Computer Music Journal, Volume 37

Volume 37, Number 1, Spring 2013

Spatial Sound Description and Open-Source Haptics - Spatialization

• 
  Nils Peters, Trond Lossius, Jan C. Schacher:
  The Spatial Sound Description Interchange Format: Principles, Specification, and Examples. 11-22

New Performance Interfaces

• 
  Edgar Berdahl, Alexandros Kontogeorgakopoulos:
  The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians. 23-34

Sound Synthesis

• 
  Victor Lazzarini, Joseph Timoney:
  Synthesis of Resonance by Nonlinear Distortion Methods. 35-43
• 
  David Bessell:
  Dynamic Convolution Modeling, a Hybrid Synthesis Strategy. 44-51

Music Information Retrieval

• 
  Maximos A. Kaliakatsos-Papakostas, Andreas Floros, Michael N. Vrahatis:
  A Clustering Strategy for the Key Segmentation of Musical Audio. 52-69
• 
  Ross Feller:
  Sonic Circuits 2012: A Festival of Experimental Music. 70-73
• 
  Michael Boyd:
  Larry Austin and Douglas Kahn (Eds.): Source: Music of the Avant-Garde, 1966-1973. 73-75
• 
  Andrea Valle:
  Laura Zattra: Studiare La Computer Music: Definizioni, Analisi, Fonti. 75-79

Volume 37, Number 2, Summer 2013

Compositional Techniques

• 
  Dario Sanfilippo, Andrea Valle:
  Feedback Systems: An Analytical Framework. 12-27

Timing and Synchronization in Performance

• 
  Donald G. Dansereau, Nathan Brock, Jeremy R. Cooperstock:
  Predicting an Orchestral Conductor's Baton Movements Using Machine Learning. 28-45
• 
  Andrew Robertson, Mark D. Plumbley:
  Synchronizing Sequencing Software to a Live Drummer. 46-60
• 
  Myriam Desainte-Catherine, Antoine Allombert, Gérard Assayag:
  Towards a Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation. 61-72

Automatic Transcription

• 
  Emilia Gómez, Jordi Bonada:
  Towards Computer-Assisted Flamenco Transcription: An Experimental Comparison of Automatic Transcription Algorithms as Applied to A Cappella Singing. 73-90
• 
  Amelie Anglade, Eric Humphrey, Erik M. Schmidt, Sebastian Stober, Mohamed Sordo:
  Demos and Late-Breaking Session of the Thirteenth International Society for Music Information Retrieval Conference (ISMIR 2012). 91-93
• 
  Hubert Howe:
  Two Reviews of Hannah B. Higgins and Douglas Kahn (Eds.): Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts. 93-99
• 
  Ross Feller:
  Elizabeth Hoffman: Intérieurs Harmoniques. 99-101

Volume 37, Number 3, Fall 2013

Recalling a Singular Synthesizer - Augmented Musical Instruments

• 
  Joseph Thibodeau, Marcelo M. Wanderley:
  Trumpet Augmentation and Technological Symbiosis. 12-25

The History of Computer Music

• 
  D. Gareth Loy:
  Life and Times of the Samson Box. 26-48
• 
  D. Gareth Loy:
  The Systems Concepts Digital Synthesizer: An Architectural Retrospective. 49-67

Algorithmic Generation of Music

• 
  Srikanth Cherla, Hendrik Purwins, Marco Marchini:
  Automatic Phrase Continuation from Guitar and Bass Guitar Melodies. 68-81

Music Information Retrieval

• 
  Parag Chordia, Sertan Sentürk:
  Joint Recognition of Raag and Tonic in North Indian Music. 82-98
• 
  Ross Feller:
  Andrew May: Imaginary Friends. 99-101
• 
  D. Gareth Loy:
  Mars in 3D. 101-103

Volume 37, Number 4, Winter 2013

Analyzing Jazz Chord Progressions - Environments for Computer Music Applications

• 
  Lonce Wyse, Srikumar Subramanian:
  The Viability of the Web Browser as a Computer Music Platform. 10-23

Composition and Performance

• 
  Sang Won Lee, Jason Freeman:
  Real-Time Music Notation in Mixed Laptop-Acoustic Ensembles. 24-36

Musical Analysis

• 
  W. Bas de Haas, José Pedro Magalhães, Frans Wiering, Remco C. Veltkamp:
  Automatic Functional Harmonic Analysis. 37-53
• 
  Robert M. Keller, Alexandra Schofield, August Toman-Yih, Zachary Merritt, John Elliott:
  Automating the Explanation of Jazz Chord Progressions Using Idiomatic Analysis. 54-69

Music Information Retrieval

• 
  Patrick J. Donnelly, John W. Sheppard:
  Classification of Musical Timbre Using Bayesian Networks. 70-86
• 
  Douglas Geers:
  Dan Hosken: Music Technology and the Project Studio: Synthesis and Sampling. 87-90
• 
  Bob L. Sturm:
  Alexander Lerch: An Introduction to Audio Content Analysis: Applications in Signal Processing and Music Informatics. 90-91
• 
  Jonathan Brown:
  Alexander Berne and The Abandoned Orchestra: Self Referentials Volumes 1&2. 91-93
• 
  Ross Feller:
  Felipe Otondo: Tutuguri. 93-94