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In Relation

by Cassia Hardy

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  • Cassette + Digital Album

    In Relation on cassette! Maltese Cross packaging. Only 200 copies total. Get 'em while you can!

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  • Cassette + Digital Album

    In Relation Zine with cover art by Amy Malbeuf, featuring lyrics from the album and essays by Kyla Shellan and Rylan Kafara. Printed at Yolkless Press in Calgary! Begins shipping on or around June 23.

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1.
Vic Spring 03:38
2.
Empress 02:41
In the waning days of the restaurant, you could catch me at the end of the bar. First cut, discount drunk, with my back to the writing on the wall. Just like on that night with the lunar eclipse- we couldn’t summon one sorry soul to serve, so we wandered out front to that gravel lot and howled for all we were worth. Chalk it up to a change in weather? We both knew better. The way word traveled about last call who couldn’t help but overhear? A shame about the way that summer went under because the landlord’s too dumb to cut a deal! We boarded the windows and bleached out the stalls- who’d have thought this reign would end in a crawl? Contractors out back wait to strip it all down, they’re just happy to still have a job. ‘if you hear of anything will you let me know whether?’ but we both knew better. You could go your whole life, never find a spot like that again. Now you’re losing sleep over some condemned derelict. But never them, that took the rent, it’s only us with one less jewel in the crown. Left to scrounge, I ain’t too proud for another night with the Monday crowd. Take me back I wanna go right now! Where it’s always gonna even out, passing the same hundred bucks around.
3.
Gone Away 03:21
Every picture of that day in Olympia. Held me in your arms, first time I told anyone. You grabbed the raw edge of that old sundress, and saw me through it in the light. All evidence lost to a busted hard drive? Don’t tell me that it’s all gone away. When I think of how I was when I first came out. Of course you were right when you brought those heavy boundaries down. I know it showed love, and I know it showed care, and I know it wasn’t easy, but I counted up the three and I made it about me. Even now i’m still surprised we even talk at all after I called: ‘Don’t tell me that it’s all gone away,’ You grabbed the raw edge, of that old sundress, and saw me through it in the light, now you’re back from a transatlantic flight. Are you surprised as me to be here in this place?
4.
Close To One 03:16
Hold my wrists just like this. Take your time, just above where the nerves and joints Intertwine. Baby we can take all night- beautiful to burn the hours. Baby always rigs me right Overhead, high, life lines, candle lit. Suspended overhead, where I used to watch myself counting down to the end. Baby we can take all night- Finely tied inside my body. Baby always rigs me right. It’s what I like, leash me love call me crawling. Close to one then overcome, to command it full attention. Pull me in put me back my place call it on the rack. No burning on a lonely night, finely tied inside my body. Baby always rigs me right. It’s what I like, leash me love call me crawling. Close to one then overcome, to command it full attention.
5.
Eyes Closed 03:11
Clutching sheets in vivid sleep, I can see the thread through everything to you. The day I caught your eye, my misplaced hand and you beside me. I’m bright red watching you reeling from the blow. How could I then let you know? Instead I made you part of me for so long. Wednesday night in a mall parkade, held my breath to stop from swaying. Our summer of fresh pavement. Found your flask while I was packing up one day. My stomach twisted up with craving, smelling that last pull. You were driving with your eyes closed. Didn’t I do my part, tell you which way to go? Kills me now to think of it, every plan I’d drop to take. Kills me now the life I gave. He didn’t believe in saving lives, in quick red lights or stop signs. How could I never let you know that I made you part of me for so long? Nights too few to justify, but still too many to name, for how long ago. Songs too many to play and I can’t hear them without you. A sober second look says this is an expulsion. Of all the songs you’ll never hear this will be the last one.
6.
Two Houses 04:09
On our moving day did you feel a little sick, as if the whole place tossed us around while we were sleeping? We were this close to living comfortable, resting easy. A knock on the door from our visiting landlord, up for sale the very next week. Washed the walls, took all we could carry. Watched the old place sit the winter, empty. been a minute since we checked in, I heard you’re still living with your ex? Working ten hour days, trying to stay out of each other’s way while you save your deposit. You lived so long with your heels hanging off the edge, your fractured nest for now to stay there for as long as you can, or as long as you can stand. Soon you’ll find a room closer to your other job. Maybe save for school or try to pay it down. Or you could join the club with your very own character home, subjugating others for your own comfort and control. Two houses, assets bought and sold between west end developers over the telephone. Rumours rack the neighbourhood, brace for what comes next the summer comes the permits clear the right hand shakes the left. Rented houses, spacious corner lots worth a fucking fraction of the stolen land they’re on.
7.
Joshua 05:53
Showed up a week early to your funeral. Came with sixty spring rolls. After the shock wore off and the tears dried up, I asked would it be so bad to imagine your laugh? I wonder what’s gonna happen to your cameras, or those new songs with Hannah? Those old passive conversations won’t reveal, so I’m stuck out in the present searching for you still. It comes from love, best I can now, far beyond all transaction, there’s nothing else to do but hold who’s left. Went to see your pictures at the gallery where the prints all sold out. I wasn’t there in time to claim that prize. To know no one will ever let you go again feels right. It comes from love, all I have now, far beyond all transaction. Comes from love, all I have now, resides with all you gave to me, well there’s nothing else to do but hold who’s left. So hold who’s left.
8.
I don’t remember every conversation- only hours made. Even though we slip from days to weeks now before we have a chance to speak, I’m called to celebrate you. Called to celebrate you, my friend. All to celebrate you while you’re still here with me. Still got that ittle golden envelope that held the note and house key. The week that I moved out I hit your bumper; The way is rarely straight and never clean, when I’m called to celebrate you. Called to celebrate you, my friend. All to celebrate you while you’re still here with me. I wish you many free and painless hours to make what makes you happy. I see the life you’ve built is wide and deep and reflects all that you believe in. What you sent me with, I won’t forget. For any cause you name, I will show up. I can share what I learned with everyone, and anyone who knows you will agree is called to celebrate you. Called to celebrate you, my friend. All to celebrate you while you’re still here with me.
9.
The last time we crossed paths, biking past at summer speed… Now I’m riding the length of church st. no hands on the bar and it starts, that feeling familiar, heartstrings pulling tighter all the time. I tried to will you back and crashed out, cradled in an asphalt crack. Then I read who’s set to leave next, and in my head Simone’s voice chimed, ‘if every prairie bloom had gotten room to thrive, what colours would surround?’ For now, that feeling familiar- heartstrings severed when they’re pulled up from the root. Is it true? If we rebuilt this city right, would it be the kind that gets you back to stay? Hey but, be sure, my love remains. No no no. I want you to go. for sure, try it out! I want you to go, I hope you make it home. You know that feeling familiar, heartstrings passing through a sleepy little burg? I could search, missing every vivid shade, looking for the kind that gets you back to stay. Hey but, be sure, my love remains. Make it home.
10.
and if you have some time in the afternoon you should think of me, and know I’ll do the same. Imagine we could grab a bottle or two, talk all through the night, watch the curtain rise on another morning. I should like to see you soon. Would you please just let me know? I could really stand to be dancing with you in a couple of days or so. Can you feel it hanging in the air? I sense the party’s at an end. I’m headed home in an hour or so, maybe I’m good to stay? Whatever works for you baby I could go either way. This evening’s been enchanting here we are in barely standing- it’s been a pleasure. I should like to see you soon. Would you please just let me know? I could really stand to be dancing with you in a couple of days or so. This evening’s been enchanting here we are in barely standing- it’s been a pleasure. Go ahead, take me up on it, in your heart I hope you feel the same but people get distracted babe it happens all the time. Just promise you’ll remember everything we've said tonight. I should like to see you soon. Would you please just let me know? I could really stand to be dancing with you in a couple of days or so.

about

In Relation, the debut solo record from amiskwacîy-wâskahikan, T6 / 'Edmonton, AB’ songwriter Cassia Hardy (Wares, ASKO) is an acknowledgment of the weight of the past, while searching for a means to survive the present and beyond. Stories told through commanding rhythms built from synths and strings, pushed ever forward by a relentless beat, the soundtrack to taking stock of all exquisite things lost and found.

Opening with a fever dream recollection of transgressions captured in a voicemail, In Relation makes short work of finding an enthralling rhythm for ageless anxieties. The labour of processing friends and lovers lost, housing inequality, the work cut short by a pandemic that displaced lives and opportunities and left bodies in waiting. All of these lingering memories woven into a line upon which to thread notes of tremendous beauty.

It’s Hardy’s urgent and tender vocals that make waves rise and fall upon it, syllables soaring to the heavens only to land and dance upon the earth when drawn back. Hers is a voice like a photograph that once felt new but still holds all its beauty with time on its face. Each line supported by gorgeous synths, kinetic guitars and lilting drums that draw on the spirit of the past as they build monuments to the future.

“But never them, that took the rent, it’s only us with one less jewel in the crown.” Hardy sings On “Empress”. A farewell to memories of affordable artist housing and bar top regulars lost and displaced by the gears of capitalism, given the energy of a dance floor kept warm by a light that will never fade, a furious and yearning plea to have back all the things lost. Elsewhere, on “Two Houses”, the mood becomes hushed and pensive in telling of a relationship falling apart as a home becomes empty. Later, a beautiful and haunting elegy with “Joshua”, a farewell to a life no longer present to hear the words and tears shed in their honour. An acknowledgement of the community that has held everything together, even in loss. As Hardy sings, “well there’s nothing else to do but hold who’s left.”

This is the spirit working through In Relation. The process of learning to honour the connections that have given opportunities to thrive, even in the face of pain and loss, creating a means of survival. Community and it’s relations are the ideals that will hold these tethers tight as we weave them around once more, driven by rhythms of great and tremendous beauty.

Written by Niko Stratis

credits

released May 23, 2025

All instruments, vocals, and lyrics by Cassia Hardy, with additional contributions from Wes Christiansen and Victor.

Recorded by Matt McKeen at Shed Sound, August 2023-2024.

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Cassia Hardy Edmonton, Alberta

Cassia Hardy is a loudish musician and songwriter from amiskwaciy, Treaty 6. Her music is urgent and tender, taking stock of exquisite things lost and found.

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