Oscar-nominated filmmaker Daniel Raim took a pilgrimage to Japan to get his own firsthand look at some of these iconic items, among them the bright-red teakettle and the patterned teacups that accent the household of Equinox Flower (1958). The archival treasures on display in Raim’s film, a tribute to Ozu that pays special attention to his vibrant color films, also include artifacts from his sets: the white cotton hat he often wore, the tripod he used to compose his famous low-angle “pillow” shots, and the notebooks in which he meticulously planned his compositions.