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Home Constellation Study

by Asher White

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1.
leaving Philadelphia was not fantastic it was fine a hundred drops of cider in the basin of my mind a hundred mountains wider as the train begins to grind and so I am the guide for all the stations underlined! I am still drunk! how could the shining railroad leave a route so undiscerning? hot kids in a corsage around the fountain, they are yearning a hundred tiny chapels have a hundred lessons turning where a hundred crucifixions leave a hundred young hearts burning inside the train the kids with colored pencils in their hands a hundred perfect drawings of the bright and blurring land so I am crumpled in my seat next to the oldest man I too am just a paper flower colored with a crayon O Philadelphia no bell should ever splinter like the sound that squeals from rusting wheel in summer dark or winter light then ten short hours wasted, I was in love inside your burlap sack of garbage heat and pavement sheets that shimmer when you squint the sight is real I am still drunk!
2.
Runes 04:40
Gracious with the car, with the bike, with the footsteps a hundred miles south in the rain on a mattress a coin inside your mouth and my brain deattaching a joining of the routes on some separate mapquests overlaid and this one runs around so fast and this one you cant keep and this one clutches at you in your sleep o on the road sign trembling: the letters almost assembling spacious for a while in the span of a season it is not your home i am here for a reason and looking for an out, back, clunky, swerving hoping to be caught in the walmart searchlights circling and this one i can have it and this one i have won and this one costs the small price of having fun o on the glowing sign lit runes etched line by line so may chimes sound before you and mabel’s ring around my neck
3.
the basement leads in thru the backyard open and prone to attack those gutters / ghettos were born to be lonely culling the rose from the rain / rows from the reign i bike slow and stay on the prowl [Regina Spektor:] but i have dreams of orcas and owls Earth turns away ninety degrees in the dark and i’m keeping up Then you couldn’t see it oh well it’s not gone all the sweat we sleep in only having fun No curve can be writ like a poem. those oceans break off at the stars a system is bound to confuse me from holding a brother in arms so if you can feel it all is not gone you know that to breach it it only turns me on Is not a diagram Is not a want on the night when the water skippers skitter cross the pond i wish for fiberglass wings and you to be safe in your car don’t know what is outside the free way it doesn’t feel very far
4.
Good Luck! 02:35
Though I had lost my fun I thought I knew what I was missing and traveled flightless into towns that would not welcome me and understanding on the way back home Though words exhausted in the sun The night has just begun to glisten so venture careful with a token by your side to end up in a parking lot you know If you’re out 5 nights in a row I wouldn’t wonder why you can’t afford what you owe Those fingers crossed will come undone That is no reason to stop wishing Or keep a gemstone in the pocket of your carry-on The stone that keeps the nose above the trees No sudden jump down from the fog Just before the wheels are whistling And bending under all the superstitious weight The plane will pull its arms into a row You make your plans up as you go So would you want to try your luck taking it slow? Should you want to try or give up, you’re faking control
5.
O your shirt so worn the moths make shapes in stitches like those rows of corn that flank the ditches so run where the taps run warm in cold view hungry for a storm to tell you off no more borrowing the collar and the trouser and the boot! no more visiting the orchard and absconding with the fruit! hand in hand… so were holding on the love of clovers that apprehension fools blowups in the pool and warmer water things that people do to pass the time slowly [elizabeth bishop]: “But on the Navy Yard aerial I find better witnesses for love on summer nights. Five remote lights keep their nests there; Phoenixes burn quietly, where the dew cannot climb.
6.
so what i got too drunk ran out of jokes and fumbled? i am not taking questions forgiven on the curb in the beam on the night that your home is a car i want to race the whole way back to the start where youd shake under me in dilate dreams so what the springtime heat leaves glitter in the grass? then it won’t take much to lay me on a bed of silt and soil and sand and your home is the place i’ve never been though i could be convinced that there’s nothing to me quite as beautiful when we want different things there is no pride so dumb the security when we find infinite things when we’re known for a little while and know that your love is a place i want to stay a longer time than it takes me to drink from your mouth in the morning bed there is dust in the sun you are nice to me and you say interesting things
7.
glowing on the shuttered roof all crossed off love to smell a yawning afternoon dry out so soft chicken wire and rubber boots for this new bleary dawn holding out to steal the dew from neighbors lawns so i know youve got this far slow in golden rose and blue a stone is struck an omen floating into view or how that truck almost didn’t notice you and squealed with luck one million by one million rule each time your room gets stuck you’ll walk so far patiently braiding His name in phases: in patience, in pain or is it empty is it empty the same?
8.
Hymn 01:41
acting at the end like i planned it i don’t, i’m just remembering at the start when you spoke i was turned the other way laughing in the lake like a banshee i won’t adjust a feather ripped from the ark far from shore / sure they put blessings in the waves keep the oven on keep the light on in your room i’ll be there late happiness is all that i plan for a bolt of luck, a memory’s all you want and your words close and open every day these things come over everyone with the hands i have with the woman that i am i come to know this love there’s a post it note there’s a photo in your room that hums each time you pass
9.
old enough to know that crap i don’t look good in the photographs but at home i’m marilyn monroe time won’t take another path just like it said in my zodiac so then i’m thrown there’s someone on the phone and he rides in cheap blue leather and he knows hey hey hey that our lives will keep getting better and slow hey hey hey while you drink and hold and laugh will you take plenty of photographs on the road? the kids are left alone, lined up in the laundromat it is no wonder they want to go home stoned in the snow they’re grown before we know and he rides in cheap blue leather and he knows hey hey hey that their lives will keep getting better and slow to the day poor me, you do it for me cursing at the drug store staff and what he puts on the phonograph steely dan there’s dinner in the pan
10.
out from the harbor folded in the footwaves—(i dont even try)— and i listen closely like spit between some tiny teeth as flat as the sky: i could only hope to board a boat that does not learn the ports from starboard or no other sort of guide just for a moment, a shirt sleeve and a bottle against the tide go cradle closer! how does it still happen is it falling river light? all scattered twine the cracking rocks, and creeping up the blackened docks —and all this trouble opening—the barnacles have broken in my shoes stand in your ground: an electric kettle in my room won’t know it is you when we get dressed in silence or are bleaching all the linens in the tub there’s a fire in the den, there are turkeys in the pen, there is use and every dinner still worth doing even if i keep on moving still, you are forgiving and when i am ill i go to reconcile what grazed my temples - on a train ride? - in bar harbor? - long ago? and the sweat that keeps me swift and the bet that yields the gift o my G-d ooh my G-d how could i be so ungrateful?
11.
so winds will pull my sails to wine-dark waves and wash into the grey the losses and the gains i’m not sure maybe it’s a normal feeling, like heaven help all the dog walkers in the park love is still as the tides coming in tonight don’t say it don’t say it don’t say goodnight if i should find your love’s unweathered reign unholy in the sea i will never be the same again i’m not sure this is just passing dream where we stay together and we’re walking in the park love is still as the blades of grass at night

about

Co-Release Between Ba Da Bing & Feeding Tube Records

The debauchery continues. Home Constellation Study’s opening track finds Asher White stumbling and drunk on an Amtrak she has snuck onto, crooning as the train races through post-industrial east coast cities. It’s a symbolic encapsulation of Home Constellation Study’s themes and sets the scene for what follows: an irreverent tone poem on mobility, passivity, home-making, environmental collapse, God, justice, romance, and luck, all set over the kaleidoscopic, home-brewed whirlwind of styles and sounds that has become the young producer’s signature.

Her third album in two years (and fifteenth overall), Home Constellation Study is less a refinement of last year’s sly, quaint New Excellent Woman and more an explosion of it. Her meticulous chamber pop has given way to resplendent swells of horns and squeals of noise, throbbing bass and queasy orchestral loops. The cover, painted by White, frames a burst of flowers against a dark blue abyss, mimicking the music: over frenzied sambas, bleary slacker rock, hushed ambient meditations, and surprisingly slick disco, White mines her personal minutiae for tokens of political decay, alienation, and religious rapture. In oblique, evocative fragments, “Dream Design House” is both a lover letter to and indictment of 20th-century architect-philosopher R. Buckminster Fuller; “Downstate Prairie” questions the social geopolitics of the Midwest; “Capital Cowboy” imagines the fraught domestic life of a tech startup mogul.

The past year has found the prolific Providence-based singer-songwriter ascending through her city’s fertile experimental rock scene alongside the breakout synth-punk act BabyBaby_explores or her labelmates Or Best Offer. Live, White’s band plays riotous, unpredictable noise rock that nods to their city’s storied DIY scene; on Home Constellation Study, mid-album highlights like “Downstate Prairie” and “Hymn” nod to Providence’s bands of yore with their blistering sheets of feedback and pummeling drums, placing White, improbably, within the lineage of local heroes Les Savy Fav or the broken pop dispatches of Black Pus.

At its core, however, Home Constellation Study is the product of studied, monastic auteurism. Like New Excellent Woman, it was arranged, performed, recorded and mixed by White alone in her basement studio in Providence. “Happy Birthday” is an earnest psalm, a paean of devotion and remorse to God a la Beverly Glenn-Copeland that drifts along with Panda Bear haziness. White’s concept of “toxic femininity” undergoes further investigation on “Good luck!” and “Runes,” both with Elliott Smith-like chord changes and the barbs of cynical romantics like Aimee Mann. Asher White’s vision has never been so expansive and unpredictable. Compounding her work so far and laying the groundwork for what’s to come, Home Constellation Study is another distillation of White’s singular voice, at once sardonic, guilty, compulsively accommodating, and profoundly optimistic.


on bad dreams, mobility and moving, packing up and settling down, urban and rural american geopolitics, transgender love, sour straws, earnest moments of rapture

credits

released June 28, 2024

written, arranged, recorded and mixed by Asher White
feb 2022 - dec 2023 at the mill in providence RI
mastered by seth manchester at machines with magnets in pawtucket, RI

asher white - alka seltzer, acoustic guitars, banjo, bass, amp that started smoking, tin pan, drums, electric guitars, electronics, exploding sounds, fake mellotron, glitter, glockenspiel, granular synthesis, noise, organ, hand percussion, MIDI, shakers, synths, ukulele, upright piano, voice, window pane, YouTube videos
addy schuetz - saxophone (1, 2, 5, 11)
asa turok - trombone (1, 11)
grace schmidhauser - samples (2, 6)

track 11 interpolates multiple elements including melody and lyrics from “Goodnight Tonight” by Paul McCartney

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Asher White Providence, Rhode Island

birthday is feb 21 2000

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