Who you were made to be

Hello all!  I hope September is treating you well so far.  If you missed my Shades of White over at PaperArtsy a few hours ago, I hope you'll be able to check them out.  

But now it's time to start a new challenge theme over at A Vintage Journey and it's a good one!

Our lovely host, Ann, is looking for Cogs, Gears and Textures from us all - all the details are over at A Vintage Journey along with the usual amazing inspiration from my fellow Creative Guides.

Before you hurry off to check it all out, here's what I created for the challenge.  I think you'll agree there are plenty of cogs, gears and lots of scrumptious texture, both on the gears and behind them.















I took the chance to play with several techniques I've learned from Andy Skinner over the years, both in online courses and in-person workshops.













Since I'm working with a travelling stash (admittedly a large one - we travelled by car not by plane!) I had to adapt a couple of them a bit, but I'm pretty pleased with my rusty gears and eroded metal.













I wasn't sure how long I'd be away, but thankfully my packing-brain was intelligent enough to include some Tando chipboard cogs and gears - one of Andy's Industrial Elements kits along with an extra Bolts/Washers sheet.

These are so sturdy - ready for all the media you can throw at them - and you can layer them up in all sorts of different ways to create an interesting dimensional layout.













The background is an 18 x 24 canvas board (that's about 7 x not-quite-10 inches) which was already here in the Czech Republic.  (I've added to the CZ stash whenever I see canvases/boards/3D alterable objects in the shops here over the years.)















I lined it with some paper before using a palette knife to add Prima Plaster Paste, Andy's Strata Paste by Cosmic Shimmer, and Ranger Opaque Crackle Paste fairly randomly across the whole surface.













I left that all to dry while I started playing with Grit Paste, Resist Paste and Weathered Wood Crackle Glaze as well as lots of paint on the cogs.













The grit paste gives you a fabulous rusty texture to work with.  On some cogs I started with an undercoat of Paynes Grey and put the gritty paste over the top.














With some I started with grit paste and spattered with Paynes Grey, leaving some bare chipboard in between.














The main paints involved are Quinacridone Gold (both the DecoArt and the Cosmic Shimmer formulations), Raw Umber and Paynes Grey (Cosmic Shimmer) and Finnabair's Burnt Sienna.












I did some highlighting of the texture by scraping on some Speckled Egg Distress Paint with a palette knife, and there's a bit of Antiqued Bronze Distress Crayon in places catching the light too.












The reason for the Speckled Egg was that it was the main colour I wanted to have going on over the textured background, so let's head back to take a look at that now.

I used the Distress Paint along with some Weathered Wood DP too to create my first layer of soft colour over the crackles and layers of texture paste.













The Strata Paste has these amazing flat shale pieces, like a geological rock formation, and they look so cool when you give them a bit of shading and highlighting.
















Obviously, I was never going to stop at just Speckled Egg in the background.  The rusty tones made their way into the cracks and crevices too.

I embraced imperfection, so where some crackle flakes came loose I took advantage and made that a worn away area with rust breaking through.















I added rusty drips and trickles around the bolts in the corners of the panel, trying to create a realistic look of decay and weathering across the whole piece.












And I also used a Tim Holtz  background stamp to add more creeping decay in places along the top and bottom edges.  It's from the Pine & Birch background set, but it has a great look of cracked paint, I think.







I couldn't resist adding some additional shading around the main elements, bedding them in.  I used mostly the Paynes Grey and Raw Umber...

... but there are also places where the shadows take on the beautiful purple tones of Daniel Smith's Moonglow watercolour stick.

And of course, centre stage, are the two fabulous Paper Dolls - I love their grit and determination.

Their direct, uncompromising expressions tell such a strong story about their character and strength.













The Quote Chip pretty much chose itself.  The Birch stamp in Sepia Archival creates some more creeping rust, along with a swipe of Quin Gold to warm the cold white.













I used pieces of the chipboard off-cuts to support the other end of the Quote Chip. and they also came in handy for giving the Paper Dolls support in their dimensional positions.  I love that they cast real shadows!














I haven't given any focus yet to one of my favourite elements - this decayed metal structure with its rusted paint surface and rusty bolts.













I'm really happy with the finished look of this - there's Resist Paste, Weathered Wood Crackle, Distress Paint and Dina Wakley acrylics all in the mix, as well as the grit paste and rusted paints already mentioned to create the rusted screws holding it all together.















And I used a similar decaying paint technique on the two circular panels supporting the large gears at the top.













Okay, I think that's more than enough from me!

There's still lots of lovely inspiration to enjoy over at A Vintage Journey and we hope you'll come and join us somewhere down the road on A Vintage Journey this month with your own Cogs, Gears and Textures.

Thanks so much for stopping by today.

I'm sorry I haven't been around much lately - liaising with Czech builders, trying to start creating some sort of order in the slightly neglected and overgrown garden here, as well as making the most of a resurgent mojo at the craft table has meant I haven't been online as much as usual.

I will try to make the rounds this weekend to see what you've all been up to.  I hope you're keeping well, staying safe and enjoying some creativity too.  Have a great weekend and happy crafting all!

I felt a strange delight in causing my decay.
Robert Browning

... and the rest is rust and stardust.
Vladimir Nabokov

Rusted Texture Galore

Hello all!  Hope you've all been having a great week.  I'm here to share a project I created at a recent Andy Skinner workshop at Country View Crafts.

I think Andy's work and paint techniques are brilliant, and I've been lucky enough to go to a couple of his workshops over the years, though this was the first one for a while that has fitted into my schedule.

Although I was on the Design Team at Country View Crafts for a couple of years, this was the first time I've been to their lovely workshop venue.

I had a great time, and I'm sure it won't be my last visit now that I've worked out the trains aren't completely impossible.

We had a fantastic time trying out Andy's new Lava Paste by Cosmic Shimmer... it's astonishing how many different kinds of effects you can get, simply by applying it in different ways and in different thicknesses.










We were also exploring the new paint line Andy has with Cosmic Shimmer, and you'll see from the close-ups here that they achieve superb rusty effects over the wild and wonderful Lava Paste textures.













It's hard to believe that all this started with just two blank MDF panels.  They're quite heavyweight panels, really very pleasingly sturdy, and well able to cope with all the mixed media goodness about to come their way.

It's a large panel - the big base one is about 8 x 11.5 inches, so about the same as a piece of A4 paper.














We had an extra ATC-sized piece of MDF to practise on - here's the lava paste applied quite thickly with a palette knife...















... and here's what happens when you heat it with a heat gun!  (Sorry for the blur in the foreground, I didn't notice I had smeared my camera lens in all the excitement.)










And then we played with adding some of the new paints Andy has produced with Cosmic Shimmer.  I stuck to my trusted palette of Payne's Gray/Prussian Blue/Transparent Yellow Iron Oxide/Quinacridone Gold for my rusted look.











On the large piece, we had a choice of about ten different printed images to work with.

I went with this rather wonderful vintage song sheet cover.  

As you can see, it's for a song called Amanda, which is - as it says in the subtitle - a response to an earlier song by the same lyricist and composer called L'Amant d'Amanda.  (Yes, I had to come home and look it up - that's just the way I am!)












It's had various dirty washes of paint to make it look even more vintage and distressed, and of course there's some splatter too.







But the real point of this creation was the lava paste.  Just look at it bubbling up around the edges.

And right on the edge of the smaller panel, it's still the lava paste, but here applied much more thinly, and gently patted into place.  (Do click on these smaller photos for a closer look.)







I love the gritty look this gives you, just perfect for rusted textures.  









The nuts and bolts are just greyboard, believe it or not...

... with Andy's genius paint combinations added to give you the perfect rusted metal look.







You can probably tell that there's some corrugated cardboard offering up additional texture and dimension in the corners.















But it gets an extra distressed look from some more lava paste applied in places. 















I concentrated my Quinacridone Gold/Transparent Yellow Iron Oxide colours near these bolts so that they "drip" down to give an impression of realistic rusting patterns where water might drip and carry the rusty contagion.















Part of the joy of the lava paste is the randomness of the results.

You know approximately what you'll get from how you're applying it, but you're not in control of the specifics!
















We had a bit of time to spare at the end of the workshop, so we also had a play with the new Strata Paste on a little greyboard square.

This is about the size of an ATC, but not quite.









The Strata Paste has a wonderful stony texture like shale.

Quite apart from any regular crafting uses, I think it could be really useful for dollshouse work.

It was such fun to have a playful day following Andy's instructions without having to think too much.  I hope you enjoy the results as much as I do!

Thanks so much for stopping by today and I hope you all have a lovely peaceful Sunday.

It is the lava of the imagination whose eruption prevents an earthquake.
Lord Byron