1. |
tung tension
03:27
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2. |
sleeps in ice
02:11
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3. |
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4. |
robotaurus
02:56
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5. |
egg race
02:58
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6. |
homedrumm lithophone
04:18
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7. |
factory outlets
03:36
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8. |
bit reducer
03:42
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9. |
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10. |
illuminated void
02:15
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I love Chad, love Black Mold, love Dog Day so this collabo seemed like a dream come true. And it is, but it wasn't at first. Upon first listen, there were some standout moments but it mostly just sounded like a couple of guys messing around with synths and samplers. Which is essentially what it is, but it requires more listening to really get at the heart of what this thing is. After the second consecutive play, it clicked. Now, I've been listening to it on repeat for most of the day. It's hypnotic, abrasive but not too abrasive, atmospheric, droney but also propulsive and catchy all at once. It's a remarkable and extremely listenable exploration of both organic and synthesized sound. It's great.
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Simply a stunning and colossal piece of work. Decades of pop music filtered into two near perfect hours. 11/10?
go to albumThe singer and songwriter sublimates heartbreak into breathtaking alternative folk.
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Behind The Shadow Glass
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If you dig Sparklehorse, Sufjan Stevens, and Lomelda, you will enjoy this record of intimate, emotional songs from the Nashville artist.
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I bought this on vinyl and then spent more to buy the digital. There is a question on Songs of our lives which asks what objectively is the best song ever made. It's tongue in cheek but I think Phil has done it with this.
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