For every individual who listens to music, there is also that one “iffy” band. It could be a band that has released solid yet not spectacular albums, or has released a few great songs and a few mediocre songs; basically, it’s a band that has grabbed your attention but cannot seem to hold on to it. One band that has fit this description for me is Anberlin. Sure, their first two albums have some great tracks, but they also have contained tracks I could care less for. They’ve also been a band that couldn’t seem to figure what they wanted to sound like. Some tracks they would be very intense while other tracks were as poppy as can be. Because of this, Anberlin was a band that I was very lukewarm towards. Until I heard Cities. With their third album, the Florida quintet has shattered everything I used to think about the band. Produced by Aaron Sprinkle, Cities display a vast improvement in every aspect. The drums hit harder, the guitars sound tighter, and Stephen Christian’s vocals soar higher than every before. In other words, the overall sound of Anberlin is bigger than ever.
Read More “Anberlin – Cities”Review: Anberlin – Cities
Cobra Starship Flies Into Drama
Below are lengthy conflicting statements from Gabe Saporta and keytar player Elisa Schwartz about Elisa’s departure from Cobra Starship.
Read More “Cobra Starship Flies Into Drama”Review: A Day to Remember – For Those Who Have Heart
A Day To Remember are sure to incur a number of haters with their pop-laden pit core. Over the years, there have been many bands try the sing/scream route and while a number of have gone onto scene stardom (Senses Fail, Finch, Hawthorne Heights), more have fallen flat on their face. So many, that labels began to shy away from signing such bands for a just long enough period of time for us to forget how tired we were of that sound. Thankfully, I’ve forgotten how tired I was of that sound and Victory doesn’t give a shit what people like me think anyway.
Read More “A Day to Remember – For Those Who Have Heart”Review: Dustin Kensrue – Please Come Home
Please Come Home is the freewheeling solo debut of Thrice frontman Dustin Kensrue. Kensrue’s folk-country labor of love has finally taken shape with a minimalist 8-song release featuring Thrice axe-man Teppei Teranishi and the band’s guitar tech, Chris Jones.
The album kicks off with a double-time acoustic number called “I Knew You Before.” Kensrue sends a scathing message with sharp lyrics aimed at the degradation of women. Interesting fare, for sure, and it proves quite the compelling opener for Please Come Home. The title track is a rather unexpected ballad that stands proud although at times seemingly scattered. The arrangements feel a little off until Kensrue hits the chorus for the first time, and then he finds his groove. “Blanket of Ghosts” is the surefire sleeper song on the album. Sounding as though Kensrue decided to channel Counting Crows frontman Adam Duritz, the song meanders along with an organ-heavy accompaniment (courtesy of Thrice’s Teranishi). Many listeners may skip this song, but it reminds me a lot of Duritz’s “A Long December,” with its slick lyrics, extended solos, and pleasing tone.
Read More “Dustin Kensrue – Please Come Home”AbsolutePunk.net’s Top Albums of 2006
This best of list was put together by the AbsolutePunk.net staff in 2006. It used an old system for ranking albums, but has been brought over to Chorus.fm for posterity.
Read More “AbsolutePunk.net’s Top Albums of 2006”Jason Tate’s Top Albums of 2006
This best of list was originally posted on AbsolutePunk.net in 2006. It has been brought over to Chorus.fm for posterity.
Read More “Jason Tate’s Top Albums of 2006”