@inproceedings{haider-etal-2020-po,
title = "{PO}-{EMO}: Conceptualization, Annotation, and Modeling of Aesthetic Emotions in {G}erman and {E}nglish Poetry",
author = "Haider, Thomas and
Eger, Steffen and
Kim, Evgeny and
Klinger, Roman and
Menninghaus, Winfried",
editor = "Calzolari, Nicoletta and
B{\'e}chet, Fr{\'e}d{\'e}ric and
Blache, Philippe and
Choukri, Khalid and
Cieri, Christopher and
Declerck, Thierry and
Goggi, Sara and
Isahara, Hitoshi and
Maegaard, Bente and
Mariani, Joseph and
Mazo, H{\'e}l{\`e}ne and
Moreno, Asuncion and
Odijk, Jan and
Piperidis, Stelios",
booktitle = "Proceedings of the Twelfth Language Resources and Evaluation Conference",
month = may,
year = "2020",
address = "Marseille, France",
publisher = "European Language Resources Association",
url = "https://aclanthology.org/2020.lrec-1.205",
pages = "1652--1663",
abstract = "Most approaches to emotion analysis of social media, literature, news, and other domains focus exclusively on basic emotion categories as defined by Ekman or Plutchik. However, art (such as literature) enables engagement in a broader range of more complex and subtle emotions. These have been shown to also include mixed emotional responses. We consider emotions in poetry as they are elicited in the reader, rather than what is expressed in the text or intended by the author. Thus, we conceptualize a set of aesthetic emotions that are predictive of aesthetic appreciation in the reader, and allow the annotation of multiple labels per line to capture mixed emotions within their context. We evaluate this novel setting in an annotation experiment both with carefully trained experts and via crowdsourcing. Our annotation with experts leads to an acceptable agreement of k = .70, resulting in a consistent dataset for future large scale analysis. Finally, we conduct first emotion classification experiments based on BERT, showing that identifying aesthetic emotions is challenging in our data, with up to .52 F1-micro on the German subset. Data and resources are available at \url{https://github.com/tnhaider/poetry-emotion}.",
language = "English",
ISBN = "979-10-95546-34-4",
}
<?xml version="1.0" encoding="UTF-8"?>
<modsCollection xmlns="http://www.loc.gov/mods/v3">
<mods ID="haider-etal-2020-po">
<titleInfo>
<title>PO-EMO: Conceptualization, Annotation, and Modeling of Aesthetic Emotions in German and English Poetry</title>
</titleInfo>
<name type="personal">
<namePart type="given">Thomas</namePart>
<namePart type="family">Haider</namePart>
<role>
<roleTerm authority="marcrelator" type="text">author</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Steffen</namePart>
<namePart type="family">Eger</namePart>
<role>
<roleTerm authority="marcrelator" type="text">author</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Evgeny</namePart>
<namePart type="family">Kim</namePart>
<role>
<roleTerm authority="marcrelator" type="text">author</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Roman</namePart>
<namePart type="family">Klinger</namePart>
<role>
<roleTerm authority="marcrelator" type="text">author</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Winfried</namePart>
<namePart type="family">Menninghaus</namePart>
<role>
<roleTerm authority="marcrelator" type="text">author</roleTerm>
</role>
</name>
<originInfo>
<dateIssued>2020-05</dateIssued>
</originInfo>
<typeOfResource>text</typeOfResource>
<language>
<languageTerm type="text">English</languageTerm>
<languageTerm type="code" authority="iso639-2b">eng</languageTerm>
</language>
<relatedItem type="host">
<titleInfo>
<title>Proceedings of the Twelfth Language Resources and Evaluation Conference</title>
</titleInfo>
<name type="personal">
<namePart type="given">Nicoletta</namePart>
<namePart type="family">Calzolari</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Frédéric</namePart>
<namePart type="family">Béchet</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Philippe</namePart>
<namePart type="family">Blache</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Khalid</namePart>
<namePart type="family">Choukri</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Christopher</namePart>
<namePart type="family">Cieri</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Thierry</namePart>
<namePart type="family">Declerck</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Sara</namePart>
<namePart type="family">Goggi</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Hitoshi</namePart>
<namePart type="family">Isahara</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Bente</namePart>
<namePart type="family">Maegaard</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Joseph</namePart>
<namePart type="family">Mariani</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Hélène</namePart>
<namePart type="family">Mazo</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Asuncion</namePart>
<namePart type="family">Moreno</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Jan</namePart>
<namePart type="family">Odijk</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<name type="personal">
<namePart type="given">Stelios</namePart>
<namePart type="family">Piperidis</namePart>
<role>
<roleTerm authority="marcrelator" type="text">editor</roleTerm>
</role>
</name>
<originInfo>
<publisher>European Language Resources Association</publisher>
<place>
<placeTerm type="text">Marseille, France</placeTerm>
</place>
</originInfo>
<genre authority="marcgt">conference publication</genre>
<identifier type="isbn">979-10-95546-34-4</identifier>
</relatedItem>
<abstract>Most approaches to emotion analysis of social media, literature, news, and other domains focus exclusively on basic emotion categories as defined by Ekman or Plutchik. However, art (such as literature) enables engagement in a broader range of more complex and subtle emotions. These have been shown to also include mixed emotional responses. We consider emotions in poetry as they are elicited in the reader, rather than what is expressed in the text or intended by the author. Thus, we conceptualize a set of aesthetic emotions that are predictive of aesthetic appreciation in the reader, and allow the annotation of multiple labels per line to capture mixed emotions within their context. We evaluate this novel setting in an annotation experiment both with carefully trained experts and via crowdsourcing. Our annotation with experts leads to an acceptable agreement of k = .70, resulting in a consistent dataset for future large scale analysis. Finally, we conduct first emotion classification experiments based on BERT, showing that identifying aesthetic emotions is challenging in our data, with up to .52 F1-micro on the German subset. Data and resources are available at https://github.com/tnhaider/poetry-emotion.</abstract>
<identifier type="citekey">haider-etal-2020-po</identifier>
<location>
<url>https://aclanthology.org/2020.lrec-1.205</url>
</location>
<part>
<date>2020-05</date>
<extent unit="page">
<start>1652</start>
<end>1663</end>
</extent>
</part>
</mods>
</modsCollection>
%0 Conference Proceedings
%T PO-EMO: Conceptualization, Annotation, and Modeling of Aesthetic Emotions in German and English Poetry
%A Haider, Thomas
%A Eger, Steffen
%A Kim, Evgeny
%A Klinger, Roman
%A Menninghaus, Winfried
%Y Calzolari, Nicoletta
%Y Béchet, Frédéric
%Y Blache, Philippe
%Y Choukri, Khalid
%Y Cieri, Christopher
%Y Declerck, Thierry
%Y Goggi, Sara
%Y Isahara, Hitoshi
%Y Maegaard, Bente
%Y Mariani, Joseph
%Y Mazo, Hélène
%Y Moreno, Asuncion
%Y Odijk, Jan
%Y Piperidis, Stelios
%S Proceedings of the Twelfth Language Resources and Evaluation Conference
%D 2020
%8 May
%I European Language Resources Association
%C Marseille, France
%@ 979-10-95546-34-4
%G English
%F haider-etal-2020-po
%X Most approaches to emotion analysis of social media, literature, news, and other domains focus exclusively on basic emotion categories as defined by Ekman or Plutchik. However, art (such as literature) enables engagement in a broader range of more complex and subtle emotions. These have been shown to also include mixed emotional responses. We consider emotions in poetry as they are elicited in the reader, rather than what is expressed in the text or intended by the author. Thus, we conceptualize a set of aesthetic emotions that are predictive of aesthetic appreciation in the reader, and allow the annotation of multiple labels per line to capture mixed emotions within their context. We evaluate this novel setting in an annotation experiment both with carefully trained experts and via crowdsourcing. Our annotation with experts leads to an acceptable agreement of k = .70, resulting in a consistent dataset for future large scale analysis. Finally, we conduct first emotion classification experiments based on BERT, showing that identifying aesthetic emotions is challenging in our data, with up to .52 F1-micro on the German subset. Data and resources are available at https://github.com/tnhaider/poetry-emotion.
%U https://aclanthology.org/2020.lrec-1.205
%P 1652-1663
Markdown (Informal)
[PO-EMO: Conceptualization, Annotation, and Modeling of Aesthetic Emotions in German and English Poetry](https://aclanthology.org/2020.lrec-1.205) (Haider et al., LREC 2020)
ACL