here i am where i must be

by Alula Down

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1.
LYRICS: The work is hard, the day is long Come masters all and hear my song Our labour is but all in vain - our wives and children we can't maintain. In 1852 you broke our strike our union too And now machines rule this fair land - They are the curse of the poor labouring man.
2.
LYRICS: Oh my true love's a smuggler and he sails upon the sea And I would I were a sea-man to go along with he. To go along with he for the satins and the wine And to run the tubs at Slapton where the stars do shine. Hollands is a good drink when the nights grow cold, And brandy is a good drink for them that do grow old. There's lights up in the cliff top when the boats they are home-bound, And we run the tubs at Slapton when the word it goes around. Oh the king he is a proud man all in his grand red coat But I do love a smuggler in his little fishing boat For he runs the Mallin's lace and he spends his money free And would I were a sea-man to go along with he. For the Channel is his kingdom from England down to France And he leads the revenue cutters a very merry dance And when he comes ashore he confounds the excise men And he leaves his boats safe moored and he comes to me again.
3.
Derby Ram 06:41
LYRICS: As I was going to Derby, Sir,
 All on a market day, I met the finest Ram, Sir, That ever was fed on hay. Daddle-i-day, daddle-i-day,
 Fal-de-ral-de, daddle-i-day. This Ram was fat behind, Sir,
 This Ram was fat before,
 This Ram was ten yards high, Sir, 
Indeed he was much more.
 Daddle-i-day, &c. The wool upon his back, Sir, 
Reached up unto the sky,
 The Eagles made their nests there, Sir, 
For I heard the young ones cry. 
Daddle-i-day, &c. The wool upon his belly, Sir, 
It dragged upon the ground, 
It was sold in Derby town, Sir,
 For forty thousand pound.
 Daddle-i-day, &c. The space between his horns, Sir,
 Was as far as a man could reach, 
And there they built a pulpit
 For the Parson there to preach.
 Daddle-i-day, &c. The teeth that were in his mouth, Sir,
 Were like a regiment of men The tongue that hung between them, Sir,
 Would have dined them twice and again.
 Daddle-i-day, &c. This Ram jumped o'er a wall, Sir,
 His tail caught on a briar,
 It reached from Darby town, Sir, 
And into Leicestershire.
 Daddle-i-day, &c. This Ram had four legs to walk on, Sir,
 This Ram had four legs to stand, 
And every leg he had, Sir,
 Stood on an acre of land. 
Daddle-i-day, &c. The Butcher that killed this Ram, Sir,
 Was drownded in the blood,
 And the boy that held the pail, Sir, 
Was carried away in the flood. Daddle-i-day, &c. Indeed, Sir, this is true, Sir, 
I never was taught to lie,
 And had you been to Derby, Sir,
 You'd have seen it as well as I. Daddle-i-day, daddle-i-day,
 Fal-de-ral-de, daddle-i-day.
4.
Katy Cruel 02:36
LYRICS: When I first came to town they called me the roving jewel But now they've changed their tune, they call me Katy Cruel Oh the diddle of the day, oh the riddle of the rightful day. Through the woods I go Through the bog and mire Straightway down the road Unto my heart's desire Oh the diddle of the day, oh the riddle of the rightful day. Oh that I was where I would be Then would I be where I am not Here I am where I must be Where I would be I cannot. When I first came to town they bought me drinks a-plenty But now they've changed their tune, they hand me bottles empty Oh the diddle of the day, oh the riddle of the rightful day. I know who I love I know who must love me I know where I'll go And I know who'll go with me Oh the diddle of the day, oh the riddle of the rightful day. Oh that I was where I would be Then would I be where I am not Here I am where I must be Where I would be I cannot. When I first came to town they called me the roving jewel But now they've changed their tune - they call me Katy Cruel.

about

Traditional folk songs are resonant with a landscape of before - coded with the lives we wove, our movement through the dusk, the dawn, the field, the factory. Many of them emerged alongside the increasing commodification of animals, people and land with the rise of international capitalism.

It is still possible to find songs that speak to the magical use of plants, right-reverence for animals, the wisdom of the 'witch', affirmation of gender-queer roles, the resilience of the marginalised and lost - and the merging and movement between the magical and religious. There are many songs that describe the casual and frequent abuse of women, and the powerlessness of ordinary people in face of the state. And there are many songs that describe the relentless but joyful community of our work together, with and on the land.

Themes in these 4 songs highlight the exclusionary principles and punitive culture that dominated trade on our seas, the unsparing exploitation of workers, the stereotyping that popularised the ‘risk’ of women's independence, and the practical reverence and honour previously afforded to a domesticated animal.

A community of voices are entangled into the history of these old songs - voices that have shaped and developed the songs, soared and whispered with them over hundreds of years.

We have added our own voices here, with the aim of deepening connection through understanding, and weaving in something of the magical counter spell offered to the world by gratitude.

credits

released June 20, 2024

10" lathe cut ep released on the Sonido Polifonico label in a limited edition of 60. For physical release please go to: www.sonidopolifonico.co.uk

Recorded in the Radar Station, January/February 2024.
Mastered by Pete Fletcher, Black Bay Studio - thanks Pete!
Artwork by Kate.

And with very special thanks to Crum Hall for the drumming.

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Alula Down Hereford, UK

mark waters & kate gathercole. explorations using folk song, collage, improvisation and field recording.

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