffes replied. "Sure, the upper<br />
berth is full of it." The officer was pretty<br />
sure Steffes was joking but. just to make<br />
sure, he pulled down the upr>er berth. It<br />
was loaded with every kind of bottled goods<br />
obtainable in Canada. The roars of laughter<br />
could be heard throughout the train.<br />
It so happened that the Pullman porter was<br />
doing a little smuggling on the side.<br />
• • •<br />
At a convention in St. Louis, the late<br />
Dick Biechele. then the president of the<br />
Kansas-Missouri unit, was late getting to<br />
the wind-up banquet. He finally got<br />
dressed, rushed downstairs and took the<br />
sole empty .seat on the dais. He gobbled up<br />
the fruit cup, rushed through the soup<br />
course and then looked around. He didn't<br />
14<br />
recognize anybody. He pulled the sleeve<br />
of the waiter and whispered. "Is this the<br />
theatre owners' banquet?" The waiter replied.<br />
"No. this is the hardware dealers'<br />
convention. The theatre men are in the<br />
banquet room across the hall."<br />
* * •<br />
At a cocktail party in Chicago's Conrad<br />
Hilton Hotel during a TOA convention a<br />
couple of years ago. we got to talking with<br />
a vei-y genial gentleman. He really was<br />
enjoying himself, but he avoided every<br />
question we asked if it concerned the industry.<br />
Finally he confessed.<br />
"Listen." he said. "I live in Evanston.<br />
It was raining. I stepped under the hotel<br />
canopy to keep from getting wet. A lot of<br />
people were standing around and I got to<br />
talking to them. Suddenly somebody said<br />
something about National Carbon and that<br />
the party was about to begin. A man and<br />
his wife took each of my arms and brought<br />
me here. Who the hell is National Carbon?<br />
I sell diapers. But don't tell anybody. I'm<br />
having fun."<br />
« « «<br />
Shortly after the end of World War II.<br />
TOA, or maybe it was ATA, held a convention<br />
at the Ambassador Hotel in Los Angeles.<br />
One night there was a party at one<br />
of the studios and the delegates and their<br />
wives gathered at the auto entrance where<br />
they were to board buses for the trip to the<br />
lot. One woman was standing alone and an<br />
officer of the association and his wife invited<br />
her to join them, thinking she was an<br />
exhibitor or the wife of an exhibitor. The<br />
lone lady accepted and was shown every<br />
courtesy throughout the evening. When the<br />
party returned to the hotel later that night,<br />
it was learned that the lone wolverine was<br />
a rather well known "lady of the evening."<br />
• • •<br />
At the TOA convention in Houston in<br />
1950. the late Gael Sullivan, then executive<br />
secretai-y of the organization, was watching<br />
a porter cleaning up one of the meeting<br />
rooms. To make conversation. Gael remarked.<br />
"Sweeping out the room, eh?" The<br />
porter gave him a dirty look and replied.<br />
"No. I'm sweeping out the mess you guys<br />
made. I'm leaving the room as it was."<br />
We'll Take Manila<br />
IT'S always nice to report good news, even<br />
it doesn't concern business in our own<br />
if<br />
country. Sebastian C. Palanca. who will<br />
open a brand new theatre in Manila next<br />
month, dropped into our office this week.<br />
Being a sub.scriber. he didn't want to miss<br />
an issue of BOXOFFICE. (We had to get<br />
that plug in.)<br />
Anyway, he reported that the Ever Theatre<br />
in Manila, a 1.500-seat house, took in<br />
$130,000 1260.000 pesos) in eight days with<br />
Paramount's "Gun Fight at the O.K. Corral."<br />
We repeat—$130,000 in eight days in<br />
a 1,500-seater. Man. that's business!<br />
Allied Arlisls Reports<br />
Gross, Net Gain in '57<br />
HOLLYWOOD - Operations of Allied<br />
Arti.sts Pictures Coi-p. and its wholly owned<br />
.subsidiaries for the fii'st quarter of the present<br />
fiscal year, ending Sept. 28, 1957. resulted<br />
in a net profit before federal income<br />
taxes of $90,800, stockholders were informed<br />
at the company's annual meeting at the<br />
studio Wednesday (13).<br />
This amount compares with a net loss before<br />
federal income taxes of SIOO.OOO for the<br />
corresponding quarter of the previous year.<br />
No provision for federal income taxes was<br />
made in the quarter ended Sept. 28. 1957. because<br />
of a loss carry forward credit of approximately<br />
$775,000 which can be applied<br />
against profits of the current fiscal year. The<br />
gross income in the respective quarters<br />
showed $4,894,000 in the quarter ended Sept<br />
28. 1957. compared with $4,552,000 in the corre.sponding<br />
quarter in 1956.<br />
The meeting was presided over by George<br />
D. Burrows, executive vice-president and<br />
treasurer, due to the absence of the president,<br />
Steve Broidy, who is recuperating from injuries<br />
suffered in an automobile accident.<br />
The following dii-ectors were elected for the<br />
coming year: G. Ralph Branton. Steve<br />
Broidy, George D. Burrows, Sherrill Corwin,<br />
W. Ray Johnston, Edward Morey. Paul Porzelt.<br />
Herman Rifkin and Norton V. Ritchey.<br />
Following the stockholders meeting the<br />
board of directors met and re-elected all of<br />
the present officers. Announcement was made<br />
at the board meeting that the executive committee<br />
of the board had. on Aug. 5, 1957.<br />
authorized the payment of the Dec. 15, 1957<br />
quarterly dividend of 13 "-4 cents per share on<br />
the company's 5'l- per cent cumulative convertible<br />
preferred stock. Payment will be made<br />
to stockholders of record Dec. 3. 1957.<br />
Grimm Heads Advertising<br />
And Publicity for RKO<br />
NEW YORK—Ben Grimm has been named<br />
manager of RKO worldwide advertising and<br />
publicity and Fred<br />
Lutkin has been made<br />
associate manager in<br />
the .same field by Walter<br />
E. Branson, vicepresident<br />
in charge of<br />
worldwide distribution.<br />
Grimm has been<br />
RKO advertising manager<br />
for many years.<br />
He has now taken over<br />
the direction of publicity<br />
activities handled<br />
by Alfred Stern, who<br />
Ben Grimm<br />
left the company November<br />
8. Lutkin has been business manager<br />
in charge of cooperative advertising.<br />
20th-Fox Easter Release<br />
LOS ANGELES—20lh Century-Fox has designated<br />
"The Long. Hot Summer." the Jerry<br />
Wald production, as its Easter release. The<br />
studio is also considering world-premiering<br />
the picture in Baton Rouge, where the film<br />
was lensed and 700 residents worked as extras.<br />
The picture toplines Paul Newman. Joanne<br />
Woodward. Anthony Franciosa and Orson<br />
Welles. Martin Ritt directed.<br />
BOXOFFICE November 16. 1957
National Theatres, WB<br />
In Cinemiracle Pact<br />
HOLLYWOOD—Jack L.<br />
Warner, president<br />
of Warner Bros. Pictures, and Elmer C.<br />
Rhoden. president of National Tlieatres, Inc.,<br />
this week revealed that their companies will<br />
join in the filming and presentation in the<br />
new Cinemiracle medium of the famed Max<br />
Reinhardt play "The Miracle."<br />
The picture will be the first of a number of<br />
multimillion dollar productions to be filmed<br />
and presented in the new dimension of picture<br />
presentation, they announced.<br />
Because of the importance of this first<br />
Warner Bros, production in the Cinemiracle<br />
medium and other Cinemiracle productions<br />
involved in the Warner Bros. -National Theatres<br />
deal, all will be planned for long-playing<br />
roadshow engagements.<br />
Both Warner and Rhoden hailed the forthcoming<br />
filming of world-famous story properties<br />
in the medium as a new advance in<br />
motion picture technology comparable to<br />
Warners' creation of the talking motion picture,<br />
also expressing satisfaction in the association<br />
of their companies.<br />
"This Indeed is a forward step in a new<br />
era of motion picture presentation," Warner<br />
said. "With the scope and size of production<br />
made possible by Cinemiracle, audiences will<br />
be able to view a screen presentation of 'The<br />
Miracle' as clear, magnificent and life-like<br />
in dimension as Reinhardt created for the<br />
theatre," Rhoden added.<br />
Production of "The Miracle" is scheduled to<br />
start early in 1958.<br />
Teenagers Prefer Theatre<br />
To Seeing TV Movies Free<br />
NEW YORK—Three out of four teenagers<br />
prefer to pay to see motion pictures in theatres<br />
than watch them free on television<br />
screens, according to Lester Rand, president<br />
of the Youth Research Institute.<br />
Rand has conducted a survey which shows,<br />
he said, that 59 per cent of the teenagers<br />
consider movies better entertainment, 42 per<br />
cent like the fact there are no inten-uptions<br />
by commercial announcements, 60 per cent<br />
admire particular stars and 29 per cent cited<br />
few distractions.<br />
It also developed that teenagers like to get<br />
out of the home and be among themselves.<br />
The theatres are considered preferable meeting<br />
places to street corners, and admission<br />
prices are not considered too high. They ahso<br />
feel more of a sense of participation while<br />
watching movies than television, and they<br />
have nominated few TV personalities as<br />
"heroes."<br />
Rand quoted the minority preferring TV as<br />
saying they could watch it while lying down<br />
and while talking on the telephone, that the<br />
different channels gave them a variety of entertainment<br />
to choose between and that it<br />
was free entertainment.<br />
Rand also said teenagers are now skeptical<br />
about the TV commercials, and are sometimes<br />
embarrassed to think that at a younger<br />
age they believed them and urged their parents<br />
to buy various advertised commodities<br />
such as cereals and desserts. Now they look<br />
down on the pre-teenagers whom they consider<br />
gullible. On the other hand, many of<br />
the singing commercials on radio are liked,<br />
Rand said.<br />
INDUSTRY<br />
PROFILE<br />
^»''
—<br />
LETTERS<br />
Wants Positive Thinking<br />
Have just finished reading your excellent<br />
coverage of the Allied States Ass'n meeting<br />
at Kiamesha Lake, N. Y. May I state, as an<br />
exhibitor, my sheer disgust at the antics of<br />
those renowned officials who. in my opinion<br />
did not come up with one solid, constructive<br />
idea to solve the motion picture theatre<br />
slump.<br />
All they did was give out with the same,<br />
tired, verbal bombast against the film companies—again<br />
trying to prove that the producers-distributors<br />
are solely responsible for<br />
all the exhibitor's troubles Naturally, the<br />
easiest way to solve any problem is to blame<br />
it on someone else.<br />
I was particularly incensed by Mr. Rube<br />
Shor's tirade wherein he stated positively that<br />
the film distributors were actually seeking<br />
to eliminate the small theatres from the industry.<br />
I challenge that statement. How any clear<br />
thinking business man, with years of experience<br />
in his field, could po.ssibly make a<br />
statement like that, is beyond my comprehension.<br />
What could the film companies<br />
gain by a move Uke that, except a<br />
shocking loss of revenue? And, don't let Mr.<br />
Shor tell me that's what they want—to deliberately<br />
deprive themselves of money!<br />
Let me state some facts concerning myself<br />
in relation to the film companies. I own<br />
and operate a small—only 350-seat—closed<br />
theatre in a seasonal rural community. My<br />
film rental varies per picture from $15 to<br />
$20 top. It should be quite obvious to anyone<br />
that income from my situation is an infinitesimal<br />
item to the producers and distributors.<br />
They could certainly sui-vive without<br />
my account on their books. Yet I have<br />
always received the utmcst in consideration,<br />
courtesy and cooperation from every one of<br />
them. And I deal with all of the major and<br />
minor companies.<br />
Each of them, without exception, has gone<br />
out of the way at one time or another to help<br />
me in every possible way. Not one of them<br />
has ever deliberately turned me down on a<br />
booking date or on the sale of a picture.<br />
Just last week. Paramount advised me they<br />
couldn't fill my December 3, 4 playdate on<br />
"Loving You," due to print congestion, but<br />
offered me December 8, 9. Today they advised<br />
me that, due to a cancellation, the playdate<br />
of December 3, 4 was okay. If this is an<br />
example of deliberately withholding prints<br />
from small theatres, as was charged by Mr.<br />
Shor and Mr. Adams, then I'll eat it.<br />
During the past summer, I went through a<br />
remodeling and renovation and the theatre<br />
was closed down. I ran into some contractor<br />
trouble and for a time the work was delayed.<br />
All of the film salesmen were down at the<br />
theatre from time to time and each one of<br />
them expressed a heartfelt concern and interest<br />
in my problems and assured me that<br />
anything they could do to help in any way<br />
to get me started on time for my opening<br />
date, they would be glad to do. Their cooperation<br />
was wonderful and I'll always be grateful<br />
to them.<br />
As for the Allied blast at Paramount for not<br />
putting "The Ten Commandments" into general<br />
release now. I don't blame Paramount a<br />
bit. Let the public pay for something that is<br />
so truly great and magnificent as this motion<br />
picture. The general public doesn't mind<br />
paying increased costs of new cars, TV and<br />
new gadgets and appliances. Only, when it<br />
comes to entertainment—they expect it for<br />
nothing the way it is being fed to them via<br />
television channels, or a mere pittance when<br />
they finally decide to move out of the living<br />
room to attend a beautiful, modern, air conditioned<br />
theatre.<br />
No other industry has so pampered and<br />
catered to and spoiled the public. 'We have<br />
always given them the finest entertainment<br />
while we have been used as baby sitters, have<br />
been called upon for every charity drive and a<br />
hundred other functions, without recompense.<br />
And in return, moneywise, we have always<br />
given them the greatest value for their money.<br />
Now they want everything free. What other<br />
industry in existence gives its merchandise<br />
to the public for nothing? Let Mr. Shor and<br />
Mr. Gordon and their brother members of<br />
Allied States Ass'n wake up and start thinking<br />
a little less negatively and a little more<br />
positively and stop berating the film companies.<br />
They are doing a tough job to the<br />
best of their ability!<br />
Midway Theatres, Inc.,<br />
Perrine. Fla.<br />
PHILIP COHNSTEIN<br />
Urges Pride in Our Industry<br />
Are we in an industry we are ashamed of?<br />
After being raised in a motion picture<br />
theatre, I am fast becoming that way. I love<br />
this business and want to keep loving it. We<br />
serve a real need in the American way of<br />
life . . . "the pursuit of happiness." But, we<br />
are heading for a reputation of being "bad"—<br />
both morally and in taste.<br />
I have just read an article by Harold Blake<br />
Walker in Presbyterian Life. In the same<br />
paragraph he lists motion pictures along<br />
with pulp magazines, night clubs and beer<br />
parlors. Do you like that? I don't.<br />
However, with .so much of the type of<br />
product being offered today, he's right! And<br />
I'll be quoting him down through this letter.<br />
It was not his intention to single out the<br />
faults of the motion picture industry in his<br />
statements, but it is MY concern and that's<br />
what I'll dwell on.<br />
The cycle in motion pictures today seems<br />
to be dope, horror and teenage violence.<br />
That's what they want—so that's what we'll<br />
give them! If it sells tickets, it's okay! The<br />
decisive consideration is not what is good, but<br />
whether it is popular. People have an inward<br />
desire to see this type of picture, so we are<br />
doing our part by designing our pictures to<br />
satisfy this hidden desire. Some people have<br />
a desire for dope. It is provided for them by<br />
dope smugglers for money. Are we any better<br />
in providing "reel dope" for their minds<br />
for money? Let's face it.<br />
Sure, we're in this business to make money,<br />
but most of us are in it, too, because we<br />
love the business and would like to feel we<br />
have a responsibility to our fellow man. Are<br />
we providing a service to mankind by giving<br />
them dope, horror and violence?<br />
In the first place, this type of picture is<br />
not really an answer to the public's desire.<br />
In the end, these pictures leave their confu.sed<br />
and worried minds more confused and<br />
worried, filled with less and less of what<br />
could be worthwhile entertainment. I am not<br />
saying these types of pictures should be outlawed,<br />
but they should be handled with "kid<br />
gloves," and spaced carefully in release.<br />
Many of the pictures today are perfectly<br />
okay morally, but the advertising throws<br />
them to the other side of the tracks. Advertising<br />
and publicity have gone to such lengths<br />
that we almost EXPECT to be deceived nowa-days.<br />
A man who does the least bit of<br />
thinking, for example, will not expect the<br />
distillers to disclose to him the truth about<br />
the effects of alcohol. As a matter of fact,<br />
the word "alcohol" is seldom mentioned in a<br />
liquor ad—except in small type. But, we're<br />
different: Be sure to put a girl in the ad—<br />
and with a low, low cut blouse, plus a gun.<br />
cigaret or glass of champagne—whether there<br />
are any girls in the picture or not! Even a<br />
cowboy has to have a halfdressed female<br />
hanging on his saddle.<br />
Remember "Teenage Rebel"? Remember<br />
the ads? In the Sindlinger report published<br />
this week, it shows that 38.6 per cent said,<br />
"There was nothing playing I wanted to<br />
see." How could they tell from the advertising<br />
what they were going to see?<br />
And, what about news releases? On page<br />
one of papers all over the countrj- were<br />
headlines heralding the scandal magazine<br />
trials. ONCE—over on another page and hard<br />
to find—was a picture of George Murphy<br />
and Ronald Reagan doing something about<br />
this thing. Just what, I'm not sure, because<br />
that's all I ever saw of it. I'm sure there's<br />
a lot of GOOD publicity that could make<br />
the headlines, if COMPO or TOA or Allied<br />
would push it.<br />
Life has to be organized—or disorganized—<br />
around something. It may be bu.siness or<br />
personal ambition. These may be our gods,<br />
and around them oui- world revolves—and<br />
God pity whatever gets in the way. But<br />
somehow, life does not hold together when<br />
it is cluttered with our ambitions and our<br />
possessions. It takes a moral responsibility<br />
to keep life ordered and thinking sound,<br />
and to save us from the sterility of .success<br />
without serenity, achievement without affection<br />
and goodness without God.<br />
I know there are many, many men and<br />
women in this industiy who feel as I do. We<br />
love this business, know we can serve a real<br />
need to the American way of life—and it can<br />
be good, not corrupt. Why not write to your<br />
trade papers, to your state and national<br />
organizations, to the producers—but WRITE!<br />
There's nothing wrong with this business<br />
that good, family pictures can't cure. "Tammy<br />
and the Bachelor," "The Story of Mankind,"<br />
"The Diary of Anne Frank," "All Mine to<br />
Give," "A Man Called Peter," etc. These,<br />
coupled with good advertising and publicity<br />
can make us an industry to be proud of.<br />
KELLY A. CRAWFORD<br />
Allen Theatres,<br />
Farmington, N. M.<br />
Won't See Film<br />
Without Color<br />
iun a bart«ider in a small town ten miles<br />
I<br />
from Holland, Mich. Although not in the<br />
business. I am an inveterate movie fan.<br />
I thought you might be interested in an<br />
exchange I had with a young customer.<br />
Customer: Have you seen that show at the<br />
Holland yet? ("Operation Mad Ball.")<br />
Bartender: Yes.<br />
Customer: How was it?<br />
Bartender: I thought it was very funny.<br />
Customer: But it isn't in color, is it?<br />
Bartender: No.<br />
Customer: Well, then, the hell with it!<br />
Saugatuck, Mich.<br />
JACK REPP<br />
16<br />
BOXOFFICE November 16. 1957
Co.,<br />
Yates Charges Fraud<br />
Aim in Essex Deal<br />
NEW YORK—Herbert J. Yates, president<br />
of Republic, has replied in New York Federal<br />
Coiu-t to the Essex Universal Corp. suit<br />
charging him with failure to honor a contract<br />
for the sale of 566,223 shares of Republic<br />
common stock to Essex.<br />
Yates claimed that the contract no longer<br />
had force because it was discovered that<br />
Essex was not acting, as stipulated in the contract,<br />
"in the best interests of Republic and<br />
its stockholders." Among other things, he<br />
charged a lack of funds with which to make<br />
the payments called for in the contract and<br />
a promise, not lived up to, to try to engage<br />
"the sei-vices of one Sol Schwartz, an individual<br />
with extensive experience in the motion<br />
picture industry." Schwartz was not<br />
otherwise identified.<br />
Before the contract was closed,<br />
Yates said,<br />
he had information of an intent to defraud.<br />
He said Essex had begun negotiations with<br />
a third party "for an agreement whereby the<br />
third party would lend or pay money to Essex<br />
Universal to enable Essex Universal to pay<br />
all or part of the purchase price for said<br />
shares of stock and whereby Essex Universal<br />
would agree, in consideration therefor, to<br />
cause Republic to sell or license motion pictures<br />
produced by Republic to such third<br />
party at prices much less than could be obtained<br />
therefor from others pursuant to arms<br />
length bargaining."<br />
Yates also charged Essex with planning to<br />
sell assets to Republic at more than their<br />
true worth, thereby enabling Essex "to acquire<br />
monies sufficient to pay all or part of<br />
the purchase price for said shares of stock."<br />
He claimed damages of $106,120 resulting<br />
from the Essex suit.<br />
Halt Attendance Declines-<br />
Adult Admissions Up<br />
RIDLEY PARK, PA.—For the first time<br />
in ten weeks, the downward trend of attendance<br />
at motion picture theatres has<br />
halted. A. Sindlinger<br />
, analysts, reported<br />
this week that for the seven days<br />
ending November 2, total paid adult attendance<br />
was up 5.4 per cent over the<br />
preceding week.<br />
This rise in attendance was noted<br />
throughout the country, with the exception<br />
of the Midwest. In this area, indoor<br />
theatre attendance increased, but<br />
the decline in drive-in admissions continued.<br />
Weather conditions were a factor in<br />
the lower drive-in attendance.<br />
Sindlinger reported the lai-gest boxoffice<br />
rise was in the East where total adult<br />
paid attendance increased by approximately<br />
14 per cent.<br />
The recession in the Asiatic flu scare<br />
is considered to be the major factor in<br />
the upped attendance. Sindlinger interviewers<br />
who daily quei-y over 1,000 Individuals<br />
in 238 U. S. counties, about topics<br />
they talk about reported in the weeks<br />
ending October 17 to 24 that Asiatic flu<br />
was in sixth and fourth place respectively<br />
among the most talked-about subjects.<br />
In the w^eek ending November 2, the subject<br />
fell to 14th place.<br />
AT 'TEN<br />
COMMANDMENTS' BIRTHDAY PARTY<br />
Balaban Says High Budgets<br />
Shouldn't Scare Producers<br />
Celebrating the start of the second year<br />
of "The Ten Commandments" at the Criterion<br />
Theatre on Broadway. Martha<br />
Scott, who plays Moses' mother in the<br />
picture, cuts the birthday cake, while<br />
Charles Moss, executive director of the<br />
theatre (left), and Barney Balaban,<br />
Paramount Pictures president, look on.<br />
List Industries Earnings<br />
Up for Nine-Month Period<br />
NEW YORK—The consolidated earnings of<br />
List Industries Corp. and subsidiaries<br />
amounted to $1,670,284 for the nine months<br />
ended Sept. 30, 1957, compared to $430,-<br />
035 for the nine months ended Sept.<br />
30, 1956. List Industries was formerly RKO<br />
Theatres Corp.<br />
The 1957 figui-e includes profit of $598,-<br />
929 on sales of properties and amounts to 38<br />
cents per share, compared to 14 cents per<br />
share based on the number of shares outstanding<br />
at the beginning of the year 1956.<br />
according to Dudley G. Layman, financial<br />
vice-president.<br />
F^-ovisions for depreciation and similiar<br />
non-cash charges made against earnings were<br />
approximately $2,396,000 during the first nine<br />
months of 1957, compared to $2,095,000 during<br />
the first nine months of 1956.<br />
List Industries purchased approximately<br />
140,000 shares of its stock from David J.<br />
Greene and certain of his associates November<br />
11.<br />
Astor to Become Columbia<br />
Distribution Consultant<br />
NEW YORK—Louis Astor, home office<br />
sales executive of Columbia since 1933, will<br />
go on a consultant basis with the company<br />
after December 31. according to A. Montague,<br />
vice-president in charge of distribution, and<br />
Rube Jackter, general sales manager. His<br />
contract is being changed so that the company<br />
will be assured of the continuing benefits<br />
of his experience, Montague said.<br />
Astor entered the entertainment field as<br />
a teenage advance agent for legitimate road<br />
shows. As far back as 1910. he was in the motion<br />
picture business, traveling with films. He<br />
was an exhibitor for five years before serving<br />
with the navy in World War 1. He served as<br />
New Haven branch manager before being<br />
transferred to the home office in 1933.<br />
NEW YORK—A producer should not let<br />
a high budget scare him if he believes in<br />
the ingredients of the project, Barney Balaban,<br />
president of Paramount Pictures, stated<br />
at ceremonies in the lounge of the Criterion<br />
Theatre celebrating the start of the second<br />
year of "The Ten Commandments" at the<br />
Broadway house.<br />
At a cake-cutting, following a buffet luncheon<br />
for the press, Balaban said that Paramount<br />
believed in the subject matter of the<br />
picture and in its universal and perennial<br />
appeal. He said the company realized that<br />
its negative cost would equal almost three<br />
times the highest costing previoirs DeMille<br />
picture, but "we believed it was certain of<br />
success and that it would set new levels and<br />
standards for all motion pictures," adding<br />
that "the results have more than borne out<br />
our anticipation and hopes."<br />
Citing figures, Balaban said the total boxoffice<br />
gross at the Criterion from Nov. 8,<br />
1956, to Nov. 7, 1957, was $2,500,000 and that<br />
1,300,000 persons had seen the picture at the<br />
Criterion. In the 917 openings to date, in<br />
the United States alone. "The Ten Commandments"<br />
has had a total boxoffice gross of<br />
$26,500,000, he said, pointing out that the<br />
film rental to Paramount as of November 7<br />
amounted to $16,250,000. Balaban estimated<br />
that by December 31, the film rental would<br />
be $18,000,000.<br />
Declaring that other important pictures<br />
soon would be released by other companies,<br />
Balaban said he hoped "every company will<br />
find its share of mortgage lifters, as everyone<br />
benefits from their success—the producer,<br />
the exhibitor, the concessionaire, the neighboring<br />
theatres and ultimately the public."<br />
Asked about complaints from some exhibitors<br />
in regard to their alleged inability to<br />
book "The Ten Commandments" immediately,<br />
Balaban said the company would continue<br />
to follow its adopted pattern of selected<br />
engagements. This was necessary, he added,<br />
in order to achieve the maximum gross.<br />
Charles Boasberg, in charge of sales for<br />
the picture, who was present, discounted reports<br />
that exhibitors' requests for the picture<br />
were being refused. He indicated this might<br />
be true in vei-y small situations, but that, in<br />
time, all would be able to play it.<br />
Commenting on the various media of "home<br />
theatres," Balaban told the press that he<br />
felt additional revenue would be attained<br />
from some sort of subscription television and<br />
that the projects in work would be a reality<br />
within the next three or four years.<br />
'The Men From Moscow'<br />
To Star Oscar Homolka<br />
HOLLYWOOD—Oscar Homolka has been<br />
set to star in "Tlie Men From Moscow," a<br />
comedy satire scripted by Ken Hughes concerning<br />
the Russian Prime Minister's visit<br />
to London last year with his staff. British<br />
Lion Film Corp. offered Homolka the lead<br />
role as the head of Russian Security.<br />
Homolka who has spent nearly three years<br />
abroad appearing in such films as "War and<br />
Peace" and "A Farewell to Anns." plans to<br />
return to Hollywood permanently.<br />
BOXOFFICE November 16. 1957 17
FEATURE REVIEW<br />
'Don't Go Near the Water'<br />
Metro-Goldwyn-Mayer<br />
By AL STEEN<br />
TP there has been a dearth of good solid<br />
belly-laugh comedy fare, here is the<br />
answer to the complaints. "Don't Go Near<br />
the Water" was made for laughs and the<br />
mission has been accomplished. In fact, there<br />
are some sequences at which a preview audience<br />
actually gasped for breath. The adjective<br />
"hilarious" is descriptive and yet the appellation<br />
could fall short; perhaps such<br />
tei-ms as zany and screwball would have<br />
greater meaning. It must be admitted that<br />
there are spots where plot development slows<br />
down the action, but these are in the minority<br />
and any slow-down is stepped up quickly<br />
by another fast comedy situation.<br />
The boxoffice potentials of this picture<br />
should be unlimited. Word-of-mouth praise<br />
should follow in the wake of the initial audience,<br />
an audience which should be big if<br />
the advance ads stress the fact that here is<br />
a picture at which even the most staid person<br />
will let his hair down and enjoy himself.<br />
A picture which can combine satire,<br />
romance and documented events so expertly<br />
as thi.s one does can hardly miss.<br />
Although a foreword on the credit sheet<br />
declares that the events, characters and firms<br />
depicted are fictitious, actually the film is<br />
based on William Brinkley's best-selling novel<br />
of the same name, the events in which were<br />
based on facts. As the prelude states, "This<br />
is the story of some of those fearless and<br />
wonderful guys in Navy public relations. They<br />
push a perilous pencil, pound a dangerous<br />
typewriter and fire a deadly paper clip, but<br />
they don't go near the water."<br />
Dorothy Kingsley and George Wells have<br />
fashioned a screenplay from the book which<br />
fits the individual talents of such marquee<br />
'DON'T GO NEAR THE WATER'<br />
Metro-Goldwyn-Mayer<br />
in CinemoScope and Metrocolor<br />
Running time: 107 minutes<br />
CREDITS<br />
Directed by Charles Walters, Produced by Lawrence<br />
Weingarten. An Avon Production, Screenplay<br />
by Dorothy Kingsley and George Wells.<br />
Bosed on the novel by William Brtnkley. Music<br />
by Bronislau Kapcr, Lyric for song. "Don't Go<br />
Near the Water," by Sammy Cahn, sung by the<br />
Lancers. Director of photography, Robert Bronner.<br />
Art directors, William A. Horning and Urie<br />
McCleary. Set Decorations, Edwin B. Willis and<br />
Hugh Hunt. Speciol effects, A. Arnold Gillespie<br />
ond Lee Deblang. Assistant director, Al Jennings.<br />
Film editor, Adrienne Fazon. Recording<br />
supervisor, Dr, Wesley C. Miller. Women's costumes<br />
by Helen Rose. Color consultant, Chorles<br />
K. Hogedon. Pcrspecto Sound. Westrex Recording<br />
System.<br />
THE CAST<br />
Lt. Max Siegel Glenn Ford<br />
Meloro Gia Scala<br />
Adam Garrett Earl Holliman<br />
Lt. Alice Tomlen<br />
Gordon Ripwell<br />
Anno Francis<br />
Keenan Wynn<br />
Lt. Comdr. Clinton T. Nash Fred Clork<br />
Deborah Aldrich Eva Gabor<br />
Ensign Tyson Russ Tamblyn<br />
Lt, Ross Pendleton Jeff Richords<br />
Farrogut Jones<br />
Mickey Shaughnessy<br />
Admiral Bootwright Howord Smith<br />
Mr. Alba Romncy Brent<br />
Janie Mary Wickes<br />
Rep. George Jensen Jack Albertson<br />
Rep, Arthur Smithfield Charles Wotts<br />
Lt. Comdr. Glodstone Jock Strow<br />
Lt. Comdr. Hereford Robert Nichols<br />
Lt- Comdr. Diplock John Aldorson<br />
Glenn Ford, portraying a Navy lieutenant,<br />
shows an intense interest in Gia<br />
Scala, a school teacher on the tropical<br />
island of Tulara. in this scene from<br />
"Don't Go Near the Water."<br />
names as Glenn Ford, Anne Francis, Keenan<br />
Wynn, Gia Scala, Eva Gabor, Earl Holliman<br />
and Russ Tamblyn. But the performer who<br />
supplies the principal comedy segments and,<br />
in a sense, steals the picture, is Fred Clark,<br />
who portrays a naval lieutenant commander<br />
whose knowledge of the sea and ships is<br />
practically nil but, at the same time, loves<br />
to use sea-faring words in his conversation.<br />
And, being a former investment broker, he<br />
can't i-efrain from comparing all details with<br />
how they were handled when he was with<br />
the firm of Merrill Lynch, Pierce, Fenner &<br />
Beane.<br />
The South Sea locale and its scenic beauty<br />
are accentuated by Cinemascope and excellent<br />
Metrocolor. Charles Waltere' direction<br />
is tops. Producer Lawrence Weingarten apparently<br />
spared no expense to give the picture<br />
the best in production values and<br />
quality.<br />
The story is laid on the tropical island of<br />
Tulara where, during World War II, the<br />
public relations section of the Navy turns<br />
out news stories about the Navy. But the<br />
newsmen's contact with the war practically<br />
does not exist. In a sense, the picture is a<br />
series of incidents, held together by Clark's<br />
pompous, but ineffectual, supervision and romances<br />
between Ford and Miss Scala and<br />
between Holliman, a yeoman, and Miss Francis,<br />
a nurse. Ford, a lieutenant junior grade,<br />
meets up with Miss Scala, a native school<br />
teacher, and when the war is over, elects to<br />
remain on the island with her.<br />
There are two sequences which are standouts<br />
from a comedy standpoint. One is the<br />
attempt by the public relations men to build<br />
their own clubhouse. These scenes would put<br />
Mack Sennett to shame in the hey-dey of<br />
his slapstick career. The other concerns<br />
Ford's abortive campaign to improve the<br />
manners of Mickey Shaughnessy, a near-iUiterate<br />
sailor who has been selected by Clark<br />
to represent the typical young sailor man.<br />
The sailor has the habit of using a certain<br />
censored adjective to describe anything, but<br />
his use of it is conveniently blotted out by<br />
a boat whistle or fog horn which sounds off<br />
at the right time.<br />
All in all, "Don't Go Near the Water" is<br />
a slap-happy, riotous piece of celulloid that<br />
looks like hefty boxoffice from any angle.<br />
Feature Sales lo TV<br />
'Suicidal Giveaway'<br />
CHICAGO—If Hollywood continues to deliver<br />
the cream of its old productions to television,<br />
the motion picture business as it is<br />
known may well vanish, and soon, Edwin<br />
Silverman, president of the Essaness Theatre<br />
Corp.. declared here this week following a<br />
meeting of the company's board of directors.<br />
The stiff competition from front-line films<br />
on T"V, he contended, may close 10.000 theatres<br />
in the next year. The Essaness circuit<br />
operates the Woods Theatre in the Loop,<br />
neighborhood houses, and a number of driveins<br />
in the Chicago area.<br />
Silverman placed the chief blame at the<br />
feet of "banking interests" whose "liquidating<br />
influence has caused veteran film executives<br />
to act against their best judgment in selling<br />
their backlogs to television for meager sums<br />
in comparison to original production costs."<br />
Ironically, he pyointed out, if theatres perish,<br />
future quality motion pictures will not be<br />
available to television because TV cannot<br />
absorb the heavy production costs that accompany<br />
the making of quality movies.<br />
He termed the sale of features to television<br />
a "suicidal giveaway."<br />
Motion picture theatres, whose attendance<br />
was severely sliced by television's early inroads,<br />
began to surge back generally two years<br />
ago, at a time when television was at its lowest<br />
ebb, he commented. "But when the moviemakers<br />
began to unload the best of their<br />
backlog to TV at prices which were a fraction<br />
of the cost of current live television<br />
spectaculars, theatre fatalities began rising<br />
at an alarming rate."<br />
He said that after careful analysis of the<br />
impact of major motion pictures to television,<br />
"It is an inescapable conclusion that<br />
unless the distributing companies refrain<br />
from short sightedly making additional important<br />
pictures available to TV, the theatre<br />
business as we now know it will disappear."<br />
Never in the history of the film business<br />
has there been such a lineup of quality films<br />
for the fall and winter season, Silverman declared,<br />
mentioning "Peyton Place." "Pal<br />
Joey," "Legend of the Lost." "Les Girls,"<br />
"Don't Go Near the Water," "Farewell to<br />
Arms" and "The Bridge on the River Kwai."<br />
"Television as it is now constituted cannot<br />
match movie theatres in covering the enormous<br />
cost of making fine films," he said.<br />
Paramount Appoints Hicks<br />
Cincinnati Branch Head<br />
NEW YORK — Donald R. Hicks. Des<br />
Moines branch manager for Paramount since<br />
1948, has been made Cincinnati branch manager<br />
by Hugh Owens, vice-president of the<br />
distributing ann of Paramount. He will take<br />
over November 25 from Edmund C. DeBerry,<br />
recently made eastern division manager.<br />
G. R. Frank, who has been on sick leave,<br />
will succeed Hicks at Des Moines. He joined<br />
Paramount in November 1944 and has served<br />
in various executive capacities. He was previously<br />
with United Artists.<br />
Hicks stai-ted with Paramount in 1934 as<br />
an assistant shipper in Los Angeles. After<br />
serving as head .shipper, assistant booker and<br />
booker, he was a salesman in Salt Lake City,<br />
San Franci-sco, St. Louis and Kansas City. He<br />
became Omaha branch manager in January<br />
1947 before going to Des Moines.<br />
18 BOXOFFICE November 16. 1957
\\i>2;<br />
SSpS^S^'"^--—^"<br />
Screen<br />
OrJnai ^Vy By LEIGH BRACKET!<br />
Directed By lOHN ENGLISH<br />
Original Screen Play By JOHN K. BUTLtK<br />
BOOK THIS COMBINATION NOW AT REPUBLIC!
. . . Macdonald<br />
. . Efrem<br />
. . . Kirk<br />
. . John<br />
'i^cU^cwMcC ^c^iont<br />
Columbia Pays $100,000<br />
For Mexican War Novel<br />
One hundred thousand dollars Is the price<br />
reportedly paid by Columbia Pictures for<br />
"They Came to Cordura," the novel by Glendon<br />
Svvarthout regarded as one of the literary<br />
plums of the year.<br />
It deals with the story of Major Thomas<br />
Thorn, who, serving under Pershing in an<br />
expedition against the Mexican insun-ectionists<br />
in 1916, is assigned to discover instances<br />
of heroism, write up citations, and forward<br />
them through channels to Congress for<br />
Medals of Honor. Subsequently. Thorn find.s<br />
himself leading five of liis chosen heroes and<br />
a woman through desolate border country<br />
towards a rear base, during which trek the<br />
true characters of all are revealed.<br />
The picture is slated to go before the cameras<br />
in early 1958.<br />
"The Jagged Edge' Shelved<br />
Again at 20th-Fox<br />
Apparently "The Jagged Edge" was not<br />
sharp enough for the powers that be at 20th<br />
Century-Fox, for the film, based on a story<br />
by Mildred & Gordon Gordon, has been<br />
shelved by the Westwood studio.<br />
The Gordons originally wrote the screenplay<br />
from their own story, but the project<br />
was quietly abandoned. About a month ago it<br />
was reactivated and turned over to producerwriter<br />
Richard Murphy. However, the yarn,<br />
concerning an FBI agent in Navajo country,<br />
was suddenly dropped again.<br />
Gannaway to Associate<br />
With Sandy Howard<br />
The latest expansion move of Gannaway<br />
International Coi-p., will associate the firm<br />
with the active live TV shows produced by<br />
Sandy Howard Productions.<br />
Howard, who will commute between his<br />
New York headquarters and GIC offices<br />
at Republic Studios here, will take an active<br />
SCHOLARSIIir UINNKK — Troducer<br />
Jules Levy (right) and director Arnold<br />
Laven (left) of Gramercy Pictures, congratulate<br />
Joe Mazucca, winner of the<br />
Screen Director's Guild scholarship at<br />
the University of Southern California.<br />
By<br />
IVAN SPEAR<br />
part in planning and production of the upcoming<br />
GIC pictures, as well as six motion<br />
pictures, which he is scheduled to do in the<br />
next 18 months imder the banner of Howard<br />
Productions in association with Gannaway.<br />
Howard, one of the faunders of the Independent<br />
Television Producer's Ass'n of New 'york,<br />
has had extensive producing background witli<br />
both theatre and presentation films.<br />
James Darren Gets Role<br />
In 'Gunman's Walk'<br />
. . .<br />
James Darren, hailed as one of Columbia's<br />
most promising young players following his<br />
work in "Operation Mad Ball," snagged the<br />
role of the younger son of Van Heflin and<br />
brother of Tab Hunter in "Gunman's Walk"<br />
Carey has been inked to portray<br />
the role of Maybe Smith in the Gannaway<br />
International film "Maybe Smith"<br />
Hilo Hattie, heretofore better<br />
. . .<br />
known for her<br />
hulas and Hawaiian songs, will make her<br />
debut as a dramatic actress in AIP's "Hell<br />
Raiders'' . Stuart Holmes, currently celebrating<br />
. .<br />
his 48th anniversary in pictures, has<br />
been signed by Paramount for a feature role<br />
in Alfred Hitchcock's "From Among the<br />
Dead" . Zimbalist jr. has been cast<br />
as the first husband of actress Diana Barrymore<br />
in Warner Bros.' "Too Much. Too Soon"<br />
David Kossoff, British actor known in<br />
America for his work in "The Bespoke Overcoat,"<br />
Oscar winner as the best two-reel short<br />
subject last year, has been signed by Stanley<br />
Donen for a key role with Gary Grant and<br />
Ingrid Bergman in "Kind Sir" . . Producer<br />
.<br />
Milo Prank has chosen Julie London for the<br />
stellar femme lead in "Tlie Millionth Man,"<br />
one of his upcoming productions for MGM<br />
. . . Lita Milan was selected by Jewell Enterprises<br />
for a starring role in "Take Five From<br />
Five," which Paul Henried will direct on the<br />
U-I lot for later release by Universal.<br />
Sidney Poitier<br />
From Role of<br />
Released<br />
Porgy<br />
Sidney Poitier, announced last week as set<br />
for the star role of Porgy in Samuel Goldwyn's<br />
production of "Porgy and Bess," exited<br />
the spot due to the fact that Goldwyni would<br />
not grant his request for script approval, resulting<br />
in the producer releasing the actor<br />
from his commitment.<br />
Meantime, director Rouben Mamoulian and<br />
screenwriter N. Richard Nash have started<br />
conferences in the east with Oliver Smith and<br />
Irene Sharaff, signed by Goldwyn as production<br />
designer and costume designer, respectively.<br />
Both Smith and Miss Sharaff worked<br />
on Goldwyn's "Guys and Dolls."<br />
John Wayne Signed to Star<br />
In 'Oh, Promised Land'<br />
Buddy Adler, 20th-Pox production chief,<br />
signed John Wayne to star in "Oh, Promised<br />
Land," the filmization of the James Street<br />
novel, which will be Sidney Boehm's first production<br />
for 20th. The screenplay is by James<br />
Edward Grant.<br />
Columbia Bans Clips<br />
Of Scenes for TV<br />
Most of Hollywood's production brass<br />
welcomed with admiration the action<br />
taken by Harry Cohn, president of Columbia<br />
Pictures, when he issued orders to<br />
the effect that henceforth clips or scenes<br />
from Columbia features on any television<br />
program would be strictly forbidden.<br />
Cohn's order followed his viewing of a<br />
Kinescope of a Steve Allen TV show on<br />
NBC during which the studio executive<br />
took strong exception to the fact that<br />
Allen, after having been provided valuable<br />
footage from "Bridge on the River Kwai,"<br />
did a lampoon on the Sam Spiegel production.<br />
Cohn termed the video star's action<br />
"a most unethical thing." inasmuch<br />
as Allen did not make known to CoUunbia<br />
that a lampoon of the "Kwai " footage was<br />
planned by him immediately after the<br />
showing of the film.<br />
Cohn said he will have no objection to<br />
personal interviews of players, directors<br />
or producers on television, but that from<br />
now on Columbia will refuse all TV<br />
program requests for scenes from upcoming<br />
films.<br />
John Huston Will Direct<br />
'Roots of Heaven'<br />
. . Paul<br />
Assignment agendum: John Huston will direct<br />
"Roots of Heaven," to be produced independently<br />
by Darr.vl F. Zanuck for 20th-<br />
Fox release . . Figaro Productions has set<br />
.<br />
Robert Wise to megaphone "The Barbara<br />
Graham Story." the Susan Hayward starrer<br />
to be produced by Walter Wanger .<br />
Francis Webster drew a pair of music assignments<br />
when he was inked to team with<br />
Dimitri Tiomkin on the title tune of "The<br />
Old Man and the Sea" and to write the lyrics<br />
to a portion of the Mario Nascimbene .score<br />
for "A Farewell to Anns" . Martin<br />
was set as cameraman on "Bull-Whipped"<br />
at AA . . . Dorothy Kingsley will write the<br />
screenplay for "Green Mansions." for MGM<br />
Douglas has named Edward Lewis<br />
to head Bryna Productions' TV program and<br />
packaging department . . . James B. Harris<br />
and Stanley Kubrick have signed writercritic<br />
Gavin Lambert as story editor for their<br />
proposed productions.<br />
Only Four Literary Sales<br />
Made During the Week<br />
Hollywood's literary gentry would appear<br />
to be dreaming of Thanksgiving turkeys<br />
rather than storylines these days, with the<br />
result that only four properties were acquired<br />
for future transference to the silver screen.<br />
Charles Martin came by the motion picture<br />
rights to "Out of My Past." the George Raft<br />
autobiography which recently appeared serially<br />
in the Saturday Evening Post. The Mirisch<br />
Company obtained the United States<br />
dramatic rights to the British stage comedy.<br />
"Roar Like a Dove," by Leslie Storm, which<br />
they'll release through United Artists. Brevilana<br />
Productions purchased an original by<br />
Robert C. DennLs entitled "My World Lies<br />
Screaming," and Columbia announced the<br />
acquisition of "They Came to Cordura," a<br />
novel by Glendon Swarthout, for production<br />
in 1958.<br />
20 BOXOFFICE November 16, 1957
NATIONAL ASSOCIATION OF CONCESSIONAIRES<br />
A4UUU4^MjCe4> tlte.<br />
''GREATEST CONCESSION-VENDING SHOW ON EARTH"<br />
NOVEMBER 20-23, 1957<br />
HOTEL AMERICANA<br />
MIAMI BEACH, FLORIDA<br />
THEATRE-CONCESSION-VENDING "BRAINSTORMING SEMINARS<br />
WITH THESE<br />
INDUSTRY DISCUSSION LEADERS<br />
Bert Nathan, Theatre Popcorn Vending Corp.<br />
Philip L. Lowe, Lowe Concessions<br />
Spiro J. Papas, Alliance Amusement Co.<br />
Sam Rubin, ABC Vending Corp.<br />
James 0. Hoover, Martin Theatres<br />
Van Myers, Wometco Theatres<br />
Frank Bamford, Fox Midwest Theatres<br />
Kenneth Wells, Theatre Confections Ltd.<br />
E. H. Geissler, Wilkin Theatre Supply Co.<br />
John Flanagan, Theatre Confections Ltd.<br />
Robert Salter, United Detroit Theatres<br />
Alfred Olander, Montebello Theatres<br />
Andrew W. Orkin, Amite Theatres<br />
Mel Wintman, Smith Management Co.<br />
Dr. Marvin Sandorf, Twin Drive-in<br />
Sam Gillette, Theatre Candy Distributing Co.<br />
Irving Shapiro, Concession Enterprises<br />
A. J. Schmitt, Houston Popcorn & Supply Co.<br />
Roy Smith, Roy Smith Co.<br />
J. J. Fitzgibbons, Jr., Theatre Confections Ltd.<br />
Harold<br />
Newman, Century Theatres<br />
VALUABLE DAILY ATTENDANCE PRIZES<br />
GRAND P/?/Zf-1958 RCA 21 -inch<br />
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PLUS-2nd INTERNATIONAL MOTION PICTURE INDUSTRY TRADE SHOW<br />
CONCESSION-VENDING HALL-Les/er Grand. Exhibit Chairman<br />
BOXOFFICE :: November 16, 1957 21
—<br />
In this scene from "Sayonara" Marlon<br />
Brando, as a flying hero of the Korean<br />
war, talks with aUiko Taka, the beautiful<br />
Japanese actress whom he loves.<br />
FCATURe REVIEW<br />
'Sayonara'<br />
Warner Bros.<br />
By IVAN SPEAR<br />
1X7HILE some of the cash customer.s may<br />
" encounter some difficulty in pronouncing<br />
its title, one thing is for sure: They will<br />
flock to see Warner Brothers' "Sayonara" in<br />
such large and enthusia.sttc numbers as to<br />
establish the picture as one of the top grossers<br />
of its era. And well they should, for<br />
producer William Goetz, transferring the<br />
bitter-sweet, best-selling novel by Pulitzer<br />
Prize-winning author James Michener to<br />
celluloid, has gifted the theatrical motion<br />
picture screen with a feature of rare beauty<br />
and poignant entertainment.<br />
Commanding prominent attention among<br />
the film's many superlative qualities is the<br />
excellent taste which enters its treatment<br />
of the story's principal theme—the always<br />
delicate subject of miscegenation. This praiseworthy<br />
discernment is undoubtedly largely<br />
creditable to the carefully constructed screenplay<br />
by Paul Osbom and the sensitive, expert<br />
direction of Joshua Logan. As concerns the<br />
script, it adheres closely to the Michener<br />
original except in one startling and somewhat<br />
provocative detail. In the picture's unexpected<br />
climax the boy and girl agree to<br />
get married, which is in diametric opposition<br />
to the book's ending which has them bowing<br />
to the conventions and prejudices resulting<br />
in their unhappy separation. Obviou.sly, this<br />
switch in plot was contrived to furnish the<br />
picture with the always desirable happy ending.<br />
Among the thou-sands who read the<br />
novel, there may be some quarrel with such<br />
contrivance. But. in the final analysis, those<br />
reader.s—and despite the tome's wide circulation—will<br />
represent only a small proportion<br />
of the vast audiences the picture is certain to<br />
attract, so the dominant facet of the change<br />
should prove an asset rather than a liability.<br />
Other than that, it is the story of a combatweary<br />
ace of the Korean war who is transferred<br />
to Japan for rest and a reunion with<br />
his stateside affianced, daughter of the district's<br />
commanding general. There he meets<br />
and falls in love with a beautiful Japanese<br />
actress with whom he engages in a torrid<br />
romance, in defiance of tradition, army<br />
regulations and the ccn.sor of his friends<br />
and prospective in-laws.<br />
Expectedly. Marlon Brando, who portrays<br />
Major Gruver, the flying hero, contributes<br />
a lusty, talent-laden performance. While he<br />
and his forceful delineation may not com-<br />
22<br />
pletely coincide with the<br />
preconceived image<br />
of the character that had been created in<br />
the minds of readers, none, however, will<br />
fail to be impres.sed—most especially those<br />
who have not encountered the novel— by<br />
Brando's portrayal; and his marquee-potent<br />
name will probably serve as the most magnetic<br />
single element in attracting the capacity<br />
business that the film is certain to enjoy.<br />
Further on the acting front, and substantially<br />
backing Brando, are several excellent<br />
performances by both American and Japanese<br />
mummers. In the former categoiT, Red Buttons,<br />
of erstwhile television fame, and in<br />
the part of Kelly, the recalcitrant enlisted<br />
man who sacrifices everything for the love<br />
of his native wife, is a .shining standout.<br />
Patricia Owens and Ricardo Montalban are<br />
entirely acceptable in less important roles,<br />
respectively, as Brando's financee and the<br />
Japanese actor with whom she becomes fascinated.<br />
The Nipponese contribution to the<br />
thespian lineup is largely entrusted to a pair<br />
of girls who individually and collectively<br />
prove the fact that talent of topdrawer dimensions<br />
is to be found in the island empire.<br />
They are Miiko Taka, who protrays Hana-ogi,<br />
the homegrown actress over whom Brando<br />
flips, and Miyoshi Umeki, particularly appealing<br />
and impressive as Katsumi, Button's<br />
worshipful, suicide-pact wife.<br />
For all such superiority of scripting, piloting<br />
and acting, the magnificent physical aspects<br />
with which producer William Goetz<br />
endowed the film are equally responsible for<br />
the overall evaluation of munificence and<br />
satisfaction. These are principally displayed<br />
in the masterful photographing in breathtakingly<br />
beautiful Technirama and Technicolor<br />
of the Japanese scenery, costumes and<br />
customs against which the picture was filmed<br />
m its entirety. True, there have been several<br />
recent color pictures that have boasted<br />
comparably travelog -ish attraction. But<br />
herein there is a plus quality which comes<br />
through the inclusion of several sequences<br />
that afford an interest-commanding insight<br />
into the Japanese theatre, both ancient and<br />
modem. One such is a performance by the<br />
Shochiku Kagekidan Girls Revue that will<br />
set the lads in the gallery a' whistlin' and<br />
w-ill reveal beyond doubt that there is no<br />
dearth of pulchritude and curves in Japan.<br />
"Sayonara" means good-bye, and that's<br />
what showmen can say to their boxoffice<br />
blues during the time they exhibit the Warner<br />
blockbuster.<br />
Warner Bros, presents<br />
"SAYONARA"<br />
In Technirama and Technicolor<br />
Rotio: 2:35-1<br />
Running time; 140 minutes<br />
CREDITS<br />
Produced by William Goetz. Directed by<br />
Joshuo Logon. Screenplay by Poul Osborn. Bosed<br />
on the novel by James A. Michener. Director of<br />
photography, Ellsworth Fredncks, A.S.C. Art director<br />
Ted Haworth. Film editors, Arthur P.<br />
Schmidt, A.C.E., and Philip W. Anderson. Sound<br />
by M. A. Mernck. Technical odvisor Japanese<br />
Theatre scenes, Masya Fujima. Set decorator,<br />
Robert Priestly. Assistant director. Ad Schaunier.<br />
Music by Franz Waxman. Song; "Sayonara"<br />
words and music by Irving Berlin. Orchestrations<br />
by Leonid Raob, Motsubayashi Girls Revue Number,<br />
Le Roy Pnnz.<br />
THE CAST<br />
Major Gruver<br />
Marlon Brando<br />
Eileen Webster Patricia Owens<br />
Mrs. Webster Mortho Scott<br />
gQilgy<br />
James Garner<br />
Hana-ogi '.'.'.'.'.'.'.'.' Miiko Taka<br />
Kotsumi Miyoshi Umeki<br />
Kelly Red Buttons<br />
Nokamur'o '.'.'.'<br />
Ricardo Montolbon<br />
and Kent Smith, Douglos Watson, Reiko Kuba,<br />
Soo Yong, Shochiku Kogekidon Girls Revue<br />
Continental Expands;<br />
Opens 5 New Offices<br />
NEW YORK— Five new branch offices of<br />
(Continental Distributing, Inc.. were opened<br />
this week in Chicago, Pittsburgh. Kansas<br />
City. Albany and Atlanta. Carl Peppercorn,<br />
vice-president in charge of sales, said the<br />
offices would be headed by three district<br />
managers and two sales representatives.<br />
The district managers are Mike Kas.sel for<br />
the Chicago. Milwaukee and Miimeapolis territories;<br />
Joel Golden for Pittsburgh, Cincinnati<br />
and Cleveland, and Clarence A. Schultz<br />
for the Kansas City, St. Louis. Des Moines<br />
and Omaha areas. Arthur Newman will be<br />
sales representative for Albany and Buffalo.<br />
Nat Sanders will represent the company in<br />
Atlanta. Charlotte and Jacksonville.<br />
Peppercorn described the move as "the<br />
most significant step in our expansion and<br />
places Continental in the foremost as one of<br />
the leading independent distributors in the<br />
United States."<br />
Kassel has been in the industry since 1920<br />
and has served with First National. Universal.<br />
RKO Radio and Republic.<br />
Golden's experience covers both exhibition<br />
and distribution in the last 30 years. He was<br />
with Publix Theatres. Paramount Pictures,<br />
Schine Theatres, Warner Theatres, Universal<br />
Pictures. Selznick Releasing Organization,<br />
Eagle Lion and RKO Radio.<br />
Schultz has been in the industry since 1914.<br />
After operating a theatre in Minnesota, he<br />
joined the sales force of Vitagraph. ultimately<br />
becoming branch manager in Omaha and<br />
Kansas City and. when Warner Bros, bought<br />
Vitagraph. he became Kansas City branch<br />
manager. In 1927. he formed Commonwealth<br />
Theatres. Inc.. in the Kansas City area, selling<br />
out in 1948. Since then he has been operating<br />
theatres and candy companies in<br />
which he holds interests.<br />
Newman, also, got his start with Vitagraph.<br />
subsequently becoming salesman and district<br />
manager for Warner Bros, in New England<br />
and New York. He joined Republic's branch<br />
In Albany in 1936 and continued there for 20<br />
years, leaving to become an independent distributor.<br />
Sanders has been an independent distributor<br />
of foreign films for 30 years, pioneering<br />
in British and French pictures.<br />
In addition to the new offices. Continental<br />
has branches in Boston. Philadelphia. New<br />
Orleans. Los Angeles and San Francisco.<br />
National Milk Bowl Set<br />
In San Antonio Dec. 28<br />
SAN ANTONIO—Some celebrity from the<br />
entertainment world will be chosen as honor<br />
guest for the National Milk Bowl, key event<br />
in "little" football, played at the Alamo Stadium<br />
here December 28. The celebrity will<br />
be flown to San Antonio, feted for a week<br />
and cited at the game, which is to be carried<br />
for the fifth year on nation-wide radio,<br />
telecast on local television and covered by<br />
national press, magazine, film and syndicate.<br />
Directors of the event include Robert J.<br />
O'Donnell. general manager of Interstate<br />
Theatres; Glenn H. McCarthy. McCaithy Enterprises,<br />
Houston; Robert B. Anderson. U. S.<br />
Secretary of the Treasury, and Gov. Price<br />
Daniel.<br />
Offices of the Milk Bowl arc at 808 Majestic<br />
Bldg., San Antonio.<br />
BOXOFFICE November 16. 1957
State Told Bad Business<br />
Prevents Wage Increases<br />
NEW YORK—Evidence of poor business<br />
was cited by exhibitors in a hearing November<br />
8 before the state labor commission which<br />
is reviewing minimum wage rates in the<br />
amusement and recreation fields. The point<br />
was also made that cashiers, ushers and<br />
doormen, whose wages ai-e being studied, ai'e<br />
mainly parttime employes.<br />
Harry Brandt, president of Independent<br />
Theatre Owners Ass'n, testified that business<br />
conditions had caused the closing of the Mayfair<br />
and Globe theatres on Broadway and<br />
eight neighborhood houses, all operated by<br />
Brandt Theatres, during the year. He said<br />
there were many kinds of amusement competition.<br />
Solomon M. Strausberg, president of Metropolitan<br />
Motion Picture Theatres Ass'n, reported<br />
his Interboro circuit had decreased<br />
from 35 houses in 194T to 24, and that the<br />
existing houses will show a net loss for the<br />
year.<br />
Martin H. Newman, treasurer of Century<br />
circuit, spoke of a 30 to 40 per cent drop in<br />
attendance, due pai-tly to Asiatic flu and layoffs<br />
by defense plants, and Murray Lenekoff<br />
of Loew's Theatres said attendance at the circuit's<br />
40 metropolitan houses was down 17,-<br />
000,000 from that in 1950.<br />
The commission is expected to issue its<br />
decision by January 3. The hearing was the<br />
third and last in a series, the others having<br />
been held in Rochester and Albany.<br />
Circuits Are Given Details<br />
Of Industry Campaign<br />
NEW YORK—Repre.sentatives of major<br />
theatre circuits listened with interest Thursday<br />
114) to the details of the final promotion<br />
campaign devised by the institutional<br />
advertising review committee of the MPAA<br />
from suggestions made by six ad agencies,<br />
the advertising-publicity staffs of the major<br />
companies and exhibitors themselves. Paul<br />
Lazarus jr. of Columbia is committee chairman.<br />
No final decision on the plan was reached.<br />
Mere time to study it was asked by representatives<br />
of RKO Theatres, American<br />
Broadcasting-Paramount Theatres, Stanley<br />
Warner and Loew's Theatres. It was indicated<br />
it may go on the agenda of the Theatre<br />
Owners of America convention at Miami<br />
Beach.<br />
The plan centers around the Slogan "Get<br />
More Out of Life ... Go Out to a Movie."<br />
It provides a budget of $2,800,000 to be equally<br />
divided between exhibition and distribution<br />
and spent for newspaper, radio and other<br />
public relations activities.<br />
Century Theatres Takes<br />
Over 3 Brooklyn Houses<br />
NEW YORK— Century Theatres, which operates<br />
32 theatres in Brooklyn, Queens and<br />
Long Island, will take over the management<br />
of three Brooklyn houses, the Oceana, Sheepshead<br />
and Tuxedo November 16, according to<br />
Leslie R. Schwartz, president of Century, and<br />
Donald S. Rugoff, president of Rugoff &<br />
Becker.<br />
The change in operations stems from a<br />
management agreement made in 1934 between<br />
the two theatre chains. Rugoff &<br />
Becker will retain their interest in the<br />
houses.<br />
Period of Adjustment<br />
For Industry Is<br />
Seen<br />
New York—John Davis, managing director<br />
of the J. .Arthur Rank Organization,<br />
believes that the industry is facing<br />
a period of adjustment, during which<br />
there will be difficult times perhaps for<br />
the next few years, but eventually the<br />
industry v.ill get back on an even keel.<br />
In a meeting with the tradepress Thursday<br />
evening (14). Davis said that the adjustment<br />
would involve both exhibition<br />
and distribution. He said he favored centralized<br />
shipping and physical handling<br />
of film, but that individual company selling<br />
should continue. He said he believed<br />
that central shinpin? would reduce distribution<br />
costs considerably. .\s for exhibition,<br />
the changes he foresaw were<br />
concerned with toll television and the<br />
cable theatre project. .As yet Rank has<br />
no plans to enter any form of home theatre<br />
or subscription television.<br />
Davis expressed complete satisfaction<br />
with the progress made the first year of<br />
operation by the .American organization<br />
under Kenneth Hargreaves.<br />
Cinerama Prod. Pays Off<br />
All Direct Obligations<br />
NEW YORK— All outstandmg dn-ect obligations<br />
of Cinerama Productions Corp. have<br />
been paid in full. Milo J. Sutliff, president,<br />
has notified stockholders. They were a loan<br />
of $58,000 due the Marine Midland Bank, a<br />
$75,000 note due Cinerama, Inc., and the<br />
sum of $95,000 due the late Louis B. Mayer,<br />
for a total of $228,000.<br />
The company has also exercised its option<br />
to buy back 10,000 shares of its stock from<br />
Mayer at their cost to Mayer of 50 cents a<br />
share. The option would have expired November<br />
1 if not exercised.<br />
Previously the company paid off direct bank<br />
and bonded indebtedness and interest<br />
amounting to $2,287,000, and under an arrangement<br />
with Stanley Warner recouped<br />
$9,100,000 of costs for opening theatres and<br />
producing pictures. Sutliff said the amount<br />
recouped is now $10,600,000.<br />
Sutliff said the net income for the fiscal<br />
year just ended will be in excess of the net<br />
income for the previous year.<br />
Ellis Interests Charge<br />
Antitrust Violations<br />
PHILADELPHIA—Three suits were filed<br />
in U. S. district court here by the A. M. Ellis<br />
interests seeking damages of $2,128,500 from<br />
seven major distributors charging conspiracy<br />
and discrimination. The suits were filed by<br />
Abraham M., Herman N., Martin B., and<br />
Sidney H. EUlis, who operate under the name<br />
of A. M. Ellis Theatres Co.. and Alma O. and<br />
Gloria R. Cohen, who trade as the Gap Co.<br />
The Ellises and the Cohens operate the<br />
Renel Theatre at Ogontz avenue and Tulpehocken<br />
street and di-ive-ins on Chester Pike<br />
in Ridley township and on the Lincoln highway<br />
in Coatesville.<br />
Named as defendants were Paramount Film<br />
Distributing Coi-p.. Warner Bros., United<br />
Artists, Colimibia, Universal, 20th Century-<br />
Fox and RKO Teleradio Pictures, Inc. The<br />
plaintiffs charge the distributors have discriminated<br />
against the Renel since Feb. 5, 1951.<br />
Penn. Court Upholds<br />
Sunday Movie Law<br />
PITTSBURGH—The state superior court<br />
this week upheld the legality of a 1935 Pensylvania<br />
law prohibiting showing of motion<br />
pictures on Sunday before 2 p.m. unless a<br />
municipality's residents approved. Robert J,<br />
Grochowiak, manager of the State Line<br />
Drive-In en Route 11 in Antrim township,<br />
Franklin County, was convicted of violating<br />
the Sunday movie law and fined $50 and<br />
costs, which he appealed to the superior<br />
court. In an opinion affirming the lower<br />
coiu't's decision. Judge William E. Hirt .said:<br />
"Appellant (Grochowiak), conceding the validity<br />
of Sunday legislation in general, contends<br />
the 1935 act is unconstitutional in that<br />
it fringes on the right of free speech and of<br />
but these rights of free speech<br />
the press . . .<br />
are not absolute rights and a general and<br />
nondi.?criminatory regulation of them in<br />
public interest usually is not open to constitutional<br />
objections: in general a restriction<br />
on free speech which merely limits the<br />
right as to time and place does not infringe<br />
upon the constitutional guarantees." Judge<br />
Hirt said if the residents of a community<br />
want Sunday movies they must indicate this<br />
by majority vote. Prior to the alleged showing<br />
by Grochowiak of the movies in the case,<br />
voters of Antrim Township had voted against<br />
Sunday movies.<br />
Rowe Asks $4,200,000<br />
Damages in Countersuit<br />
NEW YORK—Rowe Mfg. Co. has filed a<br />
$4,200,000 countersuit for alleged patent infringement<br />
and damages against Continental<br />
Vending Machine Corp. charging the "pirating"<br />
of a patented Rowe cigaret vending machine<br />
design. Continental also was accused<br />
of allegedly misrepresenting to the automatic<br />
merchandising industry the brand capacity<br />
of a Continental vender, of "cashing<br />
in upon an industry built by Rowe" and of<br />
coming into court "with unclean hands" in<br />
its own $1,000,000 suit against Rowe.<br />
Rowe is asking $1,400,000 to compe:isate for<br />
alleged infringement of a patent held by the<br />
company since 1953 on the cabinet design of<br />
its "Commander" cigaret vender, with the<br />
damages to be tripled because of Continental's<br />
"willful and aggravated" violations of<br />
the patent. Rowe contends that it exhibited<br />
the "Commander" at the 1953 NAMA tradeshow<br />
and that thereafter Continental<br />
changed the design of its own vender and<br />
launched its sale before Rowe could begin<br />
quantity delivery.<br />
Rowe's answer and counterclaims to the<br />
Continental suit denied allegations that its<br />
new 20-brand cigaret vender, the "Twenty-<br />
700," constituted "unfair competition" with,<br />
or could be mistaken for Continental's 20-<br />
column "Corsair."<br />
Louis Nizer Will Speak<br />
At Joseph Vogel Dinner<br />
NEW YORK—Louis Nizer, attorney, will<br />
be a principal speaker at the 19th annual<br />
dinner of the Motion Picture Pioneers honoring<br />
Joseph R. Vogel, president of Loew's, to<br />
be held November 25 at the Waldorf-Astoria<br />
Hotel. The Rev. Everett D. Clinchy, president<br />
of the National Conference of Christians and<br />
Jews, will deliver the invocation.<br />
BOXOFFICE November 16, 1957 E-1
—<br />
opened<br />
—<br />
—<br />
—<br />
—<br />
——<br />
—<br />
—<br />
Holiday, Plus 4 New Films Boosts<br />
Business at Broadway First Run<br />
^fEW YORK—The Veterans Day holiday<br />
and several strong new pictures boosted returns<br />
at the majority of the Broadway first<br />
runs. 'Kiss Them for Me" at the Roxy and<br />
"Slaughter on Tenth Avenue" at the Astor<br />
were particularly strong, while "Les Girls"<br />
went out in a blaze of glory with a big sixth<br />
week at the Radio City Music Hall.<br />
"The Story of Esther Costello" opened<br />
strong at the RKO Palace, as did "The Story<br />
of Mankind" at the Paramount, where the<br />
star roster overcame the weak newspaper<br />
reviews. Holding up well were "Pal Joey,"<br />
in its third week at the Capitol, and "Time<br />
Limit." in a third at the Victoria. "The Tin<br />
Star" was mild in a third and final week at<br />
Loew's State.<br />
The two-a-day attractions continued sturdy;<br />
"Around the World in 80 Days" in its 56th<br />
week at the Rivoli, "The Ten Commandments,"<br />
in its 53rd week at the Criterion, and<br />
"Search For Paradise," seventh week at the<br />
Warner. A fourth two-a-day picture, "The<br />
Bridge on the River Kwai," will open at<br />
the Palace in mid-December.<br />
The art house attractions continue especially<br />
strong with "And God Created Woman"<br />
an absolute smash in its third week at the<br />
Paris, which has long waiting lines nightly.<br />
"Perri," stronger in its sixth week than in<br />
its fifth at the Normandie. "Love in the<br />
Afternoon" did so well in its 12th week at the<br />
Plaza that it is now slated to i-un into December,<br />
at least.<br />
'<br />
"Dcn't Go Near the Water at the<br />
Radio City Music Hall Thursday (14) and<br />
"Zero Hour" opened the preceding day at<br />
Loew's State.<br />
(Average Is 100)<br />
Astor— Slaughter on Tenth Avenue<br />
Boronet—<br />
(U-l) 140<br />
Deadlier Than the Male (Cont'l), 5th wk. 95<br />
Capitol— Pal Joey (Col), 3fd<br />
Criterion—<br />
wk 160<br />
The Ten Commandments (Para),<br />
53rd wk. of two-a-day 135<br />
Fine Arts Cabiria (Lop), 2nd wk 160<br />
55th Street—How to Murder a Rich Uncle (Col),<br />
3rd wk 120<br />
HAPPY THEATRE<br />
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BROCHURE<br />
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. 1<br />
5th Avenue Richard III Lop), revival, 3rd wk.<br />
Guild The Silken Affair (DCA), 2nd wk<br />
Little Carnegie— Sins of Casanova (Times), 5th<br />
.100<br />
125<br />
wk 115<br />
Loew's State The Tin Star (Para), 3rd wk 110<br />
Normondie Perri (BV), 6th wk<br />
Palace The Story of Esther Costello<br />
1 30<br />
(Col).... 140<br />
Paramount The Story of Mankind (WB) 140<br />
Pans And God Crcoted Woman (Kingsley), 3rd<br />
wk 185<br />
Plaza Love in the Afternoon (AA), 12th wk...l25<br />
Radio City Muiic Hall Les Girls (MGM), plus<br />
stage show, 6th wk<br />
Roxy Kiss Them for Me (20th-Fox), plus stage<br />
1 50<br />
50<br />
show<br />
Rivoli Around the World in 80 Days (UA),<br />
56fh wk. of two-a-day 200<br />
Sutton Across the Bridge (Rank), 2nd wk 125<br />
Trans-Lux 52nd The Colditz Sfory (DCA),<br />
3rd wk 120<br />
Victoria Time Limit (UA), 3rd wk 125<br />
Warner Search for Paradise (SW), 7th wk.<br />
of two-a-day ..135<br />
World Fedra the Devil's Daughter (Times),<br />
3rd wk 100<br />
'Jailhouse Rock' Rolls in 150<br />
First Week in Buffalo<br />
BUFFALO—Elvis really rocked 'em at the<br />
Buffalo, especially at the matinees, and "Jailhouse<br />
Rock" racked up a healthy 150 for seven<br />
days. "The Hunchback of Notre Dame"<br />
clicked at the Lafayette for 140. "Stopover<br />
Tokyo" reported 105. The Paramount's third<br />
week showing of "The Joker Is Wild" was<br />
worth 100 and the Center experienced a failweek<br />
with "The Story of Mankind."<br />
Buffalo Joilhouse Rock (MGM) 1 50<br />
Center—The Story of Mankind (WB) 105<br />
Century Stopover Tokyo [20th-Fox) 105<br />
Cinema Conquest of Space (Pora), reissue. ... 95<br />
Lafayette The Hunchback of Notre Dome (AA). .140<br />
Poromount The Joker Is Wild (Para), 3rd wk. ..100<br />
Better Weekend Business<br />
At Baltimore<br />
BALTIMORE—Weekend grosses, scoring a<br />
minor improvement over recent figures, made<br />
the week's overall business a bit brighter.<br />
"The Hunchback of Notre Dame" did better<br />
than expected; and "The Three Faces of<br />
Eve" attracted splendid weekend business.<br />
Century The Three Faces of Eve (20th-Fox) , .125<br />
>842 HAi<br />
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FIRST ll.\ DISC—Recording of the<br />
title song from United .\rtists' film epic.<br />
"Legend of the Lost," sung by Joe Velino,<br />
center, will launch the company's recently<br />
established music subsidiary. Shown<br />
signing Valino to a long-term disc contract<br />
are Alfred \V. Tamarin, right, executive<br />
assistant to UA Records and<br />
Music president Max E. Youngstein, and<br />
Jack Lewis, UA artists and repertoire<br />
representative. Promotion of the record,<br />
first to be made on the UA label, will<br />
spotlight forthcoming premieres of the<br />
film scheduled for Christmas release.<br />
Valino has waxed a number of successful<br />
platters for RCA's VIK division.<br />
Cinema The French They Are o funny Roce<br />
(Confl), 2nd wk 90<br />
Film Centre Around the World in 80 Doys iL)Ai<br />
47th wk . 90<br />
Five West Triple Deception RFDA), 3rd wk...l00<br />
Hippodro-re Operation Mad Ball (Col) 90<br />
Little The Strange One iCol) Nightfall (Col). ... 1 00<br />
Mayfoir Gunsight Ridge (UA) 95<br />
New—Time Limit UA!, 2nd wk 100<br />
Playhouse Doctor at Large (U-l^ 3rd wk 110<br />
Town This Is Cinerama SW), lOth wk 90<br />
Stanley The Hunchbock of Notre Dame (WBl 100<br />
Hettie Gray Baker Dies;<br />
Was With Fox 35 Years<br />
NEW YORK—Hettie Gray Baker, 76, former<br />
director of cen.sorship for 20th Century-<br />
Fox, died Thursday (14i at Porter's Corners,<br />
N. Y. She retired in 1952 after 35 years with<br />
the company.<br />
Miss Baker started in pictures as a Hollywood<br />
title writer for silent films. William Fox<br />
transferred her to New York. She was a noted<br />
cat lover and wrote two books, "Your Siamese<br />
Cat" and "195 Cat Tales." She was a<br />
native of Hartford, Conn.<br />
Einfeld Talks 'Peyton'<br />
NEW YORK—Charles Einfeld, 20th Century-Fox<br />
vice-president, will fly to Hollywood<br />
Thursday (21) to confer with Buddy Adler,<br />
executive producer, Jerry Wald, producer<br />
of "Peyton Place," and Harry Brand, studio<br />
publicity head, on the promotional plans for<br />
the twin openings of the picture on the east<br />
and west coasts in December.<br />
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BROADWAY<br />
•THE subject was the "tranquilizing screen"<br />
and it was delivered by Si Seadler, MGM<br />
advertising manager, at the annual dinner<br />
of the New York Post-Graduate Hospital<br />
Alumni Ass'n at the Union Club Wednesday<br />
• 13 1. • ' °<br />
John Davis, managing director of<br />
the Rank Organization, met with the trade<br />
press Thursday evening (14) prior to his return<br />
to London. • • • Howard Minsky, Telemeter's<br />
eastern sales manager, addressed the<br />
Allied Motion Picture Theatre Owners of<br />
Maryland in Baltimore Wednesday. •<br />
*<br />
Producer Sol Siegel spent the week in New<br />
York. • • * And Ken MacKenna. MGM's<br />
studio story editor, returned to the coast<br />
after a week in Manhattan. * • ' James<br />
Velde. general sales manager of Unit«d<br />
Artists, and Al Fitter, western division manager,<br />
were holding coast parleys. • • * Milton<br />
Sperling came in for the opening of "A<br />
T.me Remembered' which he co-produced<br />
with Helen Hayes. Richard Burton and Susan<br />
Strasberg starling.<br />
Columbia Pictures has shifted its radiotelevision<br />
publicity and promotion activities,<br />
formerly handled as a separate unit, to the<br />
publicity department under the direction of<br />
Hortense Schorr. Roger Caras will serve as<br />
radio-T'V contact in the department. • » •<br />
David O. Selznick is due in tow-n shortly<br />
with a final print of his "Farewell to Arms."<br />
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* • ' Leland Hayw^ard is here for meetings<br />
W'ith Warner Bros executives on relea.se plans<br />
for his "The Old Man and the Sea." * < •<br />
Broadway stage producers and their associates<br />
were given a demonstration of Telemeter<br />
at the Savoy Plaza Tuesday night. * » »<br />
Samuel Gang, foreign representative for National<br />
Telefilm Associates, hopped off for a<br />
four-week tour of Latin America. • » «<br />
Rouben Mamoulian completed casting sessions<br />
on "Porgy and Bess" this week and left for<br />
Hollywood where he will confer with Samuel<br />
Goldwyn. who will produce the picture. » • •<br />
Fred Astaire will do a straight dramatic role<br />
on CBS' General Electric Theatre on December<br />
1. • * Another visitor from the coast:<br />
Charles Walters, director of "Don't Go Near<br />
the Water." Ditto producer Lawrence Weingarten.<br />
There were wedding bells this weekend for<br />
Ruth CavLston. secretary to Thomas J. Mc-<br />
Namara. assistant treasurer of the Motion<br />
Picture Ass'n. She was married Saturday il6i<br />
to Lt. Edward J. Smith of the New York<br />
Fire Department at Woodlawn. N. Y. * * *<br />
Jack Atlas of MGM's studio publicity department<br />
will vacation in New York next<br />
week. • ' • Marlon Brando held a telephone<br />
interview with 34 amusement editors in 30<br />
cities Wednesday. The hookup was in connection<br />
with "Sayonara." » • • The entertainment<br />
industry will honor W. C. Handy,<br />
composer of "St. Louis Blues." at a dinner<br />
in the Hotel Waldorf Astoria on November<br />
17. ASCAP F>resident Paul Cunningham is<br />
chairman of the dinner committee which consists<br />
of Oscar Hammerstein II. Morton<br />
Downey. Nat "King" Cole and Ed Sullivan.<br />
Among the guest performers will be Milton<br />
Berle. Art Lund. Tallulah Bankhead. Betty<br />
Madigan. Lena Borne and others. Paul<br />
Whiteman will provide the music.<br />
Jack Hirschberg, who has completed a sixmonth<br />
assignment in Europe as publicity<br />
director for "The 'Vikings." has joined the<br />
Rogers. Cow-an & Jacobs office to work on<br />
f Im accounts. * * * Mort Sunshine, executive<br />
director of Independent Theatre Owners<br />
Ass'n. has received a certificate of appreciation<br />
from the City of New York "in grateful<br />
recognition of the contribution which his<br />
imaginative efforts made to the .success of<br />
New York's Fall 1957 Salute to Seasons."<br />
Mayor Robert F. Wagner made the presentation.<br />
* * * Stanley Kramer arrived from<br />
Europe Thui-sday (14 1 for conference with<br />
UA on his next picture. "Inherit the Wind."<br />
* * * A1.S0 here for UA parleys is .'Vrthur Hornblow<br />
jr..<br />
producer of "Witness for the Prosecution."<br />
* ' * Columbia publicist Marly Blau<br />
is vacationing in Key West. • * * Director Anthony<br />
Mann is enroute to Spain.<br />
Stern Leaves RKO to Take<br />
NTA Position on Coast<br />
NEW YORK—Alfred E. F. St«rn has resigned<br />
as RKO worldwide director of publicity<br />
and promotion to become coast director<br />
of public relations for National Telefilm Associates.<br />
Oliver A. Unger. president, reported.<br />
Stem joined RKO early in 1946 after five<br />
years in the army. He became head of the<br />
publicity department four years ago after<br />
working in both the foreign and domestic dep.irtments.<br />
He was tradepress contact for two<br />
years. Before joining the industry he was a<br />
reporter and editor on several Massachusetts<br />
newspapers. He will remain in the east for<br />
a short time for orientation.<br />
E-4 BOXOFFICE November 16, 1957
THESE ANNOUNCEMENTS REVEAL<br />
VITAL<br />
FACTS ABOUT<br />
Headlines and illustrations from feature<br />
stories, Uotion Picture Herald, June 8,1957<br />
These news stories are proof ogain, that the most<br />
important installations — the most important<br />
contributions to cinematic projection are a<br />
CENTURY made. No other projector can make<br />
this claim, just as no other projector can approach<br />
CENTURY for performance, ease of operation<br />
and low-cost maintenance.<br />
The choice is CENTURY, whether it be horizontal<br />
VistaVision for the Williamsburg auditoriums or<br />
the double installation for the All-Weather Drive-In<br />
or any other theatre or drive-in.<br />
THE BEST TEST, you've got to try if to believe if!<br />
^.SJ!^ Century Projector Corporation, new york 19, n. y.<br />
SOLD BY<br />
Eastern Theatre Supply Co. Inc. Blumberg Bros. Inc. Alexander Theatre Supply Inc.<br />
496 Pearl Street<br />
Buffalo 2, New York<br />
1305-07 Vine Street<br />
Philodelphio 7, Pa.<br />
84 Von Broom Street<br />
Pittsburgh 19, Pa.<br />
Amusement Supply Co., Inc. J. F. Dusman Company Albany Theatre Supply Co.<br />
346 West 44th St.<br />
New York 36, N. Y.<br />
12 Eost 25fh St.<br />
Baltimore tS, Maryland<br />
443 North Poorl St.<br />
Albony 4, New York<br />
%y:.x
. . Alex<br />
. .<br />
. . "Aiound<br />
. . RKO<br />
. . Pat<br />
. . Mrs.<br />
. .<br />
ALBANY<br />
The Albany Variety Club launched its annual<br />
Camp Thacher fund drive at a kickoff<br />
dinner in the Sheraton-Ten Eyck Hotel.<br />
Money obtained through donations and solicitations<br />
will be used to send needy boys to the<br />
Helderbergs camp at Thompson's Lake, for<br />
free two-week vacations. Several hundred<br />
lads have annually enjoyed the outings since<br />
Tent 9 rescued the about-to-fold mountain<br />
base, operated bv Albany Boys Club, in 1941.<br />
More than S125.000 has been expended on the<br />
camp, named for former mayor John Boyd<br />
Thacher, for improvements and expansion,<br />
and the gratis vacations. The heart fund<br />
committee, of which Jack Spitzer and Times-<br />
Union Managing Editor Albert J. Bearup are<br />
co-chairmen, has set a goal of $7,500 through<br />
private solicitations. The public will be approached<br />
for contributions, through containers<br />
placed in retail and industrial establishments<br />
and in the State Office Building prior<br />
to Thanksgiving. Collections likewise will be<br />
made in public places, beginning November<br />
20. The personal-solicitation phase will continue<br />
through January 10.<br />
Fred Sliter, retired 20th-Fox salesman, postcarded<br />
that he was spending a few days in<br />
Daytona Beach as a guest of Joe Sternberg,<br />
fx-owner of the Franjo in Boonville. Sliter's<br />
home is in Menands, suburb of Albany .<br />
Geneva Barcomb, secretary in Upstate Theatres<br />
office, planned to vacation for a week<br />
with her sister in Boston . Jablonowski,<br />
stageman at Paul Wallen's Leland, is at<br />
home recovering from an operation.<br />
A plea to "begin your support of Variety"<br />
by attending the club's first fall meeting, was<br />
made by the new chief barker, Samuel E.<br />
Rosenblatt, in his first letter to members.<br />
"Some of us," he w-rote, "can give of our<br />
time, talent, effort and financial aid; some<br />
are limited in what we have to offer along<br />
these lines, but surely each one of us can<br />
serve 'Variety in at least one way or other."<br />
The Strand, in a tieup with the Albany<br />
Times-Union, conducted a "Meet Pat Boone"<br />
contest among teenage girls. Kathleen Dunham,<br />
14. oldest of six children of Mr. and Mrs.<br />
Frank Dunham and a freshman at 'Vincentian<br />
Institute, won a trip to New York for a preview<br />
of Boone's latest picture, "April Love,"<br />
HERE'S YOUR CHANCE<br />
to get in the<br />
BIG MONEY<br />
As a screen game,<br />
HOLLYWOOD takes top<br />
honors. As a box-office attraction,<br />
it is without equal. It has<br />
>een a favorite with theatre goers for<br />
over 15 years. Write today for complete details.<br />
Be sure to give seating or car capacity.<br />
HOLLYWOOD AMUSIMINT CO. '<br />
3750 Ojkton St. • Skokit IIHnoU<br />
and participation in backstage festivities<br />
there following the show, for a letter explaining<br />
why she would like to meet Boone.<br />
Kathleen and her mother left Tuesday via<br />
Mohawk Airlines and returned 'Wednesday.<br />
In addition to the free jaunt. Miss Dunham<br />
received $25 expense money. Kathleen's letter<br />
stated she would like to meet Boone, because<br />
"he represents the great part of American<br />
youth that is not delinquent, but wholesome,<br />
clean-cut and well-balanced . Boone<br />
has set a fine example for all teenagers of<br />
America to follow."<br />
Tom Wall, manager of the 1,300-seat Ciixle<br />
in swank Brookline, Mass.. visited his brother<br />
Ed, Paramount's upstate director of advertising<br />
and publicity, here Veterans Day. 'Wall<br />
drove over with his wife, an instructor in<br />
physical education at a Boston high school.<br />
The suburban circle, entered by a driveway<br />
decorated with flowers and equipped with a<br />
large parking area, was built in 1940. Sam<br />
Pinanski's American Theatres operate it. Another<br />
of Ed Wall's brothers Jim manages a<br />
theatre on Cape Cod.<br />
. . . John<br />
Leonard L. Rosenthal, attorney and adviser<br />
on film buying for Upstate Theatres,<br />
represented the Temple Beth Emeth Brotherhood<br />
at a national meeting in Pittsburgh.<br />
Vice-president of the local unit, he was accompanied<br />
to Pittsburgh by Mrs. Rosenthal,<br />
who is active in the Sisterhood<br />
Capano screened a Greek picture. "Windfall<br />
in Athens," at the State, Troy, Tuesday and<br />
Wednesday. Booked through Green Pictures<br />
Co. of New York, the feature was in Greek,<br />
with English titles. The distributor advertised<br />
the film via Greek church and fraternal<br />
circles in T:-oy. Albany, Schenectady,<br />
Hudson and vicinity. Admission for adults was<br />
90 cents all day. Capano planned the presentation<br />
of several additional Greek film.s<br />
if the initial experiment wan-anted it.<br />
New owner of<br />
the former Smalley Theatre<br />
in Norwich is Fearon Hust, who operates a<br />
pharmacy in the same building. Gordon<br />
GjTDSon, a former Smalley and Schine manager,<br />
is assisting Hust in getting the darkened<br />
theatre ready for operation. Gj-pson also sells<br />
automobiles. The relighting date will presumably<br />
be "around the holidays" . . . Henry<br />
H. "Hi" Martin, who has been appointed general<br />
sales manager for Universal, visited here<br />
about eight months ago with Pete Dana, eastern<br />
division manager. Martin, then southern<br />
division manager, accompanied Dana to the<br />
Schine circuit home offices in Gloversville.<br />
SYRACUSE<br />
The Lakeshore Drive-In on the Old Liverpool<br />
road is starting a year-a-round policy.<br />
No matter how low the temperatiu-es<br />
drop, the patrons will be comfortable with<br />
the Electromode heaters which the drive-in<br />
is providing. The Lakeshore, operated by<br />
Slotnick Enterprises, is the only drive-in in<br />
this area to remain open all year.<br />
Harry Unterfort, zone manager of Schine<br />
Theatres, has been home ill . . . Max Rubin,<br />
manager of Schine's Paramount, went to<br />
Rochester to attend the funeral of his motherin-law<br />
. Keiths Theatre offered a<br />
29-cartoon show .stai'ting at 9 a.m. Veterans<br />
"<br />
Day . the World in 80 Days was<br />
in its 24th week at DeWilt Shoppingtown<br />
Theatre, according to Sam Mitchell, manager.<br />
BUFFALO<br />
TJecause \'eteraii.s Day was a legal holiday,<br />
the Variety club postponed its annual<br />
election for the '58 crew and delegates to the<br />
London convention to Monday the 18th. The<br />
polls will be open from noon until midnight<br />
and the usual buffet will be served. Running<br />
for canvasmen are Marvin Atlas. V. Spencer<br />
Balser. Albert Becker, Bernie Burns, Irving<br />
Cohen, Michael J. Ellis. Isadore Erlichman,<br />
Sam Getten. Myron Gross, Marvin Jacobs,<br />
Charles B. Kosco. Sidney Lipsitz, George H.<br />
Mackenna, Francis Maxwell. Jack Mundstuk,<br />
Manfred E. Pickrell. Charles R. Siegert<br />
and David Zachem. Candidates for clown<br />
(delegate I are V. Spencer Balser and Myron<br />
Gross.<br />
While Elmer F. Lux, popular local industryite<br />
failed to win in the mayoralty election,<br />
he piled up an amazing 45,000 votes or more.<br />
while the winner. Judge Sedita. squeezed in<br />
by the narrow margin of .some 67 vot«s . . .<br />
Pictures, starrmg Janet Gaynor and Mary<br />
Pickford. both of whom won George awards<br />
for distinctive contribution to motion pictures<br />
a few weeks ago in the Eastman ceremonies<br />
in Rochester, were shown last weekend at the<br />
Dryden Theatre of the George Eastman<br />
House. Tliey were "Seventh Heaven." with<br />
Janet and "Rags" with Mary "Seventh<br />
Heaven" was produced in 1927 and brought<br />
fame to Miss Gaynor. The Pickford opus, one<br />
of the earlier ones in the career of the<br />
golden-curled girl who was to become the<br />
crown princess of moviedom. had Marshall<br />
Neilan as her leading man. He later was to<br />
become her director.<br />
The Empire Drive-ln on Rout* 104 near<br />
Rochester is now advertising "Open all<br />
Winter" and will furnish in-car heaters .<br />
The Century Theatre downtown will open<br />
"Raintree County" December 25. and it looks<br />
as though the Century is going to get back<br />
into its former long-run policy with big pictures.<br />
The last attraction under that policy<br />
was "Around the World in 80 Days." which<br />
now is enjoying a long run in Schine's de<br />
luxe community operation on north Main<br />
street, the Granada, where Manager Lou<br />
Levitch had put up a striking flash front and<br />
a top of the building display . . . Salvatore A.<br />
Rizzo of Eggertsville has been re-elected president<br />
of the musicians Local 43. Other officers<br />
include Bert Lapentina, house manager<br />
at the Teck. Buffalo's home of Cinerama,<br />
who was named a director and delegate to<br />
the national convention, and George B.<br />
D'Anna. former Shea's Buffalo orchestra percussionist.<br />
al.so a director.<br />
WIIDL, Inc.. of Olean has applied to the<br />
FCC for a permit to construct a television<br />
.itation which would retelecast shows from<br />
the NBC outlet in Buffalo. WBUF-TV. on<br />
ultra-high frequency channel 76 with 195.2<br />
watts . Dorothy Zernentsch of West<br />
Seneca won the contest put on by Paramount<br />
Theatres and 20th-Fox with the Courier-Express<br />
to send two Buffalonians to the Pat<br />
Boone tribute in the Roxy Theatre Tuesday<br />
evening il2i in New York City. Entrants<br />
sent in letters on "Why I Would Like to Attend<br />
the Pat Boone Tribute.<br />
When "Jamboree" is .shown here, it will be<br />
introduced by WEBR's Bob Wells, who made<br />
a short film introduction for the WB opus<br />
when he was in New York recently. The introduction<br />
was used on a sneak preview of<br />
the picture here.<br />
E-6 BOXOFFICE November 16. 1957
. , . The<br />
. . Wenard<br />
. . Mrs,<br />
. . Dick<br />
. . Variety<br />
. . Ross<br />
. . The<br />
,<br />
. . . Maurice<br />
. . . Jack<br />
. . Jack<br />
PITTSBURGH<br />
Cam Milberg joined the 20th-Fox as main line<br />
representative, taking the post formerly<br />
held by George Ball who was promoted recently<br />
to sales manager under N. C. Rosen,<br />
manager. Ball succeeded C. C. Kellenberg,<br />
a 35-year man with the company who retired<br />
to take over the theatre booking accounts<br />
formerly represented by the late<br />
Vince Corso. Milberg was with the now defunct<br />
RKO exchange here for a number of<br />
years, and since that closed he had been a<br />
salesman here with UA under Manager Jimmy<br />
Hendel . Martha Michael of the Rex<br />
Theatre, south side, is expected home at<br />
an early date after an eight-month vacation<br />
in Greece.<br />
Milt Brauman, manager of Screen Guild<br />
of Pittsbui-gh, has a promotion working for<br />
SG and in recognition of Jim Nicholson's<br />
third anniversary as head of American International<br />
Pictures: with each booking, exhibitors<br />
receive a chance to win U. S. savings<br />
bonds in the amounts of $100, $75, $50, and<br />
$25. The AIP booking drive continues to February<br />
7 . Leibert, Radio City Music<br />
Hall organist, was featured November 15<br />
at the Virginia Theatre, Wheeling . . . Jane<br />
Patterson, UA office manager, vacationed in<br />
Chicago.<br />
Jean Hennigan of the Warner exchange<br />
contract department underwent an emergency<br />
appendectomy . . . Voters of Penn township<br />
here, where the excellent Eastwood Theatre<br />
is located, changed its name to Penn Hills<br />
Casino, the city's only burlesque<br />
house, seems doomed for a final time. The<br />
Diamond street house, famous years ago as<br />
the Harris vaudeville theatre, folded and is<br />
dark . R. Kough, operator of the<br />
Opera House at Windber for many years, was<br />
very ill in a hospital here . Atchison<br />
folded the Lincoln Theatre at Rimersburg.<br />
He edits a weekly newspaper, the Record,<br />
which serves Rimersburg, East Brady and<br />
The new Variety Club<br />
Parker districts . . .<br />
crew: Harold C. Lund, David C. Silverman,<br />
Lou Hanna. James M. Fallon, James Klingensmith,<br />
W. Ray Downey, Carl Ide, James Nash,<br />
Charles T. Carey, Harold W. Gray and Bernie<br />
Hickey.<br />
Variety Tent 1 named Harold C. Lund,<br />
Westinghouse Broadcasting Co. vice-president<br />
in chaj-ge of KDKA-TV, as chief barker:<br />
David C. Silverman, Allied Ai-tists manager,<br />
first assistant chief: Louis E. Hanna, Hanna-<br />
Stearn Cooperative Theatres, second assistant:<br />
James Fallon, secretary, and Ray<br />
Downey, treasurer . Post 589,<br />
American Legion, named Max Reilly as commander:<br />
Perry Nathan and Art Stern, vicecommanders:<br />
C. C. Kellenberg, adjutant:<br />
G. F. Callalian III, finance officer: Bud<br />
Rosenberg, service officer, and Morris Berman,<br />
county delegate.<br />
United Artists' "The Muggers" is a suspense<br />
s'.ory of crime in the big city.<br />
Shenandoah Strand Shut<br />
By Penn-Paramount Corp.<br />
SHENANDOAH. PA.—The Strand Theatre<br />
has been closed by order of Ben Rosenberg,<br />
general manager of the Penn-Paramount<br />
Corp., operators of the theatre since 1949.<br />
Rosenberg had planned to close the Strand<br />
September 30 but due to a major rent cut<br />
by Mrs. T. D. Birtley, owner of the building<br />
housing the Strand, the closing wa.s put off<br />
fcr a month. John Guers was house manager<br />
for the circuit.<br />
In recent years the Strand and the Capitol<br />
theatres have been the center of tax controversies<br />
with the borough council. Several<br />
times Adam Balkiewicz, chief burgess, vetoed<br />
an amusement tax which would have eliminated<br />
the theatre tax, which amounted to<br />
$13,000 annually for the Strand, half of this<br />
collection going to the school board and half<br />
to the borough council.<br />
With the closing of the theatre, the town<br />
has lost an annual $35,000 payroll and 25 jobs.<br />
PHILADELPHIA<br />
"The voters in South Heidelberg tow-nship<br />
approved the showing of Sunday motion<br />
pictures, thus ending a two-year battle in<br />
which operators of the Sinking Spring Drivein<br />
were arrested 74 times and paid $4,784 in<br />
lines and costs for violating the Pennsylvania<br />
blue laws. Approval was by a 10 to 1<br />
margin. The action by the voters brought<br />
relief to county detectives Edward Sell and<br />
Edward Davis, who alternated going to the<br />
drive-in theatre each Sunday to arrest the<br />
proprietors. Sell made 46 trips and Davis<br />
appeared 35 times , town of Lansdale<br />
voters rejected Sunday movies, 1,771 to 1,639.<br />
The vote against it in 1951 was 1.813 to 1.106.<br />
Police recovered a fake bomb at the rear<br />
exit of the Merben Theatre at Frankford<br />
avenue and St. Vincent steet while 1.800 patrons<br />
sat through the show uninterrupted.<br />
A patrolman located the "missile" after an<br />
anonymous caller telephoned police a bomb<br />
"had been planted in the theatre." The "bomb"<br />
consisted of a test tube filled with a silver<br />
powder and inserted into a section of bamboo<br />
Mrs. Sally Poster, mother of actor<br />
pole . . .<br />
Preston Foster, died at her home in Pitman,<br />
N. J. She was 82.<br />
District Attorney Victor Blanc presented<br />
the first Albert M. Cohen Memorial award at<br />
the annual dinner dance of the Variety Post<br />
713. American Legion, to Dr. I. S. Ravdin as<br />
"an outstanding surgeon, soldier, citizen and<br />
humanitarian." The award, named after a<br />
past commander of the post and a past chief<br />
barker of the Variety Club, will be presented<br />
annually to that citizen "who has done more<br />
to further peace, citizenship and goodwill for<br />
his fellow man." Installed were Bernard D,<br />
Blum, commander: Edward Chernoff and<br />
Martin Kaplan, vice-commanders, and Morris<br />
Kanfer, adjutant.<br />
BALTIMORE<br />
Tfariety Tent 19 elected Wilbur Brizendine,<br />
general manager of the Schwaber Theatres,<br />
as chief barker. Others elected: Pete<br />
Prince and Herbert Schwartz, fu'st and second<br />
assistant chief barkers: Howard Wagonheim,<br />
vice-president of the Schwaber Theatres,<br />
property master, and Daniel Sattler,<br />
dough guy. The new crew includes Leon<br />
Back, Skelly Garfink, George Doet.sch, Al<br />
Zlatkin, Victor Rubin and Eugene Blitz.<br />
Louis<br />
Tunick<br />
Louis Tunick died<br />
following a long illness.<br />
He owned and<br />
operated four theatres<br />
here: the Victory, Hollywood,<br />
Patapsco and<br />
Brooklyn. He is survived<br />
by his wife and<br />
three daughters. He<br />
belonged to numerous<br />
organizations and was<br />
a member of the Baltimcre<br />
Variety Club.<br />
Film star Franchot Tone spoke at a charity<br />
luncheon held Tuesday at the Mercantile<br />
Club. Mrs. Howard Wagonheim, wife of the<br />
vice-president of Schwaber Theatres, was<br />
chairman for the affair . . Mrs. Helen<br />
.<br />
Diering, secretary for tlie Allied Motion Picture<br />
Theatre Owners of Mai-yland, Inc., was<br />
confined to her home with the flu . . . Jack<br />
Fruchtman, head of the Pruchtman Theatres,<br />
had Elliot Forbes on the Century's stage as a<br />
commentator for the "Mom and Dad" film<br />
Hendricks has left as booker for<br />
the Hicks-Baker Theatres. John Recher has<br />
taken over the position.<br />
.<br />
. . . Joel Lewis, manager of the<br />
Solon Baker and Dudley Davis, manager<br />
and assistant manager of the Mayfair Theatre,<br />
resigned L. Whittle, owner of<br />
the Avenue, was in Washington on busine,ss<br />
Flax, Republic manager, came over<br />
from Washington for the Variety Club's election<br />
night<br />
Five West, spent a day-off fishing in Maryland's<br />
Magothy River.<br />
Seeks Permit for Paid TV<br />
NEW KENSINGTON, PA,— Fred Serrao of<br />
the Circle Theatre here this week made application<br />
for the right to provide paid television<br />
service in Lower Burrell. He said he<br />
has filed similar requests with New Kensington,<br />
which tabled the proposal, and with<br />
Arnold, which has yet to open up his request.<br />
Appeal Amusement Tax<br />
PITTSBURGH—An outdoor theatre and a<br />
roller skating rink appealed to the state superior<br />
court here this week to have a tax<br />
measure enacted by the Franklin township<br />
school board in Greene County declared unconstitutional.<br />
JonnaJM^<br />
BOONTON, N. J.<br />
Large Core<br />
Greater Crater Area<br />
meom<br />
MAXIMUM LIGHT<br />
Evenly Distributed<br />
in Pcnnsylvonlo^Blumberg Brothers Inc., Philodelphio—Lombard 3-7240<br />
Notional Theot-^e Supply, Philadelphio— Locust 7-6156<br />
Superior Theotre Equipment Company, Philadelphia<br />
Rfttenhouse 6-1420<br />
Projector Carbon Company, Torentum—Academy<br />
4-3343<br />
BOXOFFICE :: November 16. 1957 E-7
^(McOm "^e^tont<br />
•THERE are now five trade associations of<br />
the British film industry-. And the new<br />
member to join the exhibitors, renters and<br />
producers is the Federation of British Film<br />
Makers, the organization set up by a number<br />
of independent producers in opposition to the<br />
British Film Producers' Ass'n. Under the<br />
presidency of Lord Archibald, they have begun<br />
to gain considerable influence in the<br />
working: of the trade and it is likely that<br />
this body, which is at present limited in the<br />
main to British producers distributing their<br />
product through Columbia and MGM, will<br />
obtain further membership increases during<br />
the forthcoming months. Naturally, the independent<br />
producers are keen to join with<br />
their colleagues in securing a reduction in<br />
entertainments tax, some unified policy regarding<br />
television apart from a larger percentage<br />
of licenses for exporting films to the<br />
continent.<br />
• • «<br />
One of the big headaches facing producers<br />
in Britain Ls the failure of many exhibitors<br />
to buckle down and begin operating their<br />
theatres with showmanship. Too many independents<br />
are inclined to blame the decline in<br />
their business to television, lack of good pictures<br />
or anything that comes into their mind<br />
—with the exception of the manner in which<br />
they are running their own houses. This is<br />
not only true in the case of the small houses;<br />
among many of the west end theatres there<br />
is a disinclination to provide the patrons with<br />
good supporting features to back up a firstclass<br />
production, and to prolong the interval<br />
for the sale of ice cream and candy, in addition<br />
^o running between three and five minutes<br />
worth of advertising films. No wonder<br />
the public is begnning to stray away. The<br />
matter has become so serious by the incessant<br />
milking of the patrons indirectly by not providing<br />
them with the proper entertainment<br />
justified by the cost of the admission ticket,<br />
that the trade as a whole is taking the matter<br />
up.<br />
Both the British Film Producers' Ass'n and<br />
the Federation of British Film Makers want<br />
to meet the Cinematograph Exhibitors' Ass'n<br />
and to see if the exhibitors can't take steps<br />
to tighten up on their programs and give<br />
the patrons their money's worth.<br />
A fine writer and a very popular film critic,<br />
Reg Whitley, is going to receive a fine testimonial<br />
from his colleagues to commemorate<br />
£0 years' service with the Daily Mirror. He is<br />
to be given a luncheon which will be presided<br />
over by John Davis at the Savoy Hotel<br />
on November 26, spon.>;ored by the Film Industry<br />
Publicity Circle, on behalf of all sections<br />
of the trade. Knowing Whitley's popularity<br />
with everyone in the business—both<br />
film and newspaper— this lunch certainly<br />
will be SRO.<br />
• •<br />
Warwick Films and Victor Mature have<br />
signed a six-picture deal, it was announced<br />
last week by Irving Allen and Mature during<br />
a respite from the filming of his present<br />
Warwick picture. "No Time to Die." The first<br />
of the six films is being specially written for<br />
Warwick and is entitled "The Bandit of<br />
Zhobe." an outdoor adventure to be shot on<br />
the northwest frontier of India. As the au-<br />
By ANTHONY GRUNER<br />
thor is Anthony Bevan, the man who wrote<br />
"Zarak." Warwick's biggest boxoffice picture<br />
up to date, both Allen and Mature are<br />
feeling very optimistic. In addition to<br />
"Zarak." Mature has made two other films<br />
for Warwick, both of which have done very<br />
nicely at the boxoffice — "Interpol" and<br />
"White Hunter."<br />
« 3 e<br />
Dick Gordon and Chuck Vetter. two of the<br />
youngest and most go-ahead independents,<br />
have been over here setting up many picture<br />
deals without troubling to meet the press.<br />
They preferred to make pictures for their<br />
company Amalgamated Productions. Inc. Last<br />
week, to celebrate the tenth production made<br />
in this country. "The Secret Man." starring<br />
Marshall Thompson and John Loder. Vetter<br />
and Gordon threw a champagne party at the<br />
Society Restaurant. They were in great<br />
spirits, as were their British partners Jack<br />
Phillips and Bill Chalmers of Butchers, probably<br />
the oldest and most respected film company<br />
in the business. Small in size. Butchers<br />
may be, but in film know-how, business integrity<br />
and showmanship. Butchers is the<br />
tops. This, as they sometimes say regarding<br />
the ads. is not line shooting—it is a truism<br />
accepted throughout the trade. Vetter and<br />
Gordon could not have chosen better partners<br />
in the entire industry.<br />
To the U. S. goes Michael Carreras again.<br />
after a quick visit with his father Jimmy Carreras,<br />
boss of Hammer Productions. This<br />
time Carreras jr. leaves for Hollywood to produce<br />
the TV pilot of the 39-part "Tales of<br />
Frankenstein." at Columbia Pictures Corp.<br />
Studios, in cooperation with Screen Gems.<br />
The series will networked through ABC network.<br />
He is the first British producer to be<br />
awarded the full personnel and technical resources<br />
of a major Hollywood studio. He will<br />
be based in Holhnvood for six weeks. The remainder<br />
of the series will be made in British<br />
Bray studios owned by Hammer Productions.<br />
Meanwhile, the business of horror making will<br />
continue when Peter Cushing and Christopher<br />
Lee. last seen as the monster and his<br />
maker in "'The Curse of PYankenstein" get together<br />
for '"Dracula." produced by the same<br />
production team as "The Curse." Naturally.<br />
Jimmy Sangster, who did such a good writing<br />
job with "Frankenstein." is handling the<br />
scripting chores for "Dracula."<br />
Leo Samuels Holds Meet<br />
On 5 Buena Vista Films<br />
NETVV' YORK—Leo Samuels, president of<br />
Buena Vista, presided at a three-day meeting,<br />
starting Wednesday il3i to formulate<br />
promotional and merchandising plans for<br />
five features set to open in December and<br />
early in 1958. All pictures are in color by<br />
Technicolor.<br />
The pictures covered were: "Old 'YeUer,"<br />
the company's Christmas holiday film; "Snow<br />
White and the Seven Dw"arfs." to be reissued<br />
in February: "Light in the Forest." a summer<br />
1958 entry, as well as two C. V. Whitney productions<br />
being released by Buena Vista, "The<br />
Missouri Traveler," an early 1958 release,<br />
and ""The Young Land," a spring release.<br />
European Subsidiary<br />
Organized by NTA<br />
NEW YORK—National Telelilm Associates,<br />
Inc.. has set up National Telefilm Associates<br />
tU. K.I. Ltd.. to operate in the entertainment<br />
field in Europe, according to Oliver A. Ungar.<br />
NTA president. Headquarters of the wholly<br />
owned subsidiary will be in London.<br />
The main function will be that of supplying<br />
the television market with films, but the new<br />
division will also super\'ise the theatrical release<br />
of films and deal in other production<br />
and co-production activities.<br />
Vernon Burns, who has been active in<br />
European theatrical and TV fields, will head<br />
the London office. Recently he has headed<br />
Television Programmes (Distributors!. Ltd.<br />
From 1949 to 1954. he was a sales executive<br />
with Eros Films. Before that he was with<br />
the Monarch Film Coip.<br />
NTA is co-owner with 20 th Century -Fox<br />
in the NTA Film Network which began commercial<br />
operations last April 1. NTA also releases<br />
to theati-es through NTA Pictures, operates<br />
a shipping organization, has a Canadian<br />
TV film distributing subsidiary, produces<br />
TV films in conjunction with Desilu<br />
Productions and TCF-TV, the TV film division<br />
of 20th-Fox. and distributes lowbudget<br />
films and other programs for TV<br />
showing.<br />
Zeeman Elected Vice-Pres.<br />
Of Columbia International<br />
NEW YORK—Bernard E. Zeeman. treasurer<br />
of Columbia Pictures International Corp.,<br />
has been elected to the<br />
post of vice-president<br />
and treasurer.<br />
Treasurer of the<br />
company since 1951,<br />
Zeeman joined Columbia<br />
Pictures in 1935<br />
as a travelling auditor,<br />
later becoming assistant<br />
manager of<br />
/>>it^\^<br />
branch operations. In<br />
January 1944. he was<br />
named head of foreign<br />
branch operations, gernard E. Zeeman<br />
Zeeman entered the<br />
film industry in 1924 as an auditor for Universal<br />
Pictures, after attending Columbia<br />
University.<br />
Disney Common Stock<br />
Now on Big Board<br />
NEW YORK—The common stock of Walt<br />
Disney Productions, heretofore traded over<br />
the counter, moved to the big board on Tuesday<br />
(12t. Listed on the New York Stock Exchange<br />
under the ticker .symbol of "DIS"'<br />
were 1.729.093 shares at S2.50 par value.<br />
Roy O. Disney, president of the company,<br />
bought the first 100 shares of the stock,<br />
which opened at 14 7 8.<br />
Garcia Has New U-I Post<br />
NEW YORK—Ramon Garcia. Universal-<br />
International manager for Colombia, has<br />
been assigned supervisor for Peru and Ecuador,<br />
according to Americo Aboaf. foreign<br />
general manager. Garcia joined U-I in 1939<br />
as Cuban branch manager. He became Colombian<br />
manager in September 1956.<br />
E-8<br />
BOXOFFICE November 16. 1957
1<br />
NEWS AND VIEWS OF THE PRODUCTION CENTER<br />
(Hollywood Office—Suite 219 at 6404 HoUyivood Blvd.. Ivaii Spear, Western Manager)<br />
Wald Sees Industry<br />
As 'Healthy Invalid!'<br />
HOLLYWOOD—The American Society of<br />
Cinematographers heard Producer Jerry<br />
Wald tell membership meeting that the motion<br />
picture industry, which has passed<br />
through a long series of crises since its early<br />
days, may be called "the healthy invalid." He<br />
pointed out that the industry has grown up in<br />
the ever-present burden of dire predictions,<br />
but despite this many pictures in the past<br />
few years have pulled in bigger grosses than<br />
any product ever before in their history.<br />
According to Wald. the potential of the<br />
business is greater now than ever, with "an<br />
unmatched arsenal of manpower, artistic and<br />
commercial talent now the industry's major<br />
defense against traditional cycles of crisis."<br />
Wald further noted that now is the time to<br />
emphasize the positive, healthy aspects of<br />
motion picture production and added that unlike<br />
television pi-oducers, faced with sponsor<br />
and network taboos, short budgets and lack<br />
of shooting time, film producers have "a<br />
wonderful opportunity to increase film attendance<br />
by making an individual special custom-made<br />
product."<br />
In Wald's opinion, the industry should today<br />
make every effort not only to hold old<br />
customers but develop new ones.<br />
* * *<br />
The western membership of the Composers<br />
and Lyricists Guild met with President Leith<br />
Stevens to hear the result of recent elections<br />
and a report of the continuing negotiations<br />
with the Ass'n of Motion Picture Producers<br />
on a minimum basic agreement.<br />
New members of the executive board are<br />
Leigh Harline, screen: Gene De Paul, songwriting,<br />
and Benny Carter, specialized composition.<br />
Re-elected were Leith Stevens and<br />
Jeff Alexander, screen: Basil Adiam. Wilbur<br />
Hatch, Walter Schumann and Fred Steiner,<br />
radio, TV. and Mack David, songwriting.<br />
Continuing in office are Johnny Burke.<br />
Alexander Courage, Frank De Vol. Ivan Ditmars,<br />
Russell Garcia. Herschel B. Gilbert.<br />
Jerry Livingston, Henry Mancini, Jack<br />
Meakin, Irving Miller, Lyn Murray, David<br />
Raskin and Nathan Scott.<br />
Following recent installation of a beauty<br />
room at the Motion Picture Country House,<br />
members of the Cinema Hairstylists Society<br />
are making plans to establish a similar room<br />
for patients of an eastern mental institution.<br />
Formulating plans for<br />
the new project are<br />
CHS president Florence Erickson and member<br />
of the advisorj- board Lillian Ugrin. Mrs.<br />
Ugrin has left for New York to confer with<br />
Virginia D'Arcy Johnson and other nonresident<br />
members of CHS on the project.<br />
First Charities Report<br />
Is Nearly One Million<br />
HOLLYWOOD — At the Motion Picture<br />
Permanent Charities first report luncheon,<br />
chairman James Stewart announced that the<br />
organization has raised $954,146 from 20.577<br />
film industry workers during the first three<br />
weeks of its<br />
1958 campaign.<br />
The grand total represents the largest<br />
amount of money ever reported at the first<br />
meeting of an MPPC campaign force and led<br />
Stew-art to predict that the 1958 drive will<br />
be one of the most successful in recent years.<br />
Individual group contributions were made<br />
as follows: top bracket, including most executives,<br />
department heads, guilds and corporations,<br />
$520,713; labor's executive committee,<br />
embracing all studio crafts of the AFL<br />
and independent unions and guilds. $433,433.<br />
Outstanding among early contributions was<br />
a $30,000 gift from the Samuel Goldwyn<br />
Foundation.<br />
The next MPPC report luncheon will be<br />
November 21.<br />
Roy Trigve Fjasted Dead;<br />
Paramount Music Chief<br />
HOLLYWOOD—Roy Ti'igve Fjasted. former<br />
head of the music department at Paramount<br />
studios, died Wednesday morning (13<br />
following a heart attack. Fjasted, who was<br />
51, leaves his wife Helen, son Roy jr. and two<br />
grandchildren. He had been head of the<br />
Paramount music department since March<br />
1954. He was assistant head of the department<br />
from 1929 to 1954.<br />
DeMlLLE MEETS THE QUEEN—Her<br />
Majesty Queen Elizabeth n of England<br />
and Cecil B. DeMille, producer of "The<br />
Ten Commandments," meet at the Odeon<br />
Theatre, London, at the recent Command<br />
Film Performance. At right is Lord Rank<br />
who presented DeMille to the Queen, and<br />
at left are Sir Henry and Lady French.<br />
The Queen and DeMille conversed for<br />
many minutes.<br />
First Nominations<br />
For Best Editing<br />
HOLLYWOOD—George Amy, president<br />
of<br />
the American Cinema Editors, announced<br />
the first of the big entertainment industry<br />
award nominations for the best editing of<br />
motion pictures and television in 1957:<br />
Single episode dramatic: Samuel E. Beetley<br />
for "Circumstantial." Alcoa-Goodyear<br />
Show; Edward Williams. "Four O'clock,"<br />
Suspicion Hour; Michael Luciano. '"Four<br />
Women in Black," Playhouse 90.<br />
Single episode comedy: Jim Fair, "David<br />
Has a Date with Miss Universe," Ozzie and<br />
Harriett series: Robert Hoover, "Bud, the<br />
Executive," Father Knows Best; Samuel E.<br />
Beetley. "International Affair." Adame and<br />
Eve series.<br />
Single episode documentary: Arthur Bell,<br />
"Under the Mediterranean," Bold Journey<br />
series.<br />
Single episode western: Michael Luciano,<br />
"Crackup," Gunsmoke; Leslie Vidor, "The<br />
Outlaw," Have Gun-Will Travel series;<br />
Mickey McCaden, "Town With a Past," G. E.<br />
Theatre.<br />
Comedy feature: Robert Simpson, "Desk<br />
Set"; Leonid Azer, "Love in the Afternoon";<br />
Hugh S. Fowler, "Will Success Spoil Rock<br />
Hunter?"<br />
Dramatic feature: Warren Low. "Gunfight<br />
at the O.K. Corral"; John Dunning.<br />
"Raintree County": Anne Bauchens. "Ten<br />
Commandments."<br />
Documentary feature: Julie Knowlton and<br />
Henry Sundquist. "Albert Schweitzer"; P.<br />
Gillette, "Red Balloon"; Chester Schaeffer,<br />
"Unidentifed Flying Objects."<br />
Musical feature: Frank Bracht. "Funny<br />
Face"; Viola Lawrence and Jerome Thorns,<br />
"Pal Joey"; Harold Kress. "Silk Stockings."<br />
Columbia and Euterpe<br />
Close 11 -Month Combo<br />
HOLLYWOOD—After an 11 -month association.<br />
Columbia Pictures and Euterpe<br />
Productions, the company headed by Joseph<br />
Pasternak and Sam Katz. have severed connections.<br />
The deal was on a participation<br />
basis and, according to Columbia, the parting<br />
was amicable. Reason given for the split was<br />
the inability of both parties to agree to scripting<br />
and casting of the pictures Euterpe was to<br />
have made.<br />
The independent company produced no<br />
films, but had scheduled three — "Gidget." a<br />
novel by Frederick Kohner, who also wrote<br />
the screenplay; "Nora," an original screenplay<br />
by Felix Jackson, and "The Chiselers,"<br />
slated to star Alan Ladd.<br />
BOXOFFICE :: November 16. 1957 W-1
Hometown Premieres<br />
Elroy Hirsch Film<br />
HOLLYWOOD — A hometown hero<br />
premiere<br />
of Bartlett-Champion's "Zero Hour!"<br />
will be held Monday (18) in Wausau, Wis.,<br />
when the Wausau Theatre there will honor<br />
its native son. Elroy "Crazylegs ' Hirsch, who<br />
stars with Dana Andrew's, Linda Darnell.<br />
Sterling Hayden and Peggy King in the picture.<br />
The premiere will be preceded by a citywide<br />
celebration highlighted by a parade and<br />
a banquet with civic officials and leading<br />
citizens participating. An honorary plaque<br />
and scroll will be awarded to Hirsch. who<br />
will attend all events.<br />
Anthony Mann's "God's Little Acre" is<br />
slated to have its world premiei-e in saturation<br />
bookings throughout Georgia on Memorial<br />
Day 1958: this, despite the refusal in<br />
Augusta, Ga., to permit the filming of the<br />
Erskine Caldwell yarn in that ai-ea. The film,<br />
made by Security Pictures, will be released<br />
through United Artists.<br />
« * «<br />
In a change of plans. Buddy Adler, 20th-<br />
Fox executive producer, has ordered an invitational<br />
film industry and press world premiere<br />
of Jerry Wald's "Peyton Place" to be<br />
held December 12 at the Fox Beverly Theatre.<br />
The picture's regular run will start the following<br />
day at the Beverly, Loyola and Vogue.<br />
* *<br />
20th-Fox will world-premiere "A Farewell<br />
to Arms" at Grauman's Chine.se Dec. 18<br />
Midwest Preferences<br />
National Barometer<br />
HOLLYWOOD—Norman Panama and Melvin<br />
Prank told members of the University of<br />
Chicago Alumni Ass'n, meeting here at the<br />
California Teachers Ass'n auditorium, that<br />
"as the midwest goes, so goes the nation in<br />
filmgoing habits."<br />
The producing team, currently w^orking on<br />
"The Jaywalkers" and "The Transfer," at<br />
Paramount, said: "Midwest tastes usually<br />
provide the barometer we can use .succe.ssfully<br />
today in projecting acceptance of films. New-<br />
York openings, previously .set the pattern, but<br />
this has changed. Now our eyes are on Chicago,<br />
Cleveland. Milwaukee. St. Louis and<br />
Detroit returns. If they're good, the rest of<br />
the country usually falls in line."<br />
Panama and FYank said New York has become<br />
insular and too reflective of more<br />
sophisticated tastes, while around the country<br />
there has been a rise in taste levels.<br />
Joe Fields Schedules<br />
'Anniversary Waltz'<br />
HOLLYWOOD — Joseph Fields, who is<br />
bringing "The Tunnel of Love" to the screen<br />
for MGM release, will produce "Annivei-sary<br />
Waltz" as his next motion picture. Fields<br />
wrote the play, w-hich ran for more than 600<br />
performances on Broadway, and, as he is<br />
doing with "Tunnel," will write the screenplay<br />
and direct the film.<br />
Fields said he wiU cast the picture and set<br />
the date of production after the completion<br />
of a new Bioadway musical "The Flower<br />
Drum Song," which he will produce with<br />
Richard Rodgers and Oscar Hammerstein<br />
and write the book with Hammerstein for<br />
next season.<br />
East: Columbia President Harry Cohn left<br />
for New York to preside over the annual<br />
stockholders meeting Monday il8i.<br />
West: Frank Borzage returned following a<br />
trip east to accept the special George Eastman<br />
film award.<br />
• * •<br />
East: Sandy Howard, vice-president of<br />
Gannaway International and president of<br />
Sandy Howard Enterprises, planed to<br />
Gotham.<br />
East: Producer Sol C. Siegel flew to New<br />
York to confer on exploitation plans for<br />
"Merry Andrew."<br />
East: Producer Pandro S. Berman and<br />
Director Vincente Minnelli planed to Manhattan<br />
for preproduction work on "The Reluctant<br />
Debutante,"<br />
* * *<br />
West: Writer-director George Seaton was<br />
back from New York huddles with Paramount<br />
executives.<br />
East: David O. Selznick will go to New York<br />
this month with the final print of "A Farewell<br />
to Arms."<br />
West: Pi-oducer Sam Spiegel arrived from<br />
Tokyo for conferences with Columbia executives<br />
anent reactions of Japanese to "The<br />
Bridge on the River Kwai."<br />
West: Abe Goodman, national advertising<br />
manager for 20th-Fox, arrived from the east<br />
lor confabs with David Selznick.<br />
* *<br />
East: Producer Sidney Harmon planed to<br />
New York anent the publication of new editions<br />
of "God's Little Aci-e." by Erskine Caldwell.<br />
* * *<br />
East: Arthur Hornblow jr., producer of<br />
"Witness for the Prosecution," is in Gotham<br />
for UA sales meetings.<br />
AIP Chiefs to TOA Rally;<br />
13-Week Drive Started<br />
HOLLYWOOD— All principals of American<br />
International Pictures, including Pi-e.sident<br />
James H. Nicholson, Vice-President Samuel<br />
Z. Arkoff and Leon P. Blender, general sales<br />
manager, will attend the TOA convention in<br />
Miami. AIP's exhibits will be based on original<br />
art work, costumes, monster suits and<br />
"scaraphernalia" featured in the hoiTor programs<br />
created and released by the company.<br />
Meantime, the Jim Nicholson Third Anniversaj-y<br />
drive, to celebrate the founding three<br />
years ago of AIP. began Friday (15i for a<br />
period of 13 weeks. The drive offers prizes<br />
to exhibitors as well as AIP exchanges. Cash<br />
prizes to exchanges will be awarded on the<br />
basis of quotas, and in addition will include<br />
prizes for exhibitors on the basis of a draw.<br />
Each exhibitor who books AIP product during<br />
the drive will have his name drawn from<br />
a bowl in each exchange— the wiruiers to receive<br />
U. S. .savings bonds.<br />
Carol Ohmart Signed<br />
To Role in 'Reckless'<br />
HOLLYWOOD—Carol Ohmart, who left<br />
actmg a year ago, is retin-ning to the motion<br />
picture screen to star with Mamie Van Doren,<br />
Jeff Richards and Arthur Hunnicutt in Warner<br />
Bros.' "Born Reckless." to be produced<br />
by Aubrey Schenck and directed by Howard<br />
Koch. Miss Ohmart will play Miss Van<br />
Doren's rival in the dramatic story of the<br />
rodeo riding circuit.<br />
"Bom Reckless" is scheduled to roll late<br />
this month on location in Arizona.<br />
Susan Cabot's first starring role under the<br />
terms of her new contract with Roger Corman<br />
will be in "War of the Satellites," which<br />
he will produce and direct for Allied Artists.<br />
The starting date is scheduled for December<br />
9.<br />
Miss Cabot, who was brought back to<br />
Hollywood by Corman after a two-year absence<br />
in New York where she concentrated<br />
on stage work, has appeared recently in the<br />
producer-director's "Carnival Rock," "Sorority<br />
Girls." and "The Saga of the Viking<br />
Women and Their Voyage to the Waters of<br />
the Great Sea Sei-pent."<br />
^ * •<br />
Elizabeth Taylor has been set for the<br />
femme lead in "Cat on a Hot Tin Roof," and<br />
George Cukor has been named to direct the<br />
Avon Production for MGM release.<br />
The Tennessee Williams' Pulitzer Prizewinning<br />
stage play is scheduled to go before<br />
the cameras early next year with Lawrence<br />
Weingarten producing from the screenplay<br />
by James Poe.<br />
AMPAS Board Clarifies<br />
Nominations Procedure<br />
HOLLYWOOD—Academy award nominations<br />
procedure was clarified with the Information<br />
announced by the board of governors<br />
that members of the Academy of Motion<br />
Picture Ai-ts and Sciences who are active in<br />
more than one phase of filmmaking may,<br />
under certain circumstances, vote on nominations<br />
for the 30th Academy awards In more<br />
than one category.<br />
For example, a member of the Academy's<br />
actor's branch and of the Screen Actors Guild,<br />
who also is a qualified member of the Screen<br />
Directors Guild, may nominate in both the<br />
acting and directing categories.<br />
Previously, nominating for awards in each<br />
category was restricted to members of the<br />
Academy branch concerned. Final voting will<br />
continue to be done by the entire Academy<br />
membership.<br />
Eva Gabor in East<br />
HOLLYWOOD—Eva Gabor flew to Boston<br />
to kick off the United Fund drive Wednesday<br />
(131 at Symphony Hall. The following<br />
day she went to New York for a week of promotion<br />
and exploitation activity in connection<br />
with MGM's "Don't Go Near the Water."<br />
Stars at USC Homecoming<br />
HOLLYWOOD — Glenn Ford presented<br />
awards to the winners, and Eva Gabor, Leslie<br />
Neilsen and Mickey Sliaughnessy were official<br />
judges at the USC special homecoming activity,<br />
a vaudeville show called "TroUos"<br />
W-2 BOXOFFICE November 16, 1957
-<br />
Tele-Movies Co. Opens<br />
Los Angeles Office<br />
HOLLYWOOD—Tele-Movies Development<br />
Co. has opened offices in the Film Exchange<br />
building. Los Angeles, and Walter J. Dennis,<br />
president, announced negotiations have been<br />
started with cable and equipment manufacturers<br />
for Tele-Movies' initial installation<br />
in Oceanside. Calif.<br />
Dennis stated that TDC plans to vigorously<br />
pursue an additional 36 franchise applications<br />
in California. Nevada, Arizona, Wisconsin and<br />
Illinois. California cities for which TDC seeks<br />
franchises were disclosed by Dennis to be the<br />
following: Arcadia. Azusa. Carlsbad. Chula<br />
Vista. Covina. El Segundo. Gardena. Hawthorne,<br />
Hermosa Beach, Lakewood. Manhattan<br />
Beach. Monrovia. Montebello. National<br />
City, Delano. Colton. Redlands. Paramount.<br />
Ventura. San Fernando. San Gabriel. Upland.<br />
Escondido. La Mesa, El Cajon, Coronado,<br />
Santa Barbara. Pomona. Riverside. Bakersfield,<br />
Oxnard and Corona.<br />
Other franchise applications are being pursued<br />
in Chicago. 111.: Milwaukee. Wis.: Las<br />
Vegas. Nev.. and Phoenix. Ariz.. Dennis .said.<br />
Stanton Osgood, general manager of Paramount-Sunset<br />
Studios, ordered stage 6 of the<br />
lot, heretofore used for storage, reactivated.<br />
According to Osgood, the studio is at peak activity<br />
for the year with four TV series and<br />
one theatrical feature cuiTently before<br />
cameras.<br />
Osgood also said that expansion plans are<br />
under way at the studio's Conejo Ranch. The<br />
increase of western films has prompted him<br />
to build additional western streets at the<br />
locale<br />
site.<br />
Peggy Lee Has Five Songs<br />
For Tom Thumb' Opus<br />
HOLLYWOOD—Composer-singer Peggy Lee<br />
has completed five songs especially written<br />
for George Pal's initial independent Gala.xy<br />
Pictures production. "Tom Thumb," for MGM<br />
release, which is slated to go before the cameras<br />
November 25.<br />
The titles of Miss Lee's latest compositions<br />
are "Tom Thumb's Tune," "One for You and<br />
One for Me," "Take a Little Time to Smile,"<br />
"Could You Love Somebody Like Me?" and<br />
"Con-Fu-Shon Says."<br />
Russ Tamblyn is set to portray the title<br />
role of "Tom Thumb." and under a new trick<br />
photographic device developed by producerdirector<br />
Pal. he will be shrunk to diminutive<br />
dimensions in the part puppetoon and part<br />
live-action production. Ten new puppetoon<br />
personalities have been created for introduction<br />
in<br />
the picture.<br />
'Golden Fool' Tops Slate<br />
Of Haleywood Company<br />
HOLLYWOOD — Milton Pickman is In<br />
Europe to complete production activities for<br />
his Haleywood. Ltd.. independent company<br />
in which actor Richard Todd and Director<br />
Michael Anderson are his partners. First of<br />
the planned five pictures on the company's<br />
slate will be "The Golden Fool." from the<br />
novel by David Divine, to be lensed in South<br />
Africa with Todd starred and Anderson directing.<br />
10LUMBIAS President Harry Cohn is<br />
deserving of attention and admiration<br />
for the forthrightness of his recent ruling<br />
that henceforth no footage from a current<br />
Columbia picture is to<br />
be permitted for use on<br />
television programs<br />
under any circumstances.<br />
Prexy Cohn's characteristically<br />
courageous<br />
manifesto was<br />
forthcoming after a recent<br />
Steve Allen showon<br />
NBC-TV projected<br />
clips from the forth-<br />
:omiiig Columbia titan.<br />
"Bridge on the River<br />
Kwai." which was produced<br />
in Technicolor by Sam Spiegel. Following<br />
the running of the sequences, emcee<br />
Allen subjected the material to a. few of<br />
those hoary observations which might laughingly<br />
be termed wise cracks. The would-be<br />
lampooning was far from funny, and was<br />
certainly in deplorable taste.<br />
Many industryites have steadfastly held<br />
that the screening on video shows—regardless<br />
of their importance and vast viewing<br />
audiences—of clips from an about-to-be-released<br />
motion picture can conceivably do<br />
more harm than good to that film's financial<br />
future: even when some laugh-hungry television<br />
star refrains from making them the<br />
butt of his alleged humor.<br />
That's because the postage stamp screen of<br />
TV cannot begin to do justice to the scope<br />
and lush production mountings of today's<br />
big pictures. Nonetheless, filmdom's drumbeaters<br />
patently have considered it a publicity<br />
plum to plant footage on TV programs,<br />
particularly the Sunday night show of Ed<br />
Sullivan. Whether such planting has resulted<br />
in generating additional interest in the feature<br />
so treated or whether it has discouraged<br />
viewers who might otherwise have been<br />
potential ticket buyers—and because of the<br />
niggardly presentation imposed by video's<br />
physical limitations— is certainly subject to<br />
serious con.sideration. A man who is undertaking<br />
to sell filets mignon would be thought<br />
to have rocks in his head if he sampled his<br />
prospective customers with hamburgers.<br />
Be that as it may, the industry's distribution<br />
and bally hooing brass could do worse<br />
than take a cue from Columbia Cohn's judgment.<br />
While there may be wisdom In the If -you<br />
can't-llck-'em-Join-'em theory of strategy,<br />
the joining process can be carried to a ridiculous<br />
extreme. .'\nd that's what would obtain<br />
If too serious regard were accorded to a wild<br />
tradepaper report from the east to the effect<br />
that the proposal had been made that all<br />
theatres in the country be closed on the evening<br />
of March '.JG. the occasion of the annual<br />
.Awards event of the .Academy of Motion Picture<br />
Arts and Sciences. That Oscar glitterfest<br />
has been telecast for the past several<br />
years. The only difference as regards the upcoming<br />
clambake is that this year the show<br />
will be sponsored by the movie industry itself<br />
instead of by an automobile manufacturer.<br />
Unquestionably, this switch in sponsorship<br />
is a step in the right direction as concerns<br />
the trade's overall public relations. But it<br />
should neither increase nor decrease the onenight<br />
competition the annual telecast offers<br />
to theatre business. Certainly showmen<br />
should welcome and cooperate with the belated<br />
move by the industry to pick up the<br />
tab for its ohti party. But not to the extent<br />
that they should pass up whatever boxoffice<br />
revenues that still are available on Oscar<br />
night—and discourage the theatregoing habit<br />
in still more of their customers.<br />
Al "Moses" Finestone has done an outstanding<br />
and thoroughly praiseworthy job in<br />
thumping the publicity tubs for Cecil B.<br />
De Mille's "The Ten Commandments." And<br />
no minor part of his accomplishment lies in<br />
the fact that he has gotten C. B.'s picture into<br />
print a precedential number of times and for<br />
every conceivable reason.<br />
Let it be hoped, however, that he will refrain<br />
from taking bows for planting the recently<br />
widely published photograph of De<br />
Mille being granted an audience with Pope<br />
Pius XIII.<br />
Ever since he augumented his one-man<br />
publicity staff, Mervin Houser has been galloping<br />
off in all directions at the same time<br />
in a Herculean effort to snatch some space<br />
for David O. Selznick's "A Farewell to Arms."<br />
Witness the following sally into the silly<br />
statistics department:<br />
"Exhibitors, remembering the boxoffice<br />
success of 'Gone With the Wind,' are deluging<br />
David O. Selznick's office with letters,<br />
telegrams and telephone calls requesting the<br />
producer to 'sneak preview' his production<br />
of '.A farewell to Arms.'<br />
"One Santa Barbara theatre man pointed<br />
out that his business increased almost 50<br />
per cent for several months following a<br />
'sneak preview" held there several years ago<br />
of 'Gone With the Wind.' He said he's certain<br />
'A Farewell to .Arms' would do the same<br />
thing for his business now."<br />
If such is the rase, the nation's showmen<br />
would do well to subsidize DOS not to release<br />
".Arms" but to limit its exhibition to<br />
"sneak previews." thereby taking advantage<br />
of cryingly-needed opportunity for a business<br />
Increase of "almost 50 per cent for<br />
several months."<br />
Additional blurb from Burbank confides<br />
that "While LeRoy Prinz was in Japan directing<br />
the dance sequences for Warner<br />
Bros.' 'Sayonara,' he negotiated a deal to import<br />
the sensational three-wheel two-ton<br />
Japanese-made Mazda Ti-ucks to America."<br />
After all of the years Le Roy has spent<br />
piloting trucks with only two wheels—both<br />
left, in many cases—the third disk shcuici<br />
prove a refreshing addition.<br />
BOXOFFICE :: November 16. 1957 W-.3
—<br />
—<br />
——<br />
——<br />
I<br />
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
les Girls'<br />
Hot 260 at Los Angeles<br />
With 'Joey' Third Week Big 245<br />
LOS ANGELES — Veterans Day holiday<br />
proved a hypo for a number of<br />
the Los Angeles<br />
first runs. "Les Gii-ls" opened with a<br />
smash 260 per cent while "Pal Joey." in it«<br />
third round, took top spot among the holdovers<br />
with a hefty 245. The combo of "The<br />
Hunchback of Notre Dame" and "Portland<br />
Expose" opened with 125. On the art front.<br />
"The Third Key" wound up its first week with<br />
a solid 120. The hard-ticket "Ai-ound the<br />
World in 80 Days" led all comers with 340<br />
in its 47th week.<br />
(Averoge Is 100)<br />
Beverly Conon The Third Key (RFDA) 120<br />
Carfhoy Circle Around the World in 60 Days<br />
(UA), 47th wk 340<br />
Chinese My Mon Godfrey (U-l), 4th wk 70<br />
Downtown Paramount, Fox Wilshire, Vogue<br />
The Tin Stor (Pora), Triple Deception (RFDA),<br />
and seven drive-ins 95<br />
Egyption Pol Joey (Col), 3rd wk 245<br />
El Rev, New Fox—Desiree (20th-Fox), Vivo Zapata<br />
(20th-Foxl, reissues 85<br />
Fine Arts Perri (BV), llth wk 85<br />
Four Star Four Bags Full (Trans-Lux) 90<br />
Fox Beverly, Ins, Los Angeles, Loyolo Stopover<br />
Tokyo (20th-Fox); Bock From the Deod<br />
(20th-Fox) 55<br />
Howaii, Orpheum, Uptown- The Hunchback of<br />
Notre Dame (AA); Portland Expose (AA), and<br />
nine drive-ins 1 25<br />
Hillstreet, Hollywood, Ritz Operation Mod Boll<br />
(Col); The Parson and the Outlow (Col), 2nd wk. 75<br />
Pontages Les Girls (MGM) 260<br />
State Until They Soil (MGM); The Silken AHoir<br />
(DCA), 2nd wk. 30<br />
Vogobond The Devil's General :DCA), 3rd wk. 65<br />
Warners Beverly Rointree County (MGM), 5th<br />
wk ; 120<br />
Warners Hollywood The Seven Wonders of the<br />
World (Cineroma), 23rd wk 140<br />
'Jailhouse' Rocks to 180<br />
First Week in Frisco<br />
SAN FRANCISCO—Top honors went to<br />
"Jailhouse Rock" in its first week at the<br />
Loew's Warfield, The opening of "Armored<br />
Attack" rated a pleasant 140 per cent at the<br />
Fox. Other first-run pictures were way belowaverage.<br />
Fox—Armored Attack (NT A); Battle Stripe<br />
(NTA), reissues 1<br />
40<br />
Golden Gote Unknown Terror f20th-Fox); Bock<br />
from the Dead (20th-Fox) 40<br />
Loew's Warfield—Jailhouse Rock (MGM) 180<br />
Paramount The Story of Mankind (WB) 85<br />
St. Francis The Block Scorpion (WB) 75<br />
Jailhouse' Packs<br />
Denver Orpheum<br />
DENVER—"Jailhouse Rock" and "Battle<br />
Shock" packed the Orpheum and should have<br />
been held, but a firm commitment prevented<br />
the twin bill from staying. "Perri" went into<br />
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its fourth week in local first runs, doing a<br />
fine busine.ss at the Aladdin. "The Story of<br />
Mankind" got a second week at the Centre.<br />
and "Operation Mad Ball" with "Town on<br />
Trial" at the Denver did nicely and stayed<br />
a couple of days over. Most first runs had a<br />
good pickup after the Veterans Day parade.<br />
Aladdin Perri (BV), 3rd wk 180<br />
Centre The Story of Mankind (WB) 100<br />
Denham The Joker Is Wild (Paro), 3rd wk... 90<br />
Denver Operation Mod Boll fCol); Town on<br />
Trial (Col) 120<br />
Esquire Only the French Can (UMPO), 2nd wk.<br />
, . 100<br />
Orpheum Jailhouse Rock (MGM); BoMIe Shock<br />
(5R) 175<br />
Paramount Stopover Tokyo (20th-Fox); Restless<br />
Breed (20th-Fox) no<br />
Tabor Around the World in 80 Days (UA)<br />
26fh wk 50<br />
Vogue Art Bed of Roses (SR) 130<br />
Jailhouse' Is Full House<br />
For Portland Liberty<br />
PORTLAND— "Jailhouse Rock" hit a high<br />
of 260 per cent at the Liberty with lineup<br />
crowds, mostly teenagers, for afternoon and<br />
evening performances.<br />
Aladdin King Richard III (Lop) 150<br />
Broadway Around the World in 80 Doys (UA). 150<br />
Fox— Stopover Tokyo (20th-Fox) 125<br />
Guild Torero! lCo\)<br />
1 75<br />
Liberty Jailhouse Rock (MGM) 260<br />
Orpheum Operation Mad Boll (Col) 175<br />
AGVA Threatens to End<br />
Free Service Shows<br />
HOLLYWOOD— According to Jack Bright,<br />
national executive secretary of the American<br />
Guild of Variety Artists, the guild will forbid<br />
its members to do cuffo shows for servicemen,<br />
whether at home or offshore, if the USO<br />
carries through w-ith plans to use nonprofessional<br />
talent to entertain servicemen during<br />
nonholiday seasons.<br />
Bright said that AGVA members work cuffo<br />
for servicemen only during the Christmas<br />
season, but that will be stopped if during the<br />
rest of the year, the USO switches to amateur<br />
talent.<br />
AGVA's ruling would end such special servicemen's<br />
holiday shows as Bob Hope's<br />
Johnny Grant's et al.<br />
C. A. Moses Quits Bel-Air<br />
As Ad-Publicity Head<br />
HOLLYWOOD—Charles A. Moses has resigned<br />
as director of advertising, publicity<br />
and exploitation for Bel-Air Productions and<br />
Lakeside Picture.s. effective January 1. In<br />
addition to his executive duties, the publicist<br />
has been signed to screenplay "Frankenstein's<br />
Castle." slated to go into early production.<br />
Moses joined the Edwin F. Zabel-Aubrey<br />
Schenck-Howard Koch organization in January<br />
1956 after having served two and a half<br />
years as United Artists European publicity<br />
supervisor with headquarters In Paris.<br />
December 'Paths' Debut<br />
LOS ANGELES—A long advance bookmg<br />
has been made by Bryna Productions on behalf<br />
of "Paths of Glory." Five night* between<br />
January 21 and 31 have been set for screening<br />
the film produced by James B. Harris<br />
and directed by Stanley Kubrick. "Paths"<br />
will have its American premiere at the Fine<br />
Arts December 20.<br />
Red Skelton Is Cited<br />
As Best TV Comedian<br />
HOLLYWOOD—Red Skelton received the<br />
Stella award as the "best television comedian<br />
of 1957" as selected by more than 5.000 students<br />
from 48 states comprising the Northwest<br />
Schools Ass'n. William Sawyer, director<br />
of Northwest Schools, Portland. Ore., announced<br />
Skelton's individual accolade along<br />
with 22 other major network award presentations.<br />
Irving Asher began his third year this<br />
week as executive in charge of TCF-TV Productions,<br />
the 20th Century-Fox subsidiary.<br />
Currently, three series are in production at<br />
the studios — "Broken Arrow." "How to Marry<br />
a Millionaire" and "Man Without a Gun."<br />
» * *<br />
Donn B. Tatum was elected vice-president<br />
of Walt Disney Pioductions. with his principal<br />
work to be concerned with TV marketing.<br />
Before joining the Disney organization<br />
two years ago, Tatum was with the American<br />
Broadcasting Co.<br />
At the same time. Luther R. Marr of the<br />
Disney legal staff was elected secretary of<br />
the Walt Di-sney Productions, replacing James<br />
A. Johnson, who resigned to devote his time<br />
to his duties as executive vice-president of<br />
the Walt Disney Music Co.<br />
Lenore Coffee to Start<br />
'River of Fear' Scenario<br />
HOLLYWOOD—Following the completion<br />
of dialog revisions lor "Another Time. Another<br />
Place." the Lana Turner-Barry Sullivan<br />
starrer currently being lensed in England.<br />
Lenore Coffee will start the scenario of<br />
"River of Fear." the Joseph Kaufman production<br />
slated for filming in England next<br />
spring for Paramount release.<br />
Kaufman, also heading the current Lana<br />
Turner film, will have the new picture<br />
adapted from the Joan Morgan novel. "The<br />
Sensitive Plant." Miss Coffee, author of the<br />
novel from which "Another Time. Another<br />
Place' was taken, previously worked in a<br />
scripting capacity on "Sudden Fear."<br />
MGM Signs Glenn Ford<br />
To New Long-Term Pact<br />
HOLLYWOOD—MGM announced the .signing<br />
of Glenn Ford to a new long-term contract<br />
as a result of outstanding performances<br />
at the studio—the new- contract to take effect<br />
when Ford's current contract expires in<br />
December 1959.<br />
Simultaneously it was announced that Ford<br />
will star in "Imitation General." the dramatic<br />
story of a World War II sergeant, who<br />
takes over when the general to whom he is<br />
devoted Is killed, and saves his unit from destruction<br />
during the Battle of the Bulge.<br />
William Hawks will produce from the screenplay<br />
by William Bowers and the original<br />
story bv William Chamberlain.<br />
'Bufialo Guns' to Republic<br />
HOLLYWOOD—Republic Picture.s will release<br />
the Albert C. Gannaway Production of<br />
"Buffalo Guns." The film stars<br />
Wayne Morris.<br />
Mary Ellen Kay, Donald Barry, and features<br />
Webb Pierce. Carl Smith and Marty<br />
Robbins.<br />
W-4 BOXOFFICE November 16. 1957
THESE ANNOUNCEMENTS REVEAL<br />
VITAL FACTS ABOUT<br />
visitor*<br />
co\oo'0><br />
history<br />
o
. . Don<br />
. . Herb<br />
;<br />
. . John<br />
. . Roy<br />
. . Hugh<br />
. . E.<br />
. . Theatre<br />
. . John,<br />
LOS ANGELES<br />
TlZill Balton. executive of Tele-Movies Development<br />
Co.. has opened offices in the<br />
Film Exchange building ... Mr. and Mrs.<br />
Jackie Sonenshine became the parents of a<br />
baby son named Scott. Papa is with Embassv<br />
Pictures<br />
. . . Jim Womble is the new<br />
manager at George Ingham's Crest and<br />
Town theatres in San Fernando . . Mr. and<br />
Mrs. Ernest Martini of the Rancho Theatre<br />
in Arvin celebrated their 30th wedding anniversary<br />
. . . Eddie Cook, office manager of<br />
the Universal Film Exchange, is hospitalized<br />
Birthday congratulations go to Arnold<br />
Sharton, Paramount salesman, and Ned Calvi<br />
Pete Thorn, formerly with Buena Vista,<br />
IS now with the Harry Thomas Distributing<br />
Co.<br />
Vacationers include Sally Miller, Favorite<br />
Films booker, who recently returned from San<br />
Francisco; Gene O'Keefe of Gamble-OKeefe:<br />
Jack Drew, former L.A. exhibitor and now a<br />
concessionau-e at the Long Beach Pike, who<br />
has been visiting his brother Fred on Filmrow<br />
Dave Bershon of the Le Meimert Theatre,<br />
who spent a few days in Las Vegas, and Seymour<br />
Borde. division manager for J. Arthur<br />
Rank Co., who also vacationed in Las Vegas.<br />
Robert Kronenberg of Manhattan Films is<br />
off to London, Madrid and Paris to look over<br />
new product Mitterling, Fallbrook<br />
.<br />
Theatre, was on the Row booking and buying<br />
Phil Kassin, manager for the Deitrick and<br />
Feldstein Theatre in Oxnard was on the Row<br />
for home office conferences Turpie,<br />
.<br />
Manley Popcorn Co., returned with Mrs. Turpie<br />
from a 30-day business trip to Salt Lake,<br />
Denver and Casper, Wyo. . . . Jack Goldberg,<br />
of the Aladdin Theatres returned from a San<br />
Diego business trip . . . Ralph Clark, United<br />
Artists district manager, returned from a trip<br />
around his territory.<br />
Paul Landres to Direct<br />
Two for Regal Films<br />
HOLLYWOOD—Following the completion<br />
of his upcoming assignment, "Flame Barrier,"<br />
for Gramercy Productions. Paul Landres has<br />
been signed by Regal Films to direct two<br />
pictures, "The Secret of the PuiTJle Reefs"<br />
and "The Little Savage." Both films will be<br />
lensed in the Philippines, with Jack Leewood<br />
producing. "Purple Reefs" is scheduled for a<br />
Janu;)rv star*<br />
Showman Babb Adds<br />
Showmanship Aids<br />
HOLLYWOOD Blasting exhibitors for<br />
what he terms a "do-nothing attitude" toward<br />
recapturing their lost theatre audiences,<br />
showman Kroger Babb has dedicated his new<br />
promotion company. Hallmark of HoUj-wood,<br />
to providing "new tools" with which theatre<br />
managers can gain new patrons.<br />
The first campaign being offered by Hallmark<br />
is a serie.s of five promotional-instiluticnal<br />
t>-pe special newspaper ads, known as<br />
a "TV-itis" campaign. The ads point up comfort,<br />
relaxation and safety features of theatres<br />
and stress the fact that today's screens<br />
are at least 330 times the size of any TV<br />
screen. Proofs of the ad series are being<br />
mailed to theatres, circuit offices and the<br />
tradepress.<br />
Auslender Firm Slates<br />
'Unattached' Initialer<br />
HOLLVWOOD—Auslender Productions, recently<br />
formed organization for the production<br />
of TV and motion pictures, has slated "Unattached"<br />
as its initial motion picture venture.<br />
It deals with the life story of Vicki<br />
Draves. the Olympic diver, and will be scripted<br />
by Marion Parsonnet and Allen Vincent.<br />
Leiand and Gloria Auslender, who head the<br />
new company, plan to start shooting on location<br />
in Palm Springs December 16. The<br />
Auslenders also will be associated with Anthony<br />
Quinn in a joint production of "The<br />
Life of Paul Gaugin," slated for 1958, in which<br />
Quinn will star and direct.<br />
To Be on Benny Show<br />
HOLLYWOOD — Marking his TV debut.<br />
Buddy Adler, 20th-Fox executive producer,<br />
will be Jack Benny's guest on the Jack Benny<br />
Show December 1 over CBS-TV. A skit titled<br />
"Filming Jack's Life Story" is being prepared<br />
for the occasion. Benny's other guest for the<br />
be actor Van Johnson.<br />
show will<br />
THE TICKET<br />
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AT THE BOXOFFICE<br />
RELAX-RECIINEII CHAIR<br />
a ilight pretiur* tilli the<br />
back to any deiifod pitch.<br />
Revive War Dual Bill<br />
LOS ANGEXES— Because of the reported<br />
upbeat in public acceptance of war pictures.<br />
United Artists is reviving "Men in War," produced<br />
by Security Pictures, and "Attack,"<br />
turned out by Robert Aldrich & Associates,<br />
for another round as a dual bill setup. Both<br />
films w^ere released last year.<br />
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Theodore Ticktin Assumes<br />
Globe Sales Direction<br />
HOLLYWOOD—Theodore J. Ticktin, president<br />
of the Globe Releasing Corp., will assume<br />
active supervision of the sales policies<br />
of the firm, following the resignation of Sam<br />
Nathanson as general sales manager.<br />
Globe has eight pictures in general release.<br />
Awaiting release are two more completed pictures,<br />
"The Last Bullet," with Robert Hutton<br />
and Mary Castle, and "Yank in Ermine,"<br />
with Peter Thompson and Harold Lloyd jr.<br />
The latter picture is in Eastman Color.<br />
Plans are being made for the production<br />
and acquisition of new property.<br />
'Bernadette' Rerelease<br />
Scheduled Next Year<br />
LOS ANGELES—Jennifer Jone.s has been<br />
informed that "The Song of Bernadette." for<br />
which she won an Academy award in 1943,<br />
will be rereleased by 20th-Fox on a worldwide<br />
scale next year as part of the international<br />
observance of the centennial anniversary<br />
of the miracle of Lourdes. The studio<br />
will make new prints of the picture available<br />
and will augment the distribution with<br />
an elaborate merchandising and pre-selling<br />
campaign.<br />
Two Free Kiddies Shows<br />
CHINOOK, MONT—Manager Herb Bonifas<br />
of the Blaine Theatre delighted school children<br />
of this area w-ith two free Halloween<br />
shows. The two showings were necessary because<br />
there are so many grade school youngsters<br />
in the community. Thursday afternoon,<br />
October 31, Bonifas was host to all the rural<br />
school children at a free showing of "Hills of<br />
Home" and two cartoons. The same program<br />
was repeated the next afternoon for the children<br />
from the elementary schools in town.<br />
On Best-Seller Program<br />
HOLLYWOOD — George Murphy, Hollywood's<br />
unofficial spokesman and MGM public<br />
relations head, will speak on the first program<br />
of the Mirror-News Best-Seller luncheon<br />
series. There will be talks by Millard<br />
Kaufman, screen writer, and Kenneth Mac-<br />
Kenna, MGM executive story head, based on<br />
the adaptation of "Raintree County" from the<br />
award-winning novel to the screen.<br />
Book 'Sayonara' in Japan<br />
LOS ANGELES—Warner Bros.' "Sayonara"<br />
has been booked for a ten-week run, starting<br />
December 21 at the Scala-Za Theatre in<br />
Tokyo. Blanket bookings of the James Michener<br />
love story are also being completed in<br />
other major Japanese cities to carry through<br />
the Christmas and New Year's holidays, the<br />
best theatre season in Japan.<br />
Millard Kaufman Is Speaker<br />
HOLLYWOOD—Millard Kaufman, author<br />
of the screenplay and associate producer of<br />
MGM's "Raintree County," addressed 400<br />
high .school and junior high school teachers<br />
at the Los Angeles board of education auditorium<br />
on "Standards and F*roblems of the<br />
Motion Picture Writer." Kaufman's talk, followed<br />
by a question-and-answer period, continued<br />
the series of educational addresses being<br />
given by htm. He already has appeared<br />
before groups at UCLA and USC.<br />
SAN FRANCISCO La Reina to Produce<br />
f^harles M, Pincus, district manager for the<br />
Blumenfeld Theatres in Stockton, has been<br />
made liaison official by the Stockton Chamber<br />
of Commerce to handle the affairs of the<br />
film companies in production in that area .<br />
Myrna Loy and Lew Ayres were here to attend<br />
the UNESCO conference , Fox<br />
Theatre's world premiere of "Kiss Them for<br />
Me" was spearheaded by an autograph and<br />
interview party in the Fox lobby. The party<br />
centered about Suzy Parker, the film's star,<br />
and Don Sherwood, the master of ceremonies.<br />
The theatre reported that this was its best<br />
opening for a picture since school started this<br />
fall.<br />
Some 1,800 juveniles fled from a downtown<br />
Oakland theatre when fist fights broke out<br />
after a showing of "Jailhouse Rock," an Elvis<br />
Presley picture. Police responding to a riot<br />
call arrested five teenage boys. Two were<br />
booked on charges of disturbing the peace;<br />
the others were released. Admission was refunded<br />
to 500 youngsters who said they hadn't<br />
seen the complete double feature.<br />
Larry Blanchard, recently promoted to be<br />
publicist for the RKO Golden Gate Theatre<br />
is doing an excellent promotional job. He<br />
succeeded Joe DeVictoria. who went to Honolulu<br />
to work for the Consolidated Amusement<br />
Co. William Miller, formerly with the<br />
United Artists and Embassy theatres, took<br />
over Larry's job as assistant manager at the<br />
Golden Gate Theatre.<br />
. .<br />
Visitors to the Row included George<br />
Stamm, Stamm Theatres; Paul Aglietta, Rio<br />
Theatre, Richmond; Arthur Barnett, Rex<br />
Theatre, Oakland; Alan Finlay, Boyes Theatre.<br />
Boyes Springs, and Emil Palermo, Star<br />
Theatre, Stockton ... A few of the film exchanges<br />
remained closed 'Veterans Day (11 1.<br />
giving personnel a three-day weekend<br />
Jack Stevenson. Paramount manager, was<br />
still sporting a tan from his month ago visit<br />
to Las Vegas. The talk is that Jack has a<br />
sun-lamp and intends keeping his 'Vegas tan<br />
all year.<br />
. . .<br />
The office force at Paramount was inoculated<br />
for flu. Mass production of hypo shots<br />
and not one person fainted . . . Charles Boasberg,<br />
in charge of world wide distribution of<br />
"Ten Commandments" was in town looking<br />
over the territory . . . Carmel Desmond is<br />
the sales manager's new steno at Paramount.<br />
She replaces Waukera Rumfield. who resigned<br />
"Ai-ound the World in 80 Days"<br />
was celebrating its 45th week at the Coronet<br />
Theatre.<br />
Role to Audrey Totter<br />
HOLL'YWOOD-Audrey Totter has been<br />
.
.,<br />
D<br />
Cooper, Producers Visit<br />
'Hanging Tree' Locale<br />
MISSOULA. MONT—Gary Cooper, who is<br />
to star in the film version of "The Hanging<br />
Tree." the title story of Montana author<br />
Dorothy Johnson's latest book, autographed<br />
a copy of the book for Miss Johnson at a Montana<br />
State University campus news conference.<br />
Cooper said that negotiations for his<br />
appearance in the motion picture are nearly<br />
complete.<br />
Cooper, producers Martin Jurow and Dick<br />
Shepherd of Hollywood were here to confer<br />
with Miss Johnson about the picture, which<br />
is scheduled for spring production. Some of<br />
the .shooting will be done in this state if<br />
casting, technical direction and weather permit,<br />
Jurow said.<br />
•'You have great talent here." Cooper told<br />
Miss Johnson, who combines her writing<br />
career with jobs as a professor of journalism<br />
at the Montana State University and secretary-manager<br />
of the Montana State Press<br />
Ass'n. "When a story like this—beautifully<br />
written and with fine characterizationcomes<br />
along, naturally Hollywood tries to<br />
snap it up."<br />
The action in "The Hanging Tree" takes<br />
place in the early days of the discovery of<br />
gold in this state. Cooper will be cast as Doc<br />
Frail, gunman, gambler and physician, who<br />
once shot a man he shouldn't have but didn't<br />
shoot a man he should have. The other principal<br />
roles—a lost lady who becomes a lucky<br />
lady, a young man who becomes Doc's ward<br />
and Frenchy. the heavy, have not been assigned.<br />
With Cooper in Missoula was Bill Stuttart,<br />
associated with him in the ranching business<br />
in Montana's Granite County. The famous<br />
cowboy actor, who grew up in Montana, said<br />
he hopes to spend more and more time on<br />
his ranch near Philipsburg. He attributes<br />
the desire to nostalgia "for the places where<br />
I was born and raised."<br />
Three Butte Theatres Tied<br />
By lATSE Local Strike<br />
BUTTE. MONT.—A strike<br />
by members of<br />
the Butte local. lATSE, has closed theatres<br />
here for an indefinite psriod. Theatres affected<br />
are the Rialto, Montana and Bow.<br />
Management and union negotiators had<br />
carried on negotiations for several days but<br />
were unable to reach an agreement prior to<br />
the strike<br />
deadline.<br />
Hospital Plaques to Two<br />
HOLLYWOOD—Plaques in memory of Al<br />
Jolson and Walker Inman will be unveiled<br />
during the dedication of the expanded X-ray<br />
department at Cedars of Lebanon Hospital<br />
on Thursday (21 1. A generous bequest toward<br />
the development of the $500,000 facility was<br />
willed the hospital by the famed entertainer,<br />
and major contributions were made in Inman's<br />
name by his mother and hi? 'sister.<br />
Doris Duke.<br />
Patricia Cutts Is<br />
Guest<br />
HOLLYWOOD—Patricia Cutts. British star<br />
who portrays Danny Kaye's fiancee in Sol C.<br />
Siegel's "Merry Andrew" for MGM. was the<br />
guest of honor at the UCLA International<br />
House global ball Friday night (15 ». Miss<br />
Cutts crowned the beauty queen, selected<br />
from the UCLA coeds.<br />
W-8<br />
PORTLAND<br />
To herald the opening of -Devil's Hairpm."<br />
Dick Newton arranged with the Cascade<br />
Sports Car Club of Oregon to stage a Concours<br />
d'Elegance motor show on opening night<br />
(13). Trophies for the best sports and classic<br />
cars were awarded at a special stage presentation<br />
at the theatre. The show was held in<br />
a parking lot several blocks north of the<br />
theatre and was free to the public. A dealers<br />
show of 1958 foreign sports models was held<br />
at the same time.<br />
Martin Foster. San Francisco, general manager<br />
of the Guild and Pine Arts, conferred<br />
with Nancy D. Welch, Guild and Pine Arts<br />
manager, on the opening Friday il5i of the<br />
suburban art house at Hawthorne boulevard<br />
and 20th avenue. On the screen was "Nana."<br />
the French drama which stars Carol Martine<br />
and Charles Boyer. Members of the press,<br />
radio and TV were invited to attend a special<br />
Wednesday showing.<br />
Pay TV Franchise Asked<br />
By El Sobrante House<br />
EL SOBRANTE. CALIF.—The Park Theatr3<br />
here and the Rio Theatre of Rodeo have<br />
made application to the county board of<br />
supervisors for exclusive franchises to operate<br />
closed circuit pay television in homes in<br />
their communities.<br />
Richard Jeha, manager of the Park Theatre,<br />
told the supervisors that the franchises<br />
are similar to those granted in Oklahoma<br />
City and other midwestern cities, providing<br />
for transmission to homes of motion pictures,<br />
spcrts events and entertainment.<br />
Th2 supervisors also were to consider an<br />
application from Skiatron of Los Angeles for<br />
a county-wide franchise.<br />
Rcy H. Cleek, m.ayor of San Pablo, filed<br />
a letrer in opposition, saying that the subject<br />
of pay T'V deserved much study by cities<br />
and the county. Cleek also asked that consideration<br />
for franchises be given other theatre<br />
opsrators in the area.<br />
Jeha's request was filed until the city<br />
manager and city attorney complete a study<br />
and receive recommendation from the League<br />
cf California Cities.<br />
Friars Club Dinner Set<br />
HOLLYWOOD—The Fnars Club will<br />
hold<br />
its annual Thanksgiving dinner for residents<br />
of the Motion Picture Country House and<br />
Hospital November 27. with the 350 show<br />
business veterans receiving gifts, clothing<br />
and entertainment. Jack Benny. Ben Lessy<br />
and Patty Moore are the first stars to be set<br />
entertain at the event this year.<br />
to<br />
Shows Go Incdoors at Breese<br />
BREESE. ILL.—The Avon Drive-In on U. S.<br />
50 was closed for the season by owner Bernard<br />
Temborius and Allen Keith, manager,<br />
who then reopened the Avon Theatre, with<br />
"The Ten Commandments."<br />
Changes<br />
Title<br />
Girl oh the Run .WB' to 77 SUNSET<br />
STRIP.<br />
The final title for Allied Artists' picture<br />
formerly called "Stolen Time" is "Blonde<br />
Blackmailer."<br />
ISEARCH BUREAU<br />
for<br />
MODERN THEATRE PLANNERS<br />
Mr<br />
ENROLLMENT FORM FOR FREE INFORMATION<br />
The MODERN THEATRE<br />
PLANNING INSTITUTE<br />
B25 Van Brunt Blvd.<br />
Kansas City 24. Mo.<br />
oeniienien<br />
11-16-57<br />
Please enroll us in your RESEARCH BUREAU<br />
to receive iniormation regularly, as releaseii. on<br />
the loUowing subiects lor Theatre Planning:<br />
n Acoustics<br />
Air<br />
Conditioning<br />
D Architectural Service<br />
n "Black" Lighting<br />
n Lighting Fixture*<br />
D Plumbing Fixture»<br />
n Projectors<br />
n Projection Lamps<br />
n Building Material<br />
.<br />
r-i ^ Seating<br />
U Carpets<br />
„ .<br />
^ , .<br />
ni_j Signs » and Marquees<br />
-i<br />
U Coin Machines<br />
n Complete Remodeling Sound Equipment<br />
n Decorating<br />
Television<br />
n Drink Dispensers D Theatre FronU<br />
G Drive-In Equipment Q Vending Equipment<br />
n Other Subjects .<br />
Theatre<br />
Seating<br />
Address<br />
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Signed<br />
Postoge paid reply cards tor your further conrenience<br />
10 obtaiaing in^ormotion ore provided in The MODERN<br />
THEATRE Section, published with the first "tisue o^<br />
eoch month.<br />
BOXOFFICE November 16. 1957
. .<br />
J<br />
—<br />
—<br />
—<br />
—<br />
Reopening at Auburn<br />
With Hoosier Hayride<br />
AUBURN. IND.—The Court Theatre will<br />
reopen Sunday (17) fulltime. The Court closed<br />
the first of July when the merchants in the<br />
town of Auburn elected to change store hours<br />
and close at 6 p.m. on Saturday nights.<br />
Owner Hobart Hart plans to run his regular<br />
motion picture changes during the week<br />
and present a live country show at two performances<br />
each Saturday night. Contracts<br />
have been made for 26 weeks to broadcast<br />
from the Court stage the Hoosier Hay Ride<br />
over WGL. Fort Wayne, in a 60-minute program<br />
sponsored by Seyfert Potato Chips and<br />
Tristate Builders of Fort Wayne. The show<br />
has a permanent crew of musicians and performers<br />
and will have guest stars from Grand<br />
Old Opry. Renfro Valley and other country<br />
shows in the midwest.<br />
Hart reports local merchants are still closed<br />
on Saturday night and threaten boycott of<br />
any merchants who might like to reopen.<br />
Merchants in Garrett, a few miles from Auburn,<br />
also closed on Saturday nights at the<br />
suggestions of Auburn merchants.<br />
Theatre Reopenings<br />
NORRIS CITY, ILL.—The Tivoli, 200-<br />
seater, was reopened by J. A. Gossett.<br />
CHAFFEE, MO.—The Horstman, 500-seater<br />
on Yoakkum avenue, has been reopened by<br />
Mrs. Bernice Montgomery, who also owns<br />
the Montgomery Drive-In.<br />
PARIS, MO.—The Main Street Theatre, a<br />
425-seater owned by Mrs. Edith Major, was<br />
reopened for the winter. Mrs. Major also<br />
owns the Major Drive-In on Route 24.<br />
GOLCONDA. ILL.—Jim Davis, onetime<br />
salesman for RKO, reopened the Ohio Theatre<br />
here. Davis also is interested in a TV<br />
station at Paducah and books and buys for<br />
the Sunset Drive-In at Paducah. owned by<br />
H. R. Timmons. The theatre had been known<br />
as the Scott during operation of Walter<br />
Scott. It had been dark since Aug. 12. 1947.<br />
WEST FRANKFORT. ILL.—The Roxy. 500-<br />
.'eater, the B house here for Fox Midwest, is<br />
being reopened.<br />
To Tighten Up on Curfew<br />
ST. LOUIS—Police have announced plans<br />
for a stricter enforcement of the curfew<br />
ordinance that has been in effect since June<br />
14, 1955, providing that boys and girls under<br />
17 years of age must be off of the streets<br />
by 11 p.m., unless accompanied by a parent<br />
or legal guardian. H. Sam Priest, president<br />
of the board of police commissioners, said<br />
the tightening order was part of the police<br />
battle against juvenile delinquency.<br />
Sam Hallowell, 71, Dies<br />
TUSCOLA, ILL.—Sam Hallowell. 71. owner<br />
and operator of the Assumption Theatre here<br />
for 32 years, died at his home here recently.<br />
He retired ten years ago. He is survived by<br />
his wife Aileen, a sister and a brother.<br />
Paramount's "Rock-a-Bye Baby" includes<br />
a hilarious number with Jerry Lewis and 320-<br />
pound Metropolitan opera star, Baccaloni.<br />
Ten New Pictures Launch<br />
Chicago Jubilee Month<br />
'<br />
CHICAGO—Ten openers were launched in<br />
Jack HyneS, Cauger Aide<br />
^^^ ^°°P theatres with the launching of the<br />
jt Q. T . -TV. . rrj Golden Jubilee celebration. <strong>Boxoffice</strong> results<br />
/il Ol. IjOUlSf UieS at 0/ in an instances proved that the group which<br />
ST. LOUIS—John P. "Jack" Hynes, 57, had put endless effort into promoting the<br />
died at a hospital here last week several celebration from the local point of view hadn't<br />
days after he suffered a heart attack at his worked in vain. A percentage of the inhome.<br />
He was a salesman for the A. V. Cauger creased attendance was also attributed to the<br />
Service, Inc., of Independence, Mo., screen fact that people with free time on Veterans<br />
advertising enterprise. Services were at the Day attended movies.<br />
Catholic Church of Magdalen. Survivors in- (Average is loO)<br />
elude his wife Hazel and two children, Gloria Comegie— The Sun Also Rises i20th-Fox), 2nd run 195<br />
T Chicago Operation Mod Boll (Col) 220<br />
I<br />
Caimi ana Jack jr. Cmema— BcouMes ot the Night (SR) 190<br />
Hjnes was a native of St. Louis. Following Esquire— Doctor ot Large (U-l) 205<br />
..,j,.„ti„„ t /-.u .. T1 *!. ,-.11 Gorrick The Story of Mankind (WB) 205<br />
graduation from Christian Brothers College, Grand—Gun Girls (SR), Rebel Girls (SR) 200<br />
he was a professional golfer, and played Loop— Petri (BV), 4th wk 200<br />
sncrer anri fnnthall niiH wprkpH aq Qnnrtincj<br />
McVickers—Rointree County (MGM), 2nd<br />
soccei ana lOOtoau.<br />
wk...315<br />
ana WClkea as a spoitmg Monro^-The Woyword Girl (Rep); Seventeen<br />
goods salesman. In 1928 he bought the Coal and Torrid (Rep) 195<br />
Beit film delivery route and operated it for<br />
^*"" '"" "* '"^ {20th-Fox),<br />
"'sTd'"!^'^*'^<br />
^^^<br />
ten years, after which he joined RKO. He Palace—Seven Wonders of the World (Cirieramci)',<br />
joined Cauger about eight years ago. „ "^'^ ,,'"^„, v ,•.• /.i.o,- „, ._.;• •'^°<br />
° Roosevelt Black Scorpion (WB); Block Poteh<br />
(WB) 210<br />
darenCe D. Hill, 68, Dies; Surf—The DevH's General IDCA). 2nd wk'''!l90<br />
^•^ ^ «. riiT -njT Todd's Cmestoge Around the World in 80 Doys<br />
Columbia St. Louis Mgr. ua), 3)st wk 350<br />
^ United Artists— Time Limit (UA) 220<br />
ST. LOUIS—Clarence D. Hill. 68, manager Woods— Les Girls (MGM) 230<br />
of the Columbia Pictures exchange here, died<br />
^orid Playhouse— Stello (Burstyn), 5th wk 195<br />
. .., , , , . . Ziegfeld The Mistress (SR). 2nd wk 190<br />
at St. Josephs Hospital in Kirkwood Monday<br />
(111. Cremation followed private funeral<br />
services. He had undergone a kidney opera- Pal Joey,' at 350, Paces<br />
tion several days previously and was believed Gooci Kansas City Week<br />
to be improving when his condition suddenly KANSAS CITY—The downtown theatres<br />
worsened and death came suddenly. prospered over the holiday weekend, par-<br />
Hill, a veteran of World War I, came to tieularly the Roxy, where "Pal Joey" turned<br />
St. Louis about 1920 as special representative in a whopping 350 per cent and registered<br />
for Frank Warren of the W. W. Hodkinson the biggest Sunday business on record at<br />
Corp. He later opened an office here for As- the theatre. "Jailhouse Rock" was good at the<br />
sociated Producers, subsequently joining Co- Midland and was holding, but "Bombers B-<br />
lumbia when that company opened local 52" was a little disappointing at the Paraexchanges,<br />
mount. The outlying first-run situations<br />
seemed to profit little from the holiday, regis-<br />
Moore Bros, Circuit Buys<br />
'^""^ business sughtiy beiow normal.<br />
-p^ « • —11 Glen and Dickinson, Shawnee and Leowood drive-<br />
DUnlap, Iowa, Theatre ins—Reoch tor the Sky (RFDA), Triple Decep.<br />
DUNLAP, IOWA—Moore Bros, purchased Kimc—The Rising of the Moon (WB), 2nd wk. 100<br />
the Dunlap Theatre and assumed manage- '^BlackTtockin^TiUATV ,'^°'^^ '^''^<br />
.°.''V'", ,<br />
ment November 3, according to C. C. Moore, Missouri—Seven Wonders of the World<br />
who has operated the theatre for more than<br />
Cmeromo) I2th wk. 175<br />
.<br />
^<br />
^<br />
Paramount Bombers B-52 (WB) 85<br />
20 years and has now leased the business and Roxy— Pal Joey (Coi) 350<br />
equipment to the new owners. tower—Around the World in 80 Doys (UA),<br />
\,*^<br />
„ , ^ 1,<br />
24th wk 320<br />
,<br />
Moore Bros, also operates the theatre at uptown, Foirway and Gronado— Petri (BV) 90<br />
Lcgan and occasionally shows films in Woodbine.<br />
Kenneth Moore said that while theatre .» .,. . p- oin<br />
business has been on the down side the past ri , j i j- r<br />
few vears, he does not like to see towns lose<br />
^o Lead Indianapolis<br />
their only theatre.<br />
INDIANAPOLIS—"Jailhou.se Rock" drew<br />
teenagers in great numbers to Loew's and<br />
•pi , jc , 1 rpi , created the biggest stir at local boxoffices. It<br />
£ina Ol iiSnley Ineatre<br />
was held over. "Around the World in so Days,"<br />
ASHLEY, ILL.—N. A. Baldridge, owner of playing its 14th week at the Lyric, continued<br />
the old Ashley Theatre building on Front to enjoy consistently good business. Other<br />
street, has removed all of the seats and other first-run situations were relatively quiet,<br />
equipment and will remodel the structure "The Hunchback of Notre Dame" was better<br />
into offices for his oil business and other than average at Keiths. "The Devil's Hairactivities.<br />
It was the only picture show in pin," at the Circle, and "Reach for the Sky,"<br />
this community.<br />
at the Indiana, were getting sturdy results.<br />
Circle The Devil's Hoirpin (Para); Stowowoy<br />
Jon Looks Much Like Charles EsqJre^LovU-s Net Times')^ '.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'. as<br />
Jon Lindbergh, who is making his motion Indiana— Reach for the Sky (RFDA), Noah's<br />
picture debut m MGM's "Under^-ater<br />
KefthUThT'"Hu"nchback of Notre Dome Jaak :, IS<br />
Warrior," is said to look very much like his Loew's— Jailhouse Rock (MGM], The Ride Bock<br />
famed father Charles when the latter made (UA)<br />
^'°<br />
,<br />
w ,,. on r> ,i,*,'<br />
. .„„„ Lyric—Around the World in 80 Days (UA),<br />
the first nonstop flight to Pans in 1927, uth wk 175<br />
BOXOFFICE November 16, 1951 C-1
. . Pan<br />
. . The<br />
. .<br />
Charles<br />
ST.<br />
LOUIS<br />
•The local area delegation to the aiuiual meeting<br />
of the Theatre Owners of America<br />
at Miami Beach November 20-23 will approximate<br />
40 men and women. Twenty-six have<br />
definitely made anangements to attend<br />
while 16 others are classified as "pretty sures"<br />
as Myra Stroud, MITO managing secretary<br />
. . . Clara Katz. mother of Gladys Katz, an<br />
employe at Warner Bros, died .<br />
Krause,<br />
MGM cashier, left on a vacation to New<br />
York City.<br />
Some 100 or more exhibitors, theatre managers<br />
and other film folk attended a screening<br />
of "Sayonara" at the St. Louis Theatre<br />
. . . Film folk seen on Filmrow: Mr. and Mrs.<br />
Harry Miller of Festus, Mo., and Harry's sister;<br />
Mr. and Mrs. Jimmy Frisina. Taylorville;<br />
Mr. and Mrs. Herman Tanner, Vandalia:<br />
Leon Jarodsky. Paris, 111.: Ben Montee. Jacksonville;<br />
Warren Snider, Dixon, Mo.; Loren<br />
Clu.ster, Salem. 111.; Bob Johnson, Fairfield,<br />
111.; Tom Edwards jr., Farmington. Mo., and<br />
Mr. and Mrs. Dave Forbes, Crocker, Mo.<br />
Frank Plumlee, Farmington, Mo., was confined<br />
to his home several days by the flu<br />
.<br />
EVERYTHING FOR THE THEATRE<br />
St. Louis Theatre Supply Company<br />
Mn. Arcb HoaUr<br />
1110 OIIt* Street, St. Louis 3, Mo.<br />
Telephone JEfferson 3-7974<br />
RCA Theatre Supply Dealer<br />
"SELECT" FOUNTAIN SYRtJPS<br />
DRINK DISPENSERS<br />
Select Drink Inc.<br />
4210 W. Florltient Ave.<br />
St. Le«U IS, Me.<br />
Phone<br />
Evergreen 5-S93S<br />
. .<br />
Carpets -Door Mats<br />
Complete Initollation Service— Free Eitlmatee<br />
R. D. MANN CARPET CO.<br />
924-926 Wyandotte, VI. 2-1171, Kanioi City, Me.<br />
1100 Olive St., GarfleM 1-262«, St. Loub, Me.<br />
Realart Pictures of St. Louis is distributing<br />
"Noah's Ark," which opened at the Missouri<br />
Tuesday ... An estimated 2,500 pensons<br />
vacated the Fox Theatre recently after some<br />
young nitwit called the theatre to say that<br />
a bomb had been planted there. It was the<br />
seventh or eighth time that such a fake alarm<br />
had been phoned to a theatre here. The<br />
patrons returned after the police made a<br />
thorough check.<br />
The English Club of St. Louis University<br />
is sponsoring a theatre party Satm'day il6i<br />
at the Apollo Theatre to see "Lease on Life"<br />
and "Knock on Wood." Tickets are selling<br />
for $1. Mrs. Grace Viviano Piccione, owner<br />
of the Apollo, cooperated with the club in<br />
the plans for the party.<br />
. . .<br />
Richard P. Grossenheider, wildlife artist,<br />
premiered his newest film-lecture program<br />
for the Zoological Society of St. Louis Friday<br />
(151 in the Clayton High School. The<br />
title is "Alaskan Adventure" A.<br />
Anderson, a billposter<br />
.<br />
member of Local 5,<br />
died .<br />
Better Films Council met Friday<br />
at central library, 1301 Olive Ernest G.<br />
Lewis, manager of the Mode Theatre, Onargo,<br />
111., a unit of the Kerasotes Circuit, resigned<br />
to accept a position with the Louis Melind<br />
Co. there. He has been succeeded by Maurice<br />
McGough, with the Hall Gas Service, who<br />
will direct work at the theatre on a parttime<br />
basis.<br />
The old Lyn Theatre, also known as the<br />
Sun and various other names since it opened<br />
in pre-World War I days, is to house the<br />
studio of the new operators of Channel 11.<br />
when they start business. It is on Grandel<br />
Square just west of Grand boulevard.<br />
Petitions Against Two<br />
SPRINGFIELD—The county probation officer<br />
planned to issue delinquency petitions<br />
against two of eight boys involved in the<br />
extensive damage of the Pawnee Theatre<br />
here recently. The eight youths, all 15 years<br />
old. admitted being in the theatre, but all<br />
denied poking holes in the screen or removing<br />
lenses from the projectors. The other six<br />
boys were released on unofficial probation<br />
to custody of their parents. As a condition<br />
of their probation, all of the boys have been<br />
directed to stay away from the theatre.<br />
HANDY SUBSCRIPTION ORDER FORM<br />
BOXOFFICE:<br />
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Please enter my subscription to BOXOFFICE, 52 issues per year (13 oi which conlain<br />
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D Remittance Enclosed D Send Invoice<br />
Paul Kruger Isn't Sold<br />
On Bartlesville Setup<br />
ST. LOUIS— Paul Krueger, president of<br />
Fred Wehrenberg Theatres of St. Louis, gave<br />
an "on the spot" report on the operations<br />
of Telemovies in Bartlesville, Okla., at a<br />
board meeting of the Missouri -Illinois Theatre<br />
Owners at Ruggeri's restaurant Tuesday.<br />
Krueger, who has been studying the possibilities<br />
of cable movies in his area, went<br />
to Bartlesville Sunday i2i and investigated<br />
the pioneering operations in that city.<br />
The most interesting angle was that the<br />
500 subscribers to the telemovie service have<br />
a choice of two programs, neither one being<br />
on local first run screens. By turning to<br />
Channel 3 on their regular television set a<br />
subscriber on the day that Ki-ueger investigated<br />
could see a program headed by "Angry<br />
Men," while on Channel 5 the head film was<br />
"Islands in the Sky."<br />
The television studio that sends out these<br />
programs operated from 11;00 a.m. to about<br />
11:30 p.m. The closing time varies with the<br />
length of the film program being offered.<br />
The studio staff included a girl to answer<br />
telephones and two operators of the transmission<br />
equipment. There are two shifts of<br />
workers daily. It appeared that the service<br />
must go through the Southwestern Bell<br />
switchboard.<br />
The present number of subscribers—not<br />
more than 500. if that many—is less than<br />
half the potential needed in Bartlesville for<br />
profitable operations. Krueger said.<br />
Personal checking by Krueger indicated<br />
that the ratio opposed to paying for such<br />
television service ran approximately the same<br />
as indicated in the poll conducted by U.S.<br />
Senator William M. Langer, who had sent<br />
questionnaires to 8500 residents of Bartlesville.<br />
Krueger .said that on the basis of his investigations<br />
he isn't interested in cable movies<br />
here.<br />
Sells Theatre at Belleville<br />
BELLEVILLE. ILL.—The Fox Illinois Theatre<br />
Co.. a subsidiary of Fox Midwest, has<br />
sold the Illinois Theatre property at 216<br />
West Main St. to the recently formed Jessie<br />
Realty Co. The Illinois, a 910-seater, has<br />
been closed for several years. The new owner<br />
has in turn granted a long-term lease on<br />
the property to the Samson Furniture Co.,<br />
which plans to remodel the building into a<br />
furniture store with a special parking area<br />
in the rear.<br />
More Holdovers for Epic<br />
MINNEAPOLIS—Although only obhgated<br />
to play it for two weeks, the second round<br />
of four local neighborhood houses playing<br />
"The Ten Commandments" have been doing<br />
so well with it that, like the initial quartet,<br />
they'll hold it for a third. It's a day-and-date<br />
engagement, the same as the initial uptown<br />
subsequent-run showings were.<br />
THEATRE<br />
STREET ADDRESS<br />
TOWN<br />
STATE.<br />
NAME POSITION .<br />
Preachers See Opening<br />
EAST ST. LOUIS—Some 75 per cent of<br />
the clergymen in this city accepted an invitation<br />
to attend the opening of "The Ten<br />
Commandments" at the Majestic, a unit of<br />
the Publix Great States circuit. Vincent F.<br />
O'Leary, manager, said 135 clergymen had<br />
been invited.<br />
C-2<br />
BOXOFFICE November 16, 1957
THESE ANNOUNCEMENTS REVEAL<br />
VITAL FACTS ABOUT<br />
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fOR<br />
DtS\GH<br />
The Vyi\\ia"^sbur&<br />
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,he<br />
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Mr.<br />
KANSAS CITY<br />
The Veterans Day long weekend, plus lengthened<br />
shopping hours and the unveiling<br />
of department store Christmas windows all<br />
seemed to give downtown houses a shot in<br />
the arm. with several theatre managers commenting<br />
on the unusual number of persons<br />
downtown on Saturday night—an almost forgotten<br />
sight here. The Roxy Theatre enjoyed<br />
its best Sunday business to date with "Pal<br />
Joey" and reported Monday as "al.so terrific,"<br />
words which were echoed by Manager Maurice<br />
Druker at the Midland, where "Jailhouse<br />
Rock" was playing.<br />
Durwood Theatres has shuttered its driveins<br />
for the .season with the exception of the<br />
Skylark at St. Joseph, which still is operating<br />
on weekends. Stan Durwood is keeping in<br />
condition this fall by acting as line coach for<br />
the Pem-Day football team, working out two<br />
nights a week.<br />
Harry Hamburg, Paramount exchange manager,<br />
was expecting Tom Bridges, division<br />
manager from Dallas, for a two-day stay .<br />
Gladys Mel-son of Motion Picture Booking<br />
Service and her husband went to Cainsville.<br />
Mo., for the weekend. Gladys visited with<br />
relatives while Darrel went quail hunting . . .<br />
Drive-ins closing for the season included Tal<br />
Richard.son's Skyline at Coffeyville, Kas.. and<br />
Mr. and Mrs. William Bancroft's Hillcrest at<br />
Ottawa. Kas. . Rae Insurance team of<br />
the Filmrow Bowling league will roll in the<br />
women's state tournament at Rolla the weekend<br />
of November 23, 24.<br />
Al Rothschild, NSS salesman, visited recently<br />
with J. E. "Jeff" DeLong who has the<br />
Ute Theatre at Mankato, Kas.,<br />
and reported<br />
DeLong has been making a good recovery<br />
after suffering a seizure some time ago and<br />
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now is able to be active in the operation of<br />
his theatre again . Norma Sue Randell has<br />
joined the Allied Artists staff as secretary to<br />
booker Don Clark . Hub Miller, brother of<br />
Beverly Miller, entered a Columbia. Mo., hospital<br />
for surgery . . . Joe Stark of Stark Enterprises,<br />
Wichita, was in a hospital there<br />
for further eye surgery.<br />
Mr. and Mrs. Bill Silver of the Silver Theatre<br />
and Patio Drive-In at Cameron, Mo.,<br />
were in New York City Wednesday (13) —<br />
Dorothie Warneke saw them among the sidewalk<br />
wavers on Dave Garroway's Today show<br />
and said the cameraman got several good<br />
closeups of them. Dorothie watched the program<br />
from her hospital bed at University of<br />
Kansas Medical Center. She returned to the<br />
hospital several days ago after a setback and<br />
can't get a definite word from the doctors<br />
a.s to when she may be able to return home .<br />
Leo McCarthy of St. Louis, brother of B. J.<br />
McCarthy, Republic manager here, continues<br />
to ail and is at the home of a sister at 4501<br />
Maryland in St. Louis.<br />
Mr. and Mrs. Lou Patz of NSS enjoyed a<br />
weekend visit with Mrs. Patz's mother in<br />
Omaha. Ruby Stone, secretary to Patz. spent<br />
the weekend at the home of her parents in<br />
Otterville, Mo. Ruby and her husband waited<br />
to start until the peak of traffic bound for<br />
the Missouri-Oklahoma game in Columbia<br />
had passed and they reprarted a smooth trip<br />
all the way . Jarrett put the Trail<br />
Drive-In, Nevada. Mo., in mothballs after<br />
the show Sunday ilO) ... George and Gus<br />
Kopulos of Regal Poppers drove to Monroe,<br />
La., over the weekend on business.<br />
S. F. Harrington of Heywood-Wakefield.<br />
Menonomie, Wis., was here to see L. J. Kimbriel<br />
of Missouri Theatre Supply in connection<br />
with a contract to install 5.500 theatre<br />
chairs in the RLDS auditorium in Independence,<br />
Mo., world headquarters of the church.<br />
The mohair covered chairs will have back<br />
panels, arm rests and pew end standards of<br />
walnut. Kimbriel recalls that a number of<br />
years ago he installed veneer seats from Pla-<br />
Mor in the Auditorium and was told at that<br />
time, that the veneer chairs would be replaced<br />
in the future and that he would be<br />
given consideration for the replacement<br />
chairs because the church officials were well<br />
satisfied with his handling of the original<br />
installation.<br />
Mary Jane and Ed Hartman are making<br />
many trips to St. Luke's Hospital these days,<br />
keeping track of the progress being made by<br />
Mary Jane's mother, Mrs. Fred Schlosser.<br />
injured in a motor car accident near Breckcnridge.<br />
Mo., Saturday i2). When Schlosser<br />
swerved onto the shoulder to avoid a headon<br />
collision the door lock on Mrs. Schlo.sser's<br />
side of the car was sheared off by a highway<br />
sign and she fell out of the car and onto the<br />
gravel in a service station entrance. As luck<br />
would have it. an ambulance driver witnessed<br />
the mishap and took her to the hospital in<br />
Chillicothe where she remained until the following<br />
Thursday when she was brought to<br />
Kansas City. She suffered a compressed<br />
vertebra and multiple cut.s and abrasions, but<br />
is making a remarkable recovery and consistently<br />
has been in excellent spirits.<br />
Jo Spensley, editor of Screen Broadcaster<br />
for United Film Service, was back at her desk<br />
last week for the first time since a car accident<br />
two months ago in which all the<br />
fingers of her left hand were broken. Her<br />
recovery was delayed by an attack of flu and<br />
she still has to wear a protective covering on<br />
the injured hand, but she believes the worst<br />
is behind her now . . . Warner Bros, has a<br />
new assistant shipper. James Stevenson, who<br />
replaced David Sutton, resigned and<br />
.<br />
Mrs. Nat Hechtman of Capitol Flag & Banner<br />
Co. spent the weekend at Columbia, Mo.,<br />
with their son Elliot and his wife. Hechtman's<br />
business barometer lists these titles as popular:<br />
Jailhouse Rock. The Tin Star, Perri,<br />
Slim Carter. Bombers B-52, Noah's Aik and<br />
The Hunchback of Notre Dame.<br />
Kansas exhibitors seen on Filmrow last<br />
week included Marty Landau of Atchison.<br />
C. V. Crocker of Ulysses and Calvin Strowig<br />
of Abilene. Missourians were Woody Rife of<br />
the Victory Theatre at Knobnoster and Bob<br />
Shade of Excelsior Springs.<br />
J. Leo Hayob of the Mary Lou Theatre in<br />
Marshall. Mo., garnered a front page story<br />
m the local paper there and the gratitude of<br />
the Kansas City WOMPLs by conducting a<br />
drive for old and discarded eye glasses. The<br />
newspaper story explained that the WOMPI<br />
have arranged to have old lenses reground<br />
and graded so usable ones can be distributed<br />
to hospitals and missions to be used by needy<br />
persons. Hayob asked Marshall residents to<br />
bring discarded lenses or frames to the concession<br />
stand at the Mary Lou—and he got<br />
sufficient response to bring a cardboard carton<br />
full of eyeglasses and parts to Myrtle<br />
Cain, WOMPI service committee chairman.<br />
Myrtle, who is at MGM, says she'll be happy<br />
to work with any other exhibitor who is kind<br />
enough to participate in the program.<br />
Around the FMW circuit: Leroy Nichols,<br />
manager of the Tucker Theatre at Liberal.<br />
Kas.. u.sed the per.sonal endorsement of his<br />
veteran doorman. Henry Graber, in his ad<br />
on "God Is My Partner." The man is well<br />
known in Liberal and Nichols feels the endorsement<br />
contributed to the good business<br />
the picture enjoyed Shaffer's<br />
.<br />
sneak preview at the Hutchinson. Kas.. Fox<br />
recently was a stage event instead of a picture.<br />
The star was the new 1958 Ford unveiled<br />
to the public from the stage ... At<br />
Ottawa. Kas., Gene Sappington had a repeat<br />
run on "Carousel," with Ottawa University<br />
music department promoting the picture<br />
throughout the school.<br />
BOWLING<br />
KANSAS CITY—Going into the tenth<br />
week of bowling. Filmrow league team standinss.<br />
as of November 15. were:<br />
Men's Won Lost<br />
Brown Jug 30<br />
White Spot 25<br />
KC T's 24<br />
.<br />
Shreve's<br />
Mode<br />
- .<br />
O'Doy<br />
23<br />
18<br />
Monley 18<br />
Hi Lo 5 15<br />
7<br />
Steeplechase
. . There<br />
INDIANAPOLIS Upbeat Story Planted in Newspaper<br />
T orraine Toney has resigned as office manager-booker<br />
at Howco. Effective November<br />
18. slie will move to Republic in the same<br />
capacity.<br />
Filmrow was saddened by the death of William<br />
T. Studebaker, Logansport, Ind.. caused<br />
by a self-inflicted gunshot wound. Bill had<br />
operated the Logan Theatre in that city for<br />
many years, was a member and director of<br />
Allied Theatre Owners of Indiana and a member<br />
of the Variety Club.<br />
Variety Women to Offer<br />
'Front Page' Dec. 5-7<br />
MINNEAPOLIS—The Variety Club auxiliary<br />
will sponsor "The Front Page" at the<br />
Lyceum Theatre here December 5-7 to raise<br />
funds for the $4,000 electro-cardiograpli machine<br />
which it's donating to the Variety heart<br />
disease hospital. With the newspaper people's<br />
roles portrayed by local newsmen and Minneapolis'<br />
own Sheriff Ed Ryan (a club member)<br />
playing the part of the play's sheriff, "The<br />
Front Page" was a big success at the Old Log<br />
summer theatre at suburban Lake Minnetonka<br />
on two occasions. The same personnel<br />
will be in the fortlicoming production and<br />
the play again will be directed by the Old<br />
Log's Don Stoltz.<br />
Comprising the committee in charge of<br />
arrangements are the mesdames Howard<br />
Dale, Lowell Kaplan, Ralph Green, Gunnar<br />
Dahlstrom and Sim Heller.<br />
With an overall $5,000 budget, tickets are<br />
scaled at $10 for sponsors and $3.50 for<br />
patrons. There also are $2.75<br />
rear main floor,<br />
box and first balcony seats and balcony locations<br />
as low as $1. There'll be a 26-page<br />
program with advertisements at $100 a page.<br />
Mrs. Kaplan is ticket chairman and may<br />
be contacted by telephone, WA 6-4340. Mrs.<br />
Green and Mrs. Gil Nathanson are in charge<br />
of program ad sales.<br />
The Variety Club has issued a last call<br />
for members desiring to attend the next<br />
Variety International convention to be held<br />
in London next year. A brochure has been<br />
sent to every member giving information<br />
about the convention and containing information<br />
regarding possible European tours.<br />
Although travel and tour reservations can<br />
be made up to next January 1. convention<br />
registration and hotel reservations must be<br />
made immediately, members are informed. If<br />
unforeseen circumstances necessitate changes<br />
in plans, cancellations will be accepted later.<br />
Roundtrip plane fares to London, with a side<br />
trip to Paris, are as low as $300.<br />
Bruce Kixmiller Reopens<br />
BicknelL Ind., Theatre<br />
BICKNELL, IND.—Bruce C. Kixmiller reopened<br />
his Colonial Theatre on a trial basis<br />
Sunday (3). The opening picture was Elvis<br />
Presley in "Loving You."<br />
Kixmiller has been forced to close the<br />
theatre several times in recent years by poor<br />
patronage but he again consented to reopen<br />
the theatre in order to provide entertainment<br />
to the community. Attempting to please as<br />
many of the local residents as possible. Kixmiller<br />
said he had booked mostly comedy,<br />
rock-and-roll, science fiction, horror films<br />
and a few outstanding westerns.<br />
By W. M. Matteson to Stir Interest<br />
NACOGDOCHES, TEX.—W.<br />
M. Matteson,<br />
manager-owner of the SFA Tlieatre here,<br />
recently planted an article on increased theatre<br />
attendance in the local paper in the belief<br />
that if such articles could be planted in<br />
every newspaper in the country the psychological<br />
effect would be of untold importance<br />
to the theatre boxoffice.<br />
"Since we need publicity," Matteson said,<br />
"the public's reaction to such stories might<br />
well be. 'Everybody is going back to the<br />
movies, so let's go, too.' "<br />
The lead to the story Matteson planted<br />
pointed out that "there is a sharp increase<br />
in attendance throughout the movie theatre<br />
world, particularly in the United States and<br />
Canada."<br />
The story continued, quoting Matteson:<br />
"A number of factors are contributing to<br />
this upsurge. One of them is the new and<br />
better method of projection to the screen<br />
that we have now. Another is that we are<br />
getting better product on the screen now<br />
than ever before. In summer, air conditioning<br />
is an added attraction.<br />
"Another factor listed by Matteson is that<br />
people like to see and be seen; they like to<br />
visit and chat with friends while waiting in<br />
the lobby before and after the show or at<br />
the snack bar. Also, the show owner believes<br />
that people are tiring of television. For a<br />
period of one to two years when TV first<br />
saturated a section of the country, all theatres<br />
suffered tremendously and many closed<br />
on account of poor attendance. However, dur-<br />
.<br />
ing the current summer, many have reopened."<br />
The story quoted Matteson as saying that<br />
many producers were afraid to invest their<br />
money in film product during the early days<br />
of TV causing a tremendous shortage of product<br />
for the theatres for a period of from two<br />
to three years.<br />
"In recent months, however, there have<br />
sprung up many new independent production<br />
companies, many owned by famous movie<br />
stars have also been many other<br />
companies organized, some of them releasing<br />
their films through the major companies,<br />
and others forming their own distribution<br />
headquarters.<br />
"Since the major companies have got over<br />
their TV scare, they are getting back into<br />
the .swing of things and are producing far<br />
more and better pictures than ever before.<br />
They have finally realized that the public is<br />
hungry for theatre entertainment which is<br />
far better than any other type of entertainment<br />
in the world—good, wholesome, clean<br />
entertainment in a properly ventilated, clean<br />
place having proper temperature."<br />
Matteson related that in July and August<br />
75 films were released in the U. S.. in addition<br />
to a number of imports, adding that<br />
many film stars who went to TV when it<br />
was booming had returned to filmmaking.<br />
"Pew businessmen realize the value of a<br />
movie theatre to their community. Consider<br />
what happens to a small town when the theatre<br />
closes. People are drawn to a larger<br />
town or city for their movies and do their<br />
shopping and window shopping while strolling<br />
up and down the street, going from the<br />
parking place to the theatre.<br />
"Remember the thousands of people weekly<br />
who make the trip to town only to see a<br />
movie. It would be well if other businessmen<br />
would take pride and interest in their local<br />
theatres and assist the theatremen because<br />
such efforts would result in a definite return<br />
in advertising and business to them<br />
from theatregoers."<br />
New Start at Logan, Ind.<br />
LOGANSPORT. IND. — The Newly remodeled<br />
Logan Theatre was reopened Sunday<br />
1 3). The new policy calls for shows<br />
starting at 6:45 p.m. on weekdays and at<br />
1 p.m. Saturdays, Sundays and holidays.<br />
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BOXOFFICE November 16, 1957<br />
as
. . Lawrence<br />
. . . Jerry<br />
. . Harry<br />
. . . Irwin<br />
CHICAGO<br />
To>Eph Berenson, head of National Theatre<br />
Advertisers, returned to his office at 1325<br />
South Wabash Ave. after spending several<br />
weeks extending his business into Alabama,<br />
Tennessee and Georgia. He has set up a<br />
southern office at Atlanta . Ross,<br />
manager of the Piccadilly, has guaranteed capacity<br />
houses during Thanksgiving week<br />
show'ings of "The Miracle of Marcelino" as<br />
a result of promotional tieups. Herz Rosenbush,<br />
father of Mrs. Paul Kaufman, cashier<br />
at the Piccadilly, will attend one of the showings.<br />
Leo Brown, manager of the Uptown Theatre,<br />
is recuperating from an appendectomy<br />
at Bethany Methodist Hospital. During his<br />
absence managerial duties are being handled<br />
by his new assistant. Hampton Burkes<br />
. . . Julius Silverstein, owner of the Oriental<br />
Theatre, returned from a trip to California.<br />
Leonard Grossman, manager of the Rena,<br />
is heeding the warning that theatres are going<br />
to have to go after business with all possible<br />
means of promotion. Currently he has<br />
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revived a giveaway program. His personal<br />
.solicitation among the merchants in the<br />
neighborhood has already produced a line of<br />
gifts worth $1,500. The lb stores participating<br />
will receive advertising from the Rena in<br />
return. Grossman is confining Gift night to<br />
Tuesdays for eight w-eeks.<br />
The censor board reviewed 83 films in October,<br />
ordered cuts in 24. rejected one and<br />
"adulted" three. Twenty-nine were foreign<br />
films. The 3 per cent amusement tax reports<br />
for September showed that theatres paid<br />
$102,224 in September 1956 compared to $79.-<br />
355 this year . Blumenthal of Ad-<br />
Art Di.splay was expected back in his office<br />
.soon. He has been hospitalized for several<br />
weeks.<br />
New at Filmack Trailer Co. is Johnny<br />
Kenlo. advertising manager. Kenlo was with<br />
Solomon Theatres in Mississippi as head of<br />
public relations for 42 theatres. Another newcomer<br />
is Patsy Cyrus, in the file department<br />
Kuehnl succeeded Irwin Lang at<br />
Buena Vista as head booker. As announced<br />
recently, Lang resigned from the industry to<br />
try the dry cleaning business . . . Dorothy<br />
Waddell. who resigned after 12 years at MGM<br />
plans to enter another line of activity.<br />
Shirley Racusin of Universal's publicity<br />
staff went to Oshkosh with Andra Martin.<br />
Cameron Mitchell and Jody McCrea. They<br />
joined publicist Ben Katz, who had been in<br />
Oshkosh for several weeks to knit together<br />
plans for the world premiere of "All Mine to<br />
Give." Jody McCrea. a Fifth Army private,<br />
made quite a hit during his visit here. Next<br />
weekend he will meet his parents at Pi-incipia<br />
College. Elsah. 111., where the family will see<br />
the youngest McCrea .son David play football.<br />
"Richard III" had an outstanding opening<br />
at the World Playhouse. Charles Teitel,<br />
owner, said the film promises to be one of the<br />
most successful pictures ever to be shown at<br />
liis theatre. For weeks Teitel has been pur-<br />
.suing an intensive publicity program. For<br />
one thing, he has distributed 50.000 special<br />
programs throughout the city. So far. 22 high<br />
schools from Chicago and neighboring areas<br />
have arranged to send students to the World<br />
to see the film ... As usual, Filmack's publication,<br />
Inspiration, is filled with ideas for<br />
MID-WEST THEATRE SUPPLY CO., INC.<br />
I<br />
1638 CENTRAL PARKWAY CHERRY 1-7724 CINCINNATI 10, OHIO<br />
extra grosses in December. Included are suggestions<br />
for holiday kiddies shows, merchant<br />
sponsored shows and New Year's Eve programs.<br />
It is also suggested that patrons be<br />
reminded to use gift books as Christmas gifts.<br />
Both Zenith Radio Corp. and Bell & Howell<br />
reported record .sales in October Zenith,<br />
while not disclosing dollar figures, .said that<br />
volume last month was 16 per cent above the<br />
previous record. E. F. McDonald jr.. president<br />
of Zenith, said that although the TV<br />
manufacturing industry experienced a 20 percent<br />
drop in unit production of sets from a<br />
year earlier. Zenith's unit production and<br />
shipments were 8 per cent above October 1956.<br />
William E. Roberta, executive vice-president<br />
cf Bell & Howell, .said that his company's October<br />
sales exceeded $6,000,000 compared with<br />
an October 1956 figure of $5,000,000.<br />
Coincidental with the intensive advertising<br />
and publicity programs heralding the crop of<br />
new films, stars continue to highlight the exploitation.<br />
Miiko Taka. on a tour of 39 cities<br />
which will cover a two-month period on behalf<br />
of "Sayonara." made stage appearances<br />
and on radio and TV for about four days. Following<br />
her departure. Marlon Brando arrived<br />
for additional publicity. Taina Elg's appearance<br />
in connection with "Les Girls" at the<br />
Woods Theatre coincided with a good opening<br />
week business. Jack Lemmon. here for "Operation<br />
Mad Ball. " autographed 750 pictures<br />
in the lobby and his press agent had to run<br />
out for more to satisfy further requests. His<br />
film scored opening grosses at the Chicago<br />
totaling $30,000. April Olrich arrived here<br />
to plug the Friday il5i opening of "Pursuit<br />
of the Graf Spee" at the Loop. Meanwhile,<br />
although no stars are scheduled to be here at<br />
this time, campaigns are going forward for<br />
Christmas openings of "Old Yeller" at the<br />
State Lake and "Kiss Them for Me" at the<br />
Oriental.<br />
. . . The<br />
John Mortenson jr. of John Mortenson &<br />
Co. said that even though his company isn't<br />
.setting up a display at the Miami convention,<br />
he plans to be there to see what is going on<br />
Joseph and Dave Friedman of Modern<br />
Film Distributors went to Baltimore for<br />
the openmg of "Mom and Dad" and "Monica"<br />
at the Century and Royal theatres<br />
Oriental Theatre lost $30 to robbers who<br />
worked a scheme on the cashier.<br />
Record for 'Persuasion'<br />
MINNEAPOLIS— Irving Marks. Allied Artists<br />
manager, .says "Friendly Persuasion" has<br />
had more than 600 bookings out of his office,<br />
many of them repeat<br />
dates, and that at least<br />
75 more impend. This is far and away the<br />
best showing ever made by any picture at<br />
the local AA exchange, according to Marks.<br />
! NEW<br />
Finest RCA Equipment<br />
for Drive-hs<br />
NEW NEW<br />
RCA IMPAC SPEAKERS<br />
RCA SUPER CINEX LAMPS<br />
Vi/haiever You Need — We Can Supply It.<br />
Fire Loss at Garland. Tex.<br />
GARLAND. TEX.—The Stadium<br />
Drive-In<br />
at the intersection of the Belt Line and<br />
Buckingham roads. Just north of Garland,<br />
suffered fire damage of $7,000 recently. Joe<br />
Boren is the owner.<br />
More Minnesota Jobs<br />
MINNEAPOLIS— Minnesota nonfarm employment<br />
has climbed to 951.818. an increase<br />
of 12.400 over the corresponding time a year<br />
ago. according to the report of the employment<br />
security commi.ssioner. The figure also<br />
is 11.100 above the comparable one for 30<br />
days ago.<br />
C-6 BOXOFFICE November 16, 1957
—<br />
Dallas Coronet Builds<br />
Shorts Into Programs<br />
DALLAS—Hulda Silvernail, manager of<br />
Alfred Sack's Coronet, believes all types of<br />
theatres should use short subjects, carefully<br />
selected to fit the tastes of the patronage,<br />
for adding variety to the program.<br />
The Coronet books many "class" shorts,<br />
both foreign and domestic, and advertise.s<br />
them as an important part of the programs.<br />
Used recently were "The Day Manolete Was<br />
Killed" and "The Chicken."<br />
FYom time to time Coronet also runs Mr.<br />
Magoo and UPA cartoon festivals. But all<br />
cartoons are selected so as not to clash with<br />
the subject of the main attraction.<br />
In some theatres cartoons are the only<br />
subjects considered to round out the program,<br />
and standard shorts bookings have<br />
been dropped from their calendars entirely.<br />
Of course, it began with double features as<br />
a time factor, but spread to many single bill<br />
runs as an economy measure. Today some<br />
shorts series have been discontinued from<br />
release by many film companies.<br />
The Interstate circuit first runs here include<br />
shorts in their ads (mostly cartoons),<br />
generally omitting the title and mentioning<br />
the known characters. Some 13 first sub-run<br />
houses here primarily book single bills with<br />
cartoons and newsreels. However, one circuit<br />
has discontinued newsreels altogether.<br />
There is little shorts promotion. One manager<br />
said: "It seems that the old one-sheet<br />
standee used in the old days for the shorts<br />
no longer stands out front. The patron now<br />
buys a feature ticket and trusts to luck on<br />
the shorts."<br />
The remainder of the runs are strictly<br />
double bill and sometimes more! Some driveins<br />
use cartoons to open the program (in<br />
color and easier to see at twilight) while<br />
others spot them in at the end of the main<br />
feature. Seldom do any of them deviate from<br />
cartoons.<br />
The report from family-type operations is<br />
patrons, young and old, always expect to see<br />
a cartoon; few ever ask about anything else.<br />
The exchanges handling shorts report<br />
some exhibitors fail to return them promptly,<br />
forcing substitutions on the next booking.<br />
This is not always satisfactory. For example,<br />
Schwab & Luchts Sunset Drive-In at Brow-nwood<br />
I<br />
the Luchts now run the Fox ozoner<br />
at Marshall) booked a rodeo short and advertised<br />
it heavily. The exchange missed out<br />
from a prior booking and shipped another<br />
reel in its place. The substitution was not<br />
discovered until late afternoon, when a long<br />
distance call was placed to the booker. The<br />
correct subject had just arrived and was<br />
immediately shipped via air express. Later,<br />
the exchange had to make an adjustment, but<br />
the cost of the call and shipment far exceeded<br />
the film rental on the one-reeler.<br />
To the many theatres running Saturday<br />
matinee shorts, of course, are essential.<br />
Two circuits here make it a regular practice<br />
to screen all short releases every week.<br />
Frontier bookers watch them at 20th-Fox<br />
screening room and Interstate bookers in<br />
their own auditorium.<br />
May Reopen at New Haven<br />
NEW HAVEN, ILL.—Plans are afoot for<br />
reopening of the Nox Theatre, 308-seater,<br />
formerly operated by Henry Absher.<br />
Columbia, S. C State<br />
To Irvin-Fuller Co.<br />
COLUMBIA, S. C—The State Theatre here<br />
has been sold to Irvin-FuUer's Columbia Theatres.<br />
Final papers were signed Monday (21).<br />
The theatre, built in the midthirties by the<br />
Craver Theatres Co. of Charlotte, was sold by<br />
them to the local company operated by Sam<br />
Irvin and Jack D. Fuller.<br />
Columbia Theatres operates the Ritz here<br />
and the Strand. However, the Strand's life<br />
will be short now, as the building was sold<br />
last week to make room for an addition to a<br />
nearby bank building.<br />
The new management will refurbish the<br />
State, possibly change its name and install a<br />
different film policy. Columbia Theatres<br />
shows U-I and RKO films here. Palmetto<br />
Theatre Co.. (Wilby-Kincey) operates four<br />
other theatres, including one drive-in.<br />
Amount of the sale was not disclosed. It<br />
did not include the building, whose lease has<br />
six more years to go under the current contract<br />
with a department store.<br />
Minneapolis Circuits<br />
Invest in Updating<br />
MINNEAPOLIS—Harold Field and the<br />
Volk brothers, long-established exhibitors in<br />
this territory, have demonstrated their confidence<br />
in the industry's future by remodeling<br />
neighborhood properties.<br />
Field's St. Louis Park Theatre was reopened<br />
Friday (8) after being closed four days to<br />
permit the completion of a long-rairge modernization<br />
and beautification program. The<br />
initial showing was "The Sun Also Rises," in<br />
the earliest 28-day clearance slot.<br />
Even before these latest improvements at<br />
a considerable cost, the St. Louis Park was<br />
one of the city's most attractive theatres. In<br />
addition to new seats and new air conditioning,<br />
it now boasts a completely remodeled<br />
lounge and replacement of the ticket window<br />
by a cashier's desk within the lobby, brighter<br />
furniture, use of Italian tile and mosaics and<br />
new color schemes. For this theatre, new<br />
developments in paint permit use of a great<br />
deal of white— formerly anathema in motion<br />
picture houses because of its reflective qualities.<br />
This white is contrasted with bright<br />
and bold colors.<br />
Similar improvements will be made at the<br />
Volk brothers' neighborhood Nile, one of<br />
their four outlying local houses which rate<br />
among the city's largest and finest. The Volks<br />
recently spent a large sum in improving their<br />
Riverview Theatre. Their Terrace, built only<br />
a few years ago and now prospering, is the<br />
newest here and one of the nation's most<br />
beautiful.<br />
Liebenberg & Kaplan, the town's leading<br />
theatre architects, supervised the St. Louis<br />
Park and Riverview projects and will do the<br />
.same for the Nile.<br />
Designer of the St. LouLs Park's new decorations<br />
is one of Harold Field's sons, John.<br />
now an architect in San Francisco. Another<br />
son, Martin, manages the theatre.<br />
May Close Till Christmas<br />
ST. LOUIS—It was reported along Pilmrow<br />
that the Ivanhoe Theatre, 3239 Ivanhoe avenue,<br />
in the southwestern part of the city<br />
may be closed either on November 27 or<br />
December 2 until Christmas Day. The theatre<br />
is being operated by Sidney Rosen.<br />
RESEARCH BUREAU<br />
for<br />
MODERN THEATRE PLANNERS<br />
ENROLLMENT FORM FOR FREE INFORMATION<br />
The MODERN THEATRE<br />
PLANNING INSTITUTE<br />
325 Van Brunt Blvd.<br />
Kansas City 24, Mo.<br />
Gentlemen:<br />
11-16-57<br />
Please enroll us m your RESEARCH BUREAU<br />
lo receive inlormation regularly, as released, on<br />
Ihe following subjects for Theatre Planning:<br />
G Acoustics<br />
n Air Conditioning<br />
n Architectural Sarric*<br />
n "Black" Lighting<br />
G Building Motariol<br />
Q Carpets<br />
G Coin Machines<br />
G Complete Remodeling<br />
G Decorating<br />
G Drink Dispensers<br />
G Drive-In Equipment<br />
G Other Subjects..<br />
Tb«atr«<br />
Seating Capacity...<br />
Address<br />
City<br />
State<br />
Signed<br />
G Lighting Fixtures<br />
Q Plumbing Fixtures<br />
G Projectors<br />
G Projection Lamps<br />
G Seating<br />
G Signs and Marquees<br />
G Sound Equipment<br />
Television<br />
G Theatre Fronts<br />
G Vending Equipment<br />
Postage-poid reply cards for your further convenience<br />
in obtoioing information ore provided in MODERN<br />
The<br />
THEATRE Section, published with the first issue of<br />
each month.<br />
BOXOFFICE November 16. 1957 .C-7
A welder<br />
caused us to caucus<br />
The note from an employee suggestion<br />
box read "How come a company like this<br />
hasn't got the U. S.<br />
Savings Bond Payroll<br />
Savings Plan". It was signed by a<br />
welder in the fabricating department.<br />
Since we actually do have PajToll Savings<br />
this told us two things: (1) Probably<br />
more employees than we imagined wanted<br />
the advantage of buying U. S. Bonds<br />
automatically through PajToll Savings.<br />
(2) We had grown lax in bringing our<br />
Plan to their attention.<br />
But what<br />
to<br />
simplicity itself.<br />
do? The solution was<br />
< JMt'Jt ym,,^<br />
#<br />
^<br />
BOXOFFICE<br />
We called in our State Savings Bonds<br />
Director. He provided all the promotional<br />
materials needed to arouse interest in<br />
U. S. Savings Bonds. Then he helped to<br />
conduct a personal canvass and place an<br />
application blank in everyone's hands.<br />
The results were amazing. Employee<br />
participation shot up to a percentage that<br />
we could take pride in. There was no<br />
"hard selling", nor was work interrupted.<br />
Our people wanted the security U. S.<br />
Savings Bonds offer them.<br />
Today there are more Pa>Toll savers<br />
than ever before in peacetime. Your State<br />
Director will be happy to help you install<br />
a PajToll Savings Plan or build enrollment<br />
in one already existing. Look him<br />
up in the phone book or write: Savings<br />
Bonds Division, U. S. Treasury Dept.,<br />
Washington, D. C.<br />
THE U. S. GOVEiiNMENT DOES NOT PAY FOR THIS ADVERTISEMENT. THE IREASURT DEPAIIMENI THANKS. FOR THEIR PATRIOTIC DONATION, THE ADVERTISING COUNCIL AND THE DONOR ABOVE.<br />
C-8 BOXOFFICE :: November 16. 1957
—<br />
'Jailhouse Rock' 200<br />
2nd Memphis Week<br />
MEMPHIS — Elvis Presley's "Jailhouse<br />
Rock," continued to lead the parade here in<br />
his hometown. The film at Loew's State,<br />
which did four times average the first week,<br />
did twice average business a second week.<br />
"Operation Mad Ball," at Warner did 20 per<br />
cent above average. Other first runs, off in<br />
attendance recently, climbed back to average<br />
business.<br />
(Average Is 100)<br />
Moico No Down Payment (20th-Fox) 100<br />
Palace Slim Corter (U-l) 100<br />
State—Jailhouse Rock (MGM), 2nd wk 200<br />
Strand The Devil's Hairpin (Para) 100<br />
Warner Operation Mod Boll (Col) 1 20<br />
TV Repairman Nominated<br />
For Variety Hospital Aid<br />
MIAMI BEACH—Stanley Drillick, former<br />
Coast Guardsman and now a television repairman,<br />
has been nominated for a national<br />
award for public service in behalf of the<br />
children at Variety Hospital. Haines Colbert,<br />
News feature WTiter, used a picture and story<br />
on the occurrence.<br />
DrUlick heard on a TV program that all<br />
of the dozen sets at the hospital were broken.<br />
"My partner James Hershey and I checked<br />
a few times to see if anyone had volunteered<br />
When no one showed up we went out<br />
to fix them," Drillick said. "We figured it<br />
was pretty far from the Beach to the hospital.<br />
and looked things over.<br />
"Seven of the sets weren't in too bad shape,<br />
and we fixed them up at the hospital. The<br />
other five were in pretty terrible condition<br />
and we took them back to the shop for repairs<br />
and new parts."<br />
Mrs. Dewey Baxley, chati-man of the hospital<br />
women's service committee, said the<br />
sets had been out of commission for more<br />
than a year. "They are old sets that people<br />
have donated," Mrs. Baxley explained, "and<br />
some of them aren't much good. It is really<br />
a treat for the children to have them working<br />
again. Some of the youngsters can't read or<br />
walk, and seeing television is like going to<br />
the movies for them."<br />
Mrs. Baxley said that a system has nowbeen<br />
set up under which several repairmen<br />
alternate in visiting the hospital once a<br />
month.<br />
"Anyone who volunteers to keep tho.se sets<br />
in repair for the children is an angel and<br />
has an extra special halo waiting for him."<br />
said Mrs. Gilbert Chaplin, chah-man of the<br />
hospital women's committee.<br />
Drillick was nominated for the award set<br />
up this year by General Electric. Winners<br />
are to be honored at a ceremony in Washington<br />
in December.<br />
Little<br />
Theatre Director<br />
Named to Players Club<br />
SHREVEPORT—John Wray Young, nationally<br />
known director of the Shreveport<br />
Little Theatre, has been elected to membership<br />
in the Players Club. Members of the<br />
group include leading figures in the theatre<br />
and from other arts.<br />
Young, author of a new book on the theatre,<br />
"The Commimity Theatre and How-<br />
It Works," published by Harper Bros., also is<br />
serving as vice-president of the American Educational<br />
Theatre Ass'n.<br />
TENT 13 CREW—Seen above is the 1958 Crew of the Variety Club of Miami,<br />
Left to right, seated: Abe Allenberg, property master; Victor Levine, second assistant<br />
chief barker; Luther Evans, chief barlter; Hal Pelton. first assistant, and Bob Green,<br />
dough guy. Standing: Julian Cole, Sammy Walsh, Carl Gardner. Art Bruns and Leo<br />
Adeep. Jack Ball was not present for the picture. Tent 13 sponsors the Variety<br />
Children's Hospital in Miami.<br />
Line-Buckers Start Riot<br />
At 'Jailhouse' Opening<br />
CORAI. GABLES—The opening of "Jailhouse<br />
Rock" at the Gables Theatre brought<br />
out several hundi-ed teenagers on a recent<br />
Saturday, each of whom tried to be first at<br />
the boxoffice.<br />
The Herald published a Section B, frontpage<br />
story and picture on the occurrence,<br />
under Tom Lownes by-line. Lownes said that<br />
two youngsters were "rolled" to E>octor's Hospital<br />
with minor injuries, and several others<br />
were "rocked" w-ith warnings that if they<br />
didn't simmer down they would have to<br />
settle for "Jailhouse Coral Gables."<br />
The picture was scheduled to start at 2<br />
p.m., but by 1:30 the younger set was queued<br />
up for a block and a half. All might have<br />
been well had not someone muscled into the<br />
front of the line. "That." said Lownes. "did<br />
it."<br />
Police reported that the line suddenly became<br />
a seething, pushing, .shoving, shouting,<br />
stomping, rocking and rolling mass of youngsters.<br />
Seven Coral Gables policemen and one<br />
lady cop were rushed to the scene.<br />
"There must have been 3.000 of them<br />
there." said officer George E. Cooper. "They<br />
were hollering or singing— I couldn't tell<br />
w-hich."<br />
Only the threat that the film would be<br />
cancelled brought the mob under control,<br />
police said. When the battle ended, a 16-<br />
year-old girl and an 11 -year-old boy were<br />
removed for treatment. The former got a cut<br />
arm from being shoved into a display case<br />
and the latter had a cut knee.<br />
A policeman was stationed at the theatre<br />
for the rest of the day.<br />
Roxy in Gallatin. Tenn.,<br />
Hit by $100,000 Fire<br />
GALLATIN, TENN. — The Ro.xy Theatre<br />
here was gutted by flames recently. Loss was<br />
estimated at $100,000. The theatre building,<br />
described as Gallatin's "best building," w'as<br />
built in 1937 and is owned by the Crescent<br />
Amusement Co. Charles McGhee is the manager.<br />
Unique Title Earns<br />
'08/15' Publicily<br />
NEW HAVEN — Playing "08/15,"<br />
German<br />
import released by Times Film, Sid Kleper,<br />
Loew's College, got this paragraph planted<br />
in the New- Haven Register's editorial page<br />
feature column:<br />
"Cashiers at Loew's College are having a<br />
hard time these nights convincing callers that<br />
last showing of '08/15' goes on at 9:25. The<br />
feature has one of the strangest movie titles<br />
ever, '08/15,' based on Nazi troop training<br />
schedule. Anyone w-ho phones to ask name<br />
of feature is told that it is '08, 15" and sometimes<br />
callers think that the cashier is giving<br />
the time of run, rather than title."<br />
Ed Hyman Is on Program<br />
Of MAC Conference<br />
MINNEAPOLIS—Film product coming up<br />
diu-ing the balance of the winter was discussed<br />
by Edward Hyman. ABC-United Paramount<br />
vice-president in charge of theatres, at<br />
a one-day meeting of Minnesota Amusement<br />
Co. house managers and other employes here.<br />
Other speakers included Bernard Levy,<br />
Hyman's assistant: John Convery, Paramount<br />
Theatres concession department head: Elmer<br />
Upton and Eugene Jacobs of the Balaban &<br />
Chicago, and Joe Floyd, partner<br />
Katz circuit,<br />
of Eddie Ruben in the operation of an independent<br />
theatre circuit in the territory.<br />
Floyd, who also is interested in television and<br />
radio stations, spoke on the utilization of<br />
the airlanes to exploit pictures.<br />
In the evening the employes and branch<br />
managers here were guests of Charles Winchell,<br />
MAC president, at a dinner at Mc-<br />
Carthy's cafe.<br />
Shifts Show Times<br />
DES ARC, ARK.—Harold Everett, manager<br />
of the Rice Theatre, has changed show- starting<br />
times. Shows now start on Mondays,<br />
Wednesdays and Thursdays at 7:15 instead<br />
of 7:30, and on Fridays and Saturdays at 7<br />
p.m. instead of 7:15.<br />
BOXOFFICE November 16, 1957 SE-1
. . R.<br />
MEMPHIS<br />
lyjarjorie Malin, Lura. Augusta; WilUam<br />
Elias and Moses Sliman, who operate<br />
theatres and drive-ins in Osceola; J. K. Jameson,<br />
Ken. McCrory; Victor Weber, Center,<br />
Kensett; Gene Thompson, Cave. Cave City.<br />
*C<br />
iZ:<br />
'^; ^4<br />
^ The FIGURES are<br />
in your FAVOR<br />
THESE ANNOUNCEMENTS REVEAL<br />
VITAL FACTS ABOUT<br />
Headlines and illustrations from feature<br />
stories, Motion Picture Herald, June 8,1957<br />
These news stories are proof again, that the most<br />
important installations — the most important J<br />
contributions to cinematic projection are all<br />
CENTURY made. No other projector can make<br />
this claim, just as no other projector can approach<br />
CENTURY for<br />
performance, ease of operation<br />
and low-cost maintenance.<br />
The choice is CENTURY, whether it be horizontal<br />
VistaVision for the Williamsburg auditoriums or<br />
the double installation for the All-Weather Drive-In<br />
or any other theatre or<br />
drive-in.<br />
THE BEST TEST, you've got to try it to believe if!<br />
^ei0^ Century Projector Corporation, new york 19, n. y.<br />
SOLD BY<br />
Alon Boyd Theatre Equipment Co. Joe Hornstein, incorporated<br />
p. 0. Box 362 Shreveport, Louisiono 273 Flagler St.<br />
Capital<br />
City Supply Co.<br />
161 Walton Street, N. W.<br />
C± I I Tl 1 r I ^ Miami, Florida<br />
Mandard Theatre Supply Co.<br />
Atlanta,<br />
Georgia<br />
Grc'ensLTt^ar'oLa Qucen Feature Service, Inc.<br />
219 South Church St. 1912!/2 Morris Ave.<br />
Charlotte, North Carolina Birmingham 3, Alabama<br />
Tri-State Theatre Supply<br />
318 South Second St.<br />
Memphis 3, Tennessee<br />
BOXOFTICE November 16, 1957 SE-3
. . Herman<br />
. .<br />
CHARLOTTE<br />
Tulian Thompson is planning to reopen the<br />
Star Theatre. Cornelius. December 1 . .<br />
.<br />
J. O. Sampson is the new owner of the Westside<br />
H. J. Jackson<br />
Theatre. Pembroke . . . has opened the Park-Vue Drive-In, Wilmington<br />
. . . Agnes Tweed, daughter of Ella Austin,<br />
Queen City Booking Ser\'ice. has been transferred<br />
Mrs. Helen<br />
to Columbus. Ohio . . . Reece, who formerly lived in Augusta, has<br />
joined the Fox booking department.<br />
.<br />
. . .<br />
Raymond Hinkle, new owner of the New-<br />
Theatre, Fountain Inn. S. C. is reopening the<br />
house after it had been closed two years .<br />
Mrs. Mary Beck, Warner Bros., has entered<br />
Mercy Hospital again Wobber,<br />
San Francisco, and Harry Ballance, Atlanta,<br />
visited 20th Centuiy-Fox W. O.<br />
Dickens, owner of the Nash Theatre, Nashville,<br />
The Dean<br />
N. C, died Tuesday (5i . . . house pool won the car given away recently<br />
at the Variety Club. The girls from Universal<br />
won the $100 door prize.<br />
J. E. Holston, 20th Century-Fox manager,
—<br />
. .<br />
Other<br />
. . Filmrow<br />
I<br />
Omaha Tent Holding<br />
Public Xmas Dance<br />
OMAHA—A super-duper Christmas party<br />
open to any one who loves to dance is being<br />
organized by Tent 16 of the Variety Club. Pat<br />
Halloran. chief barker, said the big affair<br />
would be at the Paxton Hotel December 16.<br />
A two-week vacation trip for two at the<br />
Desert Inn in Las Vegas will be one of the<br />
contest awards, w-ith others ranging to television<br />
and radio sets.<br />
Halloran said the ticket committee will include<br />
Sam Stern of the 40 Bowl, Mort Ives<br />
of DCA and Abe Slusky of Playland Park.<br />
I. M. Weiner, U-I manager, and Bernard<br />
"Slug" Dudgeon, drive-in manager, will form<br />
the prize committee.<br />
Other committees are being drawn from the<br />
membership. The auxiliary will take an active<br />
part in promoting citywide interest in<br />
what looms as one of the holiday specials in<br />
the territory.<br />
Judge Refuses to Dismiss<br />
Ernest T. Conlon Suit<br />
DETROIT—A motion to dismiss the suit<br />
of &nest T. Conlon, Film Ti-uck Service executive,<br />
against Allied Theatres of Michigan<br />
for an alleged back salary claim of $6,300 was<br />
denied by circuit Judge George E. Bowles.<br />
Conlon claims salary dating from his former<br />
employment as executive secretary of Allied.<br />
With the denial of the defense motion,<br />
the case is being set for trial and is expected<br />
to come up for hearing next spring.<br />
Reseating and<br />
Seat Repair are<br />
SO simple<br />
with Internationals<br />
Ask today for an INTERNATIONAL<br />
Seating Engineer for all the focfs.<br />
Write, wire or phone<br />
Massey Seating<br />
Company, Inc.<br />
160 Hermitage Avenue Nashville, Tenn.<br />
Phone ALpine 5-8459 ... or<br />
International Seat Division<br />
Union City Body Company, Inc.<br />
Union City, Indiana<br />
ATLANTA<br />
. . .<br />
frskine Caldwell, author of "God's Little<br />
Acre." was here en route from Augusta to<br />
New York. He has been working on the film<br />
version of the novel. It is reported he is<br />
planning a dramatic version of another of<br />
his novels, "The Sure Hand of God." perhaps<br />
as a stage play and eventually in films . . .<br />
Sympathy to Tom Jones, independent buyer<br />
and booker, in the death of his father<br />
John Miller of the 78 and Manchester di-iveins<br />
at Jasper, Ala., has closed his Manchester<br />
Drive-In until April 1.<br />
. . Jewell, the wife of sales<br />
. . . J. G. Harwell, operator<br />
Charlie Simpson, Capitol Releasing executive,<br />
suffered a broken arm in an accident at<br />
UA his home .<br />
manager R. W. Tarwater. entered St. Joseph<br />
Hospital for surgery<br />
of the State at Bessemer, Ala., has<br />
been in a hospital the past month. It is reported<br />
he is making satisfactory progress . .<br />
.<br />
Mrs. Polly Puckett. former Allied Ai-tists secretary<br />
who resigned to take a position outside<br />
the industry, has returned to Filmrow<br />
as a Capitol Releasing secretary . . The<br />
.<br />
monthly board meeting Mon-<br />
WOMPI, at its<br />
day at the YMCA, appointed Grace Woolley,<br />
Columbia secretary, to district manager, and<br />
Bob Ingram, to replace Mrs. Ernestine Carter,<br />
who resigned as board member.<br />
P. J. Gaston of the Rex and Lincoln, Griffin,<br />
was on Filmrow. He had just returned<br />
from a fishing trip and was loaded with some<br />
"tall ones" . visitors included Mrs.<br />
J. M. Lakeman, Dixie, Haleyville, Ala.; Fred<br />
Yarbrough, Star-Vue Drive-In, Hillsboro,<br />
Ala.; R. M. Kennedy, Kennedy Theatres,<br />
Birmingham; Tom Brett, Arcade, Sandersville,<br />
Ga.; T. E. Watson, operator of theatres<br />
in Montevallo, Columbiana and Alabaster,<br />
Ala.; J. E. Aron and Oscar Bagley, Bama<br />
Drive-In. Anniston, and Phil Bradley, 41<br />
Drive-In. Chattanooga .<br />
employes,<br />
as usual, enjoyed a holiday on Armistice Day.<br />
Exploiteers "Woody" Woodard of Warner<br />
Bros, and Ben Hill of Universal returned from<br />
Miami where they were plugging current pictures<br />
. . . Irving Shriffin. UA press agent,<br />
was here working on "Baby Face Nelson," to<br />
open soon at Loew's Grand.<br />
Sarah Reinhart Rites<br />
CANTON. OHIO—Funeral services were<br />
held here for Mrs. Sarah Reinhart, widow<br />
of Hari-y Reinhart whose business interests<br />
included ownership of the Mozart and State<br />
theatres, which he operated. Upon his death<br />
the operation of the theatres fell to their<br />
two sons Jerome and Irving, who since have<br />
sold the properties and are in other businesses.<br />
Name James P. Geiger<br />
ASHBURN, GA.—James P. Geiger has been<br />
named manager of the Turner Theatre here<br />
by Stein Theatres. Geiger previously worked<br />
for Stein in Sylvester. He succeeds R. N.<br />
Thomas, who has been transferred to Adel.<br />
Free Books Distributed<br />
NEW HAVEN— Ii-ving Hillman. manager of<br />
the Stanley Warner Roger Sherman Theatre,<br />
distributed free "Saint Joan" books to the<br />
first 100 patrons in line for the opening of<br />
UA's "Saint Joan."<br />
Franklin Ferguson Leads<br />
New Haven YMCA Drive<br />
NEW HAVEN—Pi-anklin E. Fergu.son, promotion<br />
chief for the Bailey Theatres, has<br />
been appointed general chairman of the local<br />
recruitment program. Ferguson, long active<br />
in community work, served as publicity chairman<br />
for the 1956 YMCA membership campaign.<br />
NOW with TWO conyenient /ocotfofls /or<br />
BETTER than EVER seryice to you<br />
DIXIE<br />
THEATRE SERVICE<br />
& SUPPLY COMPANY<br />
YOUR BALLANTYNE DEALER<br />
1010 North Slappey Drive<br />
P 0. Box 771<br />
Albany, Georgia<br />
Phone: HEmlocii 2-2846<br />
95 Walton Street, N.W.<br />
P. 0. Box 858<br />
Atlanta. Georgia<br />
Phone: WAInut 4118<br />
COMPLETE THEATRE EQUIPMENT & SUPPLIES<br />
fiifn<br />
Prompt, Courteous Service 'Round the Clock<br />
BooHine Office<br />
Experience — Industry — Integrity<br />
ALBERT E. ROOK<br />
160 wallon st. n.w.<br />
stR^
. .<br />
. . . The<br />
. . The<br />
. . The<br />
. . Winter<br />
. . Grant<br />
. . With<br />
JACKSONVILLE<br />
cessions stand . Raulerson now operates<br />
an imported gift shop in addition to<br />
the Outdoor Drive-In, Clearwater . . . Bob<br />
Anderson, former local theatre executive, is<br />
"Phousands of free-spending visitors flocked Peyton G. "Sport" Bailey, former manager now the active head of a plumbing firm in<br />
into town for the annual Florida-Georgia of the Marion Theatre, Ocala, is now assistant St. Petersburg . winter weather moving<br />
into the state, outdoor theatres have re-<br />
U. football classic in the Gator Bowl November<br />
9 and a large percentage of them gave for the Florida State Tlieatres . . . Harry .sumed the sale of hot chocolate drinks.<br />
to French Harvey, concessions sales manager<br />
needed patronage to downtown theatres . Botwick, PST supervisor from Miami, and<br />
Ed Linder extended his run of "Will Success Bob Harris. FST executive from Tampa, Wilma Murphy is a new contract clerk at<br />
Spoil Rock Hunter?" for a second week at the joined other company officials at a planning<br />
session in the FST home<br />
20th-Pox . . . Attending a 20th-Fox sales<br />
big Town and Country Theatre . . . One of<br />
meeting were Thomas<br />
office.<br />
P. Tidwell, manager,<br />
the longer theatre programs in local historj'<br />
and Walter Powell, George Friedel, Marvin<br />
was offered to patrons of the Ribault Drivein<br />
by Carl Carter when he screened five fea-<br />
an inspection of the firm's Columbus Drive-<br />
The meeting was conducted by Paul Wilson,<br />
Clint Ezell, NTE executive, returned from Skinner, Grady Goodwin and Richard Lewis,<br />
ture pictures and assorted short subjects on in, Lincoln and Carver theatres in Tampa<br />
district manager from Atlanta, and Herman<br />
a Kriday-Saturday bill, with children under<br />
Joyland Drive-In, Dade City, managed<br />
by Ray Saldutti, is remodeling its con- to conduct a similar gathering m New Or-<br />
Wobber of the home office. The two left here<br />
12 being admitted free.<br />
leans<br />
. parents of Suzy Parker, who<br />
are local residents, enjoyed a special .screening<br />
of "Kiss Them for Me." new 20th-Fox<br />
picture in which Miss Parker stars, held in<br />
Thc pioneer in Coil Form Repellent<br />
their honor at the Studio Tlieatre . . . Roy<br />
Smith, local theatre supplier, is<br />
introdiu-es to you scheduled to<br />
. . .<br />
make an address at the TESMA-NAC-TOA<br />
tradeshow at the Americana Hotel. Miami<br />
Beach, November 22.<br />
The Edgewood and San Marco theatres<br />
^mLtf/vr ran special Monday morning shows for the<br />
children who were out of school on Veterans<br />
Mosa«\^^<br />
Day . first run of "Jailhouse Rock"<br />
at the Florida Theatre proved that Elvis<br />
Presley is still Jacksonville's favorite movie<br />
star . winds moved into north<br />
Florida and lowered thermometers to the<br />
mid-50s, which was not low enough to affect<br />
attendance at drive-in theatres, just<br />
In NON-CRUSHABLE<br />
low<br />
enough to boost sales at concessions stands.<br />
CUSHION PACKED<br />
BOXES With ALUM-<br />
Old Myers Theatre Closed<br />
INUM LINED BOX TOP<br />
At Janesville by Gran<br />
ASH TRAY at no extra<br />
JANESVILLE. WIS.—The Myers Tlieatre<br />
here has been closed temporarily by Gran<br />
cost!<br />
Enterprises of Milw-aukee, due, officials said.<br />
to shortage of product. Shuttering of the<br />
Myers, managed by Robert Kiggens, leaves<br />
NEW FEATURES INCLUDE . . .<br />
Janesville with only one operating theatre,<br />
the Fox Wisconsin operated by Jeffris. The<br />
Apolla, also known as the Hitching Post<br />
l^ 2 flat coils lasting minimum 1^ Merchandise coupons enclosed and the Beverly, has been closed for several<br />
14 hours<br />
in each box for exchange of years. Two drive-ins operate within a fewmiles<br />
of the city except during the winter.<br />
free gifts<br />
The Myers was built in 1870 and was named<br />
l^ Coils are separated individually<br />
for easy handling f^ Nation wide distributors handle<br />
for Peter Myers who built the theatre. Charles<br />
E. Moseley, who also managed a local book<br />
and music store, w-as first manager of the<br />
faster delivery<br />
theatre. Seventeen years later the theatre<br />
l^ Metal holder secured to box<br />
was entirely remodeled, and just a year after<br />
top<br />
1^ A 25(Zl pack costs you only that it was de.stroyed by fire.<br />
Work w-as started immediately on a new<br />
building, the one now standing, and it was<br />
opened in 1889.<br />
1^ Aluminum lined box top ash<br />
\^ A 1-coil Give-away pack only Midway in the 1920s, the house w-as held by<br />
tray<br />
various ow-ners for five years until it was<br />
5(Z (with a cash coupon of 5^ taken over by the local Elks Club, which still<br />
towards purchase of PIC at ow-ns it.<br />
(^Guaranteed effective and<br />
your concession stand)<br />
harmless. Dealers are protected<br />
with $100,000 Product<br />
Cab Call-dw-ay. innovator of the musical<br />
phrase Hi-de-ho, plays the important<br />
]^ We pay freight anywhere any<br />
character role of Blade in Paramount's "St.<br />
Liability Insurance<br />
quantity!<br />
Louis Blues."<br />
FREE DISPLAY MATERIALS AND A SOUND TRAILER<br />
IN COLORS FOR USE DURING INTERMISSION<br />
HOT CHOCOLATE<br />
ORDER THRU YOUR LOCAL THEATRE SUPPLY DEALER OR —<br />
DISPENSERS<br />
PIC CORP., 837 Broad St., Newark 2, N. J.<br />
ROY SMITH CO.<br />
365 PARK ST JACKSONVILLE<br />
SE-6 BOXOFFICE :: November 16. 1957
. . Betty<br />
I<br />
THEATKICAL<br />
2310<br />
MIAMI<br />
. . . Former<br />
/~«et More Out of Life—Go Out to a Movie!"<br />
was the bold headline used over<br />
Wometco's Sunday ad lineup<br />
Miami Beach resident Arnold Schulman,<br />
whose recent play. 'A Hole in the Head."<br />
reflects the local beach hotel life of which<br />
his father is still a part, was surprised, says<br />
George Bourke. when he saw a preview of<br />
his latest work, the script for "Wild Is the<br />
Wind." starring Anna Magnani, Screen credits<br />
read: "Based on a story by Vittorio Nino<br />
Novarese." although Schulman's script was<br />
from an original story. Paramount's legal<br />
department has informed him that Miss<br />
Magnani stipulated a modernized version of<br />
a 25-year-old Italian film. "Furia," or nothing.<br />
This proved impossible to use and Schulman<br />
was called in. The Novarese credit satisfies<br />
the star's stipulation.<br />
tions. is to star Christopher Plummer and be<br />
directed by Nicholas Ray. Just signed to play<br />
the part of a shady lady of early Miami iias<br />
been Gypsy Rose Lee . Clooney. now<br />
the wife of Pupi Campo, is getting their newhome<br />
settled in Miami Shores. Brother Nick<br />
Clooney is making a picture, "Mock Trial." in<br />
Hollywood, right next door to the "Bay the<br />
Moon" set, director and star of which is Jose<br />
Ferrer, husband of Rosemary Clooney.<br />
. . .<br />
The SlO-a-plate Rocky Marciano testimonial<br />
dinner will split the proceeds between Variety<br />
Hospital and Boys Town of Italy, Marciano<br />
has recently purchased a home here<br />
Hal Carrington of Nationwide Pictures plans<br />
to film "The Hard Way." a western, at the<br />
Shamrock Studios in Winter Park. He has<br />
just obtained screen and TV rights ... If<br />
biographer Gene Fowler wants to catch up<br />
with Swifty Morgan, whose life he plans<br />
writing, he'll find him in a Miami Beach<br />
hotel. Swifty was portrayed by Jackie Coogan<br />
in "The Joker Is Wild."<br />
ELVIS PRESLIiY HOTOS<br />
• MINED • BOONE • DEAN<br />
g"xlO'<br />
Per Tiiousand<br />
Black and White SlHOO (Minimum Oirder<br />
1.000 •<br />
Glosjy Slock '*'__ o' Either<br />
Star)<br />
ch.ck with<br />
Orderl<br />
|<br />
ADVERTISING CO.<br />
Coss Detroit 1, Mich.<br />
William Campbell, Mary Webster and Ron<br />
Hagerthy are among featured players from<br />
"Eighteen and Anxious." due here for the<br />
FST opening, and for the TOA convention<br />
at the Americana, opening the same day.<br />
Wednesday (20) . . The .<br />
local Variety Tent<br />
hears that Pi'ince Philip may be one of the<br />
after-dinner speakers at Variety's London<br />
convention in April.<br />
Audiences applauded the "There Was a<br />
Woman" duet in "The Pajama Game" when<br />
it played the Beach Theatre . . . Local<br />
hotel<br />
supper clubs have so far presented four- different<br />
singers as "the singing star" of "The<br />
Pajama Game." Those .so billed have included<br />
roles in road companies and as featm-ed<br />
"Captains Courageous" was the<br />
singers . . .<br />
final film in the series at the Miami Public<br />
Library. The series was completed Thursday<br />
(14).<br />
. .<br />
The same double horror bill, two first showings<br />
composed of "Monster From Green Hell"<br />
and "Half Human," was booked for simultaneous<br />
showing at eight drive-in theatres<br />
under the United Theatres banner. Three<br />
drive-ins are in Miami, one each in Perrine.<br />
Hallandale, West Hollywood. Pompano and<br />
West Palm Beach . The Mayfair and Sunset<br />
Art theatres cooperated on a big ad on<br />
"It Happened in the Park."<br />
"Across the Everglades," the film which<br />
the Schulbergs will make in adjacent loca-<br />
HI<br />
NEIGHBOR!!<br />
RELAX •<br />
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BOXOFFICE :: November 16, 1957 SE-7
many<br />
happy<br />
returns<br />
of today<br />
Thanks to our doctors, most Americans can look forward to<br />
longer and happier lives than ever before. Some of our deadliest<br />
diseases have already been conquered ; others are fast being brought<br />
under control. Even with cancer, much progress has been made.<br />
Today, more than 800,000 Americans are alive and well, cured of<br />
cancer . . . many of them, because they made a habit of having thorough<br />
health checkups every year no matter how well they felt . . .<br />
many others, because they went to their doctors at the first sign of<br />
any one of the seven danger signals that may mean cancer . . . all of<br />
them, because they went to their doctors in time.<br />
To learn how to guard jioursclf against cancer, call the American<br />
Cancer Society office nearest you or write to "Cancer" in care of<br />
your local Post Office.<br />
Through the Courtesy of<br />
BOXOFFICE<br />
SE-8<br />
BOXOFFICE November 16. 1957
14 Second Run Houses First Sound in Oklahoma by Peek<br />
Operating in Dallas<br />
DALLAS—This city of 614,000 lias a total<br />
of 14 suburban theatres operating on a first<br />
subsequent-run policy of 31 days after downtown.<br />
They are Interstate's Village, Lakewood,<br />
Inwood, Wilshire and Circle; Phil Iseley's<br />
Granada and Crest; Rowley United's Texas,<br />
Wynnewood. Vogue and Beverly Hills; Tri-<br />
State's Casa Linda; Idelman's Delman. and<br />
Handley's Arcadia. Their seating capacity<br />
ranges from 1,737 (Texas) to 800 (Beverly<br />
MiNuM<br />
LETTERS<br />
^S'lSPMPWMjMWW<br />
Hills 1.<br />
The lone noncircuit house, the Arcadia in<br />
northeast Dallas, is owned by Lee O. Handley.<br />
One of the older subiu-ban theatres, it<br />
was destroyed by fire in 1941 and rebuilt with<br />
a unique stadium-type design. The patron<br />
enters the auditorium from the lobby into an<br />
aisle that separates the lower floor from the<br />
balcony in the middle of the 1,042-seater.<br />
While the theatre front faces eastward, its<br />
stage is toward the north and balcony at the<br />
south.<br />
The Arcadia is the only neighborhood house<br />
with three projectors installed in the booth.<br />
This system enables the projection staff to<br />
run Cinemascope features on two projectors<br />
without constantly changing the lenses and<br />
aperture plates when the short subjects are<br />
run. Thus, the flat product is threaded into<br />
the third projector, and while this is running<br />
the first two projectors are reverted<br />
back to the correct ratio.<br />
Handley also has equipped his theatre for<br />
3-D with a separate stereophonic sound reproducer,<br />
regular magnetic sound pickup<br />
heads and two electric rewinds for the different<br />
size reels. The screen is one of the<br />
largest in the city in proportion to the size<br />
of the auditorium. It was installed by National<br />
Theatre Supply here at the beginning<br />
of the widescreen innovations.<br />
The Arcadia is near the Granada and Lakewood<br />
and only a few blocks from the old<br />
Capitan, the only fli-st sub-run theatre here<br />
that has shuttered and is now a bowling alley.<br />
Two theatres that previously fell mto this<br />
category. Interstate's Esquii-e and Ti-ans-<br />
Texas' Varsity, have become art houses. The<br />
Varsity is now the Fine Arts. Quite often the<br />
Village runs first-run exclusively on an extended<br />
time basis and reopens roadshow attractions<br />
after their downtown runs.<br />
Seldom do any of the 14 book double bill.<br />
Number of<br />
Restricted by High Cost<br />
Color Pictures<br />
OKLAHOMA CITY — Charles<br />
Hudgens.<br />
U-I manager, told directors of the United<br />
Theatre Owners of Oklahoma that high production<br />
cost is the reason Hollywood Is unable<br />
to film more pictures in color, Hudgens<br />
was the principal speaker at the board's<br />
monthly luncheon meeting. Bernard Mc-<br />
Kenna reviewed the recent national Allied<br />
convention and the directors discussed the<br />
Video Theatres telemovies installation in<br />
Bartlesville.<br />
The board also voted to hold its monthly<br />
meetings at Hardie's Cafe.<br />
San Rafael, one-time frontier town of the<br />
seventies, was built on a 3.000-acre ranch<br />
for William Wyler's production of "The Big<br />
Counti-j'" for United Ai-tists.<br />
^
. . Screen<br />
. .<br />
DALLAS<br />
tlarvey D. Hili, business agent of the projectionists<br />
union, reported his mother<br />
celebrated her 92nd birthday Saturday i9i<br />
. . . Hai-old A. Greenlin has installed new<br />
. . .<br />
curved gates in the Centui-y projectors at the<br />
Strand here The Trans-Texas circuit<br />
advertised the reopening of the Capitol<br />
Thursday (14) as a Mexican film house .<br />
Mrs. Charlotte (T. R.) Barber, 75. widow of<br />
the veteran United Artists salesman, died<br />
Sunday dOi. Her husband passed away two<br />
years ago after 25 years with UA.<br />
. . Majestic<br />
. . .<br />
The Delman, Kiest Boulevard and Cinderella<br />
drive-ins brought back "The Robe" and<br />
"Demetrius and the Gladiators" on a double<br />
bill, and the Granada returned "The Glenn<br />
Miller Story," the Crest "Task Force" and<br />
the Heights "Young at Heart" .<br />
projectionist Charles A. Harcum paraded with<br />
the Soroptimists dowTitown Saturday and<br />
sold newspapers for them star<br />
Audie Murphy, who likes<br />
.<br />
to call Dallas his<br />
home, has been here taking instructions to<br />
become a Shriner The Tower closed<br />
"Around the World in 80 Days" Wednesday<br />
after 46 weeks and brought in the moveover<br />
of "Jailhouse Rock" from the Majestic . . .<br />
The Texas-made "Courage of Black Beauty"<br />
opened in suburban theatres and ozoners as<br />
part of a double bill.<br />
Following appearances at the Worth Theatre<br />
in Fort Worth Sunday, Mary Webster,<br />
William Campbell, Jackie Loughery and Ron<br />
Hagerthy came here in behalf of "Eighteen<br />
and Anxious." With them was Slick Slavin, a<br />
comic. After making a swing down the<br />
POSTERS<br />
LOVE FOR BABY SITTER—Molly<br />
Mascarenas, chief of service for the Rita<br />
Theatre in Del Rio, Tex,, recently was<br />
cited by the Junior Chamber of Commerce<br />
as the best known baby sitter in<br />
town, and was given the Jaycee's Outstanding<br />
Sales and Service Person award.<br />
Presenting the plaque to Molly is Joe<br />
Poggi, chairman of the wards committee.<br />
Mrs. Mascarenas has been at the Rita<br />
16 years.<br />
state to Austin and Houston, the quintet returned<br />
to appear on the stage at the Palace<br />
opening Thursday. The group left here for<br />
B.rmingham.<br />
Installs New Sign<br />
CARLISLE, KY.—A new illuminated<br />
sign<br />
has been installed over the entrance to the<br />
Lyric Tlieatre here by owner Walter Wyrick,
THESE ANNOUNCEMENTS REVEAL<br />
VITAL FACTS ABOUT<br />
Unco o --„,,..eoW-<br />
Headlines and illustrations from feature<br />
stories, Motion Picture Herald, June 8,1957<br />
These news stories are proof agoin, that the mos<br />
important installations — the most important<br />
contributions to cinematic projection are all<br />
CENTURY mode. No other projector can make<br />
this claim, just as no other projector can approach<br />
CENTURY for<br />
performance, ease of operation<br />
and low-cost maintenance.<br />
The choice is CENTURY, whether it be horizontal<br />
VistaVision for the Williamsburg auditoriums or<br />
the double installation for the All-Weather Drive-ln<br />
or any other theatre or drive-in.<br />
THE BEST TEST, you've got to try if to believe If!<br />
^^^<br />
Century Projector Corporation, new york 19, n. y.<br />
SOLD BY<br />
Hardin Theatre Supply Co.<br />
714 Soutli Hampton Road<br />
Dallas 11, Texas<br />
BOXOFFICE November 16. 1957 SW-3
—<br />
Tulsa Circuit Closes<br />
Its Rialto Theatre<br />
TULSA— Tulsa Downtown Theatres has<br />
closed the Rialto Theatre and removed its<br />
equipment from the building, which is owned<br />
by Dr. C. I. Trimble.<br />
"Our lease on the building expired Novemyour<br />
complete<br />
equipment house<br />
2^ CALL US DAY OR NIGHT<br />
for<br />
SUPPLIES<br />
EQUIPMENT<br />
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ber 1. and we decided not to renew it." .said<br />
Warren Patton. Downtown Theatres manager.<br />
"It ha.s been made increasingly apparent<br />
that our patrons preferred the other house.s<br />
the Ritz, Majestic and Orpheum.<br />
"We did well with Todd-AO pictures. 'Oklahoma!'<br />
and '.'Ground the World in 80 Days.' "<br />
Patton continued, "but there just aren't<br />
enough of those. We al.so had been running<br />
first-run pictures at the Rialto in an effort<br />
to boost its income, but there aren't enough<br />
top quality pictures being made to divide<br />
equally between four downtown theatres and<br />
two suburban first runs."<br />
The Rialto had been remodeled only last<br />
year at a cost of $56,000 as a showcase for<br />
Todd-AO features. It was one of Tulsa's<br />
early day motion picture theatres, being acquired<br />
by Ralph Talbot in 1929 and added<br />
to his circuit. Remodeled several times, it<br />
was included in the deal when William Bros.<br />
Co., pipeline builders and engineers, bought<br />
the controlling interest from Theatre Enterprises<br />
in 1955.<br />
Dr. Joe R. Trimble, son of the building<br />
owner, confirmed that negotiations were being<br />
carried on with a company outside of<br />
the industry for future use of the building.<br />
Birthday Treats Bolster<br />
Saturday Kiddy Matinee<br />
HARTFORD—To bolster Saturday matinee<br />
kiddy trade. Pi-ank Dzikot. Rivoli Theatre,<br />
has asked youngster patrons to register their<br />
birthdays ahead of time w'ith his office. On<br />
the Saturday nearest to the actual date.<br />
Dzikot has the celebrating youngsters stand<br />
up and take a bow from the audience. In addition,<br />
he extends house courtesy with a small<br />
gift.<br />
The first matinee marking birthday gifts<br />
was highlighted by the uniformed presence<br />
of 30 neighborhood Boy Scouts, led by their<br />
scoutmasters.<br />
Les Girls' to Ted Mann<br />
MINNE.'^POLIS — MOM'S musical. "Les<br />
Girls." wa.> sold away from the much bigger<br />
and more numerous Minnesota Amusement<br />
Co. and RKO Theatres in the Twin Cities<br />
to the 400-seat Minneapolis and 600-seat St.<br />
Paul Worlds, independent Ted Mann operations.<br />
Mann was awarded the picture on<br />
competitive bids. It opened here Friday i8i<br />
and in St. Paul November 15.<br />
UTOO Helps Theatreman<br />
Get Sunday Law Repealed<br />
OKLAHOMA CITY—The United Theatre<br />
Owners of Oklahoma has a,ssist€d R. R. Mc-<br />
Coy, who operates the Gem Theatre in Edmond.<br />
in securing the repeal of a discriminatory<br />
city ordinance which had prevented the<br />
Gem from starting its Sunday evening programs<br />
until 9 o'clock.<br />
McCoy u.sed the points estabhshed in a<br />
letter from the UTOO to bring enough councilmen<br />
around to his viewpoint to secure repeal<br />
of the ordinance.<br />
The letter, written by E. R. "Red" Slocum,<br />
UTOO executive director, follows:<br />
"Dear Mi-. McCoy:<br />
"Was quite surprised to hear from Mr.<br />
Avey. that your theatre operation in Edmond<br />
was set up to a Sunday operation,<br />
w-herein you did not start your Sunday night<br />
show until 9 p.m.<br />
"How can you possibly arrange a program<br />
to start at that hour and meet a curfew<br />
deadline of 11 p.m. for the college students<br />
attending Central State? What happens<br />
when you play lengthy outstanding pictures,<br />
such as 'Friendly Persuasion.' 'Giant,' 'The<br />
Ten Commandments,' 'Stars in My Crown,'<br />
A Man Called Peter,' etc.?<br />
"I would think that your city is no different<br />
than other college towns, as Ada, Weatherford,<br />
Lawton. Durant, Alva and E^nid.<br />
"The people of your community can enjoy<br />
television motion pictures at any hour of the<br />
day or night. This appears somewhat unfair<br />
to you. as a business man. community worker<br />
and taxpayer and also to your merchants and<br />
theatre patrons.<br />
"The pattern of living, also the opportunities<br />
for recreation and entertainment have<br />
changed to such an extent since the passage<br />
of the Edmond city ordinance, that no<br />
doubt, if an intelligent look-see was taken into<br />
the motion picture theatre predicament in<br />
Edmond, in all probability, there would be<br />
no objections to rearranging your showing<br />
schedules to conform with the schedules of<br />
some 40 theatres in a radius of 20-odd mUes.<br />
"Tlie Edmond ordinance may not be unconstitutional<br />
but it is certainly discriminatory<br />
against motion pictures being showTi in<br />
a<br />
theatre."<br />
Ritz Open in Skiatook<br />
SKIATOOK. OKLA.—The Ritz Theatre<br />
here, w-hich has been closed for the past six<br />
months, has reopened for business under the<br />
management of Mr. and Mrs. J. R. Jorden.<br />
The theatre has been remodeled, including<br />
repainting, new seats and sound<br />
equipment installation.<br />
SGtiCfine<br />
n 2 yeors for $5 D<br />
G Remittonce Enclosed D Send Invoice<br />
THEATRE<br />
STREET ADDRESS<br />
TOWN ZONE STATE....<br />
NAME<br />
1 year for $3 3 yearj for $7<br />
POSITION..<br />
I<br />
I<br />
Drops T'wo Night Shows<br />
NEW HAVEN — The suburban Guilford<br />
Theatre has dropped Tuesday and Wednesday<br />
performances. The situation Is now runnlng<br />
a nightly double feature, starting at 7.<br />
XMAS<br />
w^^IFILMACK<br />
Gat Your Special<br />
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BOXOfflCf<br />
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BOXOFFICE :: November 16, 1957
. . with<br />
'All Mine' Premieres<br />
In Oshkosh Theatre<br />
OSHKOSH, WIS.—"All Mine to Give" was<br />
world-premiered at the Raulf Theatre here<br />
Wednesday night, launching more than 150<br />
dates in the Wisconsin territory and climaxing<br />
an extensive promotional campaign.<br />
"All Mine to Give" is based on factual<br />
events which tock place in this area in the<br />
1850s.<br />
Through the medium of the Queen for a<br />
Day television show: the 50 radio stations in<br />
the Wisconsin state baseball network and the<br />
presence of stars Cameron Mitchell and Rex<br />
Thompson of "All Mine to Give," and Universal's<br />
new star Andra Martin, the premiere<br />
stoi'y was carried far beyond Winnebagcland.<br />
Radio and television stations in<br />
Oshkosh. Fond du Lac, Green Bay and Appleton<br />
were also tied in with the premiere activities<br />
which started on Saturday i9i with<br />
the selection of the "premiere queen" on the<br />
stage of the Raulf Theatre and a world championship<br />
turkey shoot at Eureka on Sunday.<br />
The stars visited various towns in the premiere<br />
area and participated in a round of<br />
civic events, climaxing with their appearance<br />
at the Raulf Theatre Wednesday night. The<br />
Wisconsin radio network carried the proceedings.<br />
Other events included a world<br />
championship pie baking contest, a square<br />
dance jamboree, a coke and autograph party<br />
and a series of civic luncheons and dinners.<br />
Vernon Thomson, governor of Wisconsin,<br />
and local dignitaries took part. Proclamations<br />
were issued by both the governor and<br />
Charles J. Fiss, president of the Oshkosh city<br />
council.<br />
A total of 2.787 radio announcements were<br />
used through tlie state to help promote the<br />
premiere, and all of Marcus theatres in the<br />
state aided thi'ough special trailers and other<br />
material. Local newspapers cooperated.<br />
The Wisconsin kickoff is in advance of the<br />
national release of the picture, which is<br />
scheduled for January release.<br />
Northwest Variety Elects<br />
Board of Directors<br />
MINNEAPOLIS — The Northwest Variety<br />
club has chosen its 1958 board of directors<br />
which will name a new chief barker to succeed<br />
Sim Heller, who has held the post for<br />
two terms. Re-elected to the board were Joe<br />
Podoloff. Gilbert Nathanson, Eddie Schwartz,<br />
Tom Burke, Charlie Winchell, Ted Mann and<br />
Ralph Pielow. New directors are Abe Kaplan,<br />
Don Swartz and Herb Buschman.<br />
As alternates to the next Variety convention<br />
in London next year, LeRoy J. Miller and<br />
Podoloff were selected.<br />
Present membership is 290, the largest that<br />
it ever has been. Heller announced.<br />
L. E. Davidson Managing<br />
Davenport, Iowa House<br />
DAVENPORT, IOWA— L.<br />
E. Davidson, formerly<br />
of Sioux City, has taken over his duties<br />
as the new manager of the Esquire Theatre.<br />
His appointment was announced by William<br />
Haver, Quad-City manager of Ti-i-States.<br />
David.son was city manager for Tri-States<br />
Theatres in Sioux City for 15 years. He also<br />
was a city manager in Des Moines and Cedar<br />
Rapids. He succeeds Wally Hoffman.<br />
Honor Boothman, Now IA Official<br />
Shown at the testimonial dinner given to Glenn Kalkhoff. recently named I.ATSE<br />
representative, are left to right: Kalkiioff, his wife, Harold J. Fitzgerald, and Oscar<br />
Olson and wife.<br />
MILWAUKEE—More than 250<br />
representatives<br />
from the motion picture industry, labor<br />
management and the city attended a testimonial<br />
dinner given Wednesday last week for<br />
Glenn C. Kalkhoff, who has been elected an<br />
lATSE representative. Kalkiioff, who started<br />
running motion picture machines at St.<br />
John's Cathedral when he was in high school,<br />
was in the Warner Theatre booth many years,<br />
and is secretary-treasurer of lA division 9<br />
and president of the Wisconsin lA. He was<br />
president of Local 164 more than 25 years.<br />
Mr. Show Business himself, Harold J. Fitzgerald<br />
served as chairman and toastmaster.<br />
"I can remember away back to our days at<br />
the old 'Institute of Learning,' the Toy building,<br />
where on the night in question, some of<br />
the boys were down on their knees shooting<br />
craps," he said. "Somehow, Kalkhoff got into<br />
the game with three dice. Well, naturally a<br />
discussion followed over allowing him to shoot.<br />
Until one of the gang yelled, 'Let him shoot,<br />
his point is 15 anyway!'"<br />
Mayor Frank Zeidler: "One of the things<br />
Local 164 has in its favor, is the upholding<br />
of dignity and good relations between the city<br />
and the exhibitors. Milwaukee is always proud<br />
when we find some of our people brought<br />
into the international limelight, as has Glenn<br />
here."<br />
Andy Spheeris took the opportunity to get<br />
in a few plugs for the Epilepsy Foundation<br />
sponsored by the Variety Club, of which he<br />
is chief barker.<br />
Ben Marcus: "In this age of Sputnik, Futnik<br />
and Mutnik . a PHD attached to<br />
it. we here in Wisconsin can be proud of the<br />
leadership we have representing us. We are<br />
fortunate to have such men as George Haberman,<br />
Oscar Olson, and Kalkhoff, and I know<br />
from personal experience."<br />
Ray Taylor, editor of the Milwaukee Labor<br />
Press, described the testimonial as "living<br />
proof unions and employers can work together<br />
for the mutual benefit of both."<br />
Harry Mintz. Warner Theatre Management<br />
Corp.: William Rubin, 84-year-oId lawyer:<br />
Robert Hanson, judge of the district court,<br />
and Oscar Olson of Local 164, who initiated<br />
tlie party, also spoke.<br />
Richard F. Walsh, lATSE president, said<br />
Kalkhoff's job is<br />
to get better w'orking conditions,<br />
better hours and solidify the spirit of<br />
understanding.<br />
"In appointing Kalkhoff," he asserted, "I<br />
have placed the Milwaukeean in a fish bowl<br />
for the world to look at, for he is the kind<br />
of man who can withstand such viewing. The<br />
labor movement has come of age, and we<br />
must be responsible for our acts. Critics of<br />
labor criticize the whole labor movement,<br />
when one man does wrong.<br />
Kalkiioff acknowledged the praise and tributes<br />
in a manner which illustrated why he<br />
had been chosen for international duties.<br />
"You are the people who have contributed to<br />
what success I have attained," he concluded.<br />
A little skit and some horseplay on stage<br />
followed.<br />
Responsible for the success of the dinner<br />
were:<br />
Harold J. Fitzgerald<br />
W. V. Geehon<br />
V. T, Touchett<br />
Oicor E, Olson<br />
George A. Haberman<br />
L. F. Gron<br />
Arnold W. Brumm<br />
Volmor Dahlstrand<br />
Andy Spheeris<br />
Ray Taylor<br />
Dean Fitzgerald<br />
Horold Pearson<br />
Al P. Fronk<br />
Horry Mintz<br />
Jock Lorentz<br />
Jack Schuyler<br />
Jack Shonberg<br />
Al D. Kvool<br />
Ben Morcus<br />
Clifford Lorbeck<br />
More '80 Days' Bookings<br />
OMAHA—D. V. McLucas, United 4rtists<br />
manager, annoimced that "Around the World<br />
in 80 Days" will open at the Varsity in Lincoln<br />
and the Holiday in Sioux City, Iowa Christmas<br />
Day for two-week runs. The picture is in<br />
its 12th week at the Admiral Theatre in<br />
Omaha and owner Ralph Blank reports<br />
grosses still are well above average.<br />
The story of United Artists "China Doll"<br />
has a World War II Kunming, China, background.<br />
BOXOFFICE November 16, 1957 NC-1
. . . Robert<br />
Deluxer, Reopening With New Look,<br />
Serves Cappuccino to<br />
MINNEAPOLIS—Reopening with its new<br />
look after many improvements and beautifications,<br />
Harold Field's de luxe St. Louis Park,<br />
neighborhood theatre, is introducing something<br />
new in free beverage refreshment for<br />
patrons.<br />
With several other uptown showhouses<br />
serving coffee gratis to patrons, Fields instead<br />
is serving as a hot beverage cappuccino,<br />
a drink that originated in San Francisco<br />
and is popular there.<br />
It's a mixture of coffee, chocolate and rum,<br />
but at the St. Louis Park the alcoholic liquor<br />
is being omitted. In order to hit upon a delectable<br />
beverage without it. Field says he<br />
tried 42 different combinations, with relatives<br />
and friends testing the experiments for weeks<br />
until he achieved the right one.<br />
Cappuccino, a variation of Irish coffee, gets<br />
its name from its color—the same as that of<br />
the Capuchin monks' habit. Field believes<br />
that his theatre may be the only one anywhere<br />
serving cappuccino.<br />
In its ads for its reopening, the St. Louis<br />
OMAHA<br />
pat Halloran, chief barker of Tent 16. reports<br />
tickets have been sent out to members<br />
for the Christmas party which will be<br />
sponsored by the Variety Club at the Paxton<br />
Hotel December 16. "There will be music by<br />
Jack Ross' orchestra, probably a few local<br />
acts and ijositively no speeches or business,"<br />
Halloran said. Sam Stern and Mort Ives are<br />
co-chairmen of the ticket committee for the<br />
party, which is being promoted as an all-<br />
Omaha affair.<br />
Mr. and Mrs. S.<br />
M. Johnson are reopening<br />
the Strand at Newman Grove, closed for about<br />
a year. The former owner was F. Swerezek<br />
Talley of the Des Moines Orpheum<br />
Patrons!<br />
Park, which is in the earliest 28-day clearance<br />
slot, promised "a newly modernized de<br />
luxe suburban theatre, smoking in loge seats<br />
which are properly ventilated, a huge lighted<br />
free parking area, the largest, brightest, clearest<br />
picture and personalized service through<br />
owner operation."<br />
The ads also told "the story of the stunning<br />
new look" as follows:<br />
"Amid brilliant though intimate surroundings<br />
you experience a completely different<br />
sensation of comfort and convenience. See<br />
the newest use of materials, the newest concept<br />
of furniture and decor by outstanding<br />
designers of Italy, Prance, Denmark. India.<br />
Japan and America—the newest color combinations—a<br />
completely new and stunning<br />
place of entertainment.<br />
"These appointments, together with every<br />
proven technical advance in motion picture<br />
projection, make the St. Louis Park Theatre<br />
THE theatre to attend to make your moviegoing<br />
'something special.' And all of this<br />
only a few moments from your home!"
THESE ANNOUNCEMENTS REVEAL<br />
VITAL<br />
FACTS ABOUT<br />
-Vhe '^*'"<br />
Otio"<br />
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Headlines and illustrations from feature<br />
stories, Motion Picture Herald, June 8,1957<br />
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The choice is CENTURY, whether it be horizontal<br />
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THE BEST TEST, you've got to try it to believe it!<br />
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SOLD BY<br />
Quality Theatre Supply Co.<br />
15t5 Davenport S(.<br />
Omoha, Nebraska<br />
Des Moines Theatre Supply Co.<br />
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Minneapolis Theatre Supply Co.<br />
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BOXOFFICE :: November 16, 1957 NC-3
DBS MOINES<br />
Dalph Granados, night custodian at the<br />
Capitol Theatre in Davenport, made one<br />
theatre customer very happy last week. A<br />
tt'orried Lincolnwood, 111., man. Mat Forman,<br />
told police he lost a wallet containing about<br />
S3.000 in cash, checks and airline tickets and<br />
'*:.
All Tent 18 Officers<br />
Re-£lected for 1958<br />
DAYTON, OHIO—Walter Beachler. president<br />
of United Fireworks Manufacturing Co.,
. . . Elaine<br />
Cleveland—Tower<br />
and<br />
CLEVELAND<br />
K nnouncement was made this week, of the<br />
engagement of Dr. Alan Sogg, son of<br />
MGM Manager Jack and Mrs. Sogg, to Judy<br />
Kline of Haverlon, Pa. Dr. Sogg, who was<br />
graduated last June from the University of<br />
Cincinnati medical school, is serving his internship<br />
in Philadelphia General Hospital<br />
. . . Sylvester "Sly" Pierce, manager of the<br />
Berea Theatre, Berea, was elected councilman-at-large<br />
for Berea in last week's election.<br />
This is his first elective office in the political<br />
field, having previously been active in the<br />
local Chamber of Commerce.<br />
. . . Bill Powelson,<br />
Leon Enkin, president of the Robin.s<br />
Amusement Co. of Warren, was among the<br />
exhibitors attending the trade screening of<br />
"Sayonara" Monday (4) at the Colony Theatre<br />
Carl Petrella, a newcomer in the<br />
. . . exhibition field, is reopening the Bell Theatre,<br />
Campbell. The house has been closed<br />
man-<br />
more than a year<br />
Reseating and<br />
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BIG COMBINATIONS<br />
COME FROM<br />
Allied Film Exchange Imperial Pictures<br />
2310 Cass Ave.<br />
2108 Poyne Ave.<br />
Detroit, Mich.<br />
Cleveland, Ohio<br />
ager of the Grand Theatre, Steubenville, offered<br />
free sedatives to pations attending his<br />
showing of "The Abominable Snowman."<br />
Every patron, on entering the theatre, received<br />
a small envelope containing one aspirin<br />
tablet. Imprinted on one side of the envelope<br />
was; "Here is one aspirin to calm your nerves<br />
when you dare to see 'The Abominable Snowman.'<br />
" The other side of the envelope staled<br />
the aspirin was provided through the<br />
courtesy of the Peoples drug store." The<br />
stunt helped put the picture over.<br />
Allied Artists had a large float on the<br />
downtown streets advertising "The Hunchoack<br />
01 Notre Dame," current attraction at<br />
cue Allen Theatre. It has been many years<br />
since tins stunt has been used in Cleveland<br />
Bernstein, Allied Artists cashier,<br />
. . George<br />
iinauy letl lor her vacation in New York.<br />
Scheauled to take place last month, and so<br />
rtporied, it was postponed until this weekend.<br />
She will be away two weeks .<br />
Mills of the Associated Theatres circuit auditing<br />
department left for a two-week visit with<br />
his daughter and family in Glendaie. Calif,<br />
iiiey are tlie oniy ones of six daughters and<br />
^6 grandchildren who do not live in Cleveland.<br />
Jerry Safron, Columbia manager, has set<br />
"Pal Joey" in lour territorial sjxjts for Thanksgiving.<br />
They are the Rivoli, Toledo; Loew's,<br />
Akron; Palace, Canton, and Palace, Youngstown.<br />
"Pal Joey" is currently playing to<br />
packed houses at the Hippodrome at $1.50<br />
top . . . Danny Kosenthal, UA manager and<br />
Variety Club chief barker, was in Toledo for<br />
the opening of "Ai-ound the World in 80<br />
Days" at the Princess . . . Robert Wagner,<br />
motion picture star, was in town Friday i,8i<br />
to promote his newest release, "Stopover<br />
Tokyo."<br />
. . .<br />
Visitors on Filmrow included Jack Haynes,<br />
United Detroit Theatres, Detroit; Otto Ebert<br />
of the J. Arthur- Rank Organization; Leo<br />
Jones, Upper Sandusky; Helene Ballin. Schenley<br />
Theatre, Youngstow^n, looking a little the<br />
worse after a battle with flu; Steve and Mrs.<br />
Poster, Uptown, Youngstown The Embassy<br />
Theatre, a newcomer to the ranks of<br />
local first-run downtown houses, will have<br />
"April Love" as its Thanksgiving attraction<br />
. . . Arthur Goldsmith, DCA manager, closed<br />
deals to inaugurate the showing of some foreign<br />
films at the Highland Theatre, Akron,<br />
and the Ceramic, East Liverpool. They will<br />
show "Scandal in Sorrento" and "Loser Takes<br />
All" in November, with others to follow after<br />
the first of the year.<br />
Exploits Gridiron Scores<br />
HARTFORD—Russ BiuTCtt. Stanley Warner<br />
Capitol, Willimantic, planted a sports-score<br />
guessing contest in the Willimantic Chronicle<br />
ahead of AA's "Portland Expose." with guest<br />
tickets going to first six entries picking nearest<br />
correct scores of the approaching Saturday's<br />
top regional football games.<br />
.<br />
Park Theatre Closed<br />
At Cleveland Sunday<br />
CLEVELAND—The 3.200-seai Park Theatre<br />
here was closed for good Sunday 1 10 1<br />
Known as one of the de luxe motion picture<br />
houses of the country when it was built in<br />
1919, it was owned and operated by the Loew<br />
circuit until Nov. 1, 1954. It was one of the<br />
houses involved in the Loew divestment proceedings.<br />
On Nov. 1. 1954, it was purchased<br />
by Associated Theatres circuit of Cleveland,<br />
and for three years the new owners struggled<br />
unsuccessfully to operate it profitably<br />
against such heavy odds as excessive overhead<br />
costs and a changing neighborhood.<br />
At one time five theatres were running full<br />
time and playing to full attendance in the<br />
Euclid Avenue East 105th Street area. They<br />
were the Pajk. Circle, Alhambra, Keith's<br />
105th and University. The Circle is now open<br />
on Saturday and Sunday only, playing hillbilly<br />
and stage shows each on a one-day basis.<br />
It is operated by Manny Stutz. The Alhambra.<br />
owned by Lester Cowan, ha,s never faltered<br />
in its daily operation of showing motion<br />
pictures. Keith's 105th was formerly an<br />
RKO theatre, but when the lease expired several<br />
years ago. RKO failed to renew it. It is<br />
currently operated by Jack Silverthorne. manager<br />
of the Hippodrome Theatre, playing<br />
double features, many first runs as part of<br />
a multiple run. The University, a Community<br />
circuit house, caters to Western Reserve and<br />
Case Institute of Technology students.<br />
What will become of the Park Theatre<br />
property has not been determined. It is<br />
rumored that the Euclid avenue entrance and<br />
be converted into a store room and<br />
foyer will<br />
the auditorium area, facing East 101st street,<br />
will be used as a parking lot.<br />
Lou Herget, 51, Stricken<br />
CLEVELAND — Lou Herget, 51, formerly<br />
with the Loew theatre circuit as assistant<br />
manager at the State and manager of the<br />
Park, died at his home in Cleveland Heights.<br />
After leaving the Loew organization, Herget<br />
was successively manager of BUly Rose' Acquacade<br />
at the Great Lakes Exposition, manager<br />
of the Arena and business manger of<br />
the Cleveland Rams. At the time of his death,<br />
he was managing director of the Ohio division<br />
of the American Cancer Society. Surviving<br />
aj-e his wife and son James Patrick.<br />
Saturday Discount Policy<br />
NEW HAVEN— Ernie Grecula. State Theatre,<br />
Torrington, has a new discount price<br />
policy in effect for Saturday matinees, with<br />
adults charged 35 cents and children 20 cents<br />
to 4<br />
p.m.<br />
Chailes Watts, who plays a small- town big<br />
sliol in Warners' "Onionhead." was most<br />
recently seen in "Giant " "The Spirit of<br />
St.<br />
Louis."<br />
JlonnaAM^<br />
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OHIO THEATRE SUPPLY Co., Cleveland— Prospect 1-6545<br />
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BOXOFFICE November 16, 1957
THESE ANNOUNCEMENTS REVEAL<br />
VITAL FACTS ABOUT<br />
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Headlines and illustrations from feature<br />
stories, Motion Picture Herald, June 8,1957<br />
These news stories are proof again, fhot the mosT<br />
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The choice is CENTURY, whether it be horizontal<br />
VistaVision for the Williamsburg auditoriums or<br />
the double installation for the All-Weather Drive-In<br />
or any other theatre or drive-in.<br />
THE BEST TEST, you've got to try it to believe it!<br />
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Century Projector Corporation, new york 19, n. y.<br />
SOLD BY<br />
Oliver Theatre Supply Inc. Ernie Forbes Theatre Supply Mid-West Theatre Supply Inc.<br />
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Cleveland 14, Ohio<br />
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Detroit 1, Michigan<br />
1638 Central Parkway<br />
Cincinnati 10, Ohio<br />
Hadden Theatre Supply Co.<br />
209 South Third St.<br />
Louisville 2, Kentucky<br />
Theatre Equipment Co.<br />
1206 Cherry Street<br />
Toledo 2, Ohio<br />
BOXOFFICE :: November 16, 1957 ME-3
. . . Jack<br />
. .<br />
. . George<br />
. . Irving<br />
. . Emmett<br />
. . Thaddeus<br />
DETROIT<br />
. . Bert<br />
lyforrie VVeinstein reports that "Around the<br />
World in 80 Days" did terrific business<br />
in the first two weeks of a probable record<br />
run at the Majestic Theatre. Grand Rapids<br />
Sturm of 20th-Fox is planning a<br />
deer hunting trip around Onaway .<br />
Holmes, Republic office manager, vacationed<br />
by visiting his son. who is with the Army in<br />
Virginia . . . Rene Germani of the Majestic,<br />
Monroe, says his hunting trips will be confined<br />
to hunting pictures . . . S. N. Cohen,<br />
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. . .<br />
proprietor of the Film building, was in New<br />
York on a business trip Roche<br />
.<br />
has shifted the Hart Theatre. Hart, to two<br />
changes a week, closing on Wednesdays, reports<br />
Tim Cleary of 20th-Fox.<br />
Bill Clark reports the closing of the Gem-<br />
Cinema at Saginaw, recently reopened by<br />
Ramon Gariboy The Grand Theatre at<br />
Grandville also has been closed, to be dismantled<br />
for other purposes. The house was<br />
owned by Howard Sturgess. of a well-known<br />
Michigan show family "Ted"<br />
.<br />
Szypulski of the Conant Theatre in Aamtramck<br />
was called to Chicago by a death in<br />
the family .<br />
Sochin, RFDA general<br />
sales manager, was in town for a confab on<br />
forthcoming product with Otto Ebert. regional<br />
manager.<br />
.<br />
Milton Jacobson. owner of the Stone and<br />
Monroe theatres, is planning a year-end visit<br />
Joe Baringhaus. Warner<br />
to the west coast . . .<br />
manager, was host at a trade screening of<br />
-Sayonara" at the World Theatre<br />
dred Thomson, fonner cashier at<br />
. . Mil-<br />
RKO. is<br />
the new secretary to Bill Clark of Clark Theatre<br />
Service, succeeding Lillian Prevorro. who<br />
resigned because of planned extensive dental<br />
work .<br />
Rossman. booker for Clark.<br />
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It's PAUl FIELD for
"<br />
Geo. Skouras Dubbed<br />
Knight of Charily<br />
DETROIT—It's correctly Sir George P.<br />
Skouras now. The dynamic president of<br />
United Artists Theatre Corp. and Magna Theatre<br />
Corp.. and member of the trio of famous<br />
brothers of the film industry, was awarded<br />
the title of Knight of Charity in a testimonial<br />
dinner at the Sheraton-Cadillac Hotel here<br />
by the Friends of the Missionaries of Saints<br />
Peter and Paul.<br />
This is an annual honor bestowed upon<br />
one person only each year and is designed<br />
to recognize "unison in family life with person-to-person<br />
charity." Skouras' work in<br />
Greek relief and in combatting juvenile delinquency<br />
through extensive charity projects<br />
was the special basis for this high honor.<br />
National headquarters of the Friends of the<br />
Missionaries have been in Detroit since 1947.<br />
Active in the society and the presentation<br />
were: Mrs. Arthur D. Kerwin. president of<br />
the auxiliary and past president of the Detroit<br />
Motion Picture Council: Frank Upton,<br />
midwest division manager of Cinerama, who<br />
was on the banquet committee, and William<br />
H. Green, midwest director of advertising<br />
and exploitation for Cinerama, who actively<br />
assisted on the publicity.<br />
Film Council of Detroit<br />
Issues New Yearbook<br />
DETROIT—The Greater Detroit Motion<br />
Picture Council has issued its 1957-58 yearbook,<br />
a 32-page directory of local motion picture<br />
interests from the consumer standpoint.<br />
Distribution is being made through Mrs.<br />
Ernest Valentine, publicity chairman.<br />
A special in-memoriam tribute is given in<br />
the front of the book to Albert E. Cobo, late<br />
mayor of Detroit w'ho served as honorary<br />
president of the council, and to Mrs. Alice N.<br />
Gorham, director of advertising and exploitation<br />
for United Detroit Theatres, who died<br />
September 18.<br />
Preview of coming meetings is given in the<br />
yearbook for the first time. On December 6,<br />
the Fox Theatre will be host to a special<br />
Christmas party, with a special welcome by<br />
Managing Director Bob Bothwell and the<br />
preview of a recent film.<br />
On January 3, Sol Krim, owner-manager of<br />
the Krim Theatre in Highland Park, is to<br />
speak on foreign film developments. On<br />
March 7, Milton H. London, president of<br />
Allied Theatres of Michigan, is to speak upon<br />
"The Theatre Owner and the Community."<br />
On April 4 at the annual meeting, William<br />
Cornell, special press representative for the<br />
industry, is to speak on films as "A Vital<br />
Force for Today." At the closing luncheon<br />
meeting on May 2, William Cadmus, manager<br />
of the Redford Theatre for Community<br />
Theatres, will speak upon "Cooperating with<br />
the Community."<br />
Buys at Augusta, Ky.<br />
AUGUSTA, KY.—George Fields of Bethel.<br />
Ohio, has purchased the Odeon Theatre here,<br />
which has been closed since the 1955 flood,<br />
and is renovating the house for reopening.<br />
Fields managed the Odeon for H. T. Gooding<br />
from 1949 to 1952. when Mrs. Anna German,<br />
a relative of Gooding, took over. The<br />
Odeon was originally built by Capt. Roy<br />
Edgington, river pilot, and his wife Anna, and<br />
later reconstructed by Mrs. Edgington and<br />
daughter Mrs. J. E. Smith.<br />
Manager W.F. Brown Finds Answers<br />
To Teenage Disciplinary Problems<br />
BOSTON—William F. Brown has been<br />
bucking teenage disciplinary problems for 20<br />
years at the Park Theatre, Worcester, which<br />
he manages for owmer Kenneth Forkey, and<br />
he has come up with some answers which<br />
have worked well at his neighborhood house.<br />
First, he believes that young people should<br />
be treated as adults and should be appealed<br />
to on those terms. Along that line, he has<br />
discovered that school children resent the<br />
word "teenager" and he always refers to<br />
them as "young people."<br />
"The word 'teenager' has come to denote<br />
an unruly or delinquent child and that's why<br />
I never use that tei-m to them," Brown<br />
explained.<br />
Secondly, he believes that strong disciplinary<br />
measures should be in effect at all<br />
times when these children are in the theatre.<br />
"Constant patroling is es.sential and no<br />
manager can afford to .sit in his office while<br />
the youngsters are watching the show," he<br />
said.<br />
Brown also believes that .since World War<br />
II there has been a sharp drop off of home<br />
disciplinary measures.<br />
"Only at school or at church are the.se<br />
children told what to do or what not to do.<br />
When they enter a theatre they think they<br />
can do as they please with no consideration<br />
for others. This is a point that I explain to<br />
them in detail," he said.<br />
Friday evenings and Sunday matinees are<br />
the most popular times for teenage patronage<br />
and Brown tries to book family entertainment<br />
films. Often the film is too slow<br />
for them and they become restless.<br />
"To combat this," said Brown, "I patrol<br />
the theatre constantly, along with my cashier,<br />
Pauline Burns, who has been with us<br />
for 18 years. She knows the names of many<br />
of the children and they respect her as<br />
much as they do me. Usually the troublemakers<br />
come in groups of four or more and<br />
they .sit together. They are apt to become<br />
silly and noisy. First we warn them to keep<br />
Unique Quarters Occupied<br />
By Chas. N. Agree Firm<br />
DETROIT—Charles N. Agree, Inc., 38-yearold<br />
architectural firm which has designed<br />
many of the leading theatres in this ai-ea,<br />
is moving from the downtown Book Building<br />
to a new specially-designed building in the<br />
northwest section at 14330 West McNichols<br />
Rd. The firm is headed by Charles N. Agree,<br />
the founder and president: his son, A. Arnold<br />
Agree, vice-president and secretary, and ESigene<br />
W. Mitton, treasurer.<br />
In addition to housing the executive offices<br />
and drafting rooms, the new building<br />
has been designed to serve as a virtual showcase<br />
of modern construction and architectural<br />
ideas, well adapted for the display and comparison<br />
of treatments suitable for theatre<br />
construction and remodeling. Decorative as<br />
well as construction materials are utilized in<br />
this functional showcase.<br />
There are over 15 room areas each utilizing<br />
a different type of floor treatment, wall<br />
covering, and ceiling design.<br />
"Vinyls, fiberglas, grained woods, cloth,<br />
cork, mineral and chemical composites are<br />
quiet but, if they persist, they are asked to<br />
step into the lobby. 'It's kids like you that<br />
give teenagers a bad name,' I tell them.<br />
'Now I have given you fair warning, so out<br />
you go. And no money will be refunded to<br />
you unless you bring back one of your parents.<br />
Then I will give them the refund. We<br />
cannot afford to have noisy young people in<br />
this theatre that disturb the show for<br />
others.'<br />
In his 20 years of managing the Park<br />
Theatre. Brown has had to make only one<br />
arrest. It was for two boys who were found<br />
equally at fault when brought into court. In<br />
some instances, children have been ejected<br />
and barred from the theatre for two weeks<br />
or a month, depending on the seriousness<br />
of their misdemeanors. They are always<br />
given another chance.<br />
"Not long ago we were playing 'Oklahoma!'<br />
on a Sunday matinee with an unu.sually good<br />
adult audience, along with the regular teenagers,"<br />
Brown said. "Four boys came in together<br />
and sat down front. When they purchased<br />
their tickets, they were warned to be<br />
quiet. After the first 20 minutes they became<br />
restless and started their noisy tactics. I<br />
walked dow-n to them and warned them<br />
again.<br />
" 'It is evident,' I told them, "that you<br />
are not interested in this picture. Let me<br />
tell you that the film is just like this all<br />
the way through for another hour and a<br />
half. Make up your own minds now whether<br />
you will stay and sit here quietly or leave<br />
so the others can enjoy the film without<br />
being disturbed.'<br />
"I walked back into the lobby and in about<br />
ten minutes the four boys walked out of the<br />
theatre. I called them back. First, I complimented<br />
them on their good judgment. Next, I<br />
explained that we as theatre people were<br />
not just interested in their 60 cents at the<br />
boxoffice. I gave them four courtesy passes<br />
for another show. I might add here that the<br />
four passes were used at the next change."<br />
combined in dozens of colors to make each<br />
area a complete visual unit," said A. Arnold<br />
Agree.<br />
Visitors can inspect more than 15 different<br />
types of lighting arrangements and controls<br />
in use. A feature of special importance is in<br />
the paneled conference room, where the intensity<br />
of a large bank of concealed overhead<br />
fluorescent lights can be dial-controlled by<br />
the client, in order to select the foot-candle<br />
intensity of light desired for the theatre or<br />
other structure, making this a segment of an<br />
"architectural laboratory."<br />
Contracts Eight Pictures<br />
DETROIT—Jack Zide, head of<br />
Allied Film<br />
exchange, Detroit, and Imperial Pictures,<br />
Cleveland, returned from a two-week trip to<br />
New York, including attendance at the Allied<br />
Theatres convention. On this trip, Zide made<br />
deals for distributing eight additional features<br />
in his territories. He closed a deal with<br />
Visual Drama for "Guns Don't Argue," with<br />
Patric Pictures for "Walk Into Hell" and with<br />
Tudor Pictures for a series of six new releases.<br />
BOXOmCE November 16. 1957 ME-5
. . Mrs.<br />
. . Screen<br />
!<br />
. . The<br />
. . Jack<br />
. . William<br />
. . Lou<br />
COLUMBUS<br />
Jerry Knight has taken over the former Indianola.<br />
north side neighborhood recently<br />
operated by Frank Marzetti, and renamed it<br />
the Fox. The theatre, which will play first<br />
runs and art features, opened November 13<br />
with "Garden of Eden" Frances C.<br />
.<br />
Kidd. 61, former member of the Columbus<br />
Motion Picture Council, died . . . Betty Park,<br />
17-year-old senior at Dublin High School,<br />
won the Pat Boone contest sponsored by the<br />
Columbus Dispatch and 20th-Fox. Betty and<br />
her mother flew to New York for the premiere<br />
of "April L/Ove" at the Roxy.<br />
Total attendance during the 1957 summer<br />
strawhat sea.son of Playhouse-on-the-Green<br />
in suburban Worthington was 31,554, a gain<br />
of over 4,000 over the previous year. Average<br />
weekly attendance was 2,869 players<br />
Edward G. Robinson and Mona Freeman<br />
.<br />
are due in person at the Hartman in "The<br />
Middle of the Night" starting November 25<br />
. . . Walter Pidgeon appeared at the Hartman<br />
recently in "The Happiest Millionaire."<br />
Theatre Woman Killed<br />
WILLISTON, N. C.—Mrs. Kathleen Hawley<br />
Dobson Garber, who was killed in an automobile<br />
accident recently, is survived by her<br />
husband Sam; a daughter, Mrs. Robert C.<br />
Hams, Barnwell. N. C: a son, James F. Dobson<br />
jr., Payetteville, and two sisters and three<br />
brothers. Mrs. Garber operated a drive-in<br />
and an indoor theatre here.<br />
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CHICAGO<br />
NEW YORK<br />
ITO of Ohio to Convene<br />
In Columbus Dec. 3, 4<br />
Columbus—The two-day convention of<br />
the Independent Theatre Owners of<br />
Ohio will open at noon December 3 at<br />
the Fort Hayes Hot«*l here, according to<br />
William Carroll, newly appointed executive<br />
secretary. The 2ind annual meeting<br />
will conclude with a final business session<br />
December 3. adjourning at 4 p.m.<br />
Preconvention meeting of the ITOO board<br />
of directors will be held December 2.<br />
Carroll said the subjects to be discussed<br />
at the business sessions will include<br />
business building, telemovies, new<br />
equipment, film rentals, availabilities,<br />
concession profits and theatre policies.<br />
Fourih Arl Theatre<br />
To Bow in Cleveland<br />
CLEVELAND—This city's fourth art theatre<br />
will debut Tlianksgiving Day. when the<br />
Cedar-Lee, conventional neighborhood house<br />
at 2613 Lee Rd.. Cleveland Heights, goes into<br />
an art policy, playing day and dat€ with the<br />
Lower Mall. "Perri" will be the first picture<br />
shown under the new policy.<br />
Since 1954, when Louis Sher and Ed Shulman,<br />
Columbus art theatre operators, leased<br />
the Heights Theatre here for an art operation,<br />
a total of three such theatres has been<br />
placed into operation here. The Heights Art.<br />
of course, was the first, then the Lower Mall<br />
downtown, and more recently the Mayfield<br />
Art. which opened about a month ago.<br />
But that isn't all. It is reported that the<br />
owners of the Heights Art are negotiating<br />
for another theatre, this one in East Cleveland,<br />
to add to their art chain. This would<br />
bring to five the number of fulltime art<br />
houses.<br />
In addition, there is a growing number of<br />
parttime art houses. Exhibitors report they<br />
have brought dead midweeks back to life with<br />
foreign pictures in such theatres as the<br />
Poster, Youngstown: ClaZell, Bowling Green:<br />
LvTic. Finlay: Ohio. Steubenville; Apolla.<br />
Oberlin; Park. North Canton; Willow. Independence:<br />
Ceramic, East Liverpool: Highland,<br />
Akron, and Westwood, Toledo. Locally, the<br />
Pairmount, Mayland and Detroit ,spot foreign<br />
pictures occasionally and find British pictures<br />
particularly welcome.<br />
Screen Festival Will Aid<br />
Variety Charity Camp<br />
CLE^VELAND—Variety Club of Cleveland<br />
sponsored a screen festival in 32 neighborhood<br />
theatres Saturday (16> at 10 a.m. for<br />
the benefit of its charity project. Camp Ho-<br />
Mita-Koda, a camp for diabetic children at<br />
Newbury, Ohio. Admission price was 40<br />
cents for the three-hour show, and all proceeds<br />
will go to the camp. The film used at<br />
the 32 theatres was donated by the distiibutors.<br />
Exhibitors contributed the use of their<br />
theatres. Theatre employes, motion picture<br />
operators and stagehands donated their services.<br />
Danny Rosenthal. United Artists manager,<br />
is chief barker of the 'Variety Club.<br />
Reopens at Lake Wales<br />
LAKE WALES, FLA.—The Wales Drivein,<br />
closed for two years, will reopen this<br />
month with Skeets Tally as manager.<br />
CINCINNATI<br />
Joel Golden, former Cincinnatian now representing<br />
Continental Pictures, was in the<br />
city calling on theatremen and visiting<br />
friends on the Row . Onie of the<br />
Oxford Amu.sement Co. was at home convalescing<br />
from recent surgeiy . . . Irving<br />
Tombach. WB exploitation representative, entered<br />
Jewish Hospital for a check-up and<br />
minor surgery.<br />
. . The<br />
Murray Baker, DCA manager, was in Indianapolis<br />
making theatre contacts .<br />
local 20th-Fox office was expecting a visit<br />
this week by Tom McCleaster, district manager<br />
. screening of "Sayonara,"<br />
Warner Bros, picture starring Marlon Brando,<br />
at the Esquire Theatre Monday i4) wa,s well<br />
attended. Many favorable comments were<br />
heard, particularly about the acting and the<br />
beauty of the production.<br />
Mrs. Julia Simon, Village Theatre. Charleston.<br />
W. Va.. made the rounds of the exchanges,<br />
as did George B. Lively, Huntington,<br />
W. Va.: Zeke Pappas. Dayton; John Carey,<br />
Wheelersburg; Robert Harrell, Cleves; Mike<br />
Chakeres and Wally Allen, Springfield. Jack<br />
Needham, Columbus, celebrated his birthday<br />
Tuesday i5). on which day he was a visitor<br />
on the Row.<br />
.<br />
. . .<br />
Mary Alice Horgan, former Paramount picture<br />
report clerk, visited the local office and<br />
informed her former co-workers of her engagement<br />
to Fi-ank Pi'azynskl. the wedding<br />
date to be May 3 Korte, 20th-Pox<br />
Kentucky salesman, became a father again<br />
October 31. It was the third boy for<br />
Margaret<br />
the<br />
Kortes. The other two are twins<br />
Begley has joined the office staff of<br />
Ti-i-State Theatre Service, replacing Mary<br />
Anne Bonno. who resigned.<br />
Four of the larger Dayton drive-ins are<br />
equipped with in-car heaters and will remain<br />
open the entire year. These are the<br />
Belmont Auto, owned by Max Millbauer;<br />
Sherwood and Dixie drive-ins, owned by<br />
Levin Bros., and the North Star, managed by<br />
Gene Chambers . Wells, who with his<br />
father Roy operated the St. Paul Theatre,<br />
Dayton, until its recent closing, is now completely<br />
out of show business and in a new<br />
enterprise. Jack is a sales representative,<br />
traveling all over the country to call on Air<br />
Force procurement offices.<br />
Mori Perlman, Columbia city salesman, accompanied<br />
Charles Palmer, West Virginia<br />
salesman, to that territory last week and<br />
visited the Newbold<br />
UA divi-sion<br />
circuit . . . Milton Cohen,<br />
manager, and Sid Cooper, district<br />
manager, spent a couple of days in the<br />
local office conferring with Manager Jack<br />
Finberg and sales manager Ross Williams<br />
. . . Mrs. Fanny Voss. head inspector for<br />
Paramount, returned to her desk Monday (4),<br />
She had been convalescing at home following<br />
minor surgery at a hospital.<br />
Remodeled Capitol Open<br />
With Spanish Pictures<br />
DALL-^iS—Trans-Texas Theatres postponed<br />
the reopening of its dowaitown Capitol here<br />
until Thursday (14i because of delays in<br />
completing the extensive remodeling of the<br />
house. Its new policy will be straight Spanishlanguage<br />
attractions and will mark it as the<br />
first such operation in the historj- of downtown<br />
Dallas.<br />
ME-G BOXOFFICE November 16, 1957
1 171,<br />
schedule<br />
—,<br />
Oklahoma UTO Asks<br />
More Color Pictures<br />
OKLAHOMA CITY— United Theatre Owners<br />
of Oklahoma's directors passed a resolution<br />
at their October meeting urging film<br />
companies to put more of their products in<br />
color. The resolution was in line with observations<br />
by theatre owners that pictures in<br />
color drew better at the boxoffice.<br />
Also on the October board meeting agenda<br />
was discussion of plans for UTOO's annual<br />
convention Marcli 5. 6 in the Biltmore Hotel<br />
here, with the convention banquet at tlie<br />
Skirvin.<br />
Dick Tliompson. president, said the group<br />
had decided to invite electronic equipment<br />
manufacturers to display their wares at the<br />
convention.<br />
Cincinnaii Variety Club<br />
Elects 1958 Crewmen<br />
CINCINNATI—Tlie 1958 crew was elected<br />
by Variety Tent 3 at its Monday niglit (4i<br />
meeting. The 11 directors will hold a meeting<br />
soon to elect 1958 officers.<br />
The new directors are Joseph Alexander.<br />
Saul Greenberg, Lee Heidingsfeld, Jack Kalan.<br />
Nat Kaplan. James A. McDonald.<br />
William Onie, Noah Schechter. William<br />
Shane, Edward Weston and Nate Wise. Delegates<br />
to Vai'iety's international convention<br />
are Onie and Robert C. McNabb: alternates.<br />
Greenberg and Schechter.<br />
Auxiliary directors for 1958 are Mrs. Saul<br />
Greenberg, Mrs. Sam Gutterman, Mrs. Sol<br />
Kolodny, Mrs. William Onie, Mrs. Hai'ry Pollins,<br />
Mrs. Abe Straus, Mrs. Sherwood R. Gordon,<br />
Mrs. Arthur Stevens, Mrs. Nathan Wise,<br />
Mrs. Charles Wolfson and Mrs. Ed Weston.<br />
A Variety family affair wUl be held Sunday<br />
starting with a screening at four o'clock<br />
in the Palace screening room, followed by a<br />
Thanksgiving dinner in the club rooms. Children<br />
and relatives are to be included in the<br />
program.<br />
The auxiliary is sponsoring a fund-raising<br />
affair Wednesday, December 4. It will start<br />
with cocktails and luncheon, followed by a<br />
2 p.m. screening in the Palace screening room.<br />
Since the screening room accommodates only<br />
80 persons, the first paid reservations will receive<br />
preference, the chai-ge being $3.50 for<br />
each reservation. Mrs. Stevens and Mi's.<br />
Guttermen are in charge.<br />
Robert Cotton Stricken<br />
DETROIT—Word of the recent death of<br />
Robert Cotton, oldtime Detroit filmite, was<br />
received by friends here, following by only<br />
a few months the death of his wife Ella. He<br />
came to Detroit from Minneapolis, where he<br />
had been with the World Film Co., as manager<br />
of the Detroit exchange. About 1924 he<br />
became district manager for the old Producers<br />
Distributing Co. in this area, making<br />
his headquarters in Cleveland. He resigned<br />
about five years later when that firm merged<br />
with Pathe, and had been inactive in the<br />
film business for about 30 years, but retained<br />
an interest in the business. He made<br />
his home at Beloit, Ohio, and Eustis, Fla.<br />
The key featured role of Mercier is played<br />
by Douglass DumbriUe in Paramount's multimillion<br />
doUar historical di'ama, "The Buccaneer."<br />
Bernard Samuels, 50. Dies;<br />
Theatreman at Detroit<br />
DETROIT—Bernard V. Samuels, 50, died<br />
suddenly November 5 from a heart attack at<br />
his home. He started as an usher at the<br />
DeLuxe Theatre, and then moved to the<br />
first-run Adams, then under Kunsky circuit<br />
operation, becoming assistant manager. Subsequently,<br />
he became house manager of the<br />
Ferry Field (later Beacon i Theatre, operated<br />
by I. J. London.<br />
He then transferred to the former Jacob<br />
Schreiber circuit (now Midwest Tlieatres, operated<br />
by Raymond and Nathan Schreiber)<br />
becoming assistant general manager and tlien<br />
general manager of the circuit, about 1935.<br />
He was later manager of the Admiral Theatre<br />
(and for a time the President Theatre)<br />
for Affiliated Theatres, until a long siege of<br />
illness forced his resignation. He subsequently<br />
was with Clark Theatre Service handling<br />
theatre booldngs, and for about the last<br />
two years was manager of the Jolly Roger<br />
Drive-In for the Nick George circuit.<br />
He is survived by his wife Norma and<br />
daughter Barbara Louise and a brother Elton<br />
V. Samuels, owner of the Pontiac Drive-In<br />
Theatre at Pontiac. Interment was in Forest<br />
Lawn cemetery.<br />
Detroit's Largest Theatre<br />
Has 'Mixed Up' Week<br />
DETROIT—The Motor City's biggest theatre,<br />
the 5,000-seat Fox, had a "crazy mixed<br />
up ' of bookings this week amounting<br />
to five changes. Basic booking problems<br />
arose because of the coincidence of two special<br />
show bookings, requiring badly split<br />
weeks.<br />
Managing Director Bob Bothwell held<br />
"Stopover Tokyo" and "Ride a Violent Mile"<br />
over three extra days, through Saturday,<br />
even though business in the first week was<br />
disappointing, to meet the requirements. On<br />
Sunday the show offered two reserved seat<br />
performances of a rock and roll presentation<br />
on the stage, headlining Fats Domino, La-<br />
Verne Baker and the Eberly brothers.<br />
Monday the house brought back a strong<br />
dual bill—"Love Is a Many Splendored<br />
Thing" and "Three Coins in the Fountain"<br />
for one day plus the Tuesday matinee. Tuesday<br />
night the house ran a special stage showheaded<br />
by Larry Parks and Betty Garrett,<br />
sporisored by B'nai B'ritli for a benefit. On<br />
Wednesday "Kiss Them for Me" was set to<br />
open, a day ahead of the regular Thursday<br />
opening for this house.<br />
12 Graded for Adults<br />
TORONTO—The Ontario censor board has<br />
graded 12 pictures as adult entertainment.<br />
The group for the month consists of Black<br />
Scorpion, Chicago Confidential. Death in<br />
Small Doses. From Hell It Came, The Girl<br />
in Black Stockings, I Was a Teenage Werewolf,<br />
The Living Idol, My Gun Is Quick, The<br />
Passionate Stranger, Street of Sinners, Valerie<br />
and Woman of the River.<br />
Four Columbia First Runs<br />
DETROIT—Milton Zimmerman. Columbia<br />
manager, scored a neat coup with four features<br />
playing major downtown first runs day<br />
and date— "The Story of Esther Costello" at<br />
the Madison. "Operation Mad Ball" at the<br />
Michigan. "The Giant Claw" and "The Night<br />
the World Exploded" at the Broadway Capitol.<br />
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Please enroll us in your RESEARCH BUREAU<br />
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'he lollowring subjects for Theaire Planning:<br />
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D Complete Remodeling<br />
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Sound Equipment<br />
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n Drive-In Equipment n Vending Equipment<br />
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Thoatre<br />
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Signed<br />
Posfogc-paid reply cords for your further convenience<br />
10 obtQirung in|ormarion are provided in MODERN<br />
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THEATRE Section, published with the first Issue of<br />
each month.<br />
BOXOFFICE :: November 16, 1957 ME-7
ME-8<br />
Through the Courtesy of<br />
BOXOFFICE<br />
BOXOFFICE<br />
:; November 16. 1957
—<br />
—<br />
—<br />
—<br />
——<br />
—<br />
Paro)<br />
—<br />
"That<br />
. . Horror<br />
Spotty Boston Week<br />
Led by French Film<br />
BOSTON— Spotty business was registered<br />
with a rainy weekend causing some of the<br />
drop. Of the new product "And God Created<br />
Woman" took the lead. This French film<br />
will play the Gary Theatre for three weeks<br />
and then transfer to the Beacon Hill Theatre,<br />
an unusual move. The combination of<br />
"Young and Dangerous" with "Rockabilly<br />
Baby" was withdrawn from the Memorial<br />
after four days and two 20th-Fox reissues<br />
were substituted. The Metropolitan had a<br />
low gross for "Story of Mankind." The package<br />
combination of "Amazing Colossal Man"<br />
and "Cat Girl" at the Paramount and Penway<br />
was well above average. This program<br />
had a strong TV campaign.<br />
(Average Is 100)<br />
Astor Raintree County (MGM), 3rd wk<br />
Beacon Hill Sins of Casanova (Times), 2nd wk<br />
Boiton Seven Wonders of the World (SW),<br />
62nd wk ..... 75<br />
Exeter Street Brothers in Low (Cont'l),<br />
5th and final wk 80<br />
Gary And God Created Woman (Kingsley) 190<br />
Kenmore The Young Stranger (U~l), 2nd wk. . ..120<br />
Memorial Young and Dongerous (20th-Fox);<br />
Rockabilly Baby (20th-Fox),<br />
split with two reissues 70<br />
Metropolitan The Story of Mankind (WB);<br />
Woman in a Dressing Gown (WB) 65<br />
Paramount and Fenway The Amazing Colossal<br />
Man (AlP); Cat Girl (AlP) 125<br />
Saxon Around the World in 80 Days (UA).<br />
29th wk 250<br />
State ond Orpheum Time Limit (UA);<br />
Hidden Fear (UA) 110<br />
'Around the World' Ends<br />
15-Week Hartford Run<br />
HARTFORD—The Stanley Warner Strand<br />
chalked up a handsome 175 for the 15th and<br />
concluding week of "Around the World in<br />
80 Days."<br />
Allyn Zero Hour! ,Para). Hear Me Good (Para). .105<br />
Art An Alligotor Named Daisy (RFDA), 2nd wk. 90<br />
Colonial Brothers in Low (Cont'l), 2nd wk 100<br />
E M. Loew Operation Mod Ball (Col);<br />
The Tijuano Story (Col) 110<br />
Palace Battle Hell (DCA), Hell in Korea (DCA) 85<br />
Poll Stopover Tokyo (20th-Fox);<br />
Under Fire i20th-Fox) 105<br />
Strand Around the World in 80 Doys (UA),<br />
15th wk 175<br />
Wife for a Night (Harrison) 110<br />
Webb<br />
'Around the World' Still Paces<br />
New Haven After 14 Weeks<br />
NEW HAVEN—"Around the World in 80<br />
Days" went into its 14th week, with the Bailey<br />
circuit's Whalley as yet not determined on<br />
concluding date of the Michael Todd attraction.<br />
College Pal Joey (Col) 1 50<br />
Paramount Zero Hour! (Para);<br />
Hear Me Good ( 115<br />
Poll Stopover Tokyo (20th-Fox);<br />
Under Fire i20th-Fox) 110<br />
Roger Sherman The Story of Monkind (WB);<br />
Black Potch (WB) 1 00<br />
Whalley Around the World in 80 Days (UA),<br />
14th wk 220<br />
'Joker's' Second Week Tops<br />
In Providence<br />
PROVIDENCE—"The Joker Is Wild." playing<br />
for a second week at the Strand, registered<br />
125. to lead downtown first-runs. Following<br />
very closely was "Time Limit" at Loew's State,<br />
which reported 120. A combination thrill<br />
show, comprising "The Amazing Colossal<br />
Man," and "The Cat Girl," at the RKO Albee,<br />
just squeezed into the average circle. Local<br />
business conditions continue weak, according<br />
to leading retailers.<br />
Albee The Amozing Colossol Man (AlP); The<br />
Cot Girl lAlP) 100<br />
Loew's Time Limit (UA) 120<br />
Maiestic The Three Faces of Eve (20th-Fox). ... 50<br />
Strand The Joker Is Wild (Para), 2nd wk 125<br />
Four NE Exhibitor Groups Endorse<br />
Goldenson-Hyman Distribution Idea<br />
BOSTON — New England exhibitors are<br />
unr.nimous in then- opinion that something<br />
thould be done to provide a more orderly<br />
release of pictures during the year. The<br />
practice of film companies of holding back<br />
certain important films for holiday playing<br />
time has caused exhibitors to suffer along<br />
with only run-of-the-mill product in between<br />
Steady Hollywood Hunt<br />
For Worth-While Stories<br />
HARTFORD—William Ornstein, home office<br />
tradepress contact for Loew's, told a<br />
meeting of the Temple Beth Israel Married<br />
Club that Hollywood is searching constantly<br />
"for story material that will relate episodes<br />
with both logic and entertainment."<br />
"Merging of tliese two objectives," he admitted,<br />
"is difficult for even the best of<br />
screenwriters, and they sometimes result in<br />
inferior melodrama."<br />
During introductory remarks, Allen M.<br />
Widem of the Hartford Times, noted that<br />
film studios have scheduled an increasing<br />
number of major attractions based on cuiTent<br />
best -sellers.<br />
Allied Convention Report<br />
Made to lENE Board<br />
BOSTON—Edward W. Lider. president of<br />
the Independent Exhibitors of New England<br />
and the organization's national delegate, reported<br />
on proceedings of the National Allied<br />
board when the lENE board met here Tuesday<br />
morning (12). Lider recently returned<br />
from the Allied national convention at<br />
Kiamesha Lake, N. Y.<br />
Norman Glassman, chairman of the lENE<br />
board, presided at the meeting.<br />
Theodore DiLorenzo Loses<br />
Hartford Mayoralty Race<br />
HARTFORD—The son of a film mdustry<br />
pioneer was defeated in his first political<br />
race November 5.<br />
Theodore J. DiLorenzo, 33, son of the late<br />
A. J. DiLorenzo, one of Hartford's first theatre<br />
owners, ran on the Republican ticket<br />
for the city council in Hartford election.<br />
Voters named James H. Kinsella, attorney<br />
and former band singer here, as mayor.<br />
Kent Smith who has a leading role in<br />
United Artists' "The Muggers" is one of<br />
Broadway's most prominent players.<br />
times.<br />
The first resolution reported in this area<br />
was that of Independent Exhibitors, a unit<br />
of national Allied. Edward W. Lider, lENE<br />
president, at a board of directors meeting,<br />
urged the distributors to release a greater<br />
flow of product during the ten-week period<br />
between Labor Day and Thanksgiving to<br />
alleviate the situation. This was put in the<br />
form of a resolution and was unanimously<br />
endorsed.<br />
A few days later, after a special executive<br />
session of Allied Theatres of New England,<br />
an unaffiliated organization representing<br />
200 theatres in this territory, Martin J. Mullin,<br />
president, announced that the organizat'on<br />
had unanimously endorsed the activities<br />
cf Leonard Goldenson and Edward J. Hyman<br />
directed toward the orderly distribution of<br />
product. This group also voted to send representatives<br />
to attend the forthcoming meeting<br />
with distributors in New York.<br />
The next New England exhibitor group to<br />
be heard from was Theatre Owners of Rhode<br />
Island. Edward M. Fay, president, called a<br />
special meeting and adopted the following<br />
resolution 1 Theatre Owners of Rhode<br />
Island wholeheartedly endorsed the ideas of<br />
Goldenson-Hyman for the orderly distribution<br />
of film product. We sincerely hope that<br />
all distributors and film companies will give<br />
this matter their deep consideration."<br />
Motion Kcture Theatre Owners of Connecticut,<br />
a group operating large and small<br />
theatres in that state, has also endorsed<br />
the Goldenson-Hyman efforts to establish an<br />
orderly system. This group is ready to send<br />
members to New York for distributor meetings<br />
to assist in this project. George H. Wilkinson<br />
jr. is president of this exhibitor group.<br />
PROVIDENCE<br />
'Vale Udin, former well-known East Piovidence<br />
businessman, and his brother-inlaw,<br />
Samuel Shindler, recently leased the<br />
Hollywood, the only theatre in East Providence.<br />
The former Bomes house has been refurbished<br />
and a new heating system installed.<br />
The Udin and Shindler interests will attempt<br />
to restore the popularity of the Hollywood,<br />
which at one time enjoyed unusual success.<br />
Udin is winding up his interests in Florida<br />
and will soon return to assume active management<br />
of the East Providence theatre.<br />
Phil Nemirow, RKO Albee manager, has<br />
been receiving condolences following the<br />
death of his father-in-law, William Bergovoy,'<br />
who died in the Rhode Island Hospital after<br />
a series of heart attacks . . . The Playhouse,<br />
formerly the Modern, at one time a leading<br />
downtown first-run motion picture house, will<br />
soon be razed to make room for a parking lot.<br />
The former motion picture "palace" tried<br />
every form of entertainment, from stock to<br />
burlesque, before finally shuttering for good.<br />
The Cranston Auto Theatre recently drew<br />
fine patronage by offering a three-evening<br />
Halloween show. Two horror films, a giant<br />
cartoon show, with free masks and apples for<br />
the kiddies, were combined for a well-received<br />
program ,<br />
films apparently outdrew<br />
all other types of pictures in this area;<br />
at least that seeems to be the consensus of<br />
many operators. Al Clarke, Stanley Warner<br />
Majestic manager, recently used liberal publicity<br />
to announce a three-day engagement<br />
of "The Unknown Terror" and "Back From<br />
the Dead." while the Albee was featuring<br />
"The Amazing Colossal Man" and "Cat Girl."<br />
The Palace, Washington Park neighborhooder,<br />
recently announced a special engagement<br />
of "The Ten Commandments." As Ijas<br />
been customary with the smaller neighborhooders.<br />
only two performances daily ftre<br />
given and tariffs have been hiked.<br />
BOXOFFICE November 16, 1957 NE-1
. . The<br />
BOSTON<br />
•The Thanksgiving and Christmas pictures<br />
at the three theatres of the Benjamin<br />
Sack circuit are signed. The Beacon Hill will<br />
play "And God Created Woman," starting<br />
November 22. This French film is currently<br />
at the Gary Theatre. The Christmas presentation<br />
at the Beacon Hill is to be Walt<br />
Disney's "Old Yeller," December 25. At the<br />
Gary Theatre, Walt Disney's "Perri" will be<br />
the Thanksgiving picture, starting November<br />
28, and the roadshow engagement of Columbia's<br />
"Bridge on the River Kwai" will be<br />
the Christmas presentation, starting December<br />
27. The Saxon Theatre, Boston, is continuing<br />
with "Around the World in 80 Days,"<br />
which goes along its meri-y way. By Thanksgiving<br />
week it will be in its 32nd week with<br />
brisk business, especially weekends, all the<br />
way.<br />
"<br />
"Bridge on the River Kwai will have<br />
seven evening performances and tlrree matinees.<br />
Wednesdays, Saturdays and Sundays,<br />
except for Christmas week when there will<br />
be a daily matinee.<br />
George Roberts, treasurer of Rifkin Theatres,<br />
was presented the award as "Man of<br />
the Year" at a dinner of Temple Emanuel<br />
Brotherhood, Newton, for "loyalty and devotion<br />
to the brotherhood." Roberts is also<br />
president of the greater Boston B'nai B'rith<br />
council and an assistant chief barker of the<br />
Variety Club of New England. Sunday (3i<br />
he was toastmaster and coordinator of the<br />
annual covenant breakfast of B'nai B'rith at<br />
Temple Kelhilleth Israel, Brookiine, attended<br />
by 650 persons. At the head table were Mayor<br />
John Hynes of Boston and Mayor Nathan<br />
Phillips of Toronto, the latter being the<br />
principal speaker.<br />
. . . Edward Comi, head of<br />
Sympathy is extended to Paul Hachey,<br />
aiianager of E. M. Loew's Kingston, Mass..<br />
Drive-In in the death of his father. Sympathy<br />
is also extended to Louis Richmond, owner<br />
of the local Kenmore, in the death of his<br />
brother Charles<br />
Massachusetts Theatre Equipment Co., was<br />
rushed to the Quincy City Hospital for an<br />
emergency appendectomy. He is recovering<br />
and .should be back on the job in another<br />
two weeks.<br />
While standing in tlie lobby of her Concord.<br />
N. H., theatre to welcome the patrons,<br />
Theresa Cantlin received the shock of her<br />
when she discovered that she was saying<br />
life<br />
"Good evening" to actor David Niven. He<br />
and Mrs. Niven and their son, a student at<br />
St. Paul's School in Concord, had purchased<br />
theii- tickets and were entering the theatre<br />
to see the double Allied Ai-tists' bill, "Portland<br />
Expose" and "Death in Small Doses."<br />
Later, Niven chatted for nearly an hour about<br />
the film business with Miss Cantlin and her<br />
assistant, Laurie Oantlin.<br />
Drops Weekday Shows<br />
HARTFORD—Milton LeRoy has dropped<br />
Monday through Thursday performances at<br />
the Blue Hills Drive-In for the remainder of<br />
the season. He is now scheduling two shows<br />
nightly, Fridays through Sundays.<br />
Nick Brickates in Hospital<br />
NEW HAVEN— Nick E. Brickates, Connecticut<br />
district manager for Stanley Warner<br />
Theatres, has been hospitalized.<br />
NEWHAMPSHIRE<br />
\A7hen the voters went to the polls in Dover's<br />
municipal election November 5, their<br />
choice for mayor had to be a theatreman.<br />
Melvin Morrison, longtime exhibitor in the<br />
area, was the Republican candidate, and his<br />
Democratic opponent was James P. Nadeau,<br />
who owns several outdoor theatres. Morrison<br />
won with 3.473 votes, compared with his<br />
rival's 2,539 . State Theatre in Manchester<br />
has inaugurated a new Saturday<br />
night preview program. The opening attraction<br />
featured "The Pride and the Passion,"<br />
in addition to the regular show.<br />
The Palace Theatre in Manchester, where<br />
there is a large population with Greek ancestry,<br />
recently presented a Sunday program<br />
made up of all-Greek motion pictures . . .<br />
Federal Judge A. J. Connor in district court<br />
in Concord denied a request for reduction of<br />
the 60-day sentence imposed on Bradley T.<br />
Callahan, Concord theatre projectionist and<br />
former business agent of the Concord local of<br />
the theatre employes union, on income tax<br />
evasion charges. Callahan, whose local was<br />
involved in a membership-selling scandal,<br />
started serving his sentence November 1. He<br />
also was fined $2,000.<br />
Joseph M. Rattee, 69, motion picture projectionist<br />
who had resided in Exeter for the<br />
last 20 years, died at the Goodwin Home in<br />
Hampton Falls November 6 after a long illness.<br />
He was a native of Black Lake, Canada.<br />
Paramount's "Fi'om Among the Dead" is<br />
being filmed in San Francisco and the San<br />
Juan Bautista Mission.<br />
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NE-2 BOXOFFICE :: November 16, 1957
F "—-'"<br />
THESE ANNOUNCEMENTS REVEAL<br />
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FACTS ABOUT<br />
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Headlines and illustrations from feature<br />
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BOXOFFICE :: November 16, 1957 NE-3
. . The<br />
. . Harry<br />
. .<br />
Regional<br />
. . Sal<br />
HARTFORD<br />
"The Hartford dailies have climbed on the<br />
"Get More Out of Life ... Go to a<br />
Movie" slogan campaign; both the Times<br />
by Lou<br />
and the Courant, through suggestion<br />
Cohen, manager of downtown Loew's Poll,<br />
have adopted the title for their daily theatre<br />
time schedules. Accolades have been sounded<br />
in all corners . . . Bernie Young of the UA<br />
home office exploitation staff worked on the<br />
world premiere of "Baby Face Nelson" for<br />
a week with Cohen. The UA release opened<br />
Thursday (14 j, with Young and Cohen Uning<br />
up nothing less than a five-column spread<br />
in the Times and numerous merchant tieups.<br />
Pi-omotion via ancient car societies was also<br />
noted.<br />
Sperie Perakos, general manager of Perakos<br />
Theatres Associates, was in town from New<br />
Britain, meeting with Tom Grace. Eastwood.<br />
and Vince Capuano. Elm Goldstein,<br />
eastern exploitation manager for Allied<br />
.<br />
Artists, huddled with Ray McNamara. Allyn,<br />
on the regional bow of "The Hunchback of<br />
Notre Dame." Goldstein brought in a street<br />
float for three days from New York. Goldstein<br />
and McNamara lunched with the Hartford<br />
pre.ss at the Statler Hotel November 4.<br />
Two more suburban houses—the Keppner-<br />
Tarantul Burnside and the Tolls Newington—opened<br />
extended engagements of "The<br />
Ten Commandments," at $1.50 top, with pass<br />
lists suspended for dui-ation of the booking.<br />
The theatres took a cooperative ad locally<br />
3,800-seat State, sole remaining<br />
vaudeville-film situation here, scheduled the<br />
Fats Domino "Show of Stars" revue for<br />
Saturday (16 1 at $3.30 top . . . Harold Cummings,<br />
Stanley Warner Capitol. Springfield.<br />
was in town.<br />
Henry L. Needles, ex-district manager for<br />
Warner Bros. Theatres, has completed his<br />
assignment as house treasurer for the SW<br />
Strand engagement of "Around the World in<br />
80 Days" . . . The Parkway, Springfield,<br />
closed for the season AB-PT<br />
.<br />
houses, including the Allyn, Hartford; Paramount,<br />
New Haven, and Paramount. Springfield,<br />
opened "Zero Hour!" day-and-date.<br />
Mrs. Albert Shulman, wife of the Shulman<br />
Theatres executive, served as a campaign<br />
worker for opening of the second annual<br />
"Three Evenings in Theatre" series sponsored<br />
by the Committee for the Arts, Hai-tford<br />
Jewish Community Center. November 4. The<br />
initial program featuied stage-screen actor<br />
Emlyn Williams in a one-man show, "A Boy<br />
Growing Up." entertainment based on the<br />
Dylan Thomas stories, presented at the King<br />
Philip School auditorium. Numerous trade<br />
figures, including Mrs. Shulman's brother-inlaw,<br />
M. W. Shulman, were in the audience.<br />
Speed Up Airer Closings<br />
Throughout Ontario<br />
TORONTO^Drive-in theatres have been<br />
closing throughout Ontario, although the<br />
weather continued favorable until last week<br />
when the first blasts of winter were felt. In<br />
the Toronto area, the 400 and Northeast,<br />
operated by 20th Century Theatres, were the<br />
first to close, leaving three others in<br />
operation.<br />
Only one was left in the Hamilton area,<br />
the Clappison. In Ottawa, two had dropped<br />
out, the Auto-Sky was on full schedule, but<br />
the Star-Top continued Friday and Saturday<br />
nights. At Cornwall both ozoners called<br />
it a season. Odeon's Cornwall and the independent<br />
Starlite. The Odeon unit at Kingston<br />
was also finished, as was the Peterboro.<br />
NEW HAVEN<br />
•The Fishman circuit booked an all-Italain<br />
stage and screen show into the suburban<br />
Dixwell Theatre for a single evening's performance.<br />
Similar programs have previously<br />
appeared at a number of Stanley Warner<br />
situations in this territory Adorno<br />
.<br />
double-billed "An Affair to Remember" and<br />
"Love in the Afternoon" at the first-run<br />
Palace. Middletown.<br />
The Read School PTA sponsored a showing<br />
of "The Seven Little Foys" at the Rialto,<br />
Bridgeport . The East Haven Capitol has<br />
started a<br />
. .<br />
new serial, "The Vigilantes," as an<br />
The Mahaiwe,<br />
added Saturday attraction . . .<br />
Great Barrington, is now on winter schedule,<br />
with two complete performances Mondays<br />
through Fridays, starting at 6;30 and 8:30,<br />
and 2; 10 matinees Saturdays, Sundays and<br />
holidays.<br />
Harry F. Shaw, division m.anager; Lou<br />
Brown, ad-publicity chief, Loew's PoU-New<br />
England Theatres, and MoiTis Rosenthal,<br />
Loews Poll, were enthused over boxoffice<br />
prospects for "Pal Joey," with sizable advance<br />
new^spaper ads and promotion scheduled<br />
ahead of the regional opening at the downtown<br />
house . . . Irving Hillman, SW Roger<br />
Sherman, played the initial showing of "The<br />
Story of Mankind," with tradesters interested<br />
m customer reaction to this Irwin Allen<br />
production.<br />
u
—<br />
—<br />
'Hunchback' and 'Ball'<br />
Big Toronto Openers<br />
TORONTO—The leaders among new pictures<br />
were "The Hunchback of Notre Dame"<br />
at the Hollywood and "Operation Mad Ball"<br />
at the Odeon Carlton, the latter having the<br />
assistance of National Film Board's "The<br />
Sceptre and the Mace," a record of Queen<br />
Elizabeth's recent visit to Canada. There were<br />
. 125<br />
, 1 10<br />
four holdovers.<br />
(Average Is 100)<br />
Eglinfon Man of o Thousand Faces (U-l) 105<br />
Hollywood The Hunchback of Nofre Dame (AA).115<br />
Hyland Sea Wife (20th-Fox)<br />
no<br />
Imperiol Jet Pilot (U-l)<br />
Loew's Time Limit ;UA), 2nd wk<br />
1 10<br />
100<br />
Norfown The Joker is Wild (Parol<br />
.105<br />
Odeon Operotion Mad Ball (Col); The Sceptre<br />
.115<br />
and the Moce (NFB)<br />
Tivol! Around the World in 80 Doys (UA),<br />
14th wk<br />
Towne Perri (BV), 2nd wk<br />
University This Is Cineroma :Cineroma),<br />
3rd wk.<br />
Uptown The Invisible Boy (MGM) 105<br />
iPlu Epidemic Hurts<br />
Vancouver Scores<br />
'VANCOU'VER—The bo.xoffice story here<br />
remained a sad one for the first runs. Newbills<br />
at first runs were unable to overcome<br />
the flu epidemic, which crippled business,<br />
with parents keeping the teenage crowd<br />
away from theatres. "'Woman of the River"<br />
gave the Strand a better than average week.<br />
"Around the World in 80 Days" in its 12th<br />
week did okay, and "Brothers in Law" in its<br />
fifth week was above average.<br />
, .<br />
Capitol The Three Foces of Eve (20th-Fox) Fair<br />
Cinema Unknown Terror (20th-Fox);<br />
Eock From the Dead (20th-Fox) Moderate<br />
Or-'heum The Helen Morgan Story (WB) Fair<br />
Plozo Forty Guns (20th-Fox);<br />
God Is Mv Portner (20th-Fox) Fair<br />
S;on!ey Around the World in 80 Days (UA),<br />
12fh wk . . Good<br />
S'rond Woman of the River (Col);<br />
The Domino Kid Col) Good<br />
Studio Brothers in Low (IFD), 5th wk Good<br />
Voque The Sun Also Rises (20th-Fox),<br />
2nd wk<br />
Average<br />
Ne'w Product Is Slow<br />
In Winnipeg Houses<br />
'WINNIPEG—First runs here failed to respond<br />
to major new product and instead<br />
continued the slow^ pace of the previous week.<br />
Capitol— The Three Faces of Eve (20th-Fox) 110<br />
Goiety Around the World in 80 Days (UA),<br />
3rd -onth 110<br />
Gorrick 3:10 to Yuma (Col) 1 05<br />
Lyceum Scandal in Sorrento (DCA);<br />
Bermuda Affair (DCA) 100<br />
Met—James Deon Story (WB);<br />
Johnny Trouble (WB) 100<br />
Odeon Interlude :U-I) 85<br />
Valour Three Men in a Boat (IFD) 105<br />
Quebec Pioneers to Meet<br />
In Montreal Nov. 27<br />
MONTREAL—The tenth semiannual meeting<br />
of the Quebec branch of the Canadian<br />
Picture Pioneers will be held at Rialto Hall<br />
on Park avenue -Wednesday, November 27.<br />
Those in charge of arrangements declare that<br />
this year's affair will surpa.ss all other such<br />
parties.<br />
Tickets may be secured from Arthur Larente,<br />
secretary-treasurer of the association.<br />
Larente is at Peerless Films. 5975 Monkland<br />
Ave., Notre-Dame-de-Grace. Pioneers are<br />
asked to take one or more friends to the party.<br />
Pioneers have also been asked to notify immediately<br />
Bill O'Loghlin, Capitol Theatre, on<br />
hearing of the illness of any fellow Pioneer or<br />
of any per.son in the motion picture industry.<br />
Canadian Film Industry<br />
Ready for Conventions<br />
TORONTO— President Lionel Lester of the<br />
Motion Picture Theatres Ass'n of Ontario has<br />
completed arrangements for the organization's<br />
annual meeting and luncheon scheduled<br />
for Monday (25) at the King Edward Hotel<br />
here. This session will launch the series of<br />
industry conventions and functions.<br />
The registration desk will open at 9:30<br />
a.m. under the direction of Mrs. Mae Chinn,<br />
assistant to Executive Secretary Arch H.<br />
Jolley. The business meeting will get under<br />
way at 10 a.m. in the reception room on the<br />
17th floor of the hotel. The concluding feature<br />
will be the election of officers.<br />
Cocktails will be served at 12:30, after<br />
which the delegates, members and guests<br />
will proceed to the Crystal ballroom for the<br />
luncheon at 1 p.m., when the address of<br />
Albert E. Sindlinger, industry analyst, Ridley<br />
Park, Pa., will be heard. The election results<br />
also will be announced.<br />
Jolley said that delegates to other conventions<br />
on subsequent days are welcome to<br />
Safety Elephant Shows<br />
Are Resumed in Toronto<br />
TORONTO—The first of a series of ten<br />
special Saturday matinee programs featuring<br />
Elmer, the Safety Elephant Who Never Forgets,<br />
sponsored by the Metropolitan Toronto<br />
Traffic Safety Council and the Telegram<br />
newspaper, opened November 9 at 23 circuit<br />
theatres with a rush of enthusiasm.<br />
The shows, which place emphasis on traffic<br />
safety, are accompanied by a contest for<br />
juveniles 12 years of age and under, in which<br />
no less than 1,863 prizes have been set up.<br />
The contest winner at each of the 23 theatres<br />
will receive a bicycle.<br />
The grand prize, which will be awarded for<br />
a safety quiz to be published in the Telegram,<br />
will be an all-expense trip by plane for the<br />
winner and one adult to the British West<br />
Indies with stopover in New York City. Intermediate<br />
awards will be presented by Pan<br />
American Airways, Pepsi-Cola and Orange<br />
Crush companies.<br />
The 23 participating theatres are units of<br />
Famous Players, Bloom & Fine, 20th Centui-y<br />
and Premier Theatres. A similar series is<br />
being conducted in other Ontario cities. At<br />
Peterborough, the Elmer matinees are being<br />
sponsored by the Kinsmen Club at the Paramount.<br />
At the Brantford Capitol the .sponsors<br />
are the Expositor newspaper and the<br />
Brantford police department.<br />
Rename Walter Beachler<br />
DA'^TON—Variety Tent 18 has re-elected<br />
Walter Beachler, president of United Fireworks<br />
Mfg. Co., as chief barker. Renamed for<br />
a second term were Harry Good, first assistant<br />
chief barker; Paul Swinger, second<br />
assistant chief barker; Abe Rosenthal, property<br />
master, and Sylvan Fred, dough guy.<br />
Other members of the board of canvasmen<br />
are Robert Gump. Tom Ryan, Fred Krimm,<br />
Roy Wells, William Clegg, Dr. Ai'thur Denlinger,<br />
Robert Keyes and James E. P. Sullivan.<br />
attend the MPTAO meeting as observers, as<br />
well as the luncheon. The National Committee<br />
Motion Picture Exhibitors Ass'ns will<br />
meet Tue.sday 126), while the convention of<br />
the Motion Picture Industry Council of Canada<br />
will be held November 27, 28.<br />
A number of luncheons and dinners have<br />
been arranged. Super Pufft Popcorn will be<br />
host for a complimentary luncheon at 12:30<br />
Tuesday for all delegates, industry visitors<br />
and guests. The Canadian Motion Picture<br />
Distributors Ass'n will give a luncheon<br />
•Wednesday (27i at 12:30.<br />
The Toronto 'Variety Tent will hold a dinner<br />
Tuesday i26) at 6 p.m., for which tickets<br />
will be sold. The convention program will<br />
close Thursday night i28i at 6:30 with the<br />
annual awards dinner of the Canadian Picture<br />
Pioneers followed by dancing. Tickets<br />
will be $6 per per.son.<br />
Arch Jolley is receiving reservations at his<br />
office, 21 Dundas Square, Toronto 1, for hotel<br />
accommodations and the functions.<br />
Encouraging Forecast<br />
By British Producer<br />
WINNIPEG—Although film attendance is<br />
dropping off at the rate of about seven per<br />
cent annually, it will eventually level off at<br />
prewar figures and then rise. That was the<br />
prediction of Dr. Roger Manvell, director of<br />
the British Film Academy, here on a lecture<br />
tour.<br />
Instead of production line methods, films<br />
must be a matter of individual showmanship.<br />
Dr. Manvell said. The thought behind<br />
them must go deeper. If they are comedies,<br />
they must be funnier comedies. If they are<br />
dramas, they must be more serious dramas.<br />
Doctor Manvell praised the larger screens<br />
and improved sound found in films today. He<br />
doesn't see a really serious permanent rivali-y<br />
between television and films. Television, he<br />
pointed out, excels in live coverage of events,<br />
whereas motion pictures are much better if<br />
they exercise their function as carefully made<br />
productions.<br />
Pay television. Doctor Manvell believes,<br />
will have its niche in showing material not<br />
suited to a larger theatre.<br />
He forecasts that there will be fewer, but<br />
better films. These pictures of better quality<br />
will have longer runs and will be stories that<br />
are vital and essential to people. Motion<br />
pictures also have a social aspect, Doctor<br />
Manvell said, and for that reason people<br />
will not continue to stay home and watch<br />
television. People need to go out for entertainment<br />
which enables them to be part of<br />
an audience.<br />
The British Film Academy, w-hich Doctor<br />
Manvell directs, is similar to the Academy<br />
of Motion Picture Arts and Sciences in<br />
Hollywood. The BFA also names an annual<br />
award winning film. Last year the prize went<br />
to a French entry, "Gervaise," based on an<br />
Emile Zola novel, with Rene Clement, directing.<br />
BOXOFFICE November 16. 1957 K-1
. . The<br />
. . Slim<br />
. . Arnie<br />
. . Harlan<br />
. . The<br />
. . Mrs.<br />
. . Marcel<br />
William Summerville to be Feted<br />
As Canadian Pioneer of the Year<br />
TORONTO—William A. Summerville. 78.<br />
Toronto thetare personality for many years,<br />
has been named 1957<br />
Tgg Pioneer of the Year by<br />
•w '^. the Canadian Picture<br />
| Pioneers and will be<br />
-5 honored at the CPP<br />
.<br />
annual awards dinner<br />
November 28 at the<br />
Royal York Hotel.<br />
Kenneth M. Leach,<br />
Calgary exhibitor, will<br />
receive a special<br />
award at the banquet.<br />
Summerville started<br />
William Summerville<br />
his career as a cornet<br />
soloist in 1898. traveled<br />
with the William H. West Minstrels, became a<br />
vaudeville actor, then settled down in Toronto<br />
where he opened the Prince of Wales<br />
Theatre in 1924 and the Eastwood in 1926. becoming<br />
a partner in Bloom & Fine Theatres,<br />
of which his oldest son William jr. is now<br />
assistant managing director.<br />
In the political sphere he served as a Toronto<br />
alderman 1922-28 and a member of the<br />
civic board of control 1929-31.<br />
He was elected<br />
VANCOUVER<br />
Dob Kelly, manager of the Odeon, New West-<br />
. .<br />
minster, was elected treasurer of the<br />
Pacific Coast Soccer League. Bob was secretary<br />
of the league last year . . . Stewart<br />
Piper, former assistant at the Studio Theatre,<br />
is now with the unemployment insurance<br />
office in Vancouver Three projectionists<br />
will retire on pensions Januai-y 1.<br />
They are Tommy Bailey, Don Wilson and<br />
Arthur Crute . Vancouver branch of<br />
Canadian Picture Pioneers was selected by<br />
CPP directors in Toronto to receive the special<br />
branch Pioneer award for outstanding<br />
efforts on behalf of CPP for 1957. The award<br />
will be presented at the annual award dinner<br />
November 28 at Toronto to a Vancouver<br />
representative at the national meeting.<br />
K-2<br />
After extensive alterations at the FPC<br />
FOR SALE<br />
THEATRE CHAIRS<br />
Great Bargains In theatre choirs used and<br />
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ea. up.<br />
Hardwood folding chairs—Steel folding &<br />
stacking<br />
chairs.<br />
Devry Dual Projection & Sound Outfit<br />
Represents $6,000.00 worth of equipment<br />
For only $2,495.00 FOB Vancourer, B. C.<br />
Drop us o line for full information and prices.<br />
Photographs on all chairs.<br />
DOMINION THEATRE EQUIPMENT CO.<br />
LTD.<br />
847 DAVIE STREET VANCOUVER, B. C.<br />
the Ontario parliament of which he was a<br />
to<br />
member from 1937 to 1943 as a Conservative.<br />
He was also an early officer of the exhibitors<br />
association which eventually became the Motion<br />
Picture Theatres Ass'n of Ontario.<br />
Summerville is an honorary life member of<br />
the Toronto musicians local and was a composer<br />
of band music. He also has fraternal<br />
connections and his baseball enthusiasm<br />
takes him to the training camps in Florida<br />
each year for a vacation.<br />
His second son Don is manager of the<br />
Prince of Wales and a member of the Toronto<br />
city council, and his grandson Paul is on<br />
tour in Great Britain with a singing act. His<br />
brother Murray already has had theatremanaging<br />
experience.<br />
Ken Leach, in line for a CPP merit award,<br />
was once a rancher and homesteader in Minnesota,<br />
moved to the Canadian prairies and<br />
developed a string of theatres, becoming a<br />
partner of Famous Players. He has been<br />
president of the Alberta Theatres Ass'n.<br />
A scroll will be presented at the awards<br />
banquet to the CPP Vancouver branch for its<br />
meritorious work. Chairman of the selection<br />
committee was Oscar R. Hanson. Toronto.<br />
Strand. Cinerama will open here in January.<br />
The house will lose 600 seats in the changeover<br />
from the present 1.946 seats. The policy<br />
will be one show daily . Fairbanks,<br />
the Pacific popcorn king, will attend the<br />
concessionaires convention in Miami Beach<br />
late this month . Houghland, who<br />
was doing publicity for Vangard Theatre<br />
here, is now with the Warner Bros, exploitation<br />
department in Hollywood. He's currently<br />
working with ten other staffers on "Marjorie<br />
Morningstar" ... A local visitor was Robert<br />
Wotherspoon. mayor of Inverness. Scotland,<br />
owner of a circuit of 50 theatres and a chain<br />
of hotels in the Scottish Highlands. He will<br />
visit Hollywood and Miami, where he will<br />
address the film industry meetings before<br />
returning to Scotland.<br />
Horace Lackey, projectionist at the Strand,<br />
Calgary, vice-president of the lATSE local<br />
302 and a member of the Famous Players<br />
25 Year Club, died in Calgary. He was 50.<br />
He was a brother-in-law of Ken Leach, who<br />
is an FPC partner in three Calgary theatres<br />
. . . Norman Hull. Montreal TV cameraman, is<br />
here to do a series of films for the CPR<br />
railroad . Gordon, Regina's oldest<br />
projectionist, of the Capitol Theatre, is on<br />
the sick list with pneumonia . BC<br />
censors placed on the adult entertainment<br />
only list The Helen Morgan Story, Unknown<br />
Terror, Back From the Dead and Forty Guns.<br />
Theatre to Walt Blaney<br />
MENOMONEE FALLS. WIS.—Walter A.<br />
Blaney sr. has taken over operation of the<br />
Palls Theatre here on a lease from Mrs.<br />
Marguerite Zahn. operator-owner since September<br />
1951. when her hu.sband Ray died.<br />
Blaney and his wife Helene live in Bark Lake,<br />
Wis. They have two .sons; Kenneth who lives<br />
in California, and Walter A. jr.. al.so of Bark<br />
Lake. Blaney has been distributing films<br />
most of his life.<br />
MONTREAL<br />
paul Vermel has been named executive secretary<br />
of the Quebec Allied Theatrical<br />
Industries. He was introduced at a cocktail<br />
party Thursday il4i at the Sheraton-Mount<br />
Royal Hotel . Marie Desmarais of<br />
Cine-France Distribution has returned from<br />
her second trip to Europe. She visited France<br />
and Germany and brought back a number<br />
of outstanding films . . . Chet Friedman of<br />
the MGM public relations department was<br />
here and conferred with Bill Guss. local MGM<br />
manager . . . Edward G. Robinson, who appeared<br />
in the stage play "Middle of the<br />
Night" at Her Majesty's Theatre, rated several<br />
daily newspaper interviews.<br />
Robert Guibord, .son of Doctor Guibord,<br />
former owner of the Palace and National<br />
theatres of Grand'Mere, made a tour of several<br />
theatres here. Young Guibord declared<br />
his ambition is to manage a local motion<br />
picture house. He has 20 years experience<br />
in the exhibitor field. For ten years he was<br />
a projectionist and served as manager of his<br />
father's theatres for an equal number of<br />
years. His father recently sold his theatres<br />
after having been in the business 47 years.<br />
Doctor Guibord now resides permanently in<br />
Florida, while Robert is located 872 St.<br />
Charles St.. Val Martin.<br />
Jo Oupcher, IFD district<br />
manager, was on<br />
a business trip to Quebec and district . . .<br />
Sam Kunisky, United Artists manager, was<br />
holidaying in New York City accompanied<br />
by his wife Gilbert, projectionist<br />
at the<br />
.<br />
Pigalle Theatre, Thetford Mines, was<br />
killed instantly November 3 when his car<br />
collided with another vehicle. Gilbert was<br />
on his way from St. Georges de Beauce, where<br />
he had visited his mother. The accident occurred<br />
early in the morning near Gilbert's<br />
home . . . Visitors to Filmrow included Gerard<br />
Langevin. Ti-acy, Sorel: Aurele Payeur,<br />
Pigalle, Thetford Mines, and A. Robert. Labelle,<br />
Labelle.<br />
. . .<br />
"Seven Wonders of the World," the Cinerama<br />
attraction at the Imperial Theatre, now<br />
in its seventh month, pa.ssed its millionth<br />
customer early in November . . . "Ca Commence<br />
par Un Peche" has broken all attendance<br />
records at the Canadien Theatre<br />
Also setting new attendance marks was "J'Ai<br />
Peche" at Theatre Nord in nearby St. Jerome.<br />
The management said that 6.000 patrons saw<br />
the film in a single week. Mi.ss Tremblay,<br />
manager of the Nord. said that each evening<br />
she had to turn away would-be ticket-buyers<br />
because of lack of space.<br />
The National Film Board's 29-minule production.<br />
"The Sceptre and the Mace," a<br />
record of Queen Elizabeth's recent visit to<br />
Canada, is being distributed for public showing<br />
in private theatres. The film was given<br />
Its world premiere at Ottawa before an Invited<br />
audience that included the Rt. Hon.<br />
Vincent Massey. Canada's Governor-General.<br />
Maria Landi, a native of Turin, Italy, who<br />
has made several films in her native country<br />
and two in Britain, was here recently. She is<br />
now staiTed with Rod Steiger in the J. Arthur<br />
Rank production ".Across the Bridge," which<br />
will be shown simultaneously at eight United<br />
Amusement Corp., theatres starting November<br />
28. The film is a black and white production<br />
filmed at Pinewood and on location in<br />
Spain.<br />
BOXOFFICE November 16. 1957
. . The<br />
. . The<br />
. . The<br />
. . The<br />
. . The<br />
PRAIRIE ITEMS<br />
"The Saskatoon Cosmopolitan club sponsored<br />
a bingo game in the arena Monday (4)<br />
with $6,000 in prizes, giving the indoor houses<br />
a rough night .<br />
Capitol Theatre,<br />
Saskatoon, managed by Reg Plumb, has arranged<br />
for advance ticket sales on "Around<br />
the World," to be sold in five locations other<br />
than the theatre. In these other locations<br />
ticket sales are sponsored by the Saskatoon<br />
section of the Council of Jewish Women for<br />
a percentage of the sales.<br />
The Swift Current TV station is expected<br />
to be in operation by the end of November.<br />
This will be Canada's first automatically<br />
controlled station and will provide television<br />
facilities for southwestern Saskatchewan. It<br />
is estimated there will be 80.000 viewers, with<br />
between 9.000 and 10.000 sets in operation in<br />
the area within six months. All the equipment<br />
used is Canadian made and can handle<br />
color TV when it becomes available in Saskatchewan.<br />
This station will operate on channel<br />
5. It will carry CBC-TV programs, as<br />
well as most of the other top network shows.<br />
Television prospect.s are not hopeful for Flin<br />
Flon, Man., advises C. H. Whitney, the radio<br />
station manager who has applied for a television<br />
station in this northwestern Manitoba<br />
city. Whitney is manager of CFAR and president<br />
of the Flin Flon Chamber of Commerce.<br />
He has been in Ottawa for discussions with<br />
CBC officials.<br />
Medicine Hat theatres and those within 50<br />
miles of this southeastern Alberta city, have<br />
dropped 40 per cent in gross since the opening<br />
of the Medicine Hat TV station . . .<br />
Hugh<br />
Va.ssos, former manager of the Paragon Theatre<br />
in Melville, is a candidate for town<br />
counselor in Melville. Vassos is campaigning<br />
for improvements for sewer, water, streets<br />
and nuisance grounds . Roxy Theatre<br />
in Cardston. Alta., has booked the unusual,<br />
a special engagement of the Italian feature,<br />
"Aida." Western Canadian towns have been<br />
particularly .slow in capitalizing on possibilities<br />
of art type pictures. The public in westem<br />
Canada is behind the east in this regard.<br />
. . .<br />
The Sunset Drive-In, Calgary, featured a<br />
party on the Friday following Halloween,<br />
giving special prizes for the best, funniest<br />
and hard time costumes. There were also<br />
The<br />
Halloween treats for all the kiddies<br />
Palace, Calgary, is promoting its kiddies Saturday<br />
morning business with a special radio<br />
and stage show at 9:30. plus a serial, cartoon<br />
and screen shorts.<br />
Paclted arenas in Winnipeg, Brandon, Regina.<br />
Saskatoon. Edmonton. Calgai-y and<br />
Lethbridge greeted the Black Watch band of<br />
the Royal Highland regiment. This is one of<br />
the most outstanding shows to tour western<br />
Canada in many years . Master Film<br />
Studios. Calgary, announced the appointment<br />
of E. K. Elton of that city as vice-president<br />
and general manager.<br />
Three Edmonton drive-ins are still operating,<br />
while only one airer in Winnipeg<br />
and Calgary remain open. The Edmonton<br />
drive-ins still defying the late fall season<br />
are the Starlite, St. Albert and Sky Vue.<br />
About 95 per cent of the drive-ins in small<br />
towns in western Canada have been closed<br />
for the winter.<br />
"Tammy and the Bachelor" is proving to<br />
be a winner. It was holding out for a fourth<br />
week in a subsequent-run engagement in<br />
Edmonton and doing double the normal business<br />
in all its other engagements in western<br />
Canada ... An application has been submitted<br />
by CHAB of Moose Jaw for a television<br />
outlet in that city. This would give<br />
Moose Jaw residents a choice of two TV<br />
stations since they can pick up the Regina<br />
telecasts.<br />
WINNIPEG<br />
Mestor Ereschook of the Roxy Theatre in<br />
Wawa, Ont., was here to visit Charlie<br />
Krupp of Associated Theatres, lining up his<br />
winter bookings. Ereschook pilots his own<br />
airplane.<br />
Nat Taylor, 20th Century Theatres of Toronto,<br />
was here to inspect the operation of<br />
the Valour Theatre and its art policy. Doug<br />
Rosen, general manager of International Film<br />
Distributors, one of Taylor's companies, gave<br />
a luncheon at Fort Garry Hotel in honor of<br />
Taylor's visit. Key industry figures in the<br />
Winnipeg area attended. Taylor gave an Impromptu<br />
talk on the present situation and<br />
future possibilities for exhibitors in the Manitoba<br />
area. He also made constructive critici.sm<br />
of theatre operations in thLs area. Taylor said<br />
that he believes there is only room for one<br />
theatre seat per 25 persons in the area. This<br />
would mean the demise of approximately 15<br />
theatres now operating here.<br />
The Capitol Theatre, Fort William, arranged<br />
for a hypnotist to put on a show and was<br />
advertising for two young ladies to appear<br />
with him. Hypnotists have always been good<br />
drawing features on stages of western Canada<br />
theatres . Odeon Theatre, Fort William,<br />
is promoting the Radio School of the<br />
Air, a combined radio and stage presentation<br />
on CKPR. Entrants may register at the Odeon<br />
boxoffice and appear on the stage of the<br />
theatre on Saturday afternoons.<br />
Fort Frances citizens packed the ballroom<br />
at Rainy Lake Hotel Monday (4i to hear<br />
about the progress of Minnenonta Television.<br />
They were told that the border communities<br />
can expect to have their home-owned television<br />
station operating by June. Directors<br />
of the company, all residents of International<br />
Falls, said the immediate objective is to raise<br />
a bank deposit of $150,000. Citizens are being<br />
asked to contribute. About $30,000 is expected<br />
from Fort Francis residents for this U.S.-<br />
owned television station .<br />
Fort Theatre,<br />
Fort William, is giving dinnerware to<br />
the ladies in a tie-up with the Lake Theatre.<br />
New Government Agency<br />
May Govern Private TV<br />
O T T A W A—An independent government<br />
ngency, separated from the Canadian Broadcasting<br />
Coi-p., is expected to be set up by<br />
the new government to regulate independent<br />
TV stations in Canada. This would remove<br />
control of independently owned TV outlets<br />
from the CBC, which for years has regulated<br />
the.se stations in addition to conducting its<br />
own networks, which accordingly are largely<br />
free from direct competition.<br />
The shift in control was indicated recently<br />
in a report to the House of Commons by<br />
Revenue Minister George Nolan, who has<br />
jurisdiction over the CBC.<br />
J. M. RICE and CO. LTD.<br />
"Everything for the Theatre"<br />
Sound Systems.<br />
IBallantyne<br />
Hilux Anamorphic Lenses.<br />
Williams Silver Screens.<br />
New & Rebuilt Theatre Chairs.<br />
EXPERT REPAIR DEPARTMENT<br />
710 Broadway Ave.<br />
Winnipeg, Man.<br />
Ph. SP5-8219<br />
10029 Jasper Av«.<br />
Edmonton, Atto.<br />
Ph. 28502<br />
EVERYTHING FOR THE THEATRI<br />
MOTIOGRAPH Equipment<br />
Complete line factory portt<br />
EXPERT REPAIRS ^^^,<br />
We Sell and Service<br />
Theatre Choirs, Rectifiers, Arc Lamps,<br />
Sound Equipment, 16mm and 35mm Projectors<br />
SHARP'S THEATRE SUPPLIES, Ltd.<br />
Phones: 2-407A and 2-7266<br />
Film Exchange Bldg. Coljary, All*.<br />
HANDY SUBSCRIPTION ORDER FORM<br />
BOXOFFICE:<br />
825 Van Brunl Blvd., Kansas City 24. Mo.<br />
Please enter my subscription to BOXOFFICE. 52 issues per year (13 f-l which con<br />
tain The MODERN THEATRE Section).<br />
n S3.00 FOR 1 YEAH Q S5.00 FOR 2 YEARS D S7.00 FOR 3 YEAR.S<br />
n Remittance Enclosed Q Send Invoice<br />
THEATRE<br />
STREET<br />
TOWN<br />
NAME<br />
ADDRESS<br />
STATE<br />
POSITION<br />
BOXOFFICE November 16, 1957 K-3
RESEARI
C&njZ^uc^J9K, • c.d4xu>Me^ • Ceitaeadi»tt^ • A^auttMioAUie
volume builds<br />
BIG NAMES attract more trade . . . build bigger profits.<br />
The "Big Name" in refreshment is Coca-Cola. So good in<br />
taste, in such good taste ... no wonder Coke is the bestloved<br />
sparkling drink in all the world. This quality<br />
favorite gives you more beverage sales,<br />
more chances to<br />
sell related items, more profits with fast turnover.<br />
SIGN OF GOOD TASTE<br />
4 STAR FEATURE • QUALITY • PREFERENCE • PROFIT • SERVICE
AL Seating means<br />
N COMFORT and<br />
NANCE EXPENSE<br />
heater patrons prefer<br />
INTERNATIONAL seats for<br />
solid, form-fitting comfort, noiseless<br />
operation and snag-proof<br />
construction.<br />
Theater owners from coast to coast<br />
prefer the unit design, all-steel<br />
construction, readily removable seats<br />
and backs, lubrication-free hingeless<br />
seat suspension, and ease by which<br />
maintenance men can keep their<br />
house seating in<br />
perfect condition.<br />
Let an INTERNATIONAL Seating<br />
Engineer figure with you on your<br />
seating or reseating plans — without<br />
obligation,<br />
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International Seat Division,<br />
Union City Body Company, Inc.<br />
Union City, Indiana<br />
BOXOFFICE :: November 16, 1957
I<br />
HE<br />
NOVEMBER 16, 1957<br />
m TIBATRB^<br />
o n t n t A<br />
BIG WEEK of the year for<br />
the motion picture industry is at hand,<br />
and it is good to note that a bigger attendance<br />
than ever is expected at the<br />
Miami convention of the Theatre<br />
Ov/ners of America, Theatre Equipment<br />
and Supply Manufacturers Ass'n<br />
and the National Ass'n of Concessionaires.<br />
This not only indicates a healthy<br />
interest in recent industry developments;<br />
it may also be looked upon as<br />
an expression of confidence in the<br />
future of the business.<br />
The past year has seen the development<br />
of finer theatre equipment and<br />
many new products to be utilized or<br />
merchandised by thealres. These will<br />
be displayed in profusion in the exhibit<br />
halls of the Americana Hotel and manufacturers<br />
and their representatives will<br />
be on hand to explain their merits.<br />
A big question mark in exhibition<br />
today is the cable theatre, and a full<br />
day, at least, is to be given to its evaluation.<br />
Every effort is to be made to<br />
decide whether or not it is good for<br />
exhibition, and equipment and financial<br />
experts will be on hand to answer<br />
questions of<br />
exhibitors.<br />
The theatre segment of the NAC,<br />
known for its lively sessions, will not<br />
only probe for the best ways to get the<br />
most out of both indoor and drive-in<br />
theatre concessions, but will<br />
also consider<br />
methods of increasing attendance,<br />
fully cognizant of the fact that even the<br />
most effective merchandising methods<br />
are of no avail unless people are<br />
brought into the theatre.<br />
The convention sessions and the<br />
tradeshow offer a splendid opportunity<br />
for the exchange of ideas and new<br />
knowledge of v/hot is going on in the<br />
equipment and merchandising field,<br />
and to all who attend, promise a profitable<br />
and enlightening experience.<br />
Exhibitors in fhe 2nd International Tradeshow 6<br />
Candy Merchandising Virgil M. "Andy" Anderson 9<br />
Tips on Candy Selling 10<br />
Center of Counter is Candy "Hot Spot" Charles W. Barnes jr. 11<br />
Selective Hiring and Training of Concessions<br />
Employes Vitol to a Successful Operation Emmet Shane 14<br />
Kiddie Costume Draw Steps Up Beverage Sales at Drive-Ins 16<br />
When You Plan Refrigeration and Equipment for<br />
Your Drive-In, Call in an Expert C. K. Litman 19<br />
Dining Room Augments Two-Lane Cafeteria 28<br />
Uses Concessions as Goodwill Builder Elsie Loeb 32<br />
Profits From Popcorn Phyllis Haeger 35<br />
Pizza Firm Into New Plant 38<br />
Forethought and Action Before Year-End May<br />
Result in 1957 Tax Savings Harold J. Ashe 40<br />
Arc Lomp Maintenance and Servicing Guide:<br />
Peerless Hy-Candescent Cinearc Wesley Trout 42<br />
"If I Build Another Drive-ln" Cash Asher 50<br />
A Year-End Bonus Builds Morale,<br />
But First Check Income Tax Laws Paul Lockwood 56<br />
DEPARTMENTS:<br />
Refreshment Service 9 New Equipment and<br />
Developments 57<br />
Theatre Maintenance Questions<br />
and Answers 24<br />
Readers Service Bureau at 58<br />
Projection and Sound 42<br />
Advertising Index at 58<br />
Drive-In Theatres 50<br />
Literature 55 About People and Product 61<br />
I. L. THATCHER, Monoging Editor<br />
The MODERN THEATRE Section of BOXOFFICE is included in the first issue of each month.<br />
Editorial or generol business correspondence should be addressed to Associated Publications,<br />
825 Von Brunt Blvd., Kansas Citv 24, Mo. Eastern Representotive: Carl Mos, 45 Rockefeller<br />
Plaza, New York 20, N. Y.; Central Representative: Ewmg Hutchison Organization,<br />
35 East Wacker Drive, Oiicogo I, 111.; Western Representative: Bob Wettstein & Associates,<br />
672 South Lofayette Pork Place, Los Angeles 5, Colif.
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Your screen grows brighter every<br />
year. It's almost four times<br />
brighter now than in 1938. Yet<br />
the cost of "National" carbon arc<br />
projection is still one of the best<br />
buys in your theatre.<br />
The reason : continued carbon arc<br />
development by "National" research<br />
scientists. Every year,<br />
"National"carbon arcs burn more<br />
brightly, last longer than ever.<br />
Newest addition to the "Supreoc"<br />
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the 65 — 80 ampere range.<br />
Your "National" projector carbon<br />
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BOXOFFICE :: November 16, 1957
EXHIBITORS IN 2ND INTERNATIONAL TRADESHOW<br />
TESMA<br />
SECTION<br />
Firm Ilooth jVo.<br />
American International Film Dist. Corp...310<br />
In Attendance:<br />
I>eon Blender<br />
American Seating Co 64-65<br />
In Attendance:<br />
M. E. Kornbhilh<br />
C. S. Ashcraft Mfg:. Co., Inc 61-62<br />
In Attendance:<br />
Clart-nct; Asluraft<br />
Bausch & Lomb Optical Co— 51<br />
In Attendance:<br />
Robert N. Deneen<br />
Century Projector Corp 59<br />
In Attendance:<br />
Larry Davee<br />
Consumer Products, Inc 45<br />
In Attendani c:<br />
\lanlcn (inoilwiii<br />
Drive-In Theatre Mfff. Co 210-211<br />
In Attendance:<br />
Francis W. Keilliack<br />
Electromode Division of Commercial<br />
Controls Corp _ 203<br />
In Attendance:<br />
E'aul I). Hawkins<br />
General Precision Laboratory 56<br />
In Attendance:<br />
Herbert Barnett<br />
Gordos Corp 215<br />
In Attendance:<br />
George B. Marebev<br />
The Harwald Co - 46<br />
In Attendance:<br />
l!i)lii'rt (Irunwalil<br />
International Seat Division<br />
Union City Body Co., Inc 52<br />
In Attendance:<br />
W. B. Toney<br />
International Telemeter Corp 214<br />
III<br />
Attendance:<br />
Huuanl \liii~ky, I^iin Novins, Carl Leferman<br />
Jerrold Electronics Corp 202<br />
In Attendance:<br />
Selnian M. Krenier<br />
Kollmorgen Optical Corp _ 212<br />
In<br />
Attendance:<br />
Wm. C O'DonncU<br />
LaVezzi Machine Works 216<br />
In Attendance:<br />
T. E. LaVezzi<br />
Lorraine Carbons, Inc 104<br />
In Attendance:<br />
ICdward I.arbrnan<br />
Miracle Equipment Co<br />
In Attendance:<br />
C. W. Abrens<br />
Motiograph,<br />
Inc.<br />
In Attendance:<br />
Fred C. Matthews<br />
46A-47-48<br />
.200<br />
A ONE-STOP exhibit for every<br />
theatre need—that will be the second<br />
International Industry Tradeshow at the<br />
Americana Hotel, Miami Beach, Fla.,<br />
November 20-23. In the nation's largest<br />
privately owned convention auditorium and<br />
exhibit hall theatremen will find displayed<br />
the latest developments in projection ond<br />
sound equipment, theatre furnishings and<br />
concessions equipment and products.<br />
With advance registrations running 30<br />
per cent ahead of last year, the exhibits<br />
put on by Theatre Equipment and Supply<br />
Manufacturers Ass'n and the National<br />
Ass'n of Concessionaires will probably be<br />
seen by more theatremen than ever before.<br />
Exhibit hours will be from 2 p.m. to<br />
6 p.m., November 20; from 1 p.m. to 6 p.m.,<br />
November 21-22 and from 10 a.m. to 2<br />
p.m., November 23.<br />
bi<br />
Booth<br />
Ao.<br />
Motorola, Inc 321-22-23<br />
In Attendance:<br />
Harold J. MeCormick<br />
National Carbon Co 217-218<br />
In Attendance:<br />
V. J. Nolan<br />
Neumade Products Corp 105<br />
In Attendance:<br />
Lee E. Jones<br />
Pic Corp 53<br />
In Attendance:<br />
Cyril von Winrkler<br />
Projection Optics Co - ?4-49<br />
In Attendance:<br />
Fred E. Aufhauser<br />
Radio Corporation of America 100-101<br />
In Attendance:<br />
A. L Piatt<br />
Raytone Screen Co<br />
In Attendance:<br />
Leonard .Satz<br />
'/4-49<br />
J. E. Robin, Inc - 204<br />
In Attendance:<br />
Emil A. Kern<br />
Simplex Equipment Corp<br />
In Attendance:<br />
.\rtluir E. .Meyer<br />
53A-54-55<br />
Stanford Industries 201<br />
In Attendance:<br />
.Stanford Kohlberg<br />
Strong Electric Corp 219-220<br />
In Attendance:<br />
.Arthur J. Hatch<br />
Vido-Sound Corp 50<br />
In Attendance:<br />
John Shelton<br />
Firm<br />
NAC<br />
.ABC Popcorn Co<br />
SECTION<br />
In Attendance:<br />
Mr. & Mrs. R. M. Lambetb<br />
.Mr. & Mrs. W. H. Beaudot<br />
ABC Vending Corp. and Berlo<br />
Vending Co<br />
In Attendance:<br />
Cbarles O'Reilly<br />
Joe Kernell<br />
.Sam Rubin<br />
P. Fliasbnick<br />
Ralpb Pries<br />
J. Slass<br />
Lester Grand<br />
APCO, Inc<br />
In Attendance:<br />
Melville B. Rapp<br />
\V. .Sberman<br />
I. Edelson<br />
K. Feldman<br />
J. Hill<br />
(!bester Merrill<br />
Merwiii Abranis<br />
Arena & Real Pizza Crust, Inc..<br />
In Attendance:<br />
Sal ,\rena<br />
Frank .\rena<br />
Lou .Vrena<br />
Arrow Engineering Co., Inc<br />
In Attendance:<br />
Earl P. Brane<br />
Norman R. Thomas<br />
Automatic Food Specialty Co<br />
In Attendance:<br />
Harn Sloan<br />
Bally Case and Cooler Co..<br />
In Attendance:<br />
Leon Prince<br />
Charles C. Rion<br />
Banner Candy Co<br />
Ill<br />
Attendance:<br />
Nelson Gruntlier<br />
Caryle Newman<br />
Ben Newman<br />
Samson Berman Associates<br />
In Attendance:<br />
Samson Berman<br />
Laura Berman<br />
Bill .Sampson<br />
Mike Janovsky<br />
U.u Malek<br />
Dan Brosner<br />
Blumenthal Bros. Chocolate Co..<br />
In Attendance:<br />
Joscpli Blumentluil<br />
Walter Rotb<br />
Canada Dry Ginger .\le,<br />
In Attendance:<br />
James W. Ellis<br />
I). J. Callahan<br />
Paul Immekus<br />
Paid Allen<br />
Lester Martin<br />
J. F. Mullen, Jr.<br />
Inc<br />
Booth<br />
Ao.<br />
516<br />
.413 through 424<br />
..405<br />
..304<br />
.506<br />
35<br />
.609-610<br />
The MODERN THEATRE SECTION
:<br />
:<br />
Firm<br />
Booth<br />
I\lo.<br />
Firm<br />
Booth<br />
A'o.<br />
Firm<br />
Booth No.<br />
Castleberry's Food Co...<br />
In Attendance<br />
John D. Reynolds<br />
Maurice R. Kay<br />
Don D. Nunamaker<br />
The Coca-Cola Co<br />
In Attendance:<br />
Harold S. Sharp<br />
W. P. Franklin<br />
E. M. Greeson, Jr.<br />
J. H. Hall, Jr.<br />
J. B. Martin<br />
Charles Okun<br />
Cole Products Corp...<br />
In Attendance:<br />
-\lbert Cole<br />
Richard L. Cole<br />
Stanley S. Gaines<br />
Continental<br />
Can Co.,<br />
In Attendance:<br />
R. S. Long<br />
J. S. Lee<br />
Inc..<br />
.400 through 403<br />
7<br />
312 through 315<br />
Continental Vending Machine Corp 15-18<br />
In Attendance:<br />
Dan Carr and Staff<br />
Cramore Fruit Products, Inc.<br />
In Attendance:<br />
.Milton Starkopf<br />
William Warden<br />
Phil Pearlstein<br />
Glen K. Harriss<br />
Henry Moore<br />
Newton Wylie<br />
Mrs. 0. B. Fey<br />
Cretors Corp<br />
In Attendance:<br />
H. E. Chrisman<br />
Curtiss Candy Co<br />
In Attendance:<br />
T. A. Ramsey<br />
Lloyd Sheetz<br />
W. E. Robinson<br />
E. Corley<br />
L. J. Kellough<br />
Dairy Maid Chocolate Co....<br />
In Attendance<br />
Harold Jaret<br />
Caryle Newman<br />
Ben Newman<br />
Dell Food Specialties Co....<br />
In Attendance:<br />
Allan W. Adams<br />
Arthur B. .Adams<br />
David S. Nuciforo<br />
Howard Grant<br />
Diamond Crystal Salt Co..<br />
In Attendance:<br />
Robert C. Williams<br />
John F. Kanz<br />
Drive-In Foods, Inc<br />
In Attendance:<br />
.Milton Rosenblum<br />
Arthur H. DuGrenier, Inc..<br />
In Attendance:<br />
Richard E. Gibbs<br />
Eugene Lane<br />
Sam Taran<br />
Mrs. Lenore Kaplan<br />
Dutch House, Inc<br />
In Attendance:<br />
-Maurice Levin<br />
Stanton Levin<br />
Larry Blumenthal<br />
Kenneth Fell<br />
Sy Adler<br />
Sol Adler<br />
44<br />
.503<br />
36<br />
514-515<br />
.800-801<br />
.304-305-306<br />
31<br />
..505<br />
.802<br />
.407-408<br />
.615<br />
Encyclopaedia Britannica, Inc..<br />
In Attendance:<br />
M. L. Stiles<br />
C. W. Beamon<br />
F & F Laboratories.....<br />
In Attendance:<br />
Fred H. Schonlau<br />
Flavo-Rite Foods, Inc..<br />
In Attendance<br />
Kenneth K. Fell<br />
Larry Blumenthal<br />
Sy .Adler<br />
Solomon .\dler<br />
Food Producers, Inc..<br />
In Attendance:<br />
Herbert Joshua<br />
Larry King<br />
Funspot Magazine....<br />
In Attendance:<br />
.Maynard L. Renter<br />
Robert Hosted<br />
James McHugh<br />
Norm Berkowitz<br />
Marilyn Tarson<br />
General Coffee Co., Inc..<br />
In Attendance<br />
T. C. Streibert<br />
Roger Hefler<br />
Jerome Neuman<br />
Morris Lustig<br />
Vincent Plumpton<br />
-\rthur Sherrill<br />
C. E. Grant and Son, Inc<br />
In<br />
Attendance:<br />
-\Ir. and Mrs. M. E. Grant<br />
Greer Enterprises<br />
In Attendance:<br />
Arthur H. Greer<br />
Paul J. Doh<br />
Heat Exchangers, Inc..<br />
In Attendance:<br />
David Sniader<br />
Robert Lorenz<br />
Henry Heide,<br />
Inc<br />
In Attendance:<br />
Andrew H. Heide<br />
Vincent H. Heide<br />
Victor H. Heide<br />
Eugene E. -Sullivan<br />
George Grobol<br />
Lonne C. Johnson<br />
Ronald Burdette<br />
Henderson's Portion Pak, Inc..<br />
In Attendance:<br />
John W. Weathers, Jr.<br />
Hershey Chocolate Corp..<br />
In Attendance:<br />
L. H. Harkness<br />
P. G. Shultz<br />
W. C. Johnson<br />
J. W. Telford<br />
Hollywood Brands, Inc<br />
In Attendance:<br />
G. R. Edgar<br />
Clarence Walker<br />
Jack Frain<br />
Gerald Epstein<br />
Hollywood Servemaster Co..<br />
In Attendance:<br />
W. W. Latimer<br />
Clarence Bean, Jr.<br />
Leaf Brands, Inc<br />
In Attendance:<br />
Robert H. Goldstein<br />
519<br />
37<br />
.616<br />
.520<br />
..Registration Area-<br />
Caribbean Suite<br />
.518<br />
.618<br />
.317<br />
.316<br />
33<br />
.507<br />
40<br />
42<br />
.604<br />
.607<br />
Lily<br />
Tulip Cup Corp..<br />
//; Attendance:<br />
Lester Dittersdorf<br />
.Murray Zucker<br />
E. C. Scully<br />
W. H. Seldy<br />
Lovitt Enterprises,<br />
Inc...<br />
In Attendance:<br />
.Sidney D. Lovitt<br />
Robert E. Ferguson<br />
Kenneth P. Progin<br />
James B. Fitzgerald<br />
J. Lyons & Co., Inc..<br />
In Attendance:<br />
Jack GledhiU<br />
Ben Singer<br />
Caryle Newman<br />
Ben Newman<br />
Manley, Inc<br />
In Attendance:<br />
Charles G. Manley<br />
Patricia Manley<br />
John F. Saunders<br />
J. L. McDaniel<br />
Mars, Inc<br />
In Attendance:<br />
Ben Bouchard<br />
Art<br />
Wil Begin<br />
Ray Donahue<br />
McDonough<br />
Maryland Cup Co<br />
In Attendance:<br />
Lawrence W. Barber<br />
Warren W. Young<br />
Richard D. Folkoff<br />
Richard P. O'Donovan<br />
-Martin Cain<br />
Bert Silverman<br />
Gil Flatow<br />
Harold .Altman<br />
Curtis J. Richardson<br />
Mechanical Servants..<br />
In Attendance:<br />
Harold Baum<br />
Nehi Corp<br />
In Attendance:<br />
J. B. Cooper<br />
J. W. Hamlin<br />
E. G. Peabody<br />
W. L. Henderson<br />
I. J. -McKenzie<br />
Jack Lintscott<br />
Ernie Withers<br />
The Nestle<br />
Co<br />
In Attendance:<br />
John Fairgrieve<br />
T. .\. Fowler<br />
J. E. Gentry-<br />
Ben Newman Associates<br />
In Attendance:<br />
Ben Newman<br />
Caryle Newman<br />
Orange-CHUSH Co<br />
In Attendance:<br />
Louis Collins<br />
Clifford L. Keefer<br />
Robert E. Hunnell<br />
Robert Gilbert<br />
Phil Briggs<br />
Original<br />
Crispy Pizza Co....<br />
In Attendance:<br />
.\ndrew Virga<br />
.\nita Virga<br />
.\1 Parino<br />
Nick Ponticelli<br />
Dr. Pepper Co<br />
In Attendance:<br />
Robert Stone<br />
William (J. Rautenberg<br />
Charles Hinckley<br />
406<br />
.318<br />
.304-305-306<br />
..508-509<br />
32<br />
10<br />
.409<br />
1-2-3-4<br />
34<br />
.304-305-306<br />
.411-412<br />
..805<br />
..506B<br />
BOXOFFICE :: November 16, 1957
:<br />
Aiiiii:<br />
OF PROJECTION LENSES<br />
Prime Lenses<br />
F1:0 Light Collecting Speed<br />
Thilux^j<br />
Anamorphic Lenses<br />
World's Finest!<br />
PROJECTION<br />
PROJECTION OPTICS CO., INC.<br />
330 Lyell Ave., Rochester 6, N. Y.<br />
m<br />
mi<br />
m<br />
BAMERIC/<br />
AMERICAN<br />
odifc<br />
orm<br />
C<br />
Restful I Chairs<br />
Backs with body-filling<br />
tonioiirs<br />
®<br />
Spring-arch scat construction<br />
TRADESHOW EXHIBITORS<br />
Firm Booth No.<br />
Pepsi-Cola Co 500-501-502, 511-512-513<br />
In Allcndance:<br />
Norman WassiT<br />
Jack Crawfiiril<br />
Sy Brockway<br />
Planters Nut and Chocolate Co 714<br />
In Attendance:<br />
W. P. Malloy<br />
Quaker City Chocolate &<br />
Confectionery Co 38<br />
/// Attendance:<br />
L. G. Hosskain<br />
L. Rosskam, Jr.<br />
A. J. Wiener<br />
A. Josephson<br />
F. Orlando<br />
Reese's Peanut Butter Cups, Inc „ 39<br />
In Attendance:<br />
Robert H. Reese<br />
Jolm E. Cilinan<br />
Rex Specialty Bag Corp 608<br />
//; Attendance:<br />
David Adiman<br />
Irving A. Singer<br />
Leonard C. Gold<br />
Bernard Greisman<br />
Harry P. Ritchie Co 304-305-30G<br />
In tttendance<br />
Dale Newbold<br />
Hugh Doddridge<br />
Ben iNewman<br />
Caryle Newman<br />
Rowe Mfg. Co 600 through 603<br />
In Attendance:<br />
("harlcs H. Briiikmann<br />
Jack Hopson<br />
Robert K. Deutscli<br />
611 through 614<br />
Rudd-Melikian, Inc 12<br />
In Altenilnncc:<br />
L. K. Kndd<br />
K. C. Melikian<br />
The Savon Co 700-701-702-703,<br />
III<br />
Attendance:<br />
Irving Rn^rnjihim<br />
Jerome lleilweil<br />
Mrs. Beatrice Rosenblum<br />
Abe Zimmerman<br />
Harry -Sklar<br />
705, 708<br />
Selmix Dispensers, Inc 710-711<br />
In Attendance:<br />
Arthur B. Segal<br />
David K. Brimdage<br />
(). Follon<br />
Smithfield Ham & Products Co., Inc 504<br />
In<br />
Attendance:<br />
J. C. Sprigg, Jr.<br />
L. M. Leach<br />
Sparkler Manufacturing Co _ 517<br />
In Attrndnnce:<br />
Kieliard J. Stastny<br />
Don I'ric'liason<br />
Sportservice Corp 11<br />
In Attendance:<br />
Jack Zander<br />
J. D. Murray<br />
Steel Products Co 9<br />
In Attendance:<br />
I,. W. Woolfolk<br />
Henry R. Ek<br />
Tom .Sliarpe<br />
Bill<br />
Elliott<br />
Switzer's Licorice Co 41<br />
In Attendance:<br />
Joseph F. Switzer<br />
Jack .'^anc<br />
Rube Johnson<br />
Dave Johnson<br />
Bob Edvartsen<br />
Bud Stiehm<br />
Joe Greene<br />
Sid Goldbert<br />
W Travis<br />
Eddie Heynian<br />
Jim .Strogny<br />
Tekni-Kraft 13<br />
In Attendance:<br />
Dan Greenwood<br />
.Sidney Karr<br />
Tyson-Caffey Corp 516<br />
In Attendance:<br />
\I. M. Caffev<br />
^UA^Lr Caffev<br />
D. J. Van Houten and Zoon, Inc 606<br />
in Attendance:<br />
Jerry Weissman<br />
Stewart H. Griffin<br />
The Vendo Co 300 through 303<br />
In Attendance:<br />
Alex Iraard<br />
C, J. Lambour<br />
J. I.. Burlington<br />
I'. F. Selzer<br />
L. E. Snyder<br />
V. S. Vending Machine Corp 404<br />
In Attendance:<br />
Norman Kasser and Sales Staff<br />
Winchester Carton Corp<br />
In Attendance:<br />
Harry \\ ischusen<br />
Brad Jones<br />
Mae Meyers<br />
506A<br />
Howard VVirth Co 807-808<br />
/;; Attendance:<br />
Howard Wirtli<br />
William Wrigley. Jr., Co 713<br />
In Attendance:<br />
A. G. -Vtwater<br />
H. J. Latham<br />
R. W. Niles<br />
Silent, uniform, .y,-satetyfokl<br />
scat action<br />
Easy, economical<br />
housekeeping<br />
Harinoiii/ing
CANDY MERCHANDISING<br />
—<br />
REFRESHMENT SERVICE<br />
A Three-Point Program Geared to Achieve Longer Profits on Confections<br />
By VIRGIL M. "ANDY" ANDERSON*<br />
To ACHIEVE longer profits on candy<br />
—one must have a plan or program—and<br />
then he must WORK to develop the program<br />
in its entirety.<br />
Too many salesmen just take orders!<br />
Too many buyers are content just with<br />
"status quo."<br />
Too many concessionaires just stock their<br />
cases.<br />
None will ever achieve a full potential.<br />
A handy three-point program is:<br />
1. MERCHANDISE—Or. "Display and<br />
Promote" for profit.<br />
2. DIVERSIFY for profit.<br />
3. BUY for profit.<br />
USE<br />
SHOWMANSHIP<br />
To consider these steps one by one—take<br />
"merchandise" for profit. This means to<br />
use your showmanship to attract attention<br />
to your candy department. Every theatre<br />
manager worth his hire KNOWS how to<br />
sell his pictures and attract patrons. It<br />
may be a "gimmick," a personality—or<br />
praise be—an excellent booking—but in<br />
any event the top manager uses all his<br />
talents—ALL THE TIME—to get patrons<br />
in his theatre.<br />
The "merchandising" of candy requires<br />
the same use of the same talent. You have<br />
your customers in a receptive mood—they<br />
have come to the theatre in a holiday or<br />
festive or pleasant mood. They are most<br />
easy to approach now. So make their eyes<br />
pop out with an eye-appealing mass display<br />
of a new candy item—be it bar, box<br />
or package. But make it big and prominent.<br />
If it is coconut, use some palms—a coconut<br />
and cocoa beans in a display with a sign:<br />
"Nothing but the Best—in Pictures—and<br />
in CANDY." Be corny, be candid, be "candied,"<br />
but let the patron KNOW you have<br />
something to sell and make it so pretty,<br />
so big, so tempting, he can't help but BUY.<br />
In other words, use your SHOWMANSHIP<br />
to sell candy. Are you?<br />
"Diversify" for profit—There is a tendency<br />
to remain "status quo." Evei-ything<br />
in its place—and so much so. the tendency<br />
is to let it remain—in its place. No one<br />
makes money if a product doesn't move.<br />
And the sale on any candy bar in any<br />
candy case will deteriorate if the display<br />
always looks the same. Move "em around.<br />
Many movie stars and starlets have a good<br />
figure—but it is the display and movement<br />
that attracts attention. That creates<br />
that impulse!<br />
And that is what a candy display should<br />
do— "create that impuse" to BUY. Candy<br />
is sold almost 100 per cent on impulse. No<br />
one goes to the theatre to buy candy. That<br />
impulse to buy is created after he gets<br />
there. Change the display each week, and<br />
diversify it by featuring a new product<br />
from time to time. Feature a slow mover,<br />
and be pleasantly sui'prised how easily you<br />
can boost it into a top seller by "creating"<br />
sales and consumers.<br />
Keep all the old standards—the nationally<br />
advertised and accepted products—but<br />
"Anderson Sales Co., Denver, Colo.<br />
don't overlook the quality and promotional<br />
possibilities in a new bar. package or box<br />
of candy.<br />
So diversify with new items. "Gone With<br />
the Wind" is a great picture, but you didn't<br />
feature it each week.<br />
Then diversify with new price ranges.<br />
A ten-cent peanut butter cup is a top<br />
seller. So much so. that adults will buy<br />
"bite-size" pieces in larger units of 25 cents<br />
to $1. Offer and display these higherunit-sale<br />
packages along with your regular<br />
bar sizes. It is amazing how many adults<br />
and kiddies too— will spend 25 cents instead<br />
of a dime if you make it easy for<br />
them to do so.<br />
DIVERSIFY WITH VALUE<br />
Don't diversify price ranges by just<br />
raising profits. Do it by offering equal or<br />
better value in larger-.size units. It is possible<br />
for some buyers to make five cents on<br />
a ten-cent sale. But it is better to make<br />
ten cents on a 25-cent sale. The margin<br />
isn't as great—but the sale's cost is less<br />
and 40 per cent is a beautiful profit on any<br />
sale.<br />
Just make those sales!<br />
A few quick rules about larger-size packages.<br />
Buy only QUALITY. Remember when<br />
the consumer gets a larger-unit package<br />
it will be an overload unless it is GOOD.<br />
Real GOOD! And if it is REAL EXTRA<br />
GOOD, he may buy another package and<br />
take it home.<br />
It was a smart man who first said:<br />
"The<br />
Continued on iollowing page<br />
Tempting moss disploy of a large variety of items is all important in selling candy. Most concessionaires<br />
favor the open display which makes it so easy for the patron to select his preference in candy. A good example<br />
of this kind of display is s/iown here at the stand of the Center Theatre, Edison Center, Miami,<br />
Fla., a neighborhood house.<br />
The candy display can be equally attractive within<br />
the case when neatly arranged and shown in impressive<br />
quantities. The entire corner section at the<br />
Palace Theatre, McAllen, Tex., is devoted to candy.<br />
BOXOFFICE November 16, 1957
—<br />
CANDY MERCHANDISING<br />
Continued from preceding<br />
page<br />
bad taste of poor quality remains long<br />
after the sweetness of low price is forgotten."<br />
So sell<br />
GOOD QUALITY.<br />
In diversifying with larger-unit sales it<br />
is also imperative to PRICE MARK those<br />
items. No one today wants to buy a "pig<br />
in a poke" nor does he want to ask a price.<br />
So feature "Bite-Size—Better Candies" with<br />
a display and a price, and profit with this<br />
diversification.<br />
•Buy for profit"—Bear in mind, you<br />
profit only when you sell what you buy.<br />
And the best way to sell is to display BIG,<br />
quality merchandise. If you buy vendcount<br />
goods, display all of them. Why put<br />
12 bars in a display if you have 120?<br />
Twenty-four count boxes are good, if that<br />
is all you can get. but larger-unit packages<br />
of 72, 100 or 120-count-size will save you<br />
7'/2 per cent to 10 per cent over regular<br />
24 count. So buy the larger-count packages—show<br />
the whole box with a display<br />
and a sign—and you'll sell 120 bars<br />
as quickly as you ordinarily sell 24.<br />
So, use SHOWMANSHIP to merchandise.<br />
DIVERSIFY for plus profit.<br />
BUY to sell in volume.<br />
CANDY SPURS MORE SALES<br />
Selling is a game. Play it hard at the<br />
candy counter and the spirit spreads to<br />
the popcorn and beverage bar. Candy sales<br />
create popcorn and beverage sales. After<br />
a little sweetness your "taste" craves salt.<br />
So satisfy the customers and "salt" that<br />
corn. And then they are thirsty and want<br />
to refresh with a cold drink or a snow cone.<br />
Many indoor theatres today gross up to<br />
30 cents per person. A good average is 18<br />
or 20 cents per person. Drive-ins do even<br />
better because of more products. If your<br />
per capita sales are less than 15 cents,<br />
there is<br />
nothing wrong with your patrons.<br />
It is your concessions that is at fault. Are<br />
you using your SHOWMANSHIP and teaching<br />
your concessions employes to learn<br />
SHOWMANSHIP at the concessions<br />
counter? Are you buying Quality? Don't<br />
be satisfied with status quo. Do SOME-<br />
THING—everyday—every week—to attract<br />
your patrons to your candy counter and<br />
you. too. can gross 18 cents. 20 cents or<br />
more per person. Don't say it can't be done.<br />
Do it. Do it right, and DO IT RIGHT<br />
NOW!<br />
Eastman Kodak Co. recorded net earnings<br />
of $3.40 per share on 19,191,123 common<br />
shares in the first three quarters of<br />
1957. Sales and earnings for the ninemonth<br />
period were the highest ever recorded<br />
by the company. Consolidated sales<br />
in the Eastman United States establishments<br />
in the period were $541,471,866. up<br />
8 per cent over the corresponding period<br />
in 1956. Net earnings after taxes amounted<br />
to $65,655,957.<br />
- TIPS<br />
ON CANDY SELLING<br />
Candy should be placed in the drive-m<br />
concessions line just before the cashier as<br />
the best inducement for patrons to buy.<br />
This is the opinion of most successful concessionaires.<br />
It should not be taken out of<br />
the concessions line and be placed elsewhere<br />
in the concessions building, even though<br />
the flow of traffic might be smoother, because,<br />
just as in supermarkets, it is the<br />
merchandise that is seen that creates the<br />
urge to buy.<br />
Flow of traffic can be speeded by restricting<br />
mints to a .small choice of flavors,<br />
but there should be a variety of bars or<br />
cello<br />
bags.<br />
Some exhibitors believe that only tencent<br />
bars should be handled, but most experienced<br />
concessionaires are convinced<br />
that they should also can-y the smaller<br />
bars to cater to the youngster with only a<br />
nickel in his pocket. There should be no<br />
pressure in forcing the ten-cent bar. While<br />
the five-cent bar isn't desirable from a<br />
profit standpoint, it is from an operational<br />
viewpoint because of the drive-in's aim to<br />
children.<br />
Open, mass displays, available to the patron's<br />
touch, will produce maximum candy<br />
sales. A patron wiU pick up a bar and wait<br />
to pay for it, but he may not wait to be<br />
served from inside a case. While the transaction<br />
time may be the same, the psychology<br />
is not. Shortages from pilferage can be<br />
controlled well within the national average,<br />
it has been proved.<br />
Higher-priced, higher - profit candies<br />
should be given the most prominent display.<br />
Patrons usually have not made up<br />
their mind what they want to buy when<br />
tliey approach the counter, and it is natural<br />
to pick up the first and nearest item<br />
they see.<br />
Active, suggestive selling by concessions<br />
personnel makes all the difference in<br />
whether the concessions operation is successful<br />
or not. "Would you like to try<br />
this delicious, new package of chocolate<br />
almonds?" Such a question, asked of each<br />
patron is bound to sell a percentage of undecided<br />
pui-chasers. Persoimel should be<br />
taught prepared sales phrases and management<br />
should see that these phrases are<br />
actively used.<br />
Contests and incentive plans with worthwhile<br />
rewards will keep the concessions staff<br />
on its toes. Peilodic contests, well planned,<br />
with constant, stimulating follow-ups during<br />
the time of the contest will produce<br />
thousands of dollars of extra business. The<br />
basis of competition must be fair, and there<br />
should be no attempt to maintain interest<br />
over too long a period.<br />
A special kind of candy display was described<br />
recently by Joe Hanley in National<br />
Theatres Showman. He advises:<br />
Get a shallow, circular wicker basket not<br />
over eight inches or so in depth and about<br />
thirty inches in diameter at the circumference.<br />
Procure enough colored metal<br />
foil paper, amber in color: crumple it up<br />
then straighten it out and cover the inside<br />
of the basket with this ruffled foil. Now<br />
place the basket on youi- concessions<br />
counter in a slanting position with the rear<br />
of it about five or six inches higher than<br />
the front.<br />
Arrange a 100 or 200-watt amber spot to<br />
hit directly on the tilted basket, with the<br />
colored foil paper in the bottom.<br />
As the final touch dump a carton or<br />
more of the bar you wish to push that<br />
evening: let it be Almond Joy. Mars. Hershey<br />
Almond or what have you. The pile<br />
of bars, against the metal foil-colored background,<br />
augmented by the amber spot, will<br />
create wonders, believe me!<br />
As your crowning touch top the display<br />
with an attractive, cleverly executed sign<br />
reading SPECIAL TODAY, 10c (or 12c in<br />
in those theatres charging 12c >.<br />
Now watch the patrons buy this "special."<br />
The writer has seen this display worked<br />
daily, day-after-day, with great results<br />
the only difference being that the color of<br />
the metal foil is changed, daily. There are<br />
very attractive metal foil papers in red,<br />
green, royal purple and indigo blue.<br />
Give this a real try and watch sales<br />
jump.<br />
Don't overlook coin-operated vending<br />
machines for selling candy. They can supplement<br />
the stand, relieving some of the<br />
pres.sure at intermission time, take over<br />
when the stand is closed and add materially<br />
to the overall concessions profits. Some<br />
people prefer the vending machine because<br />
they are shy. others won't wait to be served<br />
at the stand, and still others just like to<br />
operate the machines.<br />
An exhaustive Dupont survey has shown<br />
that 90 per cent of all candy is bought on<br />
impulse, and this impulse is excited by seeing<br />
candy on display. This points up the<br />
necessity of giving real thought and effort<br />
to creating attractive displays.<br />
10<br />
The MODERN THEATRE SECHON
CENTER OF COUNTER IS CANDY HOT SPOT<br />
Candy is given top priority at the Granada Theatre, Kansas City, Kas., by being<br />
displayed in the center of the counter. Bars do not butt against each other,<br />
but each confection is separated by about an inch. To add sparkle, dark-color<br />
wrappers are alternated with light ones. Each item thus has an opportunity to<br />
stand apart from its neighboring brand. Backbar decorations are changed with<br />
the seasons and holidays to make the concessions more attractive.<br />
Each Bar Emphasized by Space Separation and Alternating Colors of Wrappers<br />
By<br />
a hit<br />
CHARLES W. BARNES JR.*<br />
Just as the picture "Tammy" was<br />
at the boxoffice, we want our candy<br />
to be a hit to the "tummy." Everyone today<br />
is thinking about his "innards," so we<br />
stock the most highly publicized and established<br />
items in an effort to more successfully<br />
be able to coat the sweet tooth of the<br />
buying public.<br />
With the changing times, we have eliminated<br />
most of the candies that sell for five<br />
cents and maintain only a few bars at this<br />
price to be able to take care of the tots who<br />
have a limited allowance. Generally, we<br />
have learned from our sixth sense that<br />
candy selling for five cents can be advantageously<br />
replaced by its ten cent counterpart.<br />
This forces sales upward in gross.<br />
kept under surveillance to guard against<br />
pilferage, but this is the place where candies<br />
more readily find buyers.<br />
As for the aiTangement of items in the<br />
counter, we endeavor to make each confection<br />
stand apart from its next-door<br />
neighbor by alternating the bar wrapper's<br />
coloring. That is, we vary colorings by placing<br />
a dark colored wrapper next to a<br />
brightly colored one. We do not pack one<br />
We<br />
bar tightly against the row of another.<br />
create little avenues between each bar<br />
which tends to create a neater arrangement<br />
as well as setting apart one brand from another.<br />
Five-cent bars are placed in the<br />
backbar where they are not so readily seen.<br />
Display is one of the most important adjuncts<br />
to our concessions, just as with a<br />
girl standing in the middle of an intersec-<br />
Continued on page 14<br />
ITEMS UP TO 35 CENTS<br />
What is more we stock a few 25. 30 and<br />
35-cent items for those having more ravenous<br />
demands. In any case, we do not believe<br />
in simultaneously handling both five<br />
and ten-cent bars.<br />
Location of candies is an all-important<br />
part of the selling. The center of our candy<br />
counter is felt to be its "hot spot." This<br />
is where we put bars that we want to move.<br />
The left bottom of our counter, generally,<br />
is where we place merchandise that does<br />
not require favored treatment. We also believe<br />
in countertop merchandising. It is<br />
true that goodies placed there have to be<br />
*Manager, Granoda Theatre, Kansas City, Kas.<br />
A revolving table is put into use to push special feature items, such os cellophane bags and large bars, ranging<br />
in price from 25 to 35 cents. The animated display is also used to push items not ordinarily carried,<br />
which are added lor jaded appetites, and (o move slow sellers. This photo also gives a good view of the<br />
backbar display where five-cent bars are displayed.<br />
BOXOFFICE November 16. 1957 11
The fame of<br />
CHERRY<br />
the bottle<br />
SERVE CANADA DRY QUALITY
!<br />
sells the name<br />
on the cup<br />
THE FLAVORS THEV LIKE —<br />
THE NAME THEV KNOW
1<br />
CENTER OF COUNTER IS<br />
HOT SPOT'<br />
Continued from page 1<br />
tion . . . what happens to her is solely dependent<br />
upon her display. So it is with us,<br />
we are constantly revolving our stock and<br />
repositioning it so that it is necessary to<br />
study our stock for appraisal. Turntables<br />
are put into service from time to time and<br />
upon these we feature items that we do<br />
not regularly carry, but which we present<br />
for jaded appetites. For the kiddies, we<br />
stand up their suckers in racks specially<br />
drilled to hold the sucker stick.<br />
A FRESH LOOK ATTRACTS<br />
A fresh look by changing displays both<br />
for counter and backbar trim, to us. is an<br />
important feature in our sales result because<br />
it supplies a constantly new and<br />
different appearance in our concessions<br />
department. Because of this, it draws attention<br />
to the conces-sions and this is a<br />
necessary factor in attracting traffic.<br />
Variety of merchandise is another<br />
important feature towards keeping a high<br />
sales standing.<br />
Selection is all-important, too. because<br />
we want our customers to have a variety<br />
for two reasons. We want them to buy more<br />
and we do not want them to tire of the<br />
"same ole bar." We want them to experiment<br />
with various candies because each<br />
time they do, it rings a pretty little bell,<br />
the one in our cash register.<br />
Likewise, ordering can be governed for<br />
specific attractions because we have<br />
learned that certain programs are conducive<br />
to enlarged concessions grosses. By<br />
paying strict attention to our ordering<br />
procedure, we eliminate the likelihood of<br />
stale merchandise. If w'e find any candies<br />
are losing "buy" appeal, those items are<br />
discontinued. Oftentimes items can be<br />
made to sell by carrying them in the center<br />
of the counter or by designating them<br />
as featured items or as a "special of the<br />
week" and displayed on a turntable.<br />
Apple polishing sells<br />
apples and counter<br />
polishing sells candies. Sparkling cleanliness<br />
is practiced to better entice the buyers.<br />
Just as a pig wallowing in the mud<br />
deters the sale of bacon, so, too, does a disorderly,<br />
unkempt candy counter lessen the<br />
desire to buy.<br />
MUST HAVE ENTHUSIASM<br />
Our job is to snag as much of the theatre<br />
business as we can. Our strongest<br />
guide is our per person sales ratio. We<br />
compute this each week and relay this<br />
information to employes. With this as a<br />
gauge, they have a goal to meet evei-y week<br />
and this whets their enthusiasm. If we<br />
find that an employe lacks this interest, he<br />
is replaced by one with interest; without<br />
interest sales definitely are impaired along<br />
with the appearance and cleanliness of the<br />
concessions.<br />
Cleanliness goes hand-in-hand with attractiveness.<br />
If the eye is caught by the<br />
decor, then it must not be tui-ned away by<br />
disorder and dirt. This not only applies<br />
to the equipment and displays but to the<br />
employes as well, male or female.<br />
Another important asset is "suggestion."<br />
A girl's wink suggests something to a man.<br />
So does an employe's recommendation that<br />
the customer try a new candy or inquire<br />
as to whether the patron has recently tried<br />
a well-established brand.<br />
Good employes and good merchandise<br />
seem to be the twins of a good concessions<br />
business and so we are careful about what<br />
we order and never put a person to worK<br />
without giving careful instruction to the<br />
individual prior to putting him into service.<br />
To keep our stock in good condition, we date<br />
each carton on the day that it is received.<br />
In this way we can safeguard selling the<br />
new stock out before disposing of the older<br />
merchandise.<br />
Whether our patrons enjoy our films is<br />
beyond our control, but we want our concessions<br />
to be a sweet business . . . for<br />
the customers and us.<br />
New Drink Dispenser Plant<br />
Equipped With Automation<br />
An invitation to theatremen who are actual<br />
or potential users of carbonated drink<br />
equipment to visit the new plant of Selmix<br />
Dispensers. Inc., 5-17 46th Road, Long Island<br />
City. N. Y.. has been extended by<br />
Arthur B. Segal, president. Although in the<br />
soft drink equipment manufacturing field<br />
only eight years, the Selmix organization<br />
has become a research leader for new materials<br />
for use in such equipment.<br />
The new Selmix plant is equipped with<br />
automation and electronic devices to take<br />
the element of "human error" out of equipment<br />
manufacture and Segal said that<br />
these procedures will eliminate most of the<br />
"nuisance" service problems that<br />
so-called<br />
have beset the user of all types of this<br />
equipment. The automation and electronic<br />
testing equipment and procedures set up<br />
in the new Selmix plant efficiently evaluate<br />
not only the firm's finished products before<br />
they are shipped to the field, but more<br />
important, they "life"-test new materials,<br />
components and products before they are<br />
incorporated into products, either old cr<br />
new.<br />
The seven years of research Selmix staff<br />
investigators have given to plastics is beginning<br />
to pay off and will result in an economical<br />
flow of equipment that the concessions<br />
operators can afford to buy. Although<br />
the cost of such plastics as are suitable<br />
for use in carbonated beverage dispensing<br />
equipment is still high, Segal<br />
pointed out that they are much lower<br />
priced than they were several years ago.<br />
Selmix. this year, is introducing several new<br />
items in plastics.<br />
Up until the present day, because of the<br />
carbonic acid in carbonated water and<br />
some of the ingredients used in making<br />
concentrates, only metals that would not<br />
contaminate the water, syrup or finished<br />
drink could be used for drink equipment.<br />
Selective Hiring and Training<br />
Of Concessions Employes Vital<br />
To a Successful Operation<br />
By<br />
EMMETT SHANE*<br />
A LTHOUGH merchandise counters<br />
are an integral and important part of our<br />
profit picture, and—like theatres—are here<br />
to stay, unfortunately some of our sales personnel<br />
appear to be somewhat indifferent to<br />
such factors as cleanliness, effective sales<br />
promotion, and the talent of making suggested<br />
sales. Hiring and training of personnel<br />
is one of the most important duties of a<br />
theatre manager. Let us examine some ideas<br />
for the improvement of merchandise personnel.<br />
GIRL MUST FIT<br />
When a candy attendant joins a theatre,<br />
she must be something of a conformist if<br />
the new relationship is to work out satisfactorily.<br />
The girl must "fit" herself into<br />
the structure of the company: she must<br />
blend with its personality: and she must<br />
harmonize her activities with those of her<br />
company. If there is friction between candy<br />
attendant and theatre, both suffer; unless<br />
there is conformity the work is at cross purposes.<br />
The only satisfactory relationship<br />
between a candy attendant and her theatre<br />
manager is a mutual one that benefits both.<br />
The candy girl and her manager have an<br />
interest in the girl's walking, talking, feeling,<br />
and looking like a person who likes and<br />
enjoys her job. Such a girl is loyal to her<br />
theatre, has respect for it. has confidence<br />
in<br />
it.<br />
If a sales girl is uninformed about her<br />
job or theatre, she will express a lack of<br />
enthusiasm that will have a disastrous effect,<br />
and an unfortunate influence on her<br />
customers. You, the theatre manager, have<br />
a responsibility to see that optimism is<br />
generated by keeping your personnel up to<br />
date with company information. Let your<br />
personnel know that your theatre and<br />
company is constantly on the alert to improve<br />
methods, to cut its expenses, to expand,<br />
and to make its employes happier.<br />
Knowledge is a forerunner of optimism.<br />
MOTIVE IS<br />
IN<br />
EMOTIONAL<br />
Since merchandise profits have become<br />
such a necessary part of our business, it<br />
behooves us to examine some of the motives<br />
behind the patrons' desire to purchase. In<br />
most instances the patron has an emotional<br />
rather than a rational motive in the making<br />
of a purchase at a candy counter. By<br />
emotional. I mean that the buyer is buying<br />
with his feelings, his heart, and his<br />
sentiment rather than with his head. In<br />
a sense, most emotional buying is done<br />
without thinking; it is more emotion-controlled<br />
than reason-controlled. When the<br />
buyer makes "emotional" purchases, the<br />
Continued on page 16<br />
"Reprinted from Notional Theatre Showman.<br />
14 The MODERN THEATRE SECTION
BOXOFFICE ;: November 16, 1957<br />
15
Four happy youngsters model the costumes they won in one of the drawings held in six Canadian drive-ins<br />
each night for a two-month period. Purchases of ten or 20-cent Pepsi-Cola entitled the buyers to one or<br />
two chances in the drawing.<br />
Kiddie Costume Draw Steps Up<br />
Beverage Sales at<br />
Drive-Ins<br />
E xcEPTiONALLY fine results in inci-eased<br />
beverage sales and stepped-up<br />
cents-per-person were enjoyed by six drivein<br />
theatres in Canada through a new promotion<br />
called the Pepsi-Cola Kiddie Costume<br />
Di-aw, according to Jack Pitzgibbons<br />
jr.. president of Theatre Confections, Ltd.<br />
Of special interest was the fact that sale<br />
of the 20-cent drinks increased, and that in<br />
some theatres there was an increase in<br />
Pepsi-Cola sales as well as an increase in<br />
cents-per-person even in the face of reduced<br />
attendance over the same two-month<br />
period last year.<br />
A costume giveaway was held each night<br />
at each of the participating theatres, the<br />
costumes consisting of a girl's nurse uniform,<br />
cowgirl outfit, boy's Mountie suit and<br />
cowboy outfit. Costumes were provided for<br />
two different age groups: ages four to six,<br />
and six to ten.<br />
Costumes were furnished to the theatres<br />
for display as well as giveaway, and the<br />
theatres were also supplied with a 30-second<br />
trailer and display cards giving details<br />
of what was available at the concessions<br />
in the way of costumes and giving complete<br />
details as to how they might be won.<br />
The theatres were provided with a roll<br />
of dual concessions tickets. When a child<br />
or adult made a pui-chase of a ten-cent<br />
Pepsi-Cola he received one ticket, and the<br />
other half w^as placed in the drawing container<br />
at the stand. If a 20-cent Pepsi was<br />
Results of Promotion in Sales Increase and Attendance<br />
THEATRE
^ D D ^ ^ f 3 f<br />
NESTLE'S MAKES<br />
THE VERY<br />
^ BEST CHOCOLATE!<br />
»<br />
^ 3 ij ;j D > i »<br />
CRITICS<br />
Your customers appreciate quality!<br />
Your customers recognize<br />
the long-established record of<br />
Nestle's® fine chocolate bars. This<br />
is the kind of quality they want.<br />
Provide it . . . and they'll come<br />
back to you again and again!<br />
More sales . . . more customers<br />
ABOUT NESTLE'S CHOCOLATE<br />
. . . faster turnover — for you!<br />
RAVE<br />
G CRUNCH<br />
MILK CHOCOLATE<br />
QUALITY BRANDS<br />
BUILD TURNOVER!<br />
BOXOFFICE November 16, 1957 17
.<br />
18<br />
.k<br />
THE BUTTERMATIC WARMER FOR QUICK SALES<br />
.^--^5=<br />
fc<br />
'<br />
/<br />
-. 1<br />
Here is a self-contained popcorn center to<br />
organize your buttercorn sales in one<br />
illuminated display featuring a BUTTER-MAT<br />
or BUTTER SERVER, combined cup dispenser<br />
and change unit, and a 200 cup bulk bin.<br />
Keeps 54 prefiUed BUTTERCUPS ready for service<br />
heated to the right temperature.<br />
BEAT THE RUSH WITH HOTRAY<br />
HOTFAY, with regulated radiant<br />
heat, keeps 42 BUTTERCUPS<br />
at 141 degree temperature.<br />
With these attractive, illuminated<br />
trays, you're set tor the intermission<br />
rush. Fill one while<br />
the others sell.<br />
BattATcotn<br />
OTHER "BEST SELLERS": BUTTERCUPS- COLDISPLAY- JUNIOR COLDISPLAY-<br />
BUTTERMAT - BUTTER SERVER- FRONT i REAR SERVICE CANDY CASES- BUTTER CONSOLE- DISPLAY STAGE<br />
SUPURDISPLAY# INC* 1324 W. Wisconsin Avenue, Milwaukee 3, wis.<br />
Theres No Substitute<br />
FOR Experience .<br />
. .<br />
And SPORTSERVICE'S Know-How Stems<br />
From Over 40 Yeors of Experience in Refreshment Catering<br />
"Sportservice has the answer to your concession problems"<br />
for DRIVE-IN Theatres.<br />
Write or Phone—Madison 5014<br />
SPORTSERVICE<br />
703 Main Street Buffalo, N. Y.<br />
The NEW Patented SPEED-SCOOP<br />
Three times more efficient. Scoop and pour o<br />
bagful of popcorn in one single cosy motion.<br />
Mode of light, stoinlcss oluminum. Cool hardwood<br />
hondle. Perfectly balanced for maximum<br />
efficiency ond speed. Only 52.50 of your Theatre<br />
Supply or Popcorn Supply Deolcr.<br />
SPEED-SCOOP<br />
109 Thornton Ave., Son Francisco 24, Calif.<br />
RAISED<br />
CHECK AVERAGES<br />
'increased gross PROFITS.<br />
with JAMES RIVER<br />
SMITHFIELD<br />
• Pork • Beef<br />
• Turkey<br />
FLAVOR SIMMERED<br />
in Genuine<br />
SMITHFIELD<br />
HAM STOCK<br />
BARBEQUES<br />
Vi<br />
BEEF<br />
SAUCE<br />
Add Popcorn Processing<br />
Plant<br />
A new processing plant for handling more<br />
than 25 million pounds of popcorn annually<br />
is being added to the J. A. McCarty Seed<br />
Co., popcorn division, near Evansville, Ind.<br />
J. A. McCarty, president of the firm which<br />
produces and ships bulk popcorn to theatre<br />
concessions distributors, said that the<br />
addition will cost $100,000. It replaces a<br />
company processing facility damaged by<br />
fire last December.<br />
The new plant will include the latest development<br />
in shelling, drying, grading and<br />
treating popcorn for world distribution. Its<br />
construction will consolidate the company's<br />
storage and processing facilities in one general<br />
plant area.<br />
McCarty, who founded the company 37<br />
years ago. also operates a plant at Napoleon,<br />
Ohio. He is a member of the Popcorn<br />
Institute's board of directors. Jim, his son.<br />
is a member of the board of the Popcorn<br />
Processors"<br />
Ass'n.<br />
Right Approach for Sales<br />
A pleasantly aggressive concessionaire<br />
has the fun of stimulating and directing<br />
sales. Most theatre patrons are in a hurry<br />
to get inside to a good seat. They see the<br />
concessions stand, pause for a quick purchase:<br />
the concessionaire says, "Hello,<br />
fresh, hot buttered popcorn?" If the patron<br />
has not already made up his mind, he<br />
is likely to take the suggestion and buy it.<br />
The 'Can I help you?" approach is a waste<br />
of time and puts the patron on his own.<br />
He may hesitate and go on. Also remember,<br />
theatre concessions sales are largely<br />
impulse'.<br />
The planned display and the approach<br />
of the concessionaire can decidedly stimulate<br />
and direct sales!<br />
Build<br />
—Commonwealth Messenger.<br />
Play Equipment Factory<br />
A new factory building on a 15-acre tract<br />
on South Chicago Road. Litclifield. Mich.,<br />
has been completed by Game-time, Inc.<br />
designed to become the center for all the<br />
The new building, a one-<br />
manufacturing activities and general office<br />
of the firm.<br />
floor concrete and glass structure, may be<br />
expanded from either of two sides.<br />
Equipment already installed includes a<br />
metal press weighing 950 tons. Altogether<br />
there are 16 presses for making park, playground,<br />
school and athletic equipment.<br />
Victor E. Brown .ir. is president of Gametime.<br />
Inc.. a wholly owned subsidiary of<br />
Simpson Manufacturing Co., also of Litchfield.<br />
Stainless steel items in a concessions<br />
stand can be cleaned regularly with soap<br />
and water. For accumulations that refuse<br />
to yield to this treatment, use stainless<br />
steel wool and always rub in direction of<br />
the polishing lines.<br />
The MODERN THEATRE SECTION
Sell<br />
—<br />
When You Plan<br />
Refrigeration<br />
And Equipment for<br />
Your Drive-ln,<br />
Call in an Expert for Advice<br />
He Can Show How to Standardize the Entire Range of Storing, Preparing, Serving<br />
By C. K. LITMAN*<br />
When the members of the National<br />
Ass'n of Concessionaires changed<br />
their name to eliminate the word "Popcorn."<br />
the drive-in concessionaires joined<br />
the "big leagues."<br />
Selling popcorn was, and still is, a pretty<br />
simple operation. It doesn't require much<br />
capital, and the entire operation is easily<br />
portable. By itself, popcorn is an easy,<br />
profitable retail business. The ambitious<br />
concessionaire who looked for new fields<br />
for profits after he had the popcorn situation<br />
well in hand found that ice cream,<br />
candy, soda pop. and similar items added<br />
profits without much additional investment<br />
or overhead. And then came such items as<br />
hot dogs, hamburgers and coffee, and the<br />
concessionaire found himself running a<br />
good-sized food service establishment.<br />
STORE HOURS LIMITED<br />
The nature of his business makes the<br />
concessionaire a kind of philosopher. He<br />
calmly accepts the low blows that are dealt<br />
to him by bad weather, by an occasional<br />
impopular film, or by other competitive attractions.<br />
He realizes that he can't control<br />
the size of his "clientele," and that his<br />
store hours are very limited.<br />
But. within the framework of his operation,<br />
where he can control things, our concessionaire<br />
is a hard-thinking, hard-working,<br />
hard-fighting business man. He knows<br />
that to increase his net profit, he must increase<br />
his gross; and he also knows that<br />
even with a larger gross, he might not increase<br />
his net.<br />
He has a double problem, therefore:<br />
First—to increase the gross take; and<br />
Second—to increase it in such a way<br />
that the net is also increased.<br />
ers; point of purchase promotions— these<br />
are all necessary if more and higherpriced<br />
items are to be sold to more people.<br />
But. how to do all these things and still<br />
have something left in the cash register<br />
that's where it gets rough.<br />
The concessionaire who is in or already<br />
past the hot dog-coffee-hamburger stage,<br />
which means that he is selling or thinking<br />
of selling such items as pizza, shrimp, hot<br />
pastrami, and others, is a food service operator<br />
whether he knows it or not.<br />
SPECIAL CONSIDERATIONS<br />
As a food service operator, he has these<br />
things to consider:<br />
II<br />
The menu must be varied;<br />
2) The menu must be planned around<br />
foods or types of foods that are<br />
suitable for evening .service during<br />
a short intermission;<br />
3 1 The menu foods must be of types<br />
that can be prepared at the last<br />
minute so that sudden changes in<br />
the weather or similar disturbances<br />
will not cause large losses due to<br />
foods that could not be held over;<br />
or they must be the kind of foods<br />
that keep easily.<br />
All this requires planning, and we urgently<br />
suggest that the ambitious concessionaire<br />
use professional planning service.<br />
Such professional planning service is available<br />
in every metropolitan area in the<br />
country. Many equipment manufacturers,<br />
fabricators, dealers, and consultants are<br />
available and have a high degree of skill<br />
at designing layouts and specifying equipment<br />
to do the job properly.<br />
In order to emphasize the importance of<br />
making full use of all of the knowledge<br />
that is available, we would like to make a<br />
number of observations and comments that<br />
may well serve the concessionaire as a<br />
guide for his preliminary planning.<br />
The first step in the planning of a good<br />
food service operation is to determine type<br />
of menu. This doesn't mean that the complete<br />
menu must be written before the<br />
equipment is planned. It does mean, however,<br />
that decisions must be made on the<br />
general types and classes of foods that will<br />
be served.<br />
When the type of menu is decided, this<br />
decision will then influence the decisions on<br />
types of equipment that will be needed.<br />
There are tremendous savings to be realized<br />
at this stage because a smart approach to<br />
menu and equipment can mean a widely<br />
varied menu with a minimum investment<br />
in equipment.<br />
DETERMINING SIZE OF LAYOUT<br />
Then, estimates of number of customers<br />
and sales volume will be used to determine<br />
size of equipment and layout.<br />
That's all. It .sounds simple, and there<br />
is no rea.son why a brand new concessionaire<br />
can't do his own design and layout<br />
work, and specify his own equipment, and<br />
come up with a first class layout. BUT.<br />
Continued on page 72<br />
PORTION CAPACITY USING PAPER PORTION CONTAINERS<br />
THREE<br />
METHODS TO PURSUE<br />
To increase his gross, the concessionaire<br />
can only look to one or more of these three<br />
things:<br />
1> Sell higher-priced items;<br />
2 1 Sell more items to each customer:<br />
1<br />
3 to a higher percentage of potential<br />
customers.<br />
Any aggressive operator knows the techniques<br />
of increasing gross along these lines<br />
—a widely varied menu; good food, properly<br />
prepared and attractively served in<br />
pleasant surroundings; effective film trail-<br />
"Preiidenf, Koch Refrigerators, Inc.
Needing<br />
Needing<br />
I refrigeration<br />
-<br />
CALL IN AN EXPERT<br />
Continued from page /9<br />
it may take him fifteen or twenty years<br />
to build up the necessary experience, and<br />
meanwhile, who will be "watching the<br />
store"? Excuse the interruption, but we<br />
can't resist the temptation to urge again<br />
that professional layout service be u.sed.<br />
The professional can be of real moneysaving<br />
service because he is a collector of<br />
other peoples' experience. He knows the<br />
mistakes that have been made, and he<br />
knows the good moves as well. He is familiar<br />
with "old reliable" equipment, and<br />
he knows the new items. For example, the<br />
classic items of equipment for a short order<br />
operation have been the grill and the deep<br />
fat fryer. These are now supplemented, but<br />
not necessarily replaced, by electronic, pressure<br />
frying equipment. These new items<br />
and new methods add greatly to the short<br />
order<br />
menu possibilities.<br />
PROFESSIONAL KNOWS WHOLE STORY<br />
The professional also knows the whole<br />
story on prefabricating, preportioning, and<br />
precooking. With proper planning, the<br />
drive-in concessionaire can serve a full<br />
menu without employing more than the absolute<br />
minimum of skilled help. Hamburgers<br />
and other meat patties are available already<br />
ground, seasoned, and portioned;<br />
shrimp, fish sticks, and similar items are<br />
breaded and ready to cook; Fi-ench fries<br />
and onion rings are partly cooked or ready<br />
All of these, and many<br />
to cook; and so on.<br />
more items are available for short time<br />
storage in medium temperature refrigeration,<br />
and many of them are available<br />
frozen, and can be stored for periods up to<br />
several months. With these frozen portioned<br />
foods, particularly the ones that are<br />
partially precooked, the time between the<br />
opening of the freezer door and the ringing<br />
of the cash register is only a matter of<br />
minutes. And. of course, that minimum<br />
time means minimum waste, minimum<br />
spoilage, and minimum loss to the operator.<br />
CAN EASILY STANDARDIZE<br />
The professional can demonstrate that<br />
because of newly designed equipment, the<br />
concessionaire can standardize with a very<br />
few sizes of trays and pans and can use<br />
these sizes throughout the entire range of<br />
storing, preparing, and serving. The 12x20<br />
pan, as an example, is available from many<br />
manufacturers in several depths and in<br />
either of two materials—stainless steel or<br />
aluminum—and all are completely interchangeable<br />
with each other. These pans<br />
arc completely at home, without waste of<br />
space, in many of the new steamers, pressure<br />
cookers, and ovens; in recently designed<br />
refrigerators; and in food warmers<br />
and service equipment. By using these, or<br />
similar containers, and by using equipment<br />
that is matched throughout and that is<br />
designed for the containers, much rehandling<br />
and cleaning is eliminated. In<br />
addition, using uniform containers and uniform<br />
food portions enables the operator to<br />
know exactly what the capacity of his<br />
22<br />
equipment will be. For example, the 12x20<br />
pan that is nominally two inches deep will<br />
hold approximately seven quarts of fluid<br />
or semisolid material, which will make up<br />
into about 50 four-ounce portions. That<br />
same pan will hold right at ten cut-up<br />
frying chickens, or about 100 generous hamburger<br />
patties.<br />
KNOW CAPACITY OF PANS<br />
Any manufacturer of cooking equipment<br />
that is designed for these pans can tell<br />
exactly how many of them will go into his<br />
unit at a time, and the same is true for<br />
refrigerator manufacturers, steam table<br />
and warming table manufacturers, etc.<br />
The chart on "Storage Capacities. 14x18-<br />
inch tray and 18x26-inch pan." illustrates<br />
material that is available through the professional.<br />
The drive-in concessionaire who becomes<br />
a food service operator will need storage,<br />
preparation, and serving equipment. He<br />
will dispense foods that come in these various<br />
categories:<br />
1 ) Needing<br />
2 1<br />
' temperature<br />
no particular preservice<br />
care: candies, etc.<br />
normal (about 40<br />
refrigeration: soda<br />
pop.<br />
etc.<br />
3i Needing low temperature 'about<br />
only: ice cream,<br />
4 1<br />
etc.<br />
cooking or warming, but<br />
no particular precooking care: coffee,<br />
popcorn, toast, hot rolls, etc.<br />
5) Needing cooking or warming, and<br />
normal temperature refrigeration<br />
before cooking: hamburgers, hot<br />
dogs,<br />
etc.<br />
61 Needing cooking or warming, and<br />
low temperature refrigeration before<br />
cooking: shrimp, pizza, etc.<br />
Then, if we consider the variety of special<br />
cooking equipment and different kinds<br />
of cooking, we multiply these categories<br />
many times. And it looks as though an<br />
army could be fed from the layout we are<br />
leading up to. But not so. By judicious<br />
use of re-usable and single-service items,<br />
by clever combinations of flexible pieces of<br />
multipurpose equipment, and by strictest<br />
dependence on portion control, the layout<br />
is made compact and appropriate for the<br />
drive-in<br />
operation.<br />
FOR<br />
SUCCESSFUL OPERATION<br />
A drive-in concessions, if it is to be a<br />
food service operation in a real sense, can<br />
only be profitable if designed carefully,<br />
with every item planned and integrated<br />
into a unified whole. If this is done, it<br />
can and will be profitable. But there is no<br />
room for sloppy design or layout. With<br />
limited customer list and very limited serving<br />
lime, the drive-in concessions must operate<br />
smoothly and efficiently. In fact, it<br />
calls for the very highest degree of planning<br />
skill. But. planned and operated<br />
properly, it has a "captive audience." with<br />
no competition, and infinite possibilities.<br />
Watch (or speciol features on maintenance and<br />
sanitation in Modern Thcotrc, December 7,<br />
Young Draftsman Mighty Man<br />
In Dollar-Shoveling Feat<br />
How many silver dollars can a man<br />
shovel in a minute when he knows that he<br />
may keep all of them?<br />
That was the big question posed in Canada<br />
Dry's silver dollar Sweepstakes contest<br />
which drew more than 3,100.000 entries<br />
and resulted in the three top winners carrying<br />
off nearly $50,000 in silver dollars.<br />
Tom Watson, 19, a Battle Creek, Mich,,<br />
draftsman earned the top prize by shoveling<br />
$37,500 out of Canada Dry's mountain<br />
of 250.000 silver dollars at the Waldorf<br />
Canada Dry Sweepstakes winner, Tom Watson,<br />
seated, /s pictured on the stage at the Waldorf-<br />
Astoria ballroom a few moments after he finished<br />
shoveling 37,500 silver dollars in five minutes, the<br />
entire amount becoming his prize money. Congratulating<br />
Watson is Roy W. Moore jr., president<br />
o/ Canada Dry, with a portion of the pile of 250,000<br />
silver dollars visible between them.<br />
Astoria in New York, after having w^on the<br />
right to work for five minutes. Watson's<br />
amazing feat figured out at the rate of $125<br />
per second or $7,500 per minute. His winnings<br />
weighed 7 '2 tons! Watson, after being<br />
advised that he had won the right to<br />
keep all the dollars he could shovel in five<br />
minutes, practiced by shoveling steel washers<br />
at the plant where he works. His acccmplishment<br />
far exceeded the tests Canada<br />
Dry had made with a husky shoveler<br />
before announcing the contest, the test<br />
shoveler indicating that $3,000 a minute<br />
was a good average rate.<br />
However, even the runners-up, both<br />
women, exceeded the test-shoveler's efforts.<br />
The second prize winner spaded $7,700<br />
in two minutes and the third prize winner<br />
made the most of a one-minute go at the<br />
pile of dollars to earn $3,150.<br />
"The Sweepstakes," said Ralph Nims,<br />
Canada Dry vice-president, "was a little<br />
bit more expensive than we had figured on,<br />
but it was one of the most successful promotions<br />
we ever had, by a country mile."<br />
Ai.sle selling has been in existence since<br />
the days of Shakespeare and it is still<br />
paying off today—at both drive-ins and indoor<br />
theatres.<br />
The MODERN THEATRE SECTION
Arnenca's<br />
Orange<br />
The Drink<br />
Asked For By Name<br />
Everywhere<br />
Your Customers ask for Orange-CRUiH<br />
THIS MEANS VOLUME<br />
TURNOVER, AND BIG<br />
, RAPID<br />
FOR YOU!<br />
Orange-CRUSH Company<br />
MAIN gnrPFP-r fx/AMc^tom ILLINOIS<br />
BOXOFFICE :: November 16, 1957 23
ffUeatn^ MtuHUname<br />
. , Questions<br />
and Answers<br />
by dry cleaners. Diluted hydrofluoric acid<br />
is also used to remove rust stains from<br />
fabrics but its use calls for some skill.<br />
Hydrogen peroxide sometimes serves but<br />
may take the natural color out of the rug.<br />
When ycu shampoo your carpet again place<br />
pieces of cardboard under the casters until<br />
the carpet is entirely dry.<br />
This regular Modern Theatre feoture is conducted by Dave E. Smalley, contributor to many<br />
important magazines on mointenance and editor ot Better Maintenance Magazine. Questions from<br />
exhibitors ore welcomed. Address them to Theatre Maintenance, The Modern Theatre, 825 Von<br />
Brunt Blvd., Kansas City 24, Mo. Enclose stamped, self-addressed envelope for personal reply.<br />
Q REPLACING OLD ASPHALT TILE<br />
We liave an old asphalt tile floor i7i<br />
our lobby which has become broken in<br />
places, loom and generally shabby. We<br />
want to replace it with a new floor and<br />
would like to have your suggestions as to<br />
the ki7id of floor best suited for a theatre<br />
lobby. Our sub-floor is good, solid concrete.<br />
If we install another floor, must the<br />
old asphalt be first removed and if so.<br />
hoiu is it done?<br />
H First let us say. regardless of the kind<br />
of new floor you install, the old asphalt<br />
tile must be removed. There is a machine<br />
now which does the job rapidly. However,<br />
you can do it with a blowtorch and trowel.<br />
As to the kind of new floor we would suggest,<br />
there are the vinyl-asbestos tiles and<br />
the oxychloride. The former looks like asphalt<br />
tile but is brighter and much more<br />
durable. The oxychloride is a cement which<br />
is troweled on and dries in a hard smooth,<br />
semiglossy finish of any color desired.<br />
Oxychloride cement mixed with marble<br />
chips gives an excellent terrazzo floor. The<br />
latter must be ground down, of course, like<br />
conventional terrazzo.<br />
pRUST STAINS ON CARPETING<br />
• After shampooing the carpeting in our<br />
foyer last spring we evidently returned the<br />
furniture before the carpet was dry. This<br />
resulted in the metal casters of the chairs<br />
and davenport rusting and causing some<br />
bad stains. Can you suggest a way to remove<br />
these stains without injuring the<br />
carpet?<br />
H There is a patented preparation known<br />
as "Erusticator," designed for removing<br />
rust from fabrics and used particularly<br />
pTO REPLACE BROKEN TILE FLOOR<br />
We have an old vitrified tile floor in<br />
our lobby, many tiles of which are broken.<br />
Some tiles are gone and a lot of those remaining<br />
are so discolored it hardly seems<br />
worth while to repair the floor. As it is<br />
now, the floor is too rough to cover it urith<br />
a resilient tile. To do so would mean removing<br />
all the old tile which would be a<br />
big and expensive job. Is there some ki7id<br />
of material which can be troweled 07i to<br />
cover the old floor?<br />
H The answer is yes. Oxychloride cement,<br />
of any color you choose, can be<br />
successfully troweled over the old tile<br />
floor, resulting in a very durable, attractive<br />
floor and at no great expense. If you wish,<br />
marble chips can be added to the oxychloride<br />
mix to produce a terrazzo floor<br />
which cannot be told from conventional<br />
terrazzo.<br />
Commissions or bonuses for increased<br />
sales help to produce the desired results<br />
at concessions stands.<br />
PTHEATRE AV\AARD AVINNER!<br />
America's<br />
No. 1<br />
MARSH MALLOVS/<br />
BAR<br />
• GOLDEN ROASTED PEANUTS<br />
• VANILLA MARSHMALLOW<br />
• RICH MILK CHOCOLATE COATING<br />
^ /<br />
PAUL F.<br />
r^..^<br />
BEICH CO<br />
BLOOMINGTON. ILLINOIS<br />
"Whiz" recently received<br />
this award as one of the<br />
best sellers in 1957 among<br />
products oflfered at motion<br />
picture theatres throughout<br />
the U. S.<br />
QUALITY CANDIES<br />
FOR OVER 100 YEARS<br />
24 The MODERN THEATRE SECTION
Result: Colorful cup designs created especially for<br />
For vending machines or over-the.<br />
counter service, Lily has the cup that<br />
puts new sparkle in your beverage<br />
and popcorn sales.<br />
Turning to the wonders of electronics<br />
helps The Man With The Lily Plan turn<br />
up exciting new cup designs. Here he<br />
studies figures from an electronic calculator—figures<br />
that show the important<br />
part design plays in impulse sales of<br />
popcorn and beverages.<br />
Probing of this type led to the development<br />
of these three proven profit<br />
makers:<br />
Trouble-free vending cup<br />
The Lily* vending cup with red leaf<br />
design is perfect for all cold drinks.<br />
Precision rolled rims assure trouble-free<br />
dispensing; specially treated sides<br />
theatre<br />
concessionaires<br />
(And now<br />
eliminate possibility of leakage. .Available<br />
in six. seven and ten ozs.<br />
a new ten-oz. size is available for new<br />
malted milk dispensing machines.)<br />
The Lily popcorn vending cup, printed<br />
in a rousing red and yellow carnival<br />
design, has that exciting come-hither<br />
look that spurs your im|)ulse sales, it's<br />
rugged as a two-fisted<br />
movie hero— will<br />
not lose shape. 24 oz. size for automat iior<br />
over-the-counter «prvire.<br />
A cup that sells your entertainment<br />
The Lily theater design cold cup sells<br />
your movies as well as your soft drinks.<br />
Heavy wax coating lets you prefill cups<br />
before the rush, maintains coldness and<br />
carbonation. Six sizes. 7 to 18 ozs.. each<br />
size in<br />
a different color.<br />
Want free samples or<br />
more information on how The Man ^ ith<br />
The Lilv Plan can increase your beverage<br />
and popcorn sales? .lust write:<br />
Lily-Tulip Cup Corporation. 122 East<br />
42nd Street. New York- 17. Neiv York.<br />
*T.M. Ref-. IS. Put. Off.<br />
BOXOFFICE :: November 16. 1957 25
-<br />
Theatre Vending Equipment<br />
To Be Shown at the Miami<br />
International<br />
Tradeshow<br />
Indoor and outdoor theatre vending<br />
equipment developed by the special marketing<br />
division of Rowe Manufacturing Co.,<br />
working directly with concessionaires, independent<br />
theatre operators and theatre<br />
circuits, w^ill be exhibited at the National<br />
Ass'n of Concessionaires convention Nov.<br />
20-23 at Miami. Fla. The machines, which<br />
vend candy, cigarets, soft drinks, coffee,<br />
hot food, cake and pastry, gum, milk and<br />
canned fruit juices will be exhibited in<br />
booths 600-603 and 611-614 in the Americana<br />
Hotel. Charles H. Brinkmann, Rowe<br />
vice-president in charge of sales. Jack<br />
Hopson and Robert K. Deutsch will be in<br />
charge of the di.splay.<br />
MOST FOR IMMEDIATE DELIVERY<br />
Except for the new coffee vendor, all of<br />
the machines in the exhibit are available<br />
for immediate delivery. Deliveries on the<br />
coffee vendor are expected to begin within<br />
60 days. Each of the units has been location-tested<br />
successfully as a "round-theclock<br />
salesman," providing additional service<br />
while the theatre concessions stand is<br />
open, taking over when the stand is closed<br />
and substituting for the concessions stand<br />
at all times in smaller situations.<br />
Charles H. Brinkmann Jock Hopson<br />
Shown for the first time at any theatre<br />
show will be Rowe's six-unit "drive-in theatre<br />
package." It includes the new 11-column<br />
Rowe Candy Merchant; the Rowe<br />
1,000-cup capacity, four-selection cold<br />
drink vendor; the 14-column Ambassador<br />
cigaret vending machine; the new fresh<br />
brew Rowe coffee vendor; the Rowe "showcase"<br />
hot food vendor, which vends seven<br />
different kinds of canned foods, and a fiveselection<br />
pastry and cake vendor. All of<br />
these units have the typical Rowe "showcase"<br />
front.<br />
Also to be exhibited by Rowe is a special<br />
three-unit indoor theatre package of<br />
matched showcase vendors. The units in<br />
this package are the 11 -column Rowe<br />
Candy Merchant, the 1.000-cup capacity<br />
four-selection cold drink vendor and 14-<br />
column Ambassador cigaret vending machine.<br />
Each of the units in the indoor theatre<br />
package is available individually.<br />
Other outstanding features of the Rowe<br />
exhibit will be the Rowe-2000 theatre<br />
model, a four-selection cold drink machine<br />
with 2.000-cup capacity; the Rowe 160-<br />
pack capacity five-cent gum vendor, adaptable<br />
to attaching to a wall, another vendor<br />
or to a concessions stand; and a milk and<br />
canned fruit juice vendor of which Rowe<br />
is<br />
distributor.<br />
Guests will be entertained after exhibit<br />
hours at an open house in the Lanai Suite<br />
at the Americana Hotel.<br />
Step Up Sales<br />
Promotion<br />
Groundwork for greatly increased sales<br />
in 1958 is being prepared by executives of<br />
the Dr. Pepper Co. even as the firm is experiencing<br />
rising sales, following a slow<br />
1957 start. Sales in September were 7 per<br />
cent higher than a year ago. according to<br />
Wes Parker, executive vice-president, who<br />
said that the company is pleased with<br />
progress being made.<br />
The firm's position ha,s been strengthened<br />
by the addition of 20 new plants since<br />
January 1 and by the consolidation of other<br />
bottling and distributing plants to improve<br />
sales in previously franchised areas. Supplementing<br />
these organizational efforts, the<br />
Dr. Pepper Co. is centering a more unified<br />
advertising program on sales and merchandising<br />
promotions. Parker said that<br />
the firm's advertising budget for 1958 will<br />
exceed anything the company has ever invested<br />
for this purpose.<br />
26 The MODERN THEATRE SECTION
.<br />
:(r?' fiy [L /<br />
'00<br />
->n<br />
i^:<br />
^<br />
SHO\A/CASE VENDOR<br />
FOR THE THEATRE<br />
Indoot. . . Outdoor.<br />
.<br />
^/5T4b (=<br />
'cS'<br />
"r\<br />
«^^,<br />
\\'<br />
':MQ M<br />
cold<br />
clrinvk!<br />
:-¥ »<br />
s a e<br />
% ^n^Ui<br />
l^rTTTT<br />
* -t 1L_Sl_.<br />
TFTT<br />
:!-» ^ _#___» » *Li-^ «L*><br />
^<br />
V<br />
SELL MORE DRINK<br />
CANDY. .<br />
E EXCLUSr<br />
ever developed for theatres.<br />
IfvCTWS<br />
Write for details IM<br />
. CIGARETTES<br />
• Matched vendors with the most talked about feature<br />
in vending today ... the Rowe showcase. Attracts more<br />
people to make more sales. The finest merchandisers<br />
ANUFACTURING COMPANY, INC.<br />
OFFICE: 3, F ,7,H 5., New Yor. 3. N. Y. Tel: ALsor,^.,n 4 73<br />
SALES D Salei Qlli 2024.26 S. Wabash Ave., Chicogo. Hi<br />
44) Armour Drive. N.E., AHaMo. Go<br />
5435 West Washington Blvd., los Angeles, Cni'<br />
America's Automatic Merchandising Family- From A Single Uni t To A Full Line Vending Installation<br />
I
Patrons of this 630-(ar Georgia theatre add to the pleasure<br />
of seeing a good show by the enjoyment of<br />
a complete dinner in an attractive,<br />
air-conditioned dining room.<br />
Hungry patrons of the North 53 Drive In Theatre, Rome, Go , may enjoy comp'eie<br />
meals in this attractive dining room while watching the picture on the<br />
screen The screen is just out of the picture to the left. Patrons may elect<br />
to be served at the tobies, or may make their selections at the cafeteria concessions<br />
and take their trays to the dining room. Dinners range from $1 for<br />
hamburger and shrimp plates to $1 .2S for chicken plates.<br />
DINING ROOM AUGMENTS TWO-LANE CAFETERIA<br />
Table Service for 200 Patrons in<br />
This Drive-In Theatre Restaurant<br />
3iNCE MANY theatregoers have a<br />
natural inclination to dine out on evenings<br />
they attend a movie, the Lam Operating<br />
Co. ha,s provided the means to channel the<br />
money such patrons spend on restaurant<br />
food and service into<br />
the bank account of<br />
its North 53 Drive-In. Rome. Ga. Fi-onting<br />
the 40xl00-foot concessions building at this<br />
attractive drive-in is a 200-chair dining<br />
room where patrons may order and enjoy<br />
complete meals while watching the screen<br />
program through a mammoth Thermopane<br />
picture window.<br />
The dining room is both air-conditioned<br />
and furnace-heated for year-round comfort.<br />
In pleasant weather, additional table<br />
service is provided in the twin patios, located<br />
en either side of the dining room,<br />
each patio accommodating 100 patrons at<br />
the tables and in stadium-type seats.<br />
A concessions staff of eight is employed at the North 53 to handle the kitchen, the two-lane cafeteria and<br />
the dining room. Both lanes converge at the single cashier station.<br />
KITCHEN SERVES<br />
BOTH AREAS<br />
Customers have a choice of being served<br />
by the dining room staff or making personal<br />
.>;elections at the two-lane concessions cafeteria<br />
and taking their trays to the dining<br />
room tables. The cafeteria serving counter<br />
is in the room immediately behind the dining<br />
room. The kitchen serving both the<br />
dining room and the cafeteria is set up in<br />
a fan-shaped arrangement behind the cafeteria<br />
area. A staff of eight has been trained<br />
to work interchangeably in all three areas.<br />
Feature items in the North Star 53 dining<br />
room are chicken plates. $1.25: shrimp<br />
Continued on page 30<br />
28 The MODERN THEATRE SECTION
Because they like<br />
light refreshment,<br />
people are saying: "Pepsi, Please"!<br />
Good news for theatre operators— because<br />
Pepsi means more driyiks per gallonmore<br />
profit per drink, too!<br />
See Mory Morlin In<br />
"Annie Get Your Gun,"<br />
live in color, NBC-TV,<br />
Thanksgiving Eve, Nov. 27.<br />
BOXOFFICE :: November 16, 1957 29
DINING ROOM AUGMENTS CAFETERIA<br />
Continued from page 28<br />
The attraction panel of the North 53 is topped by a handsome name sign.<br />
the twin boxoffices. Parking area is to the left of the boxoflice.<br />
Wide approach drives lead to<br />
and hamburger steak dinners, $1, and pizza<br />
for either 60 cents or SI. Also available at<br />
the cafeteria counters are all kinds of sandwiches,<br />
soft drinks, coffee, popcorn, pie,<br />
snow cones and candy.<br />
The kitchen is equipped with toasters,<br />
deep fat fryers, oven, griddles, steam cabinet,<br />
bun warmers, ice machine, coffeemaker<br />
and soft drink dispensers.<br />
Cigaret and candy vending machines are<br />
located near the cafeteria serving counters.<br />
The concessions building, which is positioned<br />
in the center of the theatre's seventh<br />
ramp, is open only during show periods.<br />
Interesting architecture is a feature of the boxoffices and canopy. Traffic at the North 53 is handled by<br />
off duty city policemen wearing theatre uniforms. Note the sign on the right boxoffice directing trucks<br />
to drive to tfre right of the canopy.<br />
ROOM FOR 300 WALK-IN PATRONS<br />
The North 53 Drive-In, which can accommodate<br />
630 cars and 300 walk-in customers,<br />
was opened last March as the<br />
newest unit in a circuit of five drive-ins<br />
owned and operated by the Lam Operating<br />
Co. It occupies 20 acres three miles north<br />
of Rome on Highway 53 and represents an<br />
investment of $250,000 in land, construction<br />
and equipment.<br />
Since the Lam firm pioneered in striking<br />
architecture in drive-ins. the North 53 was<br />
designed by Art Clevenger. Rome architect,<br />
to conform to the Lam theme of beauty as<br />
well as service. The driveway entrance is<br />
The screen picture size is 65x122 feet. Projection facilities are in a concrete block and brick building<br />
several yards in front of the concessions building. Bright panels of color form the background of the<br />
children's playground in front of the screen and the equipment is painted in gay colors. Cartoon characters<br />
are set against the colored panels.<br />
The deep fry center in the North 53 kitchen where<br />
chicken, shrimp and French fries are prepared. Note<br />
the large ventilating hood over the fryers. Walls<br />
are tiled for easy maintenance.<br />
•l"^MxT\<br />
View of the 40x100-foot concessions building, which is located in the center<br />
of the theatre's seventh ramp. Diners in the air-conditioned dining room may<br />
view the picture through the window wall, while others may watch it from the<br />
patios at each side of the building.<br />
One of the outdoor patios at the North 53, showing the excellent view of the<br />
big screen. The theatre is located on 20 acres of land, three miles north of<br />
Rome on Highway 53. The 630-car situation represents an investment of<br />
$250,000 by the Lam Operating Co.<br />
30 The MODERN THEATRE SECTION
. .<br />
lined with boxwood, flowers and velvety<br />
green lawns. Beige brick, flower boxes and<br />
trim, modern lines are used effectively at<br />
the dual-lane boxoffice. A louvered wooden<br />
fence, painted barn red. surrounds the ramp<br />
area and there is an abundance of pines,<br />
cedars, roses, camellias, azaleas and boxwood.<br />
There is a circus look to the free playground<br />
area, just under and in front of<br />
the screen. Bright panels of color form a<br />
background and the equipment is gaily<br />
painted. An attractive barn-red cottage at<br />
the rear of the ramps, the residence of the<br />
caretaker, adds to the pleasing appearance<br />
of the grounds.<br />
Projection facilities are in a concrete<br />
block and brick building several yai-ds in<br />
front of the concessions building.<br />
Traffic control at the North 53 Drive-In<br />
is handled by off-duty Rome policemen<br />
wearing theatre uniforms. Kelly Williams<br />
is manager.<br />
atres lagged behind other concessions developments<br />
for a considerable time, due to<br />
the bulk type of dispensers used and the<br />
inconvenient method of refilling them. Ice<br />
had to be cracked, water and syrup added<br />
during intermission when the demand for<br />
refreshment was at its peak. The unappetizing<br />
appearance of the old type dispenser,<br />
after it became sediment-caked,<br />
was another factor working against sales.<br />
All these inconveniences in over-thecounter<br />
sales of noncarbonated beverages<br />
have been overcome. With the Jet Spray<br />
model in use at the Savoy Theatre, for instance.<br />
Miss Buell is able to offer her patrons<br />
a cold, uniform flavor, noncarbonated<br />
beverage in a compact, electrically<br />
operated dispenser that takes up only one<br />
square foot of counter space. The unit can<br />
handle three gallons of beverage a minute<br />
and keep every drop refrigerated, fresh<br />
and sediment free. Assuring sanitation, the<br />
machine is equipped with a large drip tray<br />
that lifts off for fast cleaning and a sterilizer<br />
lamp that dispels odors, repels insects<br />
and prevents mildew.<br />
Appointed Advertising Manager<br />
Saul A. Fern has been appointed advertising<br />
manager for the Pullman Vacuum<br />
Cleaner Corp. He formerly was associated<br />
with Pern & Associates. Pi-ovidence advertising<br />
agency, where he served as public<br />
relations consultant.<br />
CREDITS: Concessions equipment: Buckingham<br />
soft drink dispenser; Cretors popper; Echols snow<br />
cone machine; Griswold steam cabinet and toaster;<br />
Hotpoint griddles; Scotsman ice machine; Selmix<br />
beverage dispenser; Starmaster deep fat fryer; Toastmaster<br />
bunwarmers; Vaculator coffeemaker •<br />
Lamps: Ashcraft • Projectors: Century • Reflectors:<br />
Bausch & Lomb • Screen facing: Johns Manville<br />
• Speakers: Ballantyne • Sound: RCA.<br />
Noncarbonated Drink Sales<br />
Doubled With New Dispenser<br />
A steady increase of demand for noncarbonated<br />
beverages by patrons of the<br />
Savoy Theatre, Grand Rapids, Mich., has<br />
been reported by Miss Gerri Buell, manager,<br />
who attributes the trend to much<br />
improved dispensing facilities. The Savoy<br />
recently installed a Jet Spray Cooler, noncarbonated<br />
beverage dispenser.<br />
"Sales of noncarbonated drinks have<br />
*Gross Profit Margin<br />
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The compact, refrigerated Jet Spray dispenser recently<br />
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Mich., has greatly increased sales of noncarbonated<br />
drinks, according to Miss Gerri Buell, manager.<br />
FILL IN AND MAIL TODAY<br />
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more than doubled." said Miss Buell," as<br />
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Sales of noncarbonated beverages in the-
USES CONCESSIONS AS A GOODWILL BUILDER<br />
School Parties at Drive-ln Prove a Hit With Youngsters and Parents Alike<br />
By ELSIE LOEB<br />
Louis Ratener. who owns and operates<br />
two drive-in theatres in Ohio—<br />
the Montrose, at Montrose and the Magic<br />
City at Barberton—doesn't hold with the<br />
industry psychology that when business is<br />
off. operating expenses should be cut to<br />
In<br />
Off-Time Hours, This<br />
the bone.<br />
On the contrary. Ratener takes the opposite<br />
view. When business is slow, the exback<br />
and more centrally located. This automatically<br />
eliminated a duphcate building<br />
and reduced the operating costs by requiring<br />
fewer people.<br />
The new concessions building is built for<br />
cafeteria service. One end of it houses the<br />
projection booth. One of the outstanding<br />
construction features of the building is the<br />
series of overhead garage doors which permits<br />
the use of the area for special p\u--<br />
poses. as will be explained later. The doors<br />
are placed 30 feet from the food counter.<br />
thereby eliminating any health hazards<br />
and winning the approval of the State<br />
Food and Health Department.<br />
Entrance to the cafeteria area is from<br />
two sides. This eliminates, or at least reduces<br />
to a minimum, any confusion. Two<br />
lanes are provided for speedy service and,<br />
during the busy hours, two girls handle the<br />
check out counter.<br />
Operated by Berlo, all of the counter<br />
equipment is of the latest In stainless steel.<br />
The menu consists mainly of chicken,<br />
pizzas, hot dogs, hamburgers, beef barbecue.<br />
Pi-ench fried potatoes: shrimp roll,<br />
I<br />
popcorn plain and buttered', hot coffee,<br />
hot chocolate, all kinds of ice cream: sandwiches,<br />
bars, cups, Popsicles. etc.<br />
Asked what are the most popular numbers<br />
on the menu. Ratener replied, "Popcorn<br />
heads the list, then, in order, come<br />
hot dogs and pizza pies.<br />
High school dances held ,n the new concessions bu,ldng of the Montrose Dnve-/n Theatre Montrose, Oh^<br />
are h.ghly ant.cpated. .ell-attended even.s. There .as even on all n,ght dance "•" P" -^^ ^^^7<br />
used for dancng is 20x7 ^eef, the area between the entrance doors wh,ch roll up and the food counter.<br />
There is also additional dancing space on the patio outside.<br />
AMPLE STORAGE SPACE<br />
Of course, we have the usual drink dispensers,<br />
gum and cigaret machines. To<br />
keep all of our food fresh at all times, we<br />
have a walk-in cooler, deep freezer and<br />
ample storage shelves in space back of the<br />
serving<br />
area."<br />
It is Ratener's policy to close the concessions<br />
area after the first show and a<br />
half.<br />
•We play to a high-class clientele." he<br />
says, "and we have to operate on a highclass<br />
level. It has been our experience that<br />
in order to hold a high-class clientele, it is<br />
essential to provide Hi a quality drive-in<br />
theatre.<br />
i2i quality programs, i3i quality<br />
hibitor should do more, rather than less,<br />
to make his theatre attractive to the public.<br />
Putting this belief into practice. Ratener<br />
this year spent over $60,000 to build a new<br />
concessions building at his Montrose Theatre<br />
for the express purpose of offering<br />
better service to his patrons and hence increasing<br />
his patronage.<br />
"We have found that the public quickly<br />
responds to efforts for its comfort and<br />
better service." Ratener says, "and I am<br />
fully convinced that judicious spending for<br />
improved service is better than foolish<br />
economy to bring more people to the theatre."<br />
THEATRE BUILT IN 1948<br />
The Montrose Drive-In, located on State<br />
Route No. 18 was built in 1948 and for two<br />
years was operated by Bob Carroll. Ratener<br />
took it over in 1950. At that time there<br />
were two concessions buildings. Both were<br />
station operations. Ratener tore down both<br />
of these modest buildings this summer and<br />
erected one building, placing it further<br />
32<br />
-0 Instead of Nonproductive Idleness<br />
A yiow of a portion ol th. spauous concessions area at the Montrose. Nate the unusual design of the cashier's<br />
checkout stand<br />
The MODERN THEATRE SECTION
Parents serve the young set at folding tables and<br />
chairs which they bring and set up. The main food<br />
is supplied by parents, but Louis Ratener, owner of<br />
the Montrose, furnishes coffee, chocolate and soft<br />
drinks.<br />
parents. I supply the coffee, chocolate and<br />
soft drinks. This summer the kids even had<br />
an all night dancing party at our place.<br />
The parents worked in shifts to keep the<br />
young people supplied with food and<br />
drinks." Ratener said.<br />
The dancing area inside the concessions<br />
building is 20x7 feet. Then there is additional<br />
dancing space on the concrete patio<br />
just outside the building. The parents<br />
bring folding tables which they set up at<br />
serving time.<br />
Going to a dance at the Montrose Drive-<br />
a popular activity among the younger<br />
in is<br />
set. And it is popular with the parents too<br />
because they and their friends are there<br />
too. not as chaperones. but as workers in<br />
the cause of good entertainment, w-hich<br />
Ratener believes goes beyond the obligation<br />
of providing good screen attractions.<br />
Asked to describe the decorations, Ratener<br />
says the floor is brown terrazzo, but<br />
the walls are something very special and<br />
have attracted wide attention. A patented<br />
new process of cement enamel is applied.<br />
It combines brown and green with an overall<br />
stipple which gives it an effect of terrazzo.<br />
The walls, although they have a<br />
rough appearance are smooth and are easily<br />
washed. The material is applied directly to<br />
the cement wall blocks. While the original<br />
cost is higher than paint, it is about the<br />
same as other applied processes.<br />
Continued on following page<br />
concessions and service and overall quality<br />
service."<br />
But what really makes the new Montrose<br />
Drive-In concessions building a hit<br />
with both young and older patrons is the<br />
off-time use that is made of it.<br />
The area between the entrance doors<br />
which roll up and the food counter is big<br />
enough to be used for school parties. And.<br />
that's just w'hat it is used for. The parents<br />
supply and serve the food, while the youngsters<br />
dance to juke box music or sometimes<br />
with a local disc jockey on hand with popular<br />
records.<br />
"While the main food is<br />
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World's Largest Manufacturer of Cup Drirtk Dispensers "*"<br />
3<br />
BOXOFFICE November 16. 1957 33
The new, $60,000 concessions building at the Montrose, showing the spacious<br />
area avaHable for dancing. With the overhead garage doors raised, os they<br />
are here, the interior dancing area is united with the concrete patio outside.<br />
The projection room is part of the building, being located at left.<br />
CONCESSIONS A GOODWILL BUILDER<br />
Continued from preceding page<br />
Decorator was Philip Garbo.<br />
The restrooms at opposite ends of the concessions building, also<br />
have terrazzo flooring and the same applied wall covering, which,<br />
with the modern equipment, gives them the appearance of highclass<br />
hotel restrooms.<br />
Concealed ceiling lights are used in the concessions building.<br />
This type of lighting gives off practically no heat and hence fails<br />
to attract bugs.<br />
k<br />
CREDITS: Concessions equipment: EZ MATIC coffee machines, Deepfreeze<br />
freezer, Sherman coolers. Carbonic dispensers, Butter-Mat dispenser, Savon<br />
hot units, Starmastcr grills and deep fryers, Toastmasters, Buckingham orange<br />
bubbler, Scotsman ice machine. Baker's Pride pizza ovens, Manley popcorn<br />
machine, Victor walk-in cooler, Frigidaire ice cream cabinets.<br />
When the kid parties are held during nonshow time, fathers and mothers get be<br />
hind the cafeteria counter, replacing the regular employes. The parties are popular<br />
with the parents because they provide entertainment in a good environment<br />
15 reasons why the<br />
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No other beverage dispenser on the market can offer you all these advantages<br />
1.. AniniiUctl, illununatccl display of<br />
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2. (]ontinuous flow, fasi draw valves<br />
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3. F.xciusivc continuous Mow, fast draw<br />
valve for non-carbonaied beverage.<br />
With hantlle in any position, dispenses<br />
an 8 oz. lirink in i sccontls.<br />
4. Serve three ilifferent beverages— two<br />
carbonated and one non- carbonated<br />
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5. Perfect carbonation.<br />
6. Every drink is ice cold.<br />
7. Extra large capacity. 12 gallons of<br />
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imately 6 gallons of syrup for carbon<br />
ated beverag
I<br />
MiT'i<br />
IMIUFITS<br />
[[-uiii<br />
...use<br />
this<br />
-By<br />
PHYLLIS HAEGER*<br />
MlY POPCORN sales have started to<br />
drop." a theatre manager said, "and if<br />
tliey go down much more, I'll really be in<br />
trouble. I have all I can do now to make<br />
a decent profit."<br />
I aslied this manager if he would pop a<br />
batch of corn in his usual way and serve it<br />
to me as if I were his usual patron. I<br />
watched him closely while he measured the<br />
corn, oil and salt. Both corn and seasoning<br />
were the best he could buy. he assured<br />
me. and when I checked the brands. I had<br />
to agree.<br />
EQUIPMENT<br />
WAS OKAY<br />
There was the possibility that his machine<br />
was out of wliack. but a check<br />
proved it to be in perfect operating condition.<br />
As soon as the corn was popped. I<br />
scooped some out of the warming pan and<br />
it tasted wonderful.<br />
Just to complete the whole process, he<br />
lianded me a full box of popcorn and I took<br />
it into the show with me. As I sat there,<br />
my mind was only partly on the movie<br />
because I kept wondering what was messing<br />
his sales up. His stand was clean and<br />
attractive, plenty inviting to potential customers.<br />
I hadn't seen his attendants at<br />
work, but he claimed he had the best that<br />
could be found—courteous and aggressive.<br />
So there I sat. nibbling popcorn and trying<br />
to figure out where the trouble was.<br />
Suddenly, I noticed that the popcorn didn't<br />
taste the way it had when I first started<br />
eating it. It now had a very distinct flavor<br />
of paper or cardboard.<br />
THE BOX AT FAULT<br />
Of course, I had the answer then. It was<br />
in the box he was using. The first few bites<br />
of corn, right after it had been put in the<br />
box, were excellent. Then the warmth<br />
caused the corn to pick up the flavor of the<br />
box. and the pleasure went out of the popcorn<br />
right then and there.<br />
I asked the manager if he had changed<br />
boxes lately. He answered. "Yes. I have.<br />
I figured that I could make even better<br />
profits by shaving on the cost of the box a<br />
little. I know these boxes are all riglit because<br />
I tested one with some popcorn the<br />
other day and what I ate tasted fine."<br />
When I told him what had happened to<br />
my popcorn, we tried testing it several<br />
times, and the result was the same. After<br />
he let the popcorn sit in the box for a few<br />
minutes, he ate some, made a face, and<br />
Continued on following page<br />
opening<br />
for more sales on<br />
tlie<br />
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concession* in your<br />
luCalaUm s *popcorn of course<br />
To sell more of the item that gives you more profit, pour on Popsit Plus<br />
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BUTTER-LIKE FLAVOR, an appetizing aroma that brings customers<br />
back for more — and more!<br />
The difference in cost between Popsit Plus and lesser products is negligible<br />
on any size box of popcorn — but the difference in taste and<br />
eye-appeal is really enormous.<br />
Put Popsit Plus to work for you and notice the big difference in your<br />
profits. Your Popsit Plus distributor will be happy to supply you with<br />
the rest of the details. Call him today!<br />
|)0pi pi<br />
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SINCf IM3<br />
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Simple,<br />
I<br />
PROFITS FROM POPCORN<br />
Continued from<br />
preceding page<br />
LIKE<br />
THIS:<br />
LIFE<br />
MAGAZINE<br />
said. "I don't blame them for not buying<br />
this!"<br />
LITTLE THINGS MEAN A LOT<br />
Many concessionaires have had similar<br />
experiences, and each has found out that<br />
it is often the little thing he overlooks that<br />
causes sales trouble all over his theatre.<br />
Sometimes sales are started on the downgrade<br />
when the manager tries to cut corners<br />
and make his profits even better by<br />
buying cheaper corn, buying cheaper oil,<br />
cutting the ratio of oil to corn, putting<br />
too much salt in the popcorn, etc.<br />
PUBLIC<br />
EXPECTS QUALITY<br />
Sometimes when sales drop for a short<br />
time for an unknown reason, the manager<br />
becomes panicky and tries to keep his<br />
profits up with the same type of "economy<br />
efforts." Regardless of the reason, when<br />
the quality of a product is undermined instead<br />
of improved, sales will continue to<br />
drop.<br />
When a theatre's per capita sales of popcorn<br />
drop, there can be only two leasons:<br />
• The quality of the popcorn does not<br />
satisfy the patrons, or<br />
• The concessionaire is not reminding<br />
his customers to buy it.<br />
Speaking of "reminding," it would pay<br />
us all to remind ourselves that the modern<br />
American public is a "quality-conditioned"<br />
public. It has been taught to expect and<br />
demand quality in every product it buys.<br />
If people go into a grocery store and buy<br />
their favorite brand of canned peas, for<br />
example, and it is not as good as usual,<br />
they will buy another brand tomorrow.<br />
They will do this even though they have<br />
been using the first brand for years and<br />
never had a complaint before.<br />
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THE MODERN THEATRE<br />
Section of BOXOFFICE<br />
WONT BUY AGAIN<br />
If your patrons have been getting top<br />
quality popcorn from you, and they buy a<br />
box that isn't up to par, they simply won't<br />
buy it again. Theatregoers demand as<br />
much quality from the concessionaire with<br />
his small stand as they do from the companies<br />
which use multimillion dollar<br />
quality control equipment to insure customer<br />
approval.<br />
Americans need no longer raise a fuss<br />
and complain when a product doesn't suit<br />
them. They have a much more effective<br />
system: They buy it somewhere else or they<br />
buy another brand. Therefore, the only<br />
warning you have of their disapproval is a<br />
drop in per capita sales. Watch yours<br />
closely—they speak volumes!<br />
DON'T FORGET YOUR POPCORN<br />
Make the best popcorn in the world and<br />
then brag about it! Why not tell youi- patrons:<br />
"We Have the Best Popcorn You<br />
Have Ever Tasted—If You Don't Agree.<br />
"<br />
Your Money Back! but so very<br />
effective. Are you proud of your popcorn?<br />
Then—say so!<br />
The MODERN THEATRE SECHON
Distributor Will Sample<br />
All Its Food Products<br />
And Show Equipment<br />
Exhibitors and concessionaires attending<br />
the International Industry Tradeshow in<br />
Miami will have the opportunity of sampling<br />
all the products in the food line distributed<br />
by Savon Co. at the complete<br />
"live" cafeteria which will be in operation<br />
in the company's exhibit booths. Five<br />
booths will be devoted to equipment and<br />
two booths to merchandise for which tlie<br />
company has national distribution rights.<br />
The company is this year bringing out<br />
the Savon Star Economy line, specifically<br />
designed for the smaller drive-in where<br />
economy is one of the main factors. The<br />
line consists of two warmers, one of which<br />
is a four-foot dry unit, the other a threefoot<br />
wet unit. The dry unit is divided into<br />
four bins, while the wet unit is divided<br />
into two bins. The units are stainless steel,<br />
featuring three dimensional transparencies<br />
on a new sign structure. Each unit has its<br />
own thermostat control and its own heating<br />
element, and where wet heat is required<br />
the water feed is automatic.<br />
Simplicity of design and reducing the<br />
capacity is the way the company solved<br />
the price problem for smaller drive-in<br />
theatres. These economy units are made<br />
to insert into an existing or new counter<br />
and are not free-standing.<br />
The Savon Star de luxe warmer has<br />
On display, along with other cafeteria equipiryent, at the Miami tradeshow will be the Savon-Star de luxe<br />
cafeteria unit Hanked by Savon-Star stainless steel counters. The '58 model has several improvements.<br />
undergone a radical change. By advance<br />
designing, for the first time, the company<br />
has been able to light up the interior of<br />
a self-service food unit so that the food<br />
may be easily seen. In addition, there has<br />
been added, as standard equipment, a circuit<br />
breaker, an automatic cutoff on the<br />
valve, thus cutting down any electrical<br />
burnouts in the unit. The unit is so designed<br />
that any layman can fix it if any<br />
trouble occurs, as each part is clearly<br />
diagrammed and replaceable in the field.<br />
One of the main features of the company<br />
display will be the two, three and<br />
four-foot overhead warmers which are<br />
used for display and sale of buttered corn<br />
in both indoor and outdoor theatres. This<br />
item was introduced last year for the first<br />
time, and it has proved highly successful<br />
in producing increased sales. It is completely<br />
fabricated of stainless steel.<br />
IN OUTLETS WHERE<br />
YOUR<br />
REAL<br />
PROFIT<br />
Comes<br />
From Foods<br />
Gaily Decorated Pushcarts<br />
Boost Soft<br />
Drink Sales<br />
During Intermission Rush<br />
Pushcarts decorated in bright carnival<br />
colors and designs were utilized to meet the<br />
rush of beverage customers at intermissions<br />
and between shows during the engagement<br />
of the Todd-AO film. "Around the World<br />
in 80 Days," at the Tower Theatre, Kansas<br />
City. Featured on the carts are Orange-<br />
CRUSH and Old Colony pinl^ lemonade in<br />
14-ounce jumbo cups, each cup containing<br />
a striped straw topped w^ith a colored parasol.<br />
The idea of using the gaily decorated<br />
pushcarts as supplementary sales counters<br />
criginated with Roy Hill. Tower manager,<br />
and Frank L. Bamford. Fox Midwest Theatres,<br />
when the throngs of thirsty theatre<br />
customers began swamping the regular concessions<br />
facilities. The carts proved to be<br />
an efficient, effective answer to the problem<br />
since they could be wheeled to key spots<br />
in the lobby to attract incoming traffic<br />
during the feature or backed against a wall<br />
to meet the press of intermission crowds.<br />
"The success of the pushcart promotion<br />
by the Tower Theatre is an excellent example<br />
of handling the refreshment crowds<br />
under stress," said C. L. Keefer, national<br />
fountain sales manager of Orange-CRUSH.<br />
The pushcart attendants, as well as the<br />
regular concessions staff, wore Orange-<br />
CRUSH hats. Orange-CRUSH and Old Colony<br />
display pieces brightened up the concessions<br />
stand and a seven-piece string<br />
hanger with a 25-inch-high cup in its center<br />
helped make the Tower customers<br />
thirst-conscious.<br />
Beverage carts were wheeled to key lobby spots at<br />
the Tower Theatre, Kansas City, Mo.<br />
That Are<br />
PIT<br />
BARBECUE<br />
COOKED<br />
IS ALWAYS READY TO SIR VI!<br />
NO SflOAL AUINTION NItOES<br />
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Toui eioss<br />
NO wun or timi<br />
Get on the Barbecue Bandwagon<br />
Call Your Distributor<br />
OR WRITE:<br />
Today!<br />
CASTLEBERRY'S<br />
FOOD COMPANY<br />
p. 0. tOX 1010 AIMUHA, OIOMU<br />
BOXOFFICE November 16, 1957 37
Pizza Firm Into New Plant<br />
With Expanded Facilities<br />
To Better Serve Drive-Ins<br />
Thanks largely to a secret process,<br />
guarded closely by the founders who still<br />
operate the Original Crispy Pizza Crust<br />
Co.. Inc.. pizzas have grown from a relatively<br />
minor item on Italian restaurant<br />
menus to a nationwide craze. And. as most<br />
drive-in theatre concessionaires gladly admit,<br />
pizzas spell profit—and big profit.<br />
Original Crispy's pizzas. Miss Anita<br />
Virga, sales manager, is quick to point out,<br />
are based on the authentic, high-quality<br />
Neapolitan crust previously obtainable only<br />
at the finest pizzerias. Yet the precooking<br />
makes it possible to serve them after heating<br />
them only two-and-a-half minutes.<br />
The prepared, formed and partially baked<br />
pizza crust was developed by the company<br />
back in 1940.<br />
ENLARGED SEVERAL TIMES<br />
So great lias been the demand that Original<br />
Crispy was compelled to enlarge its<br />
capacity several times, and this year<br />
moved into its new, specially built plant.<br />
Possessing 26.000 square feet for production<br />
and an additional 9,000 square feet<br />
for storage, it contains every modern facility<br />
to insure maximum speed in preparation<br />
consistent with the a la carte quality,<br />
which is the pride of the founders.<br />
The better to meet the huge requirements<br />
of its country-wide, drive-in theatre<br />
clientele and many other customers. Original<br />
Pizza maintains a fleet of fast, new,<br />
refrigerated and frozen food vans. It also<br />
maintains branch offices in Canandaigua,<br />
N. Y.; Dedham, Mass.; West Boylston,<br />
Mass.; Hialeah, Fla.; Chicago, 111.; Tampa,<br />
Pla.; Jacksonville, Fla.; St. Louis, Mo.:<br />
Akron, O.; Cohoes, N. Y.; Detroit, Mich.,<br />
and Atlanta. Ga.<br />
Despite this expansion, demand continues<br />
to outrun supply and the company<br />
is currently negotiating for a new plant<br />
site in Chicago, which it expects to have<br />
functioning within a year.<br />
As pioneers in the drive-in theatre field.<br />
PROFITS with
.<br />
Praise for<br />
Plant Maintenance<br />
The boiler room and adjoining air conditioning<br />
plant area of the Stanley Warner<br />
Madison in Albany, managed by Oscar J.<br />
PerrLn, drew praise from visiting theatremen,<br />
because of the immaculate appearance<br />
they present. The boiler is painted in<br />
a silver color, while the walls and floor are<br />
painted in two tones. The air system section<br />
is also brightly painted.<br />
Adjoining the boiler room is a clean,<br />
small "office," occupied by Engineer Charles<br />
Williams who worked at the former<br />
Playhouse, downtown, during Malcolm Atterbury's<br />
operation of it for stock. The<br />
rooms are reached by a well-marked ladder.<br />
The water tank in the alley outside,<br />
is also silvered, while pipes leading to it<br />
are spick and span,<br />
Perrin's office, located in the left front<br />
corner of the Madison, is spotless, too. The<br />
one-floor house, in the Pine Hills section<br />
of the city, has long been rated one of the<br />
most beautiful second-runs in the Albany<br />
exchange district. It seats 1,325.<br />
Perrin has been associated with theatres<br />
for about 50 years. He started as a boy at<br />
old Harmanus Bleecker Hall, now the site<br />
of a new office building.<br />
/m/^kMUMi /<br />
h<br />
Neglect of Seats Can Be Costly<br />
FRANK BRADY<br />
In the Martin Tipster<br />
After visiting a great many theatres recently,<br />
I have come to the conclusion that<br />
either the managers or I have been misinformed<br />
as to the duties and responsibilities<br />
of the manager. I have always been told<br />
that the first thing checked each day was<br />
to be positive that the print had arrived.<br />
Next, was a physical inspection of the theatre<br />
to be sure that everything was in order<br />
to open.<br />
Recently, I have found theatres in which<br />
there were seat bottoms and backs missing<br />
immediately prior to opening. I have also<br />
found restrooms without supplies, exits partially<br />
blocked and seats extremely dusty. It<br />
was most obvious that no inspection had<br />
been made that day.<br />
Our largest single insurance claim last<br />
year was caused by a seat bottom missing.<br />
In a darkened theatre, a lady attempted to<br />
use this seat and injm-ed her back and a<br />
settlement in the amount of $4,800 was<br />
made. Your theatre should never be opened<br />
to the public until you have thoroughly examined<br />
it not only from a safety standpoint,<br />
but also for cleanliness. This is a<br />
must.<br />
Slides on Washroom Care<br />
The care of washrooms is pictured in a<br />
series of 26 35mm colored slides prepared<br />
by the National Sanitary Supply Ass'n for<br />
showing to maintenance persomiel of a<br />
theatre circuit or from a group of city<br />
theatres. The series is available through<br />
any member of the association or it may<br />
be ordered from the association's headquarters<br />
at 139 N. Clark St.. Chicago.<br />
Loomed exclusively<br />
to N.T.S. specifications!<br />
You could search the world over . . . but couldn't buy<br />
more practical<br />
theatre carpeting than NYLWOOD!<br />
It lasts twice as long as ordinary carpeting! It's available<br />
in 6 magnificent patterns, and unlimited color<br />
combinations in custom designs, to beautify your<br />
theatre... and keep it beautiful for years! NYLWOOD<br />
is tightly woven, high pile carpeting scientifically<br />
blended with nylon to withstand the heavy traffic and<br />
abuse of a busy theatre. NYLWOOD is theatre-tested<br />
. . . install it and know you're getting the most for<br />
your money!<br />
IMMEDIATE DELIVERY! Call your<br />
National man now . . . .see the brand new<br />
NYLWOOD pattern.s now available . .<br />
and give<br />
the bottom up!<br />
your theatre a new look from<br />
yoaf fiuafaw/ee<br />
OF CONSISTENT QUALITY<br />
AND OUTSTANDING SERVICE<br />
^Mif^<br />
NATIONAL THEATRE SUPPLY COMPANY • BRANCHES COAST TO COAST<br />
BOXOFFICE :: November 16, 1957 39
FORETHOUGHT AND ACTION BEFORE YEAR-END<br />
MAY RESULT<br />
many nagging problems. These should not<br />
be permitted to pu.sh income tax matters<br />
into the background right through yearend.<br />
Daily problems involve making a<br />
profit, but so does reduction of<br />
IN<br />
an<br />
1957<br />
income<br />
tax bill. This affects take-home profit.<br />
Consider:<br />
TAX SAVINGS<br />
AN EXAMPLE CITED<br />
Exhibitor A. He has net earnings of<br />
$6,000,<br />
By HAROLD<br />
has fom- exemptions,<br />
J. ASHE<br />
takes standard<br />
deduction, files joint return. He is in<br />
the 20 per cent tax bracket. After income<br />
Favorite topic of a good many tax, net earnings are $5,400. less Social<br />
taxpayers around income tax filing deadline<br />
is the tax advantage supposedly en-<br />
day week, are about $15. Even a $20 income<br />
Secm-ity tax. Average daily earnings, seven<br />
joyed by so called 'Big Business." Discussion<br />
is usually more heated than ex-<br />
seeking additional deductions totaling only<br />
tax reduction justifies a few hours time<br />
plicit. Time fruitlessly so spent, if employed<br />
constructively before year-end, deductions for a larger tax saving.<br />
$100. Time so spent may turn up far more<br />
might result in some "advantages" for<br />
those grumbling.<br />
Exhibitor B has net earnings of $18,000,<br />
has four exemptions, takes standard deduction,<br />
files joint return. He's in the 30<br />
NEED FOR VIGILANCE<br />
per cent tax bracket. After<br />
Fact income tax, net<br />
usually overlooKcd: Management of<br />
earnings are $14,500, less Social<br />
larger<br />
Secm-ity<br />
enterprises, including theatre chains,<br />
tax. Average daily<br />
is uniformly<br />
earnings after tax are<br />
alert to income tax implications<br />
about $40. If he can reduce his<br />
of many income tax<br />
of its acts. In doing<br />
bill by as httle as<br />
certain<br />
$40 he's equalled<br />
things,<br />
a day's<br />
the income tax effect may take-home earnings. He<br />
be the<br />
need come<br />
overriding<br />
up with<br />
determining factor; in<br />
only $133 more in<br />
other<br />
deductions to<br />
circumstances,<br />
do so.<br />
failuie to pursue certain<br />
courses of action may How<br />
be governed<br />
TO REDUCE AN INCOME<br />
by<br />
TAX BILL. There<br />
the income tax<br />
are at least<br />
result. Income<br />
two and<br />
tax<br />
sometimes three<br />
vigilance<br />
areas<br />
is practiced 12 months of activity in which an of the tax<br />
exhibitor may<br />
year.<br />
search<br />
out income tax savings.<br />
Fev! These<br />
exhibitors<br />
are<br />
have<br />
U)<br />
yet schooled themselves<br />
to think income<br />
business, (2) non-business income-producing<br />
activities, if<br />
taxwise. In place<br />
of tax<br />
any. and (3)<br />
vigilance<br />
personal actions.<br />
An exhibitor, in<br />
there is negligence. Only<br />
belatedly<br />
analyzing<br />
do<br />
his situation,<br />
tax-wise, should<br />
such exhibitors become income<br />
tax-conscious,<br />
not approach<br />
long<br />
the<br />
after the close of the problem with<br />
tax<br />
preconceived ideas.<br />
year. Then His<br />
it is too late.<br />
greatest potential for effecting tax savings<br />
Tax advantages, if any are available, may be in his theatre operation. Again, if<br />
must be seized upon during the tax year. he is tax-minded in business, he may already<br />
have done everything possible in the<br />
While tax counsel, coming in after yearend,<br />
may do everything possible to reflect theatre to keep down his tax bill. His best<br />
tax breaks, an exhibitor himself must assume<br />
major responsibility. Before year-<br />
personal actions still available to him be-<br />
chance for cutting the tax bill may lie in<br />
end, by his own actions, he must effect tax fore year-end. He may be vigilant in all<br />
savings, if any.<br />
respects except in non-theatre income-producing<br />
holdings. Tax savings are where<br />
It is not the purpose, therefore, of this<br />
article to go into the mechanics of making they are found.<br />
an individual income tax return. Instead<br />
this article will discuss certain situations<br />
A MATTER FOR DECISION<br />
and circumstances involving timing and Business expenses. Some items of expense<br />
may be postponed until 1958 or<br />
planning. These are points an exhibitor<br />
needs<br />
be<br />
to know, and act upon before yearend,<br />
regardless of whether or not he re-<br />
incui-red in 1957 these expenses will re-<br />
incurred in 1957 as an exhibitor elects. If<br />
tains tax counsel to prepare his income tax duce 1957 net earnings by the exact dollar<br />
retiun.<br />
amount of such outlays. In this category<br />
are the theatre repairs<br />
VARIED<br />
and<br />
APPLICATION<br />
maintenance<br />
costs. Postponing some expenses until 1958,<br />
fFor purposes of simplification and space although now needed, may push an exhibitor<br />
into a higher income tax bracket;<br />
limitations, discussion will refer specifically<br />
to non-corporate exhibitors. However, incurring added expenses in 1957<br />
some<br />
may<br />
points discu.ssed will have equal application<br />
to corporations, others will be of lower net earnings in 1958 may warrant<br />
place him in a low'er tax bracket. Prospect<br />
pertinent to the problems of salaried management<br />
in respect to individual income earnings are likely in 1958, postponement<br />
incurring expenses in 1957; if higher net<br />
tax returns.)<br />
may be justified. If no change in earnings<br />
Theatre management is bedeviled by is anticipated, reducing the tax bill for 1957<br />
will give an exhibitor use of such tax savings<br />
a year sooner.<br />
Accelerated depreciation. If new theatre<br />
equipment, furnishings or other depreciable<br />
assets w-ere purchased in 1957, it<br />
may not be too soon to consider before<br />
year-end how such assets shall be written<br />
off. Such assets may be depreciated by<br />
either a straight-line or stepped-up method<br />
I<br />
double declining-balance or sum-of-theyears<br />
digits methods). More rapid recovery<br />
in first years of asset lives will reduce<br />
net earnings for those years which are subject<br />
to income tax. This may have an adverse<br />
effect last years of asset lives. 'Where<br />
the greater overall tax advantage lies only<br />
the exhibitor himself can make an educated<br />
guess in the light of his present circumstances<br />
and probable future earnings and<br />
income tax rate.<br />
TWO KINDS OF DEPRECIATION<br />
If an exhibitor believes he has not yet<br />
hit his earnings stride, straight-hne depreciation<br />
may be best because a larger<br />
part of depreciation charges are postponed<br />
until later years than by a stepped-up<br />
method. If an exhibitor expects to sell his<br />
theatre within the first two or three years<br />
of accelerated depreciation he may have a<br />
tax advantage. Aside from other considerations,<br />
accelerated depreciation may reduce<br />
adjusted gross income of lowerbracket<br />
taxpayers sufficiently so itemizing<br />
personal deductions may exceed available<br />
standard deduction for a tax saving.<br />
Casualty losses. It is not too soon before<br />
year-end to reconstruct the facts relating<br />
to any casualty losses (business or<br />
personal) sustained during the year. In<br />
fact, if these losses were relatively minor<br />
and bearable, there's a good chance they'll<br />
be forgotten come income tax filing deadline.<br />
The longer an exhibitor delays building<br />
a record to support his claim the greater<br />
the likelihood deduction will be denied because<br />
of insufficient proof or. at best, the<br />
deduction may be reduced. There is also<br />
danger the loss will be understated due to<br />
trusting solely to fading memory.<br />
Bad DEBTS. Bad debts are not a factor<br />
for exhibitors, as such. However, they<br />
should review non-business debts to determine<br />
worthlessne-ss before year-end. Bad<br />
debts may be written off as an income tax<br />
deduction only in the year their worthlessness<br />
is established.<br />
ALL INCOME REFLECTED<br />
Other income sources. All expenses incident<br />
to earning income from non-business<br />
activities should be reflected in an income<br />
tax retm-n. Such records are often less<br />
complete than for a theatre venture where<br />
books are carefully kept. Both cancelled<br />
checks and scattered receipts for cash payouts<br />
may need to be carefully assembled.<br />
Memory should be prodded to reconstruct<br />
the events of the year relating to such ex-<br />
40 The MODERN THEATRE SECnON
:<br />
penses. In the case of income properties,<br />
both maintenance expenses and depreciation<br />
(if not exhausted) should be taken,<br />
and not overlooking casual labor often literally<br />
paid for out of pocket.<br />
In the case of. say, a duplex property<br />
jointly occupied by an exhibitor and his<br />
tenant, a division of all joint expenses<br />
should be made. That part chargeable to<br />
rental income should be deducted to determine<br />
net rental income. The divisible<br />
share of depreciation chargeable to rental<br />
income should be taken. That part of<br />
rental expenses chargeable to taxpayer's occupancy<br />
is not deductible, except as specifically<br />
an allowable personal deduction, if<br />
itemized, such as property taxes and interest<br />
on mortgage, if any. Some taxpayers<br />
erroneously argue it is immaterial whether<br />
taxes and interest on property and personal-income<br />
are divided. They take the<br />
attitude these expenses may as well be deducted<br />
in full as personal deductions. The<br />
fact is: The more expenses that can be applied<br />
to first reduce adjusted gross income<br />
the better the income tax situation is likely<br />
to be. A careful division of such expenses<br />
may alter the situation in respect to electing<br />
the standard deduction or itemizing deductions.<br />
To ITEMIZE OR NOT. Only after every business<br />
and other income-producing activity<br />
has been surveyed for tax reducing possibilities<br />
is an exhibitor in a position to consider<br />
the alternative of itemizing personal<br />
deductions or electing the standard deduction.<br />
At this point the total of his personal<br />
deductions already accumulated may appear<br />
more favorable in relation to adjusted<br />
gross income. Acquiring additional deductible<br />
items, before year-end, may now appear<br />
feasible.<br />
For example: An exhibitor before yearend<br />
may estimate rather closely his adjusted<br />
gross income will aggregate about<br />
$10,000 from all sources. At this point his<br />
personal deductions total only $950. The<br />
standard deduction of $1,000 iten per cent<br />
of adjusted gross income up to a maximum<br />
of $1,000) offers greater tax saving.<br />
However, this exhibitor is not content to<br />
let matters stand as they are. Next Spring<br />
he plans to make some repairs and repaint<br />
the lobby. Instead he does this before<br />
year-end. incurring an expense of $500. Adjusted<br />
gross income is now $9,500, standard<br />
deduction $950, itemized deductions<br />
$950.<br />
Medical bills already paid during the<br />
year total more than the 3 per cent of adjusted<br />
gross income which must be excluded<br />
as a deduction. He pays a $100 medical<br />
bill and his wife has $100 in dental<br />
work done. Charity pledges amounting to<br />
$150 which he'd planned to pay early in<br />
1958 are paid before year-end, 1957. These<br />
actions boost his deductible items from $950<br />
to $1,300.<br />
Here's how the income tax results are<br />
reflected<br />
Without timing and planning: $10,000<br />
adjusted gross income, less $1,000 standard<br />
deduction, less $2,400 for four exemptions,<br />
split-income tax return. Income tax:<br />
$1,372.<br />
With timing and planning: $9,500 adjusted<br />
gross income, less $1,300 itemized deductions,<br />
less $2,400 for four exemptions,<br />
split-income tax return. Income tax:<br />
$1,196.<br />
Note in making this $176 income tax saving<br />
the exhibitor did not make a single<br />
outlay he had not originally intended to<br />
make in any event in 1958 if not 1957.<br />
DEDUCTION FOR SELF<br />
Those tricky exemptions. Incredible as<br />
it may seem, a large number of taxpayers<br />
do not count themselves as exemptions in<br />
income tax returns. An Internal Revenue<br />
Service study reveals this fact. Fortunately,<br />
such oversights may be caught on government<br />
audit. However, even a crystal-gazing<br />
auditor will fail to spot other overlooked<br />
exemptions to which an exhibitor<br />
may lay claim legitimately. Every exemption<br />
not taken will boost the tax bill by<br />
at least $120, ranging upward the higher<br />
the income tax bracket.<br />
Lost exemptions may range from those<br />
available for an exhibitor and/or spouse<br />
reaching 65 during the tax year or becoming,<br />
by legal definition, blind during the<br />
year, to offspring partly self-supporting,<br />
or dependents not related to the exhibitor<br />
and still other dependents jointly supported<br />
by the exhibitor and others. In<br />
some cases, exemptions may be overlooked;<br />
in other instances, qualifying conditions<br />
may be ignored until too late to be complied<br />
with, such as the amount of support<br />
contributed by the taxpayer.<br />
Age and blind exemptions. Either or<br />
both spouses reaching 65 as late as year's<br />
end rate an age exemption. Note a favorable<br />
legal quirk: Courts hold a person is<br />
65 on the day before his birthday. A taxpayer<br />
or spouse with birthday falling on<br />
Jan. 1, 1958. is 65 on Dec. 31, 1957<br />
for income tax exemption purposes. (Note:<br />
Age and blind exemptions are available<br />
only to taxpayer and spouse, not to dependents,<br />
such as aging or blind parents.*<br />
An exemption for blindness is based on<br />
vision December 31 of the tax year. Loss<br />
of total sight at any time during the year<br />
entitles taxpayer or spouse to exemption.<br />
A statement to that effect must be attached<br />
to the income tax return. Total blindness<br />
is defined as inability to tell light from<br />
darkness. Partial blindness may qualify<br />
for an exemption. This must be supported<br />
by a statement by a quahfied physician or<br />
registered optometrist. It must attest that<br />
"Central visual acuity did not, on the last<br />
day of the year, exceed 20/200 in the better<br />
eye with correcting lenses, or the widest<br />
diameter of the visual field subtends an<br />
angle no greater than 20 degrees." In<br />
event of progressive less of vision, and uncertainty<br />
as to whether the qualifying<br />
stage for exemption has been reached, it<br />
may be wise to have an examination made<br />
on December 31.<br />
Dependent's support. A dependent may<br />
be taken as an exemption, provided an exhibitor<br />
furnishes more than one-half of<br />
the support for the year, regardless of<br />
category of dependent, subject to certain<br />
qualifications. With exceptions noted, such<br />
dependent's gross income must be less than<br />
$600. A dependent's gross income may be<br />
$600 or more, provided he is the taxpayer's<br />
child (a) age less than 19 or (bi a student<br />
attending school or college five or more<br />
months, not necessarily consecutively, during<br />
the year. Even in these two categories<br />
the taxpayer must contribute more than<br />
however much it<br />
one-half of the support,<br />
aggregates. Value of a scholarship need<br />
not be counted in total support for determining<br />
compliance with the more than onehalf<br />
rule.<br />
Dependents not closely related, or not<br />
related at all, to the taxpayer may be taken<br />
as exemptions, provided they are members<br />
of the taxpayer's household, residing there<br />
for the entire year, except for absences<br />
caused by sickness, schooling or vacation.<br />
Multiple support. There is an exception<br />
to the more than one-half rule in respect<br />
to support of a dependent. If two or<br />
more persons between them supply more<br />
than one-half of the support, and the person<br />
so supported otherwise qualifies as a<br />
dependent, any oie of the persons furnishing<br />
the support may take the exemption<br />
by agreement between those furnishing<br />
the support. The others must<br />
sign a waiver to the exemption for the year.<br />
The one claiming the exemption must have<br />
.supplied over 10 per cent of the support.<br />
The foregoing qualifications emphasize<br />
the importance of an exhibitor calculating<br />
carefully before year-end the support he<br />
has contributed to his dependents, and<br />
whether such contributions to support are<br />
sufficient to meet the more-than-one-half<br />
test. That an exliibitor intended to supply<br />
more than one-half of the support, or that<br />
he "thought" he had will be of no avail<br />
after year-end. Furnishing a few more<br />
dollars support before December 31 to comply<br />
with the more-than-one-half qualification<br />
may make substantial tax savings.<br />
AT ALL THEATRE<br />
SUPPLY DEALERS<br />
THE GREATEST NAME<br />
IN FILM CEMENT<br />
UNION<br />
MADE<br />
Registered U.S. Patent Office<br />
FISHER MANUFACTURING CO. n«s mt. had iivd.. RocHisni •. n. y.<br />
UNION MADE<br />
BOXOFFICE :: November 16, 1957 41
PROJECTION<br />
ANDJOUND<br />
Seventh of a New Series<br />
ARC LAMP MAINTENANCE<br />
AND SERVICING GUIDE<br />
7. Care of Peerless Hy-Candescent Cinearc<br />
By<br />
WESLEY TROUT<br />
I HE PE E R -<br />
LESS Hy-Candescent<br />
lamp employs "Hy-<br />
Speed" Bausch and<br />
Lomb aspheric parabolic<br />
condensers in<br />
—B^^B- place of a reflector.<br />
Wf^W<br />
'^he positive carbon<br />
is rotating<br />
1^^^^^^<br />
and kept<br />
^^F^^^^k '" perfect alignment<br />
i<br />
^^'^^^^J optically for maximum<br />
light output.<br />
Wesley Trout<br />
The lamp has a current<br />
range from 125 to 180 amperes. The<br />
lamp mechanism is ruggedly constructed<br />
for handling high amperages.<br />
RECOMMEND OPTICAL KIT<br />
The burner alignment is<br />
very important<br />
in order to utilize all the light from this<br />
powerful lamp. It is recommended that you<br />
obtain a Peerless optical alignment kit because<br />
its use provides means of accurately<br />
aligning the optical axis of Peerless Hy-<br />
Candescent lamps with the optical axis of<br />
the projection lens, and also, to precisely<br />
set both the working distance between the<br />
lamp's -Hy-Speed" F-2.0 condenser system<br />
and the projector aperture, and the focal<br />
distance between the face of the positive<br />
carbon crater and the piano surface of the<br />
rear P-2.0 condenser lens. Be sure the<br />
burner is adjusted to its central position,<br />
etc. (See drawing elsewhere on alignment.<br />
I<br />
FUNCTION OF STABILIZER MAGNET<br />
The arc stabilizing magnet is employed<br />
to provide a neutralizing magnetic field<br />
around the arc by which the detrimental<br />
effect of the electrical field, normally<br />
present around a burning arc, can be completely<br />
overcome. Another function of the<br />
stabilizer magnet is the creating of a strong<br />
magnetic field, and it functions as an arc<br />
stabilizer and flame controller because It<br />
provides means by which the sweeping upward<br />
angle of the positive tail flame may<br />
be absolutely controlled for best results.<br />
For proper positioning of this magnet,<br />
we suggest you carefully follow the instructions<br />
by the manufacturer set forth in its<br />
sheets. Proper positioning of the magnet<br />
results in several types of arc flames being<br />
oriented into a single coalesced flame and<br />
hence, a higher light lumen-to-arc wattratio,<br />
than would otherwise be obtained.<br />
This is an extremely important adjustment<br />
and should be given careful consideration.<br />
Under no circumstances use graphite or<br />
a lubricant containing graphite on any<br />
part of the burner mechanism.<br />
GOOD COOLING SYSTEM<br />
May we point out that due to the generous<br />
size of the lamphouse, providing for<br />
exhausting the heated air and gases<br />
through the use of an eight-inch chimney<br />
and piping system, and the further cooling<br />
effect of the forced draft of the blower,<br />
the temperature of the burner parts does<br />
not reach the point of carbonization of<br />
high-grade automobile engine oil; hence.<br />
it is recommended for a proper lubricant.<br />
The manufacturer recommends about No.<br />
20 S.A.E. viscosity for best results.<br />
Place only one drop of oil per week in<br />
all the oil cups, including the motor, using<br />
a regular oil can inot pump-type oil canK<br />
Carefully wipe off excess oil immediately<br />
should it overflow the oil cups when injecting<br />
oil into them.<br />
One drop of oil should be applied every<br />
other day to both the positive and negative<br />
feed clutches. The oil should be applied<br />
on the inside faces of the front and<br />
rear outer clutch races and center flange<br />
on the NO. 15030 inner race.<br />
Oil may best be applied to the surface<br />
of the negative and positive carriage guide<br />
reds, as well as the teeth of the negative<br />
feed rack and pinion, by placing oil on the<br />
ball of the middle finger and rubbing it<br />
over their entire surfaces therewith and<br />
then wipe dry with a clean cloth.<br />
All rotating parts operate at exceedingly<br />
low speeds, therefore, do not excessively<br />
lubricate any of the designated oil points.<br />
Keep surplus oil wiped off and you will<br />
have a smoothly operating lamp.<br />
In order to obtain maximum light transmission<br />
from the condensers, it is absolutely<br />
necessary to keep the surfaces scrupulously<br />
clean. Only by daily cleaning of these<br />
lenses will it be possible to maintain their<br />
light transmission at the highest possible<br />
level. Use lens tissue and denatured alcohol<br />
for a thorough cleaning job.<br />
CAUSE OF PITTING<br />
An inherent characteristic of high amperage,<br />
high intensity arc is the gradual<br />
pitting of the rear surface of the rear<br />
condenser lens,<br />
by small unvaporized molten<br />
metallic globules which the burning arc<br />
emits and which impinge themselves on<br />
the lens surface.<br />
The continued use, therefore, of a rear<br />
lens that has become excessively pitted, w'ill<br />
proportionately reduce the amount of light<br />
it will transmit. In order to correct this<br />
The interior of the Peerless Hy-Candescent lamp,<br />
showing the arrangement of the various parts, ore<br />
control, arc stabilizer, arc feed mechanism, heat<br />
shields. Note the rugged construction of all the<br />
parts so the lamp con withstand very high amperages.<br />
The condenser mount is just in front of the<br />
light<br />
dowser.<br />
situation, the manufacturer has made arrangements<br />
to resurface and polish such<br />
lenses at a nominal charge and in the<br />
.shortest possible time. Your local supply<br />
dealer can arrange such service for you.<br />
It is suggested that you keep on hand one<br />
or two rear condensers.<br />
CARE OF POSITIVE CONTACTS<br />
It should be understandable that the<br />
positive contacts must be given special care<br />
because the carbon must feed smoothly,<br />
and rotate without any hesitation. This<br />
can be accomplished by cleaning these contacts<br />
every day. To be assured of a clean<br />
and low resistance contact with the carbon<br />
there is no exception to this rule. The<br />
most satisfactoi-y method of cleaning is<br />
by means of a device which clamps to the<br />
edge of a bench and is so designed to automatically<br />
hold each contact, with spring<br />
pressure, against a rotatable abrasive<br />
spindle. This device is nominally priced<br />
and may be purchased from the manufacturer,<br />
theatre supply dealers or direct from<br />
its manufacturer. Essannay Electric Manufacturing<br />
Co. We strongly recommend, if<br />
you do not already have one of these devices,<br />
you immediately order one and be<br />
assiu'ed of a better cleaning job of your<br />
contacts for the positive carbon. Remember,<br />
while the negative carbon does not rotate,<br />
the contacts should receive the daily routine<br />
cleaning.<br />
Pioper alignment of the burner, the lamp<br />
optically correct in relation with the aperture,<br />
the correct distance, good rear condenser,<br />
right amperage, voltage and arc<br />
gap. will Insure high quality performance<br />
and a great quantity of light from the<br />
Peerless Hy-Candescent lamp.<br />
It is of paramount importance that the<br />
optical axis of the burner, and hence the<br />
axis of the positive carbon, must be precisely<br />
aligned with the optical axis of the<br />
projector mechanism, using the alignment<br />
kit for accuracy.<br />
According to the carbon trim, arc amperage<br />
and arc voltage data given elsewhere<br />
in this article, adjust generator and<br />
ballast rheostats to coincide with recommendations<br />
given by carbon manufacturers.<br />
Be assured they know best in this connec-<br />
Continued on page 44<br />
42 The MODERN THEATRE SECTION
I<br />
[<br />
dia.<br />
I<br />
L<br />
,<br />
I<br />
I<br />
I<br />
^<br />
1<br />
|<br />
if UH-I<br />
f..A<br />
STRONG U-H-I<br />
Tl<br />
(with Beam Shaper)<br />
I<br />
For indoor matte screens up to 60<br />
feet wide and high gain screens up to<br />
75 feet wide.<br />
For drive-in matte screens up ._<br />
120 feet wide and high gain screens up<br />
to 140 feet wide.<br />
Burns full 20-inch 13.6 carbons.<br />
Overall optical speed f 1-5 with<br />
f 1.5/1.6 projection lenses and projection<br />
cleared for f 1.5.<br />
STRONG SUPER •135"<br />
(75 to 135 Ampere High Intensity)<br />
For indoor matte screens up to 50 feet<br />
wide and high gain screens up to 65<br />
feet wide.<br />
For drive-in matte screens up to<br />
1 100 feet wide and high gain screens<br />
I up to rio feet wide.<br />
"<br />
16'i " dia. reflector for use with<br />
f 1.9 or f 2.0 objective systems— 18'^<br />
dia. reflector for use with f 1.8, f 1.7<br />
nd fl.5 projection lenses delivers<br />
I approximately ISTr higher illumina-<br />
1 tion than the 16' 2" reflector.<br />
Models for burning 9 or 10 mm<br />
^ositive carbons at 75 to 105 amperes,<br />
1 11 mm positives at 110 to 125 amperes.<br />
10 mm Hitex at 124 to 13'<br />
So<br />
Yo«<br />
f«<br />
Going « ^"1<br />
roOJtCTION<br />
ARC UMK!<br />
-%L<br />
-->:
current when lighting arc. it also "steps<br />
down" the current before the load is completely<br />
broken, thereby reducing the arc<br />
at the switch considerably. It comes comj<br />
ARC LAMP MAINTENANCE<br />
Continued from page 42<br />
tion. If you employ rectifier for DC supply,<br />
it should be adjusted to give exactly the<br />
desired amperage for the carbon sizes you<br />
are using.<br />
ADJUSTING CARBON FEEDS<br />
Be sure to adjust the positive and negative<br />
carbon feeds so the burning arc will constantly<br />
be maintained as explained in this<br />
article. Also, very carefully adjust the arc<br />
crater imager and align the image of the<br />
burning end of the positive carbon exactly<br />
even with the vertical marker line on the<br />
image screen. The positive carbon should<br />
hold this position during its operation for<br />
an evenly illuminated screen. Sometimes it<br />
is necessary to make an adjustment manually<br />
in order to keep the position of the face<br />
of the positive carbon on the mark on the<br />
imager. Occasionally check the arc amperage<br />
and voltage so that the lamp operates<br />
correctly.<br />
Next extinguish the arc and, making sure<br />
not to manually change the burning position<br />
of the positive carbon, adjust the condenser<br />
mount forward or backward so that<br />
the rear surface of the rear condenser is<br />
at its correct focal distance
I<br />
I<br />
—<br />
The Peerless Hy-Candescent lamp has a<br />
ruggedly built arc feed mechanism. The<br />
design of the feed mechanism is such that<br />
the arc feed motor rotates at a uniform<br />
speed and the carbon feeding rates are<br />
varied by mechanical means. This insures<br />
full motor torque over the entire range of<br />
adjustment.<br />
By means of this mechanical control it<br />
is possible to obtain a lineal feed range of<br />
from to 36 inches of positive carbon per<br />
hour and to 7(2 inches of negative carbon<br />
per hour. The adjustment of the feeding<br />
rate is not complex and does not need<br />
detailed explanation. Once it is correctly<br />
adjusted, no further adjustment will be<br />
necessary, in most situations. It is understood<br />
that it is necessary, at times, to use<br />
the manual feed for setting the distance<br />
of the carbons, particularly when first<br />
lighting the arc.<br />
ADJUSTMENT OF CARBONS<br />
Manual carbon adjustment—By means<br />
of the upper knob, rear of lamphouse, the<br />
positive carbon may, any time, be manually<br />
adjusted forward or backward as required.<br />
The adjustment of the negative carbon,<br />
manually, is by means of the knob directly<br />
below the positive hand knob. By pushing<br />
inward to disengage the feed gear and<br />
worm and holding inward, then turning<br />
the knob, the negative carbon holder may<br />
be moved up or down. Removal of the hand<br />
from this knob at the finish of the adjustment<br />
will automatically cause the gears<br />
to re-engage and the motor will resume<br />
feeding again. One should carefully adjust<br />
the carbon and obtain the correct gap<br />
between the negative and positive so the<br />
illumination will be even over the entire<br />
screen when making a changeover. Keep<br />
the face of the positive carbon on the line<br />
on the imager, and the negative carbon<br />
should be kept on its line.<br />
RECOMMENDED CARBON TRIMS<br />
The Peerless high intensity lamp has a<br />
current range from 125 to 180 amperes.<br />
The lamp has been designed, for maximum<br />
screen illumination from the arc. to use<br />
the following carbon combinations: Standard<br />
regular trim, 125 to 150 amperes, 68-<br />
78 volts, use 13.6mm x 22 inches high intensity<br />
positive; for the negative carbon,<br />
use 7/16x9-inch coated cored negative<br />
I 'oxQ-inch negative from 140 to 150 amperes).<br />
For the new Super Trim, 170-180<br />
amperes, 74 arc volts, use 13.6mm x 22-<br />
inch positive, and ^,2x9-i7tch heavy duty<br />
coated cored negative. Carbons must make<br />
good contact in their holders; all electrical<br />
connections should be checked for<br />
firm contact. Keep carbons in a dry place<br />
so they will be free from any dampness.<br />
Do not let carbon stubs accumulate in<br />
the lamphouse, place them in a metal container.<br />
The new Peerless Hy-Candescent exterior<br />
negative lateral adjustment is now furnished<br />
on all orders for new lamps and<br />
may be put on all previously made. It is<br />
very easy to install by the projectionist.<br />
The exterior negative adjustment provides<br />
They "go out" to the<br />
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I<br />
1<br />
Continued on following page<br />
BOXOFFICE November 16, 1957 45
ARC LAMP MAINTENANCE<br />
Continued from preceding<br />
page<br />
means for manually centering the tip of<br />
the negative carbon with the positive carbon<br />
crater, from outside of the lamphouse<br />
and while the lamp is in operation. This<br />
will insure a good crater and an evenly illuminated<br />
screen at all times. Now the<br />
manipulation of this adjustment completely<br />
eliminates the need of ever burning the<br />
arc while the negative tip is out of lateral<br />
alignment with the positive crater due to<br />
warped or crooked carbons.<br />
One kit contains all parts needed for one<br />
lamp. Only one, one-half-inch diameter<br />
hole is required to be drilled in the sheet<br />
metal lamphouse top and a template to<br />
locate its correct position is included with<br />
each kit. The writer strongly recommends<br />
the installation of adjusting kit in lamps<br />
not previously equipped because it assures<br />
proper coalescence of the arc flames, a<br />
quieter burning arc, and a more constant<br />
level of screen illumination. Complete instructions<br />
on its installation are sent with<br />
each kit.<br />
Proper ventilation of the lamphouse is<br />
very important with all high intensity arcs,<br />
but more so when using very high amperages.<br />
The Peerless lamp has provision<br />
for the use of eight-inch diameter ventilating<br />
pipe. The manufacturer recommends<br />
that eight-inch diameter flexible metallic<br />
tubing be used, wherever possible, in preference<br />
to ordinary eight-inch piping, but<br />
in either case the larger size must be used<br />
because of its capacity to exhaust a larger<br />
volume of the heated air and arc gases at<br />
a lower velocity than possible were a sixinch<br />
pipe used. The flexible pipe can easily<br />
be adjusted and will make a neater job in<br />
most situations. A variable suction unit<br />
adjustable to deliver not less than 400 and<br />
upward to 600 cubic feet of air per minute<br />
is needed; we have always recommended,<br />
and installed, an American or Dayton<br />
blower for most reliable blower system for<br />
all lamphouses.<br />
SEPARATE SWITCH FOR MOTOR<br />
NOTE: The blower should always be connected<br />
to the projection room lighting circuit<br />
.so that electrical supply failure to the<br />
blower motor cannot happen while the<br />
projection room lights are on. We have<br />
found this best for all installations. The<br />
motor should be controlled by a separate<br />
switch but current supplied from the projection<br />
room light circuit.<br />
We want to very strongly emphasize that<br />
the relationship of the negative and positive<br />
carbons must be exactly right and there<br />
is 710 other carbon relationship "just as<br />
good" than those recommended by the<br />
manufacturer in the instruction booklet<br />
on carbon alignment. Extreme underlapping<br />
of the carbon flame indicates improper<br />
alignment and results<br />
in highly inefficient<br />
crater formation with greatly reduced<br />
light output. The negative carbon<br />
must be perfectly aligned with the positive<br />
so that a perfect crater will form which is<br />
absolutely necessary for maximum light<br />
output. Careless lateral adjustment of the<br />
negative carbon and flame underlapping<br />
will cause a major loss in light output.<br />
Over a period of years, we have found it<br />
is advisable for the projectionist to have<br />
his ammeter adjusted for accuracy. The<br />
purpose of adjusting the resistance of the<br />
meter shunt is to correct the registration<br />
of the ammeter with the registration of a<br />
master or test meter. If you are also using<br />
a voltmeter, we advise a check with a<br />
master meter. Your local light plant will<br />
be glad to make this check for you. You<br />
will be assured your meter is delivering correct<br />
readings and you will be assured of<br />
the correct current for the arc. We have<br />
found, many times in the field, meters off<br />
from five to eight amperes, when checked<br />
with an accurate test meter.<br />
Often we have found a projectionist who<br />
had not learned the correct way to strike<br />
an arc. We suggest the following procedure:<br />
The arc should be struck quickly ido<br />
not let carbons "freeze" i to prevent damage<br />
to the arc crater and possible blowing<br />
out of the positive core which might deposit<br />
soot in the lamphouse. After carefully<br />
striking the arc, let it burn a minute<br />
or more until the arc has settled down and<br />
the pointer on the ammeter is steady, then<br />
manually adjust the arc gap length the<br />
mr^^<br />
ULTRAMATTE, sparkling white<br />
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whenever successful showmen decide<br />
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"Majors", For your next screen<br />
replacement be sure to book Ultramatte<br />
and expect a 5-star performance<br />
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SCREEN<br />
TEST<br />
for UNIXCELLEO ft^^^^^»lltf<br />
Mail Coupon for COMPLETE INFORMATION<br />
STEWART TRANS LUX CORP.<br />
I 1 1 I \V. SepulvKla Blvd . Torrance. Calif.<br />
NAME<br />
Please .send complete information on full Stewart-Trans-Lux<br />
line of theatre screens.<br />
THEATRE-<br />
( IT"l'<br />
-STATE_<br />
BT-I 1-16<br />
46 The MODERN THEATRE SECTION
—<br />
"<br />
correct distance. The carbons should be<br />
adjusted so that the image of the carbon<br />
tips coincides with the lines on the arc<br />
imager. This adjustment is important in<br />
order to obtain an evenly illuminated picture<br />
when making a changeover.<br />
CONTACT PRESSURE<br />
ARM AND SPRING<br />
The pressure on the contacts in high intensity<br />
arcs must be carefully adjusted for<br />
smooth operation. If the pressure is too<br />
little it will cause arcing; roughened,<br />
bui-ned contacts and poor electrical contact.<br />
On the other hand, if you place too<br />
much pressure it will place undue strain<br />
on the feeding mechanism and will cause<br />
the carbon to stick and not feed evenly<br />
sometimes too much pressure and the positive<br />
carbon will fail to rotate. The Peerless<br />
incandescent lamp has an adjustment at<br />
the end of the contact spring for adjusting<br />
the contacts against the positive carbon;<br />
by turning the nut NO. 4134 clockwise<br />
the spring pressure is increased or,<br />
counter clockwise, it is decreased.<br />
Pressure for the positive carbon contacts<br />
is provided by contact spring NO. 15111 located<br />
between the bottom ends of the NO.<br />
15107 spring arms, mounted on NO. 15112<br />
pressure rods. As the NO. 15110 cam is rotated,<br />
the NO. 15104 pressure arms are<br />
caused to open and release the contact<br />
pressure on the carbon.<br />
The correct position of the NO. 15107<br />
spring arm on the NO. 15112 pressure shaft<br />
is when, with a carbon in place between the<br />
contacts and the NO. 15110 release cam in<br />
neutral position, there is exactly oneeighth-inch<br />
clearance between the two side<br />
faces of the release cam and each spring<br />
arm.<br />
METHOD FOR<br />
CORRECT SETTING<br />
Correct setting may be accomplished by<br />
first loosening both the spring arm clamp<br />
nuts NO. 4143, inserting a carbon between<br />
the contacts and placing a one-eighth-inch<br />
thick strip of steel between each side of<br />
the release cam and the spring arms. Then<br />
while squeezing the two NO. 15104 contact<br />
pressure arms together with one hand,<br />
securely retighten the NO. 4143 clamp nuts<br />
in the NO. 15107 spring arm with the other<br />
hand. When finished, remove the two<br />
strips of one-eighth-inch steel 'numbers<br />
refer to parts catalog numbers!. By following<br />
the above procedure, you will be<br />
sure to obtain the correct tension and your<br />
carbon, if the contacts are kept bright and<br />
clean, will feed smoothly.<br />
We strongly recommend that you always<br />
keep extra contacts in stock. The most important<br />
parts are the controling springs and<br />
parts that contact carbons.<br />
The Peerless Hy-Candescent lamp is a<br />
vei-y powerful projection arc lamp, delivering<br />
a brilliant white light for any size<br />
drive-in or conventional screen, on any<br />
kind of screen surface. The company has<br />
some very interesting charts on total screen<br />
illumination as measured in lumens. Space<br />
limitations prevent our presenting some of<br />
these charts, but ive can truthfully say the<br />
Continued on following page<br />
BARTLESVILLE'S CHOICE<br />
/mes<br />
JT CABLING<br />
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reduces TV system<br />
maintenance<br />
iiff^<br />
Bartlesville's choice also the choice of 437 of the 650<br />
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TIMES cables were chosen for 2 out of 3 wired TV<br />
systems because they offered distortionless transmission<br />
plus 30 to 40 per cent reduction in cost of installation<br />
and maintenance.<br />
TIMES WIRE AND CABLE COMPANY, Inc.<br />
an affiliate of<br />
THE INTERNATIONAL SILVER COMPANY \^ '<br />
Wallingford, Conn.<br />
"Write for further information."<br />
^ sj<br />
EOXOFFICE :: November 16, 1957
ARC LAMP MAINTENANCE<br />
Continued from preceding page<br />
TESMA show booth 212<br />
now showing,..<br />
SSKiiriilTK<br />
projection lens<br />
Come to Booth 212 for a<br />
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/^<br />
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llM4IJJ1>^ii;l!TiTMl<br />
CALI CARBON COUPLERS<br />
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The WORLD'S LARGEST Producer of Carbon Savers<br />
At oil progressive supply houses.<br />
company presents some very honest figures,<br />
proved by tests with precision test<br />
equipment. The light output, using 180 to<br />
185 amperes. 74 arc volts. 13.6nim positive,<br />
is exceptionally outstanding for aspect ratios<br />
of 1.37 to 1, 1.85 to 1 and 2.55 to 1;<br />
for 65 and 70mm projection, the screen illumination<br />
is perfect on any of the leading<br />
screen sui'faces used for high intensity<br />
arcs.<br />
LIGHT LOSS WITH HEAT FILTER<br />
It is understandable that there is some<br />
light loss when using a heat filter. The<br />
company gives the following deductions in<br />
light transmission with heat filters: Deduct<br />
approximately 6 to 10 per cent for<br />
Peerless Hy Lumen filter or 16 per cent<br />
straight for any other type filler. Too, on<br />
the subject of light increase or decrease,<br />
the type of projection machine shutter<br />
plays a very, very important part and needs<br />
careful consideration in every installation.<br />
The "right" type of shutter will deliver<br />
maximum light output, but the "wrong"<br />
type can cut down the light to quite an extent.<br />
In the near future, we shall present a<br />
complete article on shutter characteristics.<br />
The Peerless Hy-Candescent arc lamp is<br />
what we term as a "straight high intensity."<br />
and it uses special condensers in place of a<br />
reflector to collect and converge the light<br />
to a standard-size spot at the aperture of<br />
the mechanism. This is a very powerful<br />
light source and entirely free from the vagaries<br />
of arc focus that are prevalent with<br />
all reflector lamps. The condenser-type<br />
lamp will give the very highest overall<br />
quality of screen light from side-to-center,<br />
when using 180 amperes, f 1.9 aspheric<br />
condensers, high speed coated projection<br />
lens, and any of the screen surfaces made<br />
by leading screen manufacturers for high<br />
intensity arcs.<br />
NEED RIGHT OPTICAL LENS<br />
We want to point out that the various<br />
makes of modern new types of reflector<br />
lamps, including Peerless Magnarc ( reflector-type<br />
deliver a powerful light 1<br />
output<br />
when used with the "right" optical lens<br />
and screen surface. We mention this in<br />
connection with our discussion about the<br />
features contained in the Hy-Candescent<br />
lamp using condensers to converge the light<br />
beam to a suitable size spot at the aperture.<br />
The type of lamp 7nust be selected for<br />
its suitability for each situation, if one<br />
jvants satisfa
inch from the positive carbon so that only<br />
a very slight tiu-n of the Icnob will be required<br />
to strike the arc; be sure to immediately<br />
open the gap to its required<br />
burning distance. By following this procedure<br />
a good crater on the positive, most<br />
every time, will form and the arc will settle<br />
down and burn steadily.<br />
Some interesting facts about Peerless Hy-<br />
Candescent Cinearc—The lamphouse itself<br />
is large and well constructed to provide<br />
the large interior needed to<br />
facilitate<br />
ventilation, to prevent overheating of the<br />
various parts; the lamphouse doors are<br />
large, making cleaning and care of the<br />
lamp an easy task. The roomy interior also<br />
makes it easy to work, when necessary, on<br />
the arc mechanism and lubricate the moving<br />
parts.<br />
LONG LIFE ASSURED<br />
The rugged construction of this lamp insures<br />
long life, which means minimum expense.<br />
The general design, gearing, carbon<br />
holders and arc feed are such that<br />
continuous operation over long periods of<br />
time will cause practically no wear on the<br />
component parts or burning of parts due<br />
to excessive heat. The ventilation design<br />
of the lamphouse is very adequate in conjunction<br />
with the exhaust system we have<br />
recommended. Cleanliness will also assure<br />
long life.<br />
The amperage range is 125 to 220;<br />
standard amperages used are generally<br />
from 125. 150 and 180 for most situations,<br />
furnished by rectifier or a motor generator<br />
set. When using a motor generator set.<br />
the selection of the ballast rheostats is<br />
very important in order to obtain the correct<br />
arc voltage and amperage.<br />
Positive carbon size—The lamp is<br />
regularly<br />
furnished to accommodate 13.6mm<br />
diameter carbon; the company will furnish<br />
11mm or 16mm holders, on specification.<br />
The negative carbon holder will accommodate<br />
three-eighths, seven-sixteenths, and<br />
one-half-inch diameter carbons.<br />
CONDENSER MOUNTS FURNISHED<br />
Condenser mount — Condenser mounts<br />
are furnished to accommodate either the<br />
B. and L. No. 41-86-25 and No. 41-86-35<br />
lens system or the regular Peerless No.<br />
15363-Q and No. 15366-P or No. 15367-P<br />
Hy-Speed condenser system furnished upon<br />
specification. Condensers are not included<br />
in the price of the lamp. If the special<br />
Bausch and Lomb condensers are desired,<br />
they should be purchased from the factory<br />
or supply dealer, likewise the "Hy-Speed"<br />
condensers. The "Hy-Speed" 15367-P<br />
front and 15363-Q or 15366-P rear condensers<br />
can be purchased only frcm the<br />
J. E. McAuley Manufacturing Co.. or authorized<br />
representative of the company.<br />
In conclusion, the writer has endeavored<br />
to present the most important instructions<br />
pertaining to general maintenance and operation<br />
of the Peerless Hy-Candescent high<br />
intensity arc lamp. If you will carefully<br />
read the text, we are sure you will obtain<br />
excellent results and long service frcm this<br />
very fine lamp. If you have any problems.<br />
do not hesitate to write us and we shall be<br />
happy to help you.<br />
We want to again point out that cleanliness<br />
is most important; keeping the positive<br />
contacts clean is very essential for<br />
smooth operation and feeding of the positive<br />
carbon. And do not neglect keeping<br />
the negative carbon holder clean. Do not<br />
overload the carbons—use the correct carbon<br />
sizes for the amperage drawn at the<br />
arc; maintain the correct arc voltage and<br />
arc<br />
gap.<br />
CHANGES FOR DRIVE INS<br />
Changes can be made in tlic width of<br />
shutters for increasing screen illumination<br />
in drive-in theatres. In the Simplex "E-7"<br />
and Super models the shutter may easily<br />
be narrowed from 6% inches 'measuring<br />
from tip to tip at top of shutter blade)<br />
down to 538 inches. Never cut any less<br />
than this width or you will have travel<br />
ghost. The shutter is adjustable in these<br />
two projectors. For projectors without adjustable<br />
shutter it is necessary to trim the<br />
blades down to the point where you do not<br />
have any travel ghost; first make a model<br />
shutter and narrow the blades to where<br />
you just have a little travel ghost, then<br />
lay it on regular shutter, mark an outline,<br />
trim the shutter just a trifle to overcome<br />
the travel ghost. Ahvays trim both blades<br />
the same amount— if you trim only one<br />
blade you luill unbalance the shutter and<br />
also set up a flicker. Be sure to cut one<br />
blade on one side and the other one on<br />
the other side, which will balance the shutter.<br />
Don't try cutting it by "guessing" at<br />
the amount.<br />
One can narrow the shutter blades in a<br />
conventional theatre, but usually you can<br />
secure plenty of screen illumination with<br />
a lenticular-type silver screen. The trend<br />
is back to the so-called "white-type" screen<br />
surface for high intensity lamps for wide<br />
or narrow auditoriums. We still recommend<br />
the installation of metallic-type<br />
screens for those using 1-KW and intermediate<br />
types of high intensity lamps, for<br />
medium-widtli auditoriums. For wide auditorium,<br />
we suggest you use a semimetallic<br />
surface for either the Hy-Candescent or<br />
1-KW arc lamp. Likewise, the angle of<br />
projection is to be taken into consideration<br />
when selecting a screen. If you are<br />
contemplating the installation of a new<br />
screen, first try several fairly large samples<br />
of screen surfaces before you buy.<br />
CARBONS MUST BE DRY<br />
A few words about carbons. Carbons<br />
should be stored in a dry place—a storage<br />
cabinet located high in the projection room<br />
is very good. Carbons will not deteriorate<br />
and will keep for years.<br />
If additional carbon data is desired,<br />
write us. Domestic carbons are made by<br />
National Carbon Co.; imported carbons are<br />
distributed by Carbons. Inc.. and Diamond<br />
Projection Carbons.<br />
Keep magnetic recorded films away from<br />
motors, rectifiers, generators and other<br />
electrical equipment. Rewinding should be<br />
done carefully to avoid damaging track or<br />
tracks.<br />
You'll want to know<br />
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Camden 8, N.J.<br />
BOXOFFICE November 16, 1957 49
^If I build<br />
another dr ive-in'<br />
John Blocker, right, who has constructed many drive-ins, points to the big screen tion. The 120x50-foot screen tower Is built of cement blocks, plastered and<br />
at the new Viking Twin in Corpus Christi which serves 2,000 cars, as he tells surfaced with a mildewproof paint Blocker soys the cement blocks withstand<br />
Ed Former, manager, that his next theatre would probably be a 2,S00-car situa- the wear of the elements exceptionally well and have great durability.<br />
Builder of 12 Tells of Changes and Improvements He Would Make<br />
By<br />
CASH ASHER<br />
IMow THAT you've built an even<br />
dozen drive-ins. what changes would you<br />
make if you built another?<br />
The question was posed to John Blocker,<br />
who has constructed that many theatres,<br />
in an interview in the air-conditioned office<br />
of the Viking Twin at Corpus Christi.<br />
Tex., the last of the twelve, a 2.000-car<br />
situation opened in August with a fanfare<br />
of promotions and publicity.<br />
"There is always something that could<br />
be improved." he answered, "and although<br />
I've been striving for an ideal—perfection<br />
in design and utility—I don't feel that I've<br />
ever achieved it.<br />
THE I<br />
VIXMG TWIN PRESENTS<br />
AWAY ALL BOATS<br />
JEFF CHANDLER<br />
GLENN MILLER STORY<br />
J4MES STTWART<br />
"However. I've sifted out some mistakes<br />
and added innovations and improvements.<br />
An efficient concessions stand is of primary<br />
importance in a drive-in theatre.<br />
Ample storage room is of almost equal importance.<br />
"The day of the small drive-in is past. I<br />
believe. Our population is growing rapidly,<br />
and cities are spreading over farm and<br />
ranch lands faster than ever before in the<br />
history of our country. I'll never build another<br />
drive-in with a capacity less than<br />
2.000 cars, and it is more likely to be 2.500.<br />
"I'll always have a children's playfield,<br />
which is a promotional and entertainment<br />
asset, attracting people who. otherwise,<br />
would not attend."<br />
The two screens of the Viking Twin are<br />
A view of the al(fui.l.oi. 1,^,^,0 u/m iJ.c .c^,- u( i.ic .'.unjju/in.' i^/^to tower which is seen by passing motorists.<br />
The vertical stripes are pink, green, black, green and pink, in that order.<br />
50<br />
120 feet wide and 50 feet high. They are<br />
of steel construction. Blocker says he will<br />
use cement block construction in the future.<br />
"Cement blocks cost less and are more<br />
satisfactory." he said. "Plastered and<br />
painted, the blocks have great durability.<br />
They withstand the wear of the elements<br />
better than steel, require less painting and<br />
upkeep. I used blocks in all the other theatres<br />
I built. I figured that steel would be<br />
better. Pi-ankly, it isn't.<br />
"If I build another drive-in. that's about<br />
how it will be."<br />
COULD USE MORE STORAGE ROOM<br />
While Blocker feels that he has attained<br />
maximum efficiency in the concessions and<br />
kitchen layout at the Viking Twin, he feels<br />
that he could have used more storage space.<br />
"If I build another one, I'll enlarge the<br />
storage facilities," he said. "I've increased<br />
the storage room time after time, but<br />
never have quite enough. It takes a lot of<br />
space for display materials and concessions<br />
supplies, and unless there is plenty of room<br />
.services arc slowed down and confusion re-<br />
.sults. We believed the 40x40-foot space in<br />
the Viking Twin central building would<br />
be adequate. If I build another drive-in,<br />
and I hope to, I'll add at least 200 square<br />
feet,"<br />
Blocker has learned a lot about designing<br />
concessions stands in the decade of his<br />
building activities. He believes he has<br />
achieved his finest concessions layout in<br />
The MODERN THEATRE SECTION
the one at the Viking Twin. It is built in<br />
the shape of an elongated horseshoe, with<br />
two complete utility kitchens and service<br />
lines. It is approximately 40 feet long, with<br />
a Formica-covered serving counter extending<br />
the entire length. Walls of glass blocks,<br />
four feet high, enclose the concessions stand<br />
from the rest of the building. Outside the<br />
glass block walls are narrow brick planters,<br />
which separate the customers from onlookers<br />
by nearly four feet.<br />
Main feature of the concessions stand is<br />
the cashier's cage, located at the opposite<br />
end from the kitchens. From her position,<br />
the cashier can see everything that happens<br />
in the two service lines. Customers<br />
enter through one-way turnstiles, and have<br />
to pass the cashier in leaving. They carry<br />
their food on cardboard trays.<br />
"This arrangement prevents customers<br />
from walking out without paying." says<br />
Blocker. "Our losses from people who forget<br />
to pay for what they get are negligible."<br />
PREPARE FOR INTERMISSION<br />
Service at the stand is fast and efficient.<br />
Before an intermission, cold drinks<br />
of three sizes are ready on the bar in paper<br />
cups, sandwiches are laid out. coffee is<br />
steaming in vacuum containers. The precooked<br />
chicken is ready for browning, and<br />
so is the shrimp: and the pizza mix is<br />
ready to pour for quick baking.<br />
The utility kitchens are equipped with<br />
large hot plates, refrigerators, fryers and<br />
convenient tables. Close by. in the storage<br />
room, are deep freeze units, an electric<br />
stove, ice-making machines and a large<br />
coffee<br />
urn.<br />
Blocker has found that a concessions<br />
stand, conveniently arranged, economically<br />
operated, and serving a wide variety ot<br />
items, can spell the difference between success<br />
and failure in a drive-in. Explaining,<br />
he said:<br />
"We started serving regular southern<br />
fried chicken at the Viking. It took at least<br />
15 minutes to prepare an order. This was<br />
too slow, so we switched to pre-cooked,<br />
frozen chicken. Now we can prepare an<br />
order in four minutes. Our chicken din-<br />
Continued on following page<br />
The Viking Twin concessions as it appears straight-on from tfie front entrance. The cafeteria layout has two<br />
complete kitchens and service lines, the latter converging at the cashier's stand shown in the center.<br />
The kitchen wall, in gleaming stainless steel, is at the rear.<br />
A closeup of the kitchen area referred to above. The grills and fryers are duplicated, one setup for each<br />
cafeteria line. The large refrigerator near center of picture is shown just inside the large storage room<br />
which is 40x40 feet. Blocker says he would build his next one even larger.<br />
The I20x40-foot cement block concessions building in the center of the 30 acre<br />
lot also houses the projection room and office. Said to be the largest drive-in<br />
in the South, the Viking Twin has 2,002 parking places and seats for 400 walkin<br />
patrons.<br />
Two-lane, neon-lighted drives provide for fast handling of traffic into the theatre.<br />
There are three attendants at the gate. An aluminum fence surrounds the<br />
entire theatre, and is illuminated with indirect lights which do not interfere<br />
with the picture.<br />
BOXOFFICE November 16, 1957 51
IF I BUILD ANOTHER DRIVE-IN<br />
Continued from preceding page<br />
ner sales bocmed. When we started out.<br />
our concessions sales averaged 40 cents fcr<br />
every dollar taken in at the boxoffice. This<br />
percentage jumped to 53 cents at the concessions<br />
stand for every dollar at the boxoffice."<br />
Another item sold at the Viking Twin<br />
concessions stand is pizza pie. Blocker introduced<br />
this tasty item shortly after the<br />
theatre opened, and it has been a favorite.<br />
An order can be prepared in a few minutes.<br />
Customers get it on expendable cardboard<br />
trays for 75 cents. Fried chicken is served<br />
in a cardboard box for 85 cents. Along with<br />
the chicken, they get Fiench fried potatoes,<br />
pickles, hot rolls and honey. Fi'ied shrimp,<br />
served in the same kind of container, with<br />
pickles and crackers, costs 95 cents. On<br />
full-house nights, these three major items<br />
are dispensed in enormous quantities.<br />
MANY ADDITIONAL ITEMS<br />
Added to the menu, are sandwiches of<br />
many kinds, an assortment of iced soft<br />
drinks, candy, popcorn in attractively decorated<br />
paper cups, coffee, cigarets. potato<br />
and corn chips and other crunchy and<br />
chewy delicacies.<br />
The concessions stand is operated by<br />
seven men and women, an attractive, fastmoving<br />
crew, trained to practice the theatre's<br />
motto; "Service at all<br />
times."<br />
"This is the most satisfactory and bestpaying<br />
concessions unit I have ever built,"<br />
Blocker said. "The next one I build will<br />
be exactly like it. unless someone shows me<br />
how to improve it."<br />
Blocker is generally enthusiastic about<br />
the Viking Twin. largest in the South. He<br />
says if he builds another, it will be equally<br />
large, or even larger. In addition to the<br />
2,000 parking places there is room for 400<br />
walk-in patrons on the comfortable benches<br />
at each side of the concessions building.<br />
The vast parking area has been filled on<br />
several occasions.<br />
LOCATED ON 30-ACRE<br />
TRACT<br />
Facilities for traffic are adequate, with<br />
two entrance lanes, and three attendants<br />
at the gate. The 30-acre tract is surrounded<br />
by an aluminum fence, with indirect<br />
lights, strong enough to guide cars,<br />
yet not interfering with the pictures.<br />
The central building is 120 feet long by<br />
40 feet wide. It contains the storage room,<br />
kitchens, concessions stand, a narrowpatio,<br />
the projection room and an office,<br />
in that order. Restrooms are also located<br />
in this building. It is of cement block construction,<br />
with wide windows, and ample<br />
room for customers to move about in the<br />
concessions section.<br />
It is 709 feet from the projectors to the<br />
screens.<br />
The drive-in is six miles from downtown<br />
Corpus Christi. and located on Ayres<br />
street, one of the four- major traffic arteries<br />
of the city. The western screen overlooks<br />
level cultivated fields, where maize and<br />
m^^<br />
Part of the extensive free playground at the Viliing Twin half an hour before showtime. Given a unique<br />
name, the Candy Cane City, it is gay and colorful, with many amusement devices, and is constantly supervised.<br />
Blocker believes a playground is a drive-in essential, and this one will be open for daytime birthday<br />
parties and other such events.<br />
cotton are grown, stretching out in a fertile<br />
panorama toward the million-acre<br />
King ranch. The eastern screen is at the<br />
edge of the city, and towers above small<br />
homes and business places. It is visible<br />
for many blocks.<br />
Lending color and versatility to the theatre<br />
is the Candy Cane City, a free, modern<br />
playground for children, with merry-goround,<br />
ferris wheel. Jack and Jill climbers,<br />
an elephant slide, hobby horse swings and<br />
other amusement devices. This area is enclosed<br />
by a fence decorated with Walt Disney<br />
animal characters, and is under adult<br />
supervision at all times. In addition to<br />
furnishing entertainment for children, who<br />
prefer a carnival to pictures, it will be free<br />
for daytime birthday parties and other<br />
celebrations.<br />
The Viking Twin opened under management<br />
of Ed Farmer who started his career<br />
as showman with the Jefferson Amusement<br />
Co. at Kilgore. Tex., then came to Corpus<br />
Christi where he served for ten years with<br />
the Corpus Christi Theatres in various capacities.<br />
His last position, before going to<br />
the Viking Twin, was as manager of the<br />
Ayers, one of the newer theatres in the city.<br />
Blocker's theatre construction includes a<br />
string of theatres all the way from Clovis,<br />
The Viking Twin's motto is: "Service at all times,"<br />
and this involves courtesy. Signs such as this keep<br />
personnel on their toes and ore a nice public relo<br />
(ions<br />
touch.<br />
N. M.. to the Texas-Mexican border. Long<br />
before he started his career as a builder,<br />
he engaged in less impressive occupations,<br />
starting out as a sweeper in a Lubbock theatre<br />
and graduating from job to job, up the<br />
ladder, until he reached the position of<br />
manager. He has spent most of his 42 years<br />
in the theatre business.<br />
When he is<br />
not in New York. Hollywood,<br />
or some other place, looking after his interests.<br />
Blocker will usually be found at<br />
night sitting on a bench at the Viking Twin,<br />
conferring with people who come to see<br />
him—and they are numerous—or just enjoying<br />
a picture, with his mind working<br />
between scenes. He gives the appearance<br />
of complete relaxation at all times, but<br />
questions bring forth quick answers, firm<br />
conclusions, reflecting a mind never idle,<br />
measuring values, concerned with improvements.<br />
Dark, athletic, congenial, he makes<br />
friends spontaneously, and those who work<br />
for him, or w-ith him. hold him in highest<br />
esteem.<br />
Summing up the situation at the conclusion<br />
of the opening show. Blocker said:<br />
"Corpus Christi is one of the nation's<br />
fastest growing cities. Its population has<br />
been expanding by nearly 10.000 a month.<br />
It is spreading out Ayres street, taking in<br />
farms and ranches. In another year, there<br />
will be a need for another drive-in out<br />
here."<br />
Will he build it? He had no comment<br />
when asked. But a friend said:<br />
"He'll probably get enough land next<br />
time to use it during daylight hours for a<br />
golf course."<br />
CREDITS: Changeable letters: Bevelite • Concessions<br />
equipment: Stormaster grill and fryers,<br />
Frecz King soft ice cream machine, National Theatre<br />
Supply popcorn mochine, General Motors refrigerator,<br />
Sodamaster drink dispensers • Lamps:<br />
Excclite 135 • Prelectors: Simplex • Screen surface:<br />
Briner Paint Manufacturing Co. • Sound:<br />
Altec • Speakers: National Theatre Supply.<br />
52 The MODERN THEATRE SECHON
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BOXOFFICE :: November 16, 1957<br />
m<br />
53<br />
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"<br />
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JINSEH Weathermasler 4 ' Viking Cone<br />
Hea»y Duty Magnet lor Full Power,<br />
long Service Ule Insured<br />
ONE YEAR WARRANIY<br />
Individual Volume Control.<br />
Rugged Cast Aluminum Housing.<br />
Durability.<br />
Handsome Painted "Built In Crinkle<br />
or<br />
Natural Aluminum finish".<br />
6 Ft. Weatherprool Neoprene Cord.<br />
UNITED SPEAKER & MFG. CO<br />
1263 Third Avenue, New Kensington, Pa.<br />
K«n.inolon: EDiion 7-3579, PilHburgh: MOnlroi» 1-0525<br />
Copper Drippings for Hospital<br />
Nels Matheson. Los Angeles projectionist,<br />
is co-ordinator of a Memorial Copper<br />
F\ind drive which is making regular and<br />
substantial donations to the Will Rogers<br />
Memorial Hospital. The drive salvages copper<br />
from the projection rooms of virtually<br />
all theatres in the Los Angeles area.<br />
After each performance, the projectionist<br />
removes the copper drippings from<br />
collector trays under the arc and deposits<br />
them in a container for delivery to the<br />
offices of Pi-ojectionists Union Local 150.<br />
Matheson delivers the drippings bo a salvage<br />
dealer, receiving 17 to 20 cents a<br />
pound.<br />
Proceeds are averaging aroimd $100 a<br />
month, the money being forwarded to the<br />
hospital in Saranac, N. Y. Matheson has<br />
traveled thousands of miles campaigning<br />
for the copper donations.<br />
A New 9mm Positive Carbon<br />
National Carbon Co. has added a 9mm<br />
positive projector carbon to its line of<br />
Suprex copper-coated carbons placed on<br />
the market in recent years. The new carbon,<br />
9mm by 14 inches, is for operation in<br />
the 65-85 ampere current range and is<br />
said to produce up to 10 per cent more<br />
light and burn up to 30 per cent slower<br />
than previous-type carbons in this current<br />
range.<br />
Previous copper-coated Suprex carbons<br />
have been the 7 and 8mm sizes. National<br />
Carbon development has also resulted in<br />
addition of 10, 11 and 13.6mm high intensity<br />
positive projector carbons to the line<br />
designed to meet the needs of drive-in theatres<br />
and larger screens of new projection<br />
systems.<br />
Projection Slide Rule Available<br />
Projectionists and dealers who frequently<br />
have to perform calculations associated<br />
with projection problems are offered a free<br />
slide rule by Projection Optics Co.<br />
The self-computing rule enables the operator<br />
to determine quickly screen size,<br />
projection distance and focal length of<br />
lens required for any type of overhead or<br />
opaque projector.<br />
The MODERN THEATRE SECTION
—<br />
—<br />
—<br />
The following concerns liavc recently<br />
filed copies of interesting descriptive literature<br />
with the Modern Theatre Information<br />
Bureau. Readers who wish copies "may<br />
obtain them promptly by using the Readers'<br />
Bureau postcard in tfiis issue of The Modern<br />
Theatre.<br />
L-1829 Several new items that will be<br />
attractive additions to theatre playgrounds<br />
are included in the 38-page catalog issued<br />
by Game-Time. Inc. Among these additions<br />
to the Game-time line are rainbow<br />
climbers, crow's nest climbers, parallel<br />
bars for both portable and stationary installations,<br />
fiber glass reinforced plastic<br />
swing seats, economy slides, whirl-a-way,<br />
hobby horse and glider units. All stresspoints<br />
of Game-time's safety-engineered<br />
equipment are welded to eliminate danger<br />
to the youngsters from exposed nuts, bolts<br />
and partly open seams.<br />
L-1830 Seven different types of luminous<br />
ceilings of interest to theatre owners<br />
and managers are illustrated in an eightpage<br />
brochure issued by Luminous Ceilings,<br />
Inc. Shown, too, are specially designed<br />
track systems which may be installed<br />
in theatres with a minimum of inexperienced<br />
labor. Provided, too. are formulas<br />
for working out lighting needs of<br />
specific theatre areas.<br />
L-1831 Many interesting theatre applications<br />
for such rubber products as floor<br />
matting, runners, carpeting and stair<br />
covering<br />
are suggested in "Floor Mats." a 12-<br />
page catalog prepared by O. W. Jackson &<br />
Co. Illustrations are used generously to<br />
demonstrate the many functions of these<br />
floor coverings, including a section dealing<br />
with plain and colored link rubber mats.<br />
which are said to be best for dirt seepage<br />
and imusually easy to handle.<br />
L-1832 "The Greatest Advance in Modern<br />
Sanitary Wash Fixtures." Bulletin K-<br />
1204. is now offered to theatremen planning<br />
washroom remodeling by the Bradley<br />
Washfountain Co. Features of the newly<br />
designed Bradley Duo-Washfountains are<br />
described and illustrated, including easy<br />
wall mounting, absence of scuff base to<br />
provide floor clearance and wide-hinged<br />
foot treadle that controls the water supply.<br />
L-1833 "Acres of Fun," a 36-page catalog<br />
of drive-in theatre playground equipment<br />
and power rides, has been issued by<br />
the Miracle Equipment Co. Most items in<br />
the company's complete line are illustrated<br />
in four colors to show theatremen how the<br />
equipment is painted in baked enamel colors.<br />
Featured is Miracle's latest development,<br />
the Miracle Jack and Jill, a unit<br />
w-ith two climbers, ski slide, a set of steps<br />
and an open-air playhouse.<br />
L-1834—A LABORATORY report on Solutax<br />
Poster Paste 3724 has been made available<br />
to theatremen by Paisley Products, Inc.<br />
This cold-water paste is said to have kept<br />
theatre posters in place even through hurricane<br />
winds and rains. It is a powdered<br />
vegetable cellulose compound which requires<br />
no cook-up. Unusual water-taking<br />
ability is said to be a characteristic of the<br />
easy-to-use paste.<br />
Here's a workable system for issuing and<br />
collecting heaters at drive-ins: brass heater<br />
tags are issued to all cars ai, the boxoffice<br />
and the heaters are given out at the concessions<br />
stand upon presentation of the<br />
tags. When patrons leave, they either<br />
surrender the tag or the heater at the exit.<br />
PROJECTION<br />
LAMP<br />
When you specify<br />
ASHCRAFT<br />
you may be sure you are obtaining<br />
the BEST! Recognized the<br />
world over as THE LEADER<br />
in motion picture projection!<br />
SUPERCINEX<br />
SUPERPOWER<br />
RECTIFIERS<br />
13.G mm CARBONS<br />
130 to 165 AMPERES<br />
11 mm CARBONS<br />
100 to 130 AMPERES<br />
12 PHASE<br />
75 to 200 AMPERES<br />
C. S. ASHCRAFT MANUFACTURING CO., INC.<br />
36-32 THIRTY-EIGHTH STREET, LONG ISLAND CITY 1, NEW YORK<br />
BOXOFFICE November 16. 1957 55
Questions and Answers on Bonus Plans<br />
A Year-End Bonus Builds Morale,<br />
But First Check Income Tax Laws<br />
By<br />
PAUL LOCKWOOD<br />
Theatre owners contemplating a<br />
year-end bonus for key employes know the<br />
value of a bonus from a morale-building<br />
standpoint. However, there may be some<br />
doubts about the income tax problems that<br />
will develop. These questions and answers<br />
will give you a guide for developing a bonus<br />
plan for your key people that will give you<br />
maximum income tax savings and help you<br />
avoid any problems in administrating your<br />
year-end bonus plan.<br />
QUESTION: Is it true that a bonus paid<br />
an ex-<br />
to employes may not be allowed as<br />
pense of doing business by the Internal<br />
Revenue Bureau?<br />
ANSWER: Yes! Even though you have<br />
paid your employes a year-end bonus, you<br />
may find that the Internal Revenue Bureau<br />
will disallow the bonus payment. This<br />
means that you will have to recalculate<br />
your taxable income without including the<br />
bonus payments. Unless you handle this<br />
DIT-MCO UNIVERSAL<br />
i„.A-c„<br />
SPEAKERS<br />
"The<br />
GREATEST<br />
SPEAKER"<br />
Designed to give you<br />
the latest improved<br />
quality in high and<br />
low frequencies in<br />
keeping with the new<br />
methods of reproduction<br />
of sound today.<br />
Spcokcr openings are larger. No sound obstruction.<br />
Now type louvre slants down to keep out sun and<br />
rain. Perforated metal grill between louvre and<br />
speaker unit prevents customer damage to unit.<br />
Monger bracket complete is now cast as part of<br />
bock holf of speaker housing. Bracket will fit any<br />
type junction box. Lorge 4" oil weather speaker<br />
unit with hcovy duty Alnico 5, 1.47 oz. mognet.<br />
Improved volume control shuts completely off and<br />
above ground; knurled control shaft eliminates<br />
the necessity of replacing control knobs.<br />
BEAUTIFUL<br />
TWO-TONE FINISH<br />
BUY DIT MCO AND YOU BUY THE BEST<br />
Wrlli- .ir Win- for inill Iktalls. I'
EQUIPMENT Cr<br />
DEVELOPMENTS<br />
Kitchenware Giveway Program<br />
Develops Attendance Habits<br />
P-1643<br />
FOR MORE<br />
INFORMATION<br />
fully illustrated, step-by-step instructions<br />
which are very simple to follow. The model<br />
M-1 Handitester measures AC or DC volt-<br />
USE Convenient<br />
Readers'<br />
Bureau Coupons<br />
A kitclienware giveaway promotion to<br />
bring women patrons back to a theatre<br />
seven successive weeks has been developed<br />
by Nationwide Premium Distributors, Inc..<br />
and successfully field-tested in indoor and<br />
outdoor theatre situations. The plan is to<br />
give away a set of seven coppertone Ekco<br />
kitchen tools and hanger, each woman receiving<br />
an item each successive giveaway<br />
night simply for purchase of an admission<br />
ticket. The first week each woman admitted<br />
gets a large basting spoon and the<br />
hanger for the set, the empty hooks on the<br />
hanger thereafter acting as a psychological<br />
stimulus to the patron to return to the<br />
theatre each week to get one more item<br />
until her set is complete. There is no service<br />
charge with the admissions, no stamps<br />
to save. The theatre pays for only the items<br />
actually given away each special night. A<br />
pre-promotion advertising package is furnished<br />
free to each sponsoring theatre. In<br />
addition to building up attendance during<br />
the giveaway period, the promotion is said<br />
to stimulate patrons to regular theatre attendance<br />
habits, since they are exposed to<br />
coming attractions trailers. Concessions<br />
sales are also said to be stepped up both<br />
during and after the promotion period.<br />
Twin Coffee Urns Brew<br />
Continuous<br />
Supply<br />
P-1644<br />
Series '61 twin coffee urns have been developed<br />
by Cecilware-Commodore Products<br />
Corp. to meet the needs of situations such<br />
as theatre concessions where coffee must<br />
be brewed by the gallon. The most important<br />
feature of the Series '61 urn is Cecilware's<br />
new gridded riser, which eliminates<br />
the old-fashioned drooping coffee bag and<br />
forces all the water to filter faster through<br />
the coffee bed for uniform and correct extraction.<br />
This feature is recommended by<br />
the Coffee Brewing Institute and is available<br />
in 3, 4, 5, 6. 8 and 10-gallon sizes. The<br />
standard twin urns of the series can supply<br />
a continuous flow of coffee throughout the<br />
theatre's operating period, since patrons<br />
may be served from one side of the urn<br />
while a fresh batch of coffee is prepared<br />
in the other side. Other features are electronically<br />
welded, stainless steel construcn\^.^,>^\v>^^<br />
a. -<br />
tion. .self-closing faucets, Robertshaw thermostat<br />
and thermometer dial and extralarge<br />
water capacity. The Series '61 includes<br />
single and twin urn units in standard,<br />
custom and de luxe models. The name.<br />
Series '61, was given to the line of coffee<br />
urns, according to the manufacturer, because<br />
It is four years ahead in advance design<br />
and construction.<br />
Do-lt-Yourself Kit For Building<br />
Sound-Test<br />
Multimeter<br />
P-1645<br />
Projectionists can easily assemble their<br />
own multimeters for checking sound system,<br />
and save many dollars. The Heath<br />
Co. supplies all necessary components and<br />
Claims made for products described editoriolly<br />
on this ond other pages are taken from the<br />
manufacturers'<br />
statements.<br />
age at 0-10, 30, 300, 1.000 and 5,000 volts.<br />
Direct current ranges are 0-10 ma, and<br />
0-100 ma. Ohmmeter ranges are 0-3.000<br />
(30 ohm center scale) and 0-300,000 ohms<br />
(3,000 ohms center scale). It uses a 400<br />
microampere meter for sensitivity of 1,000<br />
ohms-per-volt. It is small in size but ruggedly<br />
constructed. Top quality, precision<br />
components are employed throughout. For<br />
those desiring a larger and more sensitive<br />
multimeter, the Model MM-1 is recommended.<br />
Sensitivity of this instrument is<br />
20,000 ohms-per-volt DC and 5.000 ohmsper-volt<br />
AC, measuring voltage up to 5,000.<br />
Both instruments are housed in an attractive,<br />
black Bakelite case with large leather<br />
carrying handle. There is a two-color<br />
scale for easy reading. The company can<br />
also furnish complete kit for building a top<br />
quality tube checker at an exceptionally<br />
low price.<br />
Line of Paper Cups, Plates<br />
Designed for Theatre Use<br />
P-1646<br />
A line of hot and cold drink cups and<br />
bulk paper plates especially designed for<br />
theatre concessions patrons has been announced<br />
by Continental Can Co. Printed in<br />
a special theatre design, the hot drink cups<br />
come in six and eight-ounce sizes, some<br />
with plastic-coating to protect the hot coffee<br />
flavor. The wax-coated cold drink cups,<br />
also in pleasing theatre designs, range<br />
from six-ounce up to 24-ounce sizes. The<br />
white bulk paper plates are for serving hot<br />
dogs, hamburgers, Fi-ench fries and sandwiches.<br />
BOXOFFICE November 16, 1957 57
;<br />
\<br />
ever<br />
was<br />
r<br />
t<br />
r<br />
The Admission<br />
Control System<br />
that means<br />
Good Business<br />
Good Showmanship<br />
Six Automatic Vendors Make Up P-1647<br />
Drive-In Food and Drink Bar<br />
An automatic food bar consisting of six<br />
matched vending machines has been developed<br />
by Rowe Manufacturing Co. for<br />
drive-in theatres. Each of the six vendors<br />
has the merchandise display front which is<br />
an integral feature of automatic vendors<br />
developed by this company. The dispensers<br />
are designed to sell coffee, pastry, hot food,<br />
cigarets. candy and cold drinks. The combination<br />
will be displayed to the theatre<br />
trade for the first time at the National<br />
Ass'n of Concessionaires convention in<br />
Miami.<br />
Two Devices Developed P-1648<br />
To Stop Carbon Waste<br />
Pin-Core slugs for eliminating Suprex<br />
carbon waste have been developed by Economizer<br />
Enterprises as the latest addition to<br />
the firm's line of carbon savers. The Eureka<br />
Economizer is another development, being<br />
intended for use with lamps using rotating<br />
carbons. Drills are available for preparing<br />
carbons for utilizing either the Pin-Core or<br />
Economizer devices. The Pin-Core slugs<br />
are made for use with carbon in 7. 8 and<br />
9mm Suprex lamps; the Economizer device<br />
for 9, 10 and 11mm rotating carbons. Both<br />
devices are used by leading circuits.<br />
15<br />
made only b<br />
General<br />
egister<br />
s<br />
/Howe's matched vending machine food bar incorporating six vendors.<br />
r »• *//^l4/f f Read What Users Say<br />
Corporation imuvv a About sel-tubes<br />
BROADWAY THEATRE . . . Palmyra, New Jersey<br />
Best investment I made instolling SEL-TUBE Kits in our Strong 16,200. We hove a more constant<br />
arc feed and brighter picture, and my rectifiers last longer. Just acquired onother theatre—am going<br />
to install your kits there.<br />
Edwin A. Korpen, Owner<br />
M C M THEATRES . . . Leesburg, Florida<br />
Our projectionist and our maintenance engineer are completely satisfied with the performance of<br />
SEL-TUBE Kits in our Strong 16,200 at the FAIN THEATRE here. We have no trouble of any sort.<br />
Bill P. Cumboo, Gen. Mgr.<br />
SYLVIA THEATRE York, So. Carolina<br />
The SEL-TUBE Kits purchased 6 months ago for our Strong 1 6,200 have given absolute perfect<br />
service. Before that I always hoving trouble with tungor bulbs.<br />
Tom Fleming, Manager<br />
MACK ENTERPRISES . . . Silver City, New Mexico<br />
Your SEL-TUBES installed m our Rect-0-Lite 60T rectifiers several months ogo hove given us quiet,<br />
trouble-free service, eliminated screen flicker, reduced heot to almost nil and cut power consumption<br />
by approximately 15%—best investment I ever mode.<br />
H. D. McCloughan, Prop.<br />
NATIONAL SUPPLY S. A. . . . Habona, Cuba<br />
I he results obtained by using SEL-TUBES in our Forest LD-75 has been very sotisfactory—our<br />
customer has definitely improved his projection.<br />
Pedro Saenz<br />
Sec your supply dealer for o 30 doy FREE TRIAL or write<br />
direct for the amazing story of what SEL-TUBES can do for you.<br />
THE KNEISLEY ELECTRIC CO. Dept "0" Toledo 3, Ohio-Windsor, Ontario, Canada<br />
General Register Corp.<br />
43-01 Twenty-Second Street<br />
ilmprevemeiitij<br />
Long ^<br />
Island City 1,<br />
PAYS...<br />
N. Y.<br />
P<br />
Do It /)i<br />
'v NOW! .//<br />
1018 So. Wabash Ave., Chicago 5, III.<br />
IMPROVE YOUR THEATRE<br />
And You<br />
IMPROVE YOUR BUSINESS<br />
58<br />
The MODERN THEATRE SECTION
;<br />
FOR MORE INFORMATION<br />
USE THE FREE RETURN CARD<br />
The postcard at the bottom of this page is designed to help you get more information<br />
on products and services advertised in this issue of The Modern Theatre Section,<br />
or listed in the "New Equipment and Development" and "Literature" departments.<br />
An alphabetical Index of Advertisers appears below; on the back of this card is a<br />
Condensed Index of Products. In both, FIGURES in the Key Number shown for each<br />
advertiser indicate the page on which the firm's advertisement appeors. The postcard<br />
below carries numbers corresponding to the page numbers— with letters added.<br />
Circle the Whole Key Number, including the letter, corresponding to the page numbers<br />
of the advertisements on which you want more information. Then: Fill in your name,<br />
address, etc., in the space provided, tear out card and mail. For more information<br />
on listings in "New Equipment and Developments" and "Literature" departments,<br />
circle number corresponding to Key Numbers published with each item below.<br />
ALPHABETICAL INDEX OF ADVERTISERS' KEY NUMBERS<br />
CLEANING<br />
formance that reaches into new areas<br />
ty . . . more ease and speed in operaof<br />
maintenance.<br />
/ide wet and dry pick-up and blowing, a<br />
esign that enables the operator to take the<br />
lotor of our own make which delivers IJct<br />
, stainless steel or enameled steel container<br />
•<br />
connection, extra large rear wheels or 4<br />
ue readily converted for use on a 55 gallon<br />
ork.<br />
SUPER<br />
MODEL RS-1<br />
Adier Silhouette Letter Co 61b<br />
American Dryer Corp<br />
54o<br />
American Seating Co<br />
8b<br />
Apco, Inc 20a, 21a<br />
C. S. Ashcraft Mfg. Co 55a<br />
Bollontyne Co<br />
61a<br />
Bousch & Lomb Optical<br />
45a<br />
Paul F. Beich Co .24o<br />
Samuel Bert Mfg. Co _ 38a<br />
Coli Products Co 48b<br />
Canada Dry Ginger Ale, Inc 12o, 13o<br />
Costleberry's Food Co 37o<br />
Coco -Colo Co 2a<br />
Cole Products Corp<br />
.'.<br />
33a<br />
A. Dolkin Co 34o<br />
Dell Food Specialties, Inc 33b<br />
Drive- In Theatre Mfg. Co 56a<br />
Dura Engraving Corp 61c<br />
EPRAD<br />
62a<br />
Economizer Enterprises 60c<br />
Electromode<br />
BC<br />
Fisher Mfg. Co 41a<br />
General Register Corp 58a<br />
Gringo Co 36c<br />
Horwold Co<br />
60e<br />
Henry Fleide, Inc 38b<br />
Hershey Chocolate Corp<br />
15a<br />
Heyer-Shultz, Inc 59b<br />
Hollywood Brands, Inc 26a<br />
International Projector Corp. 53a<br />
Internotional Seat Corp 3a<br />
Kneisley Electric Co 58b<br />
Kollmorgen Optical Corp 48o<br />
LoVezzi Machine Works 44a<br />
Lily-Tulip Cup Corp .25a<br />
Manley, Inc 31o<br />
Miracle Equipment Co<br />
62d<br />
National Carbon Co 5o<br />
National Super Service Co 59a<br />
Notional Theatre Supply 39a<br />
Nestle Co., Inc 17a<br />
Oronge Crush Co .23a<br />
Pepsi-Colo Co 29a<br />
Phillips Electro Extensions 62c<br />
Projection Optics Co 8o<br />
RCA (Service) 49o<br />
RCA (Thea. Equip.) 8c<br />
Reeses Candy<br />
35b<br />
J. E. Robins, Inc 60a<br />
Rowe Mfg. Co .27a<br />
C. F. Simonin's Sons, Inc 35a<br />
Smithfield Ham & Products Co 18d<br />
S.O.S. Cinema Supply Corp 60b,<br />
Speed Scoop 18c<br />
Sportservice Corp 18b<br />
Star Cinema Supply Co<br />
62b<br />
Stewart-Trans-Lux Corp 46o<br />
Strong Electric Corp 43a<br />
Supurdisploy, Inc 18a, 36b<br />
Switzer's Licorice Co 36a<br />
Times Wire & Coble Co., Inc 47a<br />
United Speaker Co<br />
54b<br />
Vallen, Inc ~ 60d<br />
)<br />
ransr<br />
and<br />
t by<br />
special design handle for blowing,<br />
close-up work and limited volume<br />
suction cleaning.<br />
Phone your local Super distributor<br />
or write for data about these and<br />
other models of Super Suction<br />
Cleaners and Super service floor<br />
machines.<br />
SUPER<br />
SUCTION^<br />
SERVICE<br />
yoTit&r Suction C£eafte'i^ • Qua£i(cf -rcaor AlacAin&i-<br />
HE DRAFT HORSE OF BUILDING MAINTENANCE MACHINES<br />
'<br />
SIRVICE COMPANY 1941 N 12th ST<br />
•<br />
TOLEDO 2, OHIO<br />
. PLEASE PRINT<br />
I<br />
1 Name<br />
1 Position<br />
1 Theatre or Circuit..<br />
« Street No<br />
City<br />
..State..<br />
HULTZ<br />
) METAL REFLECTORS<br />
on 10 DAY FREE TRIAL!<br />
spendable, efficient all metal reflector<br />
urself to an actual purchase. See for<br />
BUSINESS REPLY CARD<br />
First Class Permit No. 874 - Section 34.9 PL8.R - Kansas City, Mo.<br />
Factory Street, Cedar Grove, New Jersey<br />
MODERN THEATRE Section of BOXOFFICE<br />
825 Van Brunt Blvd.<br />
''''''t!l!^::\?.7'''''*- KANSAS CITY 24, MO.<br />
59
.<br />
r^<br />
f<br />
i<br />
/<br />
Six A<br />
Drive<br />
The Admission<br />
An<br />
Control System<br />
mate)<br />
velop<br />
that means<br />
drive<br />
has t<br />
Good Business<br />
an ir<br />
develare<br />
d<br />
Good Showmanship<br />
cigan<br />
binat<br />
trade<br />
A.s.s'n<br />
Miair<br />
I<br />
15<br />
made only fcjr<br />
^^<br />
General<br />
Register<br />
Corporation /<br />
BRO<br />
M <<br />
Ol<br />
SE<br />
SYL'<br />
MAI<br />
trt<br />
by<br />
NA1<br />
General Register Corp.<br />
43-01 Twenty-Second Street<br />
long Island City 1, N. Y.<br />
•<br />
1018 So. Wabash Ave., Chicago 5, III.<br />
Number<br />
ADMISSION CONTROL SYSTEM.<br />
DRIVE-INS<br />
General Register Corp 5Sa<br />
ADMISSION SIGNS<br />
Dura Engraving Corp 61c<br />
ATTRACTION BOARDS AND<br />
LETTERS<br />
Adier Silhouette Letter Co. eib<br />
BARBECUED MEATS<br />
Castleberry's Food Co 37a<br />
Smithfield Ham & Products Co ISd<br />
CANDY<br />
Paul F. Belch Co 24a<br />
Henry Heide. Inc 38b<br />
Hershey Chocolate Corp 15a<br />
Hollywood Brands, Inc 26a<br />
Nestle Co . Inc 17a<br />
Reeses Candy 35b<br />
Switzer's Licorice Co 36a<br />
CARBON SAVERS<br />
Call Products Co 4Sb<br />
Economizer Enterprises 60c<br />
Phillips Electro Extensions. .62c<br />
. .<br />
CARPETING. THEATRES<br />
National Theatre Supply 39a<br />
CONCESSIONS CATERING SERVICE<br />
Sporlservice<br />
18b<br />
CONCESSIONS EQUIPMENT,<br />
DRIVEIN<br />
Samuel Bert Mfg. Co 38a<br />
Supurdisplay. Inc 18a. 36b<br />
CONCESSIONS FOODS<br />
Castleberry's Food Co 37a<br />
Smithfield Ham & Products Co. ISd<br />
CUPS. PAPER<br />
Lily-Tulip Cup Corp 25a<br />
CURTAIN CONTROLS & TRACKS<br />
Vallcn. Inc 60d<br />
DRINKS. SOFT<br />
Canada Dry Ginger Ale.<br />
Inc 12a. 13a<br />
CONDENSED INDEX<br />
OF PRODUCTS<br />
Key<br />
Number<br />
Coca-Cola Co 2a<br />
Orange Crush Co 23a<br />
Pepsi-Cola Co 29a<br />
DRINK VENDING MACHINES<br />
Apco, Inc 20a. 21a<br />
Cole Products Corp 33a<br />
A, Dalkin Co 34a<br />
Manley, Inc 31a<br />
Rowe Mfg. Co 27a<br />
EQUIPMENT SERVICE<br />
RCA (Service) 49a<br />
FILM CEMENT<br />
Fisher Mfg. Co 41a<br />
FILM SPLICER<br />
Harwald Co 60e<br />
FLOOR CLEANING MACHINES<br />
National Super Service Co 59a<br />
FOOD SEASONING<br />
Dell Food Specialties. Inc .33b<br />
HAND DRYING SERVICE<br />
American Dryer Corp 54a<br />
HEATERS. IN-CAR<br />
Electromode<br />
BC<br />
KIDDIE RIDES FOR DRIVE-INS<br />
Miracle Equipment Co 62d<br />
PLAYGROUND EQUIPMENT<br />
Miracle Equipment Co 62d<br />
POPCORN MACHINES<br />
Manley. Inc 31a<br />
Speed Scoop 18c<br />
Supurdisplay. Inc ISa, 36b<br />
POPCORN SEASONING<br />
Dell Food Specialties. Inc..<br />
.33*<br />
.35a<br />
C. F. Simonin's Sons. Inc..<br />
POPCORN AND SUPPLIES<br />
Manley. IrK.<br />
31a<br />
PROJECTION LENSES<br />
Bausch & Lomb Optical Co. 45a<br />
Kollmorgen Optical Corp.. 48a<br />
Projection Optics Co.. Inc 8a<br />
Star Cinema Supply Co 62b<br />
NEW EQUIPMENT and<br />
Full descriptions start on page 57<br />
Key<br />
Number<br />
Kitchenware Giveaway P-1643<br />
Twin Coffee Urns P-1644<br />
Kit to Build Multimeter P-1645<br />
Paper Cups and Plates . P-1646<br />
Automatic Food and Drink Bar P-1647<br />
LITERATURE<br />
Full descriptions on page 55<br />
Key<br />
Number<br />
Play Equipment Catalog , L-1829<br />
Luminous Ceilings Brochure L-1830<br />
Floor Mat Catalog L-1S31<br />
OTHER NEWS of<br />
PROJECTION & SOUND<br />
Ba lantyne<br />
Co<br />
International<br />
Projector<br />
Star Cinema Supply Co.<br />
Key<br />
Number<br />
61a<br />
.53a<br />
.62b<br />
PROJECTION & SOUND SERVICE<br />
S.O S. Cinema Supply Corp. ..60b<br />
PROJECTOR ARC UMPS<br />
C. S A;hcraft Mfg. Co 5Sa<br />
Strong Electric Corp 43a<br />
PROJECTOR CARBONS<br />
National Carbon Co 5a<br />
PROJECTOR PARTS<br />
LaVez2i Machine Works .44a<br />
RECTIFIERS. SELENIUM<br />
J. E. Robins, Inc 60a<br />
REFLECTORS<br />
HeyerShullz. Inc 59b<br />
SCREENS FOR INDOOR THEATRES<br />
Stewart-Trans-Lux Corp 46a<br />
SEATING. THEATRES<br />
American Seating Co 8a<br />
International Seat Corp 3a<br />
SEL-TUBES<br />
Kneisley ElKtric Co 58b<br />
SNO-KONES<br />
Samuel Bert Mfg. Co 3Sa<br />
SPEAKER. IN-CAR FOR DRIVE-INS<br />
EPRAD<br />
62a<br />
Drive-in Theatre Mfg. Co S6a<br />
United Speaker Co 54b<br />
TACKS<br />
Gringo Co 36e<br />
TELEMOVIE<br />
EQUIPMENT<br />
Times Wire & Cable Co. .<br />
, .<br />
. .<br />
THEATRE EQUIPMENT AND<br />
SUPPLIES<br />
National Super Service Co..<br />
National Theatre Supply.<br />
RCA (Theatre Equip.) .<br />
DEVELOPMENTS<br />
PRODUCTS and EQUIPMENT<br />
Page<br />
No.<br />
Ttieatre Vending Equipment 26<br />
Noncarbonated Drink Disperwer 31<br />
Pizza Crust 38<br />
MODERN THEATRE: Send me more information about<br />
items ADVERTISED on the pages as circled below:
"<br />
Ski Slide, Climbers, Playhouse<br />
Combined in Four-Color Unit<br />
P-1649<br />
The Miracle Jack and Jill, a combination<br />
of two climbers, a ski slide, a set of<br />
steps and an openair playhouse, has been<br />
developed by the Miracle Equipment Co.<br />
SUCTION CLEANING<br />
Here is suction cleaner performance that reaches into ne\^ areas<br />
... a wider range of utility . . . more ease and speed In operation<br />
... a new lower cost of maintenance.<br />
Both the.se new Supers provide wet and dry pick-up and blowing, a<br />
tran.sport handle of unique design that en.Tbles the operator to take the<br />
cleaner anywhere easily, a motor of our own make which delivers IJ^<br />
HP on the job— continuously, stainless steel or enameled steel container<br />
as desired, push-l)utton hose connection, extra large rear wheels or 4<br />
caster base as desired. Both are readily converted for use on a 55 gallon<br />
steel drum for big volume work.<br />
SUPER<br />
MODEL BP-2<br />
SUPER<br />
MODEL RS-1<br />
for drive-in theatre playgrounds. Painted<br />
in four bright, baked enamel colors to appeal<br />
to the youngsters, the Jack and Jill<br />
unit will handle an exceptionally large capacity<br />
for the 14x20-feet of ground space<br />
required. The climbers, slide and stairs<br />
provide access to or descent from the playhouse,<br />
which has a roof of translucent<br />
heavy duty fiber glass. On the ground level,<br />
the unit offers many odd-shaped openings<br />
to go in and out, providing fun opportunity<br />
for children playing independently or taking<br />
part in "follow the leader" type of<br />
games. The ski slide is four feet wide, with<br />
plastic-coated plywood sides, the slide itself<br />
being of 16-gauge stainless steel.<br />
Flameless In-Car Heater<br />
Radiates Sun-Like Warmth<br />
P-1650<br />
SUPER MODEL BP-2<br />
Special internal filter. Self-cleaning,<br />
non-corrosive.<br />
SUPER MODEL RS-I<br />
Outside bag filter carried on transport<br />
handle. Removable motor and<br />
fan unit easily carried about by<br />
special design handle for blowing,<br />
close-up work and limited volume<br />
suction cleaning.<br />
Phone your local Super distributor<br />
or write for data about these and<br />
other models of Super Suction<br />
Cleaners and Super service floor<br />
machines.<br />
"(P>tce<br />
SUPFR<br />
Oucti&n C£e^z^t£^i^<br />
Sk-e^ "DoeA ^tr<br />
SUCTION^<br />
SERVICE<br />
DRAFT HORSE OF BUILDING MAINTENANCE MACHINES'<br />
A flameless gas heater, the Bernz-O-<br />
Matic, which may be clamped to a car<br />
window has been placed on the market by<br />
Stanford Industries, Inc.. as distributing<br />
agent. Stanford Kohlberg, owner of the<br />
Starlite Drive-In. Chicago, financed development<br />
of the heater and is using it this<br />
winter at the Chicago drive-in after<br />
thoroughly testing it for safety. The heater<br />
consists of a drum-like heating unit 12<br />
inches in diameter, to which is attached a<br />
cylinder containing propane gas tradenamed<br />
Liquilux, The car window is lowered<br />
a quarter of an inch to accommodate<br />
the unit's holding device. The device requires<br />
no regulation by the customer, since<br />
;S>4y N I2th ST -TOLEDO 2. OHIO<br />
now HEYER-SHULTZ<br />
(UNBREAKABLE) METAL REFLECTORS<br />
are available on 10 DAY FREE TRIAL!<br />
... at lost you can try this dependable, efficient all metal reflector<br />
without first committing yourself to an actual purchase. See for<br />
yourself before you buy.<br />
j-|£Y£R-SI-IULTZ. INC. Factory Street, Cedar Grove, New Jersey<br />
Continued on following page<br />
BOXOFFICE :; November 16, 1957 59
'<br />
Rectify<br />
screen<br />
your<br />
lighting<br />
problems with<br />
the<br />
reliable<br />
ROBIN<br />
SELENIUM<br />
RECTIFIER<br />
AVAILABLE FROM 75-300 AMPS.<br />
Write for full informotion & prices to:<br />
J. E. ROBIN, INC.<br />
Mofion Picture Equipment Specialists<br />
267 Rhode Island Avenue<br />
EAST ORANGE, N. J.<br />
/loLcUlaJUe on ^i*ne Pcuf*nent!<br />
\mwm\ k<br />
SOI \ll<br />
IHITFITS<br />
\Js,ed and Completely Rebuilt<br />
FOR ALL SIZE THEATRES & DRIVE-INS<br />
systems includes Standard and Super<br />
Simplex, Brenkert, RCA, Motiograph AA<br />
and DeVry.<br />
• Arclamps including Peerless Magnarc,<br />
Brenkert Enarc, Strong Mogul, Ashcralt<br />
and others.<br />
• All sizes rectiiiers and generators.<br />
• New and '!-'^'' : rejection and anomorphic<br />
.<br />
You can buy a completely rebuilt like<br />
new Projection and Sound Outlit for as<br />
low as $2,495 with easy payments to<br />
suit your convenience.<br />
required, no wiring, piping of gas. no batteries<br />
or moving parts and practically no<br />
maintenance is required. The heater throws<br />
off radiant heat and is said to provide the<br />
same comfort people seek from the suns<br />
warmth. The supply of gas in the cylinder<br />
hours,<br />
is sufficient to keep a car warm 5 to U<br />
depending on the outside temperature.<br />
Filling the cyUnders with gas is said<br />
to be as simple as drawing a soft drink for<br />
a patron. Containers can be filled at the<br />
rate of 720 per hour at the theatre's portable<br />
station, each filling costing about<br />
three cents. Manufacturer of the heater is<br />
Otto Bemz Co., which produces such wellknown<br />
products as the Bemz-O-Matic cook<br />
stoves, lanterns and other portable appliances.<br />
New Model 'Mechanical<br />
Moid' and 'Valet'<br />
P-1651<br />
"<br />
New models of the "Mechanical Maid<br />
and "Mechanical Valet" washroom vending<br />
machines, will be shown at the TOA-<br />
TESMA-NAC convention in Miami. The<br />
vendors, which have been a familiar sight<br />
in many locations throughout the country<br />
are available for most conventional and<br />
drive-in theatres on a "concession basis."<br />
The "Maid" is a compact unit that dispenses<br />
a dozen different items for women,<br />
such as—aspirin, sanitary napkins, sanitary<br />
belts, combs, Kleenex, lipstick, powder,<br />
rouge, cologne and hand lotion. The<br />
"Valet" sells combs, Kleenex, aspirin, Alka<br />
Seltzer, shoeshine cloths, nail clips, hair<br />
tonic, etc.. The spontaneous success of the<br />
"Mechanical Servants" has been due to the<br />
need for having these personal and emergency<br />
items available when and where<br />
they are needed. Not only do they serve as<br />
a comfort and convenience for theatre<br />
patrons, but provide a substantial profit<br />
to management. The new models differ<br />
from the old in that the sample items are<br />
now displayed behind a heavy plastic window.<br />
In the past the items to be sold were<br />
illustrated on the face of the machines.<br />
Barbecued Beef Featured<br />
In New Food Line<br />
P-1652<br />
in a few seconds, has won quick acceptance<br />
among theatremen and their patrons, being<br />
popular with the concessionaires because<br />
it is a big profit item, and with<br />
patrons as a pleasingly new taste treat.<br />
Vying for trade interest with the pit cooked<br />
barbecued beef at Castleberry's exhibit,<br />
will be the firm's new line of products<br />
developed exclusively for the mass vending<br />
business. Castleberry's beef stew, chili with<br />
beans, and beans with barbecued beef will<br />
be the exhibited products and the first<br />
items in the line to be offered for sale in<br />
standard vending machines. These Castleberry<br />
products, which require no special<br />
equipment or adapters for use in such<br />
machines, have already won wide public<br />
acceptance through regular retail outlets.<br />
The sale of 150 pounds of wieners a week<br />
is about average for outdoor theatres. The<br />
hot dog is bringing in about 25 per cent of<br />
the concessions gross in a great many theatres,<br />
both drive-ins and indoor, although<br />
the national average is perhaps closer to<br />
the 10-12 per cent figure.<br />
CARBONS ARE MONEY!<br />
Burn 'em Short or Burn 'em Up With<br />
The Amazing EUREKA PIN CORE<br />
Method (pat. pending):<br />
Used throughout the world. Eureka's simple<br />
carbon saver method is one of<br />
the most outstonding achievements in projection<br />
since Suprex Carbons. Complete outfit<br />
forSuprex Carbons 7, 8, 9mm only $10.00<br />
for Block Carbons 9, 10, 11, 13.6mm ...only 14.50<br />
Satisfaction guaranteed. State carbon size and<br />
make of lamp. Order today. Remit with order<br />
and you save C.O.D. charges.<br />
•PAYS FOR ITSELF ALMOST IMMEDIATELY"<br />
ECONOMIZER<br />
ENTERPRISES<br />
524 W. 43rd St Los Angeles 37, Colif.<br />
famous since' 1916<br />
for the finest in<br />
curtain controls,<br />
tracks and special<br />
operating devices.<br />
ehio<br />
FOXHOLE :<br />
jectors and ^><br />
liveries—lowest<br />
and tvccO<br />
"<br />
KITS for all Pro-<br />
„:.„..eads. Prompt deprices.<br />
(Specify make<br />
S.O.S. CINEMA SUPPLY CORP.<br />
Oept C. 602 WEST 52 ST.. N. Y. 19 Cable: SOSOUND<br />
Pit cooked barbecued beef will be ihifeature<br />
attraction in the Castleberry Food<br />
Co, exliibit at the International Industry<br />
Trade Show in Miami. This item, a bun<br />
sandwich filler easy to prepare and serve
about PEOPLE / and PRODUCT<br />
John p. Grady, who has been identified<br />
with the marketing of paper products and<br />
merchandising of<br />
food and dairy products<br />
for 18 years, has<br />
been appointed director<br />
of selling for<br />
the Lily - Tulip Cup<br />
Corp. Grady had<br />
been assistant general<br />
sales manager<br />
for the Chase Bag<br />
Co. Prior to that he<br />
had been associated<br />
John P. Grady<br />
with Young & Rubicam.<br />
At Lily-Tulip, Grady will report to<br />
Fen K. Doscher, vice-president for marketing.<br />
Richard Robertson, Mark Hughes and<br />
George Moses, members of the Allan Herschell<br />
Co. staff, have been given company<br />
ADLER<br />
I<br />
NEW<br />
'SNAPLOK'<br />
CHANGEABLE<br />
PLASTIC<br />
LETTERS<br />
Snop on and off frames easily.<br />
Testing lob reports these new 4"-<br />
6"-8"-10"-12"-17" 24" letters stay<br />
firmly on frames even in a 60-mile<br />
wind . . . and spring clip keeps its<br />
gripping power even after letter<br />
has been changed 20,000 times.<br />
•<br />
Write for Free Catalog of Adier "Third<br />
Dimension" Changeable Plastic & Cast<br />
Aluminum Letters . . Stainless Steel<br />
.<br />
Frames Glazed with Glass or Plastic . . .<br />
Low-Cost "Sectionad" Displays.<br />
ADLER<br />
SILHOUETTE<br />
LETTER CO.<br />
11843-A West Olympic Blvd.<br />
Loi Angelei 64, Calif.
Charles P. Ginsbup.g, manager of Advance<br />
videotape development for the Ampex<br />
Corp., was awarded the David Sarnoff<br />
gold medal by the Society of Motion Picture<br />
and Television Engineers at the so-<br />
DRIVEIN<br />
Practically<br />
Yearly<br />
THEATRES!<br />
DOUBLE<br />
GROSSES'<br />
INSTALL<br />
"Hot-Shot"<br />
In-the-Car<br />
HEATERS!<br />
Low-Cost,<br />
Smoll,<br />
Light, Compact, Rugged,<br />
Economicol, Ample Power.<br />
"By odding heaters (a 10 to 20% total investment<br />
increase) yearly grosses ore nearly doubted!<br />
EASY TERMS!<br />
ElEtTIICIl PIIIKTS lESEIKI<br />
Call Your Favor- V «<br />
j<br />
ite Independent \' —<br />
Theatre<br />
Dealer.<br />
Supply<br />
1206 CHERRY ST. TOLEDO 4, OHIO<br />
C*-^*^ F'RSr TIME<br />
FECIAL PURCHASE<br />
'^BRAND NEW4im<br />
HOLMES 35mm<br />
PORTABLE<br />
\^'»oryUsty<br />
ciety's 82nd semiannual convention at the<br />
Sheraton Hotel, Philadelphia. Ginsburg received<br />
the award for developing a practical<br />
video recorder resulting from analysis<br />
of the problem, effective planning and consideration<br />
of alternatives in making a<br />
choice of systems elements. William B,<br />
Lodge, vice-president in charge of engineering<br />
at CBS, was chairman of the award<br />
committee.<br />
Edwin B. Bachman will become manager<br />
of the Fi-eehold Division of A&M Karagheusian.<br />
Inc.. January 1, succeeding Warren<br />
C. Button, who will retire the preceding<br />
day after 21 years as an executive of<br />
the carpet company. Button has held responsible<br />
positions in the American carpet<br />
industry for 52 years. Bachman currently<br />
is assistant manager of the Fi-eehold plant.<br />
His successor will be Leonard S. McGackin,<br />
administrative assistant.<br />
Appointment of Herbert Ward as sales<br />
manager and R. L. Stone as fountain sales<br />
manager of Dr. Pepper Co. has been announced<br />
by W. W. Clements, vice-president<br />
in charge of marketing. Ward's recent<br />
connection was as marketing management<br />
consultant with McCann-Erickson.<br />
New York advertising firm. Stone, with<br />
Dr. Pepper since 1950, has held several key<br />
positions in the marketing division. Clements<br />
said both appointments were in line<br />
with the company's continued national expansion<br />
program which has added more<br />
than 40 franchised bottling plants to its<br />
distribution facilities in the last 30 months.<br />
Eastman Kodak Co.'s program of financial<br />
aid to higher education is being continued<br />
by 58 direct grants and 39 fellowships<br />
valued at $400,000, plus $175,000 in<br />
special grants to colleges and universities<br />
in areas where Kodak has manufacturing<br />
interests. The company is also awarding<br />
$32,000 to associated college groups and<br />
other organizations with educational purposes.<br />
Twenty fellowships will be awarded<br />
to students working for the Ph.D. degree<br />
in chemistry, six for Ph.D. status in physics<br />
and 13 for engineering students working<br />
for a master of science degree.<br />
^^II^HH<br />
^/?-<br />
^V<br />
Joe Graham, who<br />
^^|^H|^^^|H attained national<br />
V f^l^^^^^^JTB prominence as a<br />
''9Ti football star at the<br />
University of Florida,<br />
has been appomted<br />
Florida sales representative<br />
for Smithfield<br />
Ham and Pi-oducts<br />
Co. Graham,<br />
captain of the Gators<br />
Joe Graham<br />
in his senior year,<br />
also played for the<br />
Green Bay Packers in the National Football<br />
League. Since retiring from pro football,<br />
Graham has had sales experience<br />
with Calvert Distilleries. Colgate Palmolive<br />
Co. and the Wilson Sporting Goods<br />
Co. He will headquarter in Jacksonville.<br />
Theatre Design paper cups and plates<br />
developed by the Paper Container Division<br />
of Continental Can Co. will be displayed in<br />
booth 503 at the International Industry<br />
Tradeshow in Miami. The exhibit of 24-<br />
ounce popcorn cups, hot and cold drink<br />
cups and paper plates in a wide variety of<br />
stock and trademark designs will be shown<br />
by Robert S. Long, Jack S. Lee and Miles<br />
S. Roll, representing Continental.<br />
Roger P. Loveland of the Kodak Research<br />
Laboratories has been elected a life<br />
member of the New York Microscopical<br />
Society in recognition of his contributions<br />
to microscope science. Loveland is research<br />
associate in charge of the photomicrography<br />
section of the applied photography<br />
division of the Kodak laboratories.<br />
7 ~ Holmet Boll<br />
Bcofing 35 mm.<br />
Portable Sound Proiectors<br />
(on\lonl ipoed motors, 1000 wqM Moida lamphouiei.<br />
2000" upper end lower magaimei,<br />
pholotelU. exciter lotnp\. etc (Brand New).<br />
2-Scrle% 1 4" lenio*. with odopteri (New).<br />
— Sol projector, photocell end oacitei lomp<br />
I<br />
. . For<br />
Oltv<br />
• ALPHABETICAL INDEX<br />
• ADLINES & EXPLOITIPS<br />
• BOXOFFICE BAROMETER<br />
• EXHIBITOR HAS HIS SAY<br />
• FEATURE RELEASE CHART<br />
• FEATURE REVIEW DIGEST<br />
• REVIEWS OF FEATURES<br />
• SHORTS RELEASE CHART<br />
• SHORT SUBJECT REVIEWS<br />
• SHOWMANDISING IDEAS<br />
THE GUIDE TO ^BETTER BOOKING AND B U S I N E S S - B U I L D I N G<br />
EXHIBITORS GET CHRISTMAS SHOPPING' IN EARLY<br />
Now Is the Time, They Find, to Plan Special Promotions for Extra Yuletide Profits<br />
Stores Buy Gift Tickets<br />
Elmer DeWitt, Wayiie, Fort Wayne, hid.<br />
Elmer DeWitt. former Mailers circuit<br />
city manager at Defiance, Ohio, who took<br />
over operation on his own of the Wayne<br />
Theatre in Fort Wayne, Ind., only a few<br />
months ago, has booked six stage acts for<br />
a Wayne Theatre Giant Christmas Kiddy<br />
Stage Jamboree, and since he is new in the<br />
City, he employed a friend who knows local<br />
merchants to sell tickets to the businessmen<br />
at 25 cents each for a giveaway to the<br />
youngsters dixring the holidays.<br />
In less than a week more than 2.000 tickets<br />
were sold, and it looks like enough will<br />
be disposed of for the whole six shows, two<br />
each day on December 21st, 23rd and 24th.<br />
"In addition we are trying our best to<br />
fill our screen with Christmas greeting ads<br />
during the holidays," DeWitt reports.<br />
Theatre Gift to Needy<br />
Ed hinder. Town and Country Theatre,<br />
Jacksonville, Fla.<br />
Ed Lander, manager, is giving 50 tickets<br />
each to the Kiwanis Club, the Elks. Optimists,<br />
Lions, the Baptists Orphans Home,<br />
the Catholic orphanages and other similar<br />
organizations—all tickets good for the<br />
Christmas show at the Town and Country<br />
Theatre, Jacksonville, Fla.<br />
"The newspapers go for this 100 per<br />
cent," reports Linder. "A second point is<br />
that the extra several hundred kids sure<br />
up the candy and popcorn sales."<br />
Package Greetings Deal<br />
Jim Mcyrin, Cooper, Brazil. Ind.<br />
A screen trailer-gift pass promotion was<br />
so successful last year for Jim Morin, manager<br />
of the Cooper Theatre in Brazil, Ind..<br />
that he not only is using it again this season,<br />
but is offering a ready-to-present kit<br />
for selling the deal. Address Morin at Box<br />
226, Brazil, for the kit.<br />
Morin's plan goes the season's greeting<br />
trailer one better. He offers the merchant<br />
the usual greeting trailer, plus a gift to<br />
pass along to his customers. The price is<br />
such that any merchant can afford, $10 to<br />
$12. The gift is a two-for-one pass—small<br />
A Christmas time stage wedding may be offbeat,<br />
but lost Christmas this tried-and-true<br />
promotion did fine business for Jim Salmans at<br />
the Sixth Street Theatre, Coshocton, Ohio. It<br />
was a tiein with the local newspaper, and began<br />
with the insertion of a classified ad offering<br />
a "wonderful opportunity" to an engaged<br />
couple. Merchants were more than willing to<br />
make a tieup as port of their Christmas promotions,<br />
and provided gifts for the couple. The<br />
newspaper, of course, cooperated with goodsized<br />
space, and the local TV station telecast<br />
the ceremony. Shown above is Salmans (right)<br />
with the lucky couple and the advertising monoger<br />
of the Tribune.<br />
holiday card good for one free admission<br />
at the Cooper Theatre, void after December<br />
24, with one paid adult admission. Elach<br />
merchant is given 200. The traUer is sold<br />
to nin two weeks, December 18 to December<br />
31.<br />
Morin's package kit guarantees easy<br />
selling to the merchant, he says.<br />
December 24 Rental<br />
Robert Mannel, Del Mar, Santa Cruz, Calif.<br />
Manager Robert Mannel Is renting the<br />
Del Mar Theatre in Santa Cruz, Calif., all<br />
day before Christmas, the special booking<br />
to run from 10 a.m. to 10 p.m., to local<br />
merchants. Each participating merchant<br />
will receive three weeks of screen advertising,<br />
three weeks of lobby mention, three<br />
newspaper ads and 1,000 theatre tickets<br />
specially printed for the December 24 show.<br />
The merchants will receive their tickets<br />
December 1. Additional tickets requested<br />
will be charged accordingly.<br />
BOXOFFICE Showmandiser Nov. 16. 1957 — 273 —<br />
Small-Town Shopping Party<br />
Carrie Ortman, Ortman Theatre.<br />
Hennessey, Okla.<br />
. . .<br />
As a small town we cannot hope to compete<br />
with the neighboring big town with a<br />
preseason opening for shopping, so our<br />
merchants have decided to concentrate on<br />
the "closer to Christmas" business. Of<br />
course, everyone loves to go to the "big<br />
town" to look early and perhaps buy, but<br />
there is also a tremendous rush at home<br />
the last week.<br />
We have a co-operative setup with the<br />
local Lion's Club (which is composed<br />
largely of our merchants) . We select the<br />
best comedy program possible, or all cartoon<br />
show. The club pays for the program<br />
plus a minimum house expense. For some<br />
two weeks we all ballyhoo "Free Christmas<br />
Matinee . All Grade School Children<br />
Courtesy Hennessey Merchants." This<br />
matinee is usually held the afternoon of the<br />
day school is dismissed for the holiday.<br />
Falling this close to Christmas, everyone is<br />
really "in the spirit" . . . and this makes for<br />
a much more party or gala atmosphere.<br />
This matinee is timed to the second, and<br />
as the doors open Santa in costume is arriving<br />
in front of the theatre and passes<br />
small gifts to each child. This has solved<br />
the problem of having kids pass through<br />
the line several times, and preschoolers are<br />
not trampled.<br />
Results: Town full of people from our<br />
surrounding trade area. Kids are in the<br />
theatre, but parents are shopping the<br />
stores. Our concession business is terrific,<br />
as the Christmas treat is not given until<br />
the kids exit. It is a satisfaction to the club<br />
to know that the treats go to the small children<br />
where intended, and that has been<br />
accomplished by this plan.<br />
More Christmas Promotions<br />
On the Following Pages
A HUGE INSIDE-OUTSIDE SHOW BEATS XMAS COMPETITION<br />
The variety of attractions at the Christmas Inside and Outside Show or- suggested in this layout of photographs. Last December 20 more than 12,000<br />
ranged by Manager Paul D. Flowers for the Fox Theatre in Venice, Colif., is children ottended the doy-long event, sponsored by a dairy.<br />
A full schedule of afternoon and morning<br />
matinees, rentals, big sponsored Christmas<br />
Eve party, etc., now being completed<br />
at the Fox Theatre of Venice. Calif., for<br />
the holidays by Manager Paul D. Flowers<br />
is topped by "our pride and joy," a Mammoth<br />
Christmas Spectacular Inside and<br />
Outside Show.<br />
The designation contains little, If any<br />
exaggeration. Last year the spectacular,<br />
held on December 20, the Thursday before<br />
Christmas, played to more than 12,000 children<br />
Inside and outside the theatre frcm<br />
8:30 in the morning to 6 in the evening,<br />
with something going on every minute, inside<br />
the theatre on the screen and stage,<br />
out front and on the adjacent theatre parking<br />
lot.<br />
SEVERAL YEARS DEVELOPING<br />
The day-long Christmas attraction is a<br />
sponsored event, with a format that has<br />
been developed by Flowers and his colleagues<br />
of the Fox West Coast circuit in<br />
the last several years. The plan was used<br />
earlier this year with signal success, extending<br />
through two days.<br />
Edgemar Farms dairy again will sponsor<br />
the holiday event. It is circus-like in its<br />
scope, as its name suggests. The 1958<br />
event will follow the same plan as last year,<br />
with changes and improvements, so here is<br />
how the 1957 show worked.<br />
The dairy distributed 45,000 four-page<br />
folders. Front page copy started thus:<br />
"Boys! Girls! Keep This Entire Folder. It<br />
Is Your Free Ticket to the Greatest Christmas<br />
Party and Show Ever Given." The<br />
two inside pages lisled the many attractions,<br />
then on back was a plug for the dairy,<br />
plus space for filling in names and addresses,<br />
necessary for the drawing of<br />
prizes. Each folder was numbered.<br />
In addition, seven attractions were listed<br />
on the back page, each with a place for<br />
punching, one good for a ride on Sonita,<br />
a baby elephant; a haywagon ride, ride on<br />
midget cars (from Oldsmobile agency), a<br />
milk drink, talent show contest and inside<br />
show ticket.<br />
Eddie Moore, local area cowboy singer,<br />
emceed the various events inside and outside<br />
the theatre, which included "scads of<br />
prize-winning contests, such as pie eating,<br />
lariat twirling, talent shows, pet shows,<br />
hobby building contest, coloring contest,<br />
etc. Besides the free rides, attractions included<br />
the Great Grinell, Magician Extraordinary,<br />
who is a regular of the Fox Theatres<br />
Magic Club, which meets every Saturday<br />
noon at the theatre; Jiggles the<br />
Clown. Judy Jackson accordian band, Paulette's<br />
Twlrlettes. and other local talent ac's.<br />
The Fox staff, offered a day off with<br />
pay as incentive, attended the day-long<br />
event dressed in ingenious costumes to<br />
create a real carnival atmosphere. Some<br />
were clowns, pixies, Indians, Scotch girls,<br />
etc. And of course, the theatre and adjoining<br />
parking lot were gaily decorated with<br />
banners, pennants and balloons. A public<br />
address system was rigged up for music.<br />
And, of course, the theatre had several<br />
popcorn and concessions stands. In addition<br />
a local army unit was asked to bring<br />
in a tank or so with other equipment.<br />
On the Fox screen was a color action<br />
feature, plus several cartoons ruimlng continuously<br />
within the stage contests. The<br />
show was briefed to an hour and 50 minutes<br />
to handle the capacity attendance.<br />
In all 350 prizes, either from the dairy<br />
or promoted from merchants, were distributed<br />
via contests and drawings. In addition,<br />
the dairy gave away over 5.000 pints<br />
of milk via<br />
the folder-tickets.<br />
HOW IT STARTED<br />
Flowers relates he worked out the inside-outside<br />
show plan to beat television's<br />
competing attractions, such as Disneyland,<br />
the Mickey Mouse Club program and others,<br />
and other tough competition Uke the Little<br />
Baseball leagues. And he reports the Inside-outside<br />
show does do it! Beside the<br />
Chi-istmas show, Flowers used the idea during<br />
the summer, once with five merchants<br />
sponsoring it, lasting two full days.<br />
Flowers has four or five shows set up.<br />
beginning with Thanksgiving, in which<br />
merchants pass out tickets to their customers<br />
as gifts.<br />
Uses Postcard Stock<br />
When Grace Day took over as<br />
manager<br />
of the Strand in Hudson Falls. N. Y.. for<br />
the Schine circuit, she found some unused<br />
postcards. She typed a message on them<br />
and sent them out to names picked at random<br />
from the phone book. The message<br />
follows: "This card entitles you to a free<br />
admission when used with a paid adult admission<br />
on any Monday during the month<br />
of October 1957."<br />
— 274 — BOXOFFICE Showmandiser Nov. 16, 1957
'<br />
How Lamar^ Mo.. Makes a Big Deal of a Merchants -Theatre Holiday Tieup<br />
In Lamar, Mo.. pre-Christmas free movies are not only for children,<br />
but for adults as well. For an entire week, it is free movietime at the<br />
Plaza Theatre, and the pitch to residents in the trade area is to shop<br />
after supper and then attend a movie.<br />
The idea works. It was inaugurated a year ago, and was so successful<br />
that of the 47 merchants who participated in the tieup, 46 said.<br />
"Sign me up for 1957" when Harley Fryer, the owner, contacted them<br />
a few days after Christmas to see how tliey liked the promotion.<br />
The merchants liked it because it brought customers into town from<br />
the entire trade area. The exhibitor liked it because a week customarily<br />
characterized by empty houses was replaced with one in which business<br />
was virtually capacity.<br />
Fryer's first approach was to the Chamber of Commerce, to obtain<br />
quasi-official backing of the promotion. The chamber, not only agreed<br />
to back the idea, but accepted sponsorship. Thus, it became a community<br />
project, and not a theatre promotion. The shop-after-supper<br />
idea caught on quickly. The theatre schedule was moved up, so shoppers<br />
could see a complete show after 8 p.m. Merchants cooperated by<br />
closing at that hour. In six evenings, 3.807 persons attended on free<br />
tickets distributed by the merchants. Lamar has a population of 3.324.<br />
The total cost to each of the participating merchants was $16. For<br />
this fee, they received:<br />
• Pull-page ad in the Lamar Democrat on December 13.<br />
FREE MOVIES<br />
rr<br />
Lamar's Plaza Theatre<br />
A PRE • XMAS Girr<br />
OF FREE MOVIE ENTERTAINMENT<br />
FROM<br />
Lamar's Friendly<br />
^r^^<br />
6 nc Nons OF tm vm. onanuKKxi mi mjjAVibH<br />
DuVMuui I) \n It n II a<br />
HERE'S HOW<br />
Merchants<br />
Asi ra Toui Fia toviE nacE rsm ths rjidhk uitauins<br />
LI'<br />
• Announcements on the Plaza screen two weeks in advance of free<br />
movie week, with details on how to get the tickets.<br />
• Participating merchants names were posted in the lobby two weeks<br />
in advance and during free movie week.<br />
• Merchants received three window cards each, with copy "Ask for<br />
PYee Movie Tickets Here," as key line.<br />
• Each merchant received $100 worth of tickets (200 tickets), and<br />
could purchase additional tickets if needed at $2 per hundred.<br />
Tickets were distributed by merchants<br />
with no strings attached. No purchase was<br />
necessary, except that it was suggested to<br />
the participants that they limit distribution<br />
to adults, and that they treat the tickets<br />
as a 50-cent value.<br />
During the pre-Chrlstmas week, regular<br />
admission was charged at the Plaza Theatre<br />
to all those patrons who did not have<br />
tickets distributed in the 47 stores. This,<br />
it was pointed out, is essential, as it places<br />
a value on tickets at the stores.<br />
Fryer contacted every one of the merchants<br />
a few days after Christmas, and to<br />
a man they said it was a terrific promotion.<br />
Forty-six said they would sign for
This floa^, with lifcsize figures of Gina Lollobrigida and Anthony Quinn, toured Quebec province prior<br />
to the doy-ond-dote premiere of "The Hunchback of Notre Dome" in 23 Quebec situations. The<br />
float was on the highwoys approximately four weeks in advance of the openings, and became a familiar<br />
sight on some of the highways.<br />
More Promotion Ideas for<br />
Action Before Christmas<br />
Nyman Kcssler, DeWitt, Bayonne. N. J.<br />
A special preholiday screen policy, theatre<br />
rentals for Christmas parties and a<br />
mammoth kiddies matinee on the afternoon<br />
of December 31 pay off annually for<br />
the DeWitt Theatre. Bayonne, N. J.<br />
"We always make a policy of playing action<br />
stuff the week before Christmas." said<br />
Manager Nyman Kessler. "Usually we<br />
schedule reissues of proven value, aimed at<br />
the men. since the women are busy shopping.<br />
Last year, for instance, we played<br />
'Sailor Beware' with Martin and Lewis,<br />
plus 'Off Limits,' starring Bob Hope. This<br />
combination did even better than we had<br />
expected. We then followed up with Elvis<br />
Presley in 'Love Me Tender' and 'Satellite<br />
in the Sky.' starting Christmas Day for<br />
five days, last year."<br />
For the last two years, the DeWitt has<br />
been rented for theatre parties for youngsters<br />
a few days before Christmas. One of<br />
the annual sponsors is the Police Athletic<br />
League, which distributes free tickets to<br />
Bayonne youngsters reading, "Your Pal in<br />
Blue wishes you a meri-y Christmas and invites<br />
you to attend the annual Christmas<br />
party at the DeWitt Theatre."<br />
The second sponsor is the AAA Sport<br />
Center, which last year treated 2.000 youngsters<br />
to a western thriller, five Technicolor<br />
cartoons and .sports reels about ice<br />
skating and skiing. Bernie Goldweber.<br />
owner of the sports store, said that he<br />
plans to make the pre-Christmas party an<br />
annual treat for Bayonne children.<br />
Christmas<br />
Kessler is hopeful of closing a deal for<br />
still a third rental this year. Bayonne<br />
youngsters already get a third break at<br />
the theatre each year, however, since Kessler<br />
and liJs staff play baby-sitters to the<br />
town on the afternoon of December 31.<br />
while parents are getting ready for New<br />
Year's Eve celebrations.<br />
"Giving the children free gifts and noisemakers<br />
has been a successful formula." said<br />
Kessler. "so we are having another such<br />
show this year. Plenty of refreshments are<br />
sold at these free shows!"<br />
The DeWitt also picks up extra money<br />
each December by selling merchants Christmas<br />
greeting trailers on the screen. In 1955.<br />
Kessler ran ten such sponsored trailers and<br />
last year 11 Bayonne merchants used the<br />
trailers to extend greetings and thanks to<br />
their customers.<br />
Kessler is also aiming at a new source of<br />
revenue this Christmas season — selling<br />
trailers to local banks to announce their<br />
new Chri.stmas Savings Clubs, which are<br />
being organized during the early weeks of<br />
December.<br />
Nine Drive-ln Gift Nights<br />
Carlton Maim, Bowliiie, Decatur, Ala.<br />
It'll be Gift Night at the Bowline Diive-<br />
In at Decatur. Ala.. December 14 through<br />
the 24th. Manager Carlton Mann Is rigging<br />
up a large cutout of Santa with a<br />
huge bag. Five gift packages (with the<br />
name of the gift and the store inside) attached<br />
to the bag will be given away each<br />
evening via coupons passed out at the boxoffice<br />
with each pass or ticket purchase.<br />
All coupons will be thrown away each<br />
evening. "The next night you can be assured<br />
all first five num.bers called w'ill be<br />
present." Maim reports.<br />
Mann is getting three gifts apiece from<br />
15 merchants in return for screen advertising,<br />
each gift to be worth at least $5.<br />
Fort Wayne Theatres Aid<br />
Citywide Spook Control!<br />
Radio station WGL. at Fort Wayne. Ind..<br />
the Quimby Theatre and the Komet Hockey<br />
Club cooperated with the Port Wayne park<br />
board in making attendance at Halloween<br />
parties more attractive for youngsters than<br />
roaming the streets looking for ways to<br />
make trouble.<br />
Using a giveaway gimmick, the plan<br />
worked like this: Each child in the public<br />
and parochial schools from kindergarten<br />
through the sixth grade was given a printed<br />
paper at school, asking for his name, address,<br />
phone number, or telephone where<br />
he may be reached. Then 21 free parties<br />
were sponsored by the park board, the Parent-Teachers<br />
Ass'n and the Junior Chamber<br />
of Commerce in various locations<br />
throughout the city. The pupil had to fill<br />
out the slip and bring it when he attended<br />
the party nearest his home. At the party,<br />
the slip was deposited in a box, and the<br />
boxes from all 21 party locations were<br />
brought to the WGL studios.<br />
Names and numbers were drawn at random<br />
from the boxes during a 9 to 10 pjn.<br />
broadcast. The youngsters were called by<br />
telephone. If a child was home and answered<br />
the phone, he was given two tickets<br />
to the Paramount or Little Cinema Theatre<br />
or two tickets to a Komet hockey game.<br />
The tickets were donated. To be eligible,<br />
the children must have attended the party<br />
and must have returned home to answer<br />
the phone if called. This insured that a<br />
great many youngstei's obtained supervised<br />
recreation and were home at a reasonable<br />
hour.<br />
'Wise to the Eyes' Contest<br />
Pays Off on 'Bernardine'<br />
Ray Fraley. manager of the Margie<br />
Grand. Harlan. Ky.. came up with an original<br />
contest which he called "Wise to the<br />
Eyes" for his playdates of "Bernardine."<br />
Fraley made up a 40x60 on "Bernardine.''<br />
with an 8x10 photo of Pat Boone in the<br />
middle. Then over Boone's eyes. FYaley<br />
pasted the eyes of Jayne Mansfield. The<br />
first ten correct guesses as to whose eyes<br />
they were received two free passes to see the<br />
picture. There were more than 120 guesses,<br />
and only six winners.<br />
Fi'aley posted ten names to put over the<br />
fact that there were some winners. These<br />
ten persons also got photos of Pat Boone.<br />
'Mankind Story' Contest<br />
On No. 1 World Events<br />
The ten most important events in "The<br />
Story of Mankind" is the theme of a contest<br />
being conducted by the New York<br />
Paramount Theatre, where "The Story of<br />
Mankind." the film based on Hendrik Van<br />
Loon's classic, opened Fi'iday i8>. Twentyfive<br />
pairs of guest tickets were to be awarded<br />
to those entrants whose arguments for<br />
their selections of mankind's ten most important<br />
events were judged the best.<br />
Contestants had to write their choices<br />
of historical happenings, stating their reasons<br />
for doing so. in 300 words or less.<br />
— 276 — BOXOFFICE Showinandiser Nov. 16, 1957
i Binnuifibam<br />
r7<br />
—<br />
I<br />
Del)<br />
. . Dean<br />
New Mining Firm Opening<br />
Provides Mail Contacts<br />
The opening of a new mining company<br />
in West Jefferson. N. C, provided Dale<br />
Baldwin, manager of the Parkway Theatre<br />
with a fine opportunity for direct mail<br />
contact with newcomers to the community.<br />
,„,t<br />
Baldwin sent out the following letter to<br />
'"'<br />
'I all employes of the company:<br />
"We are proud to have a part in entertaining<br />
the people of Ashe County and it<br />
is always a pleasure to welcome new plants<br />
and industries to fast-growing Ashe<br />
County. We are proud of the part that the<br />
Appalachian Sulphides, Inc., has already<br />
had in the economy of our town and<br />
county and we look forward to many years<br />
of pleasant association with the employes<br />
of this company.<br />
"Some of you are new residents of our<br />
county and we would like to take this opportunity<br />
to welcome you and extend an<br />
invitation for you to visit the Parkway<br />
Theatre."<br />
Annual Birmingham Movie Sections Again<br />
Focus Attention on Big Film Attractions<br />
Gifttering Stars Soon<br />
Will Fall On -Alabama<br />
Po.sl-Herald<br />
(<br />
^&-^?J<br />
S^i )/r/?/mu/ Off/ //moris Day in "The<br />
Pajama Game" to call attention to the<br />
film for Manager Harry W. Woodward.<br />
The girls wore the pajama tops to work<br />
during the week's run of the picture. Woodward<br />
said, and brought "a great deal of<br />
comment from patrons."<br />
Gives School Matinee<br />
Murray Spector. manager of the Lincoln<br />
Theatre, Union City, N. J., sold a local<br />
drug store on sponsoring a Saturday back<br />
to school matinee for the children. Spector,<br />
as an added inducement, promoted the cost<br />
of 700 Walt Disney pencil boxes, which were<br />
given to the children as they entered the<br />
theatre. In addition, heralds, trailers and<br />
other display material were paid for by the<br />
sponsor.<br />
The Birmingham, Ala., Post-Herald and<br />
the News, the morning and evening papers<br />
under single ownership, pubUsh one of the<br />
best annual movie sections in the country.<br />
Each fall the two staffs put out a special<br />
series of pages—this year each section totals<br />
22 pages—filled with articles and illustrations<br />
on motion pictures and Hollywood<br />
stars, all of high reader interest, and ads<br />
from local theatres and related industries.<br />
The ads are the same in both the Post-<br />
Herald and News sections, but the reading<br />
material is different. Together they constitute<br />
the outstanding promotion of theatre<br />
attendance in the Alabama area each<br />
year, and this includes any effort by the<br />
theatres themselves, jointly or singly.<br />
Illustrated above are the front page of<br />
the Post-Herald section and the back page<br />
ad which was common to both sections.<br />
The theme of the headlines and the lead<br />
articles was Hollywood's Golden Jubilee.<br />
Lilly May Caldwell, amusement editor of<br />
the News, starts her article on the forthcoming<br />
attractions, distributor by distributor,<br />
as follows:<br />
"Hollywood is celebrating its Golden<br />
Jubilee!<br />
"It's 50 years old this month, and is going<br />
to celebrate the birthday of the world<br />
movie capital with a big Birthday Jubilee<br />
that will begin this week and last until the<br />
Christmas holidays.<br />
"There are going to be lots of birthday<br />
presents for your moviegoers—all wrapped<br />
up in Technicolor and Cinemascope.<br />
"Great books, best-selling novels, mystei-y<br />
yams, Broadway prize winning plays, comedies,<br />
musicals, and the sturdy westerns<br />
BOXOFTICE Showmandiser Nov. 16, 1957<br />
277 —<br />
all will be in the bright Birthday Jubilee<br />
package of entertainment.<br />
"Best pictures made in Hollywood, with<br />
top stars and many exciting new personalities,<br />
are coming to the screens in Birmingham<br />
and over the world. They will remind<br />
us of the growth of Hollywood from<br />
a rugged, undeveloped community with tarpaper<br />
studio shacks producing one-reel silent<br />
flickers to the world's greatest entertainment<br />
industry."<br />
. . . Elvis to Follow 'Devil's Hair-<br />
Headlines on some of the other articles<br />
are: "Here Is Wonderful Lineup of Movies<br />
you Will Be Seeing Soon . Jones<br />
Gets His Big Chance in 'Mock Trial' . . .<br />
Home-Loving Star Is Jean Wallace . . .<br />
New Type Camera Used for 'Raintree<br />
County'<br />
pin,'<br />
etc."<br />
Gives Series Tickets<br />
The films of the Robinson-Basilio fight<br />
and the World Series were tied in nicely<br />
for some top rate publicity at the Milford<br />
Theatre by Manager Herman Kopf.<br />
Kopf got a front-page reader in the newspaper<br />
on the fight films and also free mentio<br />
on radio sportscasts. Then a local<br />
clothing store agreed to give two lucky boys<br />
and their fathers two free World Series<br />
trips. The trips were awarded by drawing<br />
on Saturday afternoon of the showing of<br />
the fight films and mention of the award<br />
was incorporated into the newspaper story.<br />
All that was necessary was for would-be<br />
winners to register at the store. All expenses<br />
were paid to see the opening game<br />
of the series.
'400<br />
ER.Ac<br />
60X0FFICE<br />
BAROMETER<br />
This chart records the performance of current attractions in the opening week of their first runs in<br />
the 20 key cities checked. Pictures with fewer than five engagements are not listed. As new runs<br />
ore reported, ratings are added and averages revised. Computation is in terms of percentage in<br />
relation to normal grosses os determined by the theatre managers. With 100 per cent os "normal,"<br />
the figures show the gross roting above or below that mark.<br />
(Asterisk * denotes combinotion bills.)
I<br />
|lll<br />
—<br />
.20th-Fox<br />
An tntcrprctatlve onalyflt of loy and tradcpm* revicwi. Th* plm and minus tigni Indicate<br />
degree of merit. Listings cover current reviews, updated regularly. This department serves<br />
also as an ALPHABETICAL INDEX to feature releases. Symbol ^) denotes BOXOfFICE<br />
Blue Ribbon Award Winner. Photogrophy: ® Color; ® CinemoScope; (JD VistoVlsion; ;D Super-<br />
Scope; (g) Naturoma. For listings by compony, in the order of release, see Feoture Chart.<br />
^EVIiW DIGEST<br />
AND ALPHABETICAL INDEX<br />
H Very Good; + Good; — Fair; — Poor; = Very Poor. In the summory H is roted 2 pluses, — as 2 minuses.<br />
nic 2074 Abandon Ship! (100) Sea Drama... Col<br />
Abductors. The (SO) (g) Susp. Dr. 20-Fox<br />
'^2160 Abominable Snowman, The<br />
(85)<br />
2126 ©Action of the Tiger<br />
(gi Horror 20th-Foi<br />
(94) © Adventure Drama MGM<br />
2132 Affair in Reno (75) ® Com-Or Rep<br />
2110 OQAffair to Remember, An<br />
(114) © Comedy- Drama. .. .20th-Fox<br />
2066OAIbert Schvteit2er<br />
(80) Documentary ... DeRochemont<br />
2159 ©All Mine to Give (102) Drama. U-1<br />
2138 Alligator Named Daisy, An<br />
(S8) ,¥- Farce Comedy RFDA<br />
2133Ama2ing Colossal Man (80) SC-F...AIP<br />
2089 Angels of Darlcness (84) Or txcelsior<br />
2115 Apache Warrior (73) ® Western. .20-Fox<br />
2024 ©Around the World in 60 Days<br />
(170) T-AO Fantasy-Adv UA<br />
2138 As Long as Ttiey're Happy<br />
(76) Farce Comedy RFDA<br />
2071 Attacii of the Crab Monsters<br />
(64) Horror Drama AA<br />
— B<br />
2147 ©Baby and the Battleship, The<br />
(96) Farce Comedy OCA<br />
2120 Back From the Dead (79) ® Or... 20-Fox<br />
2124 Badge of Marshal Brtnnan,<br />
The (76) Western AA<br />
20S9 Badlands of Montana (75) (gi W'n 20-Fox<br />
2082 Bailout at 43.000 (78) Action UA<br />
2112 ©Band of Angels (127) Drama WB<br />
2096 Battle Hell (112) War Drama DCA<br />
2099 Bayou (88) Outdoor Drama UA<br />
2097 ©Beau James (105) ® CD Para<br />
2108 Beginning of the End (73) Sc-F. ..Rep<br />
2103©Bernardine (95) ® Com/Songs. .20-Fox<br />
2094©BeyDnd Mombasa (90) Adv. Dr...Col<br />
.il t"cf;074Bio Caper, The (84) Crime Dr UA<br />
•''2140 Blacli Patch (83) Western WB<br />
2140 Black Scorpion, The (88) Ho WB<br />
2108 ©Black Tent, The (93) (g Adv RFDA<br />
21550Bombcrs B-52 (106) © Drama WB<br />
2112 Bop Girl (79) Musical UA<br />
2078 OOBoy on a Dolphin<br />
(lU) © Dr 20th-Fox<br />
2085 Break in the Circle (69) Action 20th-Fox<br />
2143 Brothers in Law (90) Com Cont'l<br />
2127 Brothers Rico, T)ie (81) Cr Col<br />
2111 Buckskin Lady (66) Western UA<br />
2085 Burglar, The (90) Crime Drama... Col<br />
2080 Buster Keaton Story. The<br />
(91) ® Comedy-Drama Para<br />
209S Calypso Heat Wave (86) Rhythm Mus. Col<br />
2086 Calypso Joe (76) Rhythm Musical. AA<br />
2134 Careless Years, The (70) Drama UA<br />
2148 Carnival Rock (75) Mus. Dr Hovno<br />
2139 Cartouche (73) Costume Adv SR<br />
2133 Cat Girl (69) Horror Drama AlP<br />
2108 ©Checlcpoint (84) Action Drama. RFDA<br />
2126 Chicago Confidential (74) Crime UA<br />
2102 China Gate (96) © Action 20th-Fox<br />
2139 Copper Sky (75) ® Western. 20th-Fox<br />
2071 Counterfeit Plan. The (80) Cr WB<br />
2100 ©Curse of Frankenstein (83) H0..WB<br />
212B Cyclops (75) Horror Drama AA<br />
—D<br />
2128 Daughter of Dr. Jekyll (71) Ha.AA<br />
2073 Deadly Mantis. The (76) Horror U-l<br />
2130 Death in Small Doses (79) Ac AA<br />
2105 Decision Against Time (87) Drama. MGM<br />
2157 ©Decision at Sundown (81) Western. AA<br />
2139©Decrslayer, The (78) © 00. 20th-Fox<br />
2093 Delicate Delinquent, The (100)<br />
(?) Comedy-Drama Para 6- 1-57 ++<br />
2071 ©Designing Woman (117) © Com. MGM 3-30-57 4f<br />
2088©Desk Set (103) © Comedy . S-18-57 ff<br />
2143 Destination 60.000 (65) Action AA 9-28-57 ±<br />
2145 0Dtvirs Hairpin, The (82)<br />
® Car Racing Drama Para 10- 5-57 +<br />
2094 D. I., The (106) Drama WB 6- 1-57 ff<br />
2121 Dine (96) Drama AA g-17-57 +<br />
ZlJl Diseaibeditd. Tlie (65) Horror AA 8-31-57 :t<br />
UtKOOKtor at Large (98) f Comedy. .. .U-l 7- 6-57 +
—<br />
Film<br />
REVIEW DIGEST<br />
-<br />
Very Good; ^ Good; Fair; ~ Poor; — Very Poor. In the summary tt is rated 2 pluses, — os 2 minuses.<br />
la--<br />
,1<br />
—K—<br />
2160 ©Kiss Them lor Me (101) © Com. 20Fox<br />
208i Ktttles on Old MacDonald's<br />
farm. Tht (82) Comedy li-l<br />
2076 Kronoi (78) g Science-Fiction. .20th-Fox<br />
2122 Lady of Vengeance (73) Mystery WB<br />
2107 Land Unknown. The (78) ® Ad» U-l<br />
2150OLes Girls (114) ,© Mus-Com MGM<br />
2097 ©Lets Be Happy (93) i© Com/Mus. AA<br />
208S ©Little Hut. Ttie (91) Comedy. .MGM<br />
2080 ©Living Idol. Ttie (101) ® A{ii...MGM<br />
2090 Lonely Man. The (87) ® Western .. Para<br />
2073 ©Lost Continent (64) © Doc. . . Lopert<br />
2124 ©Love Lottery, The (82) Com...Confl<br />
2097 Love in the Afternoon (125) Comedy. AA<br />
2105 ©Loving You (101) ® Coni/Songs Para<br />
—M<br />
2077 Man Afraid (84) ® Drama U-l<br />
2114 'vJMan of a Thousand Faces<br />
(122) ® Biographical Or U-l<br />
2095 Man on Frre (95) Drama MGM<br />
2149©MellK)urne Rendenous (87) The 1956<br />
Olympic Games Trans-Lux 10-12-57 -I-<br />
2101 Midnight Story. The (S9) © Mystery U-l<br />
2156 Mister Rock and Roll (86) Mus. Para<br />
2088 Monkey on My Back (93) Biog. Or. U-l<br />
2155 Monolith Monsters, The<br />
(77) Science-Fiction Drama U-l<br />
2094 Monster That Challenged the World.<br />
The (S3) Horror Drama UA<br />
2101 ©Monte Carlo Story (99) ® Com...UA<br />
2117 My Gun Is Quick (88) Crime Drama .UA<br />
2135 ©My Man Godfrey (92) © Com-Dr...U-l<br />
—N—<br />
2098©flight Passage (90) ® Outdoor Dr.. U-l<br />
2095 Night the World Exploded (64) S-F..Col<br />
2145 No Down Payment (105) © Dr...20-Fox<br />
2118 No Time to Be Young (S2) Drama.. Col<br />
2072 Not of This Earth (67) Horror AA<br />
2149 ©Novel Affair, A (83) Com Cont'l<br />
©Oedipus Rex (88) Classic Drama. MPD<br />
2079©0klahoman, The (SO) © Western. AA<br />
(71) Western Col<br />
211SOPawne« (80) Western Rep<br />
21250Perri (75) Nature Fantasy BV<br />
2118 Pickup Alley (92) © Drama Col<br />
2122 Portland Expose (72) Drama AA<br />
2106 ©Pride and the Passion, Tlie<br />
(132) ft) Adventure Drama UA<br />
2092 ©Prince and tht Slwwilrl. The<br />
(U7) Period Coneily WB<br />
2152 ©Pursuit of the Graf Spec<br />
(106) ® War Drama RFDA<br />
2134 ©Quints (80) O Western U-l<br />
— R<br />
21S2©Raintree County (157)<br />
(^mera 65 Drama MGM 10-19-57 tt<br />
2093 ©Raising a Riot (91) Comedy Cont'l<br />
2079 Reach for tlie Sky (123) Or RFDA<br />
2132 Reform School Girl (71) Melodr.. AlP<br />
.<br />
2089 ©Restless Breed, Tlie (81) Wn 20-Fox<br />
2090 Ride Back. The (79) Outdoor Dr. . UA<br />
2113 Rising of the Moon. The (81)<br />
Episode Comedy-Drama WB<br />
2072 ©River's Edge. The (87) © Dr. ..20-Fox<br />
2151 Rockabilly Baby (78) S Drama 20th- Fox<br />
2132 Rock Around the World (71) Mus.. AlP<br />
2069 Rock. Rock, Rock (85) Rhythm ... OCA<br />
2098 ©Run of the Arrow (86) Outdoor RKO-U-I<br />
11- 9-57 -f<br />
-f ++ +<br />
5- 4-57 + -I- •+-<br />
4.13-57 + S: -H<br />
+<br />
+<br />
8-17-57 ± - +<br />
7. 6-57 4- + ++<br />
10-12-57 -H- ++ H<br />
6-15-57 + + H<br />
5-11-57 + + ++<br />
4-27-57 It<br />
5-18-57 +<br />
-I- +<br />
4- 6-57 -H- H -Itt<br />
8-17-57 +<br />
6-15-57 -H<br />
+<br />
H ++<br />
-I- H- -f<br />
4-20-57 -I- -t- -f -t-<br />
7-27-57 H<br />
6- S-57 H<br />
6-22-57 -f<br />
11- 2-57 i<br />
5-18-57 -I-<br />
11- 2-57 -f<br />
6- 1-57 -f<br />
6-22-57 H<br />
8- 3-57 +<br />
9-14-57 tt<br />
6-15-57 -H-<br />
6- 8-57 +<br />
10- 5-57 +<br />
8- 3-57 -<br />
3-30-57 ±<br />
10-12-57 +<br />
4-27-57 ±<br />
8- 3-57 +<br />
2118 ©Omar Khayyam (100) ® Adventure Para<br />
2144 On the Bowery (65) Doc. . Reps 9-28-57 -I-<br />
2120 Operation Mad Ball (105) Comedy.. Col<br />
2109 ©Out of the Clouds (SO) Drama. RFOA<br />
2116 Outlaw's Son (SO) Western UA<br />
—P—<br />
2122 0©PaJama Game. The (101) Mus...WB 8-17-57 tt<br />
2137©Pal Joey (117) Dr/Music Col 9-21-57 tt<br />
2129 ©Parson and tha Outlaw, The<br />
S-19-57 -H-<br />
7-13-57 +<br />
7-27-57 +<br />
8-31-57 -<br />
7-27-57 +<br />
8-24-57 tt<br />
8- 3-57 ±<br />
8-17-57 tt<br />
7- 6-57 tt<br />
5-25-57 tt<br />
10-19-57 +<br />
tt + 4+<br />
tt tt ++<br />
+ -F H<br />
-t- + H<br />
+ +<br />
+ ± +<br />
tt ± -I-<br />
++ + ff<br />
tt ++ tt<br />
± i -t-<br />
-)-<br />
9- 7-57 -f ±<br />
6- 1-57 -f<br />
4-27-57 tt<br />
8-31-57 ±<br />
-t-<br />
tt<br />
+ - +<br />
tt<br />
± +<br />
5-18-57 -f<br />
5-18-57 tt +<br />
4- tt<br />
tt<br />
+ +<br />
tt tt<br />
+ i:<br />
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+ +<br />
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+ + » + +<br />
± -f tt + +<br />
+ +<br />
tt tt tt tt tt<br />
+ +<br />
tt tt tt tt tt<br />
tt tt tt tt tt<br />
+ ± + +<br />
tt tt tt tt -f<br />
-f -f + -t- i:<br />
^ + + + ±i<br />
tt tt tt tt tt<br />
tt -)- tt tt tt<br />
+ -f tt<br />
tt tt tt<br />
-f<br />
-f- ±<br />
7-27-57 4- + -(- -f -H tt<br />
3-30-57 + + * * + i:<br />
10-19-57 + + + + + +<br />
8-31-57 + + * ± ±<br />
3-23-57 zt — ±<br />
6-15-57 + + -f -I- tt tt<br />
ZO<br />
2153 Sad Sack, The (98) ® Comedy Para 10-26-57 tt<br />
2088Saint Joan (110) Classic Drama. ...UA 5-18-57-1-<br />
2137S3tchmo the Great (63) Doc UA 9-21-57 -f<br />
2125 ©Sea Wife (82) © Adv. Or 20th.Fox 8-24-57 -f<br />
20S7 Seventh Sin, Tlie (94) © Drama MGM 5-1S-57 -f<br />
2068 Shake. Rattle and Rock (77)<br />
Rhythm Musical AlP 3-16-57 + + + + + +<br />
:i:<br />
-t-<br />
+ tt tt tt<br />
-(- tt<br />
tt -f -(-<br />
-t-<br />
-t-<br />
-1-<br />
+ ± H<br />
:t ± + +
Feature productions by company in order of release. Number In S4|uare is notional release date. Running<br />
time li in parentheses. © Is for ClnemoScope; ® VIstaVision; ® Superscope; ® Naturomo; ® Regolscope;<br />
® Techniromo. Symbol ii denotes BOXOFFICE Blue Ribbon Aword; O color photogrophy. Letters and combinations<br />
thereof indicate story type—(Complete key on next poge.) For review dotes ond Picture Guide<br />
page numbers, see Review Digest.<br />
^EATURE<br />
CHART<br />
ALLIED ARTISTS | ^o<br />
H ©Lajt of the Badnen<br />
(80) © W..5705<br />
George Montgomery. Keith Larsen,<br />
Douglas Kennedy. Meg Randall<br />
S Hold That Hypnotist<br />
(61) C..5706<br />
Huntz H.ill. StMlcy Oements.<br />
Jane .Mgh. David Condon
I<br />
John<br />
...C<br />
. Ho<br />
. .<br />
CD<br />
CD.<br />
Ac.<br />
. Ac.<br />
. My<br />
.<br />
D<br />
. Rod<br />
The key to letters and combinations thereof Indlcotlng story type: (Ad) Adventure Dromo; (Ac) Action<br />
FEATURE CHART Drama; (An) Animated-Action; (C) Comedy; (CD) Comedy-Dramo; (Cr) Crime Dramo; (DM) Dramo<br />
with Mosic; (Doc) Documentary; (D) Drama; (F) Fantasy; (FC) Farce-Comedy; (Ho) Horror Dramo; (HI)<br />
Historical Drama; (M) Musical; (My) Mystery; (OD) Outdoor Drama; (SF) Science-Fiction; (W) Western.<br />
RANK<br />
20TH-FOX is UNITED ARTISTS<br />
UNIVERSAL-INT'L 3 U<br />
The Great Man (98) D..5708<br />
J. Ferrer. D Jagger, K. Wynn<br />
©Istanbul (84) © Ad.. 5709<br />
E, rol Flynn, Cornell Borchers<br />
The Night Runner (79) D..5710<br />
Kay Danton, Coleen Miller<br />
©Bundle of Joy (98) © .C .9710<br />
(liKO) Debbie Ueynolds, Eddie<br />
Fisher<br />
JBrave One (100) © ..D..9706<br />
(KKO) Michel Hay. Jul Lansing<br />
REPUBLIC<br />
jj Affair in Reno (75) D..5607 QThe True Story of Jesse<br />
Tomahawk Trail (60) W. .5708<br />
Jolin Lund, UorU Singleton<br />
James (92) OD. .704-7 John Smith, Susan Cummings<br />
Itobert Wagner, Jeffrey Hunter Crime of Passion (84) .0.5709<br />
IJaibara Stanwyck, Sterling Havdeti<br />
OOh. Men! Oh. Women!<br />
Men in War (102) D..5712<br />
(90) © C. 706-2 liobert lijan. .VIdo Ray<br />
Dan Dailey, Ginger Kogera Voodoo Island (78) AD .5710<br />
ItiirH Kar.off. Beverly Tiler<br />
Pharaoh's Curse (66) Ho. .5711<br />
-Mark Dana, Ziva Rodarm<br />
a; He I's Crossroads (g)<br />
QHeaven Knows, Mr. Allison<br />
©Revolt at Ft. Laramie<br />
J)Gun for a Coward<br />
(73) D..5608 (106) © D. .710-4 (73) W..5647 (88) © W. .5711<br />
S'.tphen Mc.Nally, Teggie Castle<br />
Deburatl Kerr, Robert .Milehtim Gregg Palmer. Frances Helm<br />
Fred .Mac.Murray, Jeffrey Hunter.<br />
(he Delinquents (81) . . . . Ac .5714 Janice Rule, Oiill Wills<br />
The Storm Rider (70) W. .709-6 foni Laiighliii. Peter Miller<br />
Scott Brady, .Mala Powers<br />
Suing Reunion (90) . . . 5715 ^;OBattle Hymn (111) © D .5712<br />
Hetty llulton. Dana .\ndrews<br />
lliiek Hudson. Martlia Hyer.<br />
Hit and Run (84) 0. ,5718 Dan Duryea. Anna Kashfl<br />
Cleo Moure, Hugo Haaa<br />
^Mister Cory (92) © 0.5713<br />
Tony Curtis, Martha Hyer<br />
a Spoilers of the Forest<br />
Break in the Circle (69) .. D. .711-2 The Bachelor Party (94) . .5722 (elly and Me (86) © C..5714<br />
(68) ® 0D..5609 Forrest I'lieker. Eva Bartok<br />
Dun .Miiriav. (Carolyn Junes<br />
Van John^ion. Piper Laurie<br />
Vera lialston. Rod Cameron QThe River's Edge<br />
Fury at Showdown (75) ..W.. 5715<br />
(87) © OD.. 708-8 Jiihn Derek. Carolyn Craig<br />
he Incredible Shrinking Man<br />
. . . D<br />
.My/C.<br />
Ac<br />
Ad.<br />
. May<br />
. Feb<br />
W.<br />
.<br />
.<br />
,<br />
.<br />
.<br />
.<br />
.<br />
el<br />
1 t'j'<br />
.a(<br />
<<br />
>-<br />
<<br />
O<br />
LU<br />
o<br />
Of<br />
UJ<br />
CQ<br />
><br />
O<br />
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The key to letters and eombinotions thereof indicating story type: (Ad) Adventure Drama; (Ac) Action<br />
Droma; (An) Animated-Action; (C) Comedy; (CD) Comedy-Drama; (Cr) Crime Dramo; (DM) Drama<br />
with Music; (Doc) Documentory; (D) Drama; (F) Fantosy; (FC) Force-Comedy; (Ho) Horror Drama; (Hi)<br />
Historical Drama; (M) Musical; (My) Mystery; (OD) Outdoor Drama; (SF) Science-Fiction; (W) Western.<br />
WARNER BROS.<br />
•S Top Secret Affair (100). CD. .609<br />
Su.^an Hay^vard, Kirli Douglas<br />
51 ©The Bij Land (93).. W. .610<br />
Alan Ladd, Virginia M»^'o<br />
[2 ©Paris Does Strange Things<br />
(86) CD. 611<br />
Ingrid Bergman. Mel Ferrer<br />
M U@Tlie Spirit of St. Louis<br />
(135) © D..614<br />
Jflme.s Stewart<br />
!4l Shoot'Out at Medicine<br />
Bend (87) W. .615<br />
Kanddlph Scott, .lames Craig<br />
JS The Counterfeit Plan<br />
(SO) D. .612<br />
Zaihary Scott, Peggie Castle<br />
a Untamed Youtli (80) D..613<br />
Mamie Van Uiiren. Jolin Russell<br />
5i©Dc«p Adventure<br />
(46) Featurette 4912<br />
[H A Face in the Crowd<br />
(126) D..616<br />
Andy Griffith. Patricia Neal. An<br />
thony Franclosa, Lee Remicb<br />
HThe D.I. (106) D..617<br />
Jack \Vel)b, Alonica Lewis<br />
IS ©The Prince and the Showgirl<br />
(117) CD .618<br />
Maillyii Monroe, Laurence Oliviei<br />
m X the Unknown (80) SF. .619<br />
Dean Jagger, Edward Chapman<br />
|9 ©The Curse of Franlienstein<br />
(83) Ho. 620<br />
Peter (pushing. Hazel Court<br />
aiQBand of Angels (127) D .621<br />
Clark Cable. Yvonne He Cailo<br />
H Rising of the Moon (81) D..622<br />
Frank Lawtnn. Dennis O'Dea<br />
J7] The James Dean Story<br />
(82) Doc. 623<br />
J.imes Dean<br />
t>©The Pajama Game<br />
(101) M. .701<br />
Doris Day. John Raltt. Carol }Iane><br />
a Black Patch (83) W. .702<br />
George Montgomery, Diane Brewster<br />
U Johnny Trouble (80) . . .703<br />
Ethel Barrymore. Carolyn Jones<br />
[5] The Helen Morgan Story<br />
(118) ® D..704<br />
Ann BIyth. Paul Newman<br />
51 The Black Scorpion (88) Ho. .705<br />
Richard Denning. Mara Corday<br />
a ©The Story of Mankind<br />
(100) D..706<br />
Ronald Colman, Hedy LiuMarr, 40<br />
other stars<br />
@ Woman in a Dressing<br />
Gown (93) D. .707<br />
Yvonne Mitchell, Anthony Quayle<br />
a ©Bombers B-52 © ....D..708<br />
Karl Maiden. Natalie Wood<br />
ASTOR<br />
Hour of Decision (70) . .D. .Jan 57<br />
MISCELLANEOUS<br />
I'aine<br />
Black Tide (79) D..Jun57<br />
.lulin Ireland. .Maureen Connell<br />
titles)<br />
CSJohnny Tremain (80) . Jul 57<br />
Hal Stalmaster, Luana Patten<br />
SPerri (75) Nature Fantasy .. Nov 57<br />
BURSTYN<br />
jlella (93) D.. Oct 57<br />
.Melina .Mercourl, Georges Foundas<br />
(U.eek-language; Eng. titles)<br />
CONTINENTAL<br />
ohip That Died of Shame<br />
(79) D.. Sep 56<br />
Richard Attenborougb, George<br />
Uaker<br />
^Secrets of the Reef<br />
(72) Doc. Oct 56<br />
Tndersea chonlcle<br />
3The Love Lottery (82) 57 C Feb<br />
David Nlven. Pegt;y Cummins<br />
C . 57<br />
^Raising a Riot (91) . .<br />
Kenneth More. M.mdy .Miller<br />
The French They Are a Funny<br />
Race (83) C. .Jun57<br />
Marline Carol, J.ick Buchanan.<br />
Noel-Noel (li^iglish-langnage)<br />
.Vlaid in Paris (88) C. .Aug 57<br />
Danny liobin, Daniel Gclln<br />
(French-language; Eng. titles)<br />
^ Novel Affair (S3) D.. Sep 57<br />
Ralph Richardson, Margaret<br />
Leighton<br />
M<br />
DCA<br />
Sock. Rock. Rock (85) . .<br />
.<br />
. Dec 56<br />
Alan Freed, Frankie Lymon &<br />
Teenagers<br />
@John and Julie (82) .<br />
.C. Feb 57<br />
Constance Cumnilngs, Wilfred<br />
Hyde-Hhite<br />
:olditz Story (97) D . . Feb 57<br />
John .Mil.s, Eric Portman<br />
Jnnatural (90) D . 57<br />
llildegarde Nelf, Eric Von Stro<br />
hilm<br />
.he Widow (87) D. .Feb 57<br />
Patricia Hoc, Akim Tamlroff<br />
Jold of Naples<br />
(107) Episode Dr Mar 57<br />
Vlttorio de Slca, Silvana Mangano<br />
Sophia Loren, (Italian-language:<br />
Eng titles)<br />
^Baby and the Battleship<br />
(96) C. Mar 57<br />
John .Mills. KIchjird Attenborougli<br />
3crmuda Affair (87) ..D.. Mar 57<br />
Kim Hunter, G.iry .Merrill<br />
J3 Loser Takes All<br />
(88) nis Johns, Rossano Brazzl<br />
QDon Giovanni<br />
(157) Opera Film Apr 57<br />
Ccsaie Slepi. Lisa Delia Casa<br />
Battle Hell (112) D.. May 57<br />
(Formerly "Yangtze Incident")<br />
Richard Todd, Akiro Tamirolf<br />
VIonster From (^reen Hell<br />
(71) Ac..May57<br />
.llm Davis. Barbaia Turner<br />
Half Human (63) Ho.. May 57<br />
John Carradine, Robert Karnes<br />
SThe Miller's Beautiful Wife<br />
(92) C. May 57<br />
Viltorlo de Sica. Sophia Loren<br />
The Green Man (80) . .Jun 57<br />
Alaslalr Sim, George Cole, Jil<br />
Adams<br />
^Scandal in Sorrento<br />
(92) © C. Jun 57<br />
Vittoria de Slca. Sophia Loren<br />
(Dubbed in English)<br />
The Devil's General (120) D.. Aug 57<br />
Curl Jtiri^'ens, M.irianne Cook<br />
(GiTman-Iant;u age: Eng. titles)<br />
The Silken Affair (96).. C. Sep 57<br />
Daviil Nlven, Beatrice Straight<br />
Escarade (87) CD. .Sep 57<br />
Ji.lin Mills. A'flstair Sim<br />
Hell in Korea (82) D. Oct 57<br />
Stanley Raker. George Baker<br />
Please. Mr. Balzac (..) C. . Oct 57<br />
Brigette Bardot, Daniel Gelin<br />
(Frencli-Ianguage: Eng. titles)<br />
JACON<br />
Midnight Episode (78) ..C.. Aug 56<br />
Stanley Ilollnway. Leslie Dwyer<br />
Forbidden Cargo (83) . .Sep 56<br />
Nigel Patrick. Elizabeth Scllars<br />
JANUS<br />
Builfighl (76) Doc. Jul 56<br />
English nai ration<br />
.lift Moirow, Hazel Court<br />
Stranoer in Town (74) . . D. .May 57<br />
AWk Nlcol, Colin Tapley, Anne<br />
JOSEPH BRENNER ASSOC.<br />
Drew Pearson Reports on the Holy<br />
Land (60) Doc. .Mar 57<br />
Narrated by Drew Pearson<br />
.<br />
BUENA VISTA<br />
LOUIS deROCHEMONT<br />
^JSecrets of Life (70) .. Doc. . Nov 56<br />
JAIbert Schweitzer<br />
^Westward Ho, the Wagons<br />
(86) © 0D..Dec56<br />
!'"ess Parker. Katlilien Ciowley<br />
All the Guys in the World<br />
If<br />
(95) Ad..Jun 57<br />
Andre Valniy. Jean Gaven. Georges<br />
Poujouly, (French-language; Eng,<br />
TOP PICTURES<br />
rontier Woman (SO)<br />
(SO) Doc. Mar 57<br />
(Produced liy Hill and ^Vilderson)<br />
VtOTION PICTURE DIST'RS<br />
jOcdipus Rex (B8) ....D.. Jan 57<br />
(Stratford, Ont., Festival players)<br />
Jul 56<br />
Cindy Caison, Lance Fuller, Ann<br />
Kelly<br />
TRANS-LUX<br />
JDance Little Lady (87) D. .Mar 56<br />
Mai Zetterllng. Terence Morgan<br />
Lovers and Lollipops<br />
(85) CD.. Apr 56<br />
Lori March, Gerald O'Louglilln<br />
-a Slrada (107) D. Apr 57<br />
Amhony ()ulnn, Ciiilietta .Masina<br />
(Italian with Eng. tltle.s anil<br />
En:;lish-language versions avail<br />
able)<br />
)anoer Flight 931<br />
(78) D. .Apr 57<br />
Dany Robin, Dieter Borsclie<br />
(Fr. language— Eng. titles)<br />
Bed of Grass (80) D. Jul 57<br />
Anna Brazzou, Mike Nichols<br />
(Greek language— Eng. titles)<br />
-our Bags Full (85) . C, Sep 57<br />
.lean Cabin, Boiirvil<br />
(Fr, language— .Eng. titles)<br />
JMelbourne Rendezvous<br />
(90) Documentary Oct 57<br />
Complete coverage of lire Olympic<br />
gatnes<br />
REISSUES<br />
iUENA VISTA<br />
^Cinderella (75) An. .Feb 57<br />
iBambi (70) An.. Apr 57<br />
-.OLUMBIA<br />
he Harlem Globetrotters<br />
(SO) CD.. Oct 57<br />
Thomas Gomez. Dorothy Dandridge.<br />
and tlie original Harlem Gloljetrotters<br />
vtGM<br />
.AprS7<br />
,asliqht (114) D<br />
Ingrid Bergrt>an. diaries Boyer<br />
The Postman Always Rings<br />
Twice (114) D. Apr 57<br />
i>ana Turner. .lohn Garfield<br />
The Bride Goes Wild (98) C. Jun 57<br />
.lime Allvson, Van Johnson<br />
)ur Vines Have Tender Grapes<br />
(106) D. Jun 57<br />
Edward G. Rnbinson. Margaret<br />
O'Brien<br />
PARAMOUNT<br />
3For Whom the Bell Tolls<br />
(130) D.. May 57<br />
Gary Oioper, Ingrid Bergman, A.<br />
Tamiroff<br />
Jailor Beware (96) C. Sep 57<br />
Dean M:trtin, Jerry Lewis<br />
lumping Jacks (103) . . . - C. .Sep 57<br />
Dean Martin, Jerry Lewis<br />
REPUBLIC<br />
(he Woman They Almost Lynched<br />
(90) D. Apr 57<br />
John Lund. Audrey Totter, B<br />
Donlevy<br />
3The Quiet Man (129) CD.. May 57<br />
John Wayne, Maureen O'llara,<br />
Waid Bond<br />
WARNER BROS.<br />
Jim Thorpe. All-American<br />
(105) D.. May 57<br />
Burt L,incaster, diaries Bickford<br />
The Winning Team (98) . - D. .May 57<br />
Doris Day, Ronald Reagan, F<br />
L,ovejoy<br />
Sright Leaf (110) D, .May 57<br />
Gary Cooper. Lauren Bacall<br />
The Wcft Point Story<br />
(107) D. May 57<br />
James Cagney, V. Mayo, Doris Day<br />
Stranger on a Train<br />
(101) D. May 57<br />
Farley Granger. Ruth Roman<br />
Young Man with a Horn<br />
(101) D. May 57<br />
Kirk Douglas, Lauren Bacall, Doris<br />
Day<br />
ALLIED ARTISTS<br />
Up in Smoke C..5733<br />
lliintz Hall, Stanley Clements<br />
rile Pagans D.<br />
I'lirie Cressoy. llelene llcmy<br />
ONew Day at Sundown W. .<br />
tiiiirge Montgoniery. Randy Stuart<br />
Beast of Budapest Ac.<br />
Jiilin lliiyt, Greta Tltyssen<br />
OOregon Passage© OD,.<br />
John Eiicsiin. Lola Albilglit<br />
JCole Younger, Gunfightcr ©..W..<br />
I'"iank Ijnejiiv. M,\ron llealy<br />
Never Love a Stranger D..<br />
.liihii Drew r,arr>iniire, Milan<br />
Lita<br />
The Bride and the Beast D .<br />
L.ince Fuller. Charlotte Austin<br />
AMERICAN<br />
INTERNATIONAL<br />
Viking Girl vs. Sea Serpent ..Ad..<br />
Susan Cabot. Aliby Dalton<br />
3laod of Dracula Ho..<br />
Sandra Harrison. Louise Lewis<br />
Jet Alert Ac<br />
John Ag.ir. Audrey Totter<br />
COLUMBIA<br />
jThis Bitter Earth ® D. .<br />
S, .Mangano. A, Perkins. Valli<br />
Bridge on the Ri.er Kwai D,.<br />
Willi.im Hulden, Jack Hawkhis.<br />
Alec Guinness<br />
How to Murder a Rich Uncle.. CD..<br />
Charles Coburn, Wendy Hiller<br />
The Long Haul D. .<br />
\'ietor .M.itiire, Diana Dors<br />
aThe Hard Man W. .<br />
(iiiy Madison, Valerie French<br />
3Pal Joey © D/M .<br />
Uita llayworth, Frank Sinatra,<br />
Kini Nu\:ik<br />
SHigh Flight © D..<br />
R;ij Milland. Sean Kelly<br />
The Admirable Crichton CD..<br />
Kenneth .More, Sally Ann Howes<br />
5he Played With Fire D..<br />
Allelic Dahl. Jack Hawkins<br />
Bitter Victory D..<br />
Richard Burton, Curt Jurgens<br />
aCowboy W.<br />
Glenn Ford, Jack Lcmmon<br />
The Goddess D. ,<br />
Kim Stanley, Uoyd Bridges<br />
SBonjour Tiistesse © D,.<br />
Iiaiid Nlven. Deborah Kerr<br />
The Other Life of Lynn Stewart, ,D, .<br />
iictsy Palmer. Jack l,,ord<br />
The Trial of Captain Barrett.. D..<br />
Edmoiid il'Brien. Mona Freeman<br />
3Rcturn to Warbow W.<br />
I'hil Carey, C.itherine ."McLeod<br />
3The 7lh Voyage of Sinhad Ad. .<br />
Kerwin Mathews, Kathiyn Grant<br />
MGM<br />
aRaintree County ©65 0..<br />
Ellzahetli Taylor, Montgomery Cllft<br />
The Happy Road C..<br />
Gene Kelly. Barbara La.ige<br />
SDon't Go Near the Water ©.,C<br />
Glenn Ford, Anne Francis<br />
OMerry Andrew © C<br />
Danny Kaye, Pier Angell<br />
3The Parisiennes (Gigi) . . . C/M ,<br />
I D.<br />
Leslie Ciiron. Maurice Clievaller<br />
3The Brothers Karamazov D..<br />
Viil nr>7iner. Maria Schcll. Galre<br />
Bloom,<br />
Accuse<br />
Ue J,<br />
©<br />
Cobb<br />
Jiisc Ferrei , Viveca Llndfors<br />
Saddle the Wind D..<br />
Robert Tavlor, Julie London<br />
3Seven Hills of Rome © 0.<br />
Mario l.anza. .M.irlsa Allaslo<br />
Cry Terror D. .<br />
James .Mason. Inger Stevens, Rod<br />
Stciger. Angle Dickinson<br />
Mock Trial D. .<br />
Dean Jones, Joan O'Brien,<br />
Thomas Mitchell<br />
3The Sheepman © CD,,<br />
Glenn Ford, Leslie Nielsen<br />
PARAMOUNT<br />
jSraiiish Affair (g Ad..<br />
Richard KIley, Carmen Sevilla<br />
Hot Spell (V) 0.<br />
Shirley Booth. Anthony (Julnn<br />
Wild Is the Wind
know<br />
—<br />
"5.XHIBITOR HAS HIS SAY<br />
lABOUT PICTURESI<br />
ALLIED ARTISTS<br />
Arrow in the Dust fAA) —<br />
Sterling Hayden, Coleen Gray,<br />
Keith Larsen. I used this one for<br />
my midweek date and made some<br />
money on the Indians again. I<br />
am sure glad that this type of<br />
picture does some business for<br />
me, otherwise I would be a setting<br />
hen. This film had good<br />
color and a good story and cast.<br />
Played Wed. Weather: Chilly.—<br />
Harry Hawkinson, Orpheum Theatre,<br />
Marietta, Minn. Pop. 380.<br />
AMERICAN INTERNAT'L<br />
Reform School Girl (AIP) —<br />
Gloria Castillo, Ross Ford, Edward<br />
Byrnes. Good entertainment.<br />
Doubled with "Rock Aiound<br />
the World" and it's a good combination.<br />
However, "Reform<br />
School Girl" is by far the better<br />
of the two. My patrons really<br />
went for it and I was surprised<br />
by the fact it is very well made<br />
and held interest throughout. It<br />
had some laughs and action and,<br />
if your crowd is mostly teenagers<br />
(and whose isn't these days) then<br />
this double bill is for you. "Rock<br />
'<br />
Around the World is about English<br />
rock 'n' roll singer Tommy<br />
Steele. I . how English pictures<br />
as a rule go over in a small<br />
town, but this pleased my younger<br />
set and the picture is fair entertainment.<br />
Business was up and<br />
I'm hoping for more like it.<br />
Played Sun., Mon., Tues. Weather:<br />
Fair and cool.—Victor Weber,<br />
Center Theatre, Kensett, Ark.<br />
Pop. 1,000.<br />
Thanks to<br />
AA<br />
Congratulations, A.\! You<br />
finally delivered one that<br />
made me some dough, "World<br />
Without End." .\nd I didn't<br />
even get a trailer I could use<br />
on it. Ten per cent over average<br />
business even with our<br />
conununity's freshly opened<br />
tecntown going full blast. This<br />
little company could show the<br />
big boys something about howto<br />
utilize Cinemascope.<br />
FRANK R.<br />
Roxy Theatre,<br />
Couiterville, III.<br />
McLEAN<br />
BUENA VISTA<br />
Vanishing Prairie, The (BV) —<br />
Documentary. It is<br />
superfluous to<br />
comment on any of Walt Di.sney's<br />
live-action productions. Suffice<br />
to say that this is his finest,<br />
played to over-capacity audiences.<br />
A truly brilliant production for<br />
all ages from six to 90! Played<br />
Wed.-Sat.—Dave S. Klein. Astra<br />
Theatre, Kitwe-Nkana, Northern<br />
Rhodesia, Africa. Government,<br />
mining and business patronage.<br />
COLUMBIA<br />
Rumble on the Docks (Col) —<br />
James DaiTcn, Laurie Carroll,<br />
Michael Granger. Another good<br />
teenage picture that did very well.<br />
These stories always are a good<br />
bet and do not seem to be very<br />
expensive to make. Played Tues.,<br />
Wed., Thurs. Weather: Good.—<br />
B. Berglund, Trail Theatre, New<br />
Town, N. D. Pop. 1,200.<br />
Solid Gold CadlUac, The (Col)<br />
—Judy Holliday, Paul Douglas,<br />
John Williams. Played late to<br />
average weekend business. I<br />
would rate this a good comedy<br />
feature. Played Sun., Mon., Tues.<br />
Weather: Good.—Mel Danner,<br />
Circle Theatre, Waynoka, Okla.<br />
Pop. 2,018.<br />
METRO-GOLDWYN-MAYER<br />
Teahouse of the August Moon,<br />
The iMGMi— Marlon Brando,<br />
Glenn Ford, Machiko Kyo. Don't<br />
be afraid of this one if you are<br />
in a small town. It will gross<br />
with the best of them. Something<br />
for everyone. Terms reasonable.<br />
Give it your best playing time.<br />
Played Sun., Mon. Weather:<br />
Good.—B. F. Sautter, Rex Theatre,<br />
Townsend. Mont. Pop. 1.316.<br />
Teahou.se of the August Moon,<br />
The (MGM)— Marlon Brando,<br />
Glenn Ford, Machiko Kyo. When<br />
I'm looking forward to next<br />
month's old age pension check,<br />
I'm sure this will still be my alltime<br />
favorite comedy. Folks who<br />
came really enjoyed it. The business<br />
it did was a pittance to<br />
what it would have taken in on<br />
one day only a few years ago.<br />
However, after an extremely<br />
lousy Sunday, it almost did as<br />
much on Monday, which is a rare<br />
thing anymore, so it shows others<br />
liked it as well as I did. Don't let<br />
anyone tell you movies aren't<br />
better than ever some of the<br />
time. If you don't believe it, you<br />
haven't run this one. Played Sun.,<br />
Mon.—Bob Walker, Uintah Theatre,<br />
Fruita, Colo. Pop. 1,463.<br />
This Could Be the Night<br />
(MGM) — Jean Simmons, Paul<br />
Douglas, Anthony Franciosa. Excellent.<br />
Perfect cast. This Franciosa<br />
fellow is okay. However, for<br />
some reason this picture did very<br />
poor business for three days.<br />
Played Mon., Tues., Wed.—S. T.<br />
Jackson, Jackson Theatre, Flomaton,<br />
Ala. Pop. 1,036.<br />
Wings of Eagles, The (MGM) —<br />
John Wayne, Dan Dailey, Maureen<br />
O'Hara. Fine movie—but<br />
don't play it up as an action picture,<br />
for it isn't. It has laughs<br />
and tears, but very little action.<br />
How-ever, it pleased the small<br />
crowd that came to see it and<br />
John Wayne has made worse.<br />
Played Wed., Thurs. Weather:<br />
Fair and cool.—Victor Weber,<br />
Center Theatre, Kensett, Ark.<br />
Pop. 1,000.<br />
PARAMOUNT<br />
For Whom the Bell Tolls (Para)<br />
—Reissue. Gary Cooper, Ingrid<br />
Bergman, Akim Tamiroff. This<br />
Paramount reissue may have<br />
been a big deal in its day. Gary<br />
and Ingrid start in to blow up a<br />
bridge, and eight Spanish-accented<br />
reels later, they get to<br />
the meat of the subject. Then all<br />
those who didn't walk out have<br />
a good show for about ten minutes,<br />
till Gary gets it in the leg<br />
and Ingrid has to go off and<br />
leave him to die. I ain't gonna<br />
say where I got it, as my boxoffice<br />
had already died. Guess I'm<br />
lucky not to have made many<br />
enemies, though, for in three<br />
days, only 32 people bought tickets<br />
and 17 of them walked out<br />
before it was over. What really<br />
makes me feel bad is that Garv<br />
Cooper is about the best name<br />
I can put on my marquee.—Jess<br />
Jones, Ritz Theatre, Crescent,<br />
Okla. Pop. 1,300.<br />
Virginian, The (Para) Reissue<br />
—Joel McCrea, Brian Donlevy,<br />
Sonny Tufts. Another ten-yearold<br />
reissue with plenty of appeal<br />
for everyone. Glad I booked it.<br />
Nice business, too. Played Tues..<br />
Wed. Weather: Okay. — Frank<br />
Sabin, Majestic Theatre, Eureka,<br />
Mont. Pop. 929.<br />
A Real Picture<br />
When the U-I salesman said,<br />
"Play 'Never Say Goodbye,' it<br />
will do you some business," I<br />
didn't half believe him, as it<br />
had played all around us long<br />
ago. But he was right. It is a<br />
real picture, the kind our patrons<br />
enjoy. They came out<br />
with tears in their eyes, many<br />
of them saying, "Oh, that was<br />
such a good picture." Rock<br />
Hudson is tops here and Cornell<br />
Borchers is really an<br />
actress, as was the little girl.<br />
Of course, it was in color, as<br />
they have to be to please the<br />
people here.<br />
BOB & JOYCE ALEXANDER<br />
Park Theatre<br />
Braham, Minn.<br />
CENTURY-FOX<br />
20th<br />
God Is My Partner (20th-Fox><br />
—Walter Brennan, John Hoyt,<br />
Marion Ross. Just another black<br />
and white picture that did nothing,<br />
and no one got very excited<br />
about it. The small pictures don't<br />
mean two hoots anymore, and<br />
I'm skipping them from now on.<br />
Played Thurs., Fri., Sat. Weather:<br />
Cool.—Jim Praser, Auditorium<br />
Theatre, Red Wing, Minn.<br />
Pop. 10.645.<br />
Oh, Men! Oh, Women! (20th-<br />
Fox)—Ginger Rogers. Dan Dailey,<br />
David Niven. Oh, Fox! Played<br />
Thurs., Fri., Sat. Weather: Cold.<br />
Dave S. Klein, Astra Theatre,<br />
Kitwe-Nkana, Northern Rhodesia,<br />
Africa. Government, mining<br />
and business patronage.<br />
She Devil (20th-Fox) — Mari<br />
Blanchard, Jack Kelly, Albert<br />
Dekker. Combination with "Kronos."<br />
This double feattire combination<br />
is the best of the sciencefiction<br />
pictures. Very good drawing<br />
power and well made with a<br />
good story on both, so they were<br />
all satisfied and so was I. Played<br />
Tues., Wed., Thurs. Weather:<br />
Snow.—B. Berglund, Trail Theatre,<br />
New Town, N. D. Pop. 1,-<br />
200.<br />
Wayward Bus, The (20th-Fox)<br />
—Joan Collins, Jayne Mansfield,<br />
Dan Dailey. Another black and<br />
white made for TV. Really nothing<br />
wrong with the picture, just<br />
didn't have anything in it to actually<br />
entertain the people. Preview<br />
does not give much desire<br />
to see. Played Tues.. Wed.. Thurs.<br />
—Mickey and Penny Harris,<br />
Wakea Theatre, New Boston, Tex.<br />
Pop. 2,688.<br />
UNITED ARTISTS<br />
Trapeze (UA) —Burt Lancaster,<br />
Olna LoUobrlgida. Tony Curtis.<br />
When I saw this last summer in<br />
another town I thought it was<br />
one of the best. After seeing it<br />
here two more times my opinion<br />
hasn't changed a bit. It's so good,<br />
in fact, that by the time I got /?<br />
around to it everyone had seen \<br />
it, so all I got out of it was the<br />
enjoyment of seeing it again.<br />
Just can't give it enough praise!<br />
Played Wed., Thurs. Weather:<br />
Unsettled but no rain.—I. Roche,<br />
Vernon Theatre, Vernon, Pla.<br />
Pop. 610.<br />
UNiVERSAL-INTERNAT'L<br />
KeUy and Me (U-I i— Van<br />
Johnson, Piper Laurie, Martha<br />
Hyer. A picture of this type<br />
(Which is excellent family entertainment)<br />
years ago was money<br />
in the bank. Now, the biggest<br />
flop of the season. With over a<br />
million dollars worth of free TV<br />
on Sunday night, what chance<br />
has a "boy-dog-girl" picture got.<br />
With Crosby and top musical<br />
stars on one channel and Walter<br />
Brennan on the other, the theatre<br />
is being disregarded by the<br />
people who "made it" in the<br />
movies. Strictly a shame a nice<br />
family picture was wasted and<br />
hurt by the "stars" that made it<br />
in the movies. Played Sun., Mon.,<br />
pulled Tues. Weather: Fair.—<br />
Ken Christianson, Roxy Theatre,<br />
Washburn, N. D. Pop. 913.<br />
Tattered Dress, The (U-D—<br />
Jeff Chandler, Jeanne Crain,<br />
Jack Carson. Average draw. Black<br />
and white is bad enough, but in<br />
Cinemascope it's utterly ridicu- {<br />
lous. There is no justification for<br />
black and w-hite Cinemascope<br />
presentation. Patrons naturally<br />
expect color on the screen. Buying<br />
from here on will be for color<br />
pictures as far as possible. Played<br />
Sun.. Mon. Weather: Good.<br />
Leonard J. Leise, Roxy Theatre,<br />
Randolph, Neb. Pop. 1.029.<br />
WARNER BROS.<br />
Prince and the Showgirl, The<br />
(WB)— Marilyn Monroe, Laurence<br />
Olivier, Sybil Thorndyke.<br />
Oh. Brother! If Warners would<br />
make a lot of these with the same<br />
cast and sell them to TV we<br />
wouldn't have a care in this<br />
world. Did we enjoy the walkouts<br />
of the few who came! Don't play<br />
it any time or place—you can't<br />
win. Poorest Sunday-Monday in<br />
three years and we have had<br />
some poor ones. Played Sun.,<br />
Mon. Weather: Good. — B. P.<br />
Sautter, Rex Theatre. Townsend.<br />
Mont. Pop. 1.316.<br />
Shoot-Out at Medicine Bend<br />
iWB)—Randolph Scott, James<br />
Craig, Angle Dickinson. This is<br />
an excellent all-around show in<br />
black and white (sure wish it had<br />
been in color). There are quite<br />
a few humorous situations<br />
throughout that the patrons are<br />
sure to enjoy. Played Sun., Mon. .<br />
Weather: Fine.—I. Roche, Vernon V^<br />
Theatre, Vernon, Fla. Pop. 610.<br />
Untamed Youth (WB)—Mamie<br />
Van Doren, John Russell, Lori<br />
Nelson. Okay program for Friday-<br />
Saturdav. Business average.<br />
Weather: Good. — Mel Danner,<br />
Circle Theatre, Waynoka. Okla.<br />
Pop. 2,018.<br />
12 BOXOFFICE BookinGuide Nov. 16, 1957
\<br />
,'J<br />
Opinions on Current Productions<br />
^EATURE REVIEWS<br />
Symbol O denotes color photogrophy; © CinemaScope; (V) VistoVisJon; (f) Superscope; If^ Noturoma. For story synopsis on each picture, see reverse side.<br />
OldYellei F T^, ^^<br />
""^ Buena Vista 83 Minutes Rel.<br />
:<br />
Whether they find their genesis in his artistic paint pots<br />
or are delineated before tlie cameras by flesh and blood actors—human<br />
or animal—all pictures bearing the proud<br />
trademark of Walt Disney have one thing in common—<br />
'<br />
wholesomeness. In tiiat respect, this earthy, heartwarming<br />
story—predicated upon the age-old. always-engrossing<br />
theme of a boy's love for his dog— is no exception. But the<br />
\<br />
Quite the contrary. Additionally, there are several ingredients<br />
that are certain to endear it to the hearts of all who<br />
see it and will help in winning the feature the enthusiastic<br />
capacity patronage it so thoroughly merits. There is a competent,<br />
ingratiating cast, the adult portion of which is entrusted<br />
to Dorothy McGuire and Fess Parker, both good<br />
marquee material—while the juvenile contribution is in the<br />
hands of Tommy Kirk and Kevin Corcoran, as talented a<br />
pair of moppets as ever trouped. Then there's bright Technicolor<br />
to ensnare the beauties of the verdant rural background:<br />
a ticker-tugging believable script and the perfectly<br />
trained mongrel title roler. Robert Stevenson directed, and<br />
a sterling credit it is.<br />
Dorothy McGuire, Fess Parker. Tommy Kirk, Kevin<br />
Corcoran, Jeff York, Beverly Washburn, Chuck Connors.
—<br />
FEATURE REVIEWS<br />
Story Synopsis; Exploitips; Adiines for Newspaper and Programs<br />
THE STORV: "The Tarnished Angels" (U-I)<br />
Drunken newspaper reporter Rock Hudson becomes fascinated<br />
by the Shumann family—Robert Stack, a World<br />
War II ace, now barnstorming, his wife, Dorothy Malone,<br />
a parachutist, and their neglected son. Stack is prepared<br />
to sacrifice anything—even unto his wife's virtues—to<br />
satisfy his conceit and further his flying career. The gal<br />
temporarily falls for Hudson and the situation is further<br />
complicated because Jack Car.son, crack mechanic, is in love<br />
with her, while Robert Middleton, Stack's business rival,<br />
is on the make for her. Finally Stack sees the light, goes to<br />
a hero's death to save the lives of several people, and Hudson<br />
sobers up long enough to save Dorothy from a life of sin<br />
with Middleton and to<br />
normal future.<br />
promise her and the boy a happy,<br />
EXPLOITIPS:<br />
Play up the fact that this is the same aggregation of top<br />
talent—stars Rock Hudson, Robert Stack and Dorothy Malone,<br />
producer Albert Zug.smith, director Douglas Sirk and<br />
writer George Zuckerman that gave the screen the popular<br />
"Written on the Wind."<br />
C.4TCHLI>fES:<br />
Was this wife and Mother Really a Tarnished Angel? . . .<br />
Robert Stack in the Role of a Man Who Is Prepared to Sacrifice<br />
Anything—Even His Wife's Virtue—To Satisfy His<br />
Conceit and Further His Flying Career.<br />
THE STOKY: "Eighteen and Anxious" (Rep)<br />
High school students Mary Webster and Lowell Brown are<br />
secretly married in Mexico. Within a month, the lad is<br />
killed in an automobile accident, leaving his young bride<br />
pregnant and miserable because she is unable to find their<br />
marriage license or any record thereof. When the baby is<br />
born it is generally thought to be Ulegitimate and it and<br />
the mother are shunned and maUgned by her parents-inlaw<br />
and her stepfather. Subsequently, the missing certificate<br />
is found and everyone tries to make amends. By that<br />
time, however, the girl is so embittered that she permits herself<br />
to indulge in a hectic pursuit of living entirely foreign<br />
to her nature and from which she is ultimately rescued by<br />
the love of a good man.<br />
EXPLOITIPS:<br />
Play up the "For Adults Only" tag. The theme—teenage<br />
marriages, uncompromising treatment of pregancy, abortion.5,<br />
and seduction—can be used as an exploitation campaign<br />
designed as discreetly as befits your community.<br />
CATCHLINES:<br />
The Story of a Girl They Called a High-Class Tramp Because<br />
She Made a Mess of Her Life ... An Intensely Gripping<br />
Drama of What Happens to Teenagers Who Try to<br />
Grow Up Too Fast.<br />
TIH: STORY: "Panama Sal" (Rep)<br />
Edward Kemmer, a millionaire playboy, takes off in his<br />
plane for Panama after his socialite fiancee, Christine White,<br />
postpones their wedding. Forced down in the Panama jungle!<br />
Kemmer and his two pals are driven to a Calyp.so dive where<br />
they see Elena Verdugo performing. Impressed with her<br />
talent, Kemmer persuades Elena to go with him to Los<br />
Angeles, where he promises to groom her for stardom. Kemmer's<br />
two pals, who want to stop his marriage, send Christine<br />
newspaper clippings of Kemmer and Elena. After many<br />
clashes, Elena opens in the swank Bandolero Club and<br />
scores a hit just as Christine returns from Paris and finds<br />
her with Kemmer. Elena walks out and returns to the little<br />
Panama club, where Kemmer finds her and is reunited with<br />
his discovery.<br />
EXPLOITIPS:<br />
Make a tieup with a travel or airline office for window<br />
displays of excursions to Panama, w-ith appropriate copy for<br />
the picture. To attract TV fans, play up Elena Verdugo as<br />
the star of the popular TV series, "Meet MiUie," which has<br />
been running for several seasons.<br />
CATCHLINES:<br />
Mirth. Melody and Mayhem ... A Merry Riot of Tropical<br />
Romance—and Rhythm<br />
. . . Elena Verdugo, TV's "Meet<br />
Milhe," Has Gone Tiopical in a New Musical Film Romance<br />
With a Tropical Heart-Beat.<br />
,EK<br />
I'm<br />
in'<br />
evt.<br />
- bU'<br />
u<br />
THE STORY: "Old YeUer" (Buena. Vista)<br />
When Fess Parker leaves his Texas farm on a cattle drive<br />
to Kansas, he entrusts his wife, Dorothy McGuire, and their<br />
six-year-old son to the protection of his teenage son, Tommy<br />
Kirk. Onto the farm wanders Old YeUer, a stray mongrel,<br />
who becomes Tommy's faithful and constant companion.<br />
When the dog fights off a rabid wolf, he contracts hydrophobia<br />
and Tommy is obliged to shoot his beloved pet. The<br />
experience is almost more than the lad can bear and he<br />
is empty-hearted with the loss until his father returns to<br />
console him and he eventually sees the characteristics of<br />
Old Yeller in a puppy that is given to him by a friend. It is<br />
at this point that his transition from boyhood to manhood<br />
has occurred.<br />
EXPLOITIPS:<br />
Schoolchildren will be particularly interested in this Disney<br />
creation, so a special Saturday matinee might be arranged<br />
for them and their parents. Fess Parker's name<br />
should be played up on marquee and lobby billings. If possible,<br />
obtain a cardboard, life-size cutout of him for display.<br />
CATCHLINES:<br />
Fess Parker, Who Gained Fame as Davy Crockett, Returns<br />
to Star in Another Disney Film of Adventure and Life in<br />
Frontier Texas ... A Warmhearted Story of a Boy and His<br />
Dog, Blending F^n, Laughter, Love, Adventure and Tragedy.<br />
THE STORY: "Baby Face Nelson" (U.-i)<br />
Lester Gillis (Mickey Rooney) is released from Joliet<br />
Prison on parole and, when he refuses to do a killmg for<br />
gangster Ted de Corsia, the latter frames him with the<br />
police. With the aid of Carolyn Jones, his girl friend, from<br />
whom he takes the name Nelson, the pint-size Gillis escapes<br />
from his police captors and heads back to Chicago to get<br />
revenge on de Corsia. This starts him on a career of crime.<br />
Including robberies and killings, until, after aiding Dillinger<br />
in pajToU robberies, he becomes the Number 1 target of the<br />
FBI. During a bank holdup. Nelson is framed by another<br />
killer, but he manages to make a getaway and hides out<br />
in a dirt shack with his big haul. On Thanksgiving Day<br />
1934, the FBI attacks his hideout and Nelson, mortally<br />
wounded, is shot by Carolyn when he admits he would have<br />
killed two youngsters to make his escape.<br />
t- EXPLOITIPS:<br />
Distribute handbills with pictures of Rooney as Nelson<br />
"Wanted as Public Enemy No. 1." Interest the long-standing<br />
Mickey Rooney fans by using pictures of him as the<br />
snarling killer alongside stills of him as the lovable Andy<br />
Hardy. Carolyn Jones recently scored in "Bachelor Party."<br />
CATCHLINES:<br />
The Factual Story of the Dillinger Aide Who Later Succeeded<br />
Him as "Public Enemy No. 1" . . . Mickey Rooney as<br />
Baby Face Nelson, the Notorious Gunman of the Turbulent<br />
Thirties.<br />
THE STORY: "Across the Bridge" (Rank)<br />
Rod Steiger, multimillionaire head of a London finance<br />
coiTDoration, learns his private ledgers are being investigated<br />
and, aware of a deficiency of $8,500,000, decides to flee<br />
to Mexico, W'here he has money stored for an emergency.<br />
En route, he decides to change places with a fellow passenger.<br />
Bill Nagy, whom he drugs and throws from the<br />
train. At the Mexican border town, Steiger is forced to take<br />
Nagy's dog along. Matters become complicated when Nagy<br />
is rescued badly injured and taken to a motel, w'here David<br />
Knight, garage attendant, learns the truth and decides to<br />
turn him in as a political assassin. Steiger, meanwhile, is<br />
being held by the Mexican police, who believe he is the<br />
assassin, Nagy, and he cannot get his money without his<br />
passport. Mocked and ignored by the Mexicans, Steiger's only<br />
friend is the dog, who is the means of his capture on the<br />
U. S.-Mexico bridge.<br />
EXPLOITIPS:<br />
Play up Rod Steiger as one of the stars of "Oklahoma!"<br />
and "On the Waterfront," as well as the more recent, "Run<br />
of the Arrow" and "Unholy Wife," both currently in release<br />
by Universal-International. Arrange for book store tieups.<br />
CATCHLINES:<br />
A Mastcrijiece of Suspense and Terror—From Graham<br />
. . Rod<br />
,^ Greene's Outstanding Novel of Foreign Intrigue .<br />
p<br />
-'Steiger, America's Leading Character Star, in a British<br />
Melodrama You'll Never Forget.<br />
BOXOFHCE BookinGuide :<br />
: Nov. 16. 1957
—<br />
I<br />
Opinions on Current Productions<br />
^EATURi REVIEWS<br />
Symbol O denotes color photography; © CinemoScope; ® VistoVision; ® Superscape; ® Noturomo. For story synopsis on each picture, see reverse side.<br />
Undersea Girl<br />
F<br />
Ratio:<br />
1,85-1<br />
Drama<br />
DIP Allied Artists (5718) 66 Minutes Rel. Sept. 22, '57<br />
' '"<br />
Perhaps the best description that can be applied to this<br />
drama and its myriad of story threads is that it's a floundering<br />
attempt to send Dragnet underwater. In addition<br />
to the cops-'n'-robbers theme there's a stereotyped boy meets<br />
girl situation, a dedicated girl reporter who spouts journalistic<br />
cliches, and a few other diversified ingredients. As concerns<br />
the teenage ticket buyers, perhaps the best asset<br />
as concerns the male contingent thereof—is to be found in<br />
the shapely, scantily clad chicks who cavort in the briny<br />
deep. The submarine footage is far from impressive and<br />
haphazardly photographed. One sequence—an underwater<br />
fight between the goodies and the badies—loses its potential<br />
effectiveness because it's impossible for spectators<br />
to ascertain which is which and why. Handicapped by the<br />
involved situations, dialog that is comparably implausible<br />
and John Peyser's unrealistic direction, the cast had little<br />
chance to register anything but the most ordinary performances.<br />
The picture is to be paired as a package deal<br />
with "Teenage Doll," which should generate exhibition<br />
attention one cut above the lower-most supporting spots to<br />
which it would otherwise be relegated. David T. Yokozeki<br />
was executive producer. Norman T. Herman produced.<br />
Mara Corday, Pat Conway, Florence Marly, Dan Seymour,<br />
Ralph Clanton, Myron Healey, Lewis Charles.<br />
The Persuader<br />
Ratio:<br />
1.85-1<br />
Western<br />
Allied Artists (5714) 72 Minutes Rel. June 16, '57<br />
If it's true that any celluloid offering falling into the<br />
western category can be expected to sell tickets at the boxoffices,<br />
then this sub-standard oater may be considered dependable<br />
to deliver the same jingle as has been recorded by<br />
some of its predecessors. And that despite the fact that audiences<br />
looking for action-laden, two-'^^ed. hard-riding sagebrush<br />
fare will find little to rouse their interest in this<br />
yarn dealing with a minister who brings a band of out-<br />
. laws to heel through his moral courage rather than firearms<br />
'^ 'j or fisticuffs. Let it be said that the film tries valiantly to<br />
follow the estabhshed story pattern of such offerings, and<br />
its circa, costumes and locale all designate it a western, but<br />
it nonetheless becomes so involved with moral and religious "|"]<br />
overtones that it comes perilously close to being classed as<br />
an out and out religious epic. Theatre owners booking<br />
this World Wide Pictures production may find some help<br />
in the cast names, since at least three of the toppers—William<br />
Talman, James Craig and Kristine Miller—are well<br />
known to adult moviegoers as well as- to the yxjunger set<br />
due to the fact that they have appeared in other western<br />
pictures. Dick Ross produced and directed.<br />
William Talman, James Craig, Kristine Miller, Darryl<br />
Hickman, Georgia Lee, Alvy Moore, Gregory Walcott.<br />
The Colditz Story F ^^i<br />
'=-'-^^"--<br />
DCA 97 Minutes Rel. Feb. '57<br />
Another British-made picture about World War II, but<br />
with considerable humor as well as suspense, this should<br />
do well in the art houses, although it lacks name value or<br />
appeal for general audiences. Eric Portman, who recently<br />
starred in "Separate Tables" on the Broadway stage; John<br />
Mills, star of many outstanding British films, and Ian Carmichael,<br />
who scored in both "Private's Progress" and<br />
"Brothers in Law," will all be familiar to the devotees of<br />
English films. Based on a true story, "Escape From Colditz"<br />
(a much better title for a picture dealing with escapes<br />
from a prisoner-of-war campi by Major P. R. Reid, this<br />
Ivan Foxwell production has great authenticity both in its<br />
forbidding castle setting and because several of the characters<br />
speak their native German, French. Polish and Dutch,<br />
in addition to the English spoken by the prisoners from<br />
that army. The entire action deals with the preparations<br />
and elaborate planning for escape and, although a few<br />
escapees are caught, so many succeed that Colditz became<br />
famous for the highest number of successful getaways.<br />
Portman plays the senior escape officer splendidly. Mills<br />
portrays Reid and Ian Carmichael and Richard Wattis contribute<br />
the lighter moments. Directed by Guy Hamilton.<br />
Eric Portman John Mills, Ian Carmichael, Hryan Forbes,<br />
Frederick Valk, Christopher Rhodes, Richard Wattis.<br />
F<br />
Julietta F<br />
Kingsley International 96 Minutes<br />
OHIO.<br />
" Fii^<br />
Ratio:<br />
Standard<br />
Rel.<br />
Comedy<br />
As a light-as-fluff romantic comedy with bedroom antics<br />
(although these are innocent enoueh), th's Fr«r.ch-!an?uage<br />
film should do well in the art spots, where it might be a<br />
welcome change-of-pace from the many intensely dramatic<br />
foreign pictures now on the market. Jean Marais. the handsome<br />
Frenchman who first scored in "Beauty and the Beast"<br />
and recently played his first English-speaking role in "Paris<br />
Does Strange Things," and the pert Dany Pobin, who was<br />
in "Act of Love" and "Holiday for Henrietta," have name<br />
value for class audiences. Directed by Marc Allegret in a<br />
tonsue-in-cheek stvie, the film is reminiscent of "The Moon<br />
Is Blue" and is full of chuckles as a young bachelor tries<br />
to keep the two women guests in his house from finding out<br />
about each other. The charming Miss Robin will delight<br />
most patrons, particularly when she transforms the dusty<br />
old attic in which she is hiding into a candle-lit boudoir to<br />
entertain and en.snare her frantic host. Marais. who is<br />
kept busy running up and down stairs and in and out of<br />
bedrooms, does well enough and Jearme Moreau, as his<br />
suspicious fiancee and Denise Grey, as an ambitious mother,<br />
turn in good acting jobs. Produced by Indusfilms.<br />
Jean Marais, Dany Robin, Jeanne Moreau, Bernard<br />
Lancret, Denise Grey, Georges Chamarat, Nicole Berger.<br />
Passionate Summer<br />
Kingsley International<br />
98 Minutes<br />
A<br />
Ratio:<br />
Standard<br />
Rel. -<br />
Drama<br />
This French-language import directed by Charles Brabant<br />
is well-named for it deals with one lusty male and<br />
three love-starved women in an isolated goat farm in the<br />
French Alps—putting it in the strictly adult category. For<br />
art houses, it should be strong fare even though Raf Vallone,<br />
the Italian star of "Anna," "Bitter Rice" and other popular<br />
foreign films, is the only selling name. Based on a Ugo<br />
Betti play. "Island of Goats," which was a big hit in Europe,<br />
but a failure when transferred to the Broadway stage, the<br />
story is far more effective on the screen because the camera<br />
can roam out to the rocky crags where the goats wander and<br />
to the fields w'here several sexy interludes take place. The<br />
photography by Edmond Sechan, "Red Balloon" and "Silent<br />
World" fame, is outstanding. Vallone's i-ugged appearance<br />
is exactly right for the role of the Italian peasant<br />
and he does a fine acting job, as do Madeleine Robinson,<br />
who plays the embittered young widow of his fellow prisonerof-war,<br />
and Magali Noel, as her sulky sister-in-law. Young<br />
Dany Carrel, as an adolescent, and Paul Faivre, in a bit<br />
role, complete the cast. Produced by Les Films Marceau.<br />
Madeleine Robinson, Raf Vallone, Magali Noel,<br />
Carrel, Paul Faivre.<br />
Four BaQs Full<br />
ARat'o:<br />
Standa-d<br />
Dany<br />
Comedy<br />
Trans-Lux Distributing 84 Minutes Rel. Sept. '57<br />
One of the better French-language imports, this Franco-<br />
London production directed by the highly regarded Claude<br />
Autant-Lara is strong fare for the art houses, where both<br />
Jean Gabin and Bourvil have a following. Bourvil, a natural,<br />
appealing and mild-mannered comedian, richly deserves<br />
his "best acting award" won at last year's Venice<br />
Film Festival, a selling point for class audiences. Gabin,<br />
too, is excellent as a cynical, well-to-do painter, a characterization<br />
in complete contrast to Bourvil's simple-minded<br />
workman—yet the two are perfectly teamed and contribute<br />
many chucklesome moments to a gently sat'rical film.<br />
Adapted from the novel "La Traversee de Paris" (the French<br />
film titlei by Marcel Ayme, the screenplay bv Jean Aurenche<br />
and Pierre Bost has both suspense and humor and it is<br />
superbly directed by Autant-Lara. Although much of it takes<br />
place at night, as two strangers carry four suitcases of<br />
black-market pork across German-occupied Paris in World<br />
War II, the action is always c'ear to the spectator—to the<br />
extent that fewer English titles than usual were required.<br />
The finale, which takes place many years after the War<br />
is over adds a heart-warming touch. Louis de Funes, and<br />
Georgette Anys contribute memo'-ab''' b'fs.<br />
Jean Gabin, Bourvil, Jeanette Batti, Louis de Fnnes,<br />
Robert Amouv, Georgette Anys, Laurence Badie.<br />
Th* rcTtm en these pages moy tx filed for tiituro reference In any of the following woyi: (1) In any ttondord th'^'^nj<br />
la«s«-l««f binder; (1) IndtvlduaOy, by company. In onr itondotd 3x5 cord inaox tile; or (Si In rhe BOXOFFICl PICTORI<br />
GUIDE three-nng, pocket-ili* binder. The lotter, Including • veer's suppiv ot booking ond dolly baslnrts record »»n^<br />
««T b* ebtaliwd tnm A««««at«d Publication., 823 V.o Brunt Blvd., Kansas City 24, Mo., for $1.00, postao* pofd.<br />
2164 BOXOFFICE BookinGuido Nov. 16, 1957 2163
FEATURE REVIEWS Story Synopsis; Exploitips; Adiines for Newspaper and Programs<br />
THE STORY: "Julietta" (Kingsley)<br />
Eighteen-year old Julietta (Dany Robinj is engaged to a<br />
middle-aged prince but she longs for real romance. On a<br />
tra
RATES: 15c per word, minimum SI. 50, cash with copy. Four consecutive insertions for price<br />
of three. CLOSING DATE: Monday noon preceding pubUcation date. Send copy and<br />
• answers to Box Numbers to BOXOFFICE, 825 Van Brunt Blvd.. Kansas City 24, Mo. •<br />
POSITIONS WANTED<br />
Manager, 20 years experk-noe. drive-in or itidiwr<br />
theatres. BxceUent background in exploitation<br />
and advertising. Best of reference. Write or \iire,<br />
K. N. lireer. P.O. Box 1612. Tort Arthur. Texas.<br />
Available after January 1st. Top buyer and<br />
booker for drive-ins and conventional theatres. E.\-<br />
ceptional experieJice in all types of theatre opention.<br />
Interested to buy in a co-op setup. For<br />
interview, write. <strong>Boxoffice</strong>. 7t>10.<br />
Theatre manager, energetic proven producer. 15<br />
years experience circuit and independent Indoor<br />
operations. Expert advertising, hooking, exploitation,<br />
promotions. Prefer western states. <strong>Boxoffice</strong>.<br />
7025.<br />
^__^__^_^^^^_<br />
Experienced manager. Presently employed, would<br />
like better opportunity. Phil. Bait. Wash. <strong>Boxoffice</strong>.<br />
7026.<br />
Jacksonville area. Manager, 25 years experience<br />
theatre operation. Conventional theatre desired.<br />
Best references. T. W. Hagan, 10:i W. Sth St.,<br />
.lacksonville 6. Fla.<br />
Top management available to operate your theatre<br />
proper! ie,s. Finest references. Specialist. <strong>Boxoffice</strong>.<br />
7i;2S.<br />
cashier, concession man:igement optional. No teleftrams.<br />
Pro.ieclionisl. 6407 Wells, Wellston. Mo.<br />
Manager 18 years experience. l>ri\e-in and convention;!<br />
I. TlmriMigh'y experienced all phases of<br />
operation. Best of refereni-es. Presently employed.<br />
Interested only in permanent connection .Miami,<br />
Florida area. <strong>Boxoffice</strong>, 7630.<br />
HELP WANTED<br />
Wanted manager. Downtown theatre. With many<br />
gimmicks and exploitation. Big siilary and commission.<br />
P.O. Box 27. Muskegon, Mich.<br />
Wanted, two fully e.\perienced and exploitation<br />
minded drive-in and conventional theatre managers.<br />
Apply direct to East Palestine Theatre.<br />
East Palestine, Ohio.<br />
TICKET REGISTERS<br />
Ticket registers, like new. One year guarantee.<br />
$60 per unit. Also stub-rod ticket control boxes,<br />
new. $75. These are special offerings, only while<br />
Ihey last. Ticket Begister Industries. 1223 S.<br />
Wabash, Chicago 5. 111.<br />
THEATRE TICKETS<br />
Prompt Service. Special printed roll tickets.<br />
100,001). $31.95; 10.000. $9.90; 2.000. $5.70.<br />
Each ch;inge in admission price, including change<br />
in color. $4.00 extra. Double numbering extra.<br />
F.O.B. Kansas City, Mo. Cash with order. Kansas<br />
City Ticket Co.. Dept. 11. 109 W. ISlh St..<br />
Kansas City. Mo.<br />
STUDIO AND PRODUCTION<br />
Surplus B&H eyemo 35mm cameras V^. cost,<br />
turret. p;ismatic thni-lens focusing. 400' magazine<br />
and motor mount, $295; Olesen 5KW spots,<br />
heads only. $79.50; blimp for Arriflex 35mm<br />
w/follow-focus, $1,095; Neumade 35mm film<br />
cleaning machines. $295; Houston 35mro processors,<br />
$8,000 value, from $1,495: 35mm Moviolas,<br />
$1S9. Dept. cc. S.O.S. Cinema Supply Corp..<br />
ii02 W. 52nd St.. .New York 19,<br />
POPCORN MACHINES<br />
Popcorn machines, all makes Snow ball and<br />
floss machines. Beplacement kettles all machines.<br />
120 So. Halsted. Chicago. III.<br />
GENERAL EQUIPMENT—NEW<br />
Order Now! Foxhole sprockets for all projectors,<br />
soimdheads. Prompt deliveries, lowest<br />
prices. i)epl, cc, S.O.S. Cinema Supply Corp.,<br />
602 W- 52nd St., New York 19,<br />
Masonlte marquee letters, fits Wagner, Ad!er,<br />
Bcvelite signs 4". 40c; 8", 60c; 10", 75c;<br />
12". $100'; 14", $1.50; 16", $1.75: 17", $2.00;<br />
24", $3.00. llept. cc. S.O.S. Cinema Supply<br />
Guess it's not what you knovi/, but who you<br />
kiwvv in lliis bu.sines.s anymore. Want to contact<br />
somebody who knows somebody who wants somebody<br />
with 27 years experience booth, repairman,<br />
electrician. maintenance. management? Wife<br />
Corp.. 602 W. r)2nd St.. Ne.v York 19.<br />
GENERAL EQUIPMENT—USED<br />
Superscope anamorphic lenses. exceKent, $195<br />
pair; factory rebuilt KoMmorgen 4" fl.9 BX241<br />
lense>. $i;';j pair; Superlite III C lenses 234",<br />
;i". 3U" excellent, $125 paii ; many others.<br />
Dept. cc, S.O.S. Cineirei Supply Coip., 602 W.<br />
52nd St.. Nett York 19,<br />
Good used pair Simplex SPS. 35mm projectors,<br />
amplifier, speaker, screen, etc. Make offer. Community<br />
Theatre. Lance Creek, Wyo.<br />
For sale, entire theatre etpiipmenl. 500 upholstered<br />
chairs. p:ojector, sound system, power<br />
unit, sound heads. Redwood Theatre. Bogalusa.<br />
La.<br />
Century projectors style C, Strong lamps type<br />
140511. solid bases rectifiers Strong 16200-17,<br />
KCA SduiuI system PS 24 automatic rewind by<br />
GotdB, so.'t drink machine, cost $1,200 new three<br />
years ago, dispenses three drinks. CinemaScope<br />
lenses made by Superscope, throw of 60 ft. plus<br />
one widescreen with frame. Building being renovated,<br />
m.ist move out. Make me an offer for any<br />
part or all. Highest bidder gets it. Wriie oi wire<br />
or idione. Wayne Theatre, Wayne, W. Va.<br />
Used projectors for sale, like new. 2, 16mm<br />
H()lmes projectors, complete with boot lis and<br />
equipment, $1,500 each; 1. 16mm GPL projector,<br />
$2,500; 1, 35mm Simplex preview projector<br />
complete with sound equipment. $2,500. Camera<br />
Btiuipment Co.. Inc.. 31.T W. 43rd St.. New York,<br />
N. Y. Jl'fLson 6-1420.<br />
Now operating 1,700-seat theatre. Will sell entire<br />
contents. Particulars on rKiuest. Lane Enterprises.<br />
630 Ninth Ave.. .New York 36, N. Y.<br />
Pair 9001B RCA soundheads with MI9251<br />
amplifier. $250. pair Brenkert IKW lamps, rectifiers.<br />
$200; automatic rewind. $40; pair Weber<br />
.soundheads. $100; eomplete Simplex .\cme system.<br />
$150; pair Strong hi lamps. $100; Simplex<br />
B system less speakers. $650: Simplex dual amplifiers,<br />
soundheads, $800; Griswold splicers. $15;<br />
1 shei't alumiinim frames, $5 each: pair Magnaarc<br />
lamps. $300; pair Strong mogul. $300; pair<br />
Kallanivne soundheads, $250; pair 2^i" fl.9<br />
coated lens, $175; pair 6" lens, $100. Mid-<br />
South Theatre Supply Co., 502 So. Second,<br />
Men*[.hi^ 3, Tenn<br />
EQUIPMENT WANTED<br />
Wanted to buy, used lO" and 4" plastic letters,<br />
red. blue or green. R. C. Cobb, Fayette,<br />
\l.i.<br />
cLfaniiii<br />
THEATRES FOR SALE<br />
For Sale. 3S4-seat indoor, small town theatre.<br />
Good equipment. Will sell any part. Located in<br />
RoberIs(>n County, Texas. Contact, Bob Reeves.<br />
430S Tann.-r Drive, Midland, Texas.<br />
300 speaker drive-in theatre. Northwestern<br />
Oho. Operated 2 seasons. New eijuipment. good<br />
family operation. Can he financed. Asking $42,500.<br />
Description and photos available. World .\uelion<br />
& Realty, Montpelier. Ohio. Phone 5-395S.<br />
San Antonio, Texas "where the sunshine spenils<br />
the winter." Firu'st drive-in Iheatie, 620 speakers,<br />
aluminun* screen, large concession. Will .sell at<br />
cost, terms available to qualified party. Bandera<br />
Koad Drive-In. Box 527, San Antonio.<br />
For sale or lease. First run. 512-seat theatre.<br />
Central California coastal city, population 10.000.<br />
additional 25.000 diawing area. One hiilf product,<br />
no bidding, wonderful climate, excellent wpiipment,<br />
HnemaScope etc. Suggest family operation,<br />
owner .selling to devote entire tinu- to Allied<br />
business. Buyer must furnish bank and character<br />
references. Write, Brace Carter. OSS Market<br />
St.. San Francisco, Calif.<br />
Indoor theatre. 500 seats, CinemaScope, air<br />
conditioned. Nearest theatre 22 miles. Population<br />
4. MOO. Write. Capitol Theatre, Ilomerville. Ga.<br />
We:t coast theatres for sale. Write for list.<br />
Theatre Exchange Co., Portland 22. Oregon.<br />
Must sell by Feb. 1st. New modern, profitable<br />
theatrr. eiist Texas, 2.000 population. Fine-sl<br />
equipment plus air conditioning. Elaborate neon<br />
front. Reasonable cash down. A!so three bedroom<br />
home if desired. <strong>Boxoffice</strong>. 7629.<br />
For sale, drive-in theatre. Located in area of<br />
12.000 population where motion picture is chief<br />
form of enle;t,iinmi-nt. Priced to {] ,it $25,000<br />
P. B.(\ 2(m;. Arcadii. Fl;i<br />
THEATRES WANTED<br />
Theatres. Wirfd television system. RJldio sta*<br />
lions. Television stations. Ralph Erwin. Brol. mher games<br />
available, uii-off screen. Novelty Games Co., 10*<br />
Rogers Ave.. Brooklyn, N. Y.<br />
Build attendance with real Hawaiian orchids.<br />
Few cents each. Write Flowers of Hawaii, 670<br />
S. Lafayette I>lace, Lajs Angeles 5, Calif.<br />
Bingo Cards, Cut: IMe 1, 75-500 combinations.<br />
1, 100-200 combination. C:ul be used for KBNO.<br />
$4.50 per M. Premium Products. 346 West 14th<br />
St.. New York 36. N. Y,<br />
Action Premiums! Increase business with new<br />
ideas. Buy direct at lowest cost; Genuine foreign<br />
coins. Jumbo color maps. Golden stamp books,<br />
Tr.iding guild cards, Balloons. Write to Sol<br />
Schocher. Tliealre llept.. North American Distributors.<br />
Inc.. 842 Hamilton St.. Allentown. Pa.<br />
S!ot machine! Full size, plastic replica. Proven<br />
boxoffice builders. Details free. Mack Enterprises,<br />
Centraiia. Ill<br />
MISCELLANEOUS<br />
Xmas stockings jam packed full of toys, $3.50<br />
per dozen. Closeout 400 toys $20 unpaid. Polaris<br />
Sales, 507-5 Ave., New York<br />
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DRIVE-IN THEATRE EQUIPMENT<br />
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Antitheft device for speakers! Complete prouction<br />
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Speaker Security Company. Dept. 42. Willow Ave.<br />
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