Showing posts with label stamping on fabric. Show all posts
Showing posts with label stamping on fabric. Show all posts

Saturday, July 5, 2014

Alice in Wonderland Scarf

I made a scarf that can also be worn on the Mad Hatter’s Hat!

Mad Hatter's Hat by Karen Lackey (3)
I used Alice Art Rubber Stamps and Alice 2 Art Rubber Stamps  from Sin City Stamps for the embellishments.   If you are an Alice in Wonderland fan, you will love these new stamps!

Here’s how I made the scarf.

Supplies:
Ink (I used ColorBox Chalk Ink in dark brown.)
Muslin (Mine was prewashed and tea dyed.)
Lace
Trims
Thread

I started by choosing some pretty blue lace wide enough for a scarf and cutting a length that would yield 64” after hemming.  I hemmed the ends.

Lace for scarf (2)
I stamped the images onto the muslin with the Chalk Ink.  When it dried, I heat set the ink with my iron.  For more information about stamping on fabric, read this post.

Stamping the images (2)
I used a rotary cutter to trim around the images.

Trimming the images
I chose some trims.  I didn't end up using everything in the picture.

Choosing the trims
Then I pinned the trim and the image to the scarf, stitched them in place, and trimmed them.
Adding the trims (2)
Alice in Wonderland Scarf by Karen Lackey (3)

You can wear it as a scarf.  Here it is on a dressform.

Alice in Wonderland scarf by Karen Lackey
Or you can wrap the scarf around your Mad Hatter’s Hat.

Alice in Wonderland scarf by Karen Lackey (4)
I really like it on my Mad Hatter Hat!

Sunday, June 1, 2014

Alice in Wonderland Necklace with Stamped Silk Sari Ribbon

This is Karen from Starshine Salon.

I tried stamping on silk sari ribbon for the first time a couple of weeks ago, and I liked the results so much that I decided to try it again.  I love the quality of Sin City Stamps; the fine details of the images really come through, even on fabric.

My necklace was inspired by Alice in Wonderland, and features a magical bottle filled with a mysterious substance and labeled, “Drink me.”  In this case, the “tag” was a spoon charm.
Sari ribbon necklace (4)
I used the stamps to add dimension to the sari ribbon and to tie the colors together.   I chose the ribbon I wanted to use, then cut and pressed it.  These are the pieces of silk left over after the saris are made.  The strips vary in width and arrive crinkled.  I wanted them flat so I could stamp on them.

When Alice drinks from the magical bottle, she wants to use the golden key to get into the beautiful garden.  But when she shrinks, she finds she has left the key on the table and can’t get to it.  Now she has all the keys she needs, right on her necklace!  I used the keys image from the Sin City Stamps Dressforms.  I stamped the image with Colorbox Chalk Ink in Warm Violet, and heat set it with my iron after the ink dried.
Stamped silk sari ribbon
The bottle had some writing printed on it, so I sanded it to remove the printing.  Then I added a loop with some wire.  I put a little coarse glitter inside and added a cork.
Bottle (2)
I stamped “Drink Me” onto the spoon, added some black Gilder’s paste to make the letters stand out, and applied violet Gilder’s paste to the handle.  When the Gilder’s paste had set, I added some wax, which I buffed after it dried.
Stamped spoon
I stacked the sari ribbon, trimmed it, then looped the ends through large jumprings, turned the edges under, and sewed it closed.
Sewn onto jumpring (2)
Then I put a few stitches through the ribbon to cinch it up.  This gives a nice place in the center for the focal to hang, and keeps the piece from looking like a big scarf.  I added jumprings around the cinched areas.
Cinched (2)
Finally, I added chain.  Now I have the perfect thing to wear for my Wonderland Tea!
Sari ribbon necklace

Saturday, May 10, 2014

Alice in Wonderland from Sin City Stamps

This is Karen from Starshine Salon.

Sin City Stamps has two new plates of Alice in Wonderland stamps!  You can see them here and here.

I decided to create a Wonderland Tea with mine.  The first piece I made was a centerpiece for the table.

Alice with tea set
I started with a vintage linen centerpiece.  I love the lace border!  A little dip in tea hid some stains, and I decided to place my panels so that one of them would hide the hole.

Tabelcloth (800x753)
I stamped the images onto tea dyed muslin.  Stamping on fabric usually works best with tightly woven fabrics.  For this project, I chose a piece of muslin that was smooth but not stiff, so that it didn’t interfere with the soft hand of the linen.  I used Colorbox Chalk Ink in Dark Brown and heat set the images with an iron.  For more information on stamping on fabric, check out this post.

I like to stamp onto a piece of fabric that I can discard if the image doesn’t come out well.  I also like to stamp on a piece of fabric that is larger than I think I will need, and then trim the fabric later.  That way if I stamp crooked or off-center, I can make up for that when I trim the piece.

Images (800x600)

I trimmed all the pieces to the same size using a rotary cutter.  Then I pinned them in place on the centerpiece.

Panels pinned on (2)

I stitched each piece down with a zigzag stitch.  Then I added vintage lace around each panel.

Completed (2)
Alice (2)
Hatter (2)
White Rabbit (2)
Page (2)

I’m still contemplating what other pieces I will make for my Wonderland Tea.  I hope you’ll check back and see what I come up with!

Teapot (2)

Saturday, February 1, 2014

Fabric Cuff with Sin City Stamps


I am so happy to be here as a Guest Designer for Sin City Stamps!

You can make the perfect fabric panel for your sewing projects by stamping on fabric! For this Steampunk Chic Fabric Cuff, I used the largest image from Sin City Stamps' Time set.



I stamped the image with ColorBox Chalk Ink in Warm Violet onto tea dyed muslin.  Tightly woven fabric gives the clearest image. I like Chalk Ink, but India ink works well, too.  I heat set the ink with a hot iron.  For more tips on stamping on fabric, read this post.




You can see that the image didn't come out clearly all the way around.  Sometimes you can get a clearer image by putting a piece of craft foam under the fabric, but this result was perfect for this project because I wanted a soft look.

I gathered a few tea dyed doilies to consider as possibilities for the base of my cuff.  I wanted to make an extravagant cuff, so I chose large, lacey one.



I folded the doily in half, then pulled the top layer back a little bit to reveal both layers.
I planned the length of my focal section to make sure I could stitch it to the fuller portion of the doily.  If you stitch your panel to a weak part of the doily, the whole piece will be weak.

I wanted the panel to have finished edges, so I added a seam allowance when I cut it out.  I cut out a piece of plain muslin the same size.  I decided to add a little ruffle with a piece of silk sari ribbon.  I pinned the ribbon to the right side of the printed panel.  I didn't measure the pleats for the ruffle.  I just marked the halfway point and then folded the ribbon over to make the pleats.



Then I pinned the plain piece of muslin to the top of that and stitched all the way around it with my sewing machine.  You can leave an opening for turning, but I like this method when it’s okay for the back to have a slit.  After stitching all around, make a small slit in the piece that will be the back, and turn the piece through that.  You can stitch it closed, or leave it as is if the back won’t show.
I added the gears to the panel.



These were raw brass gears that I treated to add a little patina.  I learned this method from Brenda Sue Lansdowne of B'Sue Boutiques.  I adapted it a little to use the items I had on hand.  I washed the pieces with warm water and soap to remove residual machine oil from the manufacturing process.  Then I soaked the pieces in a combination of water, white vinegar and table salt for an hour.  Then I removed them from the mixture and put them in the oven at 450 degrees for an hour.  When they were cool, I rinsed them off.  You can add colorants at this point, and seal the pieces, but I left these the way they were.

Each gear has a hole in the center, so I sewed them to the panel the same way you would sew on a sequin.  Bring your thread up from the bottom, go through the hole of the gear, go through an anchor bead (mine are brass), sew down through the hole of the gear.  I did that twice for each one and then knotted the thread on the back.

Next, I pinned the panel to the doily and stitched them together.




There are many different closures you can use for a fabric cuff.  For this one, I chose a large snap because it was simple and I did not want to overlap the ends of the cuff.  I put one side of the snap on each side of the doily, and when you snap it together, the edges of the doily drape down.




I hope you will make your own fabric cuff.  Please let me know if you have any questions.




Thursday, November 7, 2013

Stamped Mini Christmas Stockings

Stockings on red (710x800)
I used the lace image from Sin City Stamps' SinCity Wings rubber stamp set to embellish a plain muslin mini Christmas stocking.  Sin City Stamps has so many beautiful pattern stamps that you can adapt to multiple projects!

You can use these little stockings as decorations, in table settings or on packages.  They are also the perfect size for gift cards!

Supplies:  All you need is some plain, closely woven fabric (I used tea dyed muslin); ink (I used ColorBox Chalk Ink in Lipstick Red); thread to match your fabric; and something for the hanging loop (I used tea dyed rayon seam binding).

Copyright Text

Blank Page Muse 2018 Sin City Stamps 2013