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Jam Money - Gnir Rednow
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Nein Rodere - Maison
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“Do you still dream in water?” she asks. He nods—“only when it rains inside.” Their words drift, slow like signal loss,, soft clicks between heartbeats. A drone hums overhead, its shadow stroking their faces. “Are we free now?” she whispers. He laughs, small, broken. “We’re just less afraid.” They share one headphone, listening to the city’s pulse— loops of breath, echoes of what could’ve been “Hold me,” she says. “I am,” he answers, “in the static.”
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go to albumSarah Louise blends glitchy electronics with comfortingly familiar folk guitar on a surprise release imbued with a quiet sense of dignity.
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Stark, slightly spooky songs from this Asheville musician, with guitars as bare as winter trees and eerie, distant vocals.
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Ponytail axeman Wong links up with guitarist, producer, and composer Uhlmann for an experimental pop effort that exudes childlike wonder.
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Short and sweet, no wasted moments, subtle guitar lines make it easy to miss how inventive they are. I actually appreciate the live to tape recordings including whatever is going on in the background; it's not obtrusive. And some electronic dabbling. An intimate album fans of bedroom folk, Vashti Bunyan, etc will appreciate and love more with repeated listens.
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