Marriage Story

Marriage Story is a wonderful, wonderful movie. It's one of the year's best scripts (Parasite still is my win here) and it is truly expertly paced - it's not a short movie, but you aren't bored and even though the characters have many, many flaws you care about them enough to be curious what happens to them next.

Joker

(spoilers!)

I wasn't going to write a review for this because 1. the last thing I want is insecure "men" who identify with the lead character writing nonsense in my comment section 2. this movie doesn't actually deserve my - or anyone's - words, but this is entirely too long for my letterboxd so here we go. Call me a c*nt, you ain't getting published, honey.

El Camino: A Breaking Bad Movie

(spoilers!)

6 years after the finale of Breaking Bad we got the sequel focusing on Jesse Pinkman. I was worried how it will turn out, given how perfect the last shot of Jesse in the series' finale was. A lot of people are complaining that El Camino wasn't necessary. No, it wasn't. But that didn't make it any less enjoyable.

It: Chapter Two

(spoilers!)

It Chapter One premiered two years ago and was a massive success - it got positive reviews from critics, the audience fell in love with the film and it managed to become the highest grossing horror movie of all time. As entertaining as that movie was it had a lot of problems and now in Chapter Two the same problems return. But so does the fun, the emotions and of course, Pennywise.

Midsommar

(spoilers!)

Last year Hereditary profoundly scared some and infuriated the others, but one thing cannot be denied - it definitely got people talking. Now its director, Ari Aster, is back with another nightmare and unlike Jordan Peele and his frankly embarrassing script for Us, he avoids sophomore slump. While Hereditary may be a more entertaining and accessible movie, Midsommar feels like a movie made by someone who is more sure of their skill. There were some parts of Hereditary that I felt didn't fit the movie in a natural way and took me out of it, but Midsommar doesn't have that problem. It's a more mature movie.

Extremely Wicked, Shockingly Evil and Vile

Ted Bundy is one of the most famous American serial killers. In addition to the fact he killed so many women and in such a horrible way, he was one of those criminals who became pop-culture icons. The media was crazy about him, the women were falling in love with him and even after he was convicted, the media circus didn't stop. Extremely Wicked, Shockingly Evil and Vile (the title comes from the words the judge used to describe Bundy's crimes) takes a very interesting approach to Bundy's story in that it is told with a lot of restraint, not focusing on the nature of the crimes, but instead depicting how Bundy manipulated everyone around him.

The Favourite

Yorgos Lanthimos' movies are not everyone's cup of tea. They are bizarre, shocking and more often than not, very unpleasant. While they always provide a great material for actors to deliver astounding performances I was thrilled to find out The Favourite is the most accessible of his movies. And that turned out to be a correct assessment - though also strange, this film is more a dark comedy than a crazy ride like The Lobster or The Killing of the Sacred Deer.

Widows

The more Steve McQueen's movies I watch the more I realize the only film of his I truly liked was Shame. McQueen's has this jarring style which was so evident to me in 12 Years a Slave - in spite of having protagonists in his films he focuses on supporting characters too often and in the result his films completely lose focus. In the end we know a little about all of the characters but we lose sight of out protagonists for long periods of time which is detrimental to the film.

First Reformed

(spoilers!)

A Quiet Place

(spoilers!)
It seems like it's a new tradition in movie world to lavish an undeserved praise all over at least one horror movie a year. As great as The VVitch was it's not exactly the scariest movie since The Exorcist which some of the reviewers were claiming. Then we had It Comes the Night, which is usually winning polls for "what is the worst instance of false marketing in the last few years?" these days. And this year it's A Quiet Place.

Annihilation

You dig in places till your fingers bleed 

Spread the infection, where you spill your seed 

I can't remember what she came here for 

I can't remember much of anything anymore 

 She's gone, she's gone, she's gone away 

She's gone, she's gone, she's gone away 

Away...*

(spoilers!)
Alex's Garland's wonderful new science fiction film Annihilation made headlines this year for quite strange reasons. The studio, Paramount - as in the studio that gave Daren Aronofsky 30 million dollars to make a movie based on a script he wrote after he, presumably, dropped acid and his eyes locked on the copy of the Bible on his bookstand - didn't have much faith in the movie. In the result, they sold the distribution rights for most of the markets to Netflix, forcing people like me to watch it at home instead of on the big cinema screen. The move proved to be misguided - the film opened to great reviews and made 3/4 of its budget in US theatrical distribution only.

Miss Sloane & Molly's Game

"Depression and anger gave way to blinding rage at my powerlessness over the unfair whims of men"

This month I saw two movies where the lead role was played by Jessica Chastain - terrific Miss Sloane and entertaining Molly's Game. Chastain was Golden Globe nominated for both, missed the Oscar nomination last year and who knows if she makes it next week. I decided to do a double post feature on them, because while it's Molly's Game that is getting attention right now it's a shame Miss Sloane, a much better movie, didn't get the spotlight last year.

mother!

(spoilers!!!)

The Beguiled is a dull, pointless remake and a sad sign of the times

2017

The Beguiled has been one of my most anticipated movies of the year. The story of young girls and their teachers finding a wounded soldier and taking care of him in isolated school seemed like such a great idea with wonderful potential. My expectations for the movie were even greater since Sofia Coppola won best director award for this film in Cannes. Unfortunately, the film has turned out to be one of the biggest disappointments of the year, Coppola's worst movie and one of the worst remakes I've ever seen.

Dunkirk

(spoilers!)

Every Christopher Nolan's movie is an event. In the world were practically every big, spectacular movie out there is a part of a franchise, Nolan is one of the few who still manages to do something unique. And while Dunkirk is yet another huge movie event that surprises, it surprises in more than one way. Nolan often works with complex stories and world building- the magnificent magic tricks he pulls on the audience throughout The Prestige with the film's multiple twists and misdirections, the complex way to unlock the film's mystery rooted in the infliction of protagonist of Memento, the layered world of dreams in Inception - here the story is simple. Soldiers are in need of rescue. Other soldiers and ordinary people are trying to help them. Meanwhile the enemy is trying to kill them all.

Colossal

Gloria (Anne Hathaway) is an out-of-work blogger and an alcoholic mess, who, after getting kicked out of her apartment by her boyfriend Tim (Dan Stevens), is forced to leave her life in New York and move back to her hometown.When she arrives she reconnects with her childhood friend, Oscar (Jason Sudeikis) who is an owner of a bar. Oscar hires Gloria as  a waitress and helps her get back on her feet.

When news reports surface that a giant creature is destroying Seoul, South Korea, Gloria gradually comes to the realization that she is somehow connected to his far-off phenomenon. As events begin to spin out of control, Gloria must determine why her seemingly insignificant existence has such a colossal effect on the fate of the world.

Dolores Claiborne

The story goes that when Stephen King came to visit the set of Misery he was so impressed with Kathy Bates that he wrote the character of Dolores just for her. The book was quickly adapted into a wonderful film, with Bates in a lead role, the film that is sadly very underrated and didn't get the acclaim it deserves. Unlike most of King's work, Dolores Claiborne is not a horror film dealing with supernatural. However, the themes featured in the film - of domestic violence, abuse, growing old and dying are universally horrific.

Ghost in the Shell

 (spoilers !!!)

The studio executives these days are becoming progressively dumber. I think we can all agree that the lead role in this movie went to Scarlett Johansson because the studio thought it needed star power to make the movie successful. Unless international box office saves it, Ghost in the Shell is a bomb. Scarlett, who is largely the most profitable actress on the planet due to her involvement in Marvel cinematic universe (where she really doesn't do much) is not the person who people go to see in the movies. I really, really love it that's it's Melissa McCarthy who is probably the biggest draw out of female actresses right now.

Logan

(spoilers!!!)

When few seconds into Logan I saw the character I've only seen in toned down, PG-13 scenes tear people apart in violent and bloody fashion, I knew I was in for something refreshing. When I was reminded of Fury Road during the sequence where Logan is trying to drive through the fence, I knew I was in for something great. But when during one sequence while I still haven't composed myself after I cried I suddenly started laughing, I knew I was witnessing something really special.

The Handmaiden

The Handmaiden is based on the novel "Fingersmith" by Sarah Waters The novel is set in London during the 19th century, but the film is set in Korea in the 1930s, under Japanese colonial rule. The pickpocket Sook-Hee (Tae-ri Kim) is hired by the Japanese heiress Lady Hideko to be her personal servant. Hideko is supported by her Uncle Kouzuki and the gold-digger "Count Fujiwara", who is indeed son of peasants, wants to marry her to steal her inheritance. Sook-Hee is a small-time thief of the ring of the conman "Count Fujiwara" and is sent to help him in the confidence game. But soon Hideko and Sook-Hee get close to each other and become lovers.

 I saw this movie while knowing very little about it, all I knew is that there is a conspiracy against the heiress and the girl who is pretending to be her maid falls in love with her. The twist before part 2 (the film is divided into 3 parts) really took me off guard which is very rare, but I knew the movie was fantastic long before then.